Submit your work, meet writers and drop the ads. Become a member
Cory Ellis Jun 2013
Hey guys. This isn't truly a poem but a paper I wrote for English class. I wanted to share this view with people and this is the only vehicle I knew to use. So here it is. I hope you enjoy it.
-------------------------------------------------------------­--------------------------------------------------


The amplifiers were turned up to ten. The young and fresh crowd looked at us with anticipation.

What were they waiting for? As the music began I noticed the subtle movements and growing tension in

the crowd. Men shook their heads and we shook ours in a violent duet between the crowd and

performer. Women and men flailed their limbs as they awaited the ******. We knew when it was

coming; they did not. When we decided to let it all go I witnessed something crazy! There was a brief

pause in the music and when it began again we kicked it into overdrive. We shook our heads with a

more frantic pace. We jumped about like madmen. The crowd erupted; it became its own entity. You

could feel the heat and power of this new creature. We were locked in a violent psychic-sphere of

crazed young teens and when the ****** was over there seemed to be a sense of relief and happiness

in the crowd. Had my after school hobby become a healing agent, even if only temporary, in society?

This papers purpose is an attempt at piecing together the phenomena of catharsis by merging

philosophy, psychology, history and spirituality.



First, to understand the psychology of catharsis we must think back to the roots of this behavior. Since

human life has existed we’ve formed crowds for various reasons. The first reason held the sole purpose

of protection. Tribes of people, men as hunters and women as gatherers, teamed up for the benefit of

human survival. Erich Fromm says that “the meaning of life is not to be found in its fullest unfolding but

in social service and social duties; that the development, freedom, and happiness of the individual is

subordinate or even irrelevant in comparison to the welfare of the state.”(Fromm, 1947, page 51) This

states that a crowd is actually very necessary to the function of human life. The second reason crowds

gathered was in form of revel, shamanistic healing and worship of deities (Ehrenreich, 30). Men and

woman would often enter trances, speak in tongues and become involved in a collective ecstasy while in

worship of their God. In later years, politics, entertainment and rebellion or protest was a main factor in

the gathering of people (Ehrenreich, 102). People gathered at Festivals that were in the midst of being

suppressed and would dance in mockery of their Kings or leaders.



What exactly is catharsis? Catharsis is a purging of emotional tension brought out in a crowd through

the viewing of a tragedy or tragic play. In the article “The Power of Catharsis” Kearny says the following

More specifically he (Aristotle) defined

the function of catharsis as 'purgation of pity and fear'. This comes

about, he explains, whenever the dramatic imitation of certain actions

arouses pity and fear in order to provide an outlet for pity and fear.

The recounting of experience through the formal medium of plot,

fiction or spectacle permits us to repeat the past forward so to speak.

And this very act of creative repetition allows for a certain kind of

pleasure or release. In the play of narrative re-creation we are invited

to revisit our lives — through the actions and personas of others — so

as to live them otherwise. We discover a way to give a future to

the past. (Kearny 1)

I figure that, even though he states that it is a purgation of pity and fear, it could also be involved with

many other suppressed emotions. Take my introduction for example. These kids were not releasing

pity and fear, they were releasing their angst! They were releasing their desire for competition.

They were making up for the violent feelings of agression they felt in their body that had been

suppressed by society for so long! They were revolting! Could catharsis also be used to purge other

emotions as well such as ****** suppression or communicative issues?





How would one come about actually attempting this catharsis that I speak of? We need to first look at

some ways in which people have controlled crowds in the past and realize that crowds form by

themselves but often look for leadership due to what Nietzche called that “herd mentality.”

In the article “Seducing the Crowd” by Urs Staheli it mentions that repetition is a key factor in beginning

to control the crowd. (Staheli, 69) This means that through repetition you can get the crowd to side with

your beliefs. The crowd could begin to think about what your suggesting and potentially be swayed by

the other people that are now following your ideas. It could also be repetition of body movements as

well. What better vehicle is there to sway a crowd than music? It’s repetitive in instrumental and lyrical

form!



Another way to “******” a crowd is to act like a madman! Specifically how I stumbled upon this in

the first phenomena place.

The leader himself is possessed and hypnotized by the ideas

and visions he holds, obsessed to such an extent that he cannot rationally exercise

control over the crowd. Instead, he devotes himself to fascinating the

crowd by more ecstatic means.8 He often resembles a madman but fascinates

by the mere power of his determination. What distinguishes the leader from

the rest of the crowd is his will alone, not any particular intellectual capacity

or a superior morality. (Staheli, 68)

The theory is that through mythological story telling or acting tragically and in a spectacle, we can

actually release negative emotions and potentially even heal neuroses or psychic ailments. Later in the

article he goes on to say that a shaman was actually documented to have cured a woman with a blocked

birth canal and in labor by telling her a story about a warrior trying to exit a cave that had monsters on

the outside trying to get in.

The function of a shaman is to heal his tribe. He uses drugs or plants to change his state of mind and

then by going over to the other side of reality he invokes spirits that help to heal.

In the séance, the shaman led. A sensuous panic, deliberately evoked through drugs, chants,

dancing, hurls the shaman into trance. Changed voice; convulsive movement. He acts like a

madman. These professional hysterics, chosen precisely for their psychotic leaning, were once

esteemed. They mediated between man and spirit world. Their mental travels formed the crux

of the religious life of the tribe. (Morrison 1967 pg. 71)

This shows an ecstatic crowd dancing and chanting while one man acts out a tragic spectacle. Through

this spectacle the shaman acts like a madman. This causes wild emotions within the crowd and allows it

to release their built up and suppressed emotions. Also, the dance and chants bring them to a feeling of

unity and oneness!



One may not believe in the spiritual shaman because of their own beliefs about God and religion. Some

may not believe in the other world that parallels our own.  It is a skeptical concept without a doubt and

there are probably many people who disagree with the legitimacy of the shaman. Is there a way that we

could think of the phenomena in a psychological sense rather than strictly spiritual? The answer lies in

Carl Jung’s theory of the unconscious mind and dream therapy as well as in Nietzche’s philosophy on art

and aesthetics.  



Carl Jung believed that there is a conscious mind and an unconscious mind. The conscious mind is the

everyday mind that occurs in waking life. It is rational and helps us survive. The unconscious mind can

be found in dreams or whenever you experience a déjà vu (Jung 1964 21).  He also believed that through

the study of dreams you could heal certain aspects of your psyche that have been altered by neuroses.

Symbols and archetypes make up dreams and the unconscious, and often you will find that archetypes

appear in the form  of people. Jung believes that through living in society that men and women have lost

touch with their feminine or masculine characteristics depending on their gender. Dreams can help us

get back into union with these lost roles through connecting us with our anima(female) or animus

(male) through symbols in our dreams or unconscious minds. Jung wrote that when society was

formed people took on roles and caused a dissociation in their psyche and caused a duality rather

than a unity when they suppressed one side of their mind.  He mentioned that at all times the

unconscious mind is connecting us on a psychic level.



How does this tie into shamans and catharsis? It seems like something completely different all together

right? My theory is that the shaman or crowd leader brings forth a forgotten union of the masculine and

feminine forces in the universe. Nietzche believed that there are two polar forces that are natural in this

world and in art. These forces are given the names of deities in his book “The Birth of Tragedy.”

The first is the Apollonian force that is masculine. This force in art governs form and dreams. The

Apollonian artist directly takes ideas from his dreams and brings them to life whether it is in form

sculpture or poetry. Apollo appears through an oracle often in tragedy or in visions of the waking life.

The second force is the Dionysian which is feminine. This force governs intoxication, revel and ecstasy.

Dionysian artists are improvisers and dancers and are usually tragic figures. Nietzche believed there are

three different types of artists: Apollonian, Dionysian and the fusion of both (Nietzche 1872 14). This

latter artist is what I believe the shaman is.



Through connecting these polarizing forces he fixes the psychic neuroses in his own mind. He becomes

a unified artist, or a magician of duality. The shaman, as stated above, takes drugs to intoxicate himself.

Often the drug of choice is wine or alcohol though it could be hallucinogenic drugs as well. This tied with

repetitive revel is the Dionysian side of the spectrum and also helps draw the crowd’s attention through

spectacle and repetition. Everybody is ecstatic and experiencing the collective vibrations of the crowd.

Through his intoxication he is able to go into the unconscious mind and produce dream symbols in

reality! The crowd follows the leader into this unconscious mind and brings back forgotten wisdom of

mythology and archetypes. This is the Apollonian side of the spectrum because it deals with the

unconscious mind and dream images. It also could be this “other world” that traditional shamans speak

of. Now the psychic duality is merged and a tie is formed between the masculine and feminine forces of

nature! People feel at one with themselves and the crowd and the societal suppression is vanished

briefly. All the neuroses caused by the suppression fades away in the ecstatic revel. This is the appeal of

the rock concert. Notice how many leading figures of rock bands have androgynous features and

shamanistic nature. This is because they have fixed the psychic neuroses in their own mind and become

at peace with the masculine and feminine duality of their psyche.



Stumbling upon this phenomena in my rebellious youth was very eye opening. Ever since I have been  

very excited about this theory and I’ve been trying to piece it together. It seems to be coming along

further and further in my study of this. What exactly this ancient wisdom is; I don’t entirely know. I

do know that I have witnessed this in reality and the subject is interesting and fascinating. My theory

still has a lot of work before it is completed but I think that within this article I’ve given a decent

amount of history about the topic as well as my own thoughts. Whether this phenomena is true or

not, we can leave that up to the psychologists and philosophers to decide, though I think many may

agree. Either way, catharsis surely does exist and it is a fun way of entertainment as well as a

therapeutic option for many stressed out individuals out there
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Nigel Morgan Nov 2012
As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!
“I cannot but remember such things were,
  And were most dear to me.”
  ‘Macbeth’

  [”That were most precious to me.”
  ‘Macbeth’, act iv, sc. 3.]


When slow Disease, with all her host of Pains,
Chills the warm tide, which flows along the veins;
When Health, affrighted, spreads her rosy wing,
And flies with every changing gale of spring;
Not to the aching frame alone confin’d,
Unyielding pangs assail the drooping mind:
What grisly forms, the spectre-train of woe,
Bid shuddering Nature shrink beneath the blow,
With Resignation wage relentless strife,
While Hope retires appall’d, and clings to life.
Yet less the pang when, through the tedious hour,
Remembrance sheds around her genial power,
Calls back the vanish’d days to rapture given,
When Love was bliss, and Beauty form’d our heaven;
Or, dear to youth, pourtrays each childish scene,
Those fairy bowers, where all in turn have been.
As when, through clouds that pour the summer storm,
The orb of day unveils his distant form,
Gilds with faint beams the crystal dews of rain
And dimly twinkles o’er the watery plain;
Thus, while the future dark and cheerless gleams,
The Sun of Memory, glowing through my dreams,
Though sunk the radiance of his former blaze,
To scenes far distant points his paler rays,
Still rules my senses with unbounded sway,
The past confounding with the present day.

Oft does my heart indulge the rising thought,
Which still recurs, unlook’d for and unsought;
My soul to Fancy’s fond suggestion yields,
And roams romantic o’er her airy fields.
Scenes of my youth, develop’d, crowd to view,
To which I long have bade a last adieu!
Seats of delight, inspiring youthful themes;
Friends lost to me, for aye, except in dreams;
Some, who in marble prematurely sleep,
Whose forms I now remember, but to weep;
Some, who yet urge the same scholastic course
Of early science, future fame the source;
Who, still contending in the studious race,
In quick rotation, fill the senior place!
These, with a thousand visions, now unite,
To dazzle, though they please, my aching sight.

IDA! blest spot, where Science holds her reign,
How joyous, once, I join’d thy youthful train!
Bright, in idea, gleams thy lofty spire,
Again, I mingle with thy playful quire;
Our tricks of mischief, every childish game,
Unchang’d by time or distance, seem the same;
Through winding paths, along the glade I trace
The social smile of every welcome face;
My wonted haunts, my scenes of joy or woe,
Each early boyish friend, or youthful foe,
Our feuds dissolv’d, but not my friendship past,—
I bless the former, and forgive the last.
Hours of my youth! when, nurtur’d in my breast,
To Love a stranger, Friendship made me blest,—
Friendship, the dear peculiar bond of youth,
When every artless ***** throbs with truth;
Untaught by worldly wisdom how to feign,
And check each impulse with prudential rein;
When, all we feel, our honest souls disclose,
In love to friends, in open hate to foes;
No varnish’d tales the lips of youth repeat,
No dear-bought knowledge purchased by deceit;
Hypocrisy, the gift of lengthen’d years,
Matured by age, the garb of Prudence wears:
When, now, the Boy is ripen’d into Man,
His careful Sire chalks forth some wary plan;
Instructs his Son from Candour’s path to shrink,
Smoothly to speak, and cautiously to think;
Still to assent, and never to deny—
A patron’s praise can well reward the lie:
And who, when Fortune’s warning voice is heard,
Would lose his opening prospects for a word?
Although, against that word, his heart rebel,
And Truth, indignant, all his ***** swell.

  Away with themes like this! not mine the task,
From flattering friends to tear the hateful mask;
Let keener bards delight in Satire’s sting,
My Fancy soars not on Detraction’s wing:
Once, and but once, she aim’d a deadly blow,
To hurl Defiance on a secret Foe;
But when that foe, from feeling or from shame,
The cause unknown, yet still to me the same,
Warn’d by some friendly hint, perchance, retir’d,
With this submission all her rage expired.
From dreaded pangs that feeble Foe to save,
She hush’d her young resentment, and forgave.
Or, if my Muse a Pedant’s portrait drew,
POMPOSUS’ virtues are but known to few:
I never fear’d the young usurper’s nod,
And he who wields must, sometimes, feel the rod.
If since on Granta’s failings, known to all
Who share the converse of a college hall,
She sometimes trifled in a lighter strain,
’Tis past, and thus she will not sin again:
Soon must her early song for ever cease,
And, all may rail, when I shall rest in peace.

  Here, first remember’d be the joyous band,
Who hail’d me chief, obedient to command;
Who join’d with me, in every boyish sport,
Their first adviser, and their last resort;
Nor shrunk beneath the upstart pedant’s frown,
Or all the sable glories of his gown;
Who, thus, transplanted from his father’s school,
Unfit to govern, ignorant of rule—
Succeeded him, whom all unite to praise,
The dear preceptor of my early days,
PROBUS, the pride of science, and the boast—
To IDA now, alas! for ever lost!
With him, for years, we search’d the classic page,
And fear’d the Master, though we lov’d the Sage:
Retir’d at last, his small yet peaceful seat
From learning’s labour is the blest retreat.
POMPOSUS fills his magisterial chair;
POMPOSUS governs,—but, my Muse, forbear:
Contempt, in silence, be the pedant’s lot,
His name and precepts be alike forgot;
No more his mention shall my verse degrade,—
To him my tribute is already paid.

  High, through those elms with hoary branches crown’d
Fair IDA’S bower adorns the landscape round;
There Science, from her favour’d seat, surveys
The vale where rural Nature claims her praise;
To her awhile resigns her youthful train,
Who move in joy, and dance along the plain;
In scatter’d groups, each favour’d haunt pursue,
Repeat old pastimes, and discover new;
Flush’d with his rays, beneath the noontide Sun,
In rival bands, between the wickets run,
Drive o’er the sward the ball with active force,
Or chase with nimble feet its rapid course.
But these with slower steps direct their way,
Where Brent’s cool waves in limpid currents stray,
While yonder few search out some green retreat,
And arbours shade them from the summer heat:
Others, again, a pert and lively crew,
Some rough and thoughtless stranger plac’d in view,
With frolic quaint their antic jests expose,
And tease the grumbling rustic as he goes;
Nor rest with this, but many a passing fray
Tradition treasures for a future day:
“’Twas here the gather’d swains for vengeance fought,
And here we earn’d the conquest dearly bought:
Here have we fled before superior might,
And here renew’d the wild tumultuous fight.”
While thus our souls with early passions swell,
In lingering tones resounds the distant bell;
Th’ allotted hour of daily sport is o’er,
And Learning beckons from her temple’s door.
No splendid tablets grace her simple hall,
But ruder records fill the dusky wall:
There, deeply carv’d, behold! each Tyro’s name
Secures its owner’s academic fame;
Here mingling view the names of Sire and Son,
The one long grav’d, the other just begun:
These shall survive alike when Son and Sire,
Beneath one common stroke of fate expire;
Perhaps, their last memorial these alone,
Denied, in death, a monumental stone,
Whilst to the gale in mournful cadence wave
The sighing weeds, that hide their nameless grave.
And, here, my name, and many an early friend’s,
Along the wall in lengthen’d line extends.
Though, still, our deeds amuse the youthful race,
Who tread our steps, and fill our former place,
Who young obeyed their lords in silent awe,
Whose nod commanded, and whose voice was law;
And now, in turn, possess the reins of power,
To rule, the little Tyrants of an hour;
Though sometimes, with the Tales of ancient day,
They pass the dreary Winter’s eve away;
“And, thus, our former rulers stemm’d the tide,
And, thus, they dealt the combat, side by side;
Just in this place, the mouldering walls they scaled,
Nor bolts, nor bars, against their strength avail’d;
Here PROBUS came, the rising fray to quell,
And, here, he falter’d forth his last farewell;
And, here, one night abroad they dared to roam,
While bold POMPOSUS bravely staid at home;”
While thus they speak, the hour must soon arrive,
When names of these, like ours, alone survive:
Yet a few years, one general wreck will whelm
The faint remembrance of our fairy realm.

  Dear honest race! though now we meet no more,
One last long look on what we were before—
Our first kind greetings, and our last adieu—
Drew tears from eyes unus’d to weep with you.
Through splendid circles, Fashion’s gaudy world,
Where Folly’s glaring standard waves unfurl’d,
I plung’d to drown in noise my fond regret,
And all I sought or hop’d was to forget:
Vain wish! if, chance, some well-remember’d face,
Some old companion of my early race,
Advanc’d to claim his friend with honest joy,
My eyes, my heart, proclaim’d me still a boy;
The glittering scene, the fluttering groups around,
Were quite forgotten when my friend was found;
The smiles of Beauty, (for, alas! I’ve known
What ’tis to bend before Love’s mighty throne;)
The smiles of Beauty, though those smiles were dear,
Could hardly charm me, when that friend was near:
My thoughts bewilder’d in the fond surprise,
The woods of IDA danc’d before my eyes;
I saw the sprightly wand’rers pour along,
I saw, and join’d again the joyous throng;
Panting, again I trac’d her lofty grove,
And Friendship’s feelings triumph’d over Love.

  Yet, why should I alone with such delight
Retrace the circuit of my former flight?
Is there no cause beyond the common claim,
Endear’d to all in childhood’s very name?
Ah! sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home.
Those hearts, dear IDA, have I found in thee,
A home, a world, a paradise to me.
Stern Death forbade my orphan youth to share
The tender guidance of a Father’s care;
Can Rank, or e’en a Guardian’s name supply
The love, which glistens in a Father’s eye?
For this, can Wealth, or Title’s sound atone,
Made, by a Parent’s early loss, my own?
What Brother springs a Brother’s love to seek?
What Sister’s gentle kiss has prest my cheek?
For me, how dull the vacant moments rise,
To no fond ***** link’d by kindred ties!
Oft, in the progress of some fleeting dream,
Fraternal smiles, collected round me seem;
While still the visions to my heart are prest,
The voice of Love will murmur in my rest:
I hear—I wake—and in the sound rejoice!
I hear again,—but, ah! no Brother’s voice.
A Hermit, ’midst of crowds, I fain must stray
Alone, though thousand pilgrims fill the way;
While these a thousand kindred wreaths entwine,
I cannot call one single blossom mine:
What then remains? in solitude to groan,
To mix in friendship, or to sigh alone?
Thus, must I cling to some endearing hand,
And none more dear, than IDA’S social band.

  Alonzo! best and dearest of my friends,
Thy name ennobles him, who thus commends:
From this fond tribute thou canst gain no praise;
The praise is his, who now that tribute pays.
Oh! in the promise of thy early youth,
If Hope anticipate the words of Truth!
Some loftier bard shall sing thy glorious name,
To build his own, upon thy deathless fame:
Friend of my heart, and foremost of the list
Of those with whom I lived supremely blest;
Oft have we drain’d the font of ancient lore,
Though drinking deeply, thirsting still the more;
Yet, when Confinement’s lingering hour was done,
Our sports, our studies, and our souls were one:
Together we impell’d the flying ball,
Together waited in our tutor’s hall;
Together join’d in cricket’s manly toil,
Or shar’d the produce of the river’s spoil;
Or plunging from the green declining shore,
Our pliant limbs the buoyant billows bore:
In every element, unchang’d, the same,
All, all that brothers should be, but the name.

  Nor, yet, are you forgot, my jocund Boy!
DAVUS, the harbinger of childish joy;
For ever foremost in the ranks of fun,
The laughing herald of the harmless pun;
Yet, with a breast of such materials made,
Anxious to please, of pleasing half afraid;
Candid and liberal, with a heart of steel
In Danger’s path, though not untaught to feel.
Still, I remember, in the factious strife,
The rustic’s musket aim’d against my life:
High pois’d in air the massy weapon hung,
A cry of horror burst from every tongue:
Whilst I, in combat with another foe,
Fought on, unconscious of th’ impending blow;
Your arm, brave Boy, arrested his career—
Forward you sprung, insensible to fear;
Disarm’d, and baffled by your conquering hand,
The grovelling Savage roll’d upon the sand:
An act like this, can simple thanks repay?
Or all the labours of a grateful lay?
Oh no! whene’er my breast forgets the deed,
That instant, DAVUS, it deserves to bleed.

  LYCUS! on me thy claims are justly great:
Thy milder virtues could my Muse relate,
To thee, alone, unrivall’d, would belong
The feeble efforts of my lengthen’d song.
Well canst thou boast, to lead in senates fit,
A Spartan firmness, with Athenian wit:
Though yet, in embryo, these perfections shine,
LYCUS! thy father’s fame will soon be thine.
Where Learning nurtures the superior mind,
What may we hope, from genius thus refin’d;
When Time, at length, matures thy growing years,
How wilt thou tower, above thy fellow peers!
Prudence and sense, a spirit bold and free,
With Honour’s soul, united beam in thee.

Shall fair EURYALUS, pass by unsung?
From ancient lineage, not unworthy, sprung:
What, though one sad dissension bade us part,
That name is yet embalm’d within my heart,
Yet, at the mention, does that heart rebound,
And palpitate, responsive to the sound;
Envy dissolved our ties, and not our will:
We once were friends,—I’ll think, we are so still.
A form unmatch’d in Nature’s partial mould,
A heart untainted, we, in thee, behold:
Yet, not the Senate’s thunder thou shall wield,
Nor seek for glory, in the tented field:
To minds of ruder texture, these be given—
Thy soul shall nearer soar its native heaven.
Haply, in polish’d courts might be thy seat,
But, that thy tongue could never forge deceit:
The courtier’s supple bow, and sneering smile,
The flow of compliment, the slippery wile,
Would make that breast, with indignation, burn,
And, all the glittering snares, to tempt thee, spurn.
Domestic happiness will stamp thy fate;
Sacred to love, unclouded e’er by hate;
The world admire thee, and thy friends adore;—
Ambition’s slave, alone, would toil for more.

  Now last, but nearest, of the social band,
See honest, open, generous CLEON stand;
With scarce one speck, to cloud the pleasing scene,
No vice degrades that purest soul serene.
On the same day, our studious race begun,
On the same day, our studious race was run;
Thus, side by side, we pass’d our first career,
Thus, side by side, we strove for many a year:
At last, concluded our scholastic life,
We neither conquer’d in the classic strife:
As Speakers, each supports an equal name,
And crowds allow to both a partial fame:
To soothe a youthful Rival’s early pride,
Though Cleon’s candour would the palm divide,
Yet Candour’s self compels me now to own,
Justice awards it to my Friend alone.

  Oh! Friends regretted, Scenes for ever dear,
Remembrance hails you with her warmest tear!
Drooping, she bends o’er pensive Fancy’s urn,
To trace the hours, which never can return;
Yet, with the retrospection loves to dwell,
And soothe the sorrows of her last farewell!
Yet greets the triumph of my boyish mind,
As infant laurels round my head were twin’d;
When PROBUS’ praise repaid my lyric song,
Or plac’d me higher in the studious throng;
Or when my first harangue receiv’d applause,
His sage instruction the primeval cause,
What gratitude, to him, my soul possest,
While hope of dawning honours fill’d my breast!
For all my humble fame, to him alone,
The praise is due, who made that fame my own.
Oh! could I soar above these feeble lays,
These young effusions of my early days,
To him my Muse her noblest strain would give,
The song might perish, but the theme might live.
Yet, why for him the needless verse essay?
His honour’d name requires no vain display:
By every son of grateful IDA blest,
It finds an ech
Val Ajdari Nov 2013
Some fools are born, conditioned by fate,
And they, like all, still procreate.
All useful knowledge flee their minds;
Ignorance fulfill these swine.
And while they swing and cheat for joys,
The watchful eyes of their little boys
Take a glance at what they see,
And what they see is “a bigger me.”
Their little girls, in company of dolls,
On occasion foresee what befall
On them, too, as they soon explore --
An impending battle of love and war.
But then, there exists that little kid
Whose *** and gender shall remain amid
A cloud of quantum mystery;
Their wisdom calls more urgently.
And as this kid sees life unravel
Along Lacanian stages of travel,
Concerned are they with all fuss and mess,
To which most adults do not confess.
As one parent lacks all the care,
The other lives a life unfair.
In times of chaos and audacious cuss
Dear, vengeful killer, Oedipus
Consumes all facets of the mind
Of the little kid who must confine
All pain, and hatred, and all rage,
Enough to place one in a cage,
While free the bird whose wings to fly
Have been broken off, now left to die;
In part, by diabolical norms
That invade a home in all shapes and forms.
But the kid looks up at the two,
Then whispers quietly, “I’m neither of you;
Not the blinded one, on flight to reign,
Nor the indebted one, too tied to pain."
Nor does the kid ever dare to be
A product passed politically:
Ingrained in mind, in heart, and soul
A subordinate being in a bowl
That churns, and churns, and churns, and churns
While glutenous ******* more they yearn.
This ceaseless cycle leaves little choice
For the ill-fated screaming voice,
As a true language for them not made
Because demonic beings must place a shade
Over the stronger ones deprived
Appraisal for their stronger minds.
The kid, all this, can’t take to be
As what they see they wish not to see.
In this unbalanced Yin and Yang,
The kid’s perception hits a bang:
“The power lies within the one
Who mostly governs with a gun.
But, how can a human hurt their double,
When love and passion are lesser trouble?"
A fitting *** the kid cannot choose,
As in every win each *** will lose.
But slowly, as they come to be,
The kid, society directs to see
That to the right *** they must belong
As "genitalia proves feelings wrong."
This funny theory most credits Freud.
But by collective viewpoints the kid’s annoyed:
'No good is said, no good is done
For those who are all, but yet are none.'
Great gender points makes Butler, Judith,
While blind opponents seek to disprove her;
They ink 'she is wrong within her stance!'
That female unity will give rise to chance
To an inclusion of the female word,
And one that’s First...not second or third.
The opposite, still out to bend
The rules and laws, all to pretend
That the other *** does not exist
Because swollen egos must persist
In rule, in art, in build, and biz:
'Fields where opposites lack all wiz.'
The kid, in this silly world of theirs,
Looks at all these foolish heirs
Who bounce and shoot this gendered ball,
While the kid stands back and laughs at all.
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
Kìùra Kabiri Feb 2017
Like a male monkey you rises up
And thumps hard your chest-it is you and you only!
O Man! You forgets, who you are and what you are is Nature’s
She generously gives and she avariciously takes-
Just a few chances she is giving you to repent before she ruthlessly returns  
She is a sharp, doubled edged sword-merciful and merciless!
Man, Humanity is not hostility: Humanity is humility!

Like Sheol that is never satisfied you want to swallow the whole world
Like death you want to take everything, big-small-you want to stomach all
Everything you want to keep to yourself, to be to your entitlements
You take and leave nothing at all for the harmless hopeless-the voiceless  
Yet you easily forgets, when the angel of death calls it’s only you and your soul in burials
Your ill amassed pride, wealth and health is not with you anywhere in this your brutal trials
Man, Humanity is not gullibility: Humanity is generosity!

O man! O man! You fills the whole world with mortality
You have killed the sole essence of the soul’s endless immortality
With your undignified dishonesty, your free-will to filthy immorality  
War you begins wealthy to get-war is a supernormal profiting business
Man, Humanity souls has never been subjects to severity but sanctity!

Innocent-as little as little children-you murders-they were inevitable!
Common civilians’ deaths are collateral damages-inescapable!
You forgets who you are-you are a little loaned, little you returns for judgment
Here no allies to look after your backs, no cracks to corruption kickbacks-
It is the fairest of all hearings, a ***** for a ***** it is not for a big spoon!  
Man, Humanity is not ignobility: Humanity is dignity!

What you are given to govern you governs not
What you are given to take care of you pilfers all
For you and your lineages eternal legacies-the richest ever to have graced the earth!
Yet you forgets, Master a little while returns to put you to a rigorous account
And whoever much is given-that much is also expected, what will be your report?  
Man, Humanity is not royalty: Humanity is loyalty!

Humanity is a community, not a sorority of individuality!
Humanity is not infidelity: Humanity is honesty
Humanity is not how wealthy: Humanity is how a loyal legacy
Humanity is not how large is your multinationals entity:
Humanity is how huge is your small heart-its hospitality
Humanity is a humble history, a saintly story!  

© Kìùra Kabiri. All rights reserved.
So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
  “I see thou know’st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart            
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron’s breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.                  
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?              
Thy years are ripe, and over-ripe.  The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed                
With glory, wept that he had lived so long
Ingloroious.  But thou yet art not too late.”
  To whom our Saviour calmly thus replied:—
“Thou neither dost persuade me to seek wealth
For empire’s sake, nor empire to affect
For glory’s sake, by all thy argument.
For what is glory but the blaze of fame,
The people’s praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol                          
Things ******, and, well weighed, scarce worth the praise?
They praise and they admire they know not what,
And know not whom, but as one leads the other;
And what delight to be by such extolled,
To live upon their tongues, and be their talk?
Of whom to be dispraised were no small praise—
His lot who dares be singularly good.
The intelligent among them and the wise
Are few, and glory scarce of few is raised.
This is true glory and renown—when God,                    
Looking on the Earth, with approbation marks
The just man, and divulges him through Heaven
To all his Angels, who with true applause
Recount his praises.  Thus he did to Job,
When, to extend his fame through Heaven and Earth,
As thou to thy reproach may’st well remember,
He asked thee, ‘Hast thou seen my servant Job?’
Famous he was in Heaven; on Earth less known,
Where glory is false glory, attributed
To things not glorious, men not worthy of fame.            
They err who count it glorious to subdue
By conquest far and wide, to overrun
Large countries, and in field great battles win,
Great cities by assault.  What do these worthies
But rob and spoil, burn, slaughter, and enslave
Peaceable nations, neighbouring or remote,
Made captive, yet deserving freedom more
Than those their conquerors, who leave behind
Nothing but ruin wheresoe’er they rove,
And all the flourishing works of peace destroy;            
Then swell with pride, and must be titled Gods,
Great benefactors of mankind, Deliverers,
Worshipped with temple, priest, and sacrifice?
One is the son of Jove, of Mars the other;
Till conqueror Death discover them scarce men,
Rowling in brutish vices, and deformed,
Violent or shameful death their due reward.
But, if there be in glory aught of good;
It may be means far different be attained,
Without ambition, war, or violence—                        
By deeds of peace, by wisdom eminent,
By patience, temperance.  I mention still
Him whom thy wrongs, with saintly patience borne,
Made famous in a land and times obscure;
Who names not now with honour patient Job?
Poor Socrates, (who next more memorable?)
By what he taught and suffered for so doing,
For truth’s sake suffering death unjust, lives now
Equal in fame to proudest conquerors.
Yet, if for fame and glory aught be done,                  
Aught suffered—if young African for fame
His wasted country freed from Punic rage—
The deed becomes unpraised, the man at least,
And loses, though but verbal, his reward.
Shall I seek glory, then, as vain men seek,
Oft not deserved?  I seek not mine, but His
Who sent me, and thereby witness whence I am.”
  To whom the Tempter, murmuring, thus replied:—
“Think not so slight of glory, therein least
Resembling thy great Father.  He seeks glory,              
And for his glory all things made, all things
Orders and governs; nor content in Heaven,
By all his Angels glorified, requires
Glory from men, from all men, good or bad,
Wise or unwise, no difference, no exemption.
Above all sacrifice, or hallowed gift,
Glory he requires, and glory he receives,
Promiscuous from all nations, Jew, or Greek,
Or Barbarous, nor exception hath declared;
From us, his foes pronounced, glory he exacts.”            
  To whom our Saviour fervently replied:
“And reason; since his Word all things produced,
Though chiefly not for glory as prime end,
But to shew forth his goodness, and impart
His good communicable to every soul
Freely; of whom what could He less expect
Than glory and benediction—that is, thanks—
The slightest, easiest, readiest recompense
From them who could return him nothing else,
And, not returning that, would likeliest render            
Contempt instead, dishonour, obloquy?
Hard recompense, unsuitable return
For so much good, so much beneficience!
But why should man seek glory, who of his own
Hath nothing, and to whom nothing belongs
But condemnation, ignominy, and shame—
Who, for so many benefits received,
Turned recreant to God, ingrate and false,
And so of all true good himself despoiled;
Yet, sacrilegious, to himself would take                    
That which to God alone of right belongs?
Yet so much bounty is in God, such grace,
That who advances his glory, not their own,
Them he himself to glory will advance.”
  So spake the Son of God; and here again
Satan had not to answer, but stood struck
With guilt of his own sin—for he himself,
Insatiable of glory, had lost all;
Yet of another plea bethought him soon:—
  “Of glory, as thou wilt,” said he, “so deem;              
Worth or not worth the seeking, let it pass.
But to a Kingdom thou art born—ordained
To sit upon thy father David’s throne,
By mother’s side thy father, though thy right
Be now in powerful hands, that will not part
Easily from possession won with arms.
Judaea now and all the Promised Land,
Reduced a province under Roman yoke,
Obeys Tiberius, nor is always ruled
With temperate sway: oft have they violated                
The Temple, oft the Law, with foul affronts,
Abominations rather, as did once
Antiochus.  And think’st thou to regain
Thy right by sitting still, or thus retiring?
So did not Machabeus.  He indeed
Retired unto the Desert, but with arms;
And o’er a mighty king so oft prevailed
That by strong hand his family obtained,
Though priests, the crown, and David’s throne usurped,
With Modin and her suburbs once content.                    
If kingdom move thee not, let move thee zeal
And duty—zeal and duty are not slow,
But on Occasion’s forelock watchful wait:
They themselves rather are occasion best—
Zeal of thy Father’s house, duty to free
Thy country from her heathen servitude.
So shalt thou best fulfil, best verify,
The Prophets old, who sung thy endless reign—
The happier reign the sooner it begins.
Rein then; what canst thou better do the while?”            
  To whom our Saviour answer thus returned:—
“All things are best fulfilled in their due time;
And time there is for all things, Truth hath said.
If of my reign Prophetic Writ hath told
That it shall never end, so, when begin
The Father in his purpose hath decreed—
He in whose hand all times and seasons rowl.
What if he hath decreed that I shall first
Be tried in humble state, and things adverse,
By tribulations, injuries, insults,                        
Contempts, and scorns, and snares, and violence,
Suffering, abstaining, quietly expecting
Without distrust or doubt, that He may know
What I can suffer, how obey?  Who best
Can suffer best can do, best reign who first
Well hath obeyed—just trial ere I merit
My exaltation without change or end.
But what concerns it thee when I begin
My everlasting Kingdom?  Why art thou
Solicitous?  What moves thy inquisition?                    
Know’st thou not that my rising is thy fall,
And my promotion will be thy destruction?”
  To whom the Tempter, inly racked, replied:—
“Let that come when it comes.  All hope is lost
Of my reception into grace; what worse?
For where no hope is left is left no fear.
If there be worse, the expectation more
Of worse torments me than the feeling can.
I would be at the worst; worst is my port,
My harbour, and my ultimate repose,                        
The end I would attain, my final good.
My error was my error, and my crime
My crime; whatever, for itself condemned,
And will alike be punished, whether thou
Reign or reign not—though to that gentle brow
Willingly I could fly, and hope thy reign,
From that placid aspect and meek regard,
Rather than aggravate my evil state,
Would stand between me and thy Father’s ire
(Whose ire I dread more than the fire of Hell)              
A shelter and a kind of shading cool
Interposition, as a summer’s cloud.
If I, then, to the worst that can be haste,
Why move thy feet so slow to what is best?
Happiest, both to thyself and all the world,
That thou, who worthiest art, shouldst be their King!
Perhaps thou linger’st in deep thoughts detained
Of the enterprise so hazardous and high!
No wonder; for, though in thee be united
What of perfection can in Man be found,                    
Or human nature can receive, consider
Thy life hath yet been private, most part spent
At home, scarce viewed the Galilean towns,
And once a year Jerusalem, few days’
Short sojourn; and what thence couldst thou observe?
The world thou hast not seen, much less her glory,
Empires, and monarchs, and their radiant courts—
Best school of best experience, quickest in sight
In all things that to greatest actions lead.
The wisest, unexperienced, will be ever                    
Timorous, and loth, with novice modesty
(As he who, seeking *****, found a kingdom)
Irresolute, unhardy, unadventrous.
But I will bring thee where thou soon shalt quit
Those rudiments, and see before thine eyes
The monarchies of the Earth, their pomp and state—
Sufficient introduction to inform
Thee, of thyself so apt, in regal arts,
And regal mysteries; that thou may’st know
How best their opposition to withstand.”                    
  With that (such power was given him then), he took
The Son of God up to a mountain high.
It was a mountain at whose verdant feet
A spacious plain outstretched in circuit wide
Lay pleasant; from his side two rivers flowed,
The one winding, the other straight, and left between
Fair champaign, with less rivers interveined,
Then meeting joined their tribute to the sea.
Fertil of corn the glebe, of oil, and wine;
With herds the pasture thronged, with flocks the hills;    
Huge cities and high-towered, that well might seem
The seats of mightiest monarchs; and so large
The prospect was that here and there was room
For barren desert, fountainless and dry.
To this high mountain-top the Tempter brought
Our Saviour, and new train of words began:—
  “Well have we speeded, and o’er hill and dale,
Forest, and field, and flood, temples and towers,
Cut shorter many a league.  Here thou behold’st
Assyria, and her empire’s ancient bounds,                  
Araxes and the Caspian lake; thence on
As far as Indus east, Euphrates west,
And oft beyond; to south the Persian bay,
And, inaccessible, the Arabian drouth:
Here, Nineveh, of length within her wall
Several days’ journey, built by Ninus old,
Of that first golden monarchy the seat,
And seat of Salmanassar, whose success
Israel in long captivity still mourns;
There Babylon, the wonder of all tongues,                  
As ancient, but rebuilt by him who twice
Judah and all thy father David’s house
Led captive, and Jerusalem laid waste,
Till Cyrus set them free; Persepolis,
His city, there thou seest, and Bactra there;
Ecbatana her structure vast there shews,
And Hecatompylos her hunderd gates;
There Susa by Choaspes, amber stream,
The drink of none but kings; of later fame,
Built by Emathian or by Parthian hands,                    
The great Seleucia, Nisibis, and there
Artaxata, Teredon, Ctesiphon,
Turning with easy eye, thou may’st behold.
All these the Parthian (now some ages past
By great Arsaces led, who founded first
That empire) under his dominion holds,
From the luxurious kings of Antioch won.
And just in time thou com’st to have a view
Of his great power; for now the Parthian king
In Ctesiphon hath gathered all his host                    
Against the Scythian, whose incursions wild
Have wasted Sogdiana; to her aid
He marches now in haste.  See, though from far,
His thousands, in what martial e
All night the dreadless Angel, unpursued,
Through Heaven’s wide champain held his way; till Morn,
Waked by the circling Hours, with rosy hand
Unbarred the gates of light.  There is a cave
Within the mount of God, fast by his throne,
Where light and darkness in perpetual round
Lodge and dislodge by turns, which makes through Heaven
Grateful vicissitude, like day and night;
Light issues forth, and at the other door
Obsequious darkness enters, till her hour
To veil the Heaven, though darkness there might well
Seem twilight here:  And now went forth the Morn
Such as in highest Heaven arrayed in gold
Empyreal; from before her vanished Night,
Shot through with orient beams; when all the plain
Covered with thick embattled squadrons bright,
Chariots, and flaming arms, and fiery steeds,
Reflecting blaze on blaze, first met his view:
War he perceived, war in procinct; and found
Already known what he for news had thought
To have reported:  Gladly then he mixed
Among those friendly Powers, who him received
With joy and acclamations loud, that one,
That of so many myriads fallen, yet one
Returned not lost.  On to the sacred hill
They led him high applauded, and present
Before the seat supreme; from whence a voice,
From midst a golden cloud, thus mild was heard.
Servant of God. Well done; well hast thou fought
The better fight, who single hast maintained
Against revolted multitudes the cause
Of truth, in word mightier than they in arms;
And for the testimony of truth hast borne
Universal reproach, far worse to bear
Than violence; for this was all thy care
To stand approved in sight of God, though worlds
Judged thee perverse:  The easier conquest now
Remains thee, aided by this host of friends,
Back on thy foes more glorious to return,
Than scorned thou didst depart; and to subdue
By force, who reason for their law refuse,
Right reason for their law, and for their King
Messiah, who by right of merit reigns.
Go, Michael, of celestial armies prince,
And thou, in military prowess next,
Gabriel, lead forth to battle these my sons
Invincible; lead forth my armed Saints,
By thousands and by millions, ranged for fight,
Equal in number to that Godless crew
Rebellious:  Them with fire and hostile arms
Fearless assault; and, to the brow of Heaven
Pursuing, drive them out from God and bliss,
Into their place of punishment, the gulf
Of Tartarus, which ready opens wide
His fiery Chaos to receive their fall.
So spake the Sovran Voice, and clouds began
To darken all the hill, and smoke to roll
In dusky wreaths, reluctant flames, the sign
Of wrath awaked; nor with less dread the loud
Ethereal trumpet from on high ‘gan blow:
At which command the Powers militant,
That stood for Heaven, in mighty quadrate joined
Of union irresistible, moved on
In silence their bright legions, to the sound
Of instrumental harmony, that breathed
Heroick ardour to adventurous deeds
Under their God-like leaders, in the cause
Of God and his Messiah.  On they move
Indissolubly firm; nor obvious hill,
Nor straitening vale, nor wood, nor stream, divides
Their perfect ranks; for high above the ground
Their march was, and the passive air upbore
Their nimble tread; as when the total kind
Of birds, in orderly array on wing,
Came summoned over Eden to receive
Their names of thee; so over many a tract
Of Heaven they marched, and many a province wide,
Tenfold the length of this terrene:  At last,
Far in the horizon to the north appeared
From skirt to skirt a fiery region, stretched
In battailous aspect, and nearer view
Bristled with upright beams innumerable
Of rigid spears, and helmets thronged, and shields
Various, with boastful argument portrayed,
The banded Powers of Satan hasting on
With furious expedition; for they weened
That self-same day, by fight or by surprise,
To win the mount of God, and on his throne
To set the Envier of his state, the proud
Aspirer; but their thoughts proved fond and vain
In the mid way:  Though strange to us it seemed
At first, that Angel should with Angel war,
And in fierce hosting meet, who wont to meet
So oft in festivals of joy and love
Unanimous, as sons of one great Sire,
Hymning the Eternal Father:  But the shout
Of battle now began, and rushing sound
Of onset ended soon each milder thought.
High in the midst, exalted as a God,
The Apostate in his sun-bright chariot sat,
Idol of majesty divine, enclosed
With flaming Cherubim, and golden shields;
Then lighted from his gorgeous throne, for now
“twixt host and host but narrow space was left,
A dreadful interval, and front to front
Presented stood in terrible array
Of hideous length:  Before the cloudy van,
On the rough edge of battle ere it joined,
Satan, with vast and haughty strides advanced,
Came towering, armed in adamant and gold;
Abdiel that sight endured not, where he stood
Among the mightiest, bent on highest deeds,
And thus his own undaunted heart explores.
O Heaven! that such resemblance of the Highest
Should yet remain, where faith and realty
Remain not:  Wherefore should not strength and might
There fail where virtue fails, or weakest prove
Where boldest, though to fight unconquerable?
His puissance, trusting in the Almighty’s aid,
I mean to try, whose reason I have tried
Unsound and false; nor is it aught but just,
That he, who in debate of truth hath won,
Should win in arms, in both disputes alike
Victor; though brutish that contest and foul,
When reason hath to deal with force, yet so
Most reason is that reason overcome.
So pondering, and from his armed peers
Forth stepping opposite, half-way he met
His daring foe, at this prevention more
Incensed, and thus securely him defied.
Proud, art thou met? thy hope was to have reached
The highth of thy aspiring unopposed,
The throne of God unguarded, and his side
Abandoned, at the terrour of thy power
Or potent tongue:  Fool!not to think how vain
Against the Omnipotent to rise in arms;
Who out of smallest things could, without end,
Have raised incessant armies to defeat
Thy folly; or with solitary hand
Reaching beyond all limit, at one blow,
Unaided, could have finished thee, and whelmed
Thy legions under darkness:  But thou seest
All are not of thy train; there be, who faith
Prefer, and piety to God, though then
To thee not visible, when I alone
Seemed in thy world erroneous to dissent
From all:  My sect thou seest;now learn too late
How few sometimes may know, when thousands err.
Whom the grand foe, with scornful eye askance,
Thus answered.  Ill for thee, but in wished hour
Of my revenge, first sought for, thou returnest
From flight, seditious Angel! to receive
Thy merited reward, the first assay
Of this right hand provoked, since first that tongue,
Inspired with contradiction, durst oppose
A third part of the Gods, in synod met
Their deities to assert; who, while they feel
Vigour divine within them, can allow
Omnipotence to none.  But well thou comest
Before thy fellows, ambitious to win
From me some plume, that thy success may show
Destruction to the rest:  This pause between,
(Unanswered lest thou boast) to let thee know,
At first I thought that Liberty and Heaven
To heavenly souls had been all one; but now
I see that most through sloth had rather serve,
Ministring Spirits, trained up in feast and song!
Such hast thou armed, the minstrelsy of Heaven,
Servility with freedom to contend,
As both their deeds compared this day shall prove.
To whom in brief thus Abdiel stern replied.
Apostate! still thou errest, nor end wilt find
Of erring, from the path of truth remote:
Unjustly thou depravest it with the name
Of servitude, to serve whom God ordains,
Or Nature:  God and Nature bid the same,
When he who rules is worthiest, and excels
Them whom he governs.  This is servitude,
To serve the unwise, or him who hath rebelled
Against his worthier, as thine now serve thee,
Thyself not free, but to thyself enthralled;
Yet lewdly darest our ministring upbraid.
Reign thou in Hell, thy kingdom; let me serve
In Heaven God ever blest, and his divine
Behests obey, worthiest to be obeyed;
Yet chains in Hell, not realms, expect:  Mean while
From me returned, as erst thou saidst, from flight,
This greeting on thy impious crest receive.
So saying, a noble stroke he lifted high,
Which hung not, but so swift with tempest fell
On the proud crest of Satan, that no sight,
Nor motion of swift thought, less could his shield,
Such ruin intercept:  Ten paces huge
He back recoiled; the tenth on bended knee
His massy spear upstaid; as if on earth
Winds under ground, or waters forcing way,
Sidelong had pushed a mountain from his seat,
Half sunk with all his pines.  Amazement seised
The rebel Thrones, but greater rage, to see
Thus foiled their mightiest; ours joy filled, and shout,
Presage of victory, and fierce desire
Of battle:  Whereat Michael bid sound
The Arch-Angel trumpet; through the vast of Heaven
It sounded, and the faithful armies rung
Hosanna to the Highest:  Nor stood at gaze
The adverse legions, nor less hideous joined
The horrid shock.  Now storming fury rose,
And clamour such as heard in Heaven till now
Was never; arms on armour clashing brayed
Horrible discord, and the madding wheels
Of brazen chariots raged; dire was the noise
Of conflict; over head the dismal hiss
Of fiery darts in flaming vollies flew,
And flying vaulted either host with fire.
So under fiery cope together rushed
Both battles main, with ruinous assault
And inextinguishable rage.  All Heaven
Resounded; and had Earth been then, all Earth
Had to her center shook.  What wonder? when
Millions of fierce encountering Angels fought
On either side, the least of whom could wield
These elements, and arm him with the force
Of all their regions:  How much more of power
Army against army numberless to raise
Dreadful combustion warring, and disturb,
Though not destroy, their happy native seat;
Had not the Eternal King Omnipotent,
From his strong hold of Heaven, high over-ruled
And limited their might; though numbered such
As each divided legion might have seemed
A numerous host; in strength each armed hand
A legion; led in fight, yet leader seemed
Each warriour single as in chief, expert
When to advance, or stand, or turn the sway
Of battle, open when, and when to close
The ridges of grim war:  No thought of flight,
None of retreat, no unbecoming deed
That argued fear; each on himself relied,
As only in his arm the moment lay
Of victory:  Deeds of eternal fame
Were done, but infinite; for wide was spread
That war and various; sometimes on firm ground
A standing fight, then, soaring on main wing,
Tormented all the air; all air seemed then
Conflicting fire.  Long time in even scale
The battle hung; till Satan, who that day
Prodigious power had shown, and met in arms
No equal, ranging through the dire attack
Of fighting Seraphim confused, at length
Saw where the sword of Michael smote, and felled
Squadrons at once; with huge two-handed sway
Brandished aloft, the horrid edge came down
Wide-wasting; such destruction to withstand
He hasted, and opposed the rocky orb
Of tenfold adamant, his ample shield,
A vast circumference.  At his approach
The great Arch-Angel from his warlike toil
Surceased, and glad, as hoping here to end
Intestine war in Heaven, the arch-foe subdued
Or captive dragged in chains, with hostile frown
And visage all inflamed first thus began.
Author of evil, unknown till thy revolt,
Unnamed in Heaven, now plenteous as thou seest
These acts of hateful strife, hateful to all,
Though heaviest by just measure on thyself,
And thy  adherents:  How hast thou disturbed
Heaven’s blessed peace, and into nature brought
Misery, uncreated till the crime
Of thy rebellion! how hast thou instilled
Thy malice into thousands, once upright
And faithful, now proved false!  But think not here
To trouble holy rest; Heaven casts thee out
From all her confines.  Heaven, the seat of bliss,
Brooks not the works of violence and war.
Hence then, and evil go with thee along,
Thy offspring, to the place of evil, Hell;
Thou and thy wicked crew! there mingle broils,
Ere this avenging sword begin thy doom,
Or some more sudden vengeance, winged from God,
Precipitate thee with augmented pain.
So spake the Prince of Angels; to whom thus
The Adversary.  Nor think thou with wind
Of aery threats to awe whom yet with deeds
Thou canst not.  Hast thou turned the least of these
To flight, or if to fall, but that they rise
Unvanquished, easier to transact with me
That thou shouldst hope, imperious, and with threats
To chase me hence? err not, that so shall end
The strife which thou callest evil, but we style
The strife of glory; which we mean to win,
Or turn this Heaven itself into the Hell
Thou fablest; here however to dwell free,
If not to reign:  Mean while thy utmost force,
And join him named Almighty to thy aid,
I fly not, but have sought thee far and nigh.
They ended parle, and both addressed for fight
Unspeakable; for who, though with the tongue
Of Angels, can relate, or to what things
Liken on earth conspicuous, that may lift
Human imagination to such highth
Of Godlike power? for likest Gods they seemed,
Stood they or moved, in stature, motion, arms,
Fit to decide the empire of great Heaven.
Now waved their fiery swords, and in the air
Made horrid circles; two broad suns their shields
Blazed opposite, while Expectation stood
In horrour:  From each hand with speed retired,
Where erst was thickest fight, the angelick throng,
And left large field, unsafe within the wind
Of such commotion; such as, to set forth
Great things by small, if, nature’s concord broke,
Among the constellations war were sprung,
Two planets, rushing from aspect malign
Of fiercest opposition, in mid sky
Should combat, and their jarring spheres confound.
Together both with next to almighty arm
Up-lifted imminent, one stroke they aimed
That might determine, and not need repeat,
As not of power at once; nor odds appeared
In might or swift prevention:  But the sword
Of Michael from the armoury of God
Was given him tempered so, that neither keen
Nor solid might resist that edge: it met
The sword of Satan, with steep force to smite
Descending, and in half cut sheer; nor staid,
But with swift wheel reverse, deep entering, shared
All his right side:  Then Satan first knew pain,
And writhed him to and fro convolved; so sore
The griding sword with discontinuous wound
Passed through him:  But the ethereal substance closed,
Not long divisible; and from the ****
A stream of necturous humour issuing flowed
Sanguine, such as celestial Spirits may bleed,
And all his armour stained, ere while so bright.
Forthwith on all sides to his aid was run
By Angels many and strong, who interposed
Defence, while others bore him on their shields
Back to his chariot, where it stood retired
From off the files of war:  There they him laid
Gnashing for anguish, and despite, and shame,
To find himself not matchless, and his pride
Humbled by such rebuke, so far beneath
His confidence to equal God in power.
Yet soon he healed; for Spirits that live throughout
Vital in every part, not as frail man
In entrails, heart of head, liver or reins,
Cannot but by annihilating die;
Nor in their liquid texture mortal wound
Receive, no more than can the fluid air:
All heart they live, all head, all eye, all ear,
All intellect, all sense; and, as they please,
They limb themselves, and colour, shape, or size
Assume, as?***** them best, condense or rare.
Mean while in other parts like deeds deserved
Memorial, where the might of Gabriel fought,
And with fierce ensigns pierced the deep array
Of Moloch, furious king; who him defied,
And at his chariot-wheels to drag him bound
Threatened, nor from the Holy One of Heaven
Refrained his tongue blasphemous; but anon
Down cloven to the waist, with shattered arms
And uncouth pain fled bellowing.  On each wing
Uriel, and Raphael, his vaunting foe,
Though huge, and in a rock of diamond armed,
Vanquished Adramelech, and Asmadai,
Two potent Thrones, that to be less than
Candy Flip Mar 2016
When I was a child, there was something mildly special about standing in the garden, late into the minutes leading up to my bed time. It was something about the thrill of disobedience, as if I were already an adult, making my own decisions.

This poem is about my testicles.

A thousand twinkling freckles gazed down at me. Joining the dots with a finger extended high as if gripping an imaginary pen, lines would appear. The celestial wrinkles of an old woman who wears these wrinkles with pride – the imprint left by a lifetime of smiles like how an old arm chair wears the imprint left by a lifetime of back-sides.

A singular eye governs the sky, and through what I interpret as a flirty act of desire, winks at me, through a thirty day cycle. I let out a giggle, and wink back.

On the horizon, trees sway in a purposeful and rhythmic way, as if conducting a symphony meant just for me; the delicate harmony of distant car horn beeps, the melody of crickets and bird tweets, and the gentle percussion of snapped twigs and crushed leaves.

Blades of wet grass become fingers seductively passing between my toes. A gust of wind blows and like a comb, massages out the knots in my hair, whispering through a foreign tongue pros into my ear.

And I can feel it inside, a connection with the night. As passion builds, a bird takes flight, and I let out a confident breath: I am in love with life! I’m in love with the Earth, warm days and clear skies. I’m in love with nature: the birds and mammals, snails, slugs, spiders and flies.

I await a reply.

Which doesn’t come.

Years go by.

And then, half way through my puberty, when the world was not so alien and new to me, I had the sad epiphany that maybe this symphony of car horns and bird tweets was not meant for me.

That, if I were not standing precisely here, or had tragically lost both my ears, the trees would continue to conduct their tune, unstirred by the news that their audience had disappeared.

And with this realisation, came an audible, synchronised plop, as – like a penny – my two ***** simultaneously dropped as if recoiling, paralysed in shock.

Then in the following silence, a tumbleweed drifted by as if to imply some kind of mockery to the thoughts going through my mind.

But of course, it was just a coincidence. The tumbleweed, in its oblivious innocence has no knowledge of the context of my thoughts, like a bolt of lightning can’t appreciate its momentary grasp of dominance over an angry sky. Like an atom doesn’t appreciate the burden of the service it provides, like a poem doesn’t appreciate the metaphors woven purposefully between every line.

And how could I sleep at night knowing that a hurricane could slip into existence, tear its way through a village of innocents then ******* in an instant leaving no form of apology or reason?

This is the dilemma of owning a conscious mind in a world of impartiality.

And if you don’t mind, I’m going to divide this audience into two sides: those who are matured and wise, and when they look at the night sky, see those wrinkles reflected in their own eyes – and those who are young and naïve, to whom this insight may come as a surprise.

To the wise and mature, I assure you that we are all in fact slowly dying. The only reason you’re alive is through generations of successful breeding and surviving. God is dead, and love is a chemical compound produced in your head.

And to the young and naïve, I’ll leave you with this line: despite the pessimistic undertones this poem implies, if you just don’t worry, you’ll turn out just fine.
I will now write all my poetry in pros as I feel like it leaves more freedom for my presentation.
Kate Deter Jun 2013
A lighthouse,
Pure, bold, and strong,
A light in the darkness,
A reminder of things hidden,
A beacon to the lost,
A respite to for the weary,
A friend to the ones who have lost hope.
A lighthouse
Is an object, physical,
Real in the shifting fog;
A lighthouse
Is also a metaphor
And its uses stretch out
Like the light it shines forth.
It governs and protects;
It strengthens and it warms;
It does the job it’s meant to do
And remains a light for all.
Bus Poet Stop May 2015
"Many a physics graduate student has gnashed her teeth in frustration over the mathematics of general relativity. Perhaps she should try envisioning a flat, boundless desert, with rocks of various sizes scattered across its surface, whose mass creates dips of various depths in the sand. A sturdy canopy looms over that desert, stretched tightly over a skeleton of tent poles linked by bars, matching the rises and dips in the sand beneath it. The desert is all the matter and energy in the universe, while the canopy is the geometry of space-time. The poles and bars are the equations of general relativity, connecting the stuff of the universe with the shape of the universe. As Halpern writes: “Mass and energy warp space-time, telling it where and how to curve. The shape of space-time, in turn, governs how things move within it.”
-------------------------------------------------------
My mass and my energy are both warped, so the where's and the how's and the eyes of my curves are the poles and the bars of behind which I relentlessly cease to exist, only to seize what lies beyond the constraints of time and space, as eye wait for the bus to stop in the No Standing zone
The Bus Poet
Stop!
http://www.nytimes.com/2015/05/03/books/review/einsteins-dice-and-schrodingers-cat-by-paul-halpern.html?ref=review
In my childhood rumors ran
   Of a world beyond our door—
Terrors to the life of man
   That the highroad held in store.

Of mermaids' doleful game
   In deep water I heard tell,
Of lofty dragons belching flame,
   Of the hornèd fiend of Hell.

Tales like these were too absurd
   For my laughter-loving ear:
Soon I mocked at all I heard,
   Though with cause indeed for fear.

Now I know the mermaid kin
   I find them bound by natural laws:
They have neither tail nor fin,
   But are deadlier for that cause.

Dragons have no darting tongues,
   Teeth saw-edged, nor rattling scales;
No fire issues from their lungs,
   No black poison from their tails:

For they are creatures of dark air,
   Unsubstantial tossing forms,
Thunderclaps of man's despair
   In mid-whirl of mental storms.

And there's a true and only fiend
   Worse than prophets prophesy,
Whose full powers to hurt are screened
   Lest the race of man should die.

Ever in vain will courage plot
   The dragon's death, in coat of proof;
Or love abjure the mermaid grot;
   Or faith denounce the cloven hoof.

Mermaids will not be denied
   The last bubbles of our shame,
The Dragon flaunts an unpierced hide,
   The true fiend governs in God's name.
ryn Aug 2014
Time is all that sets us free
To all the wonders, that can be humanly perceived
Time is all that binds us
To mundane, almost emotionless routines we have conceived.

Time is the ticking of the clock
That gnaws at us; leaving no immediate mark
Time is the face that has come to mock
It creeps on regardless; you notice it turn light to dark.

Time is the invisible candle that everyone innately holds
It gets lit from the moment we open our eyes
Time is not the wick that gives berth to flame
Rather it is the waxes that burn and then vaporise.

Time can and will never stop
Moments go by with the blink of the eyes
Time..., it does not favour
It isn't biased, it doesn't get swayed by truths or lies.

Time is the entity that governs almost all
It will tell when it deems it's right
From seedling to tree, hatchling to flight
A weakness to strength, the frail to might.

Time is the quest
That we have strived to conquer
Time is all of us
We have secretly craved for life much longer.

Time would only permit
All that I could pen in time
Time will always suggest to omit
So I could capture it all in rhyme.
xoK Sep 2014
Dear stepmom,
You should know that I wanted to talk to you.
I had it all planned out in my head -
How I was going to ask about the baby's birthday
And try to start one of those things called conversations.

But instead we sat
And didn't breathe a single syllable to each other.
And how am I supposed to open up, when
I part my lips and nothing comes out?
When the words in my brain are trampled
By the thoughts that tell me I'm going to do it wrong?

A heaving anxiety governs my mind's playground.
There's a fence around it with high walls.
On some days
They are stronger than others.
I have trouble talking with a lot of people,
But you're a special case.

Dear stepmom,
You should know that I not only love you,
But I also like you.
Don't worry about winning me
Because you've already won.
You won years ago,
When you stuck around,
When you talked with me about Twilight
And when you never tried to parent,
Because you knew it wasn't your place.

Dear stepmom,
I have a strange sort of social anxiety
That creeps up when we're alone.
I cannot tell you why
Or how to fix it
But I'll try to try harder
Because I think
(Just maybe)
You have some too.

But until then,
We might sit and suffer
In a thick, murky silence
Every once in a while.
Dear stepmom, I'm sorry.
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.

Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.

So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.

I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.

But after I had reached a mountain's foot,
At that point where the valley terminated,
Which had with consternation pierced my heart,

Upward I looked, and I beheld its shoulders,
Vested already with that planet's rays
Which leadeth others right by every road.

Then was the fear a little quieted
That in my heart's lake had endured throughout
The night, which I had passed so piteously.

And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;

So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.

After my weary body I had rested,
The way resumed I on the desert *****,
So that the firm foot ever was the lower.

And lo! almost where the ascent began,
A panther light and swift exceedingly,
Which with a spotted skin was covered o'er!

And never moved she from before my face,
Nay, rather did impede so much my way,
That many times I to return had turned.

The time was the beginning of the morning,
And up the sun was mounting with those stars
That with him were, what time the Love Divine

At first in motion set those beauteous things;
So were to me occasion of good hope,
The variegated skin of that wild beast,

The hour of time, and the delicious season;
But not so much, that did not give me fear
A lion's aspect which appeared to me.

He seemed as if against me he were coming
With head uplifted, and with ravenous hunger,
So that it seemed the air was afraid of him;

And a she-wolf, that with all hungerings
Seemed to be laden in her meagreness,
And many folk has caused to live forlorn!

She brought upon me so much heaviness,
With the affright that from her aspect came,
That I the hope relinquished of the height.

And as he is who willingly acquires,
And the time comes that causes him to lose,
Who weeps in all his thoughts and is despondent,

E'en such made me that beast withouten peace,
Which, coming on against me by degrees
****** me back thither where the sun is silent.

While I was rushing downward to the lowland,
Before mine eyes did one present himself,
Who seemed from long-continued silence hoarse.

When I beheld him in the desert vast,
'Have pity on me, ' unto him I cried,
'Whiche'er thou art, or shade or real man! '

He answered me: 'Not man; man once I was,
And both my parents were of Lombardy,
And Mantuans by country both of them.

'Sub Julio' was I born, though it was late,
And lived at Rome under the good Augustus,
During the time of false and lying gods.

A poet was I, and I sang that just
Son of Anchises, who came forth from Troy,
After that Ilion the superb was burned.

But thou, why goest thou back to such annoyance?
Why climb'st thou not the Mount Delectable,
Which is the source and cause of every joy? '

'Now, art thou that Virgilius and that fountain
Which spreads abroad so wide a river of speech? '
I made response to him with bashful forehead.

'O, of the other poets honour and light,
Avail me the long study and great love
That have impelled me to explore thy volume!

Thou art my master, and my author thou,
Thou art alone the one from whom I took
The beautiful style that has done honour to me.

Behold the beast, for which I have turned back;
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble.'

'Thee it behoves to take another road, '
Responded he, when he beheld me weeping,
'If from this savage place thou wouldst escape;

Because this beast, at which thou criest out,
Suffers not any one to pass her way,
But so doth harass him, that she destroys him;

And has a nature so malign and ruthless,
That never doth she glut her greedy will,
And after food is hungrier than before.

Many the animals with whom she weds,
And more they shall be still, until the Greyhound
Comes, who shall make her perish in her pain.

He shall not feed on either earth or pelf,
But upon wisdom, and on love and virtue;
'Twixt Feltro and Feltro shall his nation be;

Of that low Italy shall he be the saviour,
On whose account the maid Camilla died,
Euryalus, Turnus, Nisus, of their wounds;

Through every city shall he hunt her down,
Until he shall have driven her back to Hell,
There from whence envy first did let her loose.

Therefore I think and judge it for thy best
Thou follow me, and I will be thy guide,
And lead thee hence through the eternal place,

Where thou shalt hear the desperate lamentations,
Shalt see the ancient spirits disconsolate,
Who cry out each one for the second death;

And thou shalt see those who contented are
Within the fire, because they hope to come,
Whene'er it may be, to the blessed people;

To whom, then, if thou wishest to ascend,
A soul shall be for that than I more worthy;
With her at my departure I will leave thee;

Because that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.

He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects! '

And I to him: 'Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,

Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.'

Then he moved on, and I behind him followed.
Stevie Ray Jan 2016
The world is a mad place to be.
Yet we're all here.
The majority. Makes it so.
We make it so. There is I and we.
Madness within peace. A singularity
In a clear pond, probably.
Truth in doubt and doubt in truth.
A lie in reality as we lie in reality
Watching the stars as we lie to reality.
We see, feel, hear, smell, taste, think and we both float and sink.
We perceive but we Don't perceive, unknown to us is what we Don't perceive so our limitation lies in the very light we use to uncover truth. To uncover truth means to pull away the cover that was covering truth. What covered truth, what force governs the cover? That force could be perceived by nothing but our own curiosity.

Yeah..
I'm so good at confusing myself.
Jenny Nov 2018
“and he will rule over you.”

I am not ready to release my religion
the consistency of it has grown with me
i am afraid
if i unleash it from my soul
the preached darkness will consume it
i am afraid
that the possibility of its factuality and actuality
will hover in the atmosphere at noon
i am afraid
that by dismissing God too soon
he will dismiss me

Ironically, with my gaining of knowledge,
i have come to begrudge the man in the sky
who has cursed my *** to serve man
to be taken out of man, to exist only within man
he has given a text for those to quote
when arguing the entrapment of women
how am i to recognize the being
when he has ****** me
to be at the elbow of an entire gender
has blamed my kind for the original sin of sins
The Bible has shaped the complications of communities
it has manipulated the societies that barely function
it has forced people to fight for the basic rights all should hold
how am i to forgive such sins committed against my kind?
to accept the influences of a book that is thousands of years old
that still governs my everyday life?
the separation of church and state has been ignored
D Conors Sep 2010
The King of the World is on his way now,
he always shows up when the chips are down.
Everyone just loves The King of the World,
he always arrives with his banners unfurled.

The King can be a loud chap,
or The King can be quite a quiet mime,
he even puts his pants on
one royal leg at a time!

The King might eat breakfast,
or The King just might not,
he is everything you are,
yet is is all that you forgot.

He's a musician of sorts,
with a very big band,
his arrival is in herald,
throughout every land
-with brass trumpets a-blare,
and snare-drums rat-a-tat,
he makes everyone aware,
that he's now where you're at!

The King marches his forces
through the cities and fields,
assure of his courses,
lying flat beneath his heel.

He revels at the sight of deterioration,
fills his belly with the joy of nations in extinction.
The King grounds everything down to things he scrapes off his boots,
he topples the governs and poisons the cultural roots.

The King's fixations are splashed with spatters of blood,
turning kingdoms into crumbles of ashes and mud.
He bulldozes the bodies into toxic pits of ****,
contaminates by obscenity, wringing his hands at the wit.
Lionized by his minions in the empty empires he wrought,
The King's elite ruling class is dictated with rot.

In the aftermath of the bile
of his genocidal, sweet plight,
The King celebrates with great style,
turning the daylight into night.

With bonfires a-blaze on the wicked, windy wasteland,
The King of the World strikes up his big band,
and once marching again will torch and ravish the land,
dropping massive, beautiful bombs for the sake of the thrill,
melting the people and villages and eroding the hills.

The time for The King
always is nigh,
for he is surrounded by
the conjurations of lies.

Some say he is evil,
(but, he's not the Devil, you see)
-He's The King of the World,
he is you, he is *me.
D. Conors
August/September 2010
Ye martial pow’rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
  Now front to front the armies were display’d,
Here Israel rang’d, and there the foes array’d;
The hosts on two opposing mountains stood,
Thick as the foliage of the waving wood;
Between them an extensive valley lay,
O’er which the gleaming armour pour’d the day,
When from the camp of the Philistine foes,
Dreadful to view, a mighty warrior rose;
In the dire deeds of bleeding battle skill’d,
The monster stalks the terror of the field.
From Gath he sprung, Goliath was his name,
Of fierce deportment, and gigantic frame:
A brazen helmet on his head was plac’d,
A coat of mail his form terrific grac’d,
The greaves his legs, the targe his shoulders prest:
Dreadful in arms high-tow’ring o’er the rest
A spear he proudly wav’d, whose iron head,
Strange to relate, six hundred shekels weigh’d;
He strode along, and shook the ample field,
While Phoebus blaz’d refulgent on his shield:
Through Jacob’s race a chilling horror ran,
When thus the huge, enormous chief began:
  “Say, what the cause that in this proud array
“You set your battle in the face of day?
“One hero find in all your vaunting train,
“Then see who loses, and who wins the plain;
“For he who wins, in triumph may demand
“Perpetual service from the vanquish’d land:
“Your armies I defy, your force despise,
“By far inferior in Philistia’s eyes:
“Produce a man, and let us try the fight,
“Decide the contest, and the victor’s right.”
  Thus challeng’d he: all Israel stood amaz’d,
And ev’ry chief in consternation gaz’d;
But Jesse’s son in youthful bloom appears,
And warlike courage far beyond his years:
He left the folds, he left the flow’ry meads,
And soft recesses of the sylvan shades.
Now Israel’s monarch, and his troops arise,
With peals of shouts ascending to the skies;
In Elah’s vale the scene of combat lies.
  When the fair morning blush’d with orient red,
What David’s fire enjoin’d the son obey’d,
And swift of foot towards the trench he came,
Where glow’d each ***** with the martial flame.
He leaves his carriage to another’s care,
And runs to greet his brethren of the war.
While yet they spake the giant-chief arose,
Repeats the challenge, and insults his foes:
Struck with the sound, and trembling at the view,
Affrighted Israel from its post withdrew.
“Observe ye this tremendous foe, they cry’d,
“Who in proud vaunts our armies hath defy’d:
“Whoever lays him prostrate on the plain,
“Freedom in Israel for his house shall gain;
“And on him wealth unknown the king will pour,
“And give his royal daughter for his dow’r.”
  Then Jesse’s youngest hope: “My brethren say,
“What shall be done for him who takes away
“Reproach from Jacob, who destroys the chief.
“And puts a period to his country’s grief.
“He vaunts the honours of his arms abroad,
“And scorns the armies of the living God.”
  Thus spoke the youth, th’ attentive people ey’d
The wond’rous hero, and again reply’d:
“Such the rewards our monarch will bestow,
“On him who conquers, and destroys his foe.”
  Eliab heard, and kindled into ire
To hear his shepherd brother thus inquire,
And thus begun: “What errand brought thee? say
“Who keeps thy flock? or does it go astray?
“I know the base ambition of thine heart,
“But back in safety from the field depart.”
  Eliab thus to Jesse’s youngest heir,
Express’d his wrath in accents most severe.
When to his brother mildly he reply’d.
“What have I done? or what the cause to chide?
  The words were told before the king, who sent
For the young hero to his royal tent:
Before the monarch dauntless he began,
“For this Philistine fail no heart of man:
“I’ll take the vale, and with the giant fight:
“I dread not all his boasts, nor all his might.”
When thus the king: “Dar’st thou a stripling go,
“And venture combat with so great a foe?
“Who all his days has been inur’d to fight,
“And made its deeds his study and delight:
“Battles and bloodshed brought the monster forth,
“And clouds and whirlwinds usher’d in his birth.”
When David thus: “I kept the fleecy care,
“And out there rush’d a lion and a bear;
“A tender lamb the hungry lion took,
“And with no other weapon than my crook
“Bold I pursu’d, and chas d him o’er the field,
“The prey deliver’d, and the felon ****’d:
“As thus the lion and the bear I slew,
“So shall Goliath fall, and all his crew:
“The God, who sav’d me from these beasts of prey,
“By me this monster in the dust shall lay.”
So David spoke.  The wond’ring king reply’d;
“Go thou with heav’n and victory on thy side:
“This coat of mail, this sword gird on,” he said,
And plac’d a mighty helmet on his head:
The coat, the sword, the helm he laid aside,
Nor chose to venture with those arms untry’d,
Then took his staff, and to the neighb’ring brook
Instant he ran, and thence five pebbles took.
Mean time descended to Philistia’s son
A radiant cherub, and he thus begun:
“Goliath, well thou know’st thou hast defy’d
“Yon Hebrew armies, and their God deny’d:
“Rebellious wretch! audacious worm! forbear,
“Nor tempt the vengeance of their God too far:
“Them, who with his Omnipotence contend,
“No eye shall pity, and no arm defend:
“Proud as thou art, in short liv’d glory great,
“I come to tell thee thine approaching fate.
“Regard my words.  The Judge of all the gods,
“Beneath whose steps the tow’ring mountain nods,
“Will give thine armies to the savage brood,
“That cut the liquid air, or range the wood.
“Thee too a well-aim’d pebble shall destroy,
“And thou shalt perish by a beardless boy:
“Such is the mandate from the realms above,
“And should I try the vengeance to remove,
“Myself a rebel to my king would prove.
“Goliath say, shall grace to him be shown,
“Who dares heav’ns Monarch, and insults his throne?”
  “Your words are lost on me,” the giant cries,
While fear and wrath contended in his eyes,
When thus the messenger from heav’n replies:
“Provoke no more Jehovah’s awful hand
“To hurl its vengeance on thy guilty land:
“He grasps the thunder, and, he wings the storm,
“Servants their sov’reign’s orders to perform.”
  The angel spoke, and turn’d his eyes away,
Adding new radiance to the rising day.
  Now David comes: the fatal stones demand
His left, the staff engag’d his better hand:
The giant mov’d, and from his tow’ring height
Survey’d the stripling, and disdain’d the fight,
And thus began: “Am I a dog with thee?
“Bring’st thou no armour, but a staff to me?
“The gods on thee their vollied curses pour,
“And beasts and birds of prey thy flesh devour.”
  David undaunted thus, “Thy spear and shield
“Shall no protection to thy body yield:
“Jehovah’s name———no other arms I bear,
“I ask no other in this glorious war.
“To-day the Lord of Hosts to me will give
“Vict’ry, to-day thy doom thou shalt receive;
“The fate you threaten shall your own become,
“And beasts shall be your animated tomb,
“That all the earth’s inhabitants may know
“That there’s a God, who governs all below:
“This great assembly too shall witness stand,
“That needs nor sword, nor spear, th’ Almighty’s
  hand:
“The battle his, the conquest he bestows,
“And to our pow’r consigns our hated foes.”
  Thus David spoke; Goliath heard and came
To meet the hero in the field of fame.
Ah! fatal meeting to thy troops and thee,
But thou wast deaf to the divine decree;
Young David meets thee, meets thee not in vain;
’Tis thine to perish on th’ ensanguin’d plain.
  And now the youth the forceful pebble slung
Philistia trembled as it whizz’d along:
In his dread forehead, where the helmet ends,
Just o’er the brows the well-aim’d stone descends,
It pierc’d the skull, and shatter’d all the brain,
Prone on his face he tumbled to the plain:
Goliath’s fall no smaller terror yields
Than riving thunders in aerial fields:
The soul still ling’red in its lov’d abode,
Till conq’ring David o’er the giant strode:
Goliath’s sword then laid its master dead,
And from the body hew’d the ghastly head;
The blood in gushing torrents drench’d the plains,
The soul found passage through the spouting veins.
  And now aloud th’ illustrious victor said,
“Where are your boastings now your champion’s
  “dead?”
Scarce had he spoke, when the Philistines fled:
But fled in vain; the conqu’ror swift pursu’d:
What scenes of slaughter! and what seas of blood!
There Saul thy thousands grasp’d th’ impurpled sand
In pangs of death the conquest of thine hand;
And David there were thy ten thousands laid:
Thus Israel’s damsels musically play’d.
  Near Gath and Edron many an hero lay,
Breath’d out their souls, and curs’d the light of day:
Their fury, quench’d by death, no longer burns,
And David with Goliath’s head returns,
To Salem brought, but in his tent he plac’d
The load of armour which the giant grac’d.
His monarch saw him coming from the war,
And thus demanded of the son of Ner.
“Say, who is this amazing youth?” he cry’d,
When thus the leader of the host reply’d;
“As lives thy soul I know not whence he sprung,
“So great in prowess though in years so young:”
“Inquire whose son is he,” the sov’reign said,
“Before whose conq’ring arm Philistia fled.”
Before the king behold the stripling stand,
Goliath’s head depending from his hand:
To him the king: “Say of what martial line
“Art thou, young hero, and what sire was thine?”
He humbly thus; “The son of Jesse I:
“I came the glories of the field to try.
“Small is my tribe, but valiant in the fight;
“Small is my city, but thy royal right.”
“Then take the promis’d gifts,” the monarch cry’d,
Conferring riches and the royal bride:
“Knit to my soul for ever thou remain
“With me, nor quit my regal roof again.”
George Krokos Jul 2023
There are seven eyes of understanding
some people in life are so commanding
but the divine wisdom behind them all
is to rise up in knowledge and not fall.
--------------
Just as there are seven planes of consciousness - seven spiritual states - so also are there seven states of understanding. It is always seven. The number seven is the divine number. The seven understandings are:

Eye of Instinct: governs the animal world which includes insects, fish, amphibians, reptiles, birds and mammals.

Eye of Intellect: rules most of the common human realm of existence.

Eye of Inspiration: is for those human souls whose feelings are developed like poets and artists and other creative people.

Eye of Intuition: is for those advanced human souls who have conscious visions and understanding true to the point. What you understand by intuition is always true. What you understand by intellect is sometimes true and sometimes not.

Eye of Insight: human souls on the fourth and fifth plane have insight; their understanding is direct, without thinking with the mind.

Eye of Illumination: means seeing God as he is and is experienced by those human souls who see the Light of God inside and outside of their mind. The understanding is divine.

Eye of Integration or Realization: this is the merging, becoming and understanding of oneself as God (the I am God state – Nirvikalpa Samadhi).
-----------------------
Apart from the title, the introductory quatrain and the last listed named state of Integration to comply with the title - the 7 eyes (or - i's), all of which are my own creation and inclusion, there is also in parts some additional wording included of mine (marked in italics - unable to be seen here on HP) to complement the quoted knowledge, that Meher Baba, a spiritual master of the twentieth century, perhaps the greatest, revealed on the 29th of September 1940 at Meherabad (a place dedicated to him in India, near Poona) and is recorded in an extensive biography written by Bhau Kalchuri, one of his followers whom I had the good fortune to meet in person, titled: Lord Meher – vol7 pages 2617-2618.
Full credit for the above goes to Meher Baba of course and to Bhau Kalchuri who was given the task of writing the biography which is available for reading online by anyone who is interested - www.lordmeher.org.
Please also see another fantastic website called Life Eternal - www.meherbabadnyana.net/life_eternal/Life_Eternal.html - that's dedicated to Meher Baba which has most, if not all, of the quotes and sayings that he communicated during his lifetime. Jai Baba!
________________________________
Seated beside you in a bicycle rickshaw,
eventide of your last New Delhi day
gathering itself all around us.

Silk from my sari encircles my head,
shoulders warmed by a winter shawl.
Your heavy beige mantle and dhoti,
frame a man as tall as a tree, at least to me.

There is no need for words.

I may have been singing a bhajan to you,
just quietly, as shop lights came on
in the deepening blue.

Perfection finds us in the briefest of moments.

Wherever you are now, timelessness
governs friendships formed
in the Land of the Veda.
©Elisa Maria Argiro
T'is silence leaps from one self to another. Betrayal, o betrayal, doth greet it-so violently and startlingly, along th' entirety of its journey! Undelightful as 'tis, but made worse by t'at hostile dubiousness. Another fact aside from its ambivalent hatefulness: recognisable to every questioning eye-is t'is downright scary on its own, with unmolested quietude, and ******, but involuntary, unspokenness. Resolutions made within undesirable ambiences! Sacrifice t'at outwardly suggests th' presence of glam profuse in rich elaboration-but bland enough! And on top of all, t'is brimming immovability, and 'tis pool of doubts is causing me but to commence feeling weary about 'tis raising thorn. How didst I send myself into ferocious wanders-about t'is airless rooms, heated like sunflowers bathing themselves to death on th' giggling surface of raging snow. Battle of nature-and war of its childlike beings! Like a stoical plant in th' midst of 'tis glittering forest; vacant and idyllic-passive and unquestioning towards th' blades of farmers t'at come to exploit 'em: with morbid and futile, savage desires for rebellious treasures-unbecoming in t'eir temporariness, and unavoidability of sincere devotion as t'ey wilt soon leave t'eir offspring bereft of t'eir provisions once more. Yet look, look how red t'eir eyes are in t'eir hunger-eccentric vivacity gloweth in t'eir eyes, but mockery governs 'em-as ruptured t'eir weak souls are, by loathsome uncertainty and severe senses of greed. How t'is consideration made aggravated; agitated my soul is-o, seriously agitated! Yes, indeed! No longer doth vanity boast away about being my pride, but th' sultry pointlessness of my power of self-esteem. How melancholy t'is life is! O, and th' raising thorn itself, th' one aforementioned so discreetly within my fourth phrase up t'ere-growing dominantly and selfishly-aye! every day, is unlikely to be abashed by any remorseful incarceration, or stony suicidal attempts hurled by t'ose disgraceful beings out t'ere; but in t'is case, yon disgracefulness is comprised of grateful swarms of exquisite laughter, divine in its own roots, like th' sacred nook of a moonlit river. And how t'ere, on its most godlike slice of rock-so dearly scented by nature and innocent greenness-a sight be so dear to my longing eyes, shalt thou dwell with thy poems, and heart trembling with thy fullness of passion. For me, yes, for me, selfishly! O, my love! Cannot help I uttering thy name-thy very name, whom I am undeniably besotted with, like a feverish storm mooning over its lifelike sea, and whose eager cruelty so invincibly blanched by 'tis romantic tides-gone as it is, in just a seeming couple of cordial seconds! My love, whose name is so unmistakably dear to my heart, and indisputably belongs to 'tis greedy layers-ambitious, my love, desirous of,  and bland to solely th' dormant rains of thy love! O, t'ose pristine tears of blessings t'at are volatile but decorative to my half life-for thou art unarguably th' other half of me! And splendid in t'is very breath, t'at recognition t'en beats furiously along with t'is frail voyage of my humanness-grounded inevitably by unremarkable velocity are my wheels, and sometimes imprisoned in helplessness amidst th' pursuit of my fierce dreaming. But I admire 'tis core-as it is but thy warm, genial slumber; and 'tis skin is but th' very depths wherein I conceal my very whole love for thee. My love, my darling! If only thou wert here-yes, here, querida, to indulge t'is pr'saic quietude, shalt I shrink into nothing but a piece of thy fallen star; and t'ese feeble hands shalt t'en thou own, just as thy heart I should'th won.
W Taylor Oct 2012
When I was 15, I wouldn’t have believed you
if you told me all of this about constant lament
in a Red painted Animal House of scapegoats
that I’ve yet to see

it’s
        streets of beige
it’s
        fast food bad food no food spilled milk or beer
it’s
        the South no the East maybe West probably North
it’s
        in the air the water the meat there’s just too much heat to breathe or hold a job
it’s
        hourly wages and daily commutes of gypsy peddlers in a town I’ve never been to
it’s
        the cigarettes or nicotine my useless spleen filtering things I should never inhale or drink
it’s
        divorce rates leading to ***** flicks c-sections finding acquaintances on monitors after dark only able to generate laughter over years of tears
it’s
        women
it’s
        pain
it’s
        the migraines we get when we're waiting on the rain to paint the beige streets bronze
it’s
         rolling trees metal trucks frozen lakes lumber jacks and ice fishing
it's
         the anxiety of right wrong bad good all grey in the sunshine without you
it’s
         the words of times you said meaning more to me than it ever could to you
it’s
        the colossus of Wall St. overbearing my own suit and tie un-ironed or cared for but necessary     none the less
it’s
         CCTV the fight for power Government foreign travelers or terrorists Project Paper clip MK Ultra Plum Island persuasion propaganda Paul Wolfowitz
it’s
         who governs what you can afford when you sit tattered on a curb after earning another mans bread
it’s
        what has or has not been said 7 times or none that still lingers on the grass out front of home or house
it’s
        no matter how big you are you still answer a toy phone handed to you by a two year old
it’s
       the tears of Alexander when he realized there were no more worlds to conquer
Mateuš Conrad Feb 2016
you know that there's a weird
but omnipresent eye
wired in the igloo...
yeah... it encodes a message in
Morse... it asks for darting to & fro,
rather than blinking.

i'm waiting to leave the rhythm section
of pop music,
rhythm that was once a standard
soloist impressions in classical
music, and in classical music
solos that were just asking
for broken finger of piano,
while leaving the brass and woodwinds
worrying about schnittlippe smiles,
Chelsea a mile away:
how about... a todgrinsen...
your lips cut off and forever grinning
like an enclosure for a hyena laugh:
teeth to rattle to cages to bars...
make a big O... a big rat tat tat ha ha...
i pray i'm not you once you
entertained me for a while in silence
and in thinking to equate to my inactivity...
they remembered me as a party animal,
ready for the next friday...
sure, i used to be like that,
but i settled down: ready bodied
with weak thought against
a thought strengthened because the body
weaker, once readied for the look,
the applause... the perfected grammar of
changeable fashion appealing...
that's gone, and so the self that once was,
now standing outside the collective...
peering in, because they never attributed
depression to cancer victims...
apparently cancer just affect the body
and not the thinking,
now they realised cancer affects both body and thought...
you can't think of a friday three weeks away
in soberness dubbed sanity when you have
a physical ailment... so why create physical
ailments from simply having the odd thought:
the ancients dug a fetish for immortal creatures
and lived and slaughtered...
the modern congregation of supposed immortal
beings is a ridiculous thought... but so the antidote...
immortal beings disappeared,
but mortal beings turned to a quickened heed
for immortality with a thought rather than activity...
no heroism in the aisles of hospital beds...
no heroism there...
immunity for ideas also lost, immunised
by gaming and shooting blanks into duke nuke 'em
geography of the labyrinths...
by disengaging from immortal beings
where all suffering took place: let's face it,
mortality understands immortal psychology the best
it's simply unendurable -
we invoked a loss of immortal beings
by becoming twice mortal,
by dwelling among animals for a synchronised
systematisation of understanding we lost
many individuations of the unit, the self,
with too much darwinistic interpretations
we claimed some strange mirror,
a multi-diadem mirror of man: a minute a swan,
a minute a monkey, a minute an ant,
a minute a larvae of flies when naked...
no one said the theory is wrong,
but someone said: but that's how i feel about it...
overly objectifying does not look cool,
it limits emotions ready for individuation...
apathy breeds no pathology,
love embraces apathy: the apathy of
someone selling a newspaper while you
commute, the baker, the butcher, the medic...
hatred doesn't appreciate such an apathy,
it embraces pathology, and because of this,
becomes caged.
i just want one stab at it...
to feel a finite resolve of estimation,
to have camouflaged as a mammal among
other mammals, but thinking more complex
more different...
rather than resort to the simplest of simplicities
for a resolve on the matter of ontology...
a pre-dating reasoning...
but you see... it's not darwinism that governs
humanity... it's a plagiarism...
humanity adapts via plagiarism...
all the poor dream of making it big...
the only thing that keeps us moving
is a stress on plagiarism... you see a homeless
guy you get the defence mechanism usher message
telling you: DO NOT PLAGIARISE...
you see a guy with a harem in a black limo
you get a striving mechanism usher message:
PLAGIARISE! it's idiotic to think of /
utilise darwinism in terms of defining origin...
me? monkey over man any day...
simpler diet... plus endless swings and branches...
parasites no much of a problem...
plus moral killers like tigers not too eager
into sadism and mutilation, because just hungry...
not fetishes with carnivores... quick kosher kills.
the only adaptability we have is plagiarism,
because we have a self to worry about
as a. in a collective assertion of it whether
existent or non-existent... and b. in a singular
event asserted by abstracting it, notably
via existential notation, of a "self";
as someone once said:
animals do not commit to genocide...
yes, that's true,
they don't commit to passive genocide
of enforced laws of differentiation
to look cooler or smoother or just plain
caught up in a cultural grooves and edges;
and from the tree of knowledge
of good and evil you will not eat,
because you'll enforce plagiarism,
a consciousness of plagiarism
a consciousness stressing that no self be attached,
with only attachment being via a "self",
the continuum of misunderstanding,
reaching a potential of understanding
once the continuum reaches a twilight peak
at *ad infinitum
, where a randomised
narrator steps in, and deviates from the
orthodoxy of constants and subsequent remnants
of how man de-glorifies god, and glorifies nature,
but doesn't dare to engage nature as nature
engages with itself, apprehensive of nature per se
man defiles a god to abstract nature,
by calling to question the role of nocturnal beings,
insects and parasites... choosing to believe
in god in order to exact due noun to his fellow
creature... for man defiles god and glorifies nature,
but by glorifying nature he ought to despise,
he creates insects parasites and murderers
he eventually lacks the power to despise...
personally? it's hard to write a coherent opinion
in english, too much prepositional / conjunction
shrapnel... poetry is overly elitist, my lamentation...
in an age where overt use of images
numbs a sense of entertainment using words...
and dialectics just lost a disputing partner...
in an age when each to his own, a free-reigning-free-fall...
where non-engagement with one strand of opinions,
leads to another, even more extreme than the one prior.
Oblatum - Magnus Volumine

John is defined in the Gospel of him as the disciple whom Jesus loved (cf. Jn 13:23). Thanks to the special signs of predilection that Jesus showed him at very significant moments in his life, John was closely linked to the History of Salvation. The first sign that showed him the great affection of Jesus was that he was called to be his disciple along with Andrew, Peter's brother, through John the Baptist who baptized in the Jordan River and of whom they were already disciples.. In fact, as Jesus passed by, the Baptist introduced him to him as "the Lamb of God" and they immediately followed him. John was so impressed by his personal encounter with Jesus that he never forgot that it was around four in the afternoon that Jesus invited them to follow him (cf. Jn 1:35-41). The second sign of predilection was having been a direct witness of some events in the life of Jesus, which he later reworked in the fourth gospel, in a theological way very different from the synoptic gospels (cf. Jn 21:24). And the third moment in which Jesus himself made him feel his friendship and his very particular brotherhood was when Jesus, about to give up his spirit (cf. Jn 19:30), wanted to associate it in a privileged way with the mystery of the Incarnation, expressly confiding it to his mother: "here is your son"; and expressly instructing his mother: "here is your mother." (cf. Jn 19:26-27).

The sources from which the data on John's life as an apostle, as an evangelist and as "adopted son" of Mary have been extracted do not always coincide. Some sources are more convergent and others are more dubious or apocryphal. From the gospels we know that together with his brother James - who will also be an apostle - the two were fishermen originally from Galilee, from an area of Lake Tiberias, and that together they were nicknamed "the sons of thunder" (cf. Mark 3:17). ). His father was Zebedee and his mother Salome. We find John in the narrow circle of the apostles who accompanied Jesus when he performed some of the most important "signs" (cf. Jn 2:11) of his progressive revelation as a type of Messiah very different from the one that the people of Israel was expected (Lk 9, 54-55). In fact, when Jesus resurrected Jairus' daughter (cf. Lk 8:51), when he was transfigured on Mount Tabor (cf. Lk 9:28), and during the agony in Gethsemane (cf. Mk 14:33), Jesus tried to make them understand that they had to transform their mentality linked to hope into a violent Messiah, similar to Elijah because, on the other hand, he was the beloved Son of the Father (cf. Lk 9:35), he was the Messiah come from the heaven to communicate divine life in abundance (cf. Jn 10:10), and that he was also going to suffer rejection and injustice from the religious leaders of his people (cf. Mt 16:21). In the Gospel of John, Jesus appears as the Teacher who also tries, in vain, to make the Jews understand the paradoxical logic of the Kingdom of God (cf. Jn 8, 13-59). His disciples, on his behalf, are invited to be born again (cf. Jn 3:1-21) to worship the Father in Spirit and Truth (cf. Jn 4:23-24); Jesus prays for them so that they remain united by divine Love (cf. Jn 17:21) and that they are fed by the Bread of Life (cf. Jn 6:35).

During the Last Supper, John had leaned on Jesus' chest and asked him: Lord, who is the one who is going to betray you? (cf. Jn 21:20). John was the only one of the apostles who accompanied Jesus to the foot of the Cross with Mary (cf. Jn 19, 26-27). John was the first to believe the announcement of the resurrection of Jesus made by Mary Magdalene (cf. Mt 28, 8): he ran quickly to the empty tomb and let Peter enter first to respect his precedence (cf. Jn 20, 1-8). Tradition adds that some years later he moved with Mary to Ephesus, from where he evangelized Asia Minor. It also appears that he suffered persecution from Domitian and that he was banished to the island of Patmos. Finally, thanks to the advent of Nerva as emperor, he (96-98) returned to Ephesus to finish his days there as an ultracentenarian, around the year 104.

The Gospel attributed to John was named after Origen. It has also been called the "Spiritual Gospel" or "Gospel of the Logos." His style and literary genre are full of "signs", symbols and figures that should not be interpreted literally. In the prologue of his gospel, John uses refined theological language to show how at the beginning of the New creation, in the New beginning the divine "Logos" already pre-existed; logos meaning the eternal creative Word of the Father, which was later translated into Latin as "Verbum". In the prologue of the fourth gospel Jesus is presented as the "Divine Word", the "Light of life" and "the pre-existing Wisdom of God" (cf. Jn 1:1-18). This gospel invites us to accept, through a faith full of amazement and gratitude, the surprising revelation that the Word of God, which no one had seen, became flesh and has made his home among his people. (cf. Jn 1:14). For this reason, the word "believe" is repeated almost 100 times, because God wants all men to be saved (cf. 1Tim 2:4) and to have abundant life through faith in Jesus Christ, God made flesh (cf. Jn 11, 25).

The Gospel of John also presents us in two very emblematic episodes the identity of Mary and the special relationship of John as her "adopted son" to her: at the wedding at Cana and at Calvary. In the narration of the sign of the water transformed into the new Wine during the wedding at Cana, Mary is shown to us as the powerful intercessor who anticipates the hour of Jesus' revelation to his People (cf. Jn 2:1- 12). On Calvary, at the moment of the glorification of Christ, Mary is presented as the Woman who is transformed into the New Eve or Mother of the disciples of her Son (cf. Jn 19:25-27). If we consider the close filial relationship between John and Mary, it is not difficult to imagine that the revelation of the figure of the Messiah in the Gospel of John has also been nourished by the direct testimony of Mary, since she, better than anyone else, in her last years of loneliness, he collected in his heart and in his memories the "signs", the "signs" and the words of life of Jesus. It is therefore conceivable that the unique experiences that she preserved in her memory, she later shared with the disciples of Jesus, and in particular with John. Therefore, it can be considered that Mary herself also progressively welcomed and interpreted in faith the revelation that the Son of her womb was at the same time the eternal Son of the Father, (cf. Jn 10:30), the only Bread. of life (cf. Jn 6:34), the Light of the world (cf. Jn 8:12), the Door (cf. Jn 10:7), the Good Shepherd (cf. Jn 10:11), the Resurrection and life (cf. Jn 11:24), the true Vine (cf. Jn 15:1) and the Way, the Truth and the Life (cf. Jn 14:6).

The three "letters" are attributed to the tradition of the disciples of John, which also have the flavor of brief homilies. The Apocalypse is a canonical book, recognized as inspired, that was born in the environments of the churches of the Johannine tradition that suffered the attacks of Gnostic doctrines. This, which is the last book of the Bible, uses a literary genre similar to that of some prophetic books of the Old Testament, such as the book of Daniel (cf. Dan 7), Ezekiel or Zechariah. The word apocalypse is the transcription of a Greek term that means revelation and not destruction, as is sometimes thought. John addresses seven letters to the seven churches (cf. Rev 1-3) to transmit to us, through very fascinating characters and symbols, a very concrete message of hope in which the slain Lamb (cf. Rev 5:12), i.e., Christ the Savior will triumph over all persecutions and oppositions of the forces of evil to the Kingdom of God and will make all things new. This will happen when God will establish his Kingdom of justice, love and peace at the end of time. In this book it is shown, with numerous and suggestive symbols, such as the seven seals (cf. Rev 6-8, 1), the seven trumpets (cf. Rev 8, 6-11, 19), the seven angels with the seven bowls (cf. Rev 15, 5-16, 21), the tiring path and the struggle that believers of all times have to face so that one day the building of the New Jerusalem will be carried out (cf. Rev 21-22), today we would say the Civilization of Love, brotherhood and care for life, when Jesus, the Alpha and Omega (cf. Rev 22:13), returns at the end of time. In this sense, the Apocalypse is also a prophetic book that interprets God's action in history, ensuring that the faithful and truthful Witness (cf. Rev 3:14) will return soon (cf. Rev 22:20) and will definitively conquer. to evil, pain, and death (cf. Rev 22:1-5).


Dedicavit

This manuscript is dedicated to Sauter Bernardino Edmundo Carreño Troncoso “ Primum Coniugem Alexandri Magnis ” of the first of the Gamelion of Dionysius of Leneo, to his Adelphos of Etrestles of Kalavrita, to Alexander III of Macedonia, known as Alexander the Great (July 21, 356 BC - June 10 or 11, 323 BC), Leonidas of Epirus, Lysimachus of Acarnania, Aristotle, Bucephalus, of the sixth of Hecatombeon, the month in which the Macedonians called him with the paelative Loios, the same day as the temple of Diana in Ephesus was burned; As Hegesias of Magnesia makes occasion for a presumption, Cassander, Ptolemy, and Hephaestion would become his lifelong companions and generals in his army. Callisthenes, another friend, was Aristotle's nephew. Dedicated to the dignity of Raeder of Kalymnos; son of Etrestles of Kalavrita, especially to Saint John the Apostle, distinguished relatives of the Transverse Valleys of Horcodndising and Sudpichi. Finally to my parents Luccaca and Bernardolipo Monarchs of Horcondising. And all the characters who will live eternally in this colossal Magnus Volumine. “Gratias Ago Tibi Propter Heroismum Tuum Vernarth, Et Doce Nos Viam Messiae” Thank you for your heroism Vernarth, and teaching us the way of the Messiah!

“I must tell you of my great admiration for my steed Alikantus, with which I will come to visit you soon, also to Kanti who have been a great precursor to take you to Athens, Thessaly, Delphi and Lefkandi. You can see that Bucephalus has joined our fight; where the “Sons of Iaveh, have eyes like a flame of fire or Aish, and feet like to go burnishing the chaff of bronze towards Patmos”, which will instigate you for the contrition of Thyatira, under the trick of my Rabbi Saint John the Apostle”


Thyatira

City rebuilt at the beginning of the 3rd century BC. E.C. by Seleucus Nicátor, one of Alexander the Great's generals. It was located about 60 km from the Aegean coast, on the banks of a tributary of the Gediz (ancient Hermos River), in the western Asia Minor. The Christian congregation of Thyatira received a message written by the apostle John as revealed to them by the Lord Jesus Christ. (Revelation 1:11) “which said: I am the Alpha and the Omega, the first and the last. Write in a book what you see, and send it to the seven churches that are in Asia: to Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia and Laodicea.

In this regard, the Lord declared in a reproving tone: “You tolerate that woman Jezebel, who calls herself a prophetess, and she teaches and leads my slaves astray to commit fornication and eat things sacrificed to idols.” This “woman” was probably named Jezebel because of her wicked behavior similar to that of Ahab's wife and her stubborn refusal to repent. However, it appears that only a minority of the members of the Thyatira congregation approved of this Jezebel influence, as the message continues to address “the rest of you who are in Thyatira, to all who do not have this teaching, to the very same ones who did not come to know the 'deep things of Satan'." (Revelation 2:18-29).

“ Children of Iaveh, you have “Eyes like a flame of fire or Aish, and feet like burnishing the chaff of bronze” toward Patmos that has freed me from your Xorki, how to say and what not to say to you; that my voice has stammered, making me feel that once I flee, I must adhere to the Eternal fire of the Mayim, children of Iaveh, the Mayim of Hydor and saint of water, the Windmill and its sad Myloi, fall on my face ”


Magnus Volumine I    


The Vernarth's intensification of this prosopography as Prosopography Magistri Militum Strategos Typology; he has used the raffle of a History it was not known but it is Vernarth now introduces in Historiography as an auxiliary. The methodological fragment could be torn apart from its screens of a mind enslaved to having to worship a cycle that condemns it to surrender to its loved ones leaving it at the same time to be sectored from a condemnation, to prostrate itself to an Eternal Life its images nor Masterful Words that would have to distinguish the parasciences from subdividing their corporality into thousands of Othónes or Screens, in order to be able to sustain themselves from others that do not compose the knowledge of what is not History; but rather that what happens typical of prosopography allows to obtain visibility regarding the different sectors of society, and the possibilities of their members to access positions of a present that never leaves the power of the Space of a Strategoi, as Time-Space at levels of superior Intelligence subject to mandates of divine Power that oscillates in a mental power of the Militum that coexists with the Community of the Strategos, creating the entire Quantum Band of the antiquity as an omnipresent being par excellence. When its ****** envelope is reflected in its Purgation, it will trigger a presence that governs itself and leads in the trend of a "Duoverse that will only be built in its Unique unity"... given the trend of all crowds that bustle beyond the mass of their Villas or Cities that they inhabit, creating sensations and an unreal genetic world even that amalgamates a large number of generations that only increases its demography based on the autarkic mandate of a history that goes back for not knowing what to imagine of the past and of a future without present that is sustained in a Spiritual Intelligence.

The sociological mutations will be circular, and the retrograde since the collective of images will exceed everything that is sustained on a material floor and therefore it denies that what develops in an empty heart will be a specialized material of a periodicity, that does not spare New Universes that a pillar or support be added that tends to calligraphy better where imagery could prevail all the limits of common language. The grammar of ancient Greece will defend periods that are neither static nor finite, leaving free space for words that are engulfed by vast seas of stagnant bibliographical records never known never written nor destined for a secular record. The Submythology Potential is provided by the entire Belt that surrounds from South America to the Mediterranean as an infinite cord of Eternity to re-hold itself in a matriarchy in the societies of the past to recognize, that femininity is the real genesis of research from where a frequent human origin proceeds, so this it is the transcended in the Universality that transcends in the investigation of the sphere of Unknown History; pretending its ligament of prosopography, and the vivifying instance of Submythology as a unifying entity to summarize the condition of Strategos/Magister Militum we have taken into consideration the situation of our utter information in this existing prosopography works. Parapsychology is subject to a dimension closely linked to non-reflection to even the Primordial Quantum to governs, and governs everything just as this Magnus Volumeni I tries to express the independence of all literary expression if it is about Vernarth, rather it is a documentary space.

Afterward six years of knowing and introducing myself to the area of   Technology, and the Science in the Tourism industry, I made my presentation at Macromedia University, Berlin-Germany. Through this university management I had the option of presenting my concept and avant-garde projects, which condescended me to get to know the E-Tourism Perspectives area of the University of Svizzera Italian-Ticino. This allowed me to meet and join an independent study challenge with the slogan of deriving a full range of analysis, and dedicated study Heritage Sites of UNESCO. All thanks to the agreement that consecrated me at the Pantheon-Sorbonne Université, specifically Maria Gravari-Barbas, Directore de la Chaire UNESCO, Culture, Tourisme / Lorenzo Cantoni, professor at USI Universitá della Svizzera Italiana.

The university has had here in South America, in Chile an intrepid collaborator who has tried to interpret the postulates of the Sciences of Humanity exposing the nature of preserving, and keep investigating everything in the lost history of Europe, which has great significance for Culture that has branched out through the Tourism Technology, and its Digital transformation for this purpose of understanding public life in dissimilar fields that are still hidden in intangible archives, which deduce important material of study in areas of Science, Philosophy, History, Politics, Geography, Jurisprudence that would add to the world of the conservation of the ancestral peoples with all its courageous identity of the Prosopography, and the archaeological demography.

The United Nations Educational, Scientific & Cultural Organization, known for short, as UNESCO is a specialized agency of the United Nations. It was founded on November 16, 1945 with the aim of contributing to peace and security in the world through education, science, culture and communications. The constitution signed that day entered into force on November 4, 1946 ratified by twenty countries. In 1958 its main headquarters were inaugurated, in the VII district of Paris. Its general director is Audrey Azoulay the specialization and search for Culture, Education and Science is a way of contributing to humanity, peacefully granting security through the entire International community for this reason we believe that this work fulfills that prerogative narrowing organically, as been always it is here with the multidimensional epic narrative that is broken down with the prose, and parapsychology other than is a field closely linked to the intrinsic link of all the treasure that has been transmitted for thousands of years, leaving before our expectation what its ruins and works have wanted to demonstrate with their laudable dedication foundations, and expansion of multiple Sites in their musings that have traveled the history of diction of the science of culture, information, communication to create knowledge that this still remains with our reality of society that has the pattern of explosive generation of the current one. One of Vernarth's is the most important premises to create the roots of systematic knowledge, that is to say to provide platforms for their family trees, prosopography and the art of writing Submythological Prose whose the objective tends to occupy the expanded universal literature that has advanced for thousands of years on the other hand, Submythology is free of format cancels many aspects of the temporary format, and creates a relationship link between the academic and the secular attracting infinities of Cultures, historical landmarks, hybridity of languages, and above all merging and re-transforming existences of the post-Classical period; where the source and personal question does not daunt the distances of the inheritable that distanced us by geological-Historical periods, rather it makes the viability of an unexplored field up to now as Vernarth is the granting a hierarchical international value that will retransmit knowledge and skills.

In this way, agglutinating ourselves in those interstices that are not visible, qualifyable or quantifiable, only have to materialize when patrimonial beings are chosen by others who are already hereditary of an industrious will it occupies the supports of a platform of earthly inheritance, and later disseminate it throughout different sectors of the field of knowledge and the research, connoting that there are many variables that could help us interpret the foundations of the UNESCO heritage, today are far removed from communities that want to invest time in inquiring more deeply about them. For this reason, Central and Eastern Europe is at the forefront of generating multi-channels that can ensure the treatment of technological routes or flourishing that want to be found again, such as the Qhapac Ñan, or perhaps the Jacobean Route, perhaps the Route from Patmos to Judah pointing to Vernarth by demonstrating that hindsight could be perfective when visualizing facts that were not witnessed or written as they should be, VG the return to Galilee of Saint John the Apostle in the Hegira to Judah, relegated to Greece by Emperor Domitian. The amendment of such a well-deserved return confirms the wait for an immortal being in the Eclectic Portal for three months, who will mean the ordinary that rises up from the phenomenal investing in roles that many times, as indicated by the dogma of the baptistery indicating that we can be saints and apostles to preserve the patrimonies to educate and retransmit values to follow.

Vernarth Trilogy II at its end, is reiterated in deliberating that this work never ends because each chapter of Paraps, inaugurates a new infinite regressive dimension as it is in the case of Poielipsis; as it is a liquefaction of the parameter of Poiere, and the inverted Apocalypse to make changes after personalities that manage to impact the successive episodes of alteration of Life periods, as in this case Vernarth when he was legitimized to assist Gaugamela by the god Spílaiaus to make the support to Alexander the Great not only for winning the battles but for saving and winning the souls of the fallen Hoplites, generating in them an idyllic prose that promotes and sublimates the possession of the principles of an Apocalypse, that suggests protecting those who should believe without pain of what will await them later for an indefinite death. The Souls of Trouvere will stand out with the bulwark of enthronement of the state of energy that would mobilize Charles the Great by taking him to the platform of conquest of Europe crowned as emperor by Pope Leo III taking the lessons strongly rooted, and letters that would subscribe the cheers where nothing dies in the center of its own fear, because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, including the crown when Charlemagne assumed his great legacy at twenty years after expiring later at seventy-two. This is where fears die, not being able to hope or convalesce in concepts of Energeia that vitally moved from the similar aspect to Alexander the Great in the same even numeral but thirty-two, and letters that would be signed by cheers where nothing dies in the center of its own fear because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, even the crown when Charlemagne assumed his great legacy at twenty after later expiring at seventy-two.

In another topic, Vernarth after witnessing Stratonice's intermission decides to run at her bare feet for those who banish with their needs on the parental scale of their range, succeeded by Energeia's need for the impudent sense of being enraptured in possibilities, here insulting also the principle of quantum science with the spin of subatomic particles, alembicated in the timeless particles that could leave out of the nucleus the proportion of rotation of time that could be found, and rooting of memories in rectilinear lines of the imperturbable Hellenic mental axis. One could also amend here all the licentious action of Seleucus by Stratonice when she splits the gross threshold of her son Antiochus, and Antigonus I Monophthalmos referring to the father Stratonice of Macedonia for never marrying her to Seleucus. All this generates the Epistle addressed to Vernarth to solve the strident and impalpable of the warlike Diadocos that greatly affected the female descendants, confining them to their domestic avatars in disloyal empires, where these vilifications devastate the imperial partiality through the centuries of an oppressive strength, and disagreement in their moral wrongs. From this quality the coordinate of the Souls of Trouvere that remains in the present, always allying themselves in saviors of oppressed and abandoned peoples who strive in the neologism of the Epsilon or Vernarth's fifth dimension, and not restrict themselves as Aristotle affirms, investigating the entity towards a mono-meaning in this causal of such an alpha that says the paradoxical demonstrating diversity of optics. Prior to this diatribe, Vernarth decides his naturalness that he decides to promote the Souls that are part of both topics to alleviate the potentialities of the acts that are apprehended in the light of genius that coexists with both. What he judged us in the unfolding of his entity and will deliver it by divine intelligence so as not to reduce the free power of the Epsilon that was extracted in the welcoming the presence of Stratonice on the (substitute scale of Vernarth's relativistic emotions). There are few seconds that can be extended more from a selective argument of tendencies in ex-sheets that could be attributed to dimensions of the period of Trouvere's souls, lacking stillness in simulated biological environments.

The dynamics of this Poielípsis is to adorn the Voielípsis as an analogous addition of quantum causality and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas heading towards the mainstay in the mega absorption of Christian Aristotelian ideals. The souls will be residents of the indeterminate spiritual mechanics to put effects of the incredulous versatility on themselves, in sub-aquatic depths that coexist with the geological structure of the cavern of Saint John Apostle more than sub-earthly concomitance under the same axial of geological sustaining coordinate. Namely; they will live together while the temple is established except three hundred, and eight meters from its antipode in the underwater base of Prophytis Ilías.

The upholstery of the Pithya Herophile attacks the subtending of the flying buttress that was supported by the cavities of the volcanic rocks of Patmos, indicating its agreement with the Souls due to the disoriented cognitive dissonance that was generating paradigms, which tracked the stones that formulated Aquarian sounds in their dominant tonality due to the minuscule machine of light, more distant in the incommensurability that evaded its eclipsed in the resplendent major note that became monarchical due to the hypotenuse of the rectangle in three subdominant angles. This means that the Sybille was in the high point of observing her premonitions towards the creation that was born from another end to end in the recycling of creation in the dim light of clarity of the destinations that were going to present themselves as a song of remembrance of the Poielipsis, venturing the new restart or attempt of the Delphic oracular. The songs remain in the spell, and in the banal desires that would harm a mortal that will expand to the hypotenuse or line of the sentence that marked a step impelling in the misgivings and forgiveness of the banner of risk. Santiago of Compostela was going to Stratonice with his inclinations, like a geometric racconto subduing the fears that slip through the veil of the dogma of the arch where no philosophy can look higher if it is not allowed, typical of vegetating or freeing oneself from what revives in fears that do not shed light on eternal life, perhaps of a the Matematikoi himself who doubts an Ad finitas basis, and who finds out without the limits leading Pythagoras to the ground handcuffed from Crotona, always ignorant of the linguistic power that urges to rewind the spheres that still weave crossed angles placing themselves in trial, and error when considering a non-renewable past the soul of the Poielípsis adopted a Pythagorean conception in the halters of livid legions of Orpheus, as if it were his consecrated to the hypogeum where the level was to stir the embankment that will merge with Zefian's Arrows.

A diminutive atonal music possible existed in the molecules, and in trigonometric periods in which the measures were united in time as a stationary whole vivifying a great variety of fractional numbers as souls of the same numeral that finally appear to be Pythagorean digits. Vernarth's military of Phalanxes in this epic made the crucial oblique moment to break Dario's troops like a dozen Elegy that was going to re-flower what he knew of his already sub-treated destinations, other than will only be souls tired of keeping themselves alive in their morbidity, and the dissociated causal of immortality that will distance itself from the prohibited abstinences in libertarian exercises of any counting that ponders on the coming etymology of the Vita Pythagorae on the couch of joy, and serving his doctrine that saves himself that will save us in the Messiah for those who in their souls do not have the sacrifice of a lamb that feeds, nor a base that goes ahead in the centuries grazing what no one was capable of. In the second triad of Apollo the oracle of Apollo with the Souls that reveal Charles the Great to be his favorite for the protectorate of Compostela, and his spiritual regency the invitation to Charlemagne breaks out from Aachen after 33 consecutive years in the sword dispute stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne put himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence in the second concave wasteland, and the straight ascending of the Trouvere Souls crowning Charlemagne emperor of Rome and Francos chosen by Leo III, predicted by the Apostle Santiago in defensive pontifical struggles, and defenders of Christianity. In this paradigm there is a deceased seep through of an elusive world that was joining from here in the vein of Poielípsis for the sake of some eras that came from the mutes, and anonymity that augured to link them to know within their endless intrinsically organic movement, also as a diligent active cosmos of the discovery of the Jacobean route longing to be a better region than the Dodecanese merged by the twelve apostles, and now the brother of the son of Zebedee; Santiago, brother of Saint John the Apostle, ennobled in the 778 AD tying it to Hispania. In ****** and constant fighting, Charlemagne besieged the Saxons, he entered Hispania crossing the Pyrenees as an anticipation of the aforementioned the Jacobean Route, everything worsened in this way witnessing the subjugated places in the jurisdictions of the Trouvers who were Pythagoric elite of soldiers who they had be bilocated in this Christian Era, preceded by this perfidious Basque in the woods subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to pursue them to Pamplona with Charlemagne. Everyone was escaping from Islam, and not a few Christians resented this affront in the dynamics that will reveal the Songs of the French Deed.

This previous paragraph exhibits the eloquence of how the interlining that Vernarth had to create a Brotherhood Code called "Raedus Codex" for the high nomination polished in the Infant Raeder as a twitch of the sacrifice of his young soul, who fought battles in pursuit of defenses pure and free with the freshly grown grass of the spring of the world in Genesis. The Souls in Trilogy III will be the compendium of the Codices that will enter the Wind Tunnel what will be governed by the warm Meltemi wind, and swirled by the winds of Eolonymy, ascending all those who should be admitted and not purging those in between who they enjoyed a pre-Christian heritage citing Pythagorean antiquity behind those who must have dressed it up as a Codex Calixtinus. From this arrangement Charlemagne will drive souls with antiphons, the Apostle Santiago will come lacerated to meet his brother Saint John the Apostle, his barge will be abandoned in the Strait of Gibraltar and then arrive at Santiago of Compostela from here he will make tributes of name to ascend to Patmos. Just as the end of Vernarth's Trilogy II is faithfully transcribed, also Stratonice, the Hexagonal Primogeniture, Alexander the Great, King David Elias, Malachi, Isaiah and all the acquirer flashed in Raeder and his Pelican Petrobus, as self-sustaining defenders of the Infantile Fantasies that they continued in this complex work after a finding that fed them up in Vernarth as well as everything related to their release and investiture to say that all roads lead to Patmos, as Locus Sanctus of all the shepherds who heal their sheep that do not belong to others that are populated with white souls, for the good of other shells 308 meters below the Prophytis Ilias with the consent of Stratonice who would be arriving in Macedonia where the pass of the centuries they would tell them about the Jacobean Route instructed in confrontations, and concordances with the airons of the Trouvere protected by a rectangle of three Pythagorean subdominant angles in dissipated darkness of the golden astrological ambiguity of Theoskepasti of the meridian of the Kimolos. He will go away saying explicitly that the darkness became visible mists where there was nothing to hide from Psathi Roadstead in Kimolos, until reaching the Agia or the Chapel of Theoskepasti that would become visible for the phenomenon of Faith, alluding to a portentous desire that everything was tied to the same sense of compression of which the image or sound of the creation at times to became invisible but precisely understandable, as it was when imagining palpable the reality of what allows the human eye to feel for an instant that everything is real imperceptible, more present of all what can be detected by superior senses more than humans, giving way next to the Raedus Codex more present of all what can be detected by superior senses more than humans.

From Ios or Nios, bordering on Psathi, the Trilogy is unleashed when the association of all the spaced Cyclades of Vernarth will come to every equinox to shine the careful nap of the villagers of the Cyclades, close to the torpor of Thira. It will raise each Hoplite that from the point of Nios drags them with its abandoned body that could never receive the roads that led to Chora in infinitesimal distances and in white spots of all the Cycladic ghosts, who try to exalt themselves and assimilate to the villagers of Psathi.

According to Plutarch, the name Ios or Nios is believed to derive from the ancient Greek word for the violets "Ία" (Ia) because they were commonly found on the island, and is the most accepted etymology. It is also postulated that the name is derived from the Phoenician word iion, which means, "pile of stones". It was called "Φοινίκη" (Phiniki) named after the Phoenicians in the 3rd century when the island joined the League of Islanders it was probably temporarily called Arsinoe after the wife of Ptolemy II. Today the inhabitants of the Cycladic Islands call Nio Island a name derived from the Byzantine era. The name Little Malta, found in traveler's texts during Ottoman rule, is related to the permanent presence of pirates on the island of Latin-script languages.
https://www.amazon.com/dp/B0C382CQNN
Nat Lipstadt Apr 2023
yes, in full possessive of all the typical, ****** wearing-out diminishments and diminutions

so no surprises, that I’m squinting to see my own personal
street signs two blocks ahead, in case a dreaded left turn be
required

I hear eventually what your thinking, by the second, third rep, I am fully informed of your opinion and am left wondering why people blather rather than win some, with  
a winsome smile

but it  catches me unaware that my voice, (its tones, notions,and colorations) is softer, though not purposed or so intentioned,this is puzzling, so wrestle for the whys, as is my wont, for explicating my existence be my full time employment and time is  overly plentiful and it’s steady evaporation is not the diet I am needing or even
embracing

perhaps, (always a multi-perhaps), mine aging grants an edge-softening, the brain regulates away the shouting urgency of what seemed important, demandy &needy for immediate attention, has a natural implant subtly started subtracting and governs my always was voluble but less-than-valuable insistence to be heard above the raucous din of the world~is~ending~
scarecrows

perhaps, it is something simple physic, but I deny that
escapism excuse, for yet, my bellyful laughter still loudest I know especially, at the ironical, comical of my mirror image rightly making fun of my vanity and even yet today, on a busy city street my senior YO! still summons taxis  to appear from
blocks away

perhaps, he flatters himself, his soon to be required stick will be so big, the need to speak softly intuitively concomitant, but that’s a lie as  he has no stick as of yet, ‘cept for the one he himself, he hisself, penetrated & perpetrated up his own ****

perhaps, just the intuitive or learned wisdom to think slower, talk lower, excise the waste of haste that plagues  the modern life, all that quiet, buttery yet uncool logic persuasion triumphs over the no-reasoned- shouting-pretense to be everybody’s exercised right
to be stupid

so many possible perhaps that this  listing is making me too, 
list to one side; perhaps, the list is so lengthy it requires a conservation of energy, and sotto voce approach to the so-much-of-everything
yet unanswered,

but perhaps,
I  just have less to say and
it comes out of me,
softer and wiser…ha!

perhaps, time has worn me down into a…
**a modulated man
Sat Apr 16 2023
nyc
Hal Loyd Denton Feb 2013
Restoration

I found myself in a desert the sun beat down relentlessly you see I was just one more fool living on the
Devil’s life plan he comes and sizes you up watches with intensity not of care but hate he doesn’t take
Long he has seen the same thing multiplied many times before he does a little razz and dazzle if you
Could have seen my face you would know how appealing it was oh that’s right you got the same
Treatment you see this desert is where he houses all of his captives it’s so wide and vast the thought is
Who’s trapped but we are like the icy ice berg but with us it’s the conscious like the tip then the
Subconscious is all that mass the true awe and power of being human I want to insert two pieces I wrote
That deals with the subconscious I believe you will benefit from them just one more person’s thoughts
On Such a grand subject
Piercing the Inner Sanctum
The trivial the less important will never even get a start into the bastion of peace and well being that is
Sacred and defended to the last breath the one irresistible caller that is never barred and who is as a
Master key is beauty to no avail can you post guards loveliness has no comparisons like spectacle in any
And all forms it governs and rules all of our hearts once seen the invitation is never with drawn like the
Vistas seen from a high mountain incomparable glory is touched sequestered in depths of appreciation
Moments of grandeur with this spell compression is ultimate the thick richness slowly sinks beyond all
Comprehension it will linger for a life time the blues are the high honor of dress befitting a person of
Rare quality to have and squander cherished gifts the emptiness can never be measured but to make
Contact with the sublime on a desert plane the one invaluable gift of solitude no pretense or frivolity
To cause error or a missed chance to speak and hear wonders undeniable voice that is attended by rare
Essences of tranquility that robes itself in splendor it beckons in pure language simplicity that astounds
Bewilderment of the highest order lodges in your soul the hush of holy beings are noticed if only by the
Assured peace that builds a walled fortress nothing can assail these attainments visited and began
By The unutterable beauty that moves with conscious and deliberate design to bestow upon you
The Perfection that once ruled in Eden

Now deeper the mind seeks to find the way where all rules are absent

Bedazzled Dreamer
Put the long boat in the deep waters of the mind the calm peaceful knowing all is glowing we glide not
Knowing where were going the subconscious will be our guide dividing the two worlds the quiet
Submersible is wild anything may be floating in these depths we have left shore far behind truly
We have entered unchartered waters there is no fixable Bering a lustiness takes over there is no helm
Just a pervading looseness not unsettling but truly uncharacteristic for the coconscious must always
Have a grip a grasp of what is where it is and every detail must be quantified now all senses are blown
A storm is brewing its far reaches unknown but there is softness that excludes fear the overriding
Thought is possibilities can be forged maximized eternalized thoughts are ghost like unknown entities
They were formally known but now remain a mystery dislodged from thought bases that are not solid
All is free association tantalizing in one sense then disconcerting in another what do I do with my mind
Surly it has jumped off the track I could be bewildered if I could get a hold on the situation free flowing
Unspoken but still distinctively saying volumes where is the slow button reams voluminous thoughts
Are spewing into nothingness being lost I can’t keep up the discernible is mixed with eons and theorems
Time and space is void of meaning the world here is elastic mass it convulses at will no parameters exist
The only thing constant is high velocity change being in one place is impossible all is jumbled who stirred
This caldron in my mind voice and pure thought are the same think it know it what burdensome lives we
Live when it is all a tattered sail on rough seas we behold nothing know nothing in the extreme
Romanticism blurts out sail for Trafalgar we are strangers in a plush gifted void try as we will there is
No simple answers but we are a simple people truly the only time were are fit is when we are
Sound Asleep well then sleep on and I will do the same dreaming is therapeutic just think how
Crazy we would be without it

So with that small insight this is more truth I signed my life away to the devil and here is the fun
Part it’s like your hardly comfortable on a computer your on this small frame here he is on a
Worldwide super computer and he is a **** like no other you are slowly crawling along he is
Miles Ahead of you try to strike order in life this answer comes back it has been high jacked its
Not even your thoughts any more it’s completely contrary to all that is decent and ideal but it
Comes as a fog it creates a state of disinformation this is how we find we are bound in half truths
In this state how far from love how desperate is our circumstances what caused and allowed
Us to be left to the dry treacherous land of being forgotten misplaced without remedy to know the dark
Embrace of loneliness we are a people of language it finds us it speaks health to our inward being it is
The gentle soothing the spell that alone provides the structure the melodious times hear the flow of
Refreshing water from hidden springs they bend at just the right place they find us where dark
Broodings Are pulling us into compromise and ruin we feel and taste the surety of joy the call of
Assuredness is known in these depths this internal dismay of mazes infernal are their crushing blows
Does it wash away the meaningful is the face of grace seen to be drowning in walled in terrain to high to
Climb to understanding that enlightening that is our very humanness our ability to connect to share
Never forgetting who and where we came from the integral foundation that builds us as a people was
This first dislodging the first steps of chaos the hardness that drives and separates to quickly we are
Adrift and at the stern is ego without measure and the seeds of discontent are what we are sowing not
The creative roots of harmony and good will burned black by the desert sun all descriptors fail to show
The unique the part that truly was wondrously made no one is looking they are only into the new
Exciting theses very words are the quiet assault that is aimed at them they need restored but they never
Will agree then a nanny kills two little ones in her charge stabs them to death with this insane step into
Yet deeper subterranean darkness the roots of life are growing but they are poisoned throughout it
Reflects on the service the body is racked twisted as a gnarled old tree that can look picture perfect in
Nature but terrible in human life in this state of waste and need of restoration I could hardly see who
Cares at that point the view is most disgusting and in this condition all hope lost the final boat has sailed
With it the last of human dignity goes under the deep black waves when this thought was strongest the
Sea was not my reality only the lifeless desert it was all there was but all of a sudden was it mind tricks a
Mirage I was seeing this beautiful bough filled with blossoms and from there it continued to grow and
Spread out before me all green grasses a profusion of glorious colored flowers of all kinds it started to
Break through the deadness of my mind a time long forgotten slowly started to emerge I couldn’t see
Anyone but I knew that a visitor had joined me tears started like a dam had broken somewhere deep
Within all I knew I was truly loved I had worth and value I could feel it being added anew where I was
An eye sore just moments before now I was a princely person I had this intense sense of whoever it was
Who joined me had known extreme suffering He got me on every level and he was repairing and
Restoring those long festering wounds they just seem to fall off and the greatest peace started to emit
From my inner being there was just a sense of well being that was mountainous and truly rivers of joy
Started to flow out and away my friends step into these words they come from the great restorer your the gift that the thief stole and now you have been reclaimed
time governs
you and me
treat it not
irreverently
chance the unknown
while you can
sands of time
pause for no woman nor man
one and all
quick sticks
the time piece
it ticks it ticks
dithers and dawdlers
hear the alarm
wasted days
do each of us
irreversible harm
of the calendar year
we are sure
but moments in time
are pending trapdoors
make every venture
your stock in trade
lest time render us
uncertain and afraid
in reality rosters
and agendas do vary
devilish time
oft wickedly contrary
speed up Jack and Jill
sundials are on a roll
time is indiscriminate
exacting
a costly toll
governor time
is carefully deliberating
our pendulums
remonstrating
(Lines written in the Vale of Chamouni)

1

The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark—now glittering—now reflecting gloom—
Now lending splendor, where from secret springs
The source of human thought its tribute brings
Of waters,—with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, amon the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.

2

Thus thou, Ravine of Arve—dark, deep Ravine—
Thou many-colored, many voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest;—thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odors, and their mighty swinging
To hear—an old and solemn harmony;
Thine earthly rainbows stretched across the sweep
Of the ethereal waterfall, whose veil
Robes some unsculptured image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;—
Thy caverns echoing to the Arve’s commotion,
A loud, lone sound no other sound can tame;
Thou art pervaded with that ceaseless motion,
Thou art the path of that unresting sound—
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!

3

Some say that gleams of a remoter world
Visit the soul in sleep,—that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.—I look on high;
Has some unknown omnipotence unfurled
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far and round and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes amon the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears,—still snowy and serene—
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there—how hideously
Its shapes are heaped around! rude, bare, and high,
Ghastly, and scarred, and riven.—Is this the scene
Where the old Earthquake-demon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply—all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with nature reconciled;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.

4

The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower;—the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him, and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquility,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind. The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice,
Frost and the Sun in scorn of mortal power
Have piled: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destined path, or in the mangled soil
Branchless and shattered stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaimed. The dwelling-place
Of insects, beasts, and birds, becomes its spoil
Their food and their retreat for ever gone,
So much of life and joy is lost. The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest’s stream,
And their place is not known. Below, vast caves
Shine in the rushing torrents’ restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands , for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapors to the circling air.

5

Mont Blanc yet gleams on high:—the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them:—Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapor broods
Over the snow. The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind’s imaginings
Silence and solitude were vacancy?
Mateuš Conrad Dec 2015
it's a paradox of yevgeny zamyatin, that the true rebellion is caused by a stress of the necessity of dreaming... talk to any schizoid individual and you find they're the dream manufacturers... dreams happen in the safe environment of the laboratory of the unconscious... they're the socially acceptable hallucinations... it's even socially acceptable to interpret them... which i find very odd... why should unconscious hallucinations be socially acceptable and profitable and career crafting and conscious hallucinations be socially stigmatised? ah the safety, the environment of the freduain interpretation of dreams: well... he's ******* asleep, isn't he?! ******.

after my usual walks drinking, i tend to enter the
realm of heat and christmas tree
a little bit too brooding,
i just painted a picasso or a kandinsky,
burnt it, and then am told to "plagiarise" it...
i don't like the approach nietczsche had
taking a notebook with him
and writing his thoughts written,
i like the way my faculty memory
eats the immediacy of thinking
as counter to the translation of descartes'
theory equating existence with thought
as if thought could prove i exist
thus uncoupling it from the original:
thought and doubt.
memory is central by comparison,
i have the revision from the miscarriage of descartes'
aim: memini ergo cogito.
it makes sense, given i started the night off
buying three san miguel bottles at tesco,
buying five beers at the turk,
spotting russell the schizoid-affective man
huntched in a corner...
told him five minutes max...
started talking with him
about the ol' sailor's narrative... turbulent noons
and midnights with a bottle of jack...
wide eyed russell every time i speak to him
reflected...
i remember drinking my first coffee aged 7...
i was born with a heart condition...
i shouldn't have... live dangerously though...
drank it... magic!
i remember the taste even now.
the cognitive me is not the existential me...
odd, isn't it?
i should have kept the original kandinsky,
but i burnt it and kept the plagiarism...
why is it that the function of memory
is paramount to mental health?
this prof. of psychology itemised this girl
who's north mania south an airplane descending
from the height vector with the ears popping...
why is it that i can remember me aged 7
and most people got cheated into total engagement
in life in the orientation of satisfied or dis-satisfied
expression of puberty?
if the faculty of memory is not defended
then diseases enter...
not one of the diseased is like an original adam,
like translation of original adam, i.e. mozart beethoven
einstein...
good enough to be without plain jane as narrator
and puppeteer...
let the strings do the talking, please!
i'm in love with ****-****** literature...
take that **** of yours, that suitcase
of ***** stockings to your mother to give it a eco-friendly
spin of the washing-machine...
**** that crap should that crap enter my heart...
you heard of ****** latin? i think you have,
it's not church slavonic, it's rude latin...
the type of thing that adds oil on the cogs
and makes you adherent to the philosophy:
pause for thought or pause for fake vocabulary?
i sweat with oaths to add fluid...
if you're offended by **** and not f
ck you
must be really appreciative of pronography...
so they said: we must rid the word of a vowel
and expose the people with **** corn bits between the teeth!
well... it worked...
i didn't tell you remember the pythagorean theory
you were taught aged 12... i told you
to remember you aged 12... like i remember nathanel
with his briefcase in year 8 in math class...
like i remember this english teacher's legs
when i dropped the pen to loon inside the stash-load
of pooddles and *****...
like i remember racing a guy from bałtów
to ostrowiec and winning: he on a tour de france bike
with anorexic model tires and
my on mountain bike fatties...
i told you memory is crucial... given our thought explored
inanimate things as the perfection of our knowledge,
given our thought explored animate things
as perfectly categorising man and animal alike
thus mis-interpretating ourselves, oh the sacrifice of
the perfectly catalogised atom among the toothbrushes...
a convo of assortments...
it's perfect knowledge in relation to inanimate things...
the sort of thing which is question:
but atoms are animate things... calling them inanimate
just because they're invisible doesn't give you a
right to driftwood clung to in robinson cruseo's shakespearean friday.
hence the passing inspiration... so dull now
that i only feel inspired to pour myself another whiskey
and justify the meaning of relaxed.
associate yourself with the world,
hardly many of us will end of with the genius score of don juan,
we're in an environment of strict biology,
we're told that memory governs our world
with the world being on the quest to repeat...
and it does repeat... sounding the encore of biting frost,
sounding the encore of delighted shadows of summer
having postponed snipers to shoot them dead with night...
the world that inquires per se via repeat
only divinites man's faculty that's memory,
and quickly attacks it in revenge by dementia...
imagination is left to the murderers' who fancy
all the hues of red on the face....
this world is not pleasant to those who think,
to those who couple thought with imagination,
and to those who couple thought with memory...
alas... such few increments are left to re-discover
after being taught the uselessness of centimetre
when no centimetre knowledge is used in their
mechanisation of a profession.
that bit monkey less than man already happened
contradictory in theoretical terms
given the diversity whereby man's diversity
per se cannot explain the diversity of each thing
using evolutionary relativism, niche by-product concerns...
penguins will always make it to antarctica...
no banker or plumber on antarctica... just
scientists who started the whole expedition as
worth anything by counting penguin eggs...
indeed... ah this is going nowhere...
i don't believe in evolutionary relatvism
like socrates didn't believe in moral relativism
theft is punishable with the cutting of the hand
that stole... ****** is punishable with the cutting
of the head - it's all really related)...
and the aesthetic relativism is as true as: beauty
is in the eye of the beholder -
to that girl in the night near the church
walking with a concerned friend
concerned by her attractive panda-eyed mascara expression.
most of the time i find the inherent vice of jungian
interpretation of poets
to be a case of narration: poets don't write enough
to be valued! i respect fictional occupants of the
equivalent hammer of a labourer writing long paragraphs!
well, true enough... any idiot would suddenly exclaim
a symptom as: i differentiate that i'm a constant inspiration
for a non-existent narrator, and the symptom i differentiate
from true to fake by the fact it hinders my faculty to think...
pronoun shrapnel i call it... auxillary pronouns
that benefit me to expand my thought on a levelling
that did not want to see in monochromatic divergence
of continued with linear-ism akin to horse blinders
that only exposed a corridor where a valley could have stood
for the eyes to be inspired by.
Serge Belinsky Aug 2015
And again for the card game,
His throw kings in the fold,
Empires had forgotten them in the hastiness,
To find the familiar melody - that was lost, but  always sounds in my dreams.

And jazz is playing and tired pianist whispers something to His fingers,
And guitarist with a shy smile governs the right tone,
And music shades compose the mellifluous long dream,
Where own orchestra in the world of his dreams has been shipped.

Again I am looking for the melody that plagued in His sleep,
Yeah know not destined to hear that melody in the other sounds in reality,
That the lost harmony, that still sounds in me,
And the sheet music signs the pianist reads in the delirium.
Hal Loyd Denton Jan 2013
Restoration

I found myself in a desert the sun beat down relentlessly you see I was just one more fool living on the
Devil’s life plan he comes and sizes you up watches with intensity not of care but hate he doesn’t take
Long he has seen the same thing multiplied many times before he does a little razz and dazzle if you
Could have seen my face you would know how appealing it was oh that’s right you got the same
Treatment you see this desert is where he houses all of his captives it’s so wide and vast the thought is
Who’s trapped but we are like the icy ice berg but with us it’s the conscious like the tip then the
Subconscious is all that mass the true awe and power of being human I want to insert two pieces I wrote
That deals with the subconscious I believe you will benefit from them just one more person’s thoughts
On Such a grand subject
Piercing the Inner Sanctum
The trivial the less important will never even get a start into the bastion of peace and well being that is
Sacred and defended to the last breath the one irresistible caller that is never barred and who is as a
Master key is beauty to no avail can you post guards loveliness has no comparisons like spectacle in any
And all forms it governs and rules all of our hearts once seen the invitation is never with drawn like the
Vistas seen from a high mountain incomparable glory is touched sequestered in depths of appreciation
Moments of grandeur with this spell compression is ultimate the thick richness slowly sinks beyond all
Comprehension it will linger for a life time the blues are the high honor of dress befitting a person of
Rare quality to have and squander cherished gifts the emptiness can never be measured but to make
Contact with the sublime on a desert plane the one invaluable gift of solitude no pretense or frivolity
To cause error or a missed chance to speak and hear wonders undeniable voice that is attended by rare
Essences of tranquility that robes itself in splendor it beckons in pure language simplicity that astounds
Bewilderment of the highest order lodges in your soul the hush of holy beings are noticed if only by the
Assured peace that builds a walled fortress nothing can assail these attainments visited and began
By The unutterable beauty that moves with conscious and deliberate design to bestow upon you
The Perfection that once ruled in Eden

Now deeper the mind seeks to find the way where all rules are absent

Bedazzled Dreamer
Put the long boat in the deep waters of the mind the calm peaceful knowing all is glowing we glide not
Knowing where were going the subconscious will be our guide dividing the two worlds the quiet
Submersible is wild anything may be floating in these depths we have left shore far behind truly
We have entered unchartered waters there is no fixable Bering a lustiness takes over there is no helm
Just a pervading looseness not unsettling but truly uncharacteristic for the coconscious must always
Have a grip a grasp of what is where it is and every detail must be quantified now all senses are blown
A storm is brewing its far reaches unknown but there is softness that excludes fear the overriding
Thought is possibilities can be forged maximized eternalized thoughts are ghost like unknown entities
They were formally known but now remain a mystery dislodged from thought bases that are not solid
All is free association tantalizing in one sense then disconcerting in another what do I do with my mind
Surly it has jumped off the track I could be bewildered if I could get a hold on the situation free flowing
Unspoken but still distinctively saying volumes where is the slow button reams voluminous thoughts
Are spewing into nothingness being lost I can’t keep up the discernible is mixed with eons and theorems
Time and space is void of meaning the world here is elastic mass it convulses at will no parameters exist
The only thing constant is high velocity change being in one place is impossible all is jumbled who stirred
This caldron in my mind voice and pure thought are the same think it know it what burdensome lives we
Live when it is all a tattered sail on rough seas we behold nothing know nothing in the extreme
Romanticism blurts out sail for Trafalgar we are strangers in a plush gifted void try as we will there is
No simple answers but we are a simple people truly the only time were are fit is when we are
Sound Asleep well then sleep on and I will do the same dreaming is therapeutic just think how
Crazy we would be without it

So with that small insight this is more truth I signed my life away to the devil and here is the fun
Part it’s like your hardly comfortable on a computer your on this small frame here he is on a
Worldwide super computer and he is a **** like no other you are slowly crawling along he is
Miles Ahead of you try to strike order in life this answer comes back it has been high jacked its
Not even your thoughts any more it’s completely contrary to all that is decent and ideal but it
Comes as a fog it creates a state of disinformation this is how we find we are bound in half truths
In this state how far from love how desperate is our circumstances what caused and allowed
Us to be left to the dry treacherous land of being forgotten misplaced without remedy to know the dark
Embrace of loneliness we are a people of language it finds us it speaks health to our inward being it is
The gentle soothing the spell that alone provides the structure the melodious times hear the flow of
Refreshing water from hidden springs they bend at just the right place they find us where dark
Broodings Are pulling us into compromise and ruin we feel and taste the surety of joy the call of
Assuredness is known in these depths this internal dismay of mazes infernal are their crushing blows
Does it wash away the meaningful is the face of grace seen to be drowning in walled in terrain to high to
Climb to understanding that enlightening that is our very humanness our ability to connect to share
Never forgetting who and where we came from the integral foundation that builds us as a people was
This first dislodging the first steps of chaos the hardness that drives and separates to quickly we are
Adrift and at the stern is ego without measure and the seeds of discontent are what we are sowing not
The creative roots of harmony and good will burned black by the desert sun all descriptors fail to show
The unique the part that truly was wondrously made no one is looking they are only into the new
Exciting theses very words are the quiet assault that is aimed at them they need restored but they never
Will agree then a nanny kills two little ones in her charge stabs them to death with this insane step into
Yet deeper subterranean darkness the roots of life are growing but they are poisoned throughout it
Reflects on the service the body is racked twisted as a gnarled old tree that can look picture perfect in
Nature but terrible in human life in this state of waste and need of restoration I could hardly see who
Cares at that point the view is most disgusting and in this condition all hope lost the final boat has sailed
With it the last of human dignity goes under the deep black waves when this thought was strongest the
Sea was not my reality only the lifeless desert it was all there was but all of a sudden was it mind tricks a
Mirage I was seeing this beautiful bough filled with blossoms and from there it continued to grow and
Spread out before me all green grasses a profusion of glorious colored flowers of all kinds it started to
Break through the deadness of my mind a time long forgotten slowly started to emerge I couldn’t see
Anyone but I knew that a visitor had joined me tears started like a dam had broken somewhere deep
Within all I knew I was truly loved I had worth and value I could feel it being added anew where I was
An eye sore just moments before now I was a princely person I had this intense sense of whoever it was
Who joined me had known extreme suffering He got me on every level and he was repairing and
Restoring those long festering wounds they just seem to fall off and the greatest peace started to emit
From my inner being there was just a sense of well being that was mountainous and truly rivers of joy
Started to flow out and away my friends step into these words they come from the great restorer your the gift that the thief stole and now you have been reclaimed
K Hanson Sep 2014
Disconnected, alienated
uncomprehended, bended
sounds fill
push eardrums, runs,
aural chaos, linguistic pathos
confusion, fusion, apprehension
verbal exhaustion rules
grooves,
governs this immigrant’s life. Five years of coping
scoping, hoping, scraping, trying
to get ahead, get with it, get it on,
fit in. Find that
niche, riche, find that place,
misplaced, fast
pace, foundering, mapless,
GPSless, guideless,
uncomprehended, bended,
alienated, disconnected.

— The End —