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"marc" poems
On your Marc, Get Set,  GO!! 3 Marks, in 2 days A sign... Obvious in fact. First there was the Mark of the Cathedral Perfect in It"s Reverence, Baptism of Creativity. Then, there was the Racehorse. Faster than a speeding Bullet, able to leap tall buildings with a single ping And then finally, the one whose name means Beautiful... Artist, Creativity, Perfection.. the only one who matters... Three Marks, one Anointing. A confirmation of Love An Ordination of Willingness God's pen upon the paper. the true Mark of Humanity Blessing. In all circumstances Blessing. Peace, Holy Spirit. And So It Is.
0
Dec 3, 2015
Dec 3, 2015 at 2:48 AM UTC
Ready
Cheers! We praise our lined faces. We forgive time. We raise our cups of double-pressed wine. We know brute forests from our seed-time We know heaven will cleave those we entwine The season of heat is slow to erupt. April is late. March is still covered with snow, Its shabby sheet weak shoots barely interrupt., Succession and succession is what we know. In the thronged marketplace we know we’ll find Lines of who came before and who came after All seem in be arranged by some infinite mind Knowing where our line goes will not stop our laughter. We dance. All dances are in our repertoire. We know we’re headed to that sacred abattoir. Marc Tretin
0
Mar 2, 2014
Mar 2, 2014 at 8:12 PM UTC
Cheerful!
Better to be Pyramus and Thisbe than god Apollo and Daphne? As love oft triumphed by envy. Oh to be Abelard and Heloise or Juliet you and Romeo me! Cleopatra, Marc Antony, Orpheus, and Eurydice! Martyrs to Cupid, were you wary of the price to pay? Did you find peace from Plato’s coined mental disease in Pluto’s long halls of Hades or the self induced daily shade of trees? What of love dooming kin to Achilles? When Dido and Aeneas meet is her suicide guaranteed? Pray tell us, can true love ever be free!
0
May 27, 2019
May 27, 2019 at 9:14 AM UTC
Ode to Famed Loves
High on the O2: Red Rossopomodoro, Wagamama, and on the bus shelter, Marc Jacobs, and again higher, Habitat, then Metroline moves past. It's the 113 to Oxford Circus, and the 13 to Victoria: Thrilla Lives On, shouts the slogan, while National Express has All Set For Take-Off. They're gone... It calms empties, nothing much just the red lidless eyes of cars two, three, four dozen pairs hover over the asphalt road. Where... where am I? Ahhh, yeah, in the Oriental Star, the road seen from a table and stool, waiting for food. Where have I hailed from? My lover's womb.   No, no NOT THAT! The North Star, yes: A pub on the Finchley Road, Where Tottenham beat Liverpool 4-1 A pyrrhic victory! Over a couple of beers. Warm years, and tears. A sense of place, a home, a nest, Receding in the traffic Of a busy road, Waiting on noodles.
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Nov 10, 2017
Nov 10, 2017 at 6:15 PM UTC
All Set for Take-Off
The crew of ****** all hide their own secret loneliness. At every port the deserted dance halls beckon, and there they dance with familiar ghosts. At twelve midnight sharp the spirits disappear along with the tuxedoed band and the music dies leaving red white and blue tinsel, miniature plastic flags, and balloons that glide and bounce to a solitary, prolonged note. The sailors cease spinning and their arms drop to their sides. They drown in bottles of *** in search of solace. They rarely find barely a taste. And so, in frustration they fight and draw first and last bloods. Now, in scuffed shoes and torn clothes, with damaged pride, they stagger arm in arm back to ship. The water laps and licks it’s tongue like a cat at cream and the crew whisper breath rings in the chilly air. Master Chief Petty matron mother waits on deck, rolling pin in hand, kicking backsides into cabins. The ship bobs and dips in rhythm to sailors heaving snoring chests, and there they sleep, fly catching open mouthed, hugging their pillows in desert island dreams. Copyright Marc Hawkins 2009
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Sep 11, 2017
Sep 11, 2017 at 3:24 PM UTC
AB
Sometimes half asleep, scribbling words or waiting for the morning sky to deliver birds I fall off the edge, leave this tiny bed float on rainy streets, there is no one that I meet only a corner vacant house, where precious paintings hang I am staring in the window, at flowers yellow, blue this must be the room of Vincent Van Gogh, this starry night with lily ponds so beautiful, fields of flowers purple iris, Monet meadows brown skin woman, hibiscus flowered island scenes of Paul Gauguin, so brightly colored there are pastel Degas dancing ballerinas Marc Chagall, blue indigo people without legs, they smile surreal this museum of the mind minutes like hours turned sublime
0
Nov 14, 2014
Nov 14, 2014 at 10:30 AM UTC
Impressionism
I fell into a dream waking up into a cookie-scented utopia of apostrophes that indicated ownership because it was Marc's cookie and participles grasped and secured like a balloon tied to a toddler's hand I fell into a dream where nothing was kool or rite and everything had been twice read, reviewed, evaluated, and deemed worthy like the cupcakes that get placed on the plate in a Cupcake War I fell into a dream of silence during silent work time not invaded by a slithering serpent fork-tongued and effulgent with ideas expressing expressions idioms cliches redundancies falsehoods lies and the silence hung like an anticipated snow cold cloaking with excitement and a feeling of being completely awake.
0
Sep 18, 2013
Sep 18, 2013 at 11:26 AM UTC
dreamscape in ELA
Everybody knows today's figures. Lincoln Park. Kanye West. Beyonce. Musicians. Artists. They are all praised in today’s society. But nobody knows the names of people who actually matter. Willis Carrier. Invented the air conditioner. Nobody knows his name. Robert E. Kahn. Made the internet. Nobody knows his name. The problem with today’s society Is that the minds of young people are being poisoned. By the schools who leave things out of textbooks. By the people on the street, screaming their views. The riots, the protests, the hell of today. Poisoning the minds of young people. Reed Hastings. Marc Randolph. Nobody knows them Yet millions of people use Netflix. SalvinoD'Armate. Nobody knows his name. Yet over 4 BILLION people wear eyeglasses. Young people today hate history. They think, “Why do we need to learn about dead people?” George Santayana once said: “Those who cannot remember the past, are condemned to repeat it.” We learn these things, not to be bored in history class. Not to just **** time in the day. But to inspire. To help young people to become creative, more innovative. Imagine a world, where Alexander Bell never made the telephone. Imagine a world, where the internet, just wasn’t a thing. Imagine a world, where nobody invented new things. William Higginbotham. I Guarantee that nobody in this room knows his name. He created the very first video game, Tennis for Two, in 1958. Without him, we would not have the games we have today. Assassin’s Creed. Grand Theft Auto. Call of Duty. People play these games, and use the other things I’ve listed every single day, And they use them without any thought, or appreciation for where they came from. Or how far we have progressed as humans. So I ask you this. Who invented the desk you are sitting on? Who invented the jacket you’re wearing? Who invented that pen in your pocket? You don’t know, do you?
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Aug 30, 2018
Aug 30, 2018 at 1:52 PM UTC
Names
Everybody knows today's figures. Lincoln Park. Kanye West. Beyonce. Musicians. Artists. They are all praised in today’s society. But nobody knows the names of people who actually matter. Willis Carrier. Invented the air conditioner. Nobody knows his name. Robert E. Kahn. Made the internet. Nobody knows his name. The problem with today’s society Is that the minds of young people are being poisoned. By the schools who leave things out of textbooks. By the people on the street, screaming their views. The riots, the protests, the hell of today. Poisoning the minds of young people. Reed Hastings. Marc Randolph. Nobody knows them Yet millions of people use Netflix. SalvinoD'Armate. Nobody knows his name. Yet over 4 BILLION people wear eyeglasses. Young people today hate history. They think, “Why do we need to learn about dead people?” George Santayana once said: “Those who cannot remember the past, are condemned to repeat it.” We learn these things, not to be bored in history class. Not to just **** time in the day. But to inspire. To help young people to become creative, more innovative. Imagine a world, where Alexander Bell never made the telephone. Imagine a world, where the internet, just wasn’t a thing. Imagine a world, where nobody invented new things. William Higginbotham. I Guarantee that nobody in this room knows his name. He created the very first video game, Tennis for Two, in 1958. Without him, we would not have the games we have today. Assassin’s Creed. Grand Theft Auto. Call of Duty. People play these games, and use the other things I’ve listed every single day, And they use them without any thought, or appreciation for where they came from. Or how far we have progressed as humans. So I ask you this. Who invented the desk you are sitting on? Who invented the jacket you’re wearing? Who invented that pen in your pocket? You don’t know, do you?
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39
Dear Marc (like cheese), Your hair is soft (like cheese), Your bed smells cool (like cheese), Your chin is squishy (like cheese). I like your basement (like cheese), I like your drums (like cheese), I like the ground (like cheese), I like bubble pipes (like cheese). Your socks are black (like cheese), Your eyes are blue (like cheese), Your hair is yellow (like cheese), Your floor is carpet (like cheese). You like cabbage poems (like cheese), You like play station (like cheese), You like cigar smoke (like cheese), You like chocolate (like cheese). I like your style (like cheese), I like that you dance (like cheese), I like your childishness (like cheese), I like Pokemon (like cheese). You are tall (like cheese), You are white (like cheese), You are my friend (like cheese), You are Marc (like cheese). I AM COLE (unlike cheese)
0
Apr 3, 2014
Apr 3, 2014 at 8:08 AM UTC
Dear Marc,
Signs point in different directions Art> <Science History^ Oddities¿ Art: Every memory of every sunrise Every beautiful melody Here. And so many images of her. Some sweet Some candid Some sad. How can we revel in the joyful Without knowing it's opposite? Every delicate poem Every lyric yelled Every painting Every sculpture And in all of them, Her. Science: Models of molecules Diagrams of data Sketches (Where are the equations?) Math is forbidden in this museum. Lectures Theories All gathering dust. History: Names. The greatest of men and women Julius Caesar Constantine Marc Anthony Cleopatra Rosa Parks Elinor Roosevelt Patton Churchill Kennedy MLK Maps and charts Famous cities of old Sparta Alexandria The halls of Montezuma Constantinople Babylon Oddities: Phantom Kangaroos Homemade Bazooka "That made the news?" And Bubblegum the Baluga The Raven Empress Flaming mattress Sharks with lasers Pandas with Tasers
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Nov 30, 2014
Nov 30, 2014 at 8:35 PM UTC
If My Mind Were A Museum
She said to me "Marc now there's something i just could never understand, where is your heart exactly because I don't know how you continue to stand. How many times has it broke and how many times has it healed, if it's healed, has it healed? I don't get it why don't you give up like any other man?" All I could do was smile as a took her hand and in its Palm I traced my heart like I would in the sand, and I said. "My heart is in your hand where it has always been, and all those struggles yeah they’re hard but it makes it all worth it when we gaze at the stars." And as I closed her hand her teardrops hit the sand and washed into the ocean blue as she grasped out for me yelling I love you. And in the silence of our embrace she realized our hands had found grace as our heartbeats sang a tune we felt through our palms on that warm afternoon. MJP
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Mar 31, 2018
Mar 31, 2018 at 1:50 AM UTC
Infinite
Handbags Fetish for handbags... The last time I counted Almost 100 of them Variety of brand names LV, Gucci, Hermes, coach, Burberry, Jimmy Choo, Marc Jacobs, Fendi Ohhh.... you just name them.. Some were bought Some were given on special events Proud of the collection, love them all But closet is full.. Keeping some in the store.. Collecting dust , waiting time to rot Why not sell them? Donate the profit to charity, orphanages, old folks etc.. Handbags too many... Can save lives of many...
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May 12, 2013
May 12, 2013 at 1:35 AM UTC
Handbags On Sale
Slashers Defined In response to my piece, Slashers, it was requested that maybe I could reveal at least which band or other info these great guitar players performed for to gain their claim to fame. I don't want to spend too much time on this defintion, but will give what info I think is pertinent. If you do not know some of the names I have presented to you, and you are a blues, rock, jazz, fusion guitar fan, I suggest you take the time to listen to some of their work. I have included some of my favorite incredible fusion players that do not have a super star following, but are renowned in their group of fans, probably mostly musicians to some degree. If you are a frustrated guitar player like I am, do not listen to the likes of Holdsworth, Johnson, Gambale, or Morse unless you love being tortured. Anyway on with the show. Eric Clapton – Yardbirds, Cream, Blind Faith, Derek and the Dominos. Jimmy Page – Yardbirds, Led Zeppe, The Honeydrippers, The Firm Jimi Hendrix – not only what is, but, what could have been Alan Holdsworth – Solo jazz fusion player – hot Steve Howe – Yes, Asia - Progressive rock, jazz – Bill Nelson – BeBop Deluxe, Solo Terry Kath – Chicago (25 or 6 to 4) – another sad early departure Ted Nugent – Amboy Dukes, **** Yankees – The madman Jim Krueger – Dave Mason Band – solo progressive rock Eddy Van Halen – Van Halen Ritchie Blackmore – Deep Purple, Rainbow Jerry Doucette – Doucette (Mama let him play) Eric Johnson – Solo – New Age, jazz Frank Gambale – Australian- Jazz, fusion, rock Goerge Benson – Jazz Larry Carlton – Jazz, new age rock Marc Farner - Grand Funk Railroad Peter Frampton – Humble Pie, solo Joe Satriani - New age – solo Johnny A. - jazz, new age – solo Danny Gatton – jazz, rockabilly – solo Chet Atkins – jazz, country John Mayer – Pop, blues – solo Neal Schon – Journey Steve Lukather – Toto Masyoshi Takanaka – New age, jazz – Japanese solo Lee Ritnour – Jazz, new age – solo Leslie West - Mountain, West Bruce & Laing Monty Montgomery – jazz, blues (accoustic you have never heard) Wes Montgomery – jazz 40's – 50's Phil Keaggy – New age Christian Robin Trower – Procul Harem Brian May – Queen Rick Derringer – Montrose, Edgar Winter Group, Steely Dan Robin Ford – John Mayall, Chick Corea, solo jazz, fusion, blues Carlos Santana – Santana Ronnie Montrose – Montrose Steve Morse – Dixie Dregs, Kansas, solo jazz, fusion Trevor Rabin – Yes, solo new age Gomer LePoet...
0
Jun 10, 2010
Jun 10, 2010 at 1:19 PM UTC
Slashers Defined
Slashers Defined In response to my piece, Slashers, it was requested that maybe I could reveal at least which band or other info these great guitar players performed for to gain their claim to fame. I don't want to spend too much time on this defintion, but will give what info I think is pertinent. If you do not know some of the names I have presented to you, and you are a blues, rock, jazz, fusion guitar fan, I suggest you take the time to listen to some of their work. I have included some of my favorite incredible fusion players that do not have a super star following, but are renowned in their group of fans, probably mostly musicians to some degree. If you are a frustrated guitar player like I am, do not listen to the likes of Holdsworth, Johnson, Gambale, or Morse unless you love being tortured. Anyway on with the show. Eric Clapton – Yardbirds, Cream, Blind Faith, Derek and the Dominos. Jimmy Page – Yardbirds, Led Zeppe, The Honeydrippers, The Firm Jimi Hendrix – not only what is, but, what could have been Alan Holdsworth – Solo jazz fusion player – hot Steve Howe – Yes, Asia - Progressive rock, jazz – Bill Nelson – BeBop Deluxe, Solo Terry Kath – Chicago (25 or 6 to 4) – another sad early departure Ted Nugent – Amboy Dukes, **** Yankees – The madman Jim Krueger – Dave Mason Band – solo progressive rock Eddy Van Halen – Van Halen Ritchie Blackmore – Deep Purple, Rainbow Jerry Doucette – Doucette (Mama let him play) Eric Johnson – Solo – New Age, jazz Frank Gambale – Australian- Jazz, fusion, rock Goerge Benson – Jazz Larry Carlton – Jazz, new age rock Marc Farner - Grand Funk Railroad Peter Frampton – Humble Pie, solo Joe Satriani - New age – solo Johnny A. - jazz, new age – solo Danny Gatton – jazz, rockabilly – solo Chet Atkins – jazz, country John Mayer – Pop, blues – solo Neal Schon – Journey Steve Lukather – Toto Masyoshi Takanaka – New age, jazz – Japanese solo Lee Ritnour – Jazz, new age – solo Leslie West - Mountain, West Bruce & Laing Monty Montgomery – jazz, blues (accoustic you have never heard) Wes Montgomery – jazz 40's – 50's Phil Keaggy – New age Christian Robin Trower – Procul Harem Brian May – Queen Rick Derringer – Montrose, Edgar Winter Group, Steely Dan Robin Ford – John Mayall, Chick Corea, solo jazz, fusion, blues Carlos Santana – Santana Ronnie Montrose – Montrose Steve Morse – Dixie Dregs, Kansas, solo jazz, fusion Trevor Rabin – Yes, solo new age Gomer LePoet...
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48
All I am a memory drawn in an old picture I sit there in the yard as I did a year before everything's different and still the same The exact same walls I painted back then with the same paintings of stars and dreams there where I felt the burden of the future But then what is a future without colours? Imagine a world between Monet's water lilies and the soothing sounds of a piano There where I sat with a long lost friend gazing stars that now I can name and there we talked about art and love I think about those photographs too much as time is forever frozen and minds shine Should I abandon my crown now? When I'm lonely I dive in books and memories embroidered with Marc Chagall's dreamy mixtures and sometimes I cry too much, but it's okay I know I'll keep them inside the compass of my heart I'll never be alone till I can still remember all of what I learnt between lyrics and unsaid words Some day far away from today we will meet in some street forgotten or around trees I hope maybe I'll will still write and dream
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Jun 30, 2014
Jun 30, 2014 at 8:48 PM UTC
To a favourite teacher
Veins, veins, length and breadth, intertwined beats to freedom or desolation; a terminus lost on a circular. An ebbing destination, unchartered targets, Follow the signs. We are a one way street, follow the signs on software maps. Stumped by sequential lights and us, caught in a dragnet within steely fish, gasping for air, choking on smoke, bilious coughs, hacking sputum, gobbing phlegm globs in interval gaps within gridlocks; nose to **** to nose to **** The rage, the stares the shouts, the finger, the Grrr’s, the Rrrr’s, the honks, the blares, the bumper to bumper expletive shares. The rolling down, the alighting, the threats, the fighting. The falling down, the separation, reseating, the rolling, the thunder, the trudge, the stops, the starts. Follow the signs, follow the signs. Robotic conveyors for humans, mechanical fossil fueled chariots, grumbling, grunting, wheee-ing and screeching, and screaming and spewing and chuffing and guffing black plumes, air tarred, veins, veins clogged and bogged, viscous, molasses, liquid black blob. Road fogged, numbers logged. Veins, veins, follow the signs, slow crawl. Veins, veins, follow the signs, follow the signs, sprawl. Copyright Marc Hawkins 2017
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Nov 12, 2017
Nov 12, 2017 at 6:20 AM UTC
SPRAWL
All that will remain is bones and rotting meat Toss it in a cheap wicker box for worms to eat Topped just with wild flowers and no cement Plant a weeping willow instead of a monument It can do the weeping, please don't you cry There is a chance that I'll be busy when I die For if I am wrong and there is life after this I have plans with whom I'll dine and reminisce I'll be dining with Oscar Wilde and Caravaggio Cocktails and conversation with Kant and Plato Then with Bellini, Verdi and Rossini I'll take a Show An interval tipple and discourse with Rousseau An after party with Bakunin and Proudhon Whisky and blues with Howlin Wolf til I'm gone I shall breakfast the next day with Tz'u Hsi, Homer and Malcolm X And take morning coffee with Gandhi and Marc Bolan from T.Rex At noon a spicy ****** Mary with Mary Queen of Scots, Freddie Mercury, Lou Reed, Picasso and lots of tequila shots Lunch that day with Saladin, Karl and Groucho Marx Then smoke a pipe with Newton whilst discussing quarks Afternoon tea with Queen Victoria, Kipling and Colin Ward Followed by a game of Tafl with a viking on a giant board Dress for flamenco with Carmen Amaya (then dress the blisters)   Then pre-dinner drinks paid for by Geronimo and the Bronte sisters So you see, if I'm wrong And we actually move along A fascinating after life awaits me Yeah, when I'm gone from here There'll be plenty gin and beer Cucumber sandwich's and tea If you wonder what I'm doing Give your watch a quick viewing Then just check this poem and you'll see
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Aug 9, 2014
Aug 9, 2014 at 8:56 AM UTC
When I die
All that will remain is bones and rotting meat Toss it in a cheap wicker box for worms to eat Topped just with wild flowers and no cement Plant a weeping willow instead of a monument It can do the weeping, please don't you cry There is a chance that I'll be busy when I die For if I am wrong and there is life after this I have plans with whom I'll dine and reminisce I'll be dining with Oscar Wilde and Caravaggio Cocktails and conversation with Kant and Plato Then with Bellini, Verdi and Rossini I'll take a Show An interval tipple and discourse with Rousseau An after party with Bakunin and Proudhon Whisky and blues with Howlin Wolf til I'm gone I shall breakfast the next day with Tz'u Hsi, Homer and Malcolm X And take morning coffee with Gandhi and Marc Bolan from T.Rex At noon a spicy ****** Mary with Mary Queen of Scots, Freddie Mercury, Lou Reed, Picasso and lots of tequila shots Lunch that day with Saladin, Karl and Groucho Marx Then smoke a pipe with Newton whilst discussing quarks Afternoon tea with Queen Victoria, Kipling and Colin Ward Followed by a game of Tafl with a viking on a giant board Dress for flamenco with Carmen Amaya (then dress the blisters)   Then pre-dinner drinks paid for by Geronimo and the Bronte sisters So you see, if I'm wrong And we actually move along A fascinating after life awaits me Yeah, when I'm gone from here There'll be plenty gin and beer Cucumber sandwich's and tea If you wonder what I'm doing Give your watch a quick viewing Then just check this poem and you'll see
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33
Our footsteps echo through ancient halls,                 where here is everywhere         and every time is now. Caesar’s twin-edged conquests are our own                 as is Brutus’s fickle knife         and Marc Anthony’s cunning speech. Plague steals across our Europe                 like a remorseless highwayman -         rosies all ringed and falling down. We wait in Wien's Kärntnertor theater                 for Schiller’s An die Freude             to shine anew in Beethoven’s score and are ushered in at Menlo Park                 where Edison's tungsten faintly glows.         Tomorrow will bring sun to the night. There's Jonas Salk at his microscope.                 One more test will crack the code         to banish polio's scourge. But nature’s caprice strews logs on our roads.                 We are dashed by a Tsunami’s rage.         Katrina’s torrents have swallowed our homes. Prides of warriors wade rivers of blood                   and Darfur bullets tear into our chests.         Nuclear Toys ‘R Us shelves are fully stocked. We are the heirs of each triumph and treachery.                 We grasp the keys to tomorrow.         What have we done? What must we do?
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Aug 3, 2013
Aug 3, 2013 at 5:35 AM UTC
Transcendental Etude
I need to be serenaded by a guitar overdriven into distorted bliss, there's something so uplifting in the crunch and fuzz. Marc Bolan’s swagger and funk infect me and I giggle in delight
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Sep 14, 2010
Sep 14, 2010 at 7:58 PM UTC
T. Rex
So this is Christmas and what have you done? John purrs the question through tiny crackling speakers begging responsibility from the irresponsible at best, begging for peace and a season of rest. I lost a war, John; I tripped on hope and arrogance and earned forty six new badges of valor; I fell from the rafters of a fantasy bridge to the cold reality beneath and I broke bones-- ribs and femurs, radii and hum'rouses. I have met Marc Antonys and Brutuses, Pagliachis and Heathcliffs, and met them in myself. I have sobbed into futons ripe with nachos and socks and I curled in another's arms wishing they were yours. I have loved and lost and saw God in a graveyard; come down from dopamine dreams to black widows in my sheets. I have tried and failed and given up, found the one mistake I'll always make and the one perfume I'll always hate. I lost a war I never had the guts to fight. So this is Christmas, John, and I'm still a mess.
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Dec 25, 2013
Dec 25, 2013 at 2:12 AM UTC
Happy X-mas (War is Over)
deeply swaddled in troubled sleep covered in blankets soaked with woe vast crushing stones of daytime vexations wring out the very last drops of aching night sweats a constricting conscience strangles the possibility of rest eruptive violent struggles subverts a desperate restoration this damnable listless sleep yet in the nadir of torment as another bleak daybreak creeps closer a fluttering voice hovers to whisper courageous dreamscapes into my drowsy ear "don't be afraid, I am with you commanding the help of an army of angels 10,000 strong!" these are the days of miracles and wonder don't cry no more Paul Simon: Boy in the Bubble Happy Birthday Paul Simon Jacobs Dream Marc Chagall jbm Oakland 10/13/11
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Oct 8, 2013
Oct 8, 2013 at 6:13 PM UTC
10,000 Angels
For all these years, One lesson learnt: The Line: Pioned. The ethereal days: Forgotten. The stones and the grass: Substantial. Every vision, henceforth, A mark. You are a venerable student of The Line, Why not see it as Peter Paul Rubens saw it? Why not see it as Osman saw it? Why not see it as Rembrandt saw it? Why not see it as old Blake saw it? Why not see it as Sandro saw it? Why not see it as Hermes Trismegistus saw it? Why not see it as old Palmer saw it? Why not see it as Marc Chagall saw it? Why not see it as Jackson ******* saw it? Why not see it as Hiram Abiff saw it? A vision of The Line, As the old masters saw it. Come, Let us sit. Let us burn firewood. Let us practice The Line within chambers of the mind. If you remain studious, deep into the night, You shall hold the mark. You shall part the waters. You shall move between the swells. You shall till the earth, Striking iron against iron, Creating new Lines! And when you master the six realms of sight, And wear the seven, sacred heads in the afterlife, Remember Hermes Trismegistus And those who stand at the centre of The Line.
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Dec 2, 2022
Dec 2, 2022 at 8:13 PM UTC
The Final Lesson
We rarely go drunk, or perhaps that is I, when I told Marc that all people are nearly up on exits and barely exists now is feeling – he started swinging a running joke between the two of us facing the planetesimal – lights their strobes of secret I am on my 7th beer and still nothing when being listened to by frantic fret of fear because indulgence is key to demise when it is said to pull apart but didn’t, I halved the 7th beer and felt my gut cloy itself with the muck of fat from pork rind and stale chicken I deem myself incompetent in the slug, gild of attendance: freckled wall with dotted red, linoleum plastered, defaced somewhat, Marc moves to Hannah and I further the dark with my groping hands – I do not smoke inside my car. Ortigas is unusually dull, minutes trickle slow like *** or un-sex, whichever it may, I quickly said as I stole the mic from his hand the words I imagine to become filled with the purpose of frayed upon exactitudes. He always brings his knife with him and I always ask him even if I knew that it’s somewhere in his acid-washed jeans – I have always been fascinated by the lives made better or worse by knives. I remember Gabriel and I talking about Holden Caufield when all we ever wanted was to fall immensely in love with girls we chase around in sophomore year, Gabriel I do not know where you are and listening to Radiohead now reminds me of something strange with unwilling potential; perennial silence permeates Ortigas and somewhere a couple is hot and ******* whereas I, asleep on my 9th beer, probably my last, willing to give up for a laugh or some sense of place while I hear them all laughing in front of my parked car, poking fun at something I can barely identify.
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Mar 27, 2016
Mar 27, 2016 at 12:23 AM UTC
Gabriel And I Wanted To Fall Immensely In Love With Girls In Sophomore Year
We rarely go drunk, or perhaps that is I, when I told Marc that all people are nearly up on exits and barely exists now is feeling – he started swinging a running joke between the two of us facing the planetesimal – lights their strobes of secret I am on my 7th beer and still nothing when being listened to by frantic fret of fear because indulgence is key to demise when it is said to pull apart but didn’t, I halved the 7th beer and felt my gut cloy itself with the muck of fat from pork rind and stale chicken I deem myself incompetent in the slug, gild of attendance: freckled wall with dotted red, linoleum plastered, defaced somewhat, Marc moves to Hannah and I further the dark with my groping hands – I do not smoke inside my car. Ortigas is unusually dull, minutes trickle slow like *** or un-sex, whichever it may, I quickly said as I stole the mic from his hand the words I imagine to become filled with the purpose of frayed upon exactitudes. He always brings his knife with him and I always ask him even if I knew that it’s somewhere in his acid-washed jeans – I have always been fascinated by the lives made better or worse by knives. I remember Gabriel and I talking about Holden Caufield when all we ever wanted was to fall immensely in love with girls we chase around in sophomore year, Gabriel I do not know where you are and listening to Radiohead now reminds me of something strange with unwilling potential; perennial silence permeates Ortigas and somewhere a couple is hot and ******* whereas I, asleep on my 9th beer, probably my last, willing to give up for a laugh or some sense of place while I hear them all laughing in front of my parked car, poking fun at something I can barely identify.
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25
Oh queen! One of unjust passion who leaves a gaping hole in my chest With your two hands One holding my beating heart And the other a knife- That rains down- Down! From the heavens and impales with such sadness With such ferocity, the damage is done And with a single blow, the passion is over Gone! As if never before seen again... And in an instant, you destroy the living being that once loved you so dearly Marc Anthony, a Roman conquerer Whom to you was a lover, an overseas companion Who captured your heart and womanly desires Was just a mere mortal, in the end... Undoubtedly imperfect for your ambitions It pains one, oh dear Cleopatra That our ways will more than likely never cross again.
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Nov 21, 2020
Nov 21, 2020 at 2:01 PM UTC
Cleopatra
We argued over that Marc Bolan record That I knew wasn’t mine anyway We argued over that Marc Bolan record It’s my demented way of passing the day I love to see the lines on your forehead appear They run so incredibly deep I love to see the lines on your forehead, my dear When you’ve got the bit between your teeth So when I hear ride a white swan I can’t help but think of your face Fighting your corner for T.Rex That cosmic dancer in outer space
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May 22, 2013
May 22, 2013 at 10:35 AM UTC
Marc Bolan Record
The mainstay of guests, Their backs against chairs That are backed against walls, Readily seated and settled Into tight knit sub communities And discussion cells… Thrashing out social failings And political ineptitudes Gleaned from broadsheets And RT News updates, Mumbling agreements Or gentle dissents, Some too ****** to participate (should have “passed the kouchie ‘pon the left hand side”). One spills red wine onto white cloth And they all laugh longer than necessary About the irony of it all Even though there was no irony In the situation to begin with. There are a small handful of male guests That I feel I could get along with. I give way in the doorway For the hostess to deliver nibbles. There are a handful of female guests That I think I’d like to **** (the hostess included), But none of this allays the reluctance To step through the threshold. The hostess exits the room As I pin myself to the hallway wall, “It could be you”, I think, And try to relay this through a raised eyebrow smile That goes unnoticed. I attempt my break in Just as the conversation turns to The importance of contemporary art In modern society And the relevance of Jim Morrison’s poetry In the cerebral world of words. I search audibly for a conversation Centred around Adele’s latest album release… And I NEVER, on a good day, want to talk about THAT. In for a penny, I take the step with a fuzzy indifference And am drawn to a hand extending the offer of a spliff, And to the ***** of empty wine glass on full bottle, And a “will you, won’t you?” expression, And I trip and fall over a synthetic fur rug Lying, recumbent, too scared to take my eyes Off the pendulum light bulb that hovers above me And all I can think is that the hallway Was a much safer place to be. Copyright Marc Hawkins 2017
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Oct 7, 2017
Oct 7, 2017 at 5:39 AM UTC
TRIPPING OVER THE WELCOME MAT
The mainstay of guests, Their backs against chairs That are backed against walls, Readily seated and settled Into tight knit sub communities And discussion cells… Thrashing out social failings And political ineptitudes Gleaned from broadsheets And RT News updates, Mumbling agreements Or gentle dissents, Some too ****** to participate (should have “passed the kouchie ‘pon the left hand side”). One spills red wine onto white cloth And they all laugh longer than necessary About the irony of it all Even though there was no irony In the situation to begin with. There are a small handful of male guests That I feel I could get along with. I give way in the doorway For the hostess to deliver nibbles. There are a handful of female guests That I think I’d like to **** (the hostess included), But none of this allays the reluctance To step through the threshold. The hostess exits the room As I pin myself to the hallway wall, “It could be you”, I think, And try to relay this through a raised eyebrow smile That goes unnoticed. I attempt my break in Just as the conversation turns to The importance of contemporary art In modern society And the relevance of Jim Morrison’s poetry In the cerebral world of words. I search audibly for a conversation Centred around Adele’s latest album release… And I NEVER, on a good day, want to talk about THAT. In for a penny, I take the step with a fuzzy indifference And am drawn to a hand extending the offer of a spliff, And to the ***** of empty wine glass on full bottle, And a “will you, won’t you?” expression, And I trip and fall over a synthetic fur rug Lying, recumbent, too scared to take my eyes Off the pendulum light bulb that hovers above me And all I can think is that the hallway Was a much safer place to be. Copyright Marc Hawkins 2017
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