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NuurSeraph Sep 2014
I am captivated by a thought of old
Yeller in the streets of Madagascar.
Shot me dead indeed for standing up
to digs of my deeds done wrong.

But what of his Sister, and did he miss her
for fiesta on Friday last~Until a droopy~eyed mistress crooned a ****~a~doodle~doo straight against the face of death.

They loved Prima, come subtle still life into the night.  Brought Passion'd brink of tears, thrown forlorn wisping shutter to my skin and I am Thought.. thinking I migh'nt be lost to soon to this moment mi'amour.

Charging hunted into the streets, taken by day or by night. Overrated artform of statuesque mystique, compendium of gods have struck me mortal and I am Death...dying unto pleasures infinitum.

Quell into question the material mourning, noon and night. Antidote to antithesis is Imagination...imagining everything in nothingness all at once...banging out existence, through the vacuum...all the way to Madagascar.

Take my place, take my bullet for me on the other end of old Yeller and I will take your end on the other side... of You ...being Me.
Let thoughts meander from rich words in the background
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
Max Neumann Dec 2019
Afghanistan needs hellopoetry
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Why? Because people from all over the world have found something here: a place of belongingness.

Please note that I am just a poet on hellopoetry who loves this website sincerely. I am not affiliated or personally related to the founders of hellopoetry.

I rarely ask to get my poems reposted, but I would encourage everyone to spread the message, possibly even outside of hellopoetry, for new active users and possible contributors.

It would break a lot of hearts if hellopoetry wouldn't exist anymore.
J Dec 2016
The calendar that hangs on my white brick walls has been empty since the day I moved in. I don’t plan anything from day to day. I load up my year, usually in January. I fill it up with different colors, louder sounds than years before. I made a vow, or a dozen. I lost count after a while. I lose my train of thought real easily, and I find my progress derailed once a week, twice if I’m in a slump. But anyways, I fill my year up in the Winter when the frost pierces my brain and I’ve dirtied all the dishes in the house already. By March I’m hungry. I switch it up. Even louder sounds, ones I’d never heard before, ones I barely could because they grew so slowly, I grew impatient, it took time,  like that Madagascar Palm plant I read about 3 nights in a row without stopping. I hyper fixate on plants and people that promise even a glimpse of hope for me, it's pathetic. I got off track, oh yeah. It takes 100 years to flower, and once it does it dies. I thought I would do the same in March, sometimes I still do. Sometimes I want too. I take so long to grow that sometimes I forget that I still am. Back to the story, I switch it up in March. I get itchy for Spring flings that will defrost my bones and this year I remember counting every hour for a week straight, not in minutes but in ways I was alone. I counted each day in stomach aches because they never went away, even when I stopped eating to see if what I’d been feeding myself was the source of this and if abstaining from it would help. I thought the same when I left him. I lost 20 pounds in two weeks and I was happy about it because it was defeaning glee, the way people finally looked at me. And when I was counting the ways I was alone, the noise grew louder. It flowered.

I broke in May. I kissed three different boys in the same day and I remember going home and promising myself it’d be okay if I decided to stop living because if one plant that grew beside me could do so, beautifully and quickly, and I took longer, while it leaned on me without ever touching my roots underground, than there was not reason I had to be here. It didn't need me. There wouldn’t be anyone around to see me flower. Humans only live to what, seventy? I didn’t want to see twenty. I stopped growing. I chased ***** with whiskey to see which one was the first to hit me. Which one gave me a worse hangover so I finally had an excuse to spend beautiful July days rotting in bed? I remember the first time I took a shot of whiskey and it was ******* gross but I'd already adjusted to that fuzzy, churning pain in my stomach so I kept drinking. I drank a whole bottle. I was 19. The first time I tried ***** was at a party after you told me I'd turned into a "real ****." I remember that perfectly but the rest of the night is blurry and now I drink to get the fuzzy feeling back the way I had it for a day in May and thought I'd fallen in love again.  I never understood why I knew what it felt like to feel alive but chose to sit and brew inside a room that smelled too much like the Walmart perfume I wore every day the first year I fell in love. I still get choked up. It’s a weird feeling, to not love someone anymore and to forget, day to day that you ever did. But to remember how it felt to hear your heart beating inside your chest before your very first kiss, and how it felt like papercuts when you had your last. I disassociate when I get scared so I start putting “you” when “I” should be there. That’s something to note. I know how to let go but not how to take responsibility for my actions, ones crafted by loneliness, or bitterness. I counted this year in let-downs. How quickly it went by, too. Would you believe that? In just three months I will be able to say that I spent every day of my life, 365, thinking about you. I almost don’t want to publish this, because I forget that there is more to me than the way I felt in 2016. If anyone cares, there’s more to me than what I just stained the page with, right up there. I laughed this year too, with new faces. I drank in new places and got new bruises on body parts I hadn’t seen in years for fear of ridicule. They’re  black and blue but they’re beautiful. I spit words out sometimes and they don’t always make sense nor do they make a perfect sequence but that’s another thing I’ve learned this year. It’s hard to measure in numbers, what do I count when I’ve been out of order for the whole thing? Which parts do I mention when I start remembering the year that cut me open, and the year I bled for all the world to see because I needed validation, of any kind, I needed attention, from all eyes, for once because I could. How do I measure the year that I lost 170 pounds of freckles and lies and gained 40 in beer and candy? Or the year I finally made it to 32 months self harm free but that I talked about killing myself every day in between? How do I measure a year when I never feel like I’m flowering?
Mateuš Conrad Feb 2019
what's the biggest difference
between 20th century's
french and german
existentialism,
    and the 21st century's
primarily, anglo-sphere,
realisation of an existential
   "crisis"...
           anti-jew meme...
         the globalist octopus...
imagine...
     some people have
recovered from an existential
crisis, having established
vast constructs of thought
way back in the 20th century,
namely
the french, and the germans..
but...
my oh my oh my my...
the anglo-sphere of linguistics
has only, "just now"
awoken to this...
   quiet a predicament,
wouldn't you say?
                         fertile ground...
oh sure, there was existential
angst in the anglo-
sphere among irish
pillars...
                beckett, joyce...
but concrete architectures
of thought, regarding existentialism,
seem to be absent...
  so... counter-argument:
so how come i can
freely buy a copy of some
german philosopher,
a french novelist turned
philosopher...
           but...
  i'm skint... when it comes
to english thinkers more
or less associated with
my status, rather than stance,
on contemporary "translation"?
   elitism...
no... it's not that...
      i could have just well
have procured
a life helping out my father
in industrial roofing...
             i didn't mind roofing...
it's not an exactly pristine
labour of love sort
of environment...
the scottish widows' h.q.
roof near st. paul's?
        me.
   i was part of that
monstrosity...
       but... come again?
but there are some many attachment
cursors when it comes
to an anglican take
on "revising" continental
existentialism...
        whatever crisis
the continental people
felt, and consolidated
the 20th century people...
is only just starting to bud
in the anglo-phonic world...
start-up, island,
end result,
    h'america and australia...
there was never a question
as to why, or if,
the english-speaking
people would ever entertain
existentialism,
but, suddenly they are,
at least starting to look
into the pit,
from their ivory towers...
immediate escape
impetus?
      reach for the fictive
narrative,
                disavow journalism...
make journalism bedfellows
with political rhetoric...
there's no debate...
circus, however you look
at it...
             you can't fathom
an abstract variant
of the german or the french
mind, gripped by
an existential critique,
a piquancy,
    a pedantry...
in the english speaking world...
there are,
just simply...
   too many attachments
to deal with...
       - growing a beard:
meant exactly that -
eat ****.    
         i don't see where
there a "me" to be found
in a (0, 0) starting space,
of net-worth-"work"...
     coumpters-freeze
network...
for a language...
that ridiculed,
or became succinct
in succumbing
to its anglo-preferences
of objectifying counter-standards
for its own...
shortcomings...

  what has 20th century
existential philosophy have
to do with "anything",
esp. if arrived from
the either french
of german, cultures?

we have Joe Slave over 'ere...
oh right... sorry...
paweł nowak....
just took joe stephen slave's
role was
the person, the hands,
in a recycling factory...
do you mind?
  rather:
do you mind...
teaching your natives...
   to...
   and you know how that
cindarella story ends...

introducing existentialism
to the brits and,
generally,
  the anglican variety of
the tongue, being
used...
   will end up as, failure...
the 20th century
taught me this,
the irish failed,
the french
and the germans...
basically a "foreign" idea
is more than just...
******..
the people are ******,
with paradoxes
of their women...

                sure... a bit like
Iceland...
oh, ****, a bit too close
to the continent...
like madagascar
  is to africa...
and sri lanka is to india?
i'm not 'ere to care to
the idiosyncratic
concerns of island people...
contra the, "collective"...

island people will forever
remain island people,
"solipsistic", idiosyncratic,
idioms...
            i can't change that...
always prone to export...
but never to import...
    island people,
       the **** is there to say?
ever bewilder yourself
over chanel 4 news...
and how...
  john snow is slipping
into dementia?
      you listen to the cue?
no?
                  sorry... john...
dementia on the horizon...

attempting to adapt
existentialism into england
will fail,
given their moral high-ground
of the "migrant crisis"...
it's an island...
  the borders are clarifying,
distinct,
        sure, the people can be *****
when their language
is bored in being
a "lingua franca"...
         but other people have
other, in-debt defences...

western slavs?
ever hear a spaniard speak
pollack, just because
he hiked with a polish girl?
yeah... mahler...
                       violins and ****...
you only listen:
                  for an idea...
it comes, it comes,
it doesn't come...
well... you move onto
some khachaturian...
        so,                 no biggie...

you can't import continetal
thinking to an island people,
they have no concept
of borders...
their naive presupposing
barrier, centered-ground is
unshakeable...

   existential philosophy
"meme" rate of survival is... ?
0.1,
binary, negation, an affirmative
statement,
and then the fiasco...

       it doesn't help
that there's an alternative
outlet via h'america or australia...
i'm not looking
at the "bigger picture",
when there isn't one...

     20th century existentialism
will not work in 21st century england,
or any english-speaking world
to begin with...
there are just, too many,
attachment points,
         as many nurtured
nostalgia avenues
as there are amnesia riddled
currencies of attention
exhaustion...
        it's just a pristine model
to revive the serf...

there's no point reading existentialism
to a people,
so far lodged in their
isolationism that they
can claim, both an island-stature...
and two continents,
by extension
       of stating: "being aware"...      

i guess you have to be born
on the continent
to read anything by 20th century
writers,
but... trying to implement
the word...
into the idiosyncrasy
of island-dwelling people,
akin to the English?

                    i'm not even going
to bother trying...
they're island-folk...
   they "think" of borders akin
to coastlines...
and not migration
fake bordering of a contradiction
of peoples occupying
a quicksand pit
of looking at a geography map...
island-folk...
  they know border...
because they know... island...

you can't translate
something that's already
paradoxical to them
  (hypocritical, is not a milder
term of usage for the desired
execution)...
     no...
                not going to happen...
two islands,
some set of continental enclaves...
culture...
whatever you want...

             i've lived with them,
even though i've lived pretty much
among either the irish migrants,
or the scots...
    you're not going to translate
an island, into a continent's
auxiliary...
  right now...
you'd think that
   Estonia would become
characteristic of an island-people
auxiliary mentality...

       i can't blame these people
though...
   an island environment
provides an island people
mentality...
    if you have never been
part of a congregation,
geographically...
   yes...
      but they're borrowing
continental idiosyncracy...
****** *****...

   Iceland?
            yeah... oh yeah...
they're hot on the topic of what
island life is like...
being so...
   conservative that they even
have developed apps
for people to check their
genetic proximity
and any immediacy to live,
+ baggage...

      the Brits were always 'ere...
the Icelandisch?
were always there...
          and...
  sorry... for the already given
postcard: wish you were
here analogy of...
            curiosity killed
the cat...

           but island dwelling people
will always be,
an island dwelling people...
right now,
you do what i do...
you play chamaleon...
  "sociopath"...
                you...
begin with: a-pathy...
          without pathology
looking for... what requires
you to mingle with the most
pathological examples of
a hushed sanity of society...

          and...
          your luck, as well as mine...
nothing really happens...
like butter smeared
over a gently toasted
piece of toast.

hello tomorrow.
Nigel Morgan Jul 2014
From the woodlands of Madagascar
To the highlands of Ethiopia
Dwell nine species of lovebirds.
Their genus name is Agapornis,
From the Greek agape (love) and ornis (birds).
The French call them Les inséperables

While affection between compatible pairs
Can be a joy to behold,
Lovebirds can be quite territorial
And will defend their nest.

Sexually dimorphic they mate for life.
Like all parrots they need to be well
Socialized and taken care of.
They  are very vocal, making loud
High-pitched noises, especially
In the early morning time.

Stocky little birds
With short blunt tails
You can hold them
In the palms of your hands.
They love to snuggle,
They love to preen.
Happy birds: together.
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
nyant Feb 2018
Algeria a rich land poor people,
Angola seems to have kings,
Benin is blessed with voodoo,
Botswana blood bulls diamonds,
Burkina Faso can't cope coups,
Burundi twelve years a slave,
Cape Verde has half a million,
Cameroon got cocoa,
Chad's lake is shrinking,
Comoros has under a million,
DRC is third largest,
Congo is it's neighbour with capitals facing,
Côte d'Ivoire has few elephants,
Djibouti's on the horn,
Egypt has mummy's,
Equatorial guinea struck oil in 95 but didn't loose change,
Eritrea has 5000 running annually,
Ethiopia's great rift is pretty ******,
Gabon is subject to black gold,
Gambia got a peace of it after 65,
Great Ghana oasis of peace,
Guinea is diverse,
Bissau too,
Kenyans have beautiful smiles,
Lesotho is SA's baby,
Liberia oldest republic,
Libya needs liberty,
Madagascar where are the penguins!
Malawi has warm hearts,
Mali is 8th,
Mauritania is 11th,
Mauritius marvel,
Morocco fine leather,
Mozambique keeps the dugongs,
Namibia Windhoek ah,
Niger after a river,
Nigeria makes zuma rock,
Rwanda listen,
Sao tome and principe 2nd smallest,
Senegoals,
She sells Seychelles,
Sierra Leone free?
Somalia loose,
S. Africa reign,
South Sudan independent?
Sudan - black,
Swaziland more than solo men,
Tanzania trade,
Togo up down,
Two knees yeah,
Uganda teacher come simeon,
Zambia's peace?
Zimbabwe got rid of Mugabe.

Always thought zed was co.za but we're actually co.zm,
so what's zim?

One way we'll loose change is when the overseers begin to acknowledge the under looked.

-nyanta
Robert Ronnow Aug 2015
First Living Organism

Anyway, there is love and death and governance. With the birth of my sons, love was fulfilled. There is no romance left in love for me, women are another form of men. Perhaps their toes are painted rather than blood-encrusted, but blood runs from their bones, their eyes are friendly as camera lenses, muscles hungry. Death continues to be my every third thought, fittingly. Occasionally I feel strong, but when I don’t it’s death waiting. I think I know it’s a waste of time to imagine being dead, as if being dead were a form of living. It’s not, but last night I was reading about the efforts of astrobiologists to identify LUCA meaning Last Universal Common Ancestor and FLO, first living organism, and that gave me a calmer feeling. Bringing me to governance, how we manage together between birth and death. What can I say that hasn’t already been said by Aristotle and Plato, the Republicans and Democrats, Hamilton and Jefferson. To start, your daily discipline is a personal governance. There are many ways to know a person: by their god, by their fears and appetites, by how they spend their money or organize their time. Who is in authority, who is in command here? The one in authority is not necessarily our leader.


Patience

I live in a mountainous community about 140,000 strong. My irascible, aggressive temperament toward my fellow citizens has exiled or sidelined me to a peripheral almost insignificant role although when I arrived I was considered a problem solver, even a savior of the poor and the wealthy classes who feared for the future. Why mention this. He who knows patience knows peace. I have surely lost face often in my life. As a kid, lost most fights, as a man, chosen last to lead the squad or platoon. Only when every known leader had died did those in authority decide to use me. Someone must begin to write the federalist papers for the world. And, of course, it’s being done and heard. Books in print, blogs, debates. My vision is a world where you can fly from Madagascar to Mississippi and be greeted by a sign that says Welcome to our land. Go about your business, setting off no bombs, and fly home. Perhaps take a lover for one afternoon.


The Machine and the Season

The machine and the season are so far incompatible. The machine claims electrical problem. The house leaks from rain. The men who left the machine have started their own business. A new endeavor by which they will keep warm and purposeful. The junior partner, heavier, says the Grand Canyon’s not so grand. Jaded individual or one to set himself against the depths, abyss? Man’s systems. Man made the machine (and the town) from rocks mined next door. Some few men understand these invisible electrons moving the machine to perform. I still cannot imagine, i.e. my mind cannot move fast enough to know how so many particles can be sorted and split so quick to make words on a screen. My simplicity is terminal.


Saving Grace

Today it is fall, first day for long-sleeved shirts. The boys at school. I admonish Zach not to whine and complain about the work. Lately reading or practicing piano, prone to fits of frustration. To the point of claiming belly pain. Last night I dreamed I had pushed him to suicide. It is so important for a man to do no harm. This is what makes us crazy against Wolfowitz, willingness to **** to do good. Someone very sure of himself and shining, much wiser and more compassionate than me, has calculated for the world that more lives now for fewer later shall be sacrificed. The people he serves are cantankerous, disorderly, selfish and complaining. The same diverse, spoiled, unpatriotic revolutionaries as at the nation’s beginning. Their refusal to be more than the sum of themselves is their saving grace.


Politics

Politics can be an escape from the personal, the debates are of little interest to a man in hospice. Will the machines do their work? How will we make decisions together? Roger Johnson’s gravel pit must be killing his neighbors with the noise of boulders being pulverized to rock but Roger is certain his business is necessary for the public good. He knows he has a right to use his property as he sees fit. There is a noise ordinance, a state employee will travel out to measure the decibel level in your front yard as compared to the ambient noise level. There is a measurable amplitude beyond which the legislature has determined no citizen may be exposed or corporation go. It can be measured.


Measure for Measure

Measure for measure, all’s well that ends well during a midsummer night’s dream for the merry wives of Windsor. A million or more poets but only one Top Bard. How did he know so much about kings and fools and murderers? An Elizabethan and no Freedom of Information Act. Today it is fall. The legislature and president are at work and so are our machines. One by one and then in armies the leaves come down. It is not that someone must decide, we must decide how we will make decisions and where authority resides. What am I learning, sitting, watching the season turning? Content this morning to admire my sons’ photos, reread my own poems searching for the prize answer, and answer the phone. I seem to be alienating potential business partners with a take it or leave it comme-ci comme-ca attitude. All you can do, the best that can be done is to go to your daily discipline. Driving home or waking up at night I think I’m dying. Do the much-admired writers of our time die more content than that?


War All the Time

War all the time. I’ve been fond of saying what distinguishes America is its daily low intensity warfare. Endless but not fatal conflict. Chambers of commerce, municipal government, big corporations wrestle nearly naked and will lie as needed for what? I tire like an 80 year old man of the storm and worry. I remember my early years when I had no known skill to offer and elections occurred without my vote being solicited. I noticed no harm or good I did was noticed. Autumn was all mine, mine alone, I was alone in the world with autumn. My mind could not stand it. I cried out for comfort, someone to obey. I needed to grow up and know money.


The History That Surrounds Us

I’m not going anywhere, I chose to stay and hold my clod of soil in the landscape of community oh blah dah. I want like Shakespeare and other writers to discern the motivations of women, men, see through their lies to a humorous truth careless about success and able to explain why what happens today or on September 11th obtains. I was impressed by the critic who found that Shakespeare in Hamlet had tried to write about the thoughts of a man suspended between having decided to act and the act itself. Why bother he soliloquated why commit or submit to the great moment when mere men of bones and dust, disgusted with themselves and others are the actors of the moment, beheaders, rhymers, debtors. And, of course, the answer comes to one in the night like Chuang-tzu, or Lao, why not? The great moment is no greater than the small and the small no smaller than the great. You perform the history that surrounds you and go to your daily practice.


A Systems Guy

I’m something of a systems guy. I want the truth and death and worth to be independent of individual motives, paranoias, prejudice, peccadilloes, virginities, crucifixes, paradoxes, protons, protozoa or curses. I want pure human machinery, stainless steel, clear thinking, even handed, not a doubt that every doubt is wanted, needed, good to the last drop toward the ultimate ignition into outer space, colonization of diverse planets and immortality of the genome. Here’s what’s odd. While enduring ever more frequent panic attacks (and nudging toward survival and self-sufficiency my offspring) pounding and pinching my skin to stay sensate, maintain consciousness, I parabolate (always orbiting myself, eye on the tip of my *****) to another extreme, i.e. my belief mankind can escape the earth unlike Hamlet’s dad’s ghost. A system is a set of inputs–values, policies, objectives, procedures, data–organized and repeated to generate significant quantities of desired outcomes without redesigning the system for each individual outcome. I told John Russell from Amnesty International at Jack Shwartz’s daughter’s coming of age party about my plan to reorganize the U.N. so only the democracies can vote and no nation has a veto. He said the world’s not ready, with absolute certainty, knowledge and authority. I looked out the hotel window, this was shortly after 9/11, at dozens of American flags and a lone security guard. I’m always right I said to myself.
www.ronnowpoetry.com
Aidar Omar May 2022
Africa is beautiful and beautiful is usual in Africa
Continental wonderland of love this is Africa

What's in Africa? What's there to see?
I asked myself on the New Year's eve
I thought that I was good in geography
But I didn't know Lagos or Nairobi

I might be ignorant, I have to admit
About Africa I knew just a little bit
The great Sahara - sands of mystery!
The Nile river - so much history!

Africa is magical and magical is usual in Africa
Continental wonderland of joy this is Africa

Namibia, Nigeria, Niger, Angola, Algeria
Burundi, Benin and Libya, Lesotho and Liberia
Burkina-Faso, Botswana, Guinea-Bissau, Ghana
Djibouti, Zimbabwe, Zambia, Uganda, Rwanda, Gambia

I saw a film on Serengeti Park
A one of a kind, a must-see landmark
I watched a documentary on pyramids of Giza
They're much much older than Mona Lisa

I heard that oldest coffee plants
Take their roots in Ethiopia's land
And that samba, rumba, funk and jazz
Take their beats from African drums

Africa is beautiful and beautiful is usual in Africa
Continental wonderland of love this is Africa

Cameroon and Congo, Malawi, Mali, Morocco
Côte d'Ivoire and Kenya, Mauritius, Mauritania
Tunisia, Tanzania, Eswatini, Eritrea
Sudan, Senegal, Somalia, Sierra Leone, South Sudan

You can travel around cities of Africa
Like Cape Town, Cairo or Casablanca
If you're in love or plan to be
Go to Zanzibar, feel that ocean breeze!

Climb up mount Kilimanjaro
Watch the zebras cross the Masai Mara
If you're adventurous, you're a dreamer
Take a wild trip down Zambezi river

Africa is magical and magical is usual in Africa
Continental wonderland of joy this is Africa

Comoros, Chad, Cabo Verde, Democratic Republic of Congo
Ethiopia, Egypt, Guinea, Gabon, Equatorial Guinea and Togo
Madagascar, Mozambique, Central African Republic
Sao Tome and Principe, South Africa and Seychelles

Africa is beautiful and beautiful is usual in Africa
Continental wonderland, I'm on my way to Africa!
Hal Loyd Denton Jan 2012
Escape

Everyone has dreamed of fleeing to a south sea island setting on the beach in the moonlight. The softest glow pervades all, our guarded defenses evaporate as the moon’s power effect not only the tide even our over active human drive slips into neutral. With our mind we become part of the sea breezes unchecked scoundrels of the universe vagabonds who live for living’s sake not the face of an angry clock these stolen moments we won’t surrender catch us if you can but your net will have to be worldwide we clear the break waters we feel the power that freedom alone can announce with arching sling we shoot through the sky not an observer but our own shooting star. Look quickly in the cloud covered mist yes with perfection fitted the wild island nation of Madagascar go back to its beginnings look through times mist see the people of Austronesia arriving on outrigger canoes watch the birth of an island nation unfold for the first time understand who you are and whose image you are made in you are sons and daughters of the very God of heaven. Go on streak through the wild blue to long you have been tied to earths restraints step up steer into the unknown you were given dominion when he without beginning or end startled the formless void with the power of his voice he made a world a universe for you and me. His design was that you would rule this kingdom and always it would be the birthstone of adventure and comfort not a prison but a garden. Trackless waste in an instant you can change your transportation from ship to hot air drift inland to Africa’s sense of raw and pure delights take your ease over rolling hill and plain. This is freedoms oratory no zoos or bars the great herds follow the migratory paths that there kind have known from the beginning. Real men stood here the native Maasai warrior his spear his staff the **** his bread for glory of a wild domain he was bred. Not all can be surveyed in one night that is what lifetimes are for the moon now gives way to twilight it wasn’t fantasy or a dream you are men and women conquers of supreme destines one stipulation it only comes to those that fight and won’t except the norm. Lives for you to command don’t allow any one that right you are the beacon God chose for this time don’t be a disappointment how pleased this would make our enemies.
Koggeki Jan 2016
--------------------

When red ran from the sand.

From the depths, rose a creature quite old.
Solemn and slow, not a care to be bold
It anchored itself, and gave no expression
The strength of its shell, shook in depressions
Tall extensions: its lifeblood, its protection.
Found scattered, on its shell, in cert’n sections.

The pride of Madagascar—the creature by name—
Are Rosewood and Ebony now mangled and maimed.

--------------------

When red ran from his hand.

Trees are felled, and the humans displace:
Lemurs are losing, they can’t find their space.
Hear the creature wail, its shell echoes with grief—
The sounds of its guests, find little relief.
For its pride is valued, and cut for a price
Hard decisions made—it is life’s device.

Wooden splinters bite back trading flesh to save flesh.
Living masses are caught in our culture’s great mesh.

---------------------

When red in hand and land.

Oceans to flood, new depths to behold
Our desires to fill, balk: “Don’t let them fold!”
She tires of our, meandering session;             
Beating-out paths, to varied oppressions.
Laugh at the onslaught, of one great convection!
As humans propel, in that direction…

In all this, Gaia shrugs, naked-apes are to blame.
Fruiting, of hand and land, need-be one and the same!

---------------------
I mean to use Madagascar as a vehicle to express some of my compounded frustrations. Above all, this poem is an address to all our fellow ***** sapiens*. If we insist on digging our own grave then so be it. The earth will spiral on with or without us, and that is the simplest truth... if there is such a thing. We might think less about our inalienable right to plunder, and more about the stewardship of diverse lifeforms if we truly care for our lineage. People have been beating this drum for so long, who cares--right? I defer to Kurt Vonnegut: "Had I been a Bokononist  then, pondering the miraculously intricate chain of events that had brought dynamite money to that particular tombstone company, I might have whispered, 'Busy, busy, busy." *Busy, busy, busy,* is what we Bokononists whisper whenever we think of how complicated and unpredictable the machinery of life really is" (from *Cat's Cradle,* pages 65-6). At the end of the day, we do what we feel we must... busy, busy, busy...
Hal Loyd Denton Mar 2013
Escape

Everyone has dreamed of fleeing to a south sea island setting on the beach in the moonlight. The softest glow pervades all, our guarded defenses evaporate as the moon’s power effect not only the tide even our over active human drive slips into neutral. With our mind we become part of the sea breezes unchecked scoundrels of the universe vagabonds who live for living’s sake not the face of an angry clock these stolen moments we won’t surrender catch us if you can but your net will have to be worldwide we clear the break waters we feel the power that freedom alone can announce with arching sling we shoot through the sky not an observer but our own shooting star. Look quickly in the cloud covered mist yes with perfection fitted the wild island nation of Madagascar go back to its beginnings look through times mist see the people of Austronesia arriving on outrigger canoes watch the birth of an island nation unfold for the first time understand who you are and whose image you are made in you are sons and daughters of the very God of heaven. Go on streak through the wild blue to long you have been tied to earths restraints step up steer into the unknown you were given dominion when he without beginning or end startled the formless void with the power of his voice he made a world a universe for you and me. His designed you this kingdom rule and always it will be the birthstone of adventure and comfort not a prison but a garden. Trackless waste in an instant you can change your transportation from ship to hot air drift inland to Africa’s sense of raw and pure delights take your ease over rolling hill and plain. This is freedoms oratory no zoos or bars the great herds follow the migratory paths that there kind have known from the beginning. Real men stood here the native Maasai warrior his spear his staff the **** his bread for glory of a wild domain he was bred. Not all can be surveyed in one night that is what lifetimes are for the moon now gives way to twilight it wasn’t fantasy or a dream you are men and women conquers of supreme destines one stipulation it only comes to those that fight and won’t except the norm. Lives for you to command don’t allow any one that right you are the beacon God chose for this time don’t be a disappointment how pleased this would make our enemies.
Ira Desmond Sep 2023
Our trajectory is unknowable, you tell me: the planet
corkscrews around the Sun, sure,

but the Sun corkscrews around a black hole at
the heart of the Milky Way,

and our whole galaxy travels on some mysterious,
incalculable vector. But sister, I saw a photograph

in which two whale sharks were brought to
heel by men in simple reed boats just

off the coast of the Philippines. All that they had
to do was often feed

the sharks many gallons of grocery-store frozen
shrimp, poured from plastic garbage bags into

their yawning six-foot maws to portside.
Gargantuan, sure, but still

as obedient and eager for food as backyard
squirrels. I remembered a grainy

internet video—I saw it probably seven or
eight years back—in which

a captured whale shark was winched
ashore in Madagascar, or

maybe it was the Philippines again—no matter—
the thing still had life left

in it and struggled to breathe while a crowd of
people gathered around—there were

women carrying babies, girls holding baskets atop
their heads—and then the

men came with a long slender blade and sliced clean
through the whale’s spine, vivisected it

right there on the dock, and the onlookers stood there quite
unfazed—I remember

being shocked at the effortlessness of the cut,
the pinkness of the whale’s blood,

and the boredom in the onlookers’ eyes. Our father
took us down to San Antonio

on one of his business trips there when we were five
or six—I think

you were probably too young to
remember it—

it was when you and I saw the ocean for the first
time. We drove down to the Gulf

of Mexico, and we saw waves breaking
out near the horizon in pale

sunlight. I kept scanning for a dorsal
fin off beyond

the breakers, thinking that I might spot one—
sandy brown, mottled with

cream spots and glistening—so that I might be able to
say to you, pointing, “look,

sister, there is a whale shark!” Years
later we would learn

that he traveled down to San Antonio so
frequently because he was a philanderer. As

a child I believed that whale sharks
crisscrossed the ocean following

paths that we couldn’t fathom, that
their concerns were somehow

beyond our comprehension, but then
Keppler pinned down

the shape of the Earth’s orbit over four
hundred years ago,

and the lives of ancient sea
titans are sundered

effortlessly
by men with indifferent faces.
Chambord recollections,
   exhaling smoky vapors,
wisps of  Madagascar aromatics
midst a French Château dream,
  dipped in honeysuckle reminisces
  of cardamom spice and the pungent
zest of once 'neath a midnight legend
Gondwana
I woke up it was morning and a year had gone
My future was behind me I only had to live for the day
And not bother with philosophical questions but
Set the day free to wander, see where it will take me.
I hope it is not Madagascar this island of muddy shores
Steamy heat, odd animals with big empty eyes
A variety of snakes and dusty roads leading nowhere

This Island was once a part of a supercontinent but it
Moved out of time Madagascar is a reminder of not to
Worry about now whatever happens it will move out
The world is a stage where most of us a statists but has
No say about the script; time takes care of that.
ALEXANDRE STARK Jan 2014
Il y a des personne qui pour un court instant, comme un petit papillon de Madagascar,
peuvent vous sourie et satisfaire avec une innocence bienveillante si naturelle qu’on ne
trouve dans aucun endroit ou presque :
hammam de luxe !

Il y a des temples enfouis si inouïe qui illumine ma galaxie et te demande, pour guide.…
Oh, steppes arides Mexicaines, mes séculaires puits désert, mes horizons abandonné prés d’
Himalaya qui cherche routard et vie avec.
Huile brulés et larmes séché, enfance volé, démon si prés ne te demande rien : que guide.

Il y à toujours pour nous, les doigts d’une main dans une caresse sublime, parce que tes
bras, courre devant moi, :

Ne t’arête pas, car ton sourire éclate le jade dans blanc si minérale, parfum dans vert
sapin, j’irrigue ainsi et je cultive.Je donne la vie pour que tout ça, anime esprit, Himalaya, donne confiance dans mon éveille,voyage sans fin et vagabonde, les haut plateaux du thé :
« Marquise du haut : regard tout bas ! »

Suis ce fou errant, pour avant ce sale gamin à qui personne dessine :
Ton danse présent pollen mon sens et dans ma voix, je cour couleur de pluie sur ciel pour toi,
libérer mes ailles, un jour pour soie si fine, que tu vêtis dans robe hammam ,
dans Innocence marré Mexique qui Guides ce vol -Vien dans le mien, illumines !

                                                                                                                           ALEXANDRE STARK
Jenette DeBarge Feb 2012
A little girl staying up past my bed time,
Watching TV from behind the couch,
torturing snails in my spare time,
playing barbies with the neighborhood boys.

I am an angst-y teenager,
driving to outrun a broken heart,
with a guy in a penguin suit up front,
and a hysterical audience.

Inside I am simple, sweet,
creamy vanilla from madagascar
slow churned into a delicate snowflake.

I am the moon, I light up the world,
for lovers and criminals like me.
I am scarred and imperfect,
and on cloudy days I stay in bed
and hide my face from the world.

I am all of these things
I am unique
but
nothing that i've experienced
hasn't happened to someone else
and nothing I do hasn't been done before.
JoJo Nguyen Jun 2015
A Dancing fever
spreads across
Deutschland from
ancient Roman City
Aachen

to far away
Madagascar where
proto-people
live, waking to morning
whooping calls
and fading habitat.

We can still find
preserved Lemurs
in Duke hospitals
and open zoo
for robust ring-tailed,
or dark cells
for the nocturnals.

Would they dance
too with us, in mass
hysteria,
irrational exuberance,
and ergot
poisoning if
only later converting
to a Science
belief-system new?
Interlacing my streams.
Nigel Morgan Aug 2017
I

after a bath
and the window open
I was touched
by an air of autumn
against my body
not quite towelled
hardly dry but ready
nonetheless to feel
something of the season’s
change against my fragile self

(an autumn air)


II

so very green
and multitudinous shades
holding the late afternoon
in greenness
only the towpath
measured out in sunlight
and the seat of a bench distant
providing a goal
a sensible place to aim for

we set out with her guiding hand
clasping my weakness
when a dragonfly
intricate in full sunlight
moves against a backdrop
of dark-shadowed trees
poising at eye-level
to look us over
and is off away

on our return
(from that distant bench
our goal our aim)
there a kingfisher
flashes past
and into a canal-side bush
we wait and wait hoping
to catch again the trajectory
of its miraculous flight

(canal side)

III

to whom it may concern

presumptuous I think to wish for anything
beyond one has and holds - anything
in regard to property or possessions
I have no wish to consider further
Who has what of me I disdain
and whatever it might be can only be
in my gift and surely that must be freely given
Should there be the slightest hint of dispute
I hope some Almighty Hand will
remove all and everything
to the very darkest depths

in friendship


(a letter of wishes)




IV

begun as joyous celebrations
of musical art bright and lively
on the page welcome
to the ear as to the eye

so often full of dance gentle
reflections sonorously sounding
out in playfulness
and reasoned movement


(Beethoven’s Op.18 string quartets)




V

with only the bare essentials
the most limited of means
this music grips and stirs
springing out of unisons
octaves bare chords of the fifth
and a play of rhythms
straight and straight-forward
four-square angular tight
against the beat within the bar
a simple subtlety and space
between two instruments:
the legato violin tempering
the insistent piano - always
movement no repose a constant
unwinding thread
of perilous invention
hardly a breath taken
a pause made

(on hearing Shostakovich’s Sonata for Violin and Piano)



VI

he types:

the post-box is too far way
as I must (e)mail this note today


so with no maker’s mark
this message will forego
the papered page
ink’s curved line and flow
the fold the sticky edge
the stamp well placed
the stroll with the dog
to the box along the lanes
in evening’s light
sounds of roosting birds
and flittering squeaks of bats

(an email from a former student)



VII

aware of my fragility
his gracious manner
moves me to tears
In speaking
he places every word
with infinite care
in practiced deliberation
. . . and I am crying
at his understanding
that he knows my loneliness
in dying and how I wish
to rise above
this momentary upset
to assure him I can
and will cope
that I am in his hands
He just has to say . . .


(visit to the doctor



VIII


Daily I curate the contents
of this window sill
a changing exhibition
backdrop to a sedentary life

Today: Japanese wallpaper c.1925.
Mead Cloth by Matthew Harris,
Hokusai – Mount Fuji and six cranes ( two flying)
Post card from the Pyréneées
An earthenware blackbird and thrush in a cherry tree
David Hockney, April 25 from The Arrival of Spring
Un passé plat empiétant tapestry from Madagascar.


(exhibition on a window sill)



IX

being twenty-one
seems no great age
but I remember it dimly
when adrift in my life
it came and went –
a spring and sunny day
a watch from my parents
a few cards . . .

but for you
a family day at Kew
a meal with relatives and friends
altogether a good time to remember
I so hope you will . . .


(at twenty-one)


X

To members of the London Symphony Orchestra
Ralph Vaughan-Williams is reported to have said:
‘Gentlemen, let me introduce you to the man
who writes my music.’

Unfortunate this, as his copyist Roy Douglas
had the job of deciphering the composer’s appalling
handwriting, the result of a natural
left-handedness being corrected as a child.

For me, the person who has written my music
so faithfully for fourteen years rarely dealt with
illegibility but had instead to cope with conflicts
of musical spelling.
Is this a sharp? Should this be a flat?
Do we need a cautionary accidental here?

Fortunately, he and I were not espoused as Stravinsky and
Elgar were to their long-suffering copyists, who often berated
their husbands for their inability to spell chromatic pitches
correctly. Stravinsky had an excuse: the vagaries of the octatonic scale
he often used and loved. Elgar was just ******-minded! Poor Alice . . .


(saying a warm goodbye to my copyist)


XI


to talk about yourself when
dead and gone How strange!
This need - to put in place
to sort the detail now
and so avoid confusion
What then?


An indeterminate wait
until the moment comes
the eyes won’t open
on a woken world
ears not hear
the sound of traffic
from a nearby road


there will be
an emptiness sublime
a finishing of tasks
and all those earthly
mysteries solved
and deemed complete


So this is what
we recommend
It could be this?
It could be that?

and every which way
it’s yours to choose
for rightness sake
Amen


*(the interview)
This collection of poems are to be the final part of Nigel Morgan's poetry available here on Hello Poetry. Nigel was diagnosed was terminal cancer in June 2017 and does not expect to be adding any further poetry to his on-line archive from today (15 August 2017).
Bruce Adams Sep 2023
A text for five voices.

Note on text: For formatting reasons, this should be read on a full screen, or in landscape mode on a mobile.

i. Blank copy

I look out of the window at
the houses as they pass and they
don’t so much slide past
                                    or glide past
                                                the motion isn’t smooth.
They sort of click past.
They tick past, dit-dit-dit:
House after house after house after house
                                                dit-dit-dit­-dit-dit
My eyes don’t quite refresh the image fast enough
to keep up with all the houses
                                  as they pass.
It’s 10 o’clock when I arrive at my office
and no-one is there yet
and I turn on my computer.
I sort of just
                sit there
                for quite a long time. Then
at 10.37 I print a document I’ve been working on
and I pick up my mug and I go to the kitchen where the printer is
and I put the kettle on.
I log on to the printer but instead of pressing
                                                Print
  ­                                              I press
                                                        Cop­y
                                                        instead­.
The machine whirs
The light goes
                        across
And out comes this copy this
        Copy of
                nothing.
I pick it up from the cradle.
It’s warm.
And I hold it and I look at it and I think:
                                                This is a copy
                                                                ­of nothing.
And since it is no longer an empty piece of paper but now
                                                             ­   something more
                                                            ­    something
                                                   ­                                imbued
I don’t put it back in the paper tray
and I don’t put it in the bin.
I carry it carefully with my tea back
to my office and put it
                                Carefully
                    ­                            on my desk.
I close the door.
Usually when I arrive and no-one is there I keep the door open for a bit.
It’s my way of letting people know I’m here.
It also helps me get a sense of what’s going on in the building
which students are there and what they’re doing
and once I’ve got a decent enough idea
or if there’s someone around I don’t really feel like helping
                                                         ­                           I close the door.
Today it is quiet.
It is a Friday.
                     Fridays are quiet.
It is the seventh of March.
It is 2014.
              I’m looking out of the window as I recall
              without much interest
              that yesterday was my father’s sixty-first birthday.
The buses tick past the window.
Without really thinking I
roll down the blind
                            Until the window is as blank as my copy of
                                                              ­                                           nothing.
I look at it but I
don’t
              sit
                     down
                                   yet.
My computer makes a noise and a purple box
tells me I have a meeting in thirty minutes.
                                                        ­Oh shut up I tell it
                                                        out loud.
Now I realise that I never did print my document
so I go back to the printer and the file is still there waiting for me
and I press Print All
                     and out it comes
and the piece of paper looks
Obnoxious
                     scrawled over in heavy black print
                     and ****** coloured columns
                                                                ­      and smelling
                                                        ­              Smelling of toner.
For someone who claims to be conscious of the environment I
print excessively. But only at work.
It’s the combination of it being free
                                          (or at least, no cost to me)
and that feeling you get when you
swipe
your access card to log in to the printer
and tap the screen dit-dit-dit to choose this or that.
It feels
       to me
              like being a grown-up.
It’s intoxicating.
I don’t want to go to the meeting
and I’m suddenly annoyed by this ***** piece of paper
which
       I ***** up
                     and throw in the bin.
**** it.
Not even in the recycling.
**** it.
Who cares.
              What difference could it possibly make
              whether I throw this piece of paper
                                                 which I will now have to print again
              in the black part of the bin for waste
              or the green part of the bin for recycling.
I go back to my computer and press Print but
this time
I keep clicking my mouse
                                   ditditditditditditditditditditditditdit
                         ­          Yeah.
                                   ditditditditditditditditditditditditdit
                         ­          ditditditditditditditditditditditditdit
And I go back to the printer and the name of the document comes up on the built-in screen
dozens and dozens of times
the same name of the same document
and I tap
              Print All.
And as the machine spits out clone after clone I
mutter under my breath:
                                   **** it.
                                   Yeah.
Then out loud:
                                   **** it.
                                   Yeah.
And as I throw them in the bin and go back for more I think
I’m going to buy a car. Yeah.
And I’m going to drive my car to work and
when I finish work I’m going to drive it
to a big supermarket
                            a hypermarket
                            a super hyper mega market
where I will buy and buy and buy,
and on my way home I will buy petrol to put in my car
       And I will go on holiday
       I will book all those last minute deals on the internet
       And go to Turkey or Lanzarote or Corfu for a hundred
                                                         ­      or a couple of hundred
                                                         ­      pounds, every month maybe
And I’ll fly there on a big plane.
I’ll soar over the ocean on a big plane.
And when I come back
I’ll soar over all those people outside Stansted Airport
All those
people
With banners
Moaning and complaining and protesting
Banners saying things like
                                   I don’t know
                                                 “Down with planes”
And as the flight attendant smiles goodbye I’ll think
yeah.
       Down with planes.
                                   And I’ll drive my car home and I will
                                   stop
                                   worrying
                                   about
                                   everything.
I go back to my office.
I retrieve one copy of my document from the bin and I
put it on top of my copy of nothing.
Whereas before the document offended me
                            now I have difficulty
                            telling the difference between the two.
My colleague arrives and she tells me about the motorway.
She’s always telling me about the motorway.
I think about my car I’m going to buy and I
think about being on the motorway.
I think about being on that part of the M25
where the planes are so low you duck as they thunder over you
and they come
                     in rapid succession
                                          dit dit dit
                                                        rapid­ eye movement
                                                        ­radar.
I think about being stuck in traffic there and the air
thick with exhaust fumes
mixing with the air around Heathrow
and all those tons of jet fuel from the planes zooming over
Blink and you miss them
                                   but always another follows.
I go to my meeting.
I realise that I have picked up my blank copy
along with the document I printed for the meeting.
Someone says they wish I’d printed more than one copy
as it turns out it would be useful for everyone to have one
and I laugh in their face without explaining myself.
                                                         ­             I make notes on it.
                                                             ­         My copy of nothing.
                                                        ­              Without really realising
                                                       ­               I’ve scribbled notes on it
but as I look at my spidery black biro handwriting
and think with some real despair about how I have mindlessly
destroyed
something pure
the notes
              disappear
                                int­o the paper
and it is clean again.



ii. Ringing sea

My eyes don’t quite refresh the image fast enough.
What I’m looking at
my rational brain tells me
is a video of two people having ***.
I have seen that before.
But what I’m actually watching is a video of
my husband
                     having ***
                                          with another woman.
And my eyes don’t refresh the image fast enough
So I keep seeing his face.
The whole picture melts away and
I just see his face
                     Which belongs to me.
                                          It’s my face. I – own it.
                                                        It’s my- my- my-
                                                        And it freezes there
just his face is all I can see then the video continues for a
split second then freezes again
                                   His face
                                   His face
                                   His face       It’s him
                                                        It’s him
                                                        It’s him.
I stop the video and I put the phone down on the table
and I breathe very deeply and
every time I blink, between every saccade
there is his face
                            a face I know intimately
                                                      ­         and it’s looking away from me.
I turn on the television. It is Saturday.
He is flying back from Asia on Tuesday. I have until then to
                                                              ­        what?
The sound and light from the television
flicker over me
And I sort of just empty,
Quietly, like a balloon disappearing into the sky.
I don’t know what I’m going to do but
for now that’s
fine.
The brown armchair swallows me up
and I cry for two hours without really noticing.
The cookery programme I’m not watching finishes and I think
the news is about to come on so I turn off the TV
and I put on my shoes
and I go down the stairs and out of the house
and I get in my car.
It’s raining and I just sit there.
Without starting the engine I flick on the windscreen wipers:
                                                         ­      Dit / dit.
                                                            ­   Dit \ dit.
                                                            ­   Dit / dit.
It takes less than three seconds for them to pass
from one side of the windscreen to the other.
And I get this feeling this
unexplainable feeling
that I want to crawl inside that moment
when the wipers are moving from one side of the screen
                                                          ­                   to the other.
I flip down the sun shield and look at myself in the mirror.
There are two lipsticks in the glove compartment.
I pick the darker one
                            and apply it
                                                 carefully
                                                       ­          sensually.
I start the car.
West London ebbs away to the motorway
My car is silver and in the rain it feels invisible
I don’t know where I’m going
                                I follow words on signposts I recognise the shape of
                                without really reading them
and I keep driving
I let my eyes come away from the road and
watch the fields and trees tick past like cells of film
and I look at the cars on the other carriageway
and I notice they’re all silver like mine
                                                        (onl­y mine is invisible)
and I duck as a Boeing 777 soars over near the M4 interchange
and let myself scream soundlessly under the roar of its engines.
I wonder where it came from.
                                          I think about the people on board.
I think about their mobile phones and
all the ******* there must be on them
and I realise
how many videos there must be in the world
of people having ***.
I take the M23 past Gatwick Airport
                                          the motorway ends but I keep driving
until finally I come to the sea.
No-one is here because it’s March and it’s raining.
I have always loved the sea.
Not sailing or swimming or surfing
Just being near it, for me it’s
                                   a spiritual experience.
I’ll lie on the stones and gaze at the sky for hours
but not today.
                     There are some flowers tied to a railing
                     somebody has drowned.
Presumably they never found a body to bury.
The awfulness of that strikes me like a stone.
                                                        It­’s the not knowing.
                                                        ­The lack of 100% concrete total proof.
I take my phone out of my handbag.
                                                        ­But I know now.
The shingle crunches underneath my flat shoes.
                                                        No­w I know.
The cold burns my ears and the wind picks up as I get closer to the water
the tide slips serpentine up the stones
white-edged
                     beckoning me.
Without realising I’ve slipped
                                                 out of
                                                            my­ shoes
but the stones do not hurt my coarse feet
and the wind
                     howling now
                                          catches me behind my knees
quickening my stride.
The spit curls around my toes.
And then I catch myself wondering
                                          whether my husband will call me or
                                          text me when he lands
and I hurl
       my phone
              into the sea.
On the drive home I listen to the radio.
The news is dominated by the Crimean conflict
and the referendum that’s coming up there.
Florence Nightingale
                            is all I can think about when they talk about Crimea.
Until recently I never even knew where it was.
At school you only learn about Florence Nightingale
                                   not the geography
                                          not the conflicts
                                                 not Ukraine’s edges so charred by
                                                               invasion and,
                                                                ­             subsequently,
                                                                ­                                  explosion.
                    ­               We live in so many war zones.
and I’m wondering what else I never learned about when
the story changes and now they are talking about a plane.
A plane is missing
                                   between Kuala Lumpur and Beijing
                                          and the blood drains out of me.
It isn’t like floating away like a balloon this time
it’s like plunging off a cliff.
And at once I see
                            with brilliant, burning clarity
                                                        m­y phone, ringing, on the sea bed
The light from the screen illuminates the stormy water but
I can’t see the name:
                                   I can’t see who’s calling.
I need to know.
I need to know it’s him.
       I drive back at twice the speed limit.
In the dark the flowers look menacing and half-dead; my
shoes fall off in the same place
But the tide is in so the whole beach looks different.
I’m up to my waist but my
top half
       is as wet
              as my bottom half
                            because the rain
                                          is torrential
                                                      ­  and I can still hear the phone ringing
                                                        b­ut I can’t see the light in the sea.
and I howl
       his name
but the wind carries it away soundlessly
       and I can’t tell if I’m
              further out
              or if the tide’s further in
                            and the ringing grows louder
                            as the current takes me powerfully by the waist and
                                                             ­         the stars rush by overhead.



iii. Acid rain

Every time I blink, between every saccade I see
a brilliant but infinitesimally brief flash of colour.
       Purple
       or green
       I think.
                     One on top of the other.
It’s hard to tell for sure because they’re so brief.
It’s like when you look at a light bulb for too long
                                                            ­   or stare directly at the sun.
I see it sometimes when I’m on my bike
or on a really big rollercoaster
                                   going downhill at 100 miles an hour
                                   the wind blasting through me
                                   the screams whirling through the air.
But I’m not on a rollercoaster, I’m sat very still
it’s Monday afternoon and I’m at school.
I haven’t said a single word to a single person today.
I didn’t even answer my name in the register.
I feel a bit dizzy like
                                   everything is turning together
                                   but I’m on a different
                                                       ­                 axis?
I think the bell goes, I’m
not a hundred percent sure,
but I leave anyway and no-one stops me.
       Outside in the sunshine the flashes of colour are
       several thousand times brighter.
In the next lesson I slip in my earbuds and
it looks like the teacher is singing the words.
                                                 I put on the most obscene song I can find.
I must have it on too loud
because eventually she notices and
she forces me to give her the headphones. This is the first time
someone has spoken to me today
                                          it feels a bit surreal
                                                         ­      but the world stops spinning
                                                        ­       a bit.
After school I go into the supermarket on Wigmore Lane
the enormous white of it is tinged in green and purple
and all I want is to buy a drink
                            I have a feeling of exactly the kind of drink I want
                            but I can’t find the right one
                            even though the fridge must be longer than
                            the driveway of my house.
Racks of newspapers and magazines clamour for my attention
       the only real colour in this great white warehouse of a store
       red tops and blue spreads
       and green and purple and green and purple
              and green and purple…
They’re talking about that missing plane in the news
and they keep using the same phrase.
They’re talking about the people on board the missing plane
and they keep saying
                            Missing
                      ­      presumed dead.
Not dead dead. Presumed dead.
I start wondering what it’s like to be both dead and alive at the same time,
as if all the people on board that plane are like Schrödinger’s cat
              (cats)
and we won’t know whether they’re dead or alive until we find the plane
and pull it out of the sea
and look inside
                     so
                         until then
                     they’re both.
Out in the car park I count the planes as they descend onto
the runway less than a mile away.
       One, two, three, four, five, six, seven, eight,
       I figure about a hundred and eighty a plane maybe,
       which means fifteen hundred people just arrived in Luton.
Nobody comes to Luton for the scenery.
Soon they’ll be gone,
A town haunted by a ghost population of thousands an hour.
                                                 filtered onto the trains and buses
                                                 and out from the sprawling car parks
                                                 to the motorway, and
                                                 onto connecting flights back into Europe
              but none of them will stay in Luton
                                                           ­                  Missing
                                                         ­                    presumed dead.
As I bike through Luton I think it might not be so strange to be dead and alive at the same time.
I’ve lived here my whole life and the whole place
                                                           ­                         which is a *******
                                                 moves with the mundanity of machinery
                                                 like the big car factories by the airport
                                                 the lights on, the production lines rolling
                                                 but all a bit automatic and lifeless.
But in the airport, it’s different.
The air, with its artificial chill, hangs with a faint shimmer
and the people here move purposefully, and with charge
                                                          ­     excitedly
                                                       ­                      or dejectedly
                                                      ­         but not neutrally
heading for the gates where they are sealed two hundred a time into airtight tubes
like Schrödinger’s cat:
                            dead and alive in the air;
                            one or the other on the ground.
                                                         ­      My teachers say I have an
                                                              ­ “odd way of looking at things”.
I leave my bike outside without chaining it up and go into the terminal.
In a café in the check-in hall I find exactly the drink I want
and I pay £2.75 for it.
                            I look at the departure boards.
                            Edinburgh. Bonn. Marseilles.
                            A green light flashes next to each gate as it opens
                                                           ­                  green and purple
                                                          ­                   green and purple
                                                          ­                                 Missing
                                                         ­                                  presumed dead
The flashes of colour are growing brighter
every time I move my eyes a green and purple streak follows behind like a jet stream
but the bustle and activity of the airport is so much that I can’t keep my eyes still
       so they keep darting
                            this way and that
                                                 until my vision is painted over
                                                            ­                 green and purple.
The streaks roll over each other like clouds of acid rain.
       This is the final call for flight 370 to–
My bike is gone when I go back outside
The front of the terminal is a plateau of thousands upon thousands of cars
and it’s probably in one of them
                                          but I’ll never know which.
The car parks reach all the way back to the runway.
Green and purple acid rain from all the jet fuel mixed with the air
melts a hole in the fence and I slip through
moving purposefully
                            with charge
                                          across the green and purple grass
                                          scorched by a hundred thousand landings
                                          a hundred thousand people arriving in Luton
And there on the tarmac
                     glinting in the rain
                     surrounded by blinking amber
       there is my bike
       its black handlebars spread like the wings of a jet plane.
I duck as an Airbus screams in just a few feet over my head
the rush from the engine lifting the soles of my feet from the ground.
I pick up the bike and start pedalling
                                                 pedalling down the runway
                                                 pedalling towards the blinking amber.
It feels light, nimble, fast
the tyres take the asphalt with ease.
And the faster I go the lighter I feel
       the acid rain eats away at my clothes
       and they melt off my body and pool on the runway below,
                     Lighter
                            and lighter until…
                                                 The wheels lift away from the ground
                                                          ­     and in the air I am dead and alive
                                                 and maybe nobody will
                                                                ­                           ever
                                                            ­                               see me
                                                                ­                           again.



iv. Burning sky

The faster I go, the lighter I feel.
I’ve taken the night watch and the yacht
is cruising across the Indian Ocean
penetrating the black abyss like a white bullet
and the lights in the portholes send shimmering white bullet shapes
for miles across the endless ink.
                                                            ­                 What?
                     We’re not going very fast at all
                     But it feels like any minute
                                                 we might drop off the edge of the world.
I hope we do.
I feel light and dizzy and irrational
                                          and I feel aware of being
                                          light and dizzy and irrational
and I wonder if this is what going mad feels like.
Have you ever felt like you’re living in a corner of your own life?
I
       feel like that a lot lately.
Marc is sleeping.
We didn’t speak much today.
I can’t really remember how long it’s been
       since we left Victoria but the fight
       we had there
                            in a bistro by the port we
       said things we
       said things that
                            we can’t take back.
The Seychelles were stifling.
The heat was stifling.
He was stifling.
And the people were stifling
                                   the people kept talking about pirates.
                                   They kept warning us about pirates.
                                   You’re sailing where
                                                        the­y say
                                   You must be careful
                                                        t­hey say
                                   It’s notorious
                                                       ­ they say
I have fantasies about being kidnapped by pirates.
Not stupid Johnny Depp pirates with *** and parrots, no
       Real pirates.
                     Nasty pirates.
                     With dark snarls and AK-47s.
When we were at sea off the Horn I’d see things on the horizon
Dots or lights I couldn’t make out
And I’d imagine the rifle against my neck
Their hot breath
Chains and ransoms.
                          I’d wonder how much we’d be worth.
                          If we’d make national news.
                          Would it be David Cameron to announce,
                                                       ­        regrettably,
                                                    ­           we don’t negotiate with pirates,
                          or would it be someone less important?
                          Maybe just the foreign secretary.
                          What is the worth of my life at the end of a steel barrel?
But it would only be a buoy, or a plane on the horizon,
and I would get into bed with Marc
       disappearing under the covers like a different kind of hostage.
I
              oh
                                   I
                                                 Sorry
I’m crying.
                     I don’t know when I started crying.
The thing is I don’t know if it’s me breaking the marriage
or the marriage breaking me.
I’m watching everything literally fall to pieces and for all I know
it’s me with the detonator.
And then
              everything
literally falls to pieces
                            My mug of coffee falls from my hand
                            shatters on the deck
                                                            ­and the sea rears up nightmarishly.
Above me
a long orange **** of flame
is burned into the sky.
                            No, really.
                            That’s not a metaphor.
                                                       ­        There is fire in the sky.
It’s about a mile up and a mile away.
Look.
       There.
              ****.
                            **** **** ****.
What is that?
                                   Marc!
I call for Marc.
                                   Marc!
       There is fire in the sky.

–              Katherine.

       Fire in the sky.
       Fire in the
       Fire in

–              Katherine.

       Fire

–              Katherine.

       What
              Marc, what?

–              Are you awake?

       I think so.

–              You were calling out again.

       Calling

–              Calling out. You were shouting.

       What
       where
       What time is it?
                                   Where

–              Dubai. We’re in Dubai. It’s 7.
                They delayed again while you were sleeping.

       Dubai?

–              Katy I really think you should see a doctor.

       Don’t call me that.

–              Pardon?

       Katy.
       Don’t call me that.
                                          Like

–          ­                                       Like what?

       Everything’s okay.



       Everything’s not okay.

–               There’s
                 doctors. You’re not well. You’ve been confused since,
                 well actually since before it even happened.

       You think I’ve been confused.

–              Not right.
                Not you.

       You’re **** right.

–              Forget it.

       Thank you.

–              Go back to sleep. ****.



–              Are you still seeing it?
                The plane? On fire.
                                   You’re dreaming about it, aren’t you?

       Yes.

–              It’s affecting you?

       I’m
              just
                     unhappy,
       Marc.

–              That’s not just it though is it?

       What’s that supposed to mean?

–              Something about seeing that
                                                           ­   plane has scared you.

       We don’t know it was the plane.
       The one that –

–                            No. But, right place, right time.
              They said

       Maybe.

–              It’s still a coincidence.
                It’s not

                                   What

–                                   A sign.
                                     From god.
                                     Or
                                          whatever.

     ­                                     Whatever you think it means.



                            Katherine.

       The thing I don’t know, Marc
       is if I’m more scared that it was the plane
       or that it wasn’t.



       Imagine.
       Vanishing.
       Into thin air.

–              I know.

                            No, you don’t.
       Disappearing
                            into thin air
       Or falling
                            out of it.

–              Falling.

       You can’t imagine that.

–              I can.



–              I can, Katy.
                I ******* can
                                          Imagine.
       ­         Falling.
                Disappearing.
             ­   Into thin air.

                *******
                            i­nvisible.

                 I am
                           right
                          ­          ******* here,
                                                        K­atherine.

       I see you.
       I see you Marc.
       But you’re not
                            solid.

       I’m not
                            solid.
                          ­                              See?

                           ­                             It passes
                                                          ­     right through.

       Now you see me.
                                   Now yo–



v. 2015

Have you ever felt like you’re living in a corner of your own life?
The hotel room here in Singapore is almost identical
to the room I had in Mexico City.
The heat feels the same and it’s the same
nondescript decoration
which doesn’t really belong to any time or culture.
It gives me a headache. The neutrality of it.
As I check my messages I remember
                                                        ­       I’m not in Singapore.
I’m in Kuala Lumpur.
I haven’t been home for nearly three weeks now.
It’s ridiculously late
The IOC conference is at six thirty
              and I’ve been asleep all day.
                                   I get dressed and grab my camera
                                   and leave the hotel with a large, black coffee.
At the press call I see a man from Reuters I recognise.
       The coffee here is terrible.
I talk to him about his family
              his daughter is four now
              he’s shaved off his beard since I last saw him
              and he’s moving, he says,
                                                 near me apparently
                                                 to Southend.
                                                       ­               “London Southend” he jokes
                                                                ­      with a roll of his eye
                                                             ­         and inverted commas.
I say yeah that’s quite near me then move away to take a phone call.
Inside the press conference there are ten people at the table
       the women are all wearing identical powder blue suits which
       strikes me as idiosyncratically Asian for no good reason.
The men all wear simultaneous translation headphones
                                                      ­                but the women don’t.
I wonder if this is because they speak better English than the men
or if it just isn’t considered necessary to translate for them.
       They have given the Winter Olympics to Beijing.
              I wonder what is lost between the
              Mandarin spoken by the mayor of Beijing
              and the English spoken by the translator.
                                                     ­          The space between words.
                                                          ­     The space between looking left
                                                            ­                               and looking right.
It’s a nice atmosphere in the cool air-conditioned room.
I’m struck by how nice everyone is
       except for the British delegates
       including the man from Reuters who speculates
       that the voting was rigged.
A while later someone else calls it a “farce”.
              I get a photograph of the IOC President’s face
                                                            ­          as it falls
              and email it to my office from my seat.
Outside, the Petronas towers rise above the conference centre like
enormous empty silos.
This is my first time in Kuala Lumpur
                                          the last city I have to visit before I go home.
I get in a taxi and say the name of my hotel
                                          and the city flashes by.
I look out of the window at
the buildings as they pass and they
don’t so much slide past
                                   or glide past
                                                        the motion isn’t smooth.
They sort of click past.
They tick past, dit-dit-dit:
Building after building
                            dit-dit-dit-dit-dit
My eyes don’t quite refresh the image fast enough
to keep up with all the buildings
                            as they pass.
The taxi stops and I pay seventeen ringgit and get out:
it has gone by the time I realise this is not my hotel.
I don’t know where I am but I was in the taxi long enough to know that I
am some distance
                            from the centre of the city.
I look up at the name of the hotel the driver has taken me to
and the English transliteration is very similar to the name of the hotel I am staying in.
       I go inside.
There’s a nightclub in the hotel
I order Glenfiddich
                            double,
                 ­           cut with water.
              not because I like it but
              because there’s something about scotch that feels
                                                           ­                         moneyed
              heavy amber liquid in heavy-bottomed glasses
              it helps me buy into this idea of the travelling businessman
              even though that’s a lie.
                                                        I’m just a man who takes pictures.
                                                       ­ And I want to go home.
I sit at the bar which is as long as my driveway.
I swirl my glass and watch the amber legs trickle down the sides.
A moving light above it hits the gloss black surface
with an open white like the early morning sun on my gravel
                                                          ­                   as I get into my car.
A girl from here, young enough to be my daughter, is talking to me.
She points out her friends and I half-wave, uneasily
and she asks what I’m drinking.
                                          A news alert on my phone says a piece of
                                          plane wreckage
                                          washed up
                                                        on Réunion
                                                        i­n the Indian Ocean,
                                   east of Madagascar and south of the Seychelles.
The girl seems nice. She says her name is Dhia
                                                            ­                 it means “glowing”.
She doesn’t seem to want anything,
certainly not ***;
her friends have disappeared so
                                          I dance with her.
As we dance I see something in her eyes that is at once
both young and
                     endlessly wise.
She has deep brown eyes exactly the colour of earth
and a small mouth which smiles brilliantly.
In the half-light they open up to me like pools
                                                 and I imagine
                                                         ­             swimming
                                           ­      in them.
Even though she’s only nineteen, twenty-one at most,
there is something about her that’s
                                          maternal
       ­                                   spiritual
                    ­                      nourishing.
She asks me what I’m doing in Kuala Lumpur and I tell her
I don’t know.
She asks me what I did today and I tell her I
                                                               ­              slept
                                                           ­           then took some photographs.
You’re a photographer, she says, and I shrug
then she leans into my ear and says
                                                        don’­t tell anyone.
What
       I say
and she says
              I’m a princess.
And I look into her eyes and she isn’t lying.
She says no-one is going to recognise her
but
       just in case
                            she isn’t supposed to be seen drinking.
Who would I tell
I say to her.
She grins and finishes her beer and it’s true
                                   no-one is looking at her
                                   but she’s the most magnetic person in the room.
In the taxi I say the name of my hotel extremely slowly
and the driver replies in perfect English
                                                         ­      yes sir, I know where you mean.
Kuala Lumpur ticks by in electric darkness.
I flick through the news as we drive
                                                 I see the photo I took this evening about
                                                 a dozen times
                                                 or more.
There is something bitter about the tone in all the British press when they talk about the Olympics
as if:
Beijing get to do it twice?
                                   What about us?
I think about a country with a quarter of the world’s population
and I think about the tiny little island I’ve come from
                                                        and I feel smaller than I’ve ever felt.
The aircraft wing that washed up in Réunion is from a Boeing 777,
they say.
The same type of aircraft as the one that went down last year.
The one they never found.
                            It was going from here to Beijing.
                            Last communication at 1.19am.
And it’s at
                     that
                     time
                     precisely
                                   my phone rings.
It’s my boss in London
she says the Chinese Olympic Committee
are scheduling press conferences.
                                                    ­    It looks like I’m going to Beijing.
Written 2016-2020.
bulletcookie Jun 3
jungle law is harsh
when we clutch civil war's torch
🎶"I see skies of blue ..."🎶

-cec
6/6/24 (word change)
Sarah Sep 2011
I love you.
  Not because the valley floor is growing greener by the hour
  and not because flowers bloom after April showers,
  I live you.
  Not knowing that every breath I breathe could be my last
  and embracing the future like I have had no past. . .
  I long for every song that is sang in your heart
  and every melody from the highest mountain of your soul.
  The wind can't sweep you away from my mind
  and even the wisest can't compete with everything I know.

  I'm forgetting the sun can never touch the moon
  and that the sky keeps them apart.
  I forget Earth can't be friends with Neptune
  and India will never visit Madagascar.
  And every place I am I cannot be somewhere else.

  I forget that time keeps us apart.
  I can't be close to you
  For it's written in the stars for you to be distant from my heart.

  A bird will never be a tree
  and a tree never a cloud
  and silence will always be quiet, for quiet can never be loud.

  I forget that a Mormon will not love a Buddhist
  the tough must be tough, for the soft is called softer.
  and even fairy tales aren't always Happily Ever After.

  I love you.
  Not because I am trying to put one with one to equal two.
  Not because I am trying to trick fate into putting me closer to you.
  I live you.
  Not because I am trying to take a skip over time,
  but because you are forever in my body, soul, and mind.
  And I love you.
  Not because I want to point destiny as a fool,
  But because the one thing I won't forget, will always be you.
from a wonderful night
she came alive
oh my country
obscured in her gloomy might
her love seemed so right

the feign of her tattered story
she bears the burden of Africa
the reign of her battered glory
her body abut and juxtaposed Madagascar

I wish that I fly away
from my path
I might not stray
from the start
I was taught to pray

my dreams to soar in beautiful array
as the nation saddles in its own barrage
lamentations of 56 years' blink
I see on eagle's wings what victory brings
the joy of 36 shining gold rings
too bright to look at
naming and counting one for each

and when twilight was reach
in plenteous joy and happiness
to the people my heart outreach
compensation for years lived
in wood and ash
for a dear nation that clocks 56 and with 36 states. former state of the nation is better, yet I see the later to be brighter
Tommy Johnson Aug 2014
A robust, full bodied cup of coffee
The resounding zeros and dated euphemisms
The criminal and large and I sitting
He has something to say I tell him to spit it out
He says he knows I'm holding out on him and tells me to cough it up

I adhere to his demand and pull out my rucksack and empty it out on the shellacked table

Cream of tartar
Cumin
Cloves
Bay leaves    
Clovers
Ginger
Mustard seeds
Anise
A plethora of extracts and Madagascar vanilla bean

I give in because this guy has a murderous track record nine miles long
While I have a lifelong loosing streak
I dare not try and petition him with defiant excuses and off the hook tones

He needed these things to prepare a meal for his dying father
He suffers from hangnails and trend followers
As his son follows a dark path that is a far cry from a path that will lead to a career

The criminal gathers the vials of herbs and spices with tears in his eyes and goes on his way
I sit and finish my coffee unfazed and understanding

To be continued...
Arianna Darshani Sep 2015
Children who have nothing are crying

We drown it out with our preoccupations
I do, too!

Can you imagine the Republic of Congo
And what children there, suffer?

I have travelled to the 3rd world extensively and
Have been to Nepal and Madagascar.
The children suffer in a brutal way . . .
that is hard to wrap your head around
If you've never left the US, Canada or Europe,
Australia or Japan.

How can we have a conscience
And let it go on?
We pretend it's not happening
But it is.
Google "Jared Fogle".

Let us amend the Constitution
And create a safe haven for crime victims
Let's have a two strikes and you're out
Law for pedophiles who pray on children
Under 12 years of age.

For me, I can no longer look at it
With a blind eye
For helping the children
Is what I was trained by Life experience, to do.
I was one of those children once
And not a single person cared.
Let me be there for the current
Child victims
And let's try to heal that part of
Our sometimes, twisted world.

Let me do all that I can do!

All I ask of you, is to think about children
suffering around the world for just 10 seconds.  

~Arianna
Simbarashe1 Nov 2016
TRAVEL

Take me to the sunny cities of Africa
Especially to the sunny beaches of Madagascar
Or a moment at the Zimbabwean Victoria falls
Just to fill my insatiable need for cool air
A taste of fresh breeze tingling my skin
As I enjoy God’s immaculate nature creations

Take me to the Biblical soils of Israel
Make me visit the rice growing farmers of of Thailand
And show me the fabulous Great Wall of China
Then relax me in the floating hotels of Dubai
Then you know I like travelling much

There is a lot I need to see in this world
From the great historical monuments of United States
To the so much fabled twin tower ,
And maybe a sea-ride with the US marines
Staying a day in the samba cities of Brazil
Listening to soft reggae tunes from Jamaica

Sometimes I wish I could  see the Stonehenge
And have a cup of tea with the Queen
Does the Berlin corridor still exist?
That one I will check on my own …
As I travel around and around
With a plane made in  Japan
John F McCullagh Sep 2014
Our Slave ship floundered on the rocks
in the teeth of a mighty storm.
We were cast out on a nameless Isle.
Half our cargo drowned.

Morning came and the seas becalmed
And we salvaged what we could.
The Captain was a broken man
The first mate did what he should.

We fashioned shelters of rock and mud.
And found a water source.
We had no doubts, then, we’d be saved
from this Isle off the African Coast.

The Isle was plentiful with game
And we had guns and swords.
The slaves would serve our wants and needs
So we were in accord

We rigged a lifeboat with a sail
And the first mate and three more
Cast their fortunes on the winds
for Madagascar’s shores.

They promised us that they’d return,
Their word they swore they’d keep.
But either the World ignored their pleas
or they sleep in the deep.

We learned, in time, acceptance,
of our lonely likely fate.
We taught the slaves to speak our French.
took their women as our mates.

Decimation was inevitable
Even in that tropic clime.
Many just lost hope and died.
Others lost their mind.

My best friend lost his life at sea
on a flimsy makeshift raft.
Of all the French who landed here
I, Jacques, am the last.

I hope my journal will be found
when I too, am dead and gone.
Please rescue what remains of me
And bear my body home.

Or else commit me to the sea
with prayers and honor due.
My woman and my child yet live
May God preserve those two.
A true tale of the French slave ship L'Utile, lost off the coast of Madagascar a long time ago

— The End —