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The prologues are over. It is a question, now,
Of final belief. So, say that final belief
Must be in a fiction. It is time to choose.

I

That obsolete fiction of the wide river in
An empty land; the gods that Boucher killed;
And the metal heroes that time granulates -
The philosophers' man alone still walks in dew,
Still by the sea-side mutters milky lines
Concerning an immaculate imagery.
If you say on the hautboy man is not enough,
Can never stand as a god, is ever wrong
In the end, however naked, tall, there is still
The impossible possible philosophers' man,
The man who has had the time to think enough,
The central man, the human globe, responsive
As a mirror with a voice, the man of glass,
Who in a million diamonds sums us up.

II

He is the transparence of the place in which
He is and in his poems we find peace.
He sets this peddler's pie and cries in summer,
The glass man, cold and numbered, dewily cries,
"Thou art not August unless I make thee so."
Clandestine steps upon imagined stairs
Climb through the night, because his cuckoos call.

III

One year, death and war prevented the jasmine scent
And the jasmine islands were ****** martyrdoms.
How was it then with the central man? Did we
Find peace? We found the sum of men. We found,
If we found the central evil, the central good.
We buried the fallen without jasmine crowns.
There was nothing he did not suffer, no; nor we.

It was not as if the jasmine ever returned.
But we and the diamond globe at last were one.
We had always been partly one. It was as we came
To see him, that we were wholly one, as we heard
Him chanting for those buried in their blood,
In the jasmine haunted forests, that we knew
The glass man, without external reference.
Tatiana Dec 2012
Sometimes I feel,
like I would die without my music.
The comfort
of my base drum's steady beat,
and the excitement of the snare drum
and symbols,
keeps me from being sad.

I remember,
when I first started to play the Oboe,
it was my new source of comfort,
something that I could always play,
and be happy,
along with my drums.
For years,
if you heard either the drums,
or the oboe,
coming from my room,
you knew not to enter.
I wanted to be alone,
and be absorbed into my music.

I got my own piano on year,
I would teach myself,
because I do not like it
when others force me to learn,
what can I say,
i'm stubborn.
I played the piano
everyday,
along with
the oboe, and
the drums.
Music was my happiness.

One day,
I became sad,
depressed almost.
I couldn't bring myself
to play my music.
My instruments just sat in my room,
untouched,
for weeks.
I couldn't bring myself
to play them,
at the time
it was easier to just lie
in my bed,
and do,
nothing.

But one morning,
i got up,
because I don't like,
the easy way out,
I was disgusted with myself
for taking that path.
Slowly, hesitantly I reached
for my oboe,
the instrument that I constantly
battled with.

I played part of a song,
that I learned years ago,
and I felt myself start to smile,
truly smile,
after weeks of fake smiling,
and pretending to be happy.

Sometimes the sadness,
can make the things you enjoyed doing,
into something you despise,
because it only held happy memories,
that will never occur again.
But they won't ever occur again,
because I was sad,
and not truly living.

But just the feel of playing my oboe,
made me understand
that things go wrong,
and sometimes you can't stop it,
but you must move on,
because if you don't
you will waste your life away,
becoming a shell
of your former self.
You'll die feeling alone,
in a dark room,
where you feel like
no one loves you,
even though that is not true.
I'm not really sure what happened, I just started thinking and typing, and this is the end result.
Serenity Elliot Oct 2014
Roly poly helicopter
Spinning and toppling on a splatter of pink liquid paint
The sharp sound of blackberries and the taste of an oboe
Under the neon night sky glinting with frozen lollipops
LD Goodwin Dec 2013
Puce fresnel washed its light on his over sized African patterned dashiki,
while paisley notes poured from his reeded dreams.
Like the Hamelin piper I was mesmerized by hypnotic tones,
every sweet and spicy slur, every bend of every breath,
I followed him down history’s path and heard the world come boldly through.

“You got to keep the magic”, was his advice .
“Don’t give away too much of the theme.”

Through fake fog he swirled his love,
his passion, his calling.
“Summertime”, played on an oboe
is like hot liquid southern summer ***.
It crawls up your spine and explodes in your brain,
and you understand the songs meaning without one word sung.
Hundreds of years of vassalage reenacted in every blue colored measure.

This man did not think of himself as a descendant of slavery though.
He was, like all of his brothers of color,
a descendant of great Princes and Kings,
stealthy Hunters and fearless Warriors,
grand Land Owners and Wise Men,
Great Leaders of Peace and Brotherhood,
and he lived out his life as they did,
changing the world one note at a time.
He played the music of all people,
“World Music” it later came to be known.

Listen….he is in the rhythm still.
Wherever there is an ethnicity holding on to their heritage in song.
Wherever there is an indigenous rhythm, a harmony, a feeling……
Yusef is there, and he will be there forever.


*Yesef Lateef
Born October 9, 1920 in Chattanooga, TN
Died December 23, 2013 Shutesburry, MA

Musician, author, spokesman, educator

Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto


Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.
Knoxville, TN December 2013
Tatiana Dec 2012
Sweet lullabies,
float along the staff lines,
played by instrument,
that can croon sweet tones,
into ones ears.
But yet,
the same instrument
that can sing so softly,
and beautifully,
can be loud and obnoxious,
making the treble clef,
tremble with anger,
or fear.
This one instrument,
is so sweet, mysterious, and haunting,
but at the same time,
its loud, angry, and obnoxious.
It's unique,
just so beautiful,
and rare.
It's my perfect match.
I've played the Oboe for six years now, and I would never give it up. I used to take band in school but I quit because I disliked the class, even though the teachers really wanted me to stay. They would give me solos and important parts in songs, they told me how good I was at the Oboe. However, I don't think i'm as good as they think I am, but the Oboe is my musical match, there is nothing more unique than the Oboe and I still play the instrument everyday, I will never drop it.
Stu Harley Aug 2016
oh
what
joy
fantasy
and
sweet melody
breathe deep
through
my soul
at
heaven's gate
i hear
the
enchanted sound of
Gabrial's Oboe
radiating
street lamps
ionized the
indigo blue
haze charging
the night air

sparking the
city’s eclectic
currents coursing
through the
abandoned raceways
and empty streets

energizing the
phantoms of
the city’s
restive spirits

the ghosts of past
Great Falls Fests came
jitterbugging back
to life

transparent
veils lifting
and falling
with it, a voltaic
indigo blue
billowed out of the
abandoned stadium
pouring smoking
oboe moans
into the cavity
of the great gorge

“I was one of the last
to perform at
Hinchliffe Stadium”
Duke proclaimed
with his usual  
distinguished air

“it was also one of my
last concerts”, he added
with a tinge of
sorrow in his voice

“the band was rockin
the Art Deco tiles,
splintering and shattering
into bits of earth toned graffiti
the last vestiges of
a bygone Jazz Age
dissolving into the
disco fizz of the
Seventies”

the indigo mood
clamoured off
the rocks absorbing
the sonorous waves
like a stand of
hallowed
sequoias

“I’m trying to
remember what
my last tune
was that night.

was it Caravan?
or a Prelude to
a Kiss?  No no
too mellow
we always ended
on an upper
a real crowd pleaser,
I recall the boys swung
a medley before the grand finale
that medley included
Mood Indigo, Caravan,
Sophisticated Ladies,
Prelude to a Kiss.
We opened with Kinda Dukish
Rockin and Rhythm
we closed with
Satin Doll
Yes I’m quite sure
I waltzed them
off the floor
that night with
Satin Doll”

Duke ran his
fingers through
his processed hair.
He grabbed my shoulders
raised his baggy eyelids
And looked me straight
In the eye

“Yes, we followed
Tito Puente, he killed it
we upped our game
He was just starting out
But at this time Silk City
was going Caribe
Juan Tizol was
out of his mind that night,
I thought him and Babs
we're gunna jump ship
and join the Salsa Circus
Yeah El Rex and Celia Cruz
were that good

El Rex had the place
jumpin and jivin
it was a glimpse of the old days
livin in the here and now
just like the old days
I couldn't compete with that
so I waltzed them off
the floor with Satin Doll
a little cheek to cheek swoon
maybe some guys got lucky that night
and maybe some girls fell in love
Yeah Paterson was changing,
the ***** Leagues long gone
the last ****** Auto Races
crossed the final finish line weeks before
when the raceways in the stadium
replaced the raceways to the factories
we knew it was coming to an end
and with it all the good paying
jobs, whatta shame
just like me and the boys
watching El Rex
the Duke was dethroned by a King
just like Silk City
we had our day in the sun too
a Satin Doll Sun
Those were some good times,
sometimes”

Duke scratched
his head,
and he looked down into
the swirling noise
of the Great Falls
“on a night like this
the mood indigo
takes you into the
darkest hues of blues”

fragment from
Silk City PIT 6:
The Great Falls

Duke Ellington, Coleman Hawkins
Mood Indigo




Oakland
3/30/13
jbm

(FRAGMENT WORK IN PROGRESS)

Part 6 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
(FRAGMENT WORK IN PROGRESS)

Part 6 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Hope and Labor is the city motto of Paterson NJ, nick named The Silk City.
Robert C Howard May 2016
Sinbad’s sea-battered ship was
poised on the edge of annihilation,
The Sultan's brow furrowed with curiosity,
then without warning
Scheherazade stilled her narrative
and lived to see the morning sun.

When the moon and stars next owned the sky,
Sinbad was snatched from the jaws of death
then the saga of Prince Kalandar
seized the king's soul with wonder
but Scheherazade left the tale unfinished
and sang with the birds at dawn.

Rimsky-Korsakoff  turned the pages at his desk -
consumed by Scheherazade’s charms
then etched his pen across the waiting staves:
The violin must weave her spell once more
and bassoon and oboe take the prince’s part.

Trombone and trumpet led the martial call
and all the rest enlisted for the cause.
Russian bravura fused with the seductive allure
of exotic tunes born of the dust on the silken road.

A sonic whirlwind filled Saint Paul Church,
as winds and tremolos grew to cyclonic force.
A wall of brass completed Kalandar’s tale.
capped by an exuberant clash of cymbal plates.

The silence yielded to tender violins
chanting a hymn to the princess in all her grace.
Tambourine and winds wove a tapestry
of her debonaire and most virtuous prince.

As the final pizzicato chord faded, the Sultan
turned to Scheherazade with tear-filled eyes
and beheld his immortal princess
and she her valiant and eternal prince
and so it would be as long as night preceded dawn.

She kissed away his tears of joy and whispered in his ear,
“My beloved husband, I will tell you stories forever.
Tomorrow you shall learn of the Feast at Baghdad.”
Another site I have posted on, Poetfreak.com is shutting down so I am moving some the poems here. More refugees will follow.
Bailey B Dec 2009
Once I took one of those blot tests, the ones that that Rorschach guy invented.
Or maybe it's Rorscarch.
I don't know, but I call him Roar-shark.
Anyhow.
The ones with blots of black paint that you're supposed to find pictures in.
There was this one blot, and I saw the profile of a lady's face, with long windblown-looking hair.
I was supposed to find a butterfly.

I've always had a different take on things, a weird memory association.
Well, I guess I can't call it memory. As far as I can recall, I've never seen that Roar-shark blot lady in my life, or anyone like her. At least, anyone that I can remember. And I only remember the truly remarkable.

I had these really great microwave burritos that I would eat after school, before rehearsal so I could just pop them in and go.
They were warm and gooey and really realllly bad for me, but hey.
I'm in a hurry. I'm allowed to be fat.
They were soft and I could eat them in the car on the way to the theatre without spilling things on my rehearsal skirts.
But then my grandad got throat cancer.
I was house-sitting my Nana's house one day and opened the fridge to get myself a glass of milk while I fed her cats.
Those very same burritos were in their freezer.
The other day I shoved one of them in the microwave so I could grab it and go,
and I hopped in the car and took a bite
But I couldn't eat anymore.
I looked at it and my stomach turned and for some reason I could not eat that burrito.
My mind had decided that if I were to take another bite out of that food,
I would be eating cancer.
I told myself that I was being ridiculous and stupid and I was hungry, so eat it.
But I couldn't shake it.
So I threw it out the window.

My mind's ALWAYS doing stuff like that, playing tricks on me.
I can't touch the page numbers on the pages of a book. I think they're spiders.
Sometimes I think my oboe reed blades are actual blade blades
and I'm afraid to put them in my mouth.
Weirdness doesn't go away.

So now I've switched my before-rehearsal food.
Tortilla. And milk.
I don't know why this strikes me as appealing, but it does.
My mind equates tortillas and milk-- warm and cool-- with happiness,
just like it equates my face wash to orange and honeysuckle.
(Though it smells like neither.)
and Christmas angels to pillows.
Rugs remind me of Egyptians.
Theatre seats are associated with a certain animated clownfish.
Leaves are reminiscent of the Sistine CHapel.
Pleas don't tell Roar-shark.

Once my English teacher told my class to write everything important in ink,
which brings us back to that one guy,
in pen.
Since everything I write is important, I write everything in pen.
Of course, you can see everything I scratch out, too.
The unimportant of the always important.
I like to think I'm not afraid of mistakes.

But sometimes, when my iPod is on shuffle,
it decides to get inside my head and play that song
that reminds me of you--
back when I bit my lip,
back when you owed me a slow dance,
back when I actually LIKED the scent of apples and pine trees.
And my mind does this "freeze" thing that
makes me stop breathing for a second.
and I hit the next button really really fast and then
fly off to the kitchen to find a glass of milk
because nothing can go wrong when I've got happiness in my hands.
But it's no use.
The thought gets to me before I can stop it.
About
my
our
YOUR mistake.
And then I just get angry and the milk quivers in my glass and I have to set it down before I throw it at the wall or something drastic like that.
Because I am dramatic, maybe.
Because even though I have played it over in my head
because even though I try to think it's my fault
because even though I try to blame it on myself
I can't.
Because it's not.
Because I'm not afraid to make mistake.
But I'm afraid to remember you.
Because
Even if you were remarkable.
You aren't.
Roar-shark would have a field day.
Madeysin Apr 2015
Solis
Songs for Judah
Takes me to my knees
Spiritually
Instrumentals
Tell a tale
Not soon to be forgotten
I'll always be your slave,
These shackles permenant
We expected the violin's finger on the upturned nerve;
Its importunate cry, too laxly curved:
And you drew us an oboe-outline, clean and acute;
Unadorned statement, accurately carved.

We expected the screen, the background for reverie
Which cloudforms usefully weave:
And you built the immaculate, adamant, blue-green steel
Arch of a balanced wave.

We expected a pool with flowers to diffuse and break
The child-round face of the mirrored moon:
And you blazed a rock-path, begun near the sun, to be finished
By the trained and intrepid feet of men.
Ken Pepiton Feb 2023
---- 2023 youtube I wonder if, and lo': The Planets
A grand background orchestra, mental direct
there, you hav it, too, listen, a few times,
just in the mood, to listen
maybe as you get, that it starts at Mars,
begin as we
think we
Read this at your pace the writer advised,
and I did, a couple of times,
like long stuck records…
To Holst, an offered libation,
to all the minds whose words
are music as big as any mind
limited by my unknowing,
only
using, the truth, music, leading after words,
through ever away,
silent for a now,
or so,
from the Sun, past the fragment,
the single lump at the core,
of the process,
Ash as
Icarus, and Hermes, speedy messenger,
such as see thee, hold the knowledge holy,

watch, see, the wandering planets Holst,
might have seen today,
looking through my eyes,
wordless, right on, so far, as we

agree, there
is power in the mind that writes and reads
music,
power alloted some in blind feel,
power exuding from an ever in times past,

lasting ever tones thinning, spreading, patterning
perfected harmonies unexpected
yet
taken as granted, felt, in passion y sympassion,
same sound,

my once known wind, my bass oboe player,
acquaintance, who called me by name,
accusing me, subtly of not knowing,
there is a forest of low stature,
and there are missions there,
where if you pray,
they feed you twinkies… I recall, between
Venus and busy laughing Earth,

I remember Mars is next,
I am ready, I went into the dark kitchen,
back of the Mission on Fourth Street,
across from an Electra Records Billboard…

ifery approaches, Holst has not gotten me to Mars,
I am pulling in an experience, from a mission,
on Fourth Street, in a mindtimespace shared,

as of yet, by a few, who will know the place,
the ******* Mission, the one
with the Joker who used rats,
to get a startle response,

and at exactly the wrong place, for men with
certain
kinds of sure thing reactions, to diabolic attacks.

2023, approaching Mars with Lou Holtz, I thum thum
thummin wearin' my Razorback hat,
Inter Planatary Hwy 71, to Joplin,
ur in my realm.

Bass every thing slow creep slow, seep as sludge,
to the edge, and look beyond,
this is it, this is the Earth,
we shall survive!

We slay the unbelievers and fake it til we make it,
right, kids?

---------- longhair music, epicyc-lical as neckties,
to male tipped stacking schema for *****,
or stones,
or crystaline tones accompanying the heating up
of life's core cargo cult's last load,

Holst, bass trombones,
here, is the dance of little devils with a mind to make
a difference
in the depths of ever after,
up to now,
I had forgotten the piccolo parts, and the French horns,
and the joy of the big parade,
marching off
to war explore the unknown
for exploitations as per the underling theme,
go forth
subdue the Earth, and conquer all who refuse, to say
this is the way,
this is the good old way,

war
glory and honor, earn the urim'nthummin'n'human
inhumainity, we, the chosen warrior beings,
messengers of differing mocking gods of ****** mud
beyond the final river,
every slogger knows, forever, there remains
one more
river to cross, a final thread to tie to you, listener,

Holtz, still in the background, a journey, what price
each player plays in this, orchestration shared,
as I read, I wrote, as I hoped, I did,

and I remain, giddily glad… my side won the war
I lost.

Peace came, unbidden, apparently,
a deep breath, and harp strings,

this is the future from any ever before, now
to know
this is common, not so rare, as even the idea,
not so long ago,
first radio mono performance,
what child lay in the crib and heard this,
through the grand horn of Gram's Gramma phone.
Y''ello,
toldja, ai ain't no Injunsaint. Pretend, then,
right, ai and mai-y grandma

can piece together some occassional lessons, given us,
she in her time telling me in mine,sssince ever about
I was forty-nine, or so, she told me she was an orphan,
and had no family knowledge, past begins
at the last common thread,
to a native american epic,

when the old deluder, Satan, act, attached
to law and order and rectangular resettlement
of wilderness liberated from savages and beasts…
pawn, both steps, dare… help the Macedonians
and take Uncle Tom wit'cha, whicha oughtn't had
never the less, young wombed men, did tend
to become aspirational, after becoming
inspired read-up young wombed men, hot
to seek adventure, teachin' young'n's, out west.

indistanct depth Holst at the kettle drumms softerafter
- the silent version has a different light show
--- circa 1880's, not historically long ago, most places.
This character,
qwerty guy's friend, has kin as close as my Uncle Cebe'n'me,
who died at Wounded Knee, where my liege republic,
honored some two dozen rapid fire cannon supported
avengers of The Seventh Cav!
And in their hearts,
if not their lips,
was the march in time to Garry Owen. Their families
must be proud.

And that's a shame. We were taught to grant worth
to a medal signifying honor brought to the liege, in victory.

Peace passes that, music makes bubbles, we revisit,
replay the gramma phone version,
some scratchy
real realizing strings singing chimes and harps
of ages past
unveiling, hiding nothing knowing freedom is a sense,
you know
you do not own it,
you do not make it up, it is free. The idea

I had, approached as
hunter
in pursuit, steady as she blows,

leave us hap as may be at a triumph of joyous
curious
dancing twinkle noise amusing being a muse used,
enter tained, and voiced by bass
then tinkles
thin thin thin then Zildjian  K-bang!

____
Yes. Loaded. RIP
Cantaba como un canario
mi amada alegre y gentil,
y danzaba al son del piano,
del oboe y del violín.
Y era el ruido estrepitoso
de su rítmico reír,
eco de áureas campanillas,
són de lira de marfil,
sacudidas en el aire
por un loco serafín.
Y eran su canto, su baile,
y sus carcajadas mil,
puñaladas en el pecho,
puñaladas para mí,
de las cuales llevo adentro
la imborrable cicatriz.
Mateuš Conrad Jun 2016
oh hell, every time i write some embarrassing a day prior, i turn into honour killing from Pakistan enveloped by shame... 'what the hell did i write last night? i can't remember, but i know for sure that i didn't roll down the stairs or **** in a phonebox'. well, i could sit here romanticising like Marcel Schwob, or just dig into like Marquis the Sade... honestly and oddly enough the latter did give me an *******, and he was half-the-pervert that everyone deemed him to be, flashing his buttocks from the Bastille... his uncle abbé de Sadé (i love to put that accent in on purpose - sounds better to me, less boorish) - and yes, Creedence Clearwater Revival does more justice to the harmonica on graveyard train than Bob Dylan and **** Jagger put together... it's just there, and it ain't it's because it's there that makes it... ha ha... groovy - maybe that's why they spared him from the guillotine, in that he wrote more of his exploits as wished to be done, and of the actual exploits too many were hidden in his blabbering prose undone; ****** is by far his greatest work.

i told you the black and red Oranjeboom is a trip, they used to sell it at 8.5%, now they dropped it to 7.5... that beer can get you crazy in nanoseconds, quicker than a formula 1 crown jewel of a Mercedes-Benz, i'm serious, the ****'s lethal - you drink with me you'll be talking l.s.d., you'll end up a Mongol somewhere in Siberia, stark naked in minus forty saying the words: 'where's my umbrella? where's my umbrella?', indeed on repeat... 'and that yak? i was riding a yak... where's the yak?' we have European bisons to await you colonel... 'about time, i was waiting for a bison... isn't that the place where storks migrate to to make butter over the summer? and the Jews hid when the Black Plague was sweeping across Europe leaving them immune in the vicinity of Cracow?' yes it was, Herr Mascherschtic-Messerschmitt -
'who's on the oboe? and the soloist violinist?' we don't know, working it out, 'you better, because i don't really long for a drum-beat of knocking two stones together to spark anything but fire, rather, a conversation; 40 days in the desert with Jesus trying to relocate the Jews to Goa worked out so splendid that they moved North, started speaking riddle Hebrew that's Yiddish and followed suit with ****** being gassed, but instead of trenches, death chambers - people tend to forget he was himself gassed and dated Eva a Jewess... no far right assimilation, i spoke with a grandpa that asked for sweets from an SS-man and a great-grandmother who fed her daughter opiates to hush her on the eastern front so she wouldn't cry - sometimes stating a self-consciousness detached from thinking (the inhibitor of existence) is as random as a lottery - because it's just that, thought is an inhibitor of existence, being is an exhibitor of the (sic) stated - oh please don't read me if you're into ******, i'm with the bookworms and freaks, premature ejaculators and whatnot, go eat a ******* macaroon in Morocco or something - of all the admirable circumstances worthy a stage thinking isn't really allowed, it's not exactly glorified, in two sentences:
- *i thought about it
             (how two pronouns
                                               interact without Freud,
                                               or meet, or are the proton i
                                               neutrons thought about
                                               and the electrons it)...
it's a permanent duality of expressing something and anything,
we need the first person, the eyes give it away,
but in the end we're either touching an axe to chop
down a tree or attaching ourselves to a detachment of
chopping the tree down for the Freudian third it -
it's no longer a game of 'you're it!' tagging of
the kindergarten game but a work of fiction, transitions
like that must be painful - third person narratives are
generally conceived from being lazy in the first person,
how many people do you actually need to **** the poet off?
film credits: and it's a long list, mind you.
oh yeah, that word: dzwiękać - it's about making 0.1% of
a Mozart symphony with two stones smacked against
each other for what the feet used to do, a drumbeat,
it's not exactly an act of Prometheus' Odyssey into
the first glimpses of chemistry -
alternatively?
- i am it / or some alternative to something even more alternative,
  in the French school of thought dubbed deconstructionism
  that's also a blah blah reduction,
  Bruce Springsteen and Frank Sinclair, a slum-dunk
  by the Lakers - it's still supposed to mean that i intended
  the phonetic encryption, i visualised nothing for
  you to follow-up on, sounds, poetry isn't cartoon,
  the harsh reality of having to read the Mandala of
  mouth expressions without, eye, eyebrows or cheeks
  or chin - ends up being dentistry when you want to
  say a but end up adding a            h     while
  the dentist inserts a blunt object into your mouth for
  an ah (be my guest, macron or umlaut depending
  on the volume of your lungs added to the a for reasons
  of reality's prolonging the seance of rotten teeth).
what i meant was the notion that thought is a different
type of being, or expression of out of every instance -
thinking too much won't grant you access to
people who say: 'are bored with their *** life. especially
gay men, who 'see *** as something you have to do
while on drugs'. so once **** no reassurance with
forever ****? **** it! could have given it a one-over
back when i didn't have a monkish demur.
well i can admit i'm jealous, but i just remember *******
before puberty and feeling the muscle sensation and
seeing no *****, aged 8 - the ******* help, and incubator
for all that raging monotheistic operatic harem wanton -
it's still a balancing act writing a sentence,
you are basically juggling two words, both are pronouns -
you throw a boomerang, you throw it as yourself
and expect it to come back as yourself,
pristine, juvenile, ******, intact with a pride of being
a person not influenced by others... the origin of
Columbus... it doesn't work like that,
the boomerang ends up like a windscreen with
several bugs attacked to it, bugs like Kant, like Heidegger,
whoever... whatever, free-love **** *** is overrated for me,
the ******* build-up and the flashing lights and whatnot,
i approach *** like a lumberjack a tree,
axe, tree, chop chop, tree falls... i'm out after an
hour having paid £110 for the pleasure... so you can take
your little feminism into the annals for these free-love
festivals (burning man in Nevada, killing kittens
in the hamptons etc.), preach there, leave me and my loser
****** high libido crew in the shadow of the crucifix -
judgemental ******* - i never expected so much stigma for
giving an ****** that i paid for to give, it's like an
Albert Camus novel, or worse, his life,
paid for a train ticket but decided to travel to the desired
destination by car, dead in a car-wreck - Irony with an ism.
emma green Jul 2013
she sits - eyes darting side to side,
eating the atmosphere, chewing carefully,
rosebud mouth moist, lips open a space,
hands fidgeting in her shallow concaved lap ..
woman leans forward to stroke wayward
tendril from wide forehead - a sign of excellence

to some just that, to others smart phrenology;
tendril defies maternal meaning to spring
like a diver from top board thrill
to fall once more upon laughing brow,
how young child loves the tickling touch
she never receives from mother -

she who urges piano practice, eight to ten,
dancing lessons, eleven to one,
geography, history and Latin tutelage
with woman ancient her and morbid more,
afternoon alternate curriculum and oboe,
catechism, times-tables, spellings parroted..  

when night calls child to sleep,
she curls her softness into a knot, tight
and unforgiving, ******* tears from
sea blue eyes so they weep 'pon Egyptian
cotton sheets to dilute the ***** drips of
progidy’s day by day nightmare..

child needs, child yearns for what she
does not know, kettle drum heart throbbing..
longs to run in meadows mossy bright,
longs to see dirt under sweetheart nails;
in dreams she rides ponies *******
and soars sky, dances clouds, kisses moon..

but then, morning vivid with sane insanity
she wakes in an open cage, in a different room..
rebelled, she did, small fragile six year old;
today, today, today her mind is empty,
hands fluttering butterflies, eyes bright, innocence
faded, but  laughing..laughing..laughing, free.
Sjr1000 Jan 2014
There is the sound of music somewhere
softly playing in the woods
or is it just a wind blowing through.
I've heard this music before
returned once more
a major chord
taking myself too seriously
I can barely see the mirror.
I've got to get going
But I have no where to go.

Self absorbtion rolls in on the violins
Surrounds me in
a jacket and a blanket
sleep invites me in
drowsiness fills my mind
but I've been sleeping far too long
and it is no longer quiet inside
as the drums and cymbals
richochet within me
and anxiety hums its edgy tune.

I can't unwind my mind
hyperactive but not motivated
unable to move
while the guitar solo
reaches high and drops down low.
Is that the oboe and does it know
a crawling wriggling
alien ball of
Medusela hair
has taken up residence right there.
In a distinct diva voice
she's singing my song.

While opposites play a single chord
a single note
When with you I want to be alone
when alone I want to be with you.

The drum beats so slowly
there is a weight on my chest
a blindfold over my eyes
my heart's in a freezer
my legs are paralyzed
the music is playing
the crescendo is coming
and I'm dancing again
to those Depression Blues...
Binary Code Mar 2015
You hit. A flopped an fit lien to then bgs. .,. S€€


You knew. That wingding sis my tots fav font you know this




,,.h so you're is Tia dim a frog

And this frig lies till I lie in ab oboe






I'm a g I'm. P and and op g




So I'd you want to fight me I just might ***, Yee
Note said tin tots dinner. Prince of oblast in I throw Ts 5637
SøułSurvivør Jul 2016
-

upside down
butterflies
twirling

tin
sun
spins

fat raindrops
splatter
against
piccalo
wind chimes

staccato sound
drifts

an oboe car
horn
a far street
away

alto tympany
of liquid
from the
gutters

striking the
kettle drum earth

basso profundo
voices
a dark backlit
choir
from
the

clouds
rumbling
along

tree limbs
sawing

violets

and

viola
a symphony of
rain tonight

-
I have always found trigonometry helpful,especially when boiling eggs,my maths teacher who was himself somewhat of an egg head,said,'it's all about angles,I read it as Angels and ever since then have been trying to plot a course to heaven.

I found Geography extremely useful,although I can't find my way back home on a Saturday night after a few pints of beer at the local inn,my tutors words come back to me,follow the spot on the end of your nose and you'll always go in the direction you are heading in.


Religious instruction was fascinating, who would have guessed there were so many thees and thous and sacred cows don't get a mention at all.Idols and idle men and prophets who preach for no profit at all,seas that part and fishermen and romans who rule are they the rowmen?

Sports was good.the physical exertion of training,the rugby field in the pouring rain,and the medicine ball..which we used if we needed no medicine at all. I climbed up the ropes in the gymnasium and expected to disappear,like some fakir in the backstreets of Bombay.it never happened and I'm still climbing

#English lessons. why is the language of my fathers all greek to me,past imperfect,present tense,commas and the colon,what a bleedin' carry on,Keats and Shelly and what the hell is poetry,my English teacher who was called Gupta Singh taught me all I ever knew.

Music, food for the gods and food for the cats and the piano never played in key.teacher said it was me who couldn't carry the tune,the oboe,bassoon,the flute,lute,triangle,the jingle jangle of mediocrity is everything that music means to me.

Art,the only lesson in which I really took part..loved the splashing of colours and the butter of words on the sheets,loved the wisdom of wordsworth,the delicacy of picasso and then,in the factory when I left school there was art in the furnace,in the pig iron and ingots,the melting of iron the fire and the bellows...but I saw none of it because work took it away from me,artists are only ever free when they're painting or writing and not working to stave off starvation.

yes school taught me so much but now it's all gone, as the headmaster told me....'you'll never be anything if you don't make something of your life' or is it that the headmasters gone and life goes on,...

Philosophy was good too.

Biology taught me that we come from eggs and we could have been ducks or platypii..and pi is not a platypus but a mathematical equation..education may help us to learn but it can be very confusing.

History..it's always good to know that we walk on the bones of the dead as we wander through The battlefield of history.and that Mesopotamia which is historical is also biblical, two lessons in one,

education on the cheap.
I don’t have anything against them flailing about,
With their commanding stare and whisper shouts,
Don’t get me wrong it’s not an easy job,
To keep all in time with a clean kebab,
And I don’t think I could keep a civil look when an oboe’s flat.

I think that’s when my brain would crack,
Just as when you break a twig,
First you feel the wood bend and give,
Then Crack! Like stubbing your toe,
Sudden pain and yelling, I’ve thrown my shoe at the tone deaf Oboe
Alexander Klein Mar 2013
Who can sing his heart?
Garotted by sins long gone
I am a may-fly.

Creek flows ever on,
Yellow blossom drifts downstream.
What is permenance?

A snake sheds his skin.
A man sheds his face the same;
No pearl is alike.

A dream is a fish:
Whole life spent in murky depths
In search of context.

The sea seems a mood.
Only asleep do I swim,
When awake, I drown.

My bones are the shore:
Skeleton of vibrant ghosts
Lapping sorrow's tide.

A drum un-beaten
Is a life unlived. In spring,
The woodpecker cries.

Consuming the grown,
Spreading hopeful seeds to spring:
A sigh is a bird.

My breath was forecast:
The winds are a waterfall,
All the world is wind.

There was an oboe
Who said "Don't follow the score,
Let me sing your heart."
A powerful paw strikes the earth
Strong since your day of birth

A spat of dust arises
A cloud that disguises

A future with you in it that is bright
You who is bathed in divine light

For those who misjudge
And appear to begrudge

Your luminous essence
Most evident in your presence

Simply put, they are not needed
And for you, these words are to be heeded

Just as orchestral sounds swell with the howling song of oboe
The world, too, swells from your howling song, for U R Lobo
Written for Lobo...a very special spirit who makes the world a much better place as her paws make their way across Mother Earth and her howls fill Father Sky. :-)

Live 4 Love
Travel, traveling Ben, travel to the stars,
See the world as it comes again, produced from afar,

Spirits of the Dawn make haste for Time is coming…
When the Sun will crest her waves, bringing forth the light of days,

Loose the moorings set your clock, burn incense for the Spirits,
Travel! Traveling Ben, you know the universe, is happening!

And all time will be told again, in a machine-space of stars,
Her oboe of horology, for the sailors tune –cosmology,

Loose the moorings set your clock, burn incense for the Spirits,
Sail your ship over the sun, the place of your appearance.

Travel traveling Ben, travel to those stars,
Your ship a cap, you ship captain, from a sandy field of ours.

I could not think what else to say to end this little ditty,
But thinking on my ancient Egypt makes me oh so giddy!

What has Ben, will be Ben again, for Ben plus Ben makes two,
And there you go, I’ve gone and done it, given you a clue…
"Ben," in Gaelic means mountain and in Egyptian means..."Mountain top."

So, "Ben-ben," means, "capstone." Get the riddle?
CA Guilfoyle Jun 2016
Strange music playing
I never know from where it comes
always on a whim it wanders and goes
a flute, warm breathed upon my flesh
sometimes cool night jazz
a deep toned oboe, I breathe in wildly slow
drums synced in rhythmic beats
now a bass guitar strummed ever dark
a haunting violin that moans
ripping at the heart.
Lino Althaner Nov 2011
La cercanía de las cosas
las piedras las hojas
los grillos cantores
los arcos del viento que acarician
las cuerdas del bosque

mientras canta el poeta imposible
a unos cuantos que escuchan más bien tristes
distraídos y dudosos
reposa el oboe vespertino
en la cercanía de las cosas.
Sassafras,
kiss my ***.
Wash your hair,
with mayonnaise.
Death rays of the dark days.

Tissues, for the weak,
crime’s, at a peak.
Do not stain your white clothes,
play the oboe of hope.
Listen to the music cry,
now fly, now fly, now fly!

Death rays of the dark days.
Death rays of the dark days,
death rays of the dark days,
death rays of the dark days!

The dark days, the dark days,
the dark days, the dark days.
The dark days, the dark days,
the dark days, the dark days.

See the way,
the moon shines on the water.
A beautiful image,
the death of a brother.

We are looking for change,
that we can’t find.
But we are in range,
we’re not far behind.

Death rays of the dark days,
didn’t last long,
just a phase.
Death rays of the dark days,
to a false god,
we will praise.

Death rays of the dark days,
didn’t last long,
just a phase.
Death rays of the dark days,
to a false god,
we will praise.

We will praise, we will praise,
to a false god,
we will praise.
Copyright Barry Pietrantonio- From Traveling Through Time
Brycical Nov 2014
May you rest well & tango with the crimson leaves aglow with whimsical love living in their veins vivaciously while the effervescent vicarious vespers of air spirits lift and play oboe tones atop the glorious ruby mountain in the kiss of dusk.

Also i love you dear, sweet honey cinnamon habibi queen goddess being.
matt nobrains May 2014
I threw the backpack down
shattering the 13$ jug of wine
I lifted it and saw all my precious lifeblood
oozing out the bottom.
pouting down
two blocks like a child before
pouring the clot of broken
glass is the street.
bad relationship.
put my fist into a metal
sign, ripping up my arm
dropped my wallet losing
100$ to the gods of failure,
dropped a bag of beer causing
one to rupture and spray all over the apartment.
when I find a piano I clang
on the keys til everybody has
a migraine, myself included.
it's a light form of
sadomasochism.
I do the same thing with
women,
and they prove to be better
players.
slipping around in sheets
with somebody else
a sultry look on your
face like a saxophone solo.
light a cigarette and immediately
break it
drop my new phone in a cup
of wine
rip somebody's door of its
hinges.
meditation is foreplay of life
you gotta lick the ****
be the last one with
your shirt off
last one to the finish line
the last to fall asleep
the first to wake on
the 76th hangover this year
so far
so long
too bad
who cares
eat my ***** while I
shove a ******* in my ***
like the queen of France on
a ******.
you can lead a camel to
water but the **** thing
still can't play an
oboe for ****.
satan sold me a *** music
box
so if you see him tell
him I got pictures his wife
******* my **** in tumblr
Ken Pepiton Aug 2019
Note to you: The rythymn-in-strument strums in stone geo-time.
To the drummers,
dis-passio ey okeh,
woodwinds dim-
inuendo
oboe join in mit piccolo on the hummingbird whistles
simulating
Breezes, in the shade of a great rock,

real life rock, granite composed of not so tiny grains
of ground up uther utter star-stuff, side-
real asif intended for goodness
sake.

otherwise, how petrified I'd be come imagining the forming
of the
very
foundation of my life, as I know it,

it is un-believable, therefore
no lie,
if
the riddle arrives after ever begins

and, word has it, dear reader,
may
is your word now.
You may believe anything you wish,
with no
un-intended after math, after ever
began

Do you recall...
youth full quests completed alone?

Quests, Johnny Quest, Future Quest V.B.S.

believers, true believers being formed from childish hopes,
manifesting in grown liars stricken with

hidden child sym-drone
in the middle of booming thirty-something phase when
pressure
starts storing all the old stories,

building energy for the seventh decade fracture/crushing

blow
sh
soft blow breeze of free and easy musing re
songing a reason to belief
in
even in
a realm where lies never die.

Recall the old days, balance
bubbles and crossed hairs and roads
...
Balance factors, bubble balancing lead weight,
deligate
the Whole Earth Catalogue
as
tipping-point
balanced by the weight of the roof on Notre Dame being
melted along with the rest of the Greenland Ice sheet,

so superman eyes in our skies can see to the bedrock on
which the

Principle Thing
spins
---
The root of evil has reached this point

this is after all that. Time-wise, in the arrow scenario.

Fair tales always win, sh'eros live for your examined life'sake

--- ranting old men come running down stairs
--- the hidden child has arrived

The golden headed child, meek and cold
locked
in buried treasure

chests opened one last time for quadrupal by-pass

--- He's a donor
--- givem awish foundation
--- make this sacred

Mi-da's, well, he wished again,

he wished he lived in inter-sting times entertainment-wise

inward touching times imagined
in the addled golden child
Adler
brought to life in a virtual, al-most verifiable asnot art,
but not

very-fi-able, semper-fi-wise, if you

swore the oath. (It's a game, right, now game vows link for
in of by logic gated
Jungian
mazes, do they? Amazing.  ) See,

from above, as below, pretend you know

all things, you can imagine

in my bubble, in the absolute absense of your
at-most-fear

let. that act do. let us, the objective aspect of we,
the people who hold those famed

troothz, verities of any examind re-ality-ifity-isms

self-evidence for we

be letting be, believe me, that's no lie, you can doit, you can, you can
I imagine

and I accept we may mean more to me than thee,
however now
hapt, in qualia quantumical if-I-ability
entangled meanings
link us through
my-silly-um,

Disney-fictionation endo-crenalation, --||T|>>>--->
times half
formed
Crea-nullated castle
wall
link that sparked the aitia ifiabe
first caused
fall from the well
on the mountain

jack fell downbroke his crown
jillcame
tumbling after bling bling bling

--- the sorcerors's apprentice was fired
--- they found errors in his
--- sin-tax

We can forgive such over-sight.
Blame the mycelum clan

or,
better yet,
blame the clay eaters, no,
the clay wearers?

the clay bher-ers?
Ah, the clay bakers, fersher? Nae?

The clay, perse?
The dust we shuffle as we dance atop the stone?
The way of the rolling stone,
grinding, rolling-downhill-stone,
the stone rolled away,

the stone of the sysiphus-seen-hap-iuna
cult?

Blowing in the wind, lifted higher

Ax d'maji-yo, he know. 'Zeke 17, seven with a caballero v,
y'know,
callit Macaronic be-bop

dodat, yankee doodle morph t' resound,
like poetry
slams

at the gates
no enemey ever breached. The key truth, is that,

believe it, if you think you may.
Macaronic language is text that uses a mixture of languages,[1] particularly bilingual puns or situations in which the languages are otherwise used in the same context (rather than simply discrete segments of a text being in different languages). Hybrid words are effectively "internally macaronic". In spoken language, code-switching is using more than one language or dialect within the same conversation.[2]
Milo Clover Aug 2015
Mozart changes the color
of eyes from deep blue
to see green.
Work with me and I'll
summon up everyone's
artificial ancient animals.

Sleek thin machines
whizz with mechanism
pumping out more and more
machines to make machines
to make metals
for more machines.
Shine chrome greased
and spinning while
white coated retrievers
pace exactly random,
occasionally checking
their clip boards.
Machines whizz on,
we could tune a cello
with their perfect hum.
We could tune a tuning fork
with their perfect hum.
Machines for materials
for machines that melt
and remold old machines
to new.  Born machines.
Wet black discs
slide clean downward
only to spiral
upward again.

Clarinet to oboe,
slurred crescendo
back down in again.

Then forward:
Back,
Up,
Left,
and left music
back down in again.

"Where's our end?"
and back down in again.

"I see the top!"
and back down in again.

"Talk to me, please!"
and back down in again.

"Throw me a float!"
and back down in again.

And sink, and sink
back down in again
back down in again
back down in again
despair reigns when, through music, the poet attempts to reconcile the vaporous nature of Self with the menacing permanence of matter
Mute that blare
Swing that low
There's no room
for the old oboe

Slide on down
Make no bones
Oh ! Mercy !
Mr. Trombone

*** on keys
Sax done deed
Clairinet nukes
that reed

Going down real
Feeeeeeel !
Jazz and coffee
So surreal
an earlier draft of this barely satisfactory missive ex post facto, i chomped asper with upper dentures upon evincing a couple of typographical errors, in up rye or draft, and did not wanna dodge being a spell bound stickler for typing words correctly.

though no obligation to trot out this fixation sans zero misspelling tolerance, a compulsion with any concomitant obsession found me reposting before a repast of dessert - so there Ghost of Marie Antoinette, wherever you might be hiding - i can have my cake and eat it too!

Minus trimmings and over stuffed ego freezers,
but altruism, civility, Dharma *** ethnocentrism,
gratuitous homogeneous internationalism,
karma mosaic opportunism, quitessential righteousness,
unpretentious vivacious wide world yipping,

brouhaha dutifully emphasizing friendliness,
antithetically booing critical, popularly pugnacious
spoiled trump petting uber western yikyak,
zealous antipathy craving everything.
---------------------------------------------------------
a hypothetical, mental, rhetorical thought question
   occurred to me just moments ago
sans, milk of human kindness bubbles frothily
   upon major American holiday,

   whereat figurative bro
   thar and sisters exhibit philanthropic ambitions
   especially, towards indigent that crow
for bare necessities

   other than
   when Thanksgiving rolls around, and dough
nuts to dollars even most frugal misanthropes
   play feigned charitable card egoistically glow
with ambient benevolence, civility,
   diligent energy, and friendly hello

and sundry pleasant greetings
   hook hood be some
   soon tubby rich entrepreneurial stranger
   ready to make shares available vis a vis  IPO

   to dirt poor anonymous guarillas G.I. Jane or G.I. Joe
   who cross paths with each other,
   even those one doth not know
when ordinary biases, callousness,

   denigration...doth full low
out the mouths of hoity toity MainLiners
   towards working class people - mow
awe less trying to remain financially afloat,
   and with plea for handout
   would receive an emphatic NO!

Thee exception to unspoken aristocratic rule
   arising on feted buzz
   feed ding occasions where oboe
players invoke cobra to deliver riches galore to the 'po

whom sincerely show gratitutde,
   yet wonder why status quo
reserves select calendrical dates for handouts
   proffered after standing in a row
of similarly bereft individuals aware at stark

   outpouring overt nurture minded, humanity
   (with perchance a guest appearance by Sean Hannity),
this public denouement,
   an atypical venue for his television show

where generosity spills forth
   from said personality and others alike
blithely, demonstrably, fortuitously, happily,
   jubilantly, lovingly, modestly, poignantly,
   where an announcer speaks thru a mike

to open their doors and hearts asper,
   those down and out
   pushing belongings along the pea king pike
of broken tureens with
   only a mangy dog as companionship,

and though I admit tubby hyperbolical,
   hypocritical, hypothetical hypoteneuse of hippopotamus
   no charity less valuable then self and spouse,
   whom both experience spike
in anxiety since net income purportedly
   below the poverty level, though we reside

   within subsidized housing (outliers
   here at 2 Highland Manor Drive),
   yet random acts of an effortless smile,
   cordial greeting to passersby, or
   waving fellow drivers right of way,
Page Number Three:

such minimally polite services today,
the most within my limited monetary hi say
means, which behavior aye strive ray
   dee to maintain zero cost politesse, which doth pay
highest dividends, which reciprocal acknowledge may
be the greatest reward,

   whether or not a response elicited tis quite o kay
the satisfaction arising breeching comfort zone
   viz exposure therapy lighting up gray
matter analogous to a cerebral Christmas tree
   and any regret avoided, asper congenial efforts    
   generate “hi” kickstarts my day.
hear the music
It's funny, when we read.
One hears music of thought.
Light Clarinets with supporting Cello.
Five word sentences for now.
Smooth and gentle tones around.
Seeing the conductor's swaying arms.

We pick up the pace going fast.
Now violins playing quickly back and forth.
Sevens words at a time building expectation.

Nine words brings us almost to the great clash.
The heated strings of the instrument playing ever hard.
The horns gaining confidence and aggression with every second.
Cadance. Cutting into the music. Stopping. The Flow. Chopping. Arms of the conductor. cease.


Soft wind instruments singing
Trombones and Tubas lumbering in.
Cello, Lute, and percussion adding.
                                                         ­                               *Whistles of the Flutes

Quickly rising
    as the music picks up tempo
              the conductor with more vigor
                           The energy rising and rising
                                                     sporadic outbursts
                                                       ­         heading towards the
                                                             ­                     CLASH of the symbols
Now the music and words flowing with no breaks and stops always filling your ear with this continuous overwhelming yet pleasurable sound of thoughts and ideas bouncing around the walls of your skull the never ending music coming down gluing you to your seat with a cacophony of chaos that makes you read on and on until it
                                                             quickly
                                            descends
           ­                      into
              complete
stillness.


Blank balloon of silence punctured by the needle of a Oboe

                                                          ­                                   Sliced by a harp
The symphony of words is endless.
Am I the only one with an imaginary orchestra in my head? Yeah? Oh, okay
Binary Code Mar 2015
I'm just giddy knowing you like mi mole oboe poetry

Anime  he it it it's ssôœks

Right ok
Thus stylistic origin

You like! You so don't you
Overnight just in implosion you'll see

Quantities it quaint bin secession cast



kind really cool touring n stuff

I'm happy but it's crazy you nar?
Oh guy guy guy it , it's good fri
A no the I said theta last time, last time!! Eczold

— The End —