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"oboe" poems
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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17k
Asides on the Oboe
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
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41
Roly poly helicopter Spinning and toppling on a splatter of pink liquid paint The sharp sound of blackberries and the taste of an oboe Under the neon night sky glinting with frozen lollipops
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Oct 10, 2014
Oct 10, 2014 at 10:28 AM UTC
The Night Out
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
Cantaba como un canario mi amada alegre y gentil, y danzaba al son del piano, del oboe y del violín. Y era el ruido estrepitoso de su rítmico reír, eco de áureas campanillas, són de lira de marfil, sacudidas en el aire por un loco serafín. Y eran su canto, su baile, y sus carcajadas mil, puñaladas en el pecho, puñaladas para mí, de las cuales llevo adentro la imborrable cicatriz.
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Abrojos - xviii
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
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Dec 26, 2013
Dec 26, 2013 at 6:21 PM UTC
Opening For Yusef Lateef In 1975
Puce fresnel washed its light on his over sized African patterned dashiki, while paisley notes poured from his reeded dreams. Like the Hamelin piper I was mesmerized by hypnotic tones, every sweet and spicy slur, every bend of every breath, I followed him down history’s path and heard the world come boldly through. “You got to keep the magic”, was his advice . “Don’t give away too much of the theme.” Through fake fog he swirled his love, his passion, his calling. “Summertime”, played on an oboe is like hot liquid southern summer *** It crawls up your spine and explodes in your brain, and you understand the songs meaning without one word sung. Hundreds of years of vassalage reenacted in every blue colored measure. This man did not think of himself as a descendant of slavery though. He was, like all of his brothers of color, a descendant of great Princes and Kings, stealthy Hunters and fearless Warriors, grand Land Owners and Wise Men, Great Leaders of Peace and Brotherhood, and he lived out his life as they did, changing the world one note at a time. He played the music of all people, “World Music” it later came to be known. Listen….he is in the rhythm still. Wherever there is an ethnicity holding on to their heritage in song. Wherever there is an indigenous rhythm, a harmony, a feeling…… Yusef is there, and he will be there forever. *Yesef Lateef Born October 9, 1920 in Chattanooga, TN Died December 23, 2013 Shutesburry, MA Musician, author, spokesman, educator Instruments: tenor saxophone, flute, oboe, bassoon, bamboo flute, shehnai, shofar, arghul, koto Recalling a magical night at Stratton Mt.,Vermont, in the winter of 1975 when I opened for Yusef Lateef.*
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34
We expected the violin's finger on the upturned nerve; Its importunate cry, too laxly curved: And you drew us an oboe-outline, clean and acute; Unadorned statement, accurately carved. We expected the screen, the background for reverie Which cloudforms usefully weave: And you built the immaculate, adamant, blue-green steel Arch of a balanced wave. We expected a pool with flowers to diffuse and break The child-round face of the mirrored moon: And you blazed a rock-path, begun near the sun, to be finished By the trained and intrepid feet of men.
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Epitaph On A Disturber Of His Times
she sits - eyes darting side to side, eating the atmosphere, chewing carefully, rosebud mouth moist, lips open a space, hands fidgeting in her shallow concaved lap .. woman leans forward to stroke wayward tendril from wide forehead - a sign of excellence to some just that, to others smart phrenology; tendril defies maternal meaning to spring like a diver from top board thrill to fall once more upon laughing brow, how young child loves the tickling touch she never receives from mother - she who urges piano practice, eight to ten, dancing lessons, eleven to one, geography, history and Latin tutelage with woman ancient her and morbid more, afternoon alternate curriculum and oboe, catechism, times-tables, spellings parroted.. when night calls child to sleep, she curls her softness into a knot, tight and unforgiving, ******** tears from sea blue eyes so they weep 'pon Egyptian cotton sheets to dilute the ***** drips of progidy’s day by day nightmare.. child needs, child yearns for what she does not know, kettle drum heart throbbing.. longs to run in meadows mossy bright, longs to see dirt under sweetheart nails; in dreams she rides ponies ******** and soars sky, dances clouds, kisses moon.. but then, morning vivid with sane insanity she wakes in an open cage, in a different room.. rebelled, she did, small fragile six year old; today, today, today her mind is empty, hands fluttering butterflies, eyes bright, innocence faded, but laughing..laughing..laughing, free.
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Jul 21, 2013
Jul 21, 2013 at 7:31 PM UTC
Sane insanity
she sits - eyes darting side to side, eating the atmosphere, chewing carefully, rosebud mouth moist, lips open a space, hands fidgeting in her shallow concaved lap .. woman leans forward to stroke wayward tendril from wide forehead - a sign of excellence to some just that, to others smart phrenology; tendril defies maternal meaning to spring like a diver from top board thrill to fall once more upon laughing brow, how young child loves the tickling touch she never receives from mother - she who urges piano practice, eight to ten, dancing lessons, eleven to one, geography, history and Latin tutelage with woman ancient her and morbid more, afternoon alternate curriculum and oboe, catechism, times-tables, spellings parroted.. when night calls child to sleep, she curls her softness into a knot, tight and unforgiving, ******** tears from sea blue eyes so they weep 'pon Egyptian cotton sheets to dilute the ***** drips of progidy’s day by day nightmare.. child needs, child yearns for what she does not know, kettle drum heart throbbing.. longs to run in meadows mossy bright, longs to see dirt under sweetheart nails; in dreams she rides ponies ******** and soars sky, dances clouds, kisses moon.. but then, morning vivid with sane insanity she wakes in an open cage, in a different room.. rebelled, she did, small fragile six year old; today, today, today her mind is empty, hands fluttering butterflies, eyes bright, innocence faded, but laughing..laughing..laughing, free.
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36
You hit. A flopped an fit lien to then bgs. .,. S€€ You knew. That wingding sis my tots fav font you know this ,,.h so you're is Tia dim a frog And this frig lies till I lie in ab oboe I'm a g I'm. P and and op g So I'd you want to fight me I just might *** Yee
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Mar 2, 2015
Mar 2, 2015 at 3:55 PM UTC
Goose flytrap in flocks Of twelve of more than Iwu
There is the sound of music somewhere softly playing in the woods or is it just a wind blowing through. I've heard this music before returned once more a major chord taking myself too seriously I can barely see the mirror. I've got to get going But I have no where to go. Self absorbtion rolls in on the violins Surrounds me in a jacket and a blanket sleep invites me in drowsiness fills my mind but I've been sleeping far too long and it is no longer quiet inside as the drums and cymbals richochet within me and anxiety hums its edgy tune. I can't unwind my mind hyperactive but not motivated unable to move while the guitar solo reaches high and drops down low. Is that the oboe and does it know a crawling wriggling alien ball of Medusela hair has taken up residence right there. In a distinct diva voice she's singing my song. While opposites play a single chord a single note When with you I want to be alone when alone I want to be with you. The drum beats so slowly there is a weight on my chest a blindfold over my eyes my heart's in a freezer my legs are paralyzed the music is playing the crescendo is coming and I'm dancing again to those Depression Blues...
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Jan 3, 2014
Jan 3, 2014 at 9:52 AM UTC
Dancing Again To Those Depression Blues
- upside down butterflies twirling tin sun spins fat raindrops splatter against piccalo wind chimes staccato sound drifts an oboe car horn a far street away alto tympany of liquid from the gutters striking the kettle drum earth basso profundo voices a dark backlit choir from the clouds rumbling along tree limbs sawing violets and viola
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Jul 27, 2016
Jul 27, 2016 at 12:39 AM UTC
violets and viola
Who can sing his heart? Garotted by sins long gone I am a may-fly. Creek flows ever on, Yellow blossom drifts downstream. What is permenance? A snake sheds his skin. A man sheds his face the same; No pearl is alike. A dream is a fish: Whole life spent in murky depths In search of context. The sea seems a mood. Only asleep do I swim, When awake, I drown. My bones are the shore: Skeleton of vibrant ghosts Lapping sorrow's tide. A drum un-beaten Is a life unlived. In spring, The woodpecker cries. Consuming the grown, Spreading hopeful seeds to spring: A sigh is a bird. My breath was forecast: The winds are a waterfall, All the world is wind. There was an oboe Who said "Don't follow the score, Let me sing your heart."
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Mar 25, 2013
Mar 25, 2013 at 6:00 PM UTC
Transmutation (haikus)
Travel, traveling Ben, travel to the stars, See the world as it comes again, produced from afar, Spirits of the Dawn make haste for Time is coming… When the Sun will crest her waves, bringing forth the light of days, Loose the moorings set your clock, burn incense for the Spirits, Travel! Traveling Ben, you know the universe, is happening! And all time will be told again, in a machine-space of stars, Her oboe of horology, for the sailors tune –cosmology, Loose the moorings set your clock, burn incense for the Spirits, Sail your ship over the sun, the place of your appearance. Travel traveling Ben, travel to those stars, Your ship a cap, you ship captain, from a sandy field of ours. I could not think what else to say to end this little ditty, But thinking on my ancient Egypt makes me oh so giddy! What has Ben, will be Ben again, for Ben plus Ben makes two, And there you go, I’ve gone and done it, given you a clue…
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Jun 9, 2016
Jun 9, 2016 at 9:55 PM UTC
Traveling Ben
A powerful paw strikes the earth Strong since your day of birth A spat of dust arises A cloud that disguises A future with you in it that is bright You who is bathed in divine light For those who misjudge And appear to begrudge Your luminous essence Most evident in your presence Simply put, they are not needed And for you, these words are to be heeded Just as orchestral sounds swell with the howling song of oboe The world, too, swells from your howling song, for U R Lobo
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Dec 10, 2012
Dec 10, 2012 at 12:33 AM UTC
Lobo
La cercanía de las cosas las piedras las hojas los grillos cantores los arcos del viento que acarician las cuerdas del bosque mientras canta el poeta imposible a unos cuantos que escuchan más bien tristes distraídos y dudosos reposa el oboe vespertino en la cercanía de las cosas.
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Nov 16, 2011
Nov 16, 2011 at 9:02 AM UTC
La cercanía de las cosas (VI)
Sometimes I feel, like I would die without my music. The comfort of my base drum's steady beat, and the excitement of the snare drum and symbols, keeps me from being sad. I remember, when I first started to play the Oboe, it was my new source of comfort, something that I could always play, and be happy, along with my drums. For years, if you heard either the drums, or the oboe, coming from my room, you knew not to enter. I wanted to be alone, and be absorbed into my music. I got my own piano on year, I would teach myself, because I do not like it when others force me to learn, what can I say, i'm stubborn. I played the piano everyday, along with the oboe, and the drums. Music was my happiness. One day, I became sad, depressed almost. I couldn't bring myself to play my music. My instruments just sat in my room, untouched, for weeks. I couldn't bring myself to play them, at the time it was easier to just lie in my bed, and do, nothing. But one morning, i got up, because I don't like, the easy way out, I was disgusted with myself for taking that path. Slowly, hesitantly I reached for my oboe, the instrument that I constantly battled with. I played part of a song, that I learned years ago, and I felt myself start to smile, truly smile, after weeks of fake smiling, and pretending to be happy. Sometimes the sadness, can make the things you enjoyed doing, into something you despise, because it only held happy memories, that will never occur again. But they won't ever occur again, because I was sad, and not truly living. But just the feel of playing my oboe, made me understand that things go wrong, and sometimes you can't stop it, but you must move on, because if you don't you will waste your life away, becoming a shell of your former self. You'll die feeling alone, in a dark room, where you feel like no one loves you, even though that is not true.
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Dec 23, 2012
Dec 23, 2012 at 3:46 PM UTC
Music
Sometimes I feel, like I would die without my music. The comfort of my base drum's steady beat, and the excitement of the snare drum and symbols, keeps me from being sad. I remember, when I first started to play the Oboe, it was my new source of comfort, something that I could always play, and be happy, along with my drums. For years, if you heard either the drums, or the oboe, coming from my room, you knew not to enter. I wanted to be alone, and be absorbed into my music. I got my own piano on year, I would teach myself, because I do not like it when others force me to learn, what can I say, i'm stubborn. I played the piano everyday, along with the oboe, and the drums. Music was my happiness. One day, I became sad, depressed almost. I couldn't bring myself to play my music. My instruments just sat in my room, untouched, for weeks. I couldn't bring myself to play them, at the time it was easier to just lie in my bed, and do, nothing. But one morning, i got up, because I don't like, the easy way out, I was disgusted with myself for taking that path. Slowly, hesitantly I reached for my oboe, the instrument that I constantly battled with. I played part of a song, that I learned years ago, and I felt myself start to smile, truly smile, after weeks of fake smiling, and pretending to be happy. Sometimes the sadness, can make the things you enjoyed doing, into something you despise, because it only held happy memories, that will never occur again. But they won't ever occur again, because I was sad, and not truly living. But just the feel of playing my oboe, made me understand that things go wrong, and sometimes you can't stop it, but you must move on, because if you don't you will waste your life away, becoming a shell of your former self. You'll die feeling alone, in a dark room, where you feel like no one loves you, even though that is not true.
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85
Strange music playing I never know from where it comes always on a whim it wanders and goes a flute, warm breathed upon my flesh sometimes cool night jazz a deep toned oboe, I breathe in wildly slow drums synced in rhythmic beats now a bass guitar strummed ever dark a haunting violin that moans ripping at the heart.
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Jun 19, 2016
Jun 19, 2016 at 11:15 AM UTC
Musician
Sassafras, kiss my *** Wash your hair, with mayonnaise. Death rays of the dark days. Tissues, for the weak, crime’s, at a peak. Do not stain your white clothes, play the oboe of hope. Listen to the music cry, now fly, now fly, now fly! Death rays of the dark days. Death rays of the dark days, death rays of the dark days, death rays of the dark days! The dark days, the dark days, the dark days, the dark days. The dark days, the dark days, the dark days, the dark days. See the way, the moon shines on the water. A beautiful image, the death of a brother. We are looking for change, that we can’t find. But we are in range, we’re not far behind. Death rays of the dark days, didn’t last long, just a phase. Death rays of the dark days, to a false god, we will praise. Death rays of the dark days, didn’t last long, just a phase. Death rays of the dark days, to a false god, we will praise. We will praise, we will praise, to a false god, we will praise.
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Mar 11, 2011
Mar 11, 2011 at 5:05 PM UTC
Death of a Brother
May you rest well & tango with the crimson leaves aglow with whimsical love living in their veins vivaciously while the effervescent vicarious vespers of air spirits lift and play oboe tones atop the glorious ruby mountain in the kiss of dusk. Also i love you dear, sweet honey cinnamon habibi queen goddess being.
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Nov 14, 2014
Nov 14, 2014 at 8:19 PM UTC
Before Sleep, I Whisper to Her
I threw the backpack down shattering the 13$ jug of wine I lifted it and saw all my precious lifeblood oozing out the bottom. pouting down two blocks like a child before pouring the clot of broken glass is the street. bad relationship. put my fist into a metal sign, ripping up my arm dropped my wallet losing 100$ to the gods of failure, dropped a bag of beer causing one to rupture and spray all over the apartment. when I find a piano I clang on the keys til everybody has a migraine, myself included. it's a light form of sadomasochism. I do the same thing with women, and they prove to be better players. slipping around in sheets with somebody else a sultry look on your face like a saxophone solo. light a cigarette and immediately break it drop my new phone in a cup of wine rip somebody's door of its hinges. meditation is foreplay of life you gotta lick the **** be the last one with your shirt off last one to the finish line the last to fall asleep the first to wake on the 76th hangover this year so far so long too bad who cares eat my ***** while I shove a ******** in my *** like the queen of France on a ****** you can lead a camel to water but the **** thing still can't play an oboe for **** satan sold me a *** music box so if you see him tell him I got pictures his wife ******* my **** in tumblr
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May 29, 2014
May 29, 2014 at 6:26 PM UTC
shaved collaborator
Sweet lullabies, float along the staff lines, played by instrument, that can croon sweet tones, into ones ears. But yet, the same instrument that can sing so softly, and beautifully, can be loud and obnoxious, making the treble clef, tremble with anger, or fear. This one instrument, is so sweet, mysterious, and haunting, but at the same time, its loud, angry, and obnoxious. It's unique, just so beautiful, and rare. It's my perfect match.
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Dec 21, 2012
Dec 21, 2012 at 5:00 PM UTC
Oboe
Mozart changes the color of eyes from deep blue to see green. Work with me and I'll summon up everyone's artificial ancient animals. Sleek thin machines whizz with mechanism pumping out more and more machines to make machines to make metals for more machines. Shine chrome greased and spinning while white coated retrievers pace exactly random, occasionally checking their clip boards. Machines whizz on, we could tune a cello with their perfect hum. We could tune a tuning fork with their perfect hum. Machines for materials for machines that melt and remold old machines to new.  Born machines. Wet black discs slide clean downward only to spiral upward again. Clarinet to oboe, slurred crescendo back down in again. Then forward: Back, Up, Left, and left music back down in again. "Where's our end?" and back down in again. "I see the top!" and back down in again. "Talk to me, please!" and back down in again. "Throw me a float!" and back down in again. And sink, and sink back down in again back down in again back down in again
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Aug 30, 2015
Aug 30, 2015 at 9:32 PM UTC
Manufactory
I'm just giddy knowing you like mi mole oboe poetry Anime he it it it's ssôœks Right ok Thus stylistic origin You like! You so don't you Overnight just in implosion you'll see Quantities it quaint bin secession cast kind really cool touring n stuff I'm happy but it's crazy you nar? Oh guy guy guy it , it's good fri
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Mar 1, 2015
Mar 1, 2015 at 5:09 PM UTC
Ha! HW at guyÿ from he is not entirely
he was a tambourine _cling-cling-cling_ competing with the guitar, _strrr...uuummm..._ bass, _puuu-waaa...ssh!_ and drums _BO...o...Om!_ In the orchestra he was the conductor's baton _swish-swish-swish_ drowned out by the oboe _BRRR...Rooo..._ cello _teener-neener-teen_ violin _Neee-nah-neee...nahnahnah-nee..._ When he went solo he was a harp _bling-bling-bling-bling..._ graceful, delicate _tling-ling-ring-bling..._ his strings plucked _pling-pling-pling-pling_ by angels
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Mar 7, 2018
Mar 7, 2018 at 9:07 AM UTC
In the Band
Mute that blare Swing that low There's no room for the old oboe Slide on down Make no bones Oh ! Mercy ! Mr. Trombone *** on keys Sax done deed Clairinet nukes that reed Going down real Feeeeeeel ! Jazz and coffee So surreal
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Apr 17, 2017
Apr 17, 2017 at 9:35 PM UTC
Under Jazz with Coffee