Submit your work, meet writers and drop the ads. Become a member
NELSON MANDELA, NUMBER 46664 IS DEAD; EULOGICALLY ELEGIZING DIRGE FOR SON OF AFRICA, HOPE OF HUMANITY AND PERMANENT FLAME OF DEMOCRACY


Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Nelson Mandela, South Africa's anti-apartheid beacon, has died
One of the best-known political prisoners of his generation,
South Africa's first black president, He was 95.
His struggle against apartheid and racial segregation
Lead to the vision of South Africa as a rainbow nation
In which all folks were to be treated equally regardless of color
Speaking in 1990 on his release from Pollsmoor Prison
After 27 years behind bars, Mandela posited;
I have fought against white ******* and
I have fought against black *******
I have cherished the idea of a democratic
And a free society in which all persons live together
In harmony and with equal opportunity
It is an ideal which I hope to live for and to achieve
But if need be, it is an ideal for which I am prepared to die,

Fortunately, he was never called upon
To make such a sacrifice
And the anti-apartheid campaign did produce results
A ban on mixed marriages between whites and folks of color,
This was designed to enforce total racial segregation
Was lifted in 1985
Mandela was born on July 18, 1918
His father Gadla named him "Rolihlahla,"
Meaning “troublemaker” in the Xhosa language
Perhaps  parental premonitions of his ability to foment change.
Madiba, as he is affectionately known
By many South Africans,
Was born to Gadla Henry Mphakanyiswa,
a chief, and his third wife Nosekeni *****
He grew up with two sisters
In the small rural village of Qunu
In South Africa's Eastern Cape Province.
Unlike other boys his age,
Madiba had the privilege of attending university
Where he studied law
He became a ringleader of student protest
And then moved to Johannesburg to escape an arranged marriage
It was there he became involved in politics.
In 1944 he joined the African National Congress (ANC),
Four years before the National Party,
Which institutionalized racial segregation, came to power
.
Racial segregation triggered mass protests
And civil disobedience campaigns,
In which Mandela played a central role
After the ANC was banned in 1961
Mandela founded its military wing Umkhonto we Sizwe
The Spear of the Nation
As its commander-in-chief,
He led underground guerrilla attacks
Against state institutions.
He secretly went abroad in 1962
To drum up financial support
And organize military training for ANC cadres
On his return, he was arrested
And sentenced to prison
Mandela served 17 years
On the notorious Roben Island, off Cape Town,
Mandela was elected as South Africa's first black president
On May 10, 1994
Cell number five, where he was incarcerated,
Is now a tourist attraction
From 1988 onwards, Mandela was slowly prepared
For his release from prison
Just three years earlier he had rejected a pardon
This was conditional
On the ANC renouncing violence
On 11 February 1990,
After nearly three decades in prison,
Mandela, the South African freedom beacon was released
He continued his struggle
For the abolition of racial segregation
In April 1994,
South Africa held its first free election.
On May 10,
Nelson Mandela became South Africa's first elected black president,
Mandela jointly won
The Nobel Peace Prize
With Frederik de Clerk in 1993
On taking office
Mandela focused on reconciliation
Between ethnic groups
And together with Archbishop Desmond Tutu,
He set up the South African Truth and Reconciliation Commission (TRC)
To help the country
Come to terms
With the crimes committed under apartheid
After his retirement
From active politics in 1999,
Madiba dedicated himself
To social causes,
Helping children and ***-AIDS patients,
His second son
Makgatho died of ***-AIDS
In 2005 at the age of 54,
South Africans have fought
a noble struggle against the apartheid
But today they face a far greater threat
Mandela he posited in a reference to the ***-AIDS pandemic,
His successor
Thabo Mbeki
The ANC slogan of 1994; A better life for all
Was fulfilled only
For a small portion of the black elite
Growing corruption,
Crime and lack of job prospects
Continue to threaten the Rainbow Nation,
On the international stage
Mandela acted as a mediator
In the Burundi civil war
And also joined criticism
Of the Iraq policy
Of the United States and Great Britain
He won the Nobel Prize in 1993
And played a decisive role
Into bringing the first FIFA World Cup to Africa,
His beloved great-granddaughter
Zenani Mandela died tragically
On the eve of the competition
And he withdrew from the public life
With the death of Nelson Mandela
The world loses a great freedom-struggleer
And heroic statesman
His native South Africa loses
At the very least a commanding presence
Even if the grandfather of nine grandchildren
Was scarcely seen in public in recent year

Media and politicians are vying
To outdo one another with their tributes
To Nelson Mandela, who himself disliked
The personality cult
That's one of the things
That made him unique,
Nelson Mandela was no saint,
Even though that is how the media
Are now portraying him
Every headline makes him appear more superhuman
And much of the admiration is close to idolatry
Some of the folks who met him
Say they felt a special Mandela karma
In his presence.
Madiba magic was invoked
Whenever South Africa needed a miracle,

Mandela himself was embarrassed
By the personality cult
Only reluctantly did he agree to have streets
Schools and institutes named after him
To allow bronze statues and Mandela museums
To be built
A trend that will continue to grow.

He repeatedly pointed
To the collective achievements
Of the resistance movement
To figures who preceded him
In the struggle against injustice
And to fellow campaigners
Such as Mahatma Gandhi, Albert Luthuli
Or his friend and companion in arms
Oliver Tambo who today stands in Mandela's shadow,
Tambo helped create the Mandela legend
Which conquered the world
A tale in which every upright man
And woman could see him
Or herself reflected,
When Prisoner Number 46664 was released
After 27 years behind bars
He had become a brand
A worldwide idol
The target of projected hopes
And wishes that no human being
Could fulfill alone,
Who would dare scratch?
The shining surface of such a man
List his youthful misdemeanors
His illegitimate children
Who would mention his weakness for women?
For models
Pop starlets
And female journalists
With whom he flirted
In a politically incorrect way
When already a respected elder statesman?
Who would speak out critically?
Against the attacks
He planned when he headed the ANC
Armed wing Umkhonto we Sizwe
And who would criticize the way
He would often explode in anger
Or dismiss any opinions other than his own?
His record as head of government
Is also not above reproach
Those years were marked by pragmatism
And political reticence
Overdue decisions were not taken
Day to day matters were left to others
When choosing his political friends
His judgment was not always perfect
A Mandela grandchild is named
After Colonel Muammar Gaddaffi
Seen from today's perspective
Not everything fits
The generally accepted
Picture of visionary and genius,
But Mandela can be excused
These lapses
Because despite everything
He achieved more than ordinary human beings
His long period of imprisonment
Played a significant role here
It did not break him, it formed him
Robben Island
Had been a university of life for Mandela once posited
He learned discipline there
In dialogue with his guards
He learnt humility, patience and tolerance
His youthful anger dissolved
He mellowed and acquired
The wisdom of age
When he was at last released
Mandela was no longer
Burning with rage,
He was now a humanized revolutionary
Mandela wanted reconciliation
At almost any price
His own transformation
Was his greatest strength
The ability to break free
From ideological utopia
And to be able to see the greater whole
The realization
That those who think differently
Are not necessarily enemies
The ability to listen,
To spread the message of reconciliation
To the point of betraying what he believed in,
Only in this way could he
Serve as a role model
To both black and white humanity
, communists and entrepreneurs,
Catholics and Muslims.
He became a visional missionary,
An ecclesiast of brotherly love
And compassion
Wherever he was, each humanity was equal
He had respect for musicians and presidents
Monarchs and cleaning ladies
He remembered names
And would ask about relatives
He gave each humanity his full attention
With a smile, a joke, a well aimed remark,
He won over every audience
His aura enveloped each humanity,
Even his political enemies,
That did not qualify him
For the status of demi-god
But he was idolized and rightly so
He must be named in the same breath
As Mahatma Gandhi, the Dalai Lama
Or Martin Luther King
Mandela wrote a chapter of world history
Even Barack Obama posited
He would not have become
President of the United States
Without Mandela as a role model,

And so it is not so important
That Mandela is now portrayed
Larger than life
The fact that not everything
He did in politics succeeded is a minor matter
His achievement is to have lived
A life credibly characterized
By humanism, tolerance and non-violence,
When Mandela was released
From prison in 1990,
The old world order of the Cold War era
Was collapsing
Mandela stood at the crossroads and set off in the right direction
How easily he could have played with fire, sought revenge,
Or simply failed; He could have withdrawn from public life or,
Like other companions in arms, earned millions,
Two marriages failed because of the political circumstances
His sons died tragically long before him
It was only when he was 80 and met his third wife,
Graca Machel,
That he again found warmth,
Partnership and private happiness,
Setbacks did not leave him bitter
Because he regarded his own life
As being less important
Than the cause he believed in
He served the community humbly,
With a sense of responsibility
Of duty and willingness to make sacrifices
Qualities that are today only rarely encountered,

How small and pathetic his successors now seem
Their battles for power will probably now be fought
Even more unscrupulously than in the past
How embarrassing are his own relatives
Who argued over his legacy at his hospital bed
Mandela was no saint
But a man with strengths and weaknesses,
Shaped by his environment
It will be hard to find a greater person
Just a little bit more Mandela every day
Would achieve a great deal
Not only in Africa
But in the bestridden geographies
Epochs and diversities of man,

In my post dirge I will ever echo words of Mandella
He shone on the crepuscular darkness of the Swedish
Academy, where cometh the Nobel glory;
Development and peace are indivisible
Without peace and international security
Nations cannot focus
On the upliftment
Of the most underprivileged of their citizens.
Mahatma Gandhi  
Young visitors in a gallery,
Stood before a portrait of Gandhiji,
Charmed by his toothless smile,
Eyes sparkling through glasses round
And an old watch dangling from his waist,
With his chest bare and a **** cloth
Covering his lean , frail frame.
While they wondered how the good old man
Could shake the mighty British empire
And fight without weapons of destruction,
They were thrilled to behold a vision rare -
The smiling  Gandhi emerged from the frame,
Saying that his weapons were invisible,
Yet, they could vanquish the most powerful
Without hatred and shedding no blood!
His loving voice and childlike smile
Combined with an unbending will,
Wielding the power of truth and nonviolence
Could conquer his mighty ruthless foes
And turn them into everloving friends!.
Feeling amazed, the visitors stared
At the Mahatma moving back into the frame;
Begged him to remain and lead them again.
"My countrymen," he said "seem to have forgotten,
" The bloodshed and horror of partition.
"Terrorists and fanatics **** and burn
" And innocent victims feel miserable and forlorn.
"Twice a year, on my 'samaadhi', flowers are strewn,
" While helpless millions struggle and groan.
"In these days of endless greed and senseless crime, "
"Guided missiles and misguided men,
" My words seem to have no relevance,
"Yet, if they listen to their own conscience,
" Give up greed and serve with compassion,
"The India of my dreams will arrive soon."
Sad and surprised, the visitors stared:
Though the figure vanished, his words inspired
And they resolved to follow his noble ways
And strive for the welfare of all mankind.
                  ***  M.G.Narasimha Murthy
Hyderabad, India.        mgnmurthy4@gmail.com
Mahatma Gandhi was assassinated on 30 Jan 1948. A memorable tribute came from Albert Einstein: "Generations to come will scarce believe that such a man as this ever in flesh and blood  walked upon this earth."
Mark Lecuona Mar 2012
It must be said
Once again
No matter how you tire
Of sin
And hopelessness
Where God lives
Is love
Understanding
Selflessness and wisdom
The Mahatma
Courage
Achievement
Humility
Without rank
Without ambition
Morality
Merit
Human
Determination
Dignity
Sacrifice
Pai­n
Patience
Kindness
Principle
Standards
Where oppression exists
There is no God
With power
Comes differences
Rank
Superiority
Predominance
Hierarchy
Religion
Patr­iotism
Nationalism
Jingoism
Legacy
Birthright
Force
Class
Pride
Privilege
Hypocrisy
Corruption
Humiliation
Indifference
Cr­uelty
Violence
War
All faiths
Should be considered equal
Before a God of all faiths
Acceptance
On Earth
You cannot **** God
By killing his believer
You cannot **** a believer
And be loved by God
No man or woman
Is subservient
To another
No man or woman
Is held above
Any other
All kneel before the maker
Worship
No man
No victory
No wealth
No fleeting beauty
Honor
Charity
Empathy
Tolerance
Diversity
Culture
Art
Just­ice
Freedom
Creativity
Fairness
Deference
Humanity
Where do you sit?
At the head of the table
Or at the foot?
What do you wish for?
Riches?
To be respected?
To be feared?
To be loved?
What do they say about you?
Do you know?
Do you care?
Are they fools
To be exploited?
Is life only for your gain?
Can you be trusted?
Can they count on you?
Or do you count on them
For your achievement?
For your glory?
For your power?
For your face to be carved in stone
Above men
And God?
Is that you?
Is that what you want?
I saw a picture of Mahatma Ghandhi with his arm around Jinnah... a Hindu and a Muslim.... it can be done.... the God I speak of has no name.... no religion... no proof....
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
ALEXANDER K OPICHO

(Eldoret, Kenya;aopicho@yahoo.com)

Poetry is a network of rivers
One river flowing into another
A big river into a small river
A small river into a big one
Some rivers are dead in the catacombs
Others are rapidly flowing down
And up their course making noisy
Roaring waterfalls and poetic whirlpools
Full of the ripple circumlocution as
The whirlwind of gales in the harmattan
And this is the spirit of poetry.

I will sing the songs of Schiller
Hugo, Shakespeare the bard
Alexander Pushkin and Mayakovski,
Homer and Dante the Frenchman son of Maugham
And Dante the Italian father of the divine comedy,
I will sing their songs as they are European rivulets
Of poetry flowing into huge water masses
Of African poemocracy in which
The poetic dystopia is clearly
Couched in the gears of black and white.

I will sing and chant the songs of India
Land of Tagore by shouting his name
Rabitranathe Tagore! Sing for me
The ways of the Indian baby
Your Indian voice is mellifluous like the
Zulu ****** dances Song in full watch
Of King Mswati with dint of libido.

I will sing the songs of revolution
From Bolivia and Chile, neighbours
Of Mexico and Brazil; Brazil in which
Pablo Neruda the dog burrier is a religion
In which was born Paul Freire who forgot
To sing for the world chants and the songs
Of pedagogy of the dystopian poet
Pedagogy of the utopian thespian
Pedagogy of the dystopian bourgeoisie
Pedagogy of the cacotopian capitalist
And pedagogy of the utopian Marxists
Who are mealy mouthied with mutton in  between their ears
Manufacturing and venting dystopian phantasmagoria
I will sing.

Poetry is the river Nile of Africa
Cradling from Uganda at Entebbe
Flowing to Egypt into the Mediterranean Sea
Leaving the statue of Mahatma Gandhi at the cradle
Chanting the pearls of the satyagra
That; in God there is truth and
In truth there is God,
As poetry of Nile flows upwards
Not carrying only poems of love
Or bourgeoisie cosmetic Haikus
Singing carols of summer and Christmas day
But its poetic fluvial is washing away
The heavy social **** of Globalectics
Fearing Pushkin and his love
Shakespeare and his **** of Lucrece
Vladimir Mayakovski and
His slap in the face of public taste,
Schiller and his Cassandra
Master Homer and his Odysseus Iliad
Mocking in an ugly  snook
The Albatross book of the English verse
In tune with Yeats and Rudyard Kipling
Reversing the stanzas to sing of
The world as the Whiteman’s burden.

I will sing everyman and his *****
Every woman and her *******
Every ****** and her flower
I will sing them all and their names
And duties of roles pertinent
In healing the world, abode of mankind
From the impish Mr. Hide of cacotopian streak
To pave way for the saintly Dr. Jekyll
To lull man to sleep in his Cinderella
Of social utopia
As Robert Louis Stevenson
Holds the world a stage
Of dystopia.



Thank you for your audience!
Shrivastva MK May 2015
Hum us desh ke vashi hain.....
Jaha sabhi ka samman kiya jata hain,
Hum us desh ke vashi hain....
Jaha sabhi logo me ekta hain,
Hum us desh ke vashi hain....
Jaha atithi ko bhagwan ka darja diya jata hain,
Hum us desh ke vashi hain....
Jaha aurato ko devi kaha jata hain,
Hum us desh ke vashi hain....
Jaha hindu muslim sikh esai sabhi bhai bhai hain,
Hum us desh ke vashi hain.....
Jaha mata pita ko dharti ke bhagwan mana jata hain,
Hum us desh ke vashi hain.....
Jaha sabhi log desh ke liye marte hain,
Hum us desh ke vashi hain....
Jaha mahatma gandhi, Bhagat singh, Subash chandra bose jaise beero ne janam liya tha,
Hum us desh ke vashi hain.....
Jaha par sanchai aur ekta mishal hain,
Hum us desh ke vashi hain....
Jaha ki nadiya sudha jal deti hain,
Hum us desh ke vashi hain.....
Jise log bharat ya india kahte hain...
      JAY HIND
               JAY BHARAT
Hindi
Ricknight Oct 2014
We have never really talked,
But I think I can,
Knowing I am the son of the same soil that anointed you,
And I come from the same city you started it all,
Before I say something I would like to touch your feet,
Pay my respects
I don't know where to start from,
Probably, in school they taught your lessons,
I didn't know back then it was a blessing,
Instead I made fun of you,
disfiguring your picture in the textbook,
Now I think, How could I?
I hope you can forgive me
And you said "hate the sin, not the sinner",
But it was 2nd October and didn't miss your movie,
It feels so nostalgic to me,

My grandfather once saw you,
He used to tell me stories about you,
How a nation was saved,
And the struggles you braved,
They say your thoughts are obsolete,
But not for me,
What you have instilled in me is priceless,
Beyond caste, color and race,
I wish I could tell you face to face,
From shaking the empire to your fasting,
Time in prison to the Salt March,
I wish I could take a part,
Shaking the foundations,
To making us a proud nation,
Bringing to us that moment of Salvation,
From Indigo to salt to cotton,
You fought them,
To millions under starvation,
Making us think from a common man's point of view,
It was you,
From self reliance,
To defiance,
You did it,
And all that without use of force,
I wished you could have stayed longer,
Bless some of the lost souls,
Left some of us on crossroads,

And they say Jesus told us what to do,
You taught us how to do it,
Forgive me, younger me was stupid,
You paved the way for King Jr. and Mandela to aspire,
And many others feel inspired,
But the sad part is that,
Against you they still conspire.
Living free,
Not knowing you did it for us,
How a thin barely clothed man could do wonders,
You taught us to stand for injustice,
You don't need a Nobel Prize, the only true ambassador of peace,

And the loyalists still follow,
Your word is never leaving,
Words are not enough,
But I feel your sorrow,
You made me believe,
Anything is possible
If you stay focused and work for it,
There's so much more to learn,
Nothing but gain knowledge,
And I try to pay homage,
Statues around the world,
Left us true word
The legacy lives on,
No matter how much I say
It will not be enough
Nobody can fill your shoes
Even if they try to,
The world calls you Mahatma, I call you Bapu
Oct 02 is the birth anniversary of Mahatma Gandhi.
Mahatma Gandhi is known as Bapu, meaning Father, in India.
Geno Cattouse Aug 2013
My brother Phillip was a smooth operater
I called him. Mahatma Dandy.
Kissed the girls and made them cry.
Made them sigh.

Dandy was always flying off to somewhere.
Charming and disarming. Six feet four.
Smiling like the cat from Cheshire.
But bigger.
Dandy loved all and all loved him

A heart of gold but subject to frosty weather.
Dandy could never seem to get it all together
But. The boy. Had style.
Should have bottled it and sold it.

Easy street.
Mateuš Conrad Aug 2018
let's have a game of reverse-phraseology....

man up...

   hmm... let's see what i can conjure
up, within this, gender-neutrality...

how about...

  that old english saying...

buckle down,
    buckle up / knuckle down?
  (i never know which
is the correct phrase -
clench your hand into a fist,
or lose weight -
   or, tighten them
for a bumpy ride).

   take the knuckles
to the grit / sandpaper
...

   how's that?

any bwetter?
            no?
   oh ooh um, ah...
          
            i thought these people
were into gender neutral pronouns...
which, oddly, enough,
have to also be singular and plural
neutral:
  
last time i checked: they...
referred to a plural description
of gender neutrality, to begin with...

but hell! ha ha ha ha ha!
we can play this game, all day,
and all night, long...

       but NOW, for a wild idea...
how can you enforce the adrenaline
junk from being stabbed,
not anticipating a stabbing?

i guess... i guess you have to heat
up the knife...
   so there's a warm butter sensation
ascribed to the flesh...
               flesh...
  i like that word...
     i can almost imagine
a slaughterhouse,
   with raw pork in full attire of
a corpse, dangling off the hooks...

and that believable scent,
outside of a Parisian perfume factory
attached: what if i fried this,
exponent of a gutted pork torso?

- and why isn't bush-meat
prohibited in the Qu'ran?
    pork? the most economically constructed
animal in the history of:
anti-vegeterianism anti-veganism...

      rats are, apparently, omnivores...
my neighbor owns four albino rats,
saved from a testing laboratory...
seen one ******, scuttle the garden
looking for a labyrinth
to be experimented on...

oh i love the tease of policing language...
man up contra
            buckle down...
you just sizzle...
   imitating a rattlesnake with
your tongue on trilling the R
with that kind of ****...
   you really end up wanting to poke,
and poke...
    at this sort of genesis phraseology...
with either a reversion,
or an inversion...

i'd prefer you to allow me to exercise
my right for compelled speech,
in which "manning up" is degraded
from the casual phraseology attainment,
and that the old school
english buckling down
is used...

      man? up? there's nothing copernican
about that expression...
please... can you excuse
my politically correct counterpart
to be allowed a phraseology blunder?

we too, are for gender neutrality
in... bashing a man down...
   we call "them" the brash knuckles
brushing off of preconceived
sexuality indicators...

    no blue boy, no pink girl...
no tractor boy, no Barbie girl...
               but there is no...
  "manning up"...
         WE UZ A PEOPLEZ' PEOPLE...
A PEOPLEZ' **** TANK...
running low... on thought -
or whatever the once glorified
moral ought used to be...
   mahatma mah'gandhi -
liked the name for one reason...
see how the H appears and disappears
in the nouns?
   it's there's at mahatma...
but... turned surd in gand(h)i...
   i don't even know why it's not a surd
in (h)indi -
   so blue blue, i'm blue...
      
extensive culinary and musical
traditions kept them afloat,
from biting the razor,
   when drowning...
   and not, exactly, opening
      the oompa-loompa casinos.
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
The world has always been here to welcome lives on it without any kind of objection..
Take a minute to think about what we are giving to it in return..
Pollution
Deforestation
Contamination
some places have been turned into open sewage..
Are those things what our planet deserves?
Mother earth is suffering,not as we do,but somehow it is suffering..
but wait..
Is it suffering alone?
We human beings,the flora and fauna are all suffering ..
As days go by
the consequences are much severe
but the decision remains in our hands
Together we MUST change the fate of our world,
together we can change our fate..


"Be the change that you wish to see in the world"-Mahatma Gandhi
-Sharvish
“Now, as an old man, I realize the only thing I can change is myself, and suddenly I realize that if long ago I had changed myself, I could have made an impact on my family. My family and I could have made an impact on our town. Their impact could have changed the nation and I could indeed have changed the world.”

~ Unknown Buddhist Monk
Hi am bimmy jarnes
And I am performing this quarantine concert from my living room with my alcohol pile mr drinkerbocker and my hat rack friend mahatma kote and scarf
And my first song is I am a real bludging man
Not working anymore
Just sitting down alone
In my house near my award and sign
Aussie Aussie Aussie oi oi oi
Relaxing oh yes indeed
Then mr drinkerbocker said to mahatma kote n scarf
That we must drink as many beers we want oh yeah mate yeah
Oh yeah dude, I am real bludging man
Then I go to the kitchen
To get a can of beer
It is like going to the bar, mate
But you don’t have to pay
You just get drink and sit right down
The best way you can
Oh yeah dude I am real bludging man
Ok thanks and now my action song for you
Mr drinkerbocker mighty fine
He will mind these drinks in time
Let’s get the rhythm of the vb
Ready to party with me
Let’s get the rhythm of the mighty fine
Party on days go on always loving life
Mr drinkerbocker mighty fine
He will mind these drinks in time
Let’s get the rhythm of the Carlton draught
Ready to be hungover the next day fast
Let’s get the rhythm of the mighty fine
Party on days go on always loving life
Mr drinkerbocker mighty fine
He will mind his drinks in time
Let’s get the rhythm of the Melbourne bitter
While watching your footy team win no crowds
Let’s get the rhythm of the mighty fine
Party on days go on always loving life
Mr drinkerbocker mighty fine
He will mind his drinks in time
Let’s get the rhythm of blue kamakasi shot
To really be cool a lot
Let’s get the rhythm of the mighty fine
Party on days go on always loving life
Mr drinkerbocker mighty fine
He will mind his drinks in time
Let’s get the rhythm of champagne
And go out and play a drinking game
Let’s get the rhythm of the mighty fine
Party on days go on always loving life
Thank you and now here is my next song
You picked my hat and coat up off the ground and you put a scarf on as the face everybody cheers you on
Oh yeah mate yeah
You bring the sunflowers in from the backyard and put them at the bottom as the feet
He is my best friend I have ever had
Never ever arguing with me
Mahatma kote n scarf
Everything is looking cool
Breaking every golden rule
Yes mate you are a tool
Using coffee to make you feel unreal
Yes yes yes mahatma kote and scarf
And now here is my award called the
National imagination award which I won because I have a cool imagination
I won this award one Sunday night
In a bar a long time ago
Everybody liked me then
I was cool
I was cheering the loudest I have ever cheered yes this felt great
We had roast chicken vegetables and a tasty mud cake
For my award is such a great friend
Never ever let’s me lose
Oh yeah partying in the club is what I enjoyed then
I really set fire to this town
Number 1 is to find my phone
That I lost yesterday
Number 2 is to have a shower
Putting on cologne
Number 3 is the happy hour on your YouTube or Facebook stream
When you party and you enjoy it yeah
I could really set fire to this room
With a cigarette lighter
And ok that was it there ain’t no more
Unless you come when Corona is over yeah
JOJO C PINCA Nov 2017
“The future depends on what you do today.”
― Mahatma Gandhi

Nakakapagod ang mangarap, yung naglalakad habang nananaginip ng gising, para ka lang gago na pabalik-balik, walang simula at walang katapusan. Walang ipinagiba sa mahabang dalampasigan habang sa taas nito ang hindi masukat na kalawakan, oo ganito ang mangarap at umasa ng dilat. Kung bata ka ayos lang na managinip kahit paulit-ulit lalo na kung hindi ka makatulog. Pero hindi kana bata, matanda kana – maanghang na ang utot mo hijo.

Sana ang buhay ay isang pangarap, sana lagi na lang ang tao nangangarap. Subalit ang buhay ay isang banyuhay kung saan ito’y laging nagbabagong hugis at anyo. Kailangan matuto kang humarap at sumabay sa mga pagbabago kahit ang mga ito’y sadyang nakakapanibago. Matanda kana hindi kana bata, ihinto na ang mga panaginip at kumilos ka ng ayon sa tawag ng kasalukuyan. Ang bukas (kung aabutan mo pa ito) ay nakasalalay sa iyong ngayon.

Matuto sa aral at karanasan ng iba pero ‘wag na ‘wag **** susundan ang kanilang anino, gumawa ka ng sarili **** liwanag. Maging pantas ka gamit ang sarili **** panulat, padaluyin mo dito ang laman ng iyong utak. Hindi lahat ng magaling mag-isip ay matalino kaya’t ‘wag **** kalilimutan na gamitin ang laman ng iyong puso. Bigyan mo ng respeto ang iyong sarili, ‘wag kang mangopya dahil hindi ka naman si Tito Sotto.

Ang lupa ay matagal nang sinalaula ng mga mapagmahal kuno sa bayan at ng mga ipokritong nagsasabing maka-diyos daw sila, utang na loob ‘wag ka nang dumagdag pa. Itigil mo na ang pananaginip mo ng gising dahil tanghali na, bumangon kana at gumawa. Gumawa ng mga mabubuti at kapakipakinabang na mga bagay. Mahalin ang sarili at ang kapwa na tulad sa’yong sarili. Iwasan mo ang umangal kung ibig mo’ng maging marangal.

Sinunog at winasak ng mga ulol na tao ang mundo, laganap ang kahirapan, ang kaapihan at naglipana ang mga patay-gutom na walang tunay na kumakalinga at gustong tumulong. Panahon na para bumalikwas ka sa’yong pagkakahimbing, gawin mo ang inaakala **** magaling basta’t hindi ka makakasakit sa damdamin ng iba.  

Hindi ka isang propeta pero sige sumigaw ka sa ilang kung kinakailangan, tawirin mo ang mga hangganan at gawin mo kung ano man ang tinitibok ng iyong damdamin. Ngayon ang tamang panahon upang ihasik ang iyong sigasig at mga kaisipan dahil kung hindi ay wala kang aanihin pagdating ng bukas na ‘yong inaasam.
JOJO C PINCA Nov 2017
“Live as if you were to die tomorrow. Learn as if you were to live forever.”
― Mahatma Gandhi


Malaking bahay, maraming pera at katakot-takot na mamahaling mga bagay-bagay. Ito ang pangarap ng marami at pinagsusumikapan ng halos lahat ng taong nabubuhay. Kunsabagay walang masama sa mga ito, ika nga libre lang ang mangarap. Pero hindi lahat ay pinagpala, hindi lahat nagkakamit ng pangakong gantimpala. Kaya nga may mahirap at mayaman. Habang may mga nagpapala sa initan ng kalsada may mga naka-de-kwatro na salaula at mga mapang-upasala sa loob ng aircondition na ‘kwarto.

Masarap maging mayaman, yun bang masagana at hindi kinukulang. Yung kahit anong oras ay ‘pwede kang mag-abroad, o di kaya naman ay kumain sa mga mamahaling restaurants kahit anong oras mo mapag-tripan. Tapos pag summer time na syempre maliligo naman dun sa Boracay. Foam Party sa gabi at katakot’takot na sosyalan sa buong magdamag. Sarap talaga ng buhay ng isang mayaman. Pero anong halaga ng lahat ng mga ito? Madadala mo ba ang laksa-laksang karangyaan na tinipon mo? Diba hindi naman?  

Karunungan, ito ang higit na mahalaga – higit pa sa kayamanan. Hindi katalinuhan na nakukuha sa mga aklat at natutunan sa mga mamahaling unibersidad. Ang maunawaan ang katuturan ng buhay mo yan ang importante sa lahat. Ang lubos na maunawaan ang mga hiwaga na nasa pagitan ng pagsilang at ng kamatayan ito ang tunay na kayamanan. Ang umibig at yakapin ang minamahal na parang hindi mo na makikita ang bukas. Katulad ito sa sanlibong sinag ng araw sa iyong puso. Ang makita ang paglaki ng iyong mga anak at makasama sila sa hapag tuwing oras na ng kainan. Ito ang mga tunay na yaman na walang katapat na halaga. Ito ang mga bagay na dapat nating pagsumikapan na makamtan.
Francie Lynch Aug 2014
After all, we're not savages. We're English.
And the English are the best at everything.
                                                     ­       (Piggy)
The hovelled huts
Near  school house ditches
Hardly sheltered starving children.
Emaciated, pale and ghastly,
Three million lost.
Exports defined them,
Imports denied them,
The world was told their hunger
Was the wrath of God.
For seven hundred years
Untolled Rachels wept;
Twice as long
As Jews were kept
Enslaved in pagan Egypt.
This was Ireland,
Not Auschwitz.

Beneath the banners of
Labour and Freedom,
Toiled the innocents.
Eyes burning from hot peppers,
Bodies weak and wrecked
From boarding;
Skin separated by flogging
Thousands of Cypriots.

Over soup and sandwiches
A demarcation's drawn,
So Hindus now face Muslims
Seeking their new homes.
Three million displaced
During lunch,
Brain salad served up on a hunch
By a line
Drawn by one man.
This wasn't Treblinka,
But Pakistan.

Millions fenced in labour camps
In what they called  
The Dark Continent.
The torture was horrendous,
With random executions.
Think the worse, you're still not there,
Think ravenous dogs and mutilation,
**** and human degradation.
Eyes gouged out, ears cut off,
This was Kenya,
Not Warsaw.

Sir Winston wore
His crocodile shoes,
Feigning the blues,
While blocking friendly supplies;
Letting three million hungry die.
His callousness was cruelly matched
When delivering Mahatma's epithet:
“Has Gandhi not starved yet?”
This was Bengal,
Not Dachau.

Their ****** count adds up.
Their new policy was errant:
Imprison all the peasants.
It was racist to the Nth degree,
A million desperate detainees
To exile when they're freed.
But half died on their knees
In Malay,
Not Buchenwald.


The Boer War and Apartheid
Were blessed with Royal Assent.
In Amritsar Brits opened fire,
To cut down Innocents.

This isn't just in history,
It's happened all too recently.

Argentina's watery graves
Gurgle from The Belgrano,
Sunk by Royal torpedoes
For a rock of sheep.
Such was the work
Of a band of brothers,
To fly their flag
Over Falkland waters?

There's no denying
The atrocities
Of her maternal
Ferocities.
The Spinners
Wrapped their glories
Furled in Jack's war stories.
The winners
Have detoured their crimes,
Enjoin us denouncing
**** times;
But the sun hasn't set
On Empire fires:
China, India, Kenya, Aden,
Ireland, Africa,
All invaded.
All degraded.
Imperialism is not benign,
The legacy lives on
In Palestine.

Under pretence
Of flag and king,
The English are
Best at everything
.
I removed this earlier in deference to some who found it offensive. I've re-considered.
Lamar Lewis Oct 2011
It all happened so fast. Like most good things in life--the really monumental moments--it's like you float out of your body and come screaming back just soon enough to realize the moment had passed.

I didn't know how many miles were behind me now. It seemed like a thousand but it didn't really matter. I wasn't going to be one of those mindless wanderers--blindly probing my way through life's misery and defeat to one day wake up wishing I was young again.

I'm taking my youth back from the government, the bankers, the Wall Street gamblers and racing toward the horizon like there are commercial airplanes in my blood and skyscrapers burning in my chest.

You can only go to the same god forsaken place to have your soul ****** out of you for so many ******* days in a row before you either become one of them or make your own revolt and

collapse
                 *into a sea of ash

                                              slithering like snakes along the city streets.
You just run as fast as you can.

I chose the latter.
__________________­__


I'm going to do the cliche thing I suppose. Do as many drugs as possible, do as many women as possible, keep chasing the next good time until I get high enough to slap a saddle on my car roof and ride off into the Atlantic--fireworks shooting off in every direction to *** up the stars--refracting radials within the iridescence of the shimmering sea.

>explosions echo endlessly<
[wrap around the ambient rhythm of the TidePuller]

touch! caress! make love!--stare through eyes into deep blue souls and find something of yourself there.

That's how I'd like to go anyways, I don't know about you--.

That might just be this narcotic cocktail talking. I take my pills ground up in a wine glass mixed with cheap scotch. Then I chase with cups of watered down coffee--chugging until ceilings start to undulate and shake me loose. That's when I know I can start the day.

It's usually my most productive days when the ceiling tiles arrange into piano keys. Then I get to create my symphonies and soliloquies before I try to go get laid.

Now that I'm out here on the road though my mind is being blown.

Try waking to the same white black piano key ceiling everyday, to then finally feel the colors of the sky--for the very first time!

A never ending metaphysical canvas for the thoughts and longings of a drugged up DaVinci who just woke up in his time machine to start the 2nd Renaissance in the clouds. It all makes me wish I would have left years ago.

__________________­_


You see, I'm your typical twenty-something passionate kid trying to turn a ****** past into some kind of salvageable foundation for a chance at catching up with the rest of normal "adult" society. But I've got some problems with this whole "reality" thing people are so adamant at upholding.

Last time I visited my human family around the world they were all drowning in debt and poverty; trying with every fiber of their being to find that one bright spot. Stuck. In the deepest, darkest, most cavernous rotting excuse of a day to day life.

All because some meaningless number
on some computer
in some bank building
with their name on it
either is too small or doesn't exist.

Most of my human family know things are bad,

But most in the impoverished third-world are so deprived of basic human needs that they never get the chance to ponder who really holds the key to their cage.

So they are inclined to accept the status quo and the system and try to live inside of it. Failing to find sunshine within the deepest depths of an erupting volcano; mistaking the heat, the burning alive, for some kind of sign that the brightness has got to be somewhere close. So we will just try to sink a little deeper with the rest of them.

Here in America:
Sure, let's go on back to ringing registers for minimum wage all day until my ears bleed and my head wants to fall off so I can go home to watch some television!

Yes, God Please just let me relax here with my box of flashing pictures and scintillating sounds. The only truth I'll ever need.

Just let me relax here with my reality being defined for me by the volcano directors--telling me that I didn't just come in my house dripping with magma all over the carpet.

YES GOD, just let me relax a little before I have to go to my volcanic, skin searing hell again tomorrow morning. Where they tell me on T.V. that I'm going to find that sunshine I desperately long for. But It'll always

*collapse
                 into a sea of ash
                 to scar the sky grey, silence the sun's rays, blot out the stars, and darken our days*

You just sigh and say "Tomorrow's another day..."
_________________­__


Yeah, I was right there with them yesterday. I was with them for years. Getting brainwashed and ***** slapped by advertising--getting barraged with constant reminders that all I was meant to do was to work my life away--decide to be some tiny insignificant cog in this "economy" they call it.

Looks more to me like I signed up to be some mindless consumerism *****! Sheeping my way along... buying and wasting; buying, wasting; buying again, a bunch of **** I don't need and throwing it away.

We're Living in a society infected with some sort of capitalistic contagion that pretty much siphons off the Earth's life force.

We are conditioned into a reality that the richest & most powerful would like all to believe.

Art-full hearts are stomped on, told to get a job, and plan for retirement. Told to slow down and be reasonable rather than speed up. Velocity of the heart may as well be an act of terrorism unless it's for marriage--and LGBT is on the no fly list.

This is a reality set up predominantly for the endless profit of a bunch of trans-national corporations who won't be satisfied until they hold complete and utter dominion over their ***** and pillaged planet.

Perhaps then they'll be rich enough to fly away in spaceships to **** the next Earth and leave all us sheep here with bargain sales, social networking and reality T.V. as distractions...

Too bad for them some people still read. So I'll learn the different strains of herb from my local library and become a ***** of feeling good, freeing love, and accepting all artistry.

Have you ever seen a painting in the sky? Or witnessed windy symphonies in trees? Hey, don't judge me,

you're the one addicted to killing everyone and everything with your mindless dollar bill.

kneel before almighty god,
mind your founders,
adore their wise countenance,
looking up at you,
re-assuring you,
comforting you,
taking the pain away,
but DON'T RUN OUT!
you'll be back for more.
you'll come crawling back.
You'll do anything for just enough,
just one more fix.

It's got its hooks in bad,
don't it.
___________________­_


PRODUCT-XA110357: Capitalism
DRUG STATUS: Still in Clinical Trials
TEST SUBJECTS: Human Race
PHARMACEUTICAL LABORATORY: Earth
INITIAL FINDINGS: Subjects not receptive, keeps causing: Anger, Greed, Jealously, Oppression, War, Ignorance, Famine, Inequality, Imprisonment, Slavery. Environment not receptive, will cease functioning in the future. Time of Earth Death is unclear. Thankfully it does seem capable to last through the next few fiscal years. A relief, as this is what our stockholders are concerned with.


Symptoms of Withdrawal
Users who are addicted to money and are going through withdrawals may or may not experience a loss of food, water, shelter, clothing, transportation, education, free-time, happiness, fulfillment, reverence of nature, beautiful moments, relationships with friends or families, and love.


FDA Warning
If you are poor, lazy, and uneducated it is your own fault. Being poor and lazy may or may not result in Debt. DEBT may or may not lead to SLAVERY, stress, illness, and an early death.


Poison Control Center
If you have ingested too much debt, slavery, stress, illness, and are fearing an early death please do not call any corporate buildings. Access your phone, computer, or go to your local library to find reputable resources and EDUCATE YOURSELF IMMEDIATELY. Get some nice speakers and start exploring ALL GENRES OF MUSIC. Look at as many paintings, sculptures, forests, and gardens as you can--as often as possible. Lay under the stars and dream about what YOU want to do to make a positive impact on this world. FIND OTHER POSITIVE PEOPLE and AVOID NEGATIVE PEOPLE. If you know someone that is poisoned who you want to save please refer them to the nearest Poison Control Center

-->Smile at the sun--feel its warmth<--

----------------------------------------------------------­------------------------------------------------------

happy hearts:--after love--not money--free from pain--sickness will surrender--
addicted to art, peace, compassion, and empathy--feel the sky get closer--.


-----------------------------------------------------­-----------------------------------------------------------





­




























"In a state of enlightened anarchy each person will become his(her) own ruler. They will conduct themselves in such a way that their behaviour will not hamper the well being of their neighbours. In an ideal state there will be no political institutions and therefore no political power."
-Mahatma Gandhi
Composed October 2011. Revisions (Lots of Them) February 2014. Blend of Fiction & Non-Fiction.
Brycical Sep 2013
For years I've been trying to write
something that would cause the earth to shake--
maybe even slightly tip it off its axis.
Not because it possesses any eloquent grandeur
with words like "cataclysm" or "surreptitious"
nor due to any celeb-ritory status
that may befall my unkempt and ghostly pale person.

                      I just want people to think!

From the moment most of us
are pushed from our mother's dark, watery womb
it's like we're given a hardhat and a pick,
then told to find some gold in the mine
because if you want to keep working in the mine
you have to pay
and then as we try to explain that we're uneducated about mining
because we were just birthed we are told not to worry
because there are teachers who will educate us about the mine
and every so many days we're tested on what we learned about the mine
all the while being told to forget not about the gold in the mine
and sometimes we get a little tired or bored of looking for gold
so we're given a book to read about some guy named Mr. Brahmallah Siddhartahweh Christ
along with a few cigarettes, beer and lunch meat to relax
for a few minutes before it's time to get back to work to look for gold in the mine
to pay to look for gold in the mine
and lord help you if you can't pay to work in the mine because you need to work in the mine
to work in the mine.

                                                      Confused?­ That's the point...
Now, the metaphor above is a crude illustration
of what I'm talking about,
but I have confidence you understand what's gnawing at me,
AND what should be at you too.

                     Where is there time to think??

Even in scientific and philosophical occupations
there isn't much thinking these days.
Many take science as law
the same way extreme, right wingers from any religion
take their "religious doctrine" as law.
Our politics, technology and even reading is polluted
with derision and division into different schools of thought
from a Conservative Team Edward Apple supporting Griffendor Christian
to a Liberal Hufflepuff PC using Team Jacob Buddhist.
Now I understand why all these new agers
keep referencing The Matrix.

                           WHAT IS REAL!?
That must be a decent explanation as why people go insane;
suffocating on all the weighty labels
forcefully pinned to their soul.

And yet...
more people, like me,
are desperately clawing away at these labels,
attempting to find a little fresh air,
perhaps filled with the smell of paint,
graphite, charcoal, clay, **** and natural body pheromones
while sounds of music, chanting, cheers, sobbing, silence, giggling and *******
echo in the breathing room
as we feel the grass beneath our feet, wind matriculating through our hair, another warm and loving body embracing ours with cool water trickling down our backs...
People like me
wishing to be metaphorically, figuratively, theologically and psychologically digambara  
subconsciously evolving from sadhu to avadhuta
          preaching anekantavada
           while simultaneously revealing it all stems from ONE!

But...
many of us are caught in a dilemma best expressed by E.B. White:

[Arising] in the morning torn between a desire to improve the world and a desire to enjoy the world, [making] it hard to plan the day.

These days, to the masses working in the mine,
if you're trying to improve the world you're a kook or a traitor,
just ask the SnowMannings.
If you try enjoying the world you're labeled lazy.
We all just want to be       FREE!!

Of course, Bill Hicks once said,
If you think you're free, trying going somewhere without ******* money.  

And when you THINK about that,
you start to get confused, right?
Maybe your head starts to hurt, right?
Because when you THINK about that,
and all the supposed enlightened people
from Siddhārtha Gautama who resigned from his royal trappings
to Yeshua HaNotzri who renounced material possessions with a needle
while the passive warrior Mahatma Gandhi thought western civilization a good idea.

Why are most children discouraged from being artists, farmers and the next far out thinkers?
Because      there’s        no          money        in         ­ it!  
Again, we’re back in the mine looking for gold.
But what would happen if you stopped?
What would happen if you got in the mine cart and said “**** it,”
then went careening down the shaft,
whirling and twirling faster and faster enjoying the ride!

But now I’m positioned in another quandary;
                       SOLUTIONS!  

While people like myself may have a few ideas
I think they are impossible to share at the moment
Because the majority of the population is too lazy
and complacent to do anything.
First we need to awaken!
First we have to get mad like Howard Beale!
We have to collectively reject the current frequency
and do like Tim Leary where we “turn on, tune in and drop out.”

Ok,
Let’s take five,
maybe more.
And when we reunite
let’s hash out some solutions,
**** out what does and doesn’t work.
If you like this, please share.
Marshal Gebbie Oct 2009
The assassins hit in 63
And Camelot was gone,
Inspiration vanished
And the darkness sang it’s song.
Vietnam escalated
Brezhnev’s Russia loomed,
Africa was eviscerated
And Red China entombed.
Floating on a long white cloud
The Kiwis were replete
With abundant British markets
For their butter, wool and meat.
The Europeans went ****
And Britain lost it’s way
When the Beatles and the Rolling Stones
Monopolized their day.
Man landed on the moon
And raised the Yankee flag
And they shot Mahatma Ghandi
For making good things out of bad.
The Berlin Wall dividing,
The Cold War tense and spare,
ICBM’s threaten silently
In their silos of despair.
Bob Menzies ruled Australia
As an amassing of his loot
And his White Australia Policy
Condemned him as a brute.
Found naked on her tousled bed,
Blonde hair across her face,
Marylin Monroe is dead
The world’s a darker place.
In the Age of Aquarius
Our children lost their youth,
LSD and smoking ***
And Afro’s were the proof.
Lots of leg in miniskirts,
High bouffant’s in the hair,
Screaming teeny boppers
Rock with Elvis on “the Air”.
Giant, Rawhide, Ponderosa,
Martin Luther King,
Kaftans and a cheese fondue,
Abortion is a sin!

It’s a sixties kaleidoscope,
A panoramic skim
Of an era of wonderment
Which you and I lived in.


Marshalg
@the Gate
Mangere Bridge
20th January 2009
Samantha Sep 2013
Outcasted kid with purple hair

Albeit not the kind of violet
That made your nostrils drip
With a watery ambrosia
Sugary enough to belong to a bee

And not the kind of
heavy, royal, omnipresent
contentment plum presents as a
molten lava
perfecting the pockmarks in the pie

My tendrils were not reminiscent of
home or
anything savoury so

I tangled them in tiaras
belonging to some Duchess' daughter or
one of Henry's wives or

Maybe twined them round
Frita's pallet and
Dyed my scalp a more pleasing hue or
Anything other than purple

Because purple was what I was not
Purple was Lilacs and
Pansies and Heliotropes and Tulips and
Lavender and

That little wild flower aforementioned

whose name I can't bare say
for the sake of
a humble beauty
such as hers

'twould be a shame to make comparable
To the wet-dog-fur look
Of my purple hair

And so I learned to get lost

In a past I always felt my own
Traveling continents and
Floating through eons

While my classmates  coloured in
British Columbia and
Where is Nunavut again?

Growing, I gained companions

A faery,
Athena,
Aslan and
Frodo, Einstein, Plato,
Theodore Geisel, Mahatma Ghandi
and Louis Leakey, Jamal Dewar,
Joan of Arc and John Lennon and
it all became
more complicated

Because my world was in flux
Oh it ebbed and it flowed and it expanded
Like the molten plum but this time
It really was more like lava

Assuredly you'll understand;
See the seams in our stitching!
Our Worlds are sewn together!

And as much as we would like
to cling to our
individualism

at some point we all must
accept that there is
but one

Intrinsic as our innards
Are our atoms and
Electrons and
mine are yours and
yours are hers and
ours together are all of the stars and
it really is
beautiful

At some point the twisting shroud
The squeezing and contracting -
of the world inside my head and
the world inside my eyes and
the world I was walking around in
and the world that I saw above me -
it tensed then halted
and became very dense
then melted

What a glorious
Ubiquitous, secure and everlasting amalgamation!
I opened my eyes
To find Van Goghs Scissors
All bloodied still and so
I cleaved my purple hair

But to find Hieronymus' oils and
watercolours so
I made my skin a hellish canvas
Painted all in yellows and blues
Without a hint of purple

Now from shoulders to forearm to wrist
from breast to navel to hip
from thigh to calf to foot
legible as anything are
lines that lilt and gleam
sighing songs of
devils and cherubs alike
and of sparrows and snakes

So after heaven is hell
and after hell is Nirvana
And Manna is as good as dirt
if Ambrosia is but
the spit of a bee

It all always works out
Because at the end comes
Death and after that
We don't know
But I do know that
I don't know
Much at all to begin with

Except for four things, almost assuredly:
1. Energy is all
2. I will never cease to find shouting at people from my bedroom or a car window amusing
3. My mother loves me more than anyone
4. Nothing is certain, except for uncertainty
I feel relieved of some burden wowza! Time to clean my room. Have a good day dearest readers and content skimmers.
Un-Scrupulous Malaise, must you too bleed
Then savour the Sauce which makes your Thoughts sink?
I could bill you for Libel; Or if need
To saddle the Horse called Radar-Stone-Pink
Her Name makes no sense; And purposely so
More than the Watch to her Father she gave
My Thought's own Mystery comes with a blow
That such single comfort would make me brave
Give to Mind Mind's Self; If it does exist
As one Mahatma told me through and through
Placate this Red Farm; Be strong to resist
Your stubborn Barn from which the Wind it blew.
Life would be feathery if you just dance
To this Musical but Simple Romance.
Michael R Burch Apr 2021
ALBERT EINSTEIN POEMS

These are "poems" I created from Albert Einstein quotes, changing a word here and there for the sake of meter and rhyme...



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, interpretation by Michael R. Burch



Relativity and the 'Physics' of Love
by Albert Einstein, interpretation by Michael R. Burch

Sit next to a pretty girl for an hour,
it seems like a minute.
Sit on a red-hot stove for a minute,
it seems like an hour.
That's relativity!

Oh, it should be possible
to explain the laws of physics
to a barmaid! ...
but how could she ever,
in a million years,
explain love to an Einstein?

All these primary impulses,
not easily described in words,
are the springboards
of man's actions—because
any man who can drive safely
while kissing a pretty girl
is simply not giving the kiss
the attention it deserves!



Solitude
by Albert Einstein, interpretation by Michael R. Burch

Solitude is painful
when one is young,
but delightful
when one is more mature.

I live in that solitude
which was painful in my youth,
but seems delicious now,
in the years of my maturity.

Now it gives me great pleasure, indeed,
to see the stubbornness
of an incorrigible nonconformist
so warmly acclaimed...
and yet it seems vastly strange
to be known so universally
and yet be so lonely.



Morality
by Albert Einstein, interpretation by Michael R. Burch

Still, as far as I'm concerned,
I prefer silent vice
to ostentatious virtue:
I don't know,
I don't care,
and it doesn't make any difference!



Against Hubris
by Albert Einstein, interpretation by Michael R. Burch

Science without religion is lame,
religion without science is blind,
and whoever undertakes to establish himself
as the judge of Truth and Knowledge
is shipwrecked by the laughter of the gods.



War and Peace
by Albert Einstein, interpretation by Michael R. Burch

But heroism on command,
senseless violence,
and all the loathsome nonsense
that goes by the name of patriotism:
how passionately I hate them!

Perfection of means
and confusion of ends
seem to characterize our age
and it has become appallingly obvious
that our technology
has exceeded our humanity,
that technological progress
is like an axe in the hands of a pathological criminal,
and that the attempt to combine wisdom and power
has only rarely been successful
and then only for a short while.

It is my conviction
that killing under the cloak of war
is nothing but an act of ******.
(I do not know what weapons
World War III will be fought with,
but World War IV will be fought
with sticks and stones.)

Oh, how I wish that somewhere
there existed an island
for those who are wise
and of goodwill! ...

In such a place even I
would be an ardent patriot,
for I am not only a pacifist,
but a militant pacifist.
I am willing to fight for peace,
for nothing will end war
unless the people themselves
refuse to go to war.

Our task must be to free ourselves
by widening our circle of compassion
to embrace all living creatures
and the whole of nature and its beauty.
And peace cannot be kept by force;
it can only be achieved by understanding.



Mystery
by Albert Einstein, interpretation by Michael R. Burch

There are two ways to live your life:
one is as though nothing is a miracle,
the other is as though everything is a miracle.

The most beautiful thing we can experience is the mysterious:
it is the source of all true art and all science.
He to whom this emotion is a stranger,
who can no longer pause to wonder and stand rapt in awe,
is as good as dead: his eyes are closed.



Curiosity
by Albert Einstein, interpretation by Michael R. Burch

The important thing is not to stop questioning.

Curiosity has its own reason for existing.

One cannot help but be in awe when he contemplates
the mysteries of eternity,
of life,
of the marvelous structure of reality.

It is enough if one tries merely to comprehend a little of this mystery every day.

Never lose a holy curiosity.

People do not grow old no matter how long we live.
We never cease to stand like curious children
before the great Mystery into which we were born.



Character
by Albert Einstein, interpretation by Michael R. Burch

Great spirits have often encountered violent opposition from weak minds
because anger dwells only in the ***** of fools
and weakness of attitude soon becomes weakness of character.

Only two things are infinite: the universe and human stupidity (and I'm not sure about the former) ;
furthermore, we can't solve problems by using the same kind of thinking we used when we created them.

The world is a dangerous place: not just because of the people who are evil,
but also because of the good people who don't do anything about it.

He who joyfully marches to music rank and file has already earned my contempt:
he has been given a large brain by mistake, since for him the spinal cord would surely suffice.



These are poem about Albert Einstein or in which I mention him ...



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



The Cosmological Constant
by Michael R. Burch

Einstein the frizzy-haired
claimed E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!



ASStronomical
by Michael R. Burch

Relativity, the theorists’ creed,
claims mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!



Relative to Whom?
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows *****-nilly
at speeds close to light.
Well, his relatives might,
but mine grow their m(*****) more stilly!



Relative Theory I
by Michael R. Burch

Einstein’s "relative" theory
says masses increase, all too clearly,
at speeds close to light.
Well, his relatives’ might,
but mine grow their m(*****) more stilly!



Relative Theory II
by Michael R. Burch

Einstein’s peculiar theory
excludes all my relatives, clearly,
since my relatives’ *****
increase their prone masses
while approaching light speed—not nearly!



Relative Theory III
by Michael R. Burch

Relativity, we’re led to believe,
proves masses increase with great speed.
But it seems my huge family
must be an anomaly;
since their (m)***** increase, gone to seed!



A Child’s Christmas Prayer of Despair for a Hindu Saint

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please,
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!

Will Jesus Christ cause or allow Albert Einstein and Mahatma Gandhi to be tortured in an "eternal hell" for guessing wrong about which earthly religion to believe? What about Jesus's parable of the Good Samaritan, who put aside religious differences to practice compassion? Did Jesus, who saved all his sternest criticism for hypocrites, talk the talk but fail to walk the walk himself? Or did Christian theologians get something very, very wrong? And what would Santa Claus and the Easter Bunny say about such intolerance and infinite cruelty?  




The Top Ten Einstein Quotations: The Wit and Wisdom of Albert Einstein

You never truly understand something until you can explain it to your grandmother.

We all know that light travels faster than sound. That's why certain people appear bright until we hear them speak.

Only two things are infinite: the universe and human stupidity (and I'm not sure about the former) .

The difference between stupidity and genius is that genius has its limits.

An intellectual solves a problem. A genius avoids it.

The only reason for time is so that everything doesn't happen at once.

The most incomprehensible thing about the world is that it is at all comprehensible.

The hardest thing in the world to understand is the income tax.

Not everything that can be counted counts, and not everything that counts can be counted.

Gravitation is not responsible for people falling in love!

Keywords/Tags: Albert Einstein, poet, poems, poetry, relativity, physics, love, time, genius, stupidity, universe, light
Mahatma gnaws at World War hungers
Reincarnated forms of Wild West lungers

Spatially realigning to a kosher and beloved state
Krishna stands ignored, can’t help feeling irate
Walrus tusks dig into the carpenter’s brow
As an eight armed saint is revealed as a cow

Scriptures packed and rolled, exhaled in suspicion
Prophets praised for violence incurred, act of sedition
(This poem is on the earthquake that people in Sikkim,India had faced on 18 September 2011. I was one among them too! P.S- on this very that is my brother's birthday! So i remember it more profoundly....just read on to find out more. Certain words mean the following out here-
MG MARG- MAHATMA GANDHI MARG.{Marg means street.}
LAL BAZAAR-refers to a marketing place in the capital of Sikkim,i.e,Gangtok)
MAAL ROADING-Maal road is generally found in most of the hill stations in India. But in my college, Maal Road has a different and funny meaning.)
DISCO COMMITTEE-refers to the DISCIPLINARY Committee in our college,which takes stringent actions against the guilty.)

18 was the date-
When a bunch of girls had decided
to travel through the city.
But I was the one who wasn't prepared,
As it was raining pretty heavy.
The girls planned to eat,roam and shop about,
through the MG MARG and LAL BAZAAR!
Fortunately for me due to some unavoidable circumstances
the plan got dropped....
And all I could see was girls making unbearable pouts!!

In the evening,
when people go out MAAL ROADING,
I went to the shop with a company
for buying a recharge card as done daily!
Though I bought it,
I somehow forgot to scratch it, I rather kept it inside my bag.

Strolling down the campus
We sat on the football field
Watching the players kicking the ball in glee
With their boots,shorts and tee!
At exactly 6:10 pm, there was a great turbulence,
which caused a whole lot of purturbence!
Yes, that was the 6.9 that shook us!
People running to and fro to save their lives,
some shirtless,some barefooted and some in towels!

With buildings shaking and cracking
there was nothing
but utter horror and shouting!
People seemed like Refugees,
With no phone networks to contact friends,relatives and families!
We were told to sleep with our room doors open.
But how could we when there were still tremors coming?
SHAKE! and people would be out on the streets!

Such a day it was, when Mother Nature had terrorised us!
Still the authorities couldn't help themselves from separating boys and girls!!
If they happen to meet each other,
They would have to face the DISCO COMMITTEE all together!

Huh!! When will you get rid off this mentality?
So that we can live joyous and peacefully!!!
K Balachandran Apr 2012
Love was the fragrance of every flower
in this city, of celebrated  gardens,
not long before,
Why i sit here, nursing my uneasiness
in this bus with out a destination board,
I don't really know,
                               all I hope is this:
my belief that it would take me to
it's last stop- love- would not fail,
Once there ,I know,
my redemption would be easier.

I don't see any one bound
                                     to that destination,
not even one whose face i recognize,
night has no language, like a dumb man
i have to be contented with signs,
in this overly lit long, red bus, too sleek
for everyone here to feel happy about,
i feel the shock of change, from every side,
The city is busy shedding its old skins
and its soul, the villager and his words
that spoke of rain, crops of corn and harsh summer,
almost in a poetic vein, is alien now,
they aren't invited here anymore,
sulking, loitering around a bit, they have left, before sun down.

We are racing towards deadlines,
roads everywhere are blocked, broken, changed beyond
recognition, one's own street, needs introduction
work is in progress even at midnight,
new flyovers, elevated roads, sky scrappers
you easily lose count, and crawl through a maze,
all  for a make over, to a global city of electronics,
from  a sleepy town, embracing villages
to somewhere, the world feels flat, in an illusory grandeur.

Trees  died horrible deaths,
a loveless and forlone look takes over, even on young faces
the sparrows, disappear, no one knows where
they have gone, bees and butterflies,
what would be their fate, studies are on.

A lady in the front seat
gets jittery, she is not sure where she goes,
the driver doesn't pay attention,
there is none to reassure,
we are on the move, fast too.

I was looking for Mahatma Gandhi  Road, but the signs
are all gone, hope, those would be back pretty soon,
but would love come back?
                       OOO
JDH Jun 2017
Some introductory food for thought...

“What difference does it make to the dead, the orphans and the homeless, whether the mad destruction is wrought under the name of totalitarianism or in the holy name of liberty or democracy?”
    - Mahatma Ghandi

“Totalitarianism is not only hell, but all the dream of paradise-- the age-old dream of a world where everybody would live in harmony, united by a single common will and faith, without secrets from one another."
   - Milan Kundera

"Each generation imagines itself to be more intelligent than the one that went before it, and wiser than the one that comes after it."
  - George Orwell


Technocracy as scientific Totalitarianism?
Technocracy is the institutionalised control over all aspects of society by scientific and technological means through a centralised autocratic bureaucracy, whose totalitarian control is secured by the exploitation of its means. Universal utilitarianism over the psychologies, sociology, technology, pharmacology, etc. Whose state authority relies solely on the implementation of systematic indoctrination and propaganda, and the methodical interception of political dissidence or heresy against the established ideological order (in whatever form it takes). Human beings, as the most exhaustively studied species on Earth, have no shortage of data, nor any famine of instances littered among history that create the foundation of a deterministic human proclivity to be influenced by covert forces, often even when staring us in the face.


The institutionalisation of Peace as a political concept?
Peace, among the broader consensus, means to many and ideal not only of great significance, but too, a matter of urgency in a world of almost instantaneous advancement in the technological means of warfare, with the capability of mass destruction or even global fallout ever possible at the push of a button. Peace, however, as a political concept (like all concepts) is multilateral in the diversity of its manifestation, and is one of vague understanding to those who might purport its value, or perhaps not to those who might reap its more nefarious facets. Institutionalised ideology (possibly even Peace as a concept) has a tendency to shift to the extreme spectrum of its implementation in order to compensate for, by physical and ideological assets, the inevitable opposition that will rise in its wake or during its implementation. This is why, despite the seemingly sympathetic characteristics of Marxist ideology, it requires, when in its institutionalised from, a means of repressing antithetical views or activity, for instance, within the Soviet system. Because of this proclivity, it is thus safe to assert that even Peace, when in an institutionalised state could adopt a form of despotic hard and soft power in the enforcement of its ideological tenets.


Peace as an ideological control system?
It is necessary to understand the extent to which the concept of peace can be applied and that to which it's linguistic value could be altered or even neologistically reinvented. Peace, as generally perceived, means a vague ideal of harmony between people, generally applied to warfare and violence and the unnecessary suffering it causes. However, it is surely necessary to contemplate the id of its concept, which could still, by technicality, represent peace. Here is a legalese style list of how it could be applied, utilised as an ideological system of control:

• Opposing dialectic or political discourse between two or more groups or individuals as a breach of peace, for it produces a state of non-neutrality and thus a state of conflict (of ideas).
• Opposition to the state by activism or an expression of opinion as a breach of peace, for it may incite a state of conflict, or a spread of opposition.
• Multi-partisan politics as a concept that produces conflict (of ideas) and thus would be a breach of peace, and therefor is necessary to maintain a single-party system.

These are some ways in which I have tried to apply the political concept of peace as could be utilised for an ideological system of control through the rule of law or other means. Peace is generally perceived as a concept existing on the macro, however, here having been applied to the micro, it becomes scrutinous and can target by technicality, basic liberties. Theoretically, peace can mean absolutist ideological neutrality.


- a short essay by JDH
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

As its social phenomenality
Grows with zeal and verve
Humanity of love befits
Beautifully Elaborate explanation
To enable both young and the elderly
To have clear and useful
Knowledge and insight
Of what is love;
Shakespeare in the prime
Of his bardness decried it
A foul protégé of individual beholder
Christ confused it for self-immolation
In the succor of the universe
Leo Tolstoy thought that
It was minimal ownership of land
Umberto Eco in his scriptorium
Declared it man’s impaired judgment
Kenyan cubidmaestroes deem it human foully
To create a leeway to keep change of a Casanova
Mahatma Gandhi called it caste blindness
Mandela called it zero apartheid
Both in Luther King sang the song
Of nonviolent revolt
But me I will boldly clash
With the precedent civilizations
To call love foolishness of a man
And shrewdness of a woman
As for both man and woman the very love
In un-fangled in truth that it can’t pay bills.
Sia Jane Apr 2014
Karen Carpenter, bridged sued cap d'hiver,
(which I hear will be very en vogue this summer)
fringe falling, as gracefully as music flowing through her veins,
(a Pucci jumpsuit, a throwback to times, of rock and roll)

Pinned hair, taped face to secure a wig cap,
(a daily communion bonding her soul to her self)
those Miu Mui boots, leather wrapped sewn to her body
(to which is laying amid candle light gypsy retreat)

A left thigh, glance of the subtly disguised tattoos inscribing her body,
(do we mark our body, to impress others or to claim our own bodies)
silk Chloé gown, gypsy princess of Parisian quarters,
(Jakarta may someday be a resting place for an unsettled soul)

Placing pencil to paper, poetry writes me as lyrics write her,
(do the ivory keys of the Grand Piano fuse inspiration)
piercing red nails, grasping left handed she writes writes writes,
(maybe notes of her future travels dreams aspirations)

A 70's heroine, born to the wrong era standing in the past,
(Yoko Ono Led Zep Stevie Nicks, mahatma's of a lost scene)
innocence purity porcelain *******, torn from a womb too soon,
(not at once a smile, reflective nostalgia unwavering past future)

A fallen tear drop, a hopelessness of peace in her eyes,
(one can see both tattoos of present; ARTPOP, of past; peace symbol)
a fallen angel, legacy leaving her mark on a generation of those lost,

Her left wrist shows a peace sign as a commitment to such peace

Will this ever be a possibility on a planet we call earth?

© Sia Jane
See "Porter Magazine" - "Gaga The Lady interview photographed by Inez & Vinoodh.
Elsbeth Poe Jan 2014
Stand up
Stand up for something
Anything
Sing out about the way
You want the world to be
Learn to listen
Learn to look for people
Desperately in need
Learn to love to read
Learn to love
Expand your mind and empathy
Be brave
Stand up and speak
With as much a voice inside
This your precious body
As Jesus, Budda, M.L.K.
Five foot five Mahatma Gandhi
"Be the change you wish to see.."
A world full of people
In much greater need
The things you say
And things you do
Can effect the world
Not just a few
Every person's
A link in the chain
Not thinking you matter
Causes disarray
Everyone has something to say
Especially sensing one's
Prone to feeling pain
If you don't speak up
And make a stand
It won't just go away
Beliefs don't make you better
Behavior makes that change
Speak for the weak
Not next week
Now
Do something
Feel proud
Not for you
But for the good you do
They'll try to shoot you down
Action scares those prone to shunning
Often those who surround
Are rut stuck, change haters
Trying to share their frown
They'll work to make you drown
Those efforts will abound
But anything that's worth the fight
Is not easily found

E.Poe
*January 2014
Julie Grenness Jul 2016
Here in parochial Melbourne town,
Football causes many a frown,
Folk say, "Who do ya barrack for?"
I think, "What do ya wanna know for?"
Then I say, "Right back at ya!
I barrack for Jesus and Mahatma!!"
Yes, let's barrack for our princes of Peace,
In our hearts, their .dear  souls to keep,
It might make our world a better place,
If we  all had a serene smiling face,
To barrack for Jesus and Mahatma,
"There you go, right back at ya!"
A reflection, feedback welcome.
Oculi Nov 2017
Looking at me, you see a pure, young soul.
But look inside me, you sweet summer child.

Inside me are so many people
I am Che Guevara with the lance of poetry
I am Vladimir Lenin with the shield of quick wit
I am Petőfi Sándor with the armor of ambition
I am Mahatma Gandhi with the horse of music
I am Fidel Castro with the arms of an endless mind
I am Spartacus with the flames of unending hope
But I am The Uncharismatic Man with the burdens
The burdens of a tired arm
The burdens of a twisted tongue
The burdens of clipped wings
The burdens of a deaf ear
The burdens of numb thoughts
The burdens of a dying sun
I've risen up and gone down just as quick
My rebellion was for naught this time
I've grown exhausted from the fights
But I'll never put down my arms.
I'll never cease the struggle.
This war never ends.
So fight with me, brother.
Fight yourself, goodfellow.
Defeat the oppression, comrade.
And never give up...
Not until I give you the call to surrender.
A POLICE MAN CAN DO ANYTHING
Why compromised are the police men?
From all over the world, policemen are sellouts,
Policemen arrested Jesus Christ and flogged him,
Others tortured Galileo Galilai for intellectual cross purpose,
Some of them vandalized Martin Luther King, and his wife,
As they also put Fidel Castro on the tilted trial,
The same are the ones that arrested Mahatma Gandhi
In the same tandem of Colonel Afrifa organizing a coup
To effect putsch against Kwameh Nkrumah, or Mandela to Robben gulag,
They tortured Rubia and Matiba in Kenya down the abyss of mental breakdown,
They kicked in the teeth Abdulla Abdalladiff at Kamiti prison
Then they ran off for a decade to effect the ****** of Robert Ouko,
Their evil tendency was never quenched until
They abducted the County parliament speaker
Of Maembe hamlet in the Nyake Kingdom of potato eaters
And held him in the spine chilling captivity for days and days
Only to release him when he sufficed to stay in dumb freedom.
Michael R Burch Apr 2021
Prose Poems and Experimental Poems
by Michael R. Burch

These are prose poems (is that an oxymoron?)  and experimental poems that begin with the first non-rhyming poem I wrote as a teenager...



Something
―for the children of the Holocaust and the Nakba
by Michael R. Burch

Something inescapable is lost―lost like a pale vapor curling up into shafts of moonlight, vanishing in a gust of wind toward an expanse of stars immeasurable and void. Something uncapturable is gone―gone with the spent leaves and illuminations of autumn, scattered into a haze with the faint rustle of parched grass and remembrance. Something unforgettable is past―blown from a glimmer into nothingness, or less, which finality swept into a corner, where it lies... in dust and cobwebs and silence.

This was my first poem that didn't rhyme, written in my late teens. The poem came to me 'from blue nothing' (to borrow a phrase from my friend the Maltese poet Joe Ruggier) . Years later, I dedicated the poem to the children of the Holocaust and the Nakba.


briefling
by Michael R. Burch

manishatched, hopsintotheMix, cavorts, hassex (quick! , spawnanewBrood!) ; then, likeamayfly, he's suddenly gone: plantfood.



It's Hard Not To Be Optimistic: An Updated Sonnet to Science
by Michael R. Burch

"DNA has cured deadly diseases and allowed labs to create animals with fantastic new features." ― U.S. News & World Report

It's hard not to be optimistic when things are so wondrously futuristic: when DNA, our new Louie Pasteur, can effect an autonomous, miraculous cure, while labs churn out fluorescent monkeys who, with infinite typewriters, might soon outdo USN&WR's flunkeys. Yes, it's hard not to be optimistic when the world is so delightfully pluralistic: when Schrödinger's cat is both dead and alive, and Hawking says time can run backwards. We thrive, befuddled drones, on someone else's regurgitated nectar, while our cheers drown out poet-alarmists who might Hector the Achilles heel of pure science (common sense)  and reporters who tap out supersillyous nonsense. [Dear U.S. News & World Report Editors: I am a fan of both real science and science fiction, and I like to think I can tell the difference, at least between the two extremes. I feel confident that Schrödinger didn't think the cat in his famous experiment was both dead and alive. Rather, he was pointing out that we can't know until we open the box, scratchings and smell aside. While traveling backwards in time is great for science fiction, it seems extremely doubtful as a practical application. And as for DNA curing deadly diseases... well, it must have created them, so perhaps don't give it too much credit! While I'm usually a fan of your magazine, as a writer I must take to task the Frankensteinian logic of the excerpt I cited, and I challenge you to publish my "letter" as proof that poets do have a function in the third millennium, even if it is only to suggest that paid writers should not create such outlandish, freakish horrors of the English language.―Somewhat irked, but still a fan, Michael R. Burch]



bachelorhoodwinked
by Michael R. Burch

u are charming & disarming, but mostly! ! ! ALARMING! ! ! since all my resolve dissolved! u are chic as a sheikh's harem girl in the sheets, but now my bed's not my own and my kingdom's been overthrown!



Starting from Scratch with Ol' Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh went to the ovens. Please don't bother to cry. You could have saved her, but you were all *******: complaining about the Jews to Reichmeister Grupp. Scratch that. You were born after World War II. You had something more important to do: while the children of the Nakba were perishing in Gaza with the complicity of your government, you had a noble cause (a religious tract against homosexual marriage and various things gods and evangelists disparage.)  Jesus will grok you? Ah, yes, I'm quite sure that your intentions were good and ineluctably pure. After all, what the hell does he care about Palestinians? Certainly, Christians were right about serfs, slaves and Indians. Scratch that. You're one of the Devil's minions.



Prose Poem: The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl was out picking roses by herself, looking very small and lonely.

Suddenly the odd one refused to pick roses anymore because she decided it might "hurt" them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling them!

Now she's lost all interest in nature, which she finds "appalling." She dresses in black "like Rilke" and says she prefers the "roses of the imagination"! She mumbles constantly about being "pricked in conscience" and being "pricked to death." What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she's locked herself in her room and refuses to come out until she has "conjured" the "perfect rose of the imagination"! We haven't seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them "starving artist" in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just a phase she'll outgrow?



escape!
by michael r. burch

to live among the daffodil folk... slip down the rainslickened drainpipe... suddenly pop out the GARGANTUAN SPOUT... minuscule as alice, shout yippee-yi-yee! in wee exultant glee to be leaving behind the LARGE THREE-DENALI GARAGE.

escape! !

u are too beautiful, too innocent, too inherently lovely to merely reflect the sun's splendor... too full of irresistible candor to remain silent, too delicately fawnlike for a world so violent... come, my beautiful bambi and i will protect you... but of course u have already been lured away by the dew-laden roses...



Children's Prose Poem: The Three Sisters and the Mysteries of the Magical Pond
by Michael R. Burch

Every child has a secret name, which only their guardian angel knows. Fortunately, I am able to talk to angels, so I know the secret names of the Three Sisters who are the heroines of the story I am about to tell...

The secret names of the Three Sisters are Etheria, Sunflower and Bright Eyes. Etheria, because the eldest sister's hair shines like an ethereal blonde halo. Sunflower, because the middle sister loves to plait bright flowers into her hair. Bright Eyes, because the youngest sister has flashing dark eyes that are sometimes full of mischief! This is the story of how the Three Sisters solved the Three Mysteries of the Magical Pond...

The first mystery of the Magical Pond was the mystery of the Great Heron. Why did the Great Heron seem so distant and aloof, never letting human beings or even other animals come close to it? This great mystery was solved by Etheria, who noticed that the Great Heron was so large it couldn't fly away from danger quickly. So the Heron was not being aloof at all... it was simply being cautious and protecting itself by keeping its distance from faster creatures. Things are not always as they appear!

The second mystery was the mystery of the River Monster. What was the dreaded River Monster, and did it pose a danger to the three sisters and their loved ones? This great mystery was solved by Sunflower, who found the River Monster's footprints in the mud after a spring rain. Sunflower bravely followed the footprints to a bank of the pond, looked down, and to her surprise found a giant snapping turtle gazing back at her! Thus the mystery was solved, and the River Monster was not dangerous to little girls or their family and friends, because it was far too slow to catch them. But it could be dangerous if anyone was foolish enough to try to pet it. Sometimes it is best to leave nature's larger creatures alone, and not tempt fate, even when things are not always as they appear!

The third mystery was the most perplexing of all. How was it possible that tiny little starlings kept chasing away much larger crows, hawks and eagles? What a conundrum! (A conundrum is a perplexing problem that is very difficult to solve, such as the riddle: "What walks on four legs in the morning, on two legs during the day, then on three legs at night? " Can you solve it? ... The answer is a human being, who crawls on four legs as a baby, then walks on two legs most of its life, but needs a walking cane in old age. This is the famous Riddle of the Sphinx.)  Yes, what a conundrum! But fortunately Bright Eyes was able to solve the Riddle of the Starlings, because she noticed that the tiny birds were much more agile in the air, while the much larger hawks and eagles couldn't change direction as easily. So, while it seemed the starlings were risking their lives to defend their nests, in reality they had the advantage! Once again, things are not always as they appear!

Now, these are just three adventures of the Three Sisters, and there are many others. In fact, they will have a whole lifetime of adventures, and perhaps we can share in them from time to time. But if their mother reads them this story at bedtime, by the end of the story their eyes may be getting very sleepy, and they may soon have dreams of Giant Herons, and Giant Turtles, and Tiny Starlings chasing away Crows, Hawks and Eagles! Sweet dreams, Etheria, Sunflower and Bright Eyes!



Fake News, Probably
by Michael R. Burch

The elusive Orange-Tufted Fitz-Gibbon is the rarest of creatures―rarer by far than Sasquatch and the Abominable Snowman (although they are very similar in temperament and destructive capabilities) . While the common gibbon is not all that uncommon, the orange-tufted genus has been found less frequently in the fossil record than hobbits and unicorns. The Fitz-Gibbon sub-genus is all the more remarkable because it apparently believes itself to be human, and royalty, no less! Now there are rumors―admittedly hard to believe―that an Orange-Tufted Fitz-Gibbon resides in the White House and has been spotted playing with the nuclear codes while chattering incessantly about attacking China, Mexico, Iran and North Korea. We find it very hard to credit such reports. Surely American voters would not elect an oddly-colored ape with self-destructive tendencies president!



Writing Verse for Free, Versus Programs for a Fee
by Michael R. Burch

How is writing a program like writing a poem? You start with an idea, something fresh. Almost a wish. Something effervescent, like foam flailing itself against the rocks of a lost tropical coast...

After the idea, of course, there are complications and trepidations, as with the poem or even the foam. Who will see it, appreciate it, understand it? What will it do? Is it worth the effort, all the mad dashing and crashing about, the vortex―all that? And to what effect?

Next comes the real labor, the travail, the scouring hail of things that simply don't fit or make sense. Of course, with programming you have the density of users to fix, which is never a problem with poetry, since the users have already had their fix (this we know because they are still reading and think everything makes sense) ; but this is the only difference.

Anyway, what's left is the debugging, or, if you're a poet, the hugging yourself and crying, hoping someone will hear you, so that you can shame them into reading your poem, which they will refuse, but which your mother will do if you phone, perhaps with only the tiniest little mother-of-the-poet, harried, self-righteous moan.

The biggest difference between writing a program and writing a poem is simply this: if your program works, or seems to work, or almost works, or doesn't work at all, you're set and hugely overpaid. Made-in-the-shade-have-a-pink-lemonade-and-ticker-tape-parade OVERPAID.

If your poem is about your lover and ***** up quite nicely, perhaps you'll get laid. Perhaps. Regardless, you'll probably see someone repossessing your furniture and TV to bring them posthaste to someone like me. The moral is this: write programs first, then whatever passes for poetry. DO YOUR SHARE; HELP END POVERTY TODAY!



Prose Poem: Litany
by Michael R. Burch

Will you take me with all my blemishes? I will take you with all your blemishes, and show you mine. We'll **** wine out of cardboard boxes till our teeth and lips shine red like greedily gorging foxes'. We'll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we'll eat cold Krystals out of greasy cardboard boxes, and we will be in love. And that's it? That's it! And can I go out with my friends and drink until dawn? You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we will be in love, and in love there is no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust. And that's all? That's all. That's great! But wait... Wait? Why? What's wrong? I want to have your children. Children? Well, perhaps just one. And what will happen when we have children? The most incredible things will happen―you'll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you're too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Sweet Nothings
by Michael R. Burch

Tonight, will you whisper me a sweet enchantment? We'll take my motorcycle, blaze a trail of metallic exhaust and scorched-black sulphuric fumes to a ****** diner where I'll slip my fingers under your yellow sun dress, inside the elastic waist band of your thin white cotton *******, till your pinkling lips moisten obligingly and the corpulent pink hot dog with tangy brown mustard and sweet pickle relish comes. Tonight, can we talk about something other than ***, perhaps things we both love? What I love is to go to the beach, where the hot oil smells like baking coconuts, and lie in the sun's humidor thinking of you, while the sand worms its way inside your **** little pink bikini, your compressed ******* squishy with warm sweet milk like coconuts, the hair between your legs sleek as a wet mink's... Tonight, can we make love instead of just talking *****? Sorry, honey, I'm just not in the mood.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes―the pale dead. After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud's mist, sometimes like the rain they descend; ... they appear, sometimes silver, like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift unencumbered, yet lumbrously, as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies only half-remembered. Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust, blood-engorged, but never sated since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must...



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings, a breath of a moth seeking a companionable light... where it hovers, unsure, sullen, shy or demure, in the margins of night, a soft blur. With a frantic dry rattle of alien wings, it rises and thrums one long breathless staccato... and flutters and drifts on in dark aimless flight. And yet it returns to the flame, its delight, as long as it burns.



Burn, Ovid
by Michael R. Burch

"Burn Ovid"―Austin Clarke

Sunday School, Faith Free Will Baptist,1973: I sat imaging watery folds of pale silk encircling her waist. Explicit *** was the day's "hot" topic (how breathlessly I imagined hers)  as she taught us the perils of lust fraught with inhibition. I found her unaccountably beautiful, as she rolled implausible nouns off the edge of her tongue: adultery, fornication, *******, ******. Acts made suddenly plausible by the faint blush of her unrouged cheeks, by her pale lips accented only by a slight quiver, a trepidation. What did those lustrous folds foretell of our uncommon desire? Why did she cross and uncross her legs lovely and long in their taupe sheaths? Why did her ******* rise pointedly, as if indicating a direction?

"Come unto me,
(unto me) , "
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.



*** 101
by Michael R. Burch

That day the late spring heat steamed through the windows of a Crayola-yellow schoolbus crawling its way up the backwards slopes of Nowheresville, North Carolina... Where we sat exhausted from the day's skulldrudgery and the unexpected waves of muggy, summer-like humidity... Giggly first graders sat two abreast behind senior high students sprouting their first sparse beards, their implausible bosoms, their stranger affections... The most unlikely coupling―Lambert,18, the only college prospect on the varsity basketball team, the proverbial talldarkhandsome swashbuckling cocksman, grinning... Beside him, Wanda,13, bespectacled, in her primproper attire and pigtails, staring up at him, fawneyed, disbelieving... And as the bus filled with the improbable musk of her, as she twitched impaled on his finger like a dead frog jarred to life by electrodes, I knew... that love is a forlorn enterprise, that I would never understand it.



Veiled
by Michael R. Burch

She has belief without comprehension, and in her crutchwork shack she is much like us... Tamping the bread into edible forms, regarding her children at play with something akin to relief... Ignoring the towers ablaze in the distance because they are not revelations but things of glass, easily shattered... Aand if you were to ask her, she might say―sometimes God visits his wrath upon an impious nation for its leaders' sins... And we might agree: seeing her mutilations.



Lucifer, to the Enola Gay
by Michael R. Burch

Go then, and give them my meaning, so that their teeming streets become my city. Bring back a pretty flower―a chrysanthemum, perhaps, to bloom, if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made, or perhaps not made in time, I can look back upon it and recall―in all its pale forms sublime, still, Death will never be holy again.



The Evolution of Love
by Michael R. Burch

Love among the infinitesimal flotillas of amoebas is a dance of transient appendages, wild sails that gather in warm brine and then express one headstream as two small, divergent wakes. Minuscule voyage―love! Upon false feet, the pseudopods of uprightness, we creep toward self-immolation: two nee one. We cannot photosynthesize the sun, and so we love in darkness, till we come at last to understand: man's spineless heart is alien to any land. We part to single cells; we rise on buoyant tears, amoeba-light, to breathe new atmospheres... and still we sink. The night is full of stars we cannot grasp, though all the World is ours. Have we such cells within us, bent on love to ever-changingness, so that to part is not to be the same, or even one? Is love our evolution, or a scream against the thought of separateness―a cry of strangled recognition? Love, or die, or love and die a little. Hopeful death! Come scale these cliffs, lie changing, share this breath.



Longing
by Michael R. Burch

We stare out at the cold gray sea, overcome with such sudden and intense longing... our eyes meet, inviolate... and we are not of this earth, this strange, inert mass. Before we crept out of the shoals of the inchoate sea... before we grew the quaint appendages and orifices of love... before our jellylike nuclei, struggling to be hearts, leapt at the sight of that first bright, oracular sun, then watched it plummet, the birth and death of our illumination... before we wept... before we knew... before our unformed hearts grew numb, again, in the depths of the sea's indecipherable darkness... when we were only a swirling profusion of recombinant things wafting loose silt from the sea's soft floor, writhing and ******* in convulsive beds of mucousy foliage,

flowering,
flowering,
flowering...

what jolted us to life?



Memento Mori
by Michael R. Burch

I found among the elms
something like the sound of your voice,
something like the aftermath of love itself
after the lightning strikes,
when the startled wind shrieks...

a gored-out wound in wood,
love's pale memento mori―
that white scar
in that first heart,
forever unhealed...

and a burled, thick knot incised
with six initials pledged
against all possible futures,
and penknife-notched below,
six edged, chipped words
that once cut deep and said...

WILL U B MINE
4 EVER?

... which now, so disconsolately answer...

----------------N
-- EVER.



Nucleotidings
by Michael R. Burch

"We will walk taller! " said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

"Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster, "
cried glib Punjab.

"After Y2k,
time will spin out of control anyway, "
flamed Vijay.

"My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space, "
spat What's His Face.

"What does it matter,
dirge or mantra, "
sighed Serge.

"The world will wobble
in Hubble's lens
till the tempest ends, "
wailed Mercedes.

"The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what's the crisis? "
cried Bubba Billy Joe Bob Puckett.



They Take Their Shape
by Michael R. Burch

"We will not forget moments of silence and days of mourning..."―George W. Bush

We will not forget...
the moments of silence and the days of mourning,
the bells that swung from leaden-shadowed vents
to copper bursts above "hush! "-chastened children
who saw the sun break free (abandonment
to run and laugh forsaken for the moment) ,
still flashing grins they could not quite repent...
Nor should they―anguish triumphs just an instant;

this every child accepts; the nymphet weaves;
transformed, the grotesque adult-thing emerges:
damp-winged, huge-eyed, to find the sun deceives...
But children know; they spin limpwinged in darkness
cocooned in hope―the shriveled chrysalis

that paralyzes time. Suspended, dreaming,
they do not fall, but grow toward what is,
then ***** about to find which transformation
might best endure the light or dark. "Survive"
becomes the whispered mantra of a pupa's
awakening... till What takes shape and flies
shrieks, parroting Our own shrill, restive cries.



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination...
becoming an angel
(pure love)

and yet You must love Your Self

If you know someone who is very caring and loving, but struggles with self worth, this may be a poem to consider.

Keywords/Tags: prose poem, experimental, free verse, freedom, expression, silence, void, modern, modern psalm, Holocaust


To Have Loved
by Michael R. Burch

"The face that launched a thousand ships ..."

Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...

The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...

now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call

in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.

Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.

Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care

because you have this moment, and no man
can touch you as he can ... and when he’s gone
there will be other men to look upon
your beauty, and have done.

Smile―woebegone, pale, haggard. Will the tales
paint this―your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?

Published by The Raintown Review, Triplopia, The Electic Muse, The Chained Muse, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin. This is, of course, a poem about the famous Helen of Troy, whose face "launched a thousand ships."
Keywords/Tags: Helen, Troy, Paris, love, war, gods, fate, destiny, portrait, fame, famous, stars, Zodiac, Zodiacs, star-crossed, spell, charm, potion, enchantment, Greece, Greek, mythology, legend, Homer, Odyssey, accompaniment, accouterment, eternal, eternity, immortal



EPIGRAM TRANSLATIONS BY MICHAEL R. BURCH



NOVELTIES
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Nod to the Master
by Michael R. Burch

for the Divine Oscar Wilde

If every witty thing that’s said were true,
Oscar Wilde, the world would worship You!



A question that sometimes drives me hazy:
am I or are the others crazy?
—Albert Einstein, loose translation/interpretation by Michael R. Burch



This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch



To live without philosophizing is to close one's eyes and never attempt to open them. – Rene Descartes, loose translation by Michael R. Burch



Stage Fright
by Michael R. Burch

To be or not to be?
In the end Hamlet
opted for naught.



I test the tightrope
balancing a child
in each arm.
—Vera Pavlova, loose translation/interpretation by Michael R. Burch



Brief Fling
by Michael R. Burch

“Epigram”
means cram,
then scram!



*******
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once.
But joys are wan illusions to the expert:
the Bedouin has learned how not to want.



Love is either wholly folly,
or fully holy.
—Michael R. Burch



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Villanelle of an Opportunist
by Michael R. Burch

I’m not looking for someone to save.
A gal has to do what a gal has to do:
I’m looking for a man with one foot in the grave.

How many highways to hell must I pave
with intentions imagined, not true?
I’m not looking for someone to save.

Fools praise compassion while weaklings rave,
but a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Some praise the Lord but the Devil’s my fave
because he has led me to you!
I’m not looking for someone to save.

In the land of the free and the home of the brave,
a gal has to do what a gal has to do.
I’m looking for a man with one foot in the grave.

Every day without meds becomes a close shave
and the razor keeps tempting me too.
I’m not looking for someone to save:
I’m looking for a man with one foot in the grave.



She is brighter than dawn
by Michael R. Burch

for Beth

There’s a light about her
like the moon through a mist:
a bright incandescence
with which she is blessed

and my heart to her light
like the tide now is pulled . . .
she is fair, O, and bright
like the moon silver-veiled.

There’s a fire within her
like the sun’s leaping forth
to lap up the darkness
of night from earth's hearth

and my eyes to her flame
like twin moths now are drawn
till my heart is consumed.
She is brighter than dawn.




Teddy Roosevelt spoke softly and carried a big stick; Donald Trump speaks loudly and carries a big shtick.—Michael R. Burch



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!
Guy Random Oct 2010
Walking a lonely road, stepping over the dry leaves;
Waiting for the sunset, to leave me alone with my thoughts;
Observing the reality is not simple, but feeling it is even harder;
This always follow a change, when u feel theory in real;

For every stand u took, for every right u did;
For every step you took back, for every voice that was suppressed;
A laughing comment may be the reason, or a smile or a ignorance;
Good’s became good joke, deeds became dramas;

Prophets preach love everyone, reality ends in loving ourselves;
No sorry no thanks, rude a person becomes without acknowledgements;
Follow your heart, stop taking free advices, ironical part we do;
Edison said 'value in disaster, start all over again', how hard it is to do;

Ideal is a word that has no practical example;
Even Mahatma Gandhi was only close to ideal;
Resistor to transistor, ideal behaviour has bookish domains;
And what a irony, even great of greatest are running towards this misconception;

Fooling someone is an upcoming talent;
Your last laugh, was it on a ***** act or someone loss??;
Listening advice is a harder job than firing suggestions;
Selfish is a attribute necessary to adopt;

Opening book on a regular day sometimes become crime;
Everyone pretends to be last day hero;
Hardly one dares to take a stand, for someone unknown, for public benefit;
Forgetting, one could be in same place;

Here conscience becomes a vital part;
Doing what it allows, or changing it accordingly;
Does varying conscience have a value? Choice enters in play;
Choice to be what you should be or what you are accepted to be;
(c) goyal.madhav@gmail.com
I am a student and this is what I feel is happening all around in real world..
http://www.blogger.com/profile/05955009719386496175
Dark n Beautiful Dec 2017
Death only uses violence,

An eye for an eye will only make the whole world blind.”
― Mahatma Gandhi


Standing naked in front of a mirror of truth
Did you gasp for a moment?
Or did you grasp the robe tightly by the string?
Our mirror the body shaming objects
Our brain Positive or negative to the truth:

As we stand in the front of the mirror of truth:
Our eyes become terrible liars
Fat stigma is spreading around the world: everyone is our mirrors
body shaming us into believing that skinnier is healthier:

The three rolls at the side of your body a reminder that those
Thanksgiving mini apple pies was a **** lie too,
Everything in Moderation is only  sweet poetic words

**Saints have no moderation, nor do poets, just exuberance.”
― Anne Sexton
He brought us up with dovish love
He cautioned us to be serpent wise,
He took us to schools each of us
In a genuine dream to forestall future misery
He fed us well from his meagre earnings,
He discriminated not love among the siblings
We grew up united in family bond,
He made us all to walk tall and proud
As sons and daughters of credible father,
He taught me in particular to read Mahatma Gandhi,
He inspired me with love for Napoleon Bonaparte,
He named me Alexander as a nomenclatural ritual
To procure spiritualities of charm and intellect,
He did us good and indeed we must all agree
As evinced in the love he gave to our mother,
We saw no fearful stress of threatening estrangement
As our mother always clang to us with superior enthusiasm.

He only began to feel pain on every swallow,
Saliva, other liquids and solid stuffs he painfully swallowed
He lost and lost weight on each day as we could do nothing,
But his wisdom and sense of humane picked,
Phenomenally usual precursor of impending death,
He got emaciated and weakling, his feeding decimated,
I desperately took him to hospital and surrendered him
To a man wearing humongous glasses on his bearded face,
The community of that place called him a doctor,
He checked my father and came out with a stark tiding;
Young man, your father has throat cancer!
The barium swallows has indicated all these,
There is eminent presence of tumors and carcinoma
Known for their foul perpetration of oesophagus cancer,
I received this dooms day news with mild trepidation,
He was discharged back to his village home
He died two days later in his hut, on his marital bed
The wooden bed with wick-work of strappings and strings
Crafted from stone hard animal hides and skins,
And it was Christmas day of December 2000,
At three in the afternoon, when my father died
Succumbing to death caused by throat cancer.

— The End —