Submit your work, meet writers and drop the ads. Become a member
Jul 2016
long before the Greeks started applying diacritical stresses to their letters, the English should have applied them, following their European counterparts in the use of the Latin α-β sabbatical - but of course, they wouldn't, the English poker hand had a royal flush compared with the Greek pair of tens - the reigning delusion given the British Empire? we are the Romans reincarnate - sure, it worked to produce us the Canadian, the American and the Australian accents - but they really, really have to dress-up for the occasion - it just won't do leaving the alphabet naked without stresses that invoke a spirit of universal pronunciations, leaving it a mongolian steppe instead, a wild-west you might add, adding to the social hierarchies established when the hierarchy rests with someone seeing the invisible standards of elocution in that numerous number of examples ready on hand... this is a second English Revision, the first one was economic with Marx... this is another altogether different revision... to appropriate English into what other European nations have done prior... of course, not appropriating the stresses to the fall of the Roman Empire gave them the delusion as successors of the power established - but only for so long... they're not looking over at America with admiration anymore... they're wondering: what the hell is going on?! but i deem this project a half-failure in waiting - given that establishing a universal pronunciation system will not work miracles - Silesian Polish is one example in the making, but if you at least add necessary invocations to stress certain letters, you wouldn't write poetry using the word blah from time to time - it's still bewildering in the Copernican sense that English, out of all the European languages hasn't bothered to wear a cravat of acute vowel or a belt's worth of umlaut - straight out of Eden these people are, stark naked in the moonlight - obviously because of this lack of addition the power balance rests with them, but the English know that they were once occupied by Romans, the Americans can have the naked Latin... the English aren't so sure as to why not join the exercise of additional-revision... the polygamy of accents wouldn't disappear - but the orthographic revisions would aid the less concerned with saying certain words right... but then again, it might be too late, given that because no diacritics were ever ascribed to how the English encoded sounds leveraging toward a poly-phonetic-diversity on these isles alone (let alone North America and Australia) - adding stresses to these 26 popes will have no effect at all... but still! why did the Greeks decide to add stress and eloquence and the reincarnate delusional Romans didn't follow Greek suite?! one thing is for sure... start adding them... and acronym English / ugly English will disappear - people simply need quickly-identifiable stresses, they want linguistic calculus, to ably differentiate and integrate.

after your required reading - *what did i miss?!

with the classics - you look at your contemporaries
and become slightly peeved off -
what ontology can't explain is the instinct
criticising the coal-miners of words -
you rarely see awe when the obscure nugget
of some precious metal is chiselled out -
like the αρκενστoνε - but tmesis will not be
akin to a precious stone (tmēsis - why did the Greeks
insert necessary diacritics and the Anglophiles
were so lazy reducing Aphrodite to Prostodite?
it means e.g. ex-*******-aggeration of something) -
with such a paradise some of us become
coal-miners of words, precious vocalisations -
20 carat with that ontology of yours;
poetry ought to make philosophers like heroes
of Homer's day - give the battlefields shifted to
libraries rather than pecking menus of crows
in muddy Ypres - after reading the book reviews
comparing Saturday reviews with Sunday reviews
i get the picture - it's not a beauty, it's just there -
money is not the dirt people speak of hoping for
a win on the lottery and an escape -
money invoked a necessary loss of tribalism -
of excess labour when no labour in what area was
prescribed earning was necessary -
offices hoovered like hospitals, but then hospitals
incubating super-bugs, resistant to antibiotics ***** -
a baby held captive in a cupboard -
since Hippocrates' times sadism crept in -
people are so sane they perform it automatically without
knowing - until their time comes;
every time i read Bukowski i feel i'm at home,
the latter Bukowski, the posthumous writings -
i too wish i wrote with the sensibility of philosophers,
limited vocabulary, the so called systematic approach -
they simply said: 100 words, written to the volume of
1000 pages - systematisation in philosophy involves
a limitation on vocabulary - they want to see how
far their stressed limit of vocabulary eats away at
the potential sigma of potential - poets on the other hand
rarely systematise - they'd rather jump in with
as many words as possible, and leave anyone reading
their word bewildered, because their vocabulary is
not drilled in, it's not perfected, it almost looks like
a prosthetic limb - the moment when you see a dictionary
in action, the odd word from them all, breaking
the fluidity of a poem that could have been a waterfall -
there are plenty of dictionary moments in almost all
poetry - there's no ticking clock event in them, there's
pause, reflection, revision.
for me this poem started in thinking how ridiculous
using certain words can be - Roman Empire, pseudo-Christ -
i mean, in poetry at least, such words and compounds
look ridiculous in poetry, there's no dogmatism in poetry
to allow such words a serious use - esp. when
compared with what philosophy practices -
a systematisation / containment of a particular vocabulary,
stretched to its limit, dismissive of synonyms of words -
(variations of particulars), i.e. the founding principle
of establishing universal meanings to words:
on that rainbow canvas: red is red, blue is blue,
green is green... all together they're white / mirage of paper
and sclera - the so called invisible -
systematisation in philosophy is a rejection of multiple
meanings of words (deviating 2nd through to 6th meanings
for lying / ambiguity) - and limitation of what can be expressed
with a border on tongue - after all borders exist in
landmasses and in seas -
yet i still don't think poetry is all about music -
those days are long gone - poetry started nibbling at
philosophy - they are heroes to me, i mean, Francis Bacon
died after trying to invent a refrigerator (hypothermia -
hyper-thermal? perhaps a variant of hippo or the trait
of the lizard - the lizard disease - below thermal acceptability
for mammal, true indeed) -
yet after reading the crunch (2), mahler, sometimes even
putting a nickel into a parking meter feels good-,
and esp. am i the only one who suffers thus?
i just
think of C. G. Jung - i don't know why - that little
book of his i have: the undiscovered self -
i really don't know what there is to discover -
when you start writing you never actually think from
the beginning that you have it in you -
you never do! it's a lazy beast, writing is -
even a poem a day can be a welcome presence -
for me it was never something undiscovered,
discovering that i started to smoke cigarettes aged
21 after being so anti-cigarettes coming from clubbing
stinking of tobacco - the self i discovered was a bit like
a portrait of Dorian Grey (great book by the way,
better than an adaptation on screen) - that self i didn't
expect - although less ****** and definitely less
fetish spandex clubs - i don't know why i'd mingle
the abstract simplicity opening doors and corridors
to walk on that poetry is (however mutilated due to
a lack of respectable technique like some English teacher
telling you to coordinate yourself with metaphor, pun
or imagery vectors - modern painters can paint
******* and their expression is still art, but when it
comes to poetry... everyone suddenly needs old
Chaucer dungeons or Shakespeare with whip to tell
you it's poetry - a ******* black square on canvas isn't
Raphael!) - i just realised that it's not about discovery -
this is going to sound ridiculous, but it's how it goes,
i don't attack too much significance in examples as these,
i know the meaning of such example, but the meaning
is shallow due to the peddle-stool that C. G. Jung
ascribed the compound: the undiscovered self -
with poetry it's always the inner self that introverts
and shuts up when the world never bothers -
the crucial moment comes when that basic unit of life
(of course, vary it with existence or reality and the matrix,
whatever) reacts to a world it can no longer understand -
poetry then enters the realm of the individual,
the undiscovered self is found, once a healthy individual
weighing 75kg, now a drunkard at 115kg and somehow
still content (the invisibility shroud from back in school,
as with Plato: 18 through to 21 - beauty is a short-lived
tyranny
- and 3 years is enough) - and the self begins
digging, and digging and digging (yes, i know, it's
how pronouns interact with each other, the ~self is never
self said - old Germanic - the telegram technique -
self said that self would - funny how all psychiatric theory
or psychology is so ****** obsessed with pronouns and
no other category of words - that's where the sharks swim
sniffing out a drop of blood from a cubic mile of sea water) -
and by digging there is no actual stasis of an undiscovered
self - there's only the continuum of perpetuated inner
and more inner; but what is discovered is not what
is necessarily categorised as zenith, an undiscovered potential,
for that's motivational speech - that little book is
about motivational talk, therapy to craft an illusion of
self-assurance... never mind... after reading
the book reviews from Sunday, most notably the biography
of Philip K. ****... i found that English is a language most
beautiful, but also a language most dismissive -
as with the late acceptance of existentialism -
the slow nibbling at the walls of English utilitarianism -
for that could only be an English product of thought -
and the results? well, teenage suicides and too much
pill-dropping to cure depression: nothing that hurts.
it was hanging in the air, like a guillotine blade -
too much faith in English sensibility and that bloodied
doctrine that utilitarianism is, it's not about big words
these days, when behind those big words there are crude
actions - talk about really inventing a blanket to cover
the crude actions behind what was said in variation of
the supposed vaccine program to make people immune toward
crude actions.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
Please log in to view and add comments on poems