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"jawed" poems
here's to a package of Marlboro Reds in the hands of someone other than the Marlboro Man standing in for those slack-jawed outlaws my heroes now lack jaws tongues lungs I swear it's been too long since I inhaled manhood The Great Darrell Winfield rolled packed and filtered into the only thing I know that makes a man a man the essence of cowboy boots and farmer's tan in every drag see, I inhale my heroes all the dusty red-necked cowboys Darrell Winfield and my dad men whose lives went up in smoke to coat my throat in my own self-righteousness I'm frightened this is all that I'll have left of him lung cancer and the lingering stench of cigarettes he always smelled of cigarettes he'd pull me into these firm embraces he held so long that he'd suffocate me in tacky business and cigarette smoke masked only faintly by a poor man's cologne still I breathed him in until I'd start to choke it was too much man to handle my grandpa told me “smoking doesn't send you straight to Hell, but it sure does make you smell like you've already been there” he was a grown man cursing crying lying dying by himself trying to drown out the inferno with a case of beer but sobriety finds you sometime and I'd rather suffocate in cigarettes than lose him altogether and even if he smells like Hell at least that means he made it back
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May 21, 2012
May 21, 2012 at 6:14 PM UTC
The Marlboro Man
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
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Aug 21, 2012
Aug 21, 2012 at 12:23 AM UTC
Kentucky Fry-day
Check back soon to resume and consume every tight-lipped, slack-jawed fool in the room. See, it's all what you know as the fires start to grow and the future burns slow. Keep your eyes on the ceiling, and your antenna feelers feelin', for when your senses stop reeling, you will finally start believing. Kick-back to the basics, not too far from the basement, and close enough to show that **** really isn't basic. It's another mid-west, ****** ******** freak show. Another evening drinking whiskey with the seedling's peep-show. So, it's time to relax and relapse into acidified broken synapse. The lights keep flickering and the couples keep bickering: ***** I am not above homicidal snickering.” I steer clear of these diversions, and wander past the sermons, just to chew up all the crooked talk and spittle out inversions. I shovel mockery to hypocrisy, pin-prick the empty ***** whose passions lack predicates, and in the background, I'll be complexifying my medic-kit: ketamine, morphine, ecstasy; marijuana, mushrooms, LSD. Watch those ******* jitter-bug college ***** procreate while sloppy drunk, but keep an honest eye on the flies that will rise above – then fall back down in existential angst, like: “Dear God, why must I be free? Oh, God! Why is every universal eye on me? I'm just another acid war veteran, sneakin' through these gutters with pestilence and bitter sin. When they reach the promised land of golden clouds and holding hands, I'll be underground with the slugs and the spider band.” Yet here I sit, sick of sippin' poisons with illiterates. So, let the skies fall and the buildings crash, as you stand on the wall with a fist full of cash. I'll be on the front lawn, picketing for dawn, while the night around me slowly ambles on.
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51
Marry the person who says "and I love you" after every other thing. Marry the person who lets you borrow their favourite shirt. Marry the person who remembers what you like. Who goes to the movie theater early to buy the tickets. Marry the person who rubs your shoulders when you lean forward, so you don't have to ask them to. Marry the person who gives you the last bite of everything. Give it back to them. Marry the person who's willing to watch movies they hate with you, just because you love them. Watch movies they love instead. Marry the person who's scent you can recognize across a room. Who surprises you with little, meaningful things. Who knows a lot about music. Marry the person who can always make you laugh, if only out if unbridled joy when they're not funny. Who considers you home. Who you can tell all your deepest, I really mean deepest secrets. And who can tell you theirs. Marry the person who you smile about. Marry the person who smiles about you. Marry the person who looks at you with complete open jawed awe, eyes bright and fixed, smile indelibly grafted on their face. Marry the person who makes you feel like you're in a movie every time they kiss you. Marry the person you know you need. The person who needs you. And need each other, forever.
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Jul 16, 2014
Jul 16, 2014 at 3:00 AM UTC
I'm Going to Marry You
More a French shave than five o'clock shadow, the young artist's way of backing off, announcing danger, an air of the unexpected, as the King snake has evolved to feign the Coral. Yet, where camel hair touched canvas calm, where quintessential light met quotidian ennui, not the advertised blackened rose or orchid, rather the sizzle, the honeyed-heat of azalea. Each stroke portended floral intifada, pastel yellows and oily greens igniting upon a fired-umber background, threatened to melt the easel into tar. I stood gape-jawed, nodded approval, eyeing the second creation within a single flower.
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Feb 19, 2012
Feb 19, 2012 at 8:25 PM UTC
Supernova
*oh you body of a woman you've cried in the dark to long with your enormous thrilling charm you under my skin with your blood thirsty neurosis like a queer moon begging to be hollowed out slow and cruel, you begged calling me sir, like that your mouth gleaming wet your eyes piercing like flashing cleavers you groan wild like a hyena on fire leaving all sense behind saying yes to my darkest of whims and weeping echoes darker darker and darker yet twist me in circles and circles in circles my soul a rioting expectation she eats the backward apple God knew you would the sadist good destroys evil heals you eat apples of sin galore your **** puffs a fluttering gate drooling madness, all Adamite an iron jawed angel tides of panic in the dark kisses that ground you down paralyzed by the black pit true will of desire atavistic compulsions torrential pain that makes beauty stunning pain that hums like needles and tongues sliding curves milk and blood doomed by carnal opportunity under leaves of darkening  green depth charge shifting flesh towards a swift arrow i am a sudden storm like Caligula's kisses and you are absolute sacrifice draped drooling in heavens arms
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Sep 10, 2017
Sep 10, 2017 at 12:24 PM UTC
DEPTH CHARGE
I REMEMBER here by the fire, In the flickering reds and saffrons, They came in a ramshackle tub, Pilgrims in tall hats, Pilgrims of iron jaws, Drifting by weeks on beaten seas, And the random chapters say They were glad and sang to God. And so Since the iron-jawed men sat down And said, "Thanks, O God," For life and soup and a little less Than a hobo handout to-day, Since gray winds blew gray patterns of sleet on Plymouth Rock, Since the iron-jawed men sang "Thanks, O God," You and I, O Child of the West, Remember more than ever November and the hunter's moon, November and the yellow-spotted hills. And so In the name of the iron-jawed men I will stand up and say yes till the finish is come and gone. God of all broken hearts, empty hands, sleeping soldiers, God of all star-flung beaches of night sky, I and my love-child stand up together to-day and sing: "Thanks, O God."
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2.2k
Fire Dreams
I had something on my mind I guess it really doesn't matter anyway I was unable to get my point across You stand there slack jawed with all the answers You bathe yourself in fairies tears to recover from my words You are popular and "open minded" so you win I guess OF COURSE They will never take my side They are on every block praising you They are also in charge and can burn me so bad How quaint...
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Jul 19, 2015
Jul 19, 2015 at 10:08 AM UTC
Instant Poisoned Arguments
Brushwork If I were a jazz pianist I would pay my dues in one lump sum on a tip from some country singer on his way down who gives me the shirt off his back a Nudie with piping and plenty of rhinestones that catch the stage lights just so and sweep in reflection across the polished planes of my 1890 rosewood Steinway Grand Modal C a beaut with a pedigree, one I won’t fail to mention from the stage in the second set during the pause between How High The Moon and I Love The Life I Live from behind a bobbing cigarette, sharing the remarkable fact that this is the very same piano Mose Allison played in a two night stand at the Blue Note in 1962. Later I’ll work Jimmy the trumpet player’s name into a tune and trade winks with the guy on upright bass the drummer slack jawed oblivious, lost to us all in some very tasty brushwork.
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Oct 10, 2016
Oct 10, 2016 at 7:49 AM UTC
Brushwork
the morning after always hurts the worst hazy brain summersault stomach and where in the hell is my car i want a pizza or two it was nice to see you i've missed your smile and condensed stare and the shape that your lips make while you confess your love to the beer bottle's neck that explains the jameson and all the beers at the bar the beer bongs at the after party and why i could stomach the strippers it was all you so nice to see you why do i always feel guilty when the sun comes up no one got a black eye i didn't grab the mic and my clothes stayed on until i was safely home although the cab driver may have caught a glance to think i'm "all grown up" i'm not at all sorry not for the whiskey gut or the fire i'll throw up or the kisses that i didn't plant along your collar i'm still the same floral-print ship-wreck at the bottom of the bottle my mother once said that the only people worth clinging to are those who see all of your greatness outweighing your flaws you still see the holes in my tights and my falling hem line not the honey sweet legs they shape or the hips and thighs that the denim hides i'll be just fine as the german genie in the bottle of irish whiskey witty and slack-jawed and ready to kiss the lips off the face of the clock and two shots away from dancing with the cops i look great in hand-cuffs i'll whistle the whole way to jail small victories weigh the most and right now i feel like muhammed ali thanks, babe here's two asprin that glow better than your eyes and they're mine waiting to chase away the pain that came up with the sun here's to endings that aren't a safe bet here's to sleeping alone here's to new mistakes just waiting to happen water never tasted so good to me
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Jan 11, 2013
Jan 11, 2013 at 1:39 PM UTC
letting go. (the brown bottle blues.)
the morning after always hurts the worst hazy brain summersault stomach and where in the hell is my car i want a pizza or two it was nice to see you i've missed your smile and condensed stare and the shape that your lips make while you confess your love to the beer bottle's neck that explains the jameson and all the beers at the bar the beer bongs at the after party and why i could stomach the strippers it was all you so nice to see you why do i always feel guilty when the sun comes up no one got a black eye i didn't grab the mic and my clothes stayed on until i was safely home although the cab driver may have caught a glance to think i'm "all grown up" i'm not at all sorry not for the whiskey gut or the fire i'll throw up or the kisses that i didn't plant along your collar i'm still the same floral-print ship-wreck at the bottom of the bottle my mother once said that the only people worth clinging to are those who see all of your greatness outweighing your flaws you still see the holes in my tights and my falling hem line not the honey sweet legs they shape or the hips and thighs that the denim hides i'll be just fine as the german genie in the bottle of irish whiskey witty and slack-jawed and ready to kiss the lips off the face of the clock and two shots away from dancing with the cops i look great in hand-cuffs i'll whistle the whole way to jail small victories weigh the most and right now i feel like muhammed ali thanks, babe here's two asprin that glow better than your eyes and they're mine waiting to chase away the pain that came up with the sun here's to endings that aren't a safe bet here's to sleeping alone here's to new mistakes just waiting to happen water never tasted so good to me
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54
I'll write a poem a day, and maybe that way everything will be okay. I'll look up at that oil covered sky, that peculiar black stained shade of grey, those wisps of condensation tilled out, like fields of wheat and creased tightly through golden streaks, of setting suns' last gleams, and I'll sit lack jawed, if just for a second, and wonder if truly my existence is worth it. So much doubt running, so very deep. Yes, I'll write a poem a day, as if... nothing, really. Aye, Eureka, I know my meaning, Yes I will express that frustration, of an infinite empty feeling. That little almost insignificant voice that says to you, It doesn't matter, none of this is real, Well for each and every one of you I'll feel, quite intensely in fact, that ignominious void, the elephant in the room, and with tact and poise, I'll illuminate it for you, so you can live, and I can dream, Sweet fruitful dreams of nothing.
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Feb 8, 2015
Feb 8, 2015 at 2:11 AM UTC
Write A Poem Every Day
He veers to the left when he walks in and out of lives up and down city streets. His gait clumsy and haphazard bumping passersby and knocking glasses off tables. Slack jawed stares and excited whispers; unphased unwavering steady in his unsteadiness. He meanders down alleyways; breaking hearts and preconceived notions about what a vagabond should or shouldn’t be.
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May 26, 2013
May 26, 2013 at 1:55 PM UTC
Vagabond
Concerning your letter in which you ask me to call a priest and in which you ask me to wear The Cross that you enclose; your own cross, your dog-bitten cross, no larger than a thumb, small and wooden, no thorns, this rose- I pray to its shadow, that gray place where it lies on your letter ... deep, deep. in The Cross. I touch its tender hips, its dark jawed face, its solid neck, its brown sleep. True. There is a beautiful Jesus. He is frozen to his bones like a chunk of beef. How desperately he wanted to pull his arms in! How desperately I touch his vertical and horizontal axes! But I can't. Need is not quite belief. All morning long I have worn your cross, hung with package string around my throat. It tapped me lightly as a child's heart might, tapping secondhand, softly waiting to be born. Ruth, I cherish the letter you wrote. My friend, my friend, I was born doing reference work in sin, and born confessing it. This is what poems are: with mercy for the greedy, they are the tongue's wrangle, the world's pottage, the rat's star.
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1.8k
With Mercy for the Greedy
On campus, warm sun bathing my shoulders as I listen to two girls discuss poetry (and the dreamy guy who teaches their class) and I try not to laugh at them as they talk about how romantic I would be to have poetry written about them. I want to ask them if they are really that stupid. Instead, I bite my tongue and enjoy the taste of pennies that floods my mouth and keep my laughter gurgling inside of me. I long to ask these simpering, silly girls if they have ever read any poetry about life. Not about the romantic notions of life, but about really-real life. Poetry about blood and pain and ******* and dying and loving and art and I want to force feed them great ****** bites of Chaucer or Ginsberg or Bukowski. Yeah... Bukowski. Visceral, blunt, gory, beautiful Bukowski. But I have a feeling that this action would go unappreciated. Their poets don’t use language like **** or **** Their poets don’t talk about the world I know. Their poets live in a world of rewrite and revise. I want to scream at them how silly they are and how much their views will change over the next few years. And I realize that I may have been staring (glaring?) at them because they have fallen silent and are now looking at me with the squeamish discomfort of people who have just realized that they’re being observed. And I think to myself, **** it,” and I smile and tell them that their handsome poetry professor is married, and their idea of poetry is limited. “You should read some Bukowski,” I tell them, “Then, you just might get it” and they gaze up at me slack-jawed, staring blankly for a moment, and I want to make sure I have not sprouted another head. Instead, I gather my things and walk away. And as I do, I revel in a fleeting feeling of superiority because I know. I understand. I get it. And I can almost feel special.
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Jun 9, 2013
Jun 9, 2013 at 2:49 PM UTC
Homage to Bukowski
On campus, warm sun bathing my shoulders as I listen to two girls discuss poetry (and the dreamy guy who teaches their class) and I try not to laugh at them as they talk about how romantic I would be to have poetry written about them. I want to ask them if they are really that stupid. Instead, I bite my tongue and enjoy the taste of pennies that floods my mouth and keep my laughter gurgling inside of me. I long to ask these simpering, silly girls if they have ever read any poetry about life. Not about the romantic notions of life, but about really-real life. Poetry about blood and pain and ******* and dying and loving and art and I want to force feed them great ****** bites of Chaucer or Ginsberg or Bukowski. Yeah... Bukowski. Visceral, blunt, gory, beautiful Bukowski. But I have a feeling that this action would go unappreciated. Their poets don’t use language like **** or **** Their poets don’t talk about the world I know. Their poets live in a world of rewrite and revise. I want to scream at them how silly they are and how much their views will change over the next few years. And I realize that I may have been staring (glaring?) at them because they have fallen silent and are now looking at me with the squeamish discomfort of people who have just realized that they’re being observed. And I think to myself, **** it,” and I smile and tell them that their handsome poetry professor is married, and their idea of poetry is limited. “You should read some Bukowski,” I tell them, “Then, you just might get it” and they gaze up at me slack-jawed, staring blankly for a moment, and I want to make sure I have not sprouted another head. Instead, I gather my things and walk away. And as I do, I revel in a fleeting feeling of superiority because I know. I understand. I get it. And I can almost feel special.
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35
Wake up to a pulsing morning. Sooner than you know, circles back to ******* Monday. Empty batteries. Empty call log. Empty stomach, and ash-mouthed, empty-hearted anger leaves its streaks on the walls of the insides of the skull-- it's a kitchen, that mind you got: it's covered and crusted--well used I suppose-- but smells funny, needs dusted and swept and mopped and wiped down and shined up. Dress down the absentees in your life--I'm sure you know how-- 'til it circles back 'round-- to breakfast, to Monday, to you. In your bed. Fight the throb in your head and push back on the sheets that still rush up to claim you-- slack jawed with maimed thoughts--though it's late in the day.
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Dec 13, 2014
Dec 13, 2014 at 6:51 PM UTC
Absentee
Bobbing and weaving, Slipping and jabbing. The fighting stance against a thousand opponents, All of whom, look like me, Is a stance I can only articulate, In a mirror, Shadow boxing that guy, Strangely looking like me. Pop-Pop BANG, I throw punches at the air in front of me, This bull can rage like Cinderella in a cage, A square, roped cage, Where life’s uppercuts put me in a daze. The fighter in me, One stubborn little ******* Iron-jawed and iron-clawed, Always taking one to the gut, I fall down and so ruthlessly get back up. 24 and 0, I’m the undefeated world champion, My opponent remains consistent, But I’m not afraid, I got this far, You think I can’t go a few more rounds?
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Oct 26, 2023
Oct 26, 2023 at 10:53 PM UTC
Stay In The Fight
Hey you! Yea, you! You one-eyed Crooked-jawed Rat-faced Sad excuse for a human being! For too long your voice has left me in tears Too long your voice has killed me from the inside, out You have teased me and slandered me Depressed me and angered me You’ve taken advantage of my kindness And stomped on it For too long But that’s all about to change As I have recently come out of a shell I’ve come out of a shell of rage and depression And I’ve realized I have a voice And man my voice is POWERFUL! Not only that, but my voice has a message. I bet you didn’t see this **** coming, did you? Your voice gave me the message of self-loathing But my voice will now give you the message of your demise. You see, You can no longer hurt me because I’ve found I have a way with words on paper Now I’m the giver and you’re the taker And man it’s time to meet your ******* maker! You have no right to judge me because you barely even know me You have no excuse to torment me because I am not your pet You feed off of your ego and you make a scene to get noticed. **** you must be really insecure. Did you not get enough attention as a child? Are you not proud of yourself for what you have become? You must look in the mirror every day and feel a lot of remorse And anger And denial Which is why you continue to hate You hate yourself so you hate on others You hate your life so you hate those who have it better than you But you can’t hide that from me anymore And it’s time you fixed your voice To be more encouraging, Optimistic There’s one life rule I heard before: When the amount of **** taken Exceeds the amount of **** given, It’s time to get the **** out! I got the **** out So should you **** man I got a voice And my voice is powerful My voice has a message
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Sep 20, 2012
Sep 20, 2012 at 10:15 PM UTC
The Power Of The Voice
Hey you! Yea, you! You one-eyed Crooked-jawed Rat-faced Sad excuse for a human being! For too long your voice has left me in tears Too long your voice has killed me from the inside, out You have teased me and slandered me Depressed me and angered me You’ve taken advantage of my kindness And stomped on it For too long But that’s all about to change As I have recently come out of a shell I’ve come out of a shell of rage and depression And I’ve realized I have a voice And man my voice is POWERFUL! Not only that, but my voice has a message. I bet you didn’t see this **** coming, did you? Your voice gave me the message of self-loathing But my voice will now give you the message of your demise. You see, You can no longer hurt me because I’ve found I have a way with words on paper Now I’m the giver and you’re the taker And man it’s time to meet your ******* maker! You have no right to judge me because you barely even know me You have no excuse to torment me because I am not your pet You feed off of your ego and you make a scene to get noticed. **** you must be really insecure. Did you not get enough attention as a child? Are you not proud of yourself for what you have become? You must look in the mirror every day and feel a lot of remorse And anger And denial Which is why you continue to hate You hate yourself so you hate on others You hate your life so you hate those who have it better than you But you can’t hide that from me anymore And it’s time you fixed your voice To be more encouraging, Optimistic There’s one life rule I heard before: When the amount of **** taken Exceeds the amount of **** given, It’s time to get the **** out! I got the **** out So should you **** man I got a voice And my voice is powerful My voice has a message
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53
slack jawed in a puddle, my tongue hurts from making you melt. claw marks in my arm, you’re certain I’m here for your pelt. killing myself with a string, telling the truth with some bugs. the loose teeth are rotten, not ripe, I inch around like a slug.
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Mar 1, 2013
Mar 1, 2013 at 12:01 PM UTC
Ghost Slug
Iron Jawed Angel. Unoriginal & Unwritten. Unseen, And Unforgiven. I Hoarded Words, Stashed Them In The Empty Rooms That Are My Body. Achingly Delicate Lyrics In The Spaces Between My Ribs, Heartbroken Heroes Behind My Eyelids, Folded Lines On Bar Napkins In The Space Behind My Knee, Or The Backbone Tramp-Stamp Of A Loveless Beauty. I Was Dying To Make This Skin My Own. Cover Myself In Metal Jackets That Could Scare Away The Sorrow. I Had Empty Promises In My Fingertips, Friday Night Serenades Pressed Into My Collar Bones, Recklessness On Repeat, Pleated Across The Lines Of My Tongue. And The Words Rose Up, Frothing Around My Wrists, Rising Over Scalded Flesh, Popping Balloons And Swallowing Bruises. Sought Out Landmines To Call Home, And Found Solstice In The Explosions Of Fading Glory.
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May 22, 2012
May 22, 2012 at 4:53 PM UTC
Whimsicality
I. pink satin masks blood and broken toes. i keep effortless poise while knees and lungs shake. i dance in tattered tutus, in old toe shoes, for a pocketful of coins; i dance until i am blind with joy, until my lungs are full of trumpet shouts, until i am exhausted and weightless, until my audience is standing, breath gone, knowing what it is to be-- II. in the storm of applause one gnarled hand launches a torch. "you danced with me," i cry-- her lips seal shut. wild, cold eyes watch flames singe my feathers, fuse flesh to bone, floorboards collapse. she stays until she hears my heart stop. at dusk, the stage is ash. III. at dawn, a chorus of mouths emerge from the ground, my audience, full-throated, white-knuckled, tchaikovsky hollowing cheeks, nasoprotivnyia daruia; knuckles white-- flat-footed, slack-jawed, the arsonist stands-- and i ascend from the dirt on pillars of diamond forged from ash, while my bare feet spill blood and i say look at the source of my strength-- while new wings spread, blood-red and gilded and brilliant in the sun-- while fire sprouts like flowers from my palms, while spiders wrap my toes in silk and i dance on thick-tongued harmonies that tremble the earth with new roots and i bourrée across the green trunks and i become the sun
0
Aug 2, 2015
Aug 2, 2015 at 3:33 AM UTC
en pointe phoenix
since i decided that the chain was too short and the anchor i had attached myself to was pulling me under it's been Three Months since I've sharply inhaled and let go of the rope and stood slack-jawed and in awe at the calm with which you watched it suddenly go limp in your relaxed palms, and then shrugged, and retreated. Three Months since I've turned my head toward the horizon and rubbed the tension of staring at a backward-moving object from my weary neck. Three Months of my infatuation worming its way back into more isolated parts of my mind, and festering in my body, becoming quiet-- like the absence of a laugh track while the film keeps playing. And I feel like I am still holding my breath. It's different now because I finally see the pattern. Breathe easily, breathe excitedly, gasp, hold your breath, feel it abruptly leave your body as you deflate find your breath again, have it stolen from you once more The question is: what will lure my lungs back into blissful submission again? And how much time am I left with to enjoy my returned sanity? And if you came back, I think it would feel like a falling dream. I think I am in the falling dream. I am grasping and flailing and fearing the crash, everything becoming a quickening blur of irrational analysis and false epiphanies, an asymptote approaching demise... until i wake up (and realize that I never really was falling). Only to have the ground snatched from under my feet once again but instead of down, I will go up. (and then down again) I wish I wasn't familiar with this pattern.
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Oct 8, 2013
Oct 8, 2013 at 5:46 PM UTC
it's been 3 months
since i decided that the chain was too short and the anchor i had attached myself to was pulling me under it's been Three Months since I've sharply inhaled and let go of the rope and stood slack-jawed and in awe at the calm with which you watched it suddenly go limp in your relaxed palms, and then shrugged, and retreated. Three Months since I've turned my head toward the horizon and rubbed the tension of staring at a backward-moving object from my weary neck. Three Months of my infatuation worming its way back into more isolated parts of my mind, and festering in my body, becoming quiet-- like the absence of a laugh track while the film keeps playing. And I feel like I am still holding my breath. It's different now because I finally see the pattern. Breathe easily, breathe excitedly, gasp, hold your breath, feel it abruptly leave your body as you deflate find your breath again, have it stolen from you once more The question is: what will lure my lungs back into blissful submission again? And how much time am I left with to enjoy my returned sanity? And if you came back, I think it would feel like a falling dream. I think I am in the falling dream. I am grasping and flailing and fearing the crash, everything becoming a quickening blur of irrational analysis and false epiphanies, an asymptote approaching demise... until i wake up (and realize that I never really was falling). Only to have the ground snatched from under my feet once again but instead of down, I will go up. (and then down again) I wish I wasn't familiar with this pattern.
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42
Give me.. **Give me that good **** You know, *that good **** We're handed pipes instead of pills. Told to smoke pain away something that's been breed 4 generations deep. A poverty in the sheets. An allergic reaction, nuclear, biochemical - skin abrasions, lacerations - 3rd degree burns on our hearts. Drink away the pain  to sooth the burn. To silence the scald. No one even teaches you to hold yourself. Instead they tell you to find someone else to do it for you. Make you unable to be whole. To be three fourths **** up. Bandaging your own self inflicted scars in the bathroom sink. To be metal jackets made of sorrow. To be blacked out Saturday nights, too hung over to go to church with your family in the morning. To be so high, you never even get low. To be light bulbs busted, stayed bright too long. That good **** ain't good **** when it turns you into the kind of slack jawed, numb monster your mother is ashamed of. We are a generation self mutilated - no, no - self medicated. Raised by television sets, they made cigarettes look *** They made suicide look pretty, And binge drinking look cool. They made it normal for kids to pass around bottles of liquor at 14. You're too young and too fast, and **you're trying to not ******* feel **** I've been you. I am you. So no, it ain't no good **** *I don't have any good **** Cause nothing is good, if it's never been bad first. If it's never been broke, and broken, and sick. If it's never cried itself to sleep. If it's never seen its own reflection in broken pieces of glass and felt akin to the shatter. You have to feel every inch of the low to make any high worth it. And let it be a homemade one. Let it be love. And lust. And the sun, and good art, and loud music, and jukebox laughter, and your family telling you, you matter. Don't let it be synthetic and manufactured. Don't let it be bought on street corners, let it be home grown, and natural. Raised in the corners of your mother's smile. Let those good moments be you. Let those moments be life. Let them be the warmth before the scald, let those be the moments before you fall. And I know it hurts. It hurts to be a volcano victim. To be so irrevocably in love with life when it can burn you so badly. Believe me, being numb means nothing. And yes, I know it's hard. Hard to be 14, And 17. And 21, And 45. I know it's hard, so ******* hard to exist every single day. I know the bouquets of heart break, feel like chainsaws and forest fires. I know the boys hurt your feelings. I know your parents don't understand you. I know your teachers don't listen to you, I know you hate yourself And I know you shouldn't. Because baby, A pipe, Or a pill Or a bottle Won't ever do any good **** for you.
0
Mar 2, 2015
Mar 2, 2015 at 11:30 AM UTC
Good ****
Give me.. **Give me that good **** You know, *that good **** We're handed pipes instead of pills. Told to smoke pain away something that's been breed 4 generations deep. A poverty in the sheets. An allergic reaction, nuclear, biochemical - skin abrasions, lacerations - 3rd degree burns on our hearts. Drink away the pain  to sooth the burn. To silence the scald. No one even teaches you to hold yourself. Instead they tell you to find someone else to do it for you. Make you unable to be whole. To be three fourths **** up. Bandaging your own self inflicted scars in the bathroom sink. To be metal jackets made of sorrow. To be blacked out Saturday nights, too hung over to go to church with your family in the morning. To be so high, you never even get low. To be light bulbs busted, stayed bright too long. That good **** ain't good **** when it turns you into the kind of slack jawed, numb monster your mother is ashamed of. We are a generation self mutilated - no, no - self medicated. Raised by television sets, they made cigarettes look *** They made suicide look pretty, And binge drinking look cool. They made it normal for kids to pass around bottles of liquor at 14. You're too young and too fast, and **you're trying to not ******* feel **** I've been you. I am you. So no, it ain't no good **** *I don't have any good **** Cause nothing is good, if it's never been bad first. If it's never been broke, and broken, and sick. If it's never cried itself to sleep. If it's never seen its own reflection in broken pieces of glass and felt akin to the shatter. You have to feel every inch of the low to make any high worth it. And let it be a homemade one. Let it be love. And lust. And the sun, and good art, and loud music, and jukebox laughter, and your family telling you, you matter. Don't let it be synthetic and manufactured. Don't let it be bought on street corners, let it be home grown, and natural. Raised in the corners of your mother's smile. Let those good moments be you. Let those moments be life. Let them be the warmth before the scald, let those be the moments before you fall. And I know it hurts. It hurts to be a volcano victim. To be so irrevocably in love with life when it can burn you so badly. Believe me, being numb means nothing. And yes, I know it's hard. Hard to be 14, And 17. And 21, And 45. I know it's hard, so ******* hard to exist every single day. I know the bouquets of heart break, feel like chainsaws and forest fires. I know the boys hurt your feelings. I know your parents don't understand you. I know your teachers don't listen to you, I know you hate yourself And I know you shouldn't. Because baby, A pipe, Or a pill Or a bottle Won't ever do any good **** for you.
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68
Tangible toys to trifle with Telescopes and televisions and telephones Teaching us to tick and tock Telling us time Trading touches for tricks Though doesn't it seem just so? The collective ties then tears Tucking individualism into sleep Terrors of the twilight to wake and hint Tweaked in turbulence to set the sails smooth Trying at contentment to dig up but contempt Though doesn't it seem just so? Telepaths and tellers on muted megaphones Teething a societal infant proves troublesome Tight jawed and spoonfed Track the time travellers, the ****** heretics Tennessee in '33 preached inequality Though doesn't it seem just so?
0
Sep 4, 2013
Sep 4, 2013 at 9:44 PM UTC
Alliteration and some other **** they taught me in high school
The night sky is staring back at you. You're checked out. It's all gone to hell. Bought a one way ticket halfway to Shambhala. The Christmas lights in the tapestry above flicker and fade out of conscious thought. The moon hangs, slack-jawed and silent, shaking your shoulders as you kneel into the pavement. "Won't you leave me be?" But no, he's calling the sun and he's begging for help ********* stop it!" They're driving you crazy. The pavement is beautiful against your cheek. But here comes everything You're flying on clouds, and there is lights from the sun and the moon is there, crying, "Stop it, stop it!" All you want is the pavement. And your mothers screaming through the glass. And the lights; white and bright and cruel. You only hear the pavement, you only see the night sky; staring back at you.
0
May 15, 2014
May 15, 2014 at 2:42 PM UTC
Overdose
I am lost to the inside joke of the empty street in my city and laugh about nothing, really as I flick my cigarette to go inside— I am lost just inside the door where I trip on a slack jawed chair spending too much time in front of the T.V. I am lost in the dark looking for a light switch with no luck so I try to think about not being lost with as much luck as the light switch. A lost cause at the bar earlier, crooked darts, sideways glances and upturned chairs. On the way home, thinking about those upturned chairs and how unfair it was to be cruel to something unassuming, I was lost in track marks on my face when I thought about how my mother would feel about all of this nonsense. I cried like I did when I saw my mother cry for the first time— like she’d just come from the womb and it stole my innocence, So I sit to pry open my chest and see gears turning, realize I'm still looking for the light switch, realize, we’re all dying of the same thing; click— Time— Not the digital glowing red that shrieks at me to get up, not the one that punches me in the gut when I watch it at work one thankless, minimum wage minute at a time, but A pocket watch, a family heirloom, sacred, unapologetic, searching, etched with our Human monogram and shined to near-perfect Reflection. I am lost in its face as it winds around the ticks in mine. I am lost in place I am lost in motion, I am lost in the Abyss staring back. I am lost, but I still have Time.
0
Nov 26, 2011
Nov 26, 2011 at 1:50 PM UTC
(still no title) or As the Liquor Hits
People build their own prisons, she said, build up their own walls. He said nothing, knowing not what to say. He liked just that she spoke, her voice, the tone and timbre of it. As she spoke he watched her lips move, the way her tongue danced inside her mouth, upon teeth. Mental wards are full of people who have totally entombed themselves, she added, placing one of the sandwiches she’d bought inside her mouth, while she spoke. The park bench was hard, there was a smell of spring in the air, he watched her chew, now silent, her mouth closed, masticating. Her silence drew his attention to the way she sat, one leg crossed over the other, the black shoe and foot dangling. The lower length of stockinged leg, showing, the dark skirt just over the knee, nothing else to see. He lifted his gaze to her cloth hidden thighs, the way they disappeared into her waist, slim, drawn in. Ones I used to see on my tour of the wards had drooling mouths and cross eyes, she said, swallowing the small sandwich bits. He moved his eyes from her waist to her impressive **** let his eyes settle, rested them there, as if they were weary travellers after a long journey. And the smell, she added, reeked of ***** everywhere one put one’s nose. He wanted to lay his head between or upon or even beneath those beautiful ******* She jawed on, he wasn’t listening anymore, he was engrossed in a different story, an actor in a different play. She took another sandwich and was silent again, staring at him, taking his measure, unaware, no doubt, of his silent pleasure.
0
Jan 30, 2013
Jan 30, 2013 at 3:03 AM UTC
ON A PARK BENCH.
People build their own prisons, she said, build up their own walls. He said nothing, knowing not what to say. He liked just that she spoke, her voice, the tone and timbre of it. As she spoke he watched her lips move, the way her tongue danced inside her mouth, upon teeth. Mental wards are full of people who have totally entombed themselves, she added, placing one of the sandwiches she’d bought inside her mouth, while she spoke. The park bench was hard, there was a smell of spring in the air, he watched her chew, now silent, her mouth closed, masticating. Her silence drew his attention to the way she sat, one leg crossed over the other, the black shoe and foot dangling. The lower length of stockinged leg, showing, the dark skirt just over the knee, nothing else to see. He lifted his gaze to her cloth hidden thighs, the way they disappeared into her waist, slim, drawn in. Ones I used to see on my tour of the wards had drooling mouths and cross eyes, she said, swallowing the small sandwich bits. He moved his eyes from her waist to her impressive **** let his eyes settle, rested them there, as if they were weary travellers after a long journey. And the smell, she added, reeked of ***** everywhere one put one’s nose. He wanted to lay his head between or upon or even beneath those beautiful ******* She jawed on, he wasn’t listening anymore, he was engrossed in a different story, an actor in a different play. She took another sandwich and was silent again, staring at him, taking his measure, unaware, no doubt, of his silent pleasure.
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