GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

~

do you believe?  

hold that thought!

what you are about to take is a journey.  my telling of this journey is brief; we poets are after all not well known for our long attention spans.  this is a tale of astronomic proportions, an epic years in the making, and now centuries old.

have you ever considered this?  the starry host above us cannot lie.  its movements are as sure as the movement of the clock; as predictable as the tide, a sunset's hour and as precise as a moon-rise's geo-placement at our horizon- precisely where it will rise and at precisely what time.  it is after all  precisely the study and understanding of such things that allowed us to place mankind on the surface of the moon, to know precisely where she would be before she got there, therefore permitting us to plan the journey well ahead of time, a journey that took three days of travelling once it began...  and then returning those men home to us.  but back to our larger journey.  

such things only require an understanding of relatively simple mathematics and a knowledge of each unique planetary orbit.  the only questions remaining then, ones that require acceptance of less proveable things, is do the events of the starry host above us reflect back or point to us, to humanity? are they a fortelling of earthly events and eventuallly a coinciding with earthly events? some have trouble believing such things.  for me, it is not a leap to accept that the visibly established order above me (what we call astronomy) is simply a mirror of the order below, here surrrounding me.  but then that takes us back to the first question... do...   you...   believe?  for this part... it requires acceptance ... acceptance that some things are true, though i cannot see them.  some call this "faith," though i think "acceptance" is more relateable, and therefore a far better word.

if i have not lost you yet, thank you for reading this far!! please continue the journey.

like me, have you ever wondered... what is (or what was) the Bethlehem Star?  according to some who research historically astronomic events, the “Bethlehem Star” was no star at all.  but more on that after the poem... for is that not the purpose of these walls?  

below is a poem birthed out of their research... the poem mine, the research compiled by smarter folks than i.

Virgo's child

~

oh, planetary royalty,
and mother of the sky,
your celestial stage of six,
a ballad echoing our hopeful cry;
pirouette the stars amidst,
sets a course for rising king,
closer with each night's descent,
hope, your brilliant union brings.
conjunctive encore heaven sent,
today our song in advent sings!

oh, wise men of the east,
following a westward star,
the king you sought
you found because,
discontent you were,
to be a distant onlooker
from your home afar.

hallelujahs here composing,
with stunning care the stars portending,
in universal magnitude,
oh fallen man your dirge is ending.
in retrograding motion,
encircled thrice your halo spun,
Virgo’s child in coronation,
the starry night foretells,
and with splendid sky’s array
the joyful birth of king pronounces

oh, wise men of the east,
following a beckoning star,
bearing gifts you came,
and on bended knee
you offered praise, for
empty-handed for a king,
is no fitting offering.

look to the sky, you men of earth;
behold your king in humble birth!
a stable for his sleeping head,
here rocks a mother’s babe;
what Adam lost, in him restored,
oh, Virgo’s child, and living Lord.

~

*post script.

~ Cast~
the six acclaimed celestial actors/actresses of this starry dance

Role ° Played By ° ​Meaning/Symbol

Moon ° ​the Moon ° life cycle symbolism
Star ° ​Regulus​ ° ​King of stars (regal king)
Planet 1​ ° ​Jupiter ° ​King of planets
Planet 2 ° ​Venus ° ​Mother of planets
Constellation 1​ ° ​Leo ° ​the Lion (heavenly kingship and tribal significance)
Constellation 2 ° ​Virgo ° ​the ****** (maidenly and earthly significance)

the basis for this write can be found here...
add: http://www.
to: bethlehemstar.com/setting-the-stage/what-was-the-star/

in summary --
whatever it was, the Star of Bethlehem needs meet nine qualifications to plausibly satisfy what is written in the Biblical accounts:
1. The first conjunction signified birth by its association to the day with Virgo “birthing” the new moon. Some might argue that the unusual triple conjunction by itself could be taken to indicate a new king.
2. The Planet of King’s coronation of the Star of Kings signified kingship.
3. The triple conjunction began with the Jewish New Year and took place within Leo, showing a connection with the Jewish tribe of Judah (and prophecies of the Jewish Messiah).
4. Jupiter rises in the east.
5. The conjunctions appeared at precise, identifiable times.
6. Herod, puppet King under Roman rule, was unaware of these things; they were astronomical events which had significance only when explained by experts.
7. The events took place over a span of time sufficient for the Magi to see them both from the East and upon their arrival in Jerusalem.
8. Jupiter was ahead of the Magi as they traveled south from Jerusalem to Bethlehem.
9. Jupiter “stops” as it enters retrograde motion “over Bethlehem.”  On December 25 of 2 BC it enters retrograde and reaches full stop in its travel through the fixed stars. The Magi viewing from Jerusalem would have seen it “stopped” in the sky above the town of Bethlehem.

according to astronomical research of historical events, the “Bethlehem Star” is, at least by this explanation, no star at all, but was instead Jupiter’s rendezvous (planetary conjunction) with Venus in 2 BC.  this is a tale of two planets normally radiant and distinguishable forming a single-looking, indistinguishable, and never-before-in -their-life-time-appearing large and radiantly brilliant “star”, which when coupled with each of the previous eight facets creates a most noteworthy series of events, all of which match words written centuries previous, and pointed their gaze to a pivotal and altering point in mankind’s history.  

now back to the beginning question...  do...  you...  believe?

(publication of this write is intended to coincide with the first of the four Sundays of Advent, 2015.  tis the season for Merry Christmas, my friends!)

Beloved Country

To former days I can’t attest did a like occurrence happen before the fall of ancient Rome if so it is not
Recorded what is recorded is the words of Adam’s who spoke about the natural order of things including
The nations he said it is now our solemn duty to manage the decline of this great nation that has been
Birthed did this solitary figure that walked in the dark valley start from that premise or was it another
Form of truth the truth that was blatantly obvious was he like the prophet of old that was told to do
Things before the eyes of Israel each command from God was a man living out an example a living object
Lesson your actions are not without consequence your folly is the tolling of the bell of death this figure
Crisscrossed this nation it held the straining haunting memory of Woody Guthrie, Jack Kerouac but more
Tragic was it a man or not human at all a spirit an angel one thing to have him brush past you were
Drawn to study him intently there was an announcement brimming a pronounced knowing that was
Born upon brooding wings he wasn’t a chameleon but at times he was identifiable with our history as
The time in a suit the dust in his hair his whole being spoke simply twin towers 911 the word from he
Who keeps the nations in peace and safety said this never would have happened if America still prayed
And sought his inexhaustible favor the figure was heard to repeat over and over again Abilene a white
Headed five star General not much when you just say Ike but he was the one that was waiting in the
Wings ready to march onto the world stage in his hands the winds of war were tamed we entered a
Great time of prosperity we took the statement in God We Trust to the depth of our hearts and he
Responded as he always does to that kind of faith broke the grip of tyrants who threatened the world
We were benevolent even saved and rebuilt the lands destroyed by imbeciles who thought they could
Butcher innocent people and a righteous God would look the other way in their deaths justice shouted
The favored words of victory you don’t have to be strong just trust and I will fight your battles then the
Figure is seen in the Haight-Ashbury, San Francisco this is the dawning of the Age of Aquarius it’s also a
Nickel bag of marijuana Nam and a ****** revolution sets the country on a course that you wonder can it
Recover it was pinball on the big scale every thinker and crack *** was listened to you played the game
One brain trust put it that this all started centuries ago they said by looking back we can see how we got
Where we are and where were going they say our crisis today is from the foundation laid by the age of
Reason here are the writing of two essential groups the rationalists and the empiricists. In the 1600’s and 1700’s, strains of humanisistic, man-centered thought came together and flourished, producing a widespread change in assumptions about reality. A group of thinkers known as the Continental Rationalists, composed of Descartes, Leibniz, and Spinoza, assumed on faith the mind’s ability to function correctly, independent of any external guidelines for thought and independent of God’s revelations about his creation. The mind could build a sound, unshakable system of thought; they felt, by deductive reasoning from simple premises, reinforced by truths retained from the biblical worldview from which they could borrow for the sake of convenience.

Then another group of philosophers known as the British Empiricists took things a step further toward modernism. This group, composed of Locke, Berkeley, and Hume, denied the existence of the “innate ideas” held by the rationalists. All that man can know, they proposed, must originate in experience. All “abstract ideas” such as God or truth must derive from some sense impression in order to be intellectually valid.
You approach man in his mind you will find no guards to turn you back no resistance but the truly wise
That are built on this foundation it renders all that is false lifeless and harmless it says “See to it that no
One takes you captive through hollow and deceptive philosophy, which depends on human tradition
And the basic principles of this world rather than on Christ Colossians 2:8 false teaching respects not
Borders or fairness only the power of ruthless lies that seem light as feathers what harm can they do
Put the rest of the picture together feathers on a bird of prey will spread death and terror you walk
Unaware in a violent land you will soon be a victim without remedy and then the man that holds the
Highest office in the land says officially we are no longer a Christian nation but we are opening our arms
To all beliefs and systems of thought if that had been our history you wouldn’t know the world you and I
Live in first we would never had the blessing that enabled us to bless and build the weaker nations
Up where they could stand and make strides against ignorance and poverty I was at the store an old
Gentlemen was setting on a bench and he was shaking from a terrible ailment why didn’t I rush over and
Discuss Plato’s man cave I know in the right situation it has validity only to a point no I dropped my eyes
As my heart broke because of his situation he is my brother not one of a government but of a human
Fact I care because a real God a deity of love flows through my entire physical and spiritual life I don’t
Analyze create the perfect orderly answer I cry out in my lack of understanding please gentle one go
To him be his unshakable rock steady him on the inside the outside passes away that what our figure
Of this story knows we have such riches not in temporal realms but in those that will never falter they
Will only increase in coming days as glory is revealed my figure in this story shows we are being
Destroyed by forgetting who we are where we came from Abraham Lincoln said if we ever come to ruin
It will come from within I doubt if he ever dreamed it would come from the highest elected officials
Again this is all a bad dream if you make a personal and family altar he never has denied the cry of a
Humble and contrite heart this nation is yours not Washington’s fight for it on your knees or stand with
Tears in your eyes like the French when the devil incarnate ****** Pranced about in Paris tears of regret
Or tears that will usher in triumph

she smells (nameless and shameless)


a concoction of mixed aromas,
a once in a lifetime scent,
impossible to bottle,
impossible to name,
nameless and shameless

morning coffee, last nights vin rosé,
a come-a-little-closer-tasting for the summer solstice,
the stale of the evening meals of grains and kale,
the sour remains of bedroom sweat,
the displeasing scented sight of
sweat soiled clothes carelessly discarded

the first of the season red spot-stained white peonies
fail to mask the bodies aromatic musks,
which are mostly gender identifiable

my sneakers hail mary, her stockings odorize the atmosphere
most unusually, nylon and lycra are strangely familiar,
prior memorized perhaps, from deep within, a ****** hallelujah,
deep amidst where, the ***** linens are shelved and binned,
before they journey to the Egypt Nile of the basement waters

the burnt crumbs of illegal in-bed brioche toast
amazingly invisible on unclean sheets,
state “breakfast in bed, was yummy in the tummy,
but next time use a big dinner plate,
down here, the burnt of the bread and the burnt
of other things (popcorn pieces)
is just a scratchiest fragrance too far,
needing a sheet wiped clean slate

even the colorless and tasteless water
absorb the ionosphere of smells,
because one does usually speak poetically,
one of us makes a (vice) presidential declaration:

she smells, I man-ually stink, each,
each glower shower nower,
open the window to the spring wet grass aroma fresh cut,
to exhume and then send away
this odor now christened,

nameless and shameless


11:47 28/4/19

This wasn't the first time
But it will be the last time
I create an identifiable pain
To numb the persisting wounds,
That I let my hollow stomach
Swallow all of my sorrows,
That I go to bed hungry
Struggle to wake up again,
Just to Pace around my kitchen
Afraid to open the refrigerator,
I promise this is the last time,
It's always the last time,
Please let this be the last time..

I've been reading a lot of nonsense about ****** objectification, like objectification is some kind of moral transgression. It's not, unless you want to indict others and yourself for thought crimes.
The term objectification is unfortunately mistaken as a stand in for ****** exploitation. 
 
 Objectification, for some, makes us feel attractive and desired, that we are beautiful, that we attract love and admiration, that we are recognized for our magnetism by strangers. That's certainly one of the motives for working out, watching the waistline and dressing well. 
For others it is about the understandable resistance of an unwanted approach, gaze, or suggestive body language, and while it may create within us a feeling of resistance, it is inherent in the human drama that has always been a part of us and, of course, these two experiences are not mutually exclusive.
But one thing objectification is not, is ****, manhandling, or ****** exploitation. We are all human beings, irrespective of our gender, ****** preferences or ****** sensibilities, with a commonality of desires for love and passion, and while we need to respect each other, we also don't do ourselves and others any favors by being to distressed or rabid about feeling another's heat for us.
Many of us are a great swooning web that wants to swallow and be swallowed in lust and love in search of a special someone, a kind of pre-objectification, for the purpose of future recognition.
****** OBJECTIFICATION is described as "the act of treating a person solely as an object of ****** desire". Objectification more broadly means treating a person as a commodity or an object, without regard to their personality or dignity:  sometimes referred to as "the zipless ****", a phrase coined by Erica Jong in the book "Fear of Flying". As described by her: -"It is a ****** encounter between strangers that has the swift compression of a dream and is seemingly free of all remorse and guilt. It is absolutely pure, there is no power game and it is free of ulterior motives". It has also been described as the perfect one night stand.
She cumed like a cinematic hissing pillow of flames
 
 The point of confusion is that the concept of objectification is mistaken for exploitation, and while sometimes associated, they are radically distinct from one another. Objectification is a DNA-driven biochemical prime directive to create .
Wetter than an otters pocket
 
****** EXPLOITATION: is a crime, meaning taking ****** advantage of another person without effective consent, and includes, without limitation, causing or attempting to cause the incapacitation of another person in order to gain a ****** advantage over such other person; causing the prostitution, or trafficking of another person; recording, photographing or transmitting identifiable images of private ****** activity or knowingly and intentionally exposing another person to a significant risk of a sexually transmitted infection.
OBJECTIFICATION: 
When we find another attractive, the brain has a tendency to flip out in a kind of eclipse as in a black out, like an electrical short perhaps, causing physical symptoms like heart rate increase, asinine nervous talking, sweaty palms, dry mouth, jumpy stomach, hot flashes, or more broadly speaking in a confused gibberish inspired by a spectacular entrancement of obsessive haywire desire. Objectification is the first door we walk though when we recognize our desire for another.
HYPOTHALMUS: part of the brain plays a masterful role in this, stimulating the production of the *** hormones testosterone and estrogen from the ****** and ovaries While these chemicals are often stereotyped as being "male" and "female," respectively, both play a role in men and women. As it turns out, testosterone increases libido in just about everyone. The effects are less pronounced with estrogen, but some women report being more sexually motivated around the time they ovulate, when estrogen levels are highest, which is why men tend to be more sexually aggressive. Women who are introduced to Testosterone for the purpose of body-building or gender change are often astonished by the huge uptick of libidonous desire.
Eeeeek, I could eat you like cherry pie !!!!!
"According to a team of scientists led by Dr. Helen Fisher at Rutgers, desire is broken down into three categories: lust, attraction, and attachment. Each one of these attributes is characterized by its own set of hormones activated by the brain"
LUST… Is driven primarily by Testosterone and Estrogen
ATTRTACTION… dopamine, norepinephrine, and serotonin motivate attraction
ATTACHMENT… oxytocin and vasopressin mediate attachment.
LOVE…When combined these three take us from us from pure objectification to the wholly trinity of love. ~~~~~
ARE YOU OBJECTIFYING ME
are you objectifying me?
i can bench 300 lbs. ten times
I'm a rich artist with a graduate degree
sun tanned
good teeth
driving a new BMW six series
with a rag top
big keen blue eyes
like a pretty girl
wavy hair
smooth *****
seven inch *****
nice ***
with the tender heart of a poet 
and a square jaw
want to wine and dine you
always smiling
bay *** kisses
silky tee shirts
Hawaiian 
luau vacations
or is it off to my castle 
in the 
Carpathians
impeccable manners
i smell like lavender coconut butter cream
live in a grand house
on 
beach front property
mucho bucks in the bank
nice as spice
you will never have to worry again
are you objectifying me?
GOOD
because I'm objectifying you
and id rather not hear anymore about it
lets not argue with nature
its like a rock falling
arguing with gravity
all the way down.

https://medium.com/@4zebra2u/******-objectification-the-lie-that-keeps-on-lying-fb79223d016f

Oh, Andy-
speak to me in paints:
red, yellow, blue

When I told you I wouldn't be good at this,
an inability to sketch hands that punched at everything leaving me weak.
Keane's sorrow filled eyes upon oil made more sense to me.

I was never angry or mean, just sad and hopeless.
Lichtenstein was more your speed with obscene images of ******* women
and dialogue of broken hearts.

Van Gogh never made sense, but his attention to detail caught my eye.
To not know what goes on in your own head is identifiable so,
my head is art crafted by Picasso.

they hospitalize you once you've lopped your ear off
when giving a part of themselves to a lover.
I'm not cut out for this- the starving artist,
the tragic sketcher,
or the natural- born painter.

I've calloused my hands,
shed tears on pages of sketchbooks
put paint that looks childlike
and nothing worthwhile,
in all the time spent learning,
I've never learned how to be an artist.

I thought it was the mantra to be pained and miserable,
but you accounted for bold choices and vivid primary shades.
I feel betrayed, that my art alone, isn't enough to be good.

They will never frame my name,
or immortalize flaws in which could never be erased.

Like our conversation in my dream:
"I can't be mean." -Me
"Killing yourself isn't much different" -You

So Andy, what is the color I'm feeling? If it isn't blue?

—V.H.

lately //
i’ve been making a noose of my own heartstrings //
but my father is a fisherman who taught me that the best knots don’t slip //
so i carry a bowline in my pocket for security and a tangled mess of forevers on my sleeve.
But I’ve also been tying anchor bends since i realized my grip was not equal to atlas’ shoulders.
And what a cruel paradox that is //
to think that a god can carry the earth beneath our feet but our hands // molded from clay and mud in the same image //could never be enough of a last resort to anchor our hearts in our chests.
so the loophole here,
so to speak,
is the anchor bend knot //
but! //
you know what’s funny about loopholes actually?? // you see, they were made to allow arrows to be shot from an opening // but the structure of that opening prevents counter arrows from being shot back in.
such an invention is why it’s always been nearly impossible to storm a castle’s wall and my, // have many a noble men fallen at the feet of such entrances.
so nowadays, i carry my trusty bowline //alongside the endless loopholes of those old-fashioned anchor bends.
however, I’m sure you know that the bowline is regarded as “the knot of all knots” right? it’s good for tying just about anything without give.
but the first time i ever went sailing // i learned about the round turn and two half hitches. this knot is pretty cool because the more tension you apply to the rope, the tighter the knot will get //
highly reliable for most things.
i guess the irony here is that // i am personally, most identifiable with this knot.
i don’t really ever use it. i am not a sailor or a fishermen. but i do have a really bad tendency of fastening myself to things that have a lot of pull.
the tightening tension of it
is similar to the mythical 13 knots in a hangman’s noose and what an incredibly genius stroke of engineering.
to think that the masterful art of knot-tying comes down to the basic idea that a knot will hold under tension is simply and utterly graceful without fault.
but here’s the thing;
as soon as i learned to tie a knot that won’t slip,
i taught myself the hangman’s knot:
a knot that essentially slips, but still holds merciless tension around its victim.

i’ve been tying nooses with what causes me the most pain.
with what bleeds the most love //
but as the one and only descendant of my father, the great fisher king,
i am starting to learn that if the knot slips,

you cut the line and start again.

We did trespass, deface, vandalize, mace all manner of things, frequently, selflessly
What is noble, the non-aristocratic definition:
"having or showing fine personal qualities
or high moral principles". I saw both in places you'd never suspect,
-Anything abandoned and everything unintended
In faces I came to greatly respect,
-All those friends who moved us towards the transcended
In choices I don't (and cannot) regret.
-In what I consumed and with whom I slept
It amazed me,
-That dusk sky
It stays with me;
-My longing mind
What I witnessed,
-From way up high
What I experienced;
-Life and/or death
I never would have guessed
I could be a part of living like this.
For that I am blessed,
Even if only temporary
it's bliss nonetheless.
-Shivers down the back of my neck
But enough,
What tales have I to tell?
I fear mere words would be woefully inept
at describing how I feel about the times we've kept;
My city and I, and the people we adore.

Drizzle descended on the park's benches
but foul weather couldn't stop
our journey through the intoxicants

The night was cold but she was warm,
Under gushing orange lamplight
we were in each other's arms

All a fraction of a shard of that which occurred
beyond a sonder veil, yet I fear even this
shall remain an unspoken tale.

What truly captured my gaze
were not the drugs I've come to glorify
nor the women that caught my roaming eye,
It was the communality of it all; identifiable to a teenage.
We formed clans, became family; now we Grow Up and Blow Away.
Sometimes I do miss those subtle days.

they're nothing but glorified bus drivers*,  said my father after i told him i wanted to become a pilot.

the opposite of love is not hate, but contempt.

what causes the kodachrome to fade little by little to grey? is it really bred of familiarity. the wear of gradually learning the truth about somebody. the minutiae of the everyday sanding away at the idealised, sculpural dream.

or is it triggered rather by the dull shock of an identifiable disappointment; the inevitable transformation towards sallow disgust justified by the devastation of slap-to-the-face betrayal or loss.

must we fulfill the dream simply to learn that it was only ever empty?

my father, a devoutly unspiritual pragmatist, had nevertheless as a young man fallen in love with the expansive embrace of the blue above. the son, grandson, and great-grandson of farmers, he worked his hands down to shredded red sores to put himself though flying school only to have his application for a commercial licence rejected due to a doctor's confounding eleventh hour diagnosis. colour blindness. an all-or-nothing man, my father never once returned to the enthralling blues, yellows and pinks offered up by the cockpit, and from that point forward became a farmer.

i gave up on the thought of becoming a pilot, and later, (much later), developed a fear of flying.

This great white wolf made for traversing wilderness giving it the most identifiable sound for its
Wild uncompromising soul beautifying the night wind adding an extra chilling effect but giving
Unspeakable comfort too it tells of freedom and possibilities latent in us all but he is reduced to
Confinement in a small enclosure pitifully no larger than a small yard his is a life sentence with
All these noble creatures that is at hand what would be so awful to set him free after five
Years and replace him with a kit a lot of his five years would be in youthful play and when he
Did mature and the wear begins then repeat the action we ourselves have and experience this
Fate we have a great white pure spirit that longs to be masterful but our eyes and the things we
See deface and scar our opportunities that are innumerable but dark bars hold us in pens their
Shadows show on our fleece that is white as snow there is the outward physical blackness but
Of the greatest sadness it burrows into the sacred hidden places of the mind this is a tether
Most cruel but outwardly we convulse with misery but can’t clearly identify why misery and
Sadness hounds us without end we all desire love but we practice selfishness and try by greed
To use others to give us what we think will make us happy what darkness grips us what light
Would be found and we would emerge from deep pits if we understood giving helping others is
Where satisfaction out weighs gold and its benefits are perpetual well being to making the soul
Gleam as white as brightest day and this will not become cankerous and subtly start to shrink
Your heart to bitter ridicule of your own self you can go forth groaning or singing blackness
Befalling you at every turn or your heart will be leaping over fast moving streams that have
Depths of joy they rush over your feet and then swirl upwards from your feet all through your
System until your head is invigorated and swimming bestowing on you pleasure your heart will
Leap like a hart you truly will be the envy and guide to others that you unsuccessfully sought at
Other times in devious ways and you were so misguided you were plagued with a unreachable
Denseness you fight with such fervor but it cost the loss of everything but by simple obedience
And surrender to the much over looked and demeaned golden rule all it asks is love your
Neighbor as yourself what a healthy and wise statement love yourself without restraint now
Just go and double it by giving the same consideration to your fellow man and then vanquish  
The darkest and most powerful restraints by confessing I see deaths grip it has perfected traps
That are mine alone and it is not in our power that we can break free but His power is without
Equal why should I languish in this black dungeon when on white wings as an eagle is my true
Potential I was made to fly in bluest skies and to match the cool moist clouds I was made to
Make a show only to be sky bound not locked in myself and become hidden by my black
Outlook that obscures what love I am capable of

Bonus
Imperfections
The kindest evidence the savior passed was the marks he bestowed in the most gentile articulation in this
His wise choices matched imperfection to our needs. One of the most telling attributes of women can be
Her hands but what if they are slightly marred the grace only flows to a deeper level quickness is
Replaced by deliberate action slower more thoughtful and profound a touch placed with this kind of
Feeling goes to a measure instantly felt it is not just the ordinary but a thing of force that unravels
Trouble mysteriously it finds the hidden knots looses them allows love to flow wide and full. Perhaps a
Man no longer strides with a power that has an assurance maybe he is depended on a stick for support
Where power is diffused it only changes channels it makes the heart stronger the eyes feel it too
Humanity in others is recessed the blunder the self efficiency drains from boisterous streams into calm
Assessment a flow that harnesses possibility not vain bravado that can at times wound those who are
Weaker and that are struggling. If times try men’s souls then imperfection can be a clarion call the
Placement of virtue at the lead where sometimes pride is the driving force this writing came from seeing
A woman walking in a sunny scene and she had a blotchy spot on her arm others could observe this and
Be to one degree or another repulsed but to the man who loves her it is a special calling card it
Touches makes the forces revel in a display that sets her apart from all others an instrument of sound
That separates from the den isolates carries a marker that generates tenderness, esteem, and honor
Thou art the tune and sound of a masterful violin play nothing else in my presence nothing else will do
Your imperfections makes another whole don’t ever fret over your special make up it is the breath and
The visitation of the divine in the human form boldly brushed in the shadow perfected by sun light

I counted the ambulances as they glided swiftly by
screeching painful pitches at the cars who were now anxiously parting the pavement sea for the savior's convience or just because they have people that they love & the possibility of a home hitting tragedy shocks their entire bodies.

I sat all pensive and overwhelmed once I got to number ten, recalling all of the times the bad news was delivered nervously to me by a man in a truck lugging red sirens just like the ones flashing before me. That desperate ring, too identifiable to us all creates an eerie silence like a funeral song. Not because of the way it cuts the airwaves but because of the memories it instantly plays back to us.

We all know why an ambulance comes & none of us want to be the one curled up in bed a week from today, crying at the light as it pours through the shutters, sick from a void that aches with every move.

Everyone is reaching for their cellphone.
"Please I need to hear your voice. Tell me
you're okay" & then you see the panicked
lady in the lane beside you who
was directed to voicemail.
I'm so sorry

Knees scraped along bark as the lion tree
****** me into its embrace.
My mother hated that I climbed trees.
My mother hated that I climbed trees
with the neighborhood boys.

The sun stirred in the sky,
clouds melted apart,
and there was fishing
there was biking
there was climbing—and lots of it
there was fighting
and, of course, too much pretending.

The sun followed me,
spinning in time,
hands covering its marked face.
Puberty came
and with it my curls—my genetically re-enforced femininity.
Goodbye, hats!
Hello, headbands.

No longer looking but looked at,
baptized in my own hormones,
I stand on the roots of the trees
that no longer **** me in.

The song says your evil like the dark coral reef look to the sea what tomes flow through its
Being the waves are a testament against the atheist claim I can’t see God His word says he has
Made the sand a band that the sea cannot pass you see it right when it is said these proud
Waves all that lies behind them mystery power a true if small encounter with eternity so vast
And unknown truly like the darkness of the human heart the waves desire all land to be a part
Of its greater self unseen must be the reason for such derived pleasure the struggle the failure
The demoralization of the waves as they cross the sand it drains all power and life from them
They only retreat to try again she to stands darkly in the shadows how through time she has
Discomfited so many they knew the feeling of being out of their depth she looks on they feel
Her strong forceful gaze it beckons with identifiable it is calling to your own emotional
Grounding that is similar it goes where light is missing it finds the dark reserves of cautious talk
Occurs plaintive moral diffuse in character readily adaptable to dark and sinister morays
Nothing is as it seems the allure of elusive dreams held such truth and insight only to take flight
With the awaking light possessions assured moments before all but loss now darkness of
Greater depths found under night trees with dense shadows it’s like you’re a windblown sea
Man who has lost your bearings when all was lost there in perfection the light house pierces
Your darkness you’re still lost but hope’s flame has been trimmed desire rises unquenchable
Steady it goes life’s experiences kick in an unerring compass immediate you focus on so varied
And plentiful scenes from your life from the mundane to the sublime you’re vigorous
Entanglements from gentle crackly fire to moments of intense lighting strikes of inspiration
Never are you truly alone how disheartening to this dark witch of night that springs these
Odious traps that speaks so directly of her nature net that flows
Out quietly the dearest hours cool that holds the sweetest flowers in a limbo preventing natural
Death then with her breath of **** frost you succumb to the awaiting bliss you tarried to long
At the window that had her framed not knowing it was and held those unspoken words and
Actions that are taboo a word of caution to anyone who follows the call that induces deadly
Actions that for you are deadly watch and listen and don’t throw caution to the wind when your
Soul shouts retreat to safety when you encounter the midnight stranger

Septuagint prince scribing on scrivello detail
Emerges from the frogmarch grave of revenants sheepish about ghoulish masquerade
The tribes whittle puckered shibboleths and charismatic vengeance evades
The henpeck of roosters harmonizing sand into grassy knolls of carapace cathedral light
Walks beyond the whimsical despair the conniving conservatories of manufactured fright
Spurned by smokestack confusion above a plastered reconnaissance of abundant life flocking between small awakenings curtailed by fulgurant swelters of blistering white
The spectral dance assumes primordial shades to dampen the windowed elegance of betrayal complicit in the haze
Mojo’s rise and fall with moonshot decades flashing intimacy lived twice barking like a squelched gyrovague relishing the kantikoys of burlesque night
And yet among the bemused stars unbuttoned by the prolixity of the Russia ruse the smear indelible flaunts with decadence in the pleonasm of sluggish articles of flight
How long must the messianic age shelter the nebbich halls of crambazzled piety in science to an upbringing of oligochrome
How many dastardly wernaggles of the rusticated elitism flomp with desultory banquets reminiscent of boiling Rome
Incinerated in an ageless day revived only after a historic lapse of barbarity in the ferule exacted such immeasurable despair
That the prejudice of pride is forever shelved as redundant because the filigrees of geometry only permit curvature in flatness
Convex movements captured in still-framed pillories refract nothing but Blazing Saddles of a caricature full-bloom sun
Yet we marvel at storybook ghosts and the isangelous carapace of marauding instincts forever brave and encaged
Erratic by delivery but sciamachy knows no identifiable age
Scrawny fossarians dig entrenched charnels voraginous with skeletons of brackish regelation enthused by immemorial decay
Must we abridge a hearty ocean in a month’s sublime regaled design of trespasses of unsung heyday spaying its weakest defrocked knight
Armed to the Teeth we seek the terminus of apocalyptic capsules destined for gluttons braving annihilation in the vacuum of orbital planes plain only to the ken of the keenest sight
No we make no petitions in prayer for this Soft Parade of vigor verging on flair
We ransack littoral virtues in nexility bronzed with Stayin’ Alive shoes in remission of staircase blight
Beamish in beatitudes of milquetoast pregnancies of salted Matzah brimming in the yeasts of cesspool emergent from scarecrow metaphors flagrant hauteur gliding on air
Witness the spearhead of revolution in the metagnomy of oracular aubades to future brimstone caverns
Lurking like counterstrokes in revision blackguarded by the feisty prowl of outpaced labtebricole whipsaws of timber readied into foisted brown-brick comestion of elegant emerald errors
Dancing with galactic improvidence concealed by the rigor of lurched liars enthroned with prerogatives of stain-glass adumbration
We parcel up parsecs because clairvoyance among titans is a swank in need of 20/08 visions spectral in the clouds of all prominent registries of memory
Lost to faint delicacies of swift serpents outlasting gnats in the tabernacles of ribald ecbolic promontories on the verge of futile tomorrow pastimes spinsters flummox with slimmerback rigmarole flanged by whinks and escorted by the maskirovka of positive bears in absolute value alone
Yet Enola Gay found its destruction profitable to hominist lore enough to attenuate its evaporation of suffrage in the glint of pervasive remedies to stranded gore
Embanked on the sidelines of conquistador flaunts that a Titanic missive of classy regard found the damsel at the steerage slipping on zalkengur irony the anticlimax of lore
Traipsing fellowship of many a ring is a phony artifice for an ostentation that bellows so loudly when isolated perjury must not whimper but sing
The loudest plaudits afforded to a parallax incumbent white horse in the shadow of Dark Horse occultism a barbed flying wing of the West becoming the king of behest
Scurrilous are many jeers because their similes are baseline just as much as the storged conglomerate behind ensnared rapture looming with less ecstasy and blunt fear remains the kilmarge of simple foresight wrinkled behind the sum of many tears
We await our Creator’s Throne insuperable even with the blandishment of piecemeal craters that are superlative bolides of the weirdest attenuated into the spectrum of eldritch weird
Yet the riches of hobohemia found in “invisible lockets” worn by the travesty of jerseys measuring up to Roadhouse beer
The cartels of citadel cascades built on mountebank fortunes reaped from venal psephology collectively embody the unconscious gamut of javelin cloaks of sardonic sneer
Threnodies written long ago in the Hidden Tracks of sophistry welcome the intermissions of antiquity abridging the donnybrooks of charlatans bossed around by facetious gibes of manicured belletrist humid enough that evaporation itself of rarefied tabacosis has few if any peers
Yet the peerless sketch thrombosis in the oxygeusia of deceptive schadenfreude only to topple jengadangles that glabrous gravity muscles to barely if it all steer
In a vacant reality eager for surrealist bounty the sidereal question of moribund placards supplanted by vibrant living semaphores fixates upon figments of acatalepsy rather than ruddy enumerations of partition despite beloved chalky rudiments filibustering with courtesy rather than jeer
Amicable are ravenous betrayals for chieftains cloffined by warm sapwood integral to equated tantamount mountains festooning firmaments in quaffed delights rigid and keen
The most welcomed blasphemy fragrant with jejune originality celluloid enamors splenetic with sprees of perishable profanity lurking ever more obscene
Regaled in the modest jostle is the forsifamiliation of heterodyne dins of honest applause from the blackguarded periphery among which there are no visible beacons no visible stars
Scarred by diacope enumerated in prescient revelry the trollops of tune and attunement magnetize a riveting weld of seamless geometry that is permeable to ineffable lychgates both porous with prowess and ajar against a golfer’s remediable par
Wizened ghosts flirt with tucked bushes in the forlorn deserts jolted by oasis and flagrant with confection torn asunder by wide-eyed gallantry skipping stones on ataraxia from a distraught afar
That lake of goldmines is scattershot with limey limelight squandered on profligate wrikponds of propinquity but not prolixity in scores and bounties of exoticism in glaikery’s fugitive charm
In proximity there is usucaption but the usufruct of sustainable obelisks to liberty must have the forbearance to bear many witnessed eyes to the Right to Bear Arms
Skirmishes of benighted fracking obsolescence ragged with vitriol and poison-ivy nostalgia flaunt the bromides of algedonic flash over consequences that many disregard
Spiraling with vertiginous pain the scowl of obligation is both seamstress of emblazoned effronteries and the proper reflection of seasoned but not seasonable garb
This barbed quandary riddled with rapacious tendency mixed with myopic bonhomie devours a rickety cacophony of diminutive scopes of ******’s glare to prove each atomic indivisible atrocity a carbonated fulmination heavily barbed
This is all why the killjoys monopolize their gangster vices behind tinted windows and chockablock morality are uxorious bridewells for the bridgewater of garbology sketched by vanity in the outrecuidance of gallionic chasms of an absolute value of firebrand regard
No difference does it make if the recoil is whimpered by hordes of sheep in pretenses of authenticity or whether decapitated delopes emerge from visagist dacoitage snuffed like flavors orbiting self-injury by clockwork towers apace to outlast tertiary bribes for secondary bards
The atocia of freckles in recognition of frail pinnacles summited by daily alpine dilettantist dualisms of polarity are a gullywasher to cleanse and launder indelible regrets carved by aboriginal pottery to memorialize primordial penury
As the slick oleaginous tilts of wicked smart Northeasters swarm the hindsight of Southern Weather afflicted by tempests beleaguered first on recapitulations of Calvary and then deposited evidence upon bourgeoisie
Fumes of the modest flambeaus torching sunken apostasies of hungry spasms of the wind meeting the brusque celerity of the ribald waves rarely etch sublime hint in etch-a-sketch lapses of untimely mobility
Instead that perspicacity of conservatory silence bludgeons Lisbon in the fright before the fall of so many a Phoenix in a foreign land can bear the assaults of the heaved seas
Lambent upon a craggy regularity extinguished by sentinels of the tattered womb for a grimace of prestige by primipara seduction we find no justice of known and knowable terminal disease
Figurative in spoken wisps that predate evaporated concepts of precipitous time the triumph of exalted adoration belongs to hubris but vacant of the prideful decline of crime
To each outspoken verve witnessed on sublunary turf the absolution is nearer to fertility than the craggy soil is to dirt as blemished prowess is a furlough to the sensitive pink tucked manifold beneath each authentic skirt
Liberated by ophelimity but flexed by vicarious pomp in serenade only of hauteur for the hottest we slice and dice a cavern of temptations regardless of enumerated patterns of clearly lopsided dice
We think we live and die but You Only Live Twice in ******* to the oriental bolides of meteoric meteorology preeminent in governing plantations of rice
In jubilant proclamation, I graft from venereal skin a renewed girth of purpose that all enchanted fantasia is a birthright of pleasure more than a vapid drawl of purpose
Glitter bores the scintillation of a denuded naked glory of gore because intimacy is antecedent and consequent to immovable revolutionary procreation of service
To conclude this homily the apothecary in persiflage renounces the role of kilns in both poverty and pottery because his shaken dreams are yelps of a disgusted ornery camaraderie
Listless by oracular dreams of titanic parvenus immune to the sway of tentative croons of Suburban Muse because the grisly subversion of vetust honor that honors not verdict but version of ghastly spools of flimsy epitaphs and not the paragon surgeon is the downfall of a diatribe of petty men
Littering their taradiddles on owleries in overclocked jaundice drowning for purpose among hatcheries of the privvy roosters that own the consequence of audacious pens
Dodgy in interrogation, flummoxed with deracination, isolated by time for time’s recapitulation of surrender in katzenjammer vibes it is time for gossamer servant surfers to borrow nine and hang ten
But the noose of the wednongue nun specializes in puritanical Model Ts for DeLoreans trendsetting years ago because listless lethargy benights the glory that cineastes already won
Teeming on the brink of tomorrow is the progeny of hopeless yesteryear engraved on the iconoclasm of the weak after the next debacle because the Earth after Christ has already borne a Ton
Liturgies revised to reflect corsair trigonometry aimed forever at zephyrs of plight bathe in July 3rd infamy doctored by Generators and Generations before and beyond Walter White menacing the saber with imperious might
Flowered in the nuisance of death is the womb of the arena participant to infinite relapses of contention gladiatorial only when the shunamitism of shanachies sheds serpentine grit for the blench of ligonies of redoubled sight
Towering from the knave inferno of a tramontane elusive cordial imitation of captive citizens of attentive sites the illusion is the vanguard of centuries guarded gingerly by Canada Dry sprites
Rollicking in vehement magpiety attuned to machismo if marginally the sultry philander of naked ruse medicates the charmed Apache Indian on his brief encounters with limousine cruise
Stark in sunken destination glimpsing coal-fire recursive ironies the cloned subversion is a golden calf so effete because it never moos about instinctual muse relegated by twin terrors riddled with sparkplug truce
Limited by scopes enlarged by scales mired in funereal pyres to rigmarole sensationalism worthy of nativist coercion and pivoted lyres the riddle of terminus remains an acquiescent scoff, cough and quaff that never expires
It reaches planetary dread of vast distances regaled against gambits of the spread so the richest sourdough appeases the riper vipers of the nested bed
Recalcitrant with frugal uxorious creed the leader of esquivalience is the headless horseman of innumerable tractions but no mouth to feed
He digests the gallop of the gallant interregnum specious in caitiff ploys and the recessive allele of commiserations against the piety of apolaustic joy because rambunctious speed always attracts a resignation professed from the tailspin of a crass voyage of ludic greed
Tricksters boast of passionate lubrications of finessed bread recocted from useless toasts glowering with insipid pallor as heat and humidity reckon billows of hype congregated more in cisterns of apostasy for remark than a marksman headshot of a Head Hunter wed tightly to a pregnable visions of proactive Ghost
Recidivism and time have a vendetta against verdant drolleries coated by waxen plenilune accordions rampant with polyacoustic rhymes
The tridents of mercurial weather bent on the ineffable vacillations of whether are the brazen opponent of Sterling fatherhood of life’s only father the clockwork animation of a living patronage of eternal existence cobbled from immutable time
To the glory of the Father the sun shades its whimpers and the moon alights as the frontispiece of nocturnal revisions to the New York Times but the hues of rocketed ingenuity coax the ingratiated few to the laureates of genius reckoned with both designation and superlative artifacts of pristine design
Haunted by Green-Light Politics for Greener-Eyed Ladies masquerading in star-crossed tomes of existential dread of lollygagged playful mischief tucked in the coach as he leads his team with sophrosyne feel-good invictive treacle we witness the fumiducts of fortune blitzing Hail Mary contrition with earnest specialty in defense of offensive precision
Games won by the squirrel are outnumbered by the stars in the heavens flagrantly devoid of specialized electricity enough to encapsulate the ommateum of collectivized insights found only in the most evolved sequence of cell division
Incarcerated by the scrappy schlep of bad beats and bronzed chariots roiled by the momentum of angular spears we seek oracular transcendence that cements decades into the span of days that portend the deliverance of future years from past and present fears
Presiding as proctor in the redacted exoneration of crash-course pilots glowering with the effluvium of recensed perdition the heyday of one becomes the mayday of anarchy tested only by the alacrity of the summation of its beloved yet maligned cheers
Against a prosperity hard-won by earnest husbandry commandeered by gammerstang notoriety spawning the recrimination of star power into centupled peers negligent of zero-sum opinionation wagered by Country Club fraternities embedded in the taxonomy of wilted hackumber for hegiras minimized by outcry but cemented by Dear Johns’ twinged with sultry pleonexia in taxed tears
So with the whipsaw of the individual between the collective funnel and the idiosyncratic insubordination that amplifies outcry galvanized throes of insemination built on cross-pollination is melliferous to a pretense of alchemy outstretched to sidereal wonder
Hardest to guess is intimacy clothed in Platonic virtues crumbling because puritanical pilgrimage is appraised as a joyous thunder for a abnegation from all potential blunders
To wager such a life is a depredation of the abundance that John breathes as a ceremonial birthright cast aside by latent regrets stampeding the realm of nosocomial reflections of the pallor of a lurid squander
So we are left to bemuse the decrepit bodewash of realism taken to such a virulent extreme it leaves few artifacts of nostalgia to croon about and ponder and fewer abstractions to yield to manicures of elegant troponder
Diminutive sinews in the intertesselations of heft profess a fidelity of notoriety carving life before and after death
Unsung by the beadledom of the usucaption of exotic tailored musician brutes upon my landlocked assault of chryselephantine usufruct I lampoon nescience as it lurks in murky graveyards of anoegenetic zombies covered in thick pigments of piggish soot
Yet this fuliginous bronteum of warped clarity transfixed by the ulterior wednongues of atrocious spans of provenance jilting providence makes betting interests of rivalry outcomes harder to win earnest roots
The trees of the gamboled skittish resignation of checkered blinks obscuring the curtailed discernment of bedizened slogans of future campaigns yet distasteful in ornery churning the bootstrapped tie their tethered laces to their acquired boots
Barnstorming through afflicted spandrels of abeyance shepherded by notions of public dereliction by imperium of centrobaric centripetal philters of concubine rhymes I surge beneath cordial flonky redhibition because of redshorts in estimable traction cemented by supernal design
Weak in luster my potent pollination for synergistic aplomb evades the fringe of corrugated affections mounted upon quixotic escapades of jockeyed statistics flourishing by reticence rather than frazzling the prolix emulation filibustering the mundane ignorance but garnering the harvest of the plevisable sequence from prime to prime indivisible by liberty alone or complicit with cadence sublime
Finishing the sermons of modern apostasy to a gallant cause my laments outnumber the muzzles belonging to the quorum of begrudged applause in the rawest spectacle of unheralded genius clawing insistently at the heart of electric gravity
The nuances of plausible nuisance bicker in emerald harlots of the tantamount nature of derelict frikmag to calculated prosodemic solidarity around insanity because the vein of the golden ore should see ivoride as nullification and inanity
We all stoop on counterfeit stencils of pretense hearkening a clairvoyant sun to droop for closer inspection but detective remonstrance is outmoded by dreary witless defections
Thus the drawl scrawled by the genius flonky in gadzookerie but gilded in rhapsodies of ineffable cadence fighting orthodoxy to a relegated draw sketches the outline of the special talents of lying claws
Because stipulated in the vast oversight that predicates reprisals of retches glazing in obtuse effronteries with eccedentesiast odontoloxia we witness the corrosion of race and gender into pontificating audits of nomadic treason in a fortress militarized by niche applause
Trickling from repcrevel faucets implicit degradation is a casual casualty of an abbreviated motive gestured in ponderous stupidity to distract abiding legislation into the giggled gaggle of tinsellated glitter
Fatuous by vacuums of gaudy prizes worthy only of token motions rather than locomotive strains of virulent and compassionate respect lapsed on vigors of vehement regret is a sing-song ridicule of a still-framed pillory erected as the obstacle that gouges the riddles of impediment and deprives the luxury of preferential emolument siphoned off to lurid jeers of mockery propaganda sizzling in the cauldrons of tilted marginalization
So we witness the faded declension of the hubris of fair-weather camaraderie as a flux dispersal of invidious buoyant bloviated streaks of temporal grit into inverted revelry never shared by the proper ubiquity of streams of personal recompense for plodding fragments of invasion
If I veer away from bickering cackles of denounced preeminence swiveled to face the shadows upon the great cavern of insuperable bounds of fickle human ignorance I deplore the vaunted toadies that shrink my shadow and diminish my viable conceptual and vibrant footprints
Few extinct creatures know the annihilation of petty fame quaffed on Whiskey Bars I never met because the insipid banal pleonasms of restructured irony grimace at my complexion as the scent of the game alerts the foibles of a champion begotten once before as a shark-tank prince
Livid is my grief in the aborning moral quandary of sunken priority overlapping with piebald skeumorphs of retches of blinkered allegiance faltering prior to the primary day of my true awakening because the completion of nesiote subterfuge  rusts on creaky hinges of noncommittal regressions of pointed but pointless deluge
I spar with the augury of irrelevance with a five-pointed star bequeathing rigid but plentiful provision to assist with more than a petty dime of tithe to a 20/20 flash of perfect prescience and hallowed vision
The eve of all destruction is the lollygag of subordinate squawks redacting convenient priorities on the slowpoke walks through teenage immaturity found in the infamous “talk” that the world is governed by evasion in supremacy rather than by the bywords of the perennial stocks in sublime stalks
This nation perishes with my visionary clarity because the bifocal constraints of delimited defenestration remands my custody beneath ****** upheaval documented by useless historians of deliberation in gaffe and ammunition for agitprop flickering away the aubades of praise for the stilted pretense of sclerotic values inflexible to authorship thus scuttled by crowdsourced dictatorship
How sad a spate that the welters of sciamachy hide behind the glaring shadow of immeasurable genius for an unwarranted earwig to steal the echoes of my thunder and poison the servitude of the minions to companionship to highlight aggrieved infamy over walloping feats of refrain found in an isolated rather than protracted celebrity
The guilt of the reproachable beams through the frikmag of tyrannical bouts of circular wernaggle as I carve spherical reckoning that outstretches in all viable directions so that “The Mailman” and the Male Man both succeed in historic insurrection
Flashy benumbed brutish ferules of ferocious dainty dances with an arbitrary cage highlighted among a voiceless heyday for an auditorium which perceives insanity more dangerous than inanity is a profane stipulation by wrinkled mediagenic hubris which scours planetary limitations for excuse to recourse and recourse to excuse
We find marvels in subtlety finicky on the apothegms of heterochrony divergent even further from syndication as the regimented nuances of abuse become plucky daredevils that cozen robust vital sapwood from anglers seizing by seizure the roundabout logic of the innumerable minority characterized forever obtuse
I writhe in delicate contortions of flexed directional bypass surmounting orthodromic velocities capering with the anenometers that spar against spangled enthusiasm only to become an anointed slave of the flagging moral resolve fulminating a huffed crusade with silentiums of false asylum for true achievement brusque against any resourceful tempest scurrying the hidebound illusion of pandemonium for scrappy shenanigans of vergers and emptied pews griping with the dearth of the day-to-day despite the known tomorrow
We cannot affix primary focus upon constellated wasms of puckered abstention borrowed from a maskirovka of secret hedonism wed to many vices among wives but deprived of sacrosanct remuneration for abiding expenses yet an atoll upon a continent decisive in its aborning revolution
Ribald wiseacres of a jovial dismay flanged on rectiserial exaggerations of sebastomania is a stranded frigate of a fugitive escapism wandering with nomadic insistence against cosseted blackguard of assertion without plenipotentiary verdicts against the suborned crater of overstated flimsy truculence in sardonic dissolution
In trespass of a reservation of recoiled tender of tutelage proctoring unseemly haggardly refuse to creak into noisome and noisy cacophony armed by centurions of merciless scorn that lackadaisical winter belies the meteoric riches of autumn mainour fungible with the retches of remorseful decay dangling retreat above entreaty for exasperated wednongues lacking curiosity or the backbite of counterfeit engastrimyths seeding an unknowing complicity to fallacy forked over by chiefs and chefs to an amounted dubiety reserves the armaments of glib sedition for inopportune blacklists by a whitewashed Listerine amenable to launder travestime into oversight rather than belabor banal graft upon the agelasts of a toilsome operose labor to trivialize Herculean monuments to creativity as backwater residence of restive plucky percurrent revivals of infamy as a primary thorn rather than a secondary abreaction
Sentinels swift to the expedited squalor intrepid in sclerotic simpers of renowned defalcation bludgeoned by the tridents of harmonized trauma healing the brayed complaint while regaining the quixotic statute of plevisable mobility belongs to the froward counterpunch to the flippant underminnow of savagery yet among noble personage a blip on furloughs rather than a singed diacope perishing in Wasting Light for denuded darkness to supplant the vacated stage of ironic upbringing bartered from a treasury of obsolete wasms of trivial shadows in the amounted lineage of time.
Elected by the purblind fudged cadge of intransigent solidarity behind unhinged proclamations of lewd lunacy the reset of wibble-wabble and conflagrations of trenchant visibility will cloud the cloudiest tempest with hurricane-force devastation by the healing stripes of the piebald idiosyncrasy of gerrymandered defamation failing where insular regeneration outlasts hamartia and blinkered foibles of girouettism to pillory the excess but not transmogrify the whittled progress of seminal generativity unbounded by harped lyres of discord for secret concords of select femicide
With outstretched hands I point to the tapestry of the Heavens as eternal folksy witness that to endear the temperance of time bullishly roaring on the laureates of prolific servitude to the malleable substance of capered argument the enigmatic punctuation outweighs the baragnosis of miscreant opportune glares at personal prospect for aggrieved sockdolagers of redstrall over the filigrees of innate geometry to cackle above the shouted gnash and the dissoluble squirms of blackened cremation of living memories into insipid fracking of sapwood caitiffs flowing on the motion of discredit rather than honor in valuable endeavor for future genuflection
Totems value me as much as they stalk grazed hinderbaggle of cosmetic devolution of ragged popcorn theatrics in the desuetude of normative ethics beneath the carcass of rotten dastardly cowardice brandishing an ulterior discretion beneath the level of the lowest stoop of any breed founded on loyalty verging into flagrant snipers of integrity for the integral unshakable paragon of broad illumination the guidepost for many spectral truths overshadowed by one miserly fool flummoxing with albatross without the overhang  of pluvious integrity shepherding his hauteur in zig-zagged wallops rather than buoyant serenades
Thus entrenched in juicy poignant barricades against virulent spawn of the katzenjammers of squawking femicide I spout the blossom, bequeath the gift, renounce the delusion and form a formidable bastion against depredated valleys blemished from sight by intolerable patches of darkened verdure hiding from commonwealth perception the pearl of ecumenical salvation swimming in the naked tongues of honest profession dancing with conventional demarcated demerits of Rimbaud ramshackle deracination as a humdrum belittled squander of a prop of craven filibuster rather than beavers outsmarting the delignated destruction of habitat because of outright distaste for plucky individuation above the squalor of relativism in minor octaves of gnashed betrayal rigged by hamsters rather than owned by the men trigger-happy with rat race motivation only to the servitude of degrees rather than plausible recovery embedded into the fabric of fickle society
Hidebound tomes fishing for destruction but grappling with the enormity of the plagued pitfall of ceramic skirmish with brittle conscience emerge with epincion rather than sulk in brooded hyperbole of convenient drapes of flocks postulating irrelevance clearly in the light of the truest day frolicking with gigantic swaddles of curated support etching masterpieces of traipse into the frescades of future calenture beyond the petty misestimation of hemitery politics
Thus the weapon serves two masters of row rather than regatta and the besieged rankles the testy predicament to a teased poetry riveted by years of rhapsody rather than moments of tomfoolery emergent victorious rather than dilapidated by what-could-have-been chary brinkmanship on the precipice of modern sacrilege
To instruct the herds of men to hoard and the wisdom of the wise to circulate that apothegm of reclamation owns superlative traction fundamental to whimsical festivity even forsaken on a churlish masquerade outmantled by frenetic activity famigerated by the true Richter Scale of public fanfaronade because justice is truth and only in germane truth beyond germ scares will decrepit scarecrows demolish their Fear Factor even when the gullible squirm for nexility on bounded continents rather than novantique frontiers
Conscription demarches for assembly beyond relegation and celebrity above frays of discordant rumination feasting advenient rather than cherishing internal and integral the virtuoso wrabble of residue generations churning wheels of acceleration rather than quibbling extinguished vitality as principal complaint exercised in negligent abodes of facetious barnacles to outlandish freckles in the majestic pulchritude of a Titanic salvation beyond and considering the curglaff of sunken resources pitted to my registry by slot-machine audiences incognizant of brittle whittled henpecks of adoring truth and perdurable verve
We sink and die by destructive tongues but abide and live by righteous exemplary prowess capable of scraping the towering canvass of the firmament and the retches of the deepest sea inhabited by any curiosity worthy of emolument
So in token liturgy I decry sidelong cursory squandered affronts that drive the Jehus madcap with fractious celerities of formal destitution rampant on flonky menace rather than modern hypertrophy
In The End, we see triumph in every nuance and bristling concord with every perspiration of ennobled effort truckling into serrated selachostomous and fractious bromides of wrecking-ball fashionistas fumigating cultural pederasty with subtle bailiwick but ragged travesties of taxidermy celluloid
Marvel in-between the serenade and grandstand and cull the turnverein of triumph from banished evasive rundles of the outlasted calculus to neuter the estranged and to estrange the atocia of vibrant surreal vibes no stranger to an alien hand in a desolate world.