Cracks in cover let
Sun in hits like
Bullets

Unwrapped window
Gives solar epiphany
To cocooned child

Flee fluorescent,
Flee faux verve
Doorframe: portal
Extra-terrestrial
World through eaves
Like bug zappers
See-through walls
Most envious glass
****** passage

Cold shoulder, concrete, masonry
Phosphenes gleaming, staggering
Hotfoot, addled eyes
Inverted wavelengths
Gravel clinging, unwise
Scrutinized steps to grass
Great big sigh
Saluting sky
With micro pupils
Torrid shell
Swollen locks
Rejoice

Westside: Central Avenue
Pack up, load up
Truckpower to State Street
Beer, veggie dogs
Corn-on-cob
Bag-of-fruit
Checkout scandal

Three-in-the-front
State to thirty-three
Thirty-three to thirteen
Chauncey, Jacksonville,
Trimble, Glouster,
Bonnie’s Home Cooking
Opposite British Petroleum
Exhausted loan office
Opposite Coal Miner Emeritus

Burr Oak: closed
Margin parking
Bathroom clothes
Tasteful vest
Bathroom tissue to brim
Feet welcome
Pass up close up camp spots
I feel a pull to the valley
Clearing: stop, rest
Crack, chug, more wood
Fire, crack, chug, more wood
Chat, crack, chug

Copper detuned chime
Of that ephemeral vibrato
Drone of nine-volt synth
Into kaput tape deck
& we sing & chant & cackle

Campfire chatter:
Bitter pill
Naïve philosophy
Crack, chug
Empathy
More wood

“So when I was seventeen still going to church there were these events they were called “lock-ins” we stayed the night at the church they took our cells our watches took down every clock & covered the windows so we wouldn’t be aware of anything only God & so there would be lectures & guest speakers & bible readings and discussions & also these ******* bizarre activities like they would turn off all the lights light a **** ton of candles & they would blindfold us and give us a little piece of paper and a little pencil and they’d tell us in a omniscient little voice to write down one sin we’ve committed on the little piece of paper fold it & nail it (still blindfolded) to this huge wooden cross with this little hammer & I guarantee every one of us wrote down *******.  

Now that I think of it the whole thing was about ******* every speaker had some story of how they used to ******* all the time and how they were released of the devils hold and that ******* is a sin and will send you to hell and all of us kids were boys and every single adult was a woman they all looked at us like they read our paper like we were sinners like we would always be sinners just slimy ******* who would always ******* (like we would ever understand what it felt to be a woman or what a woman felt like) & their eyes were gleaming with such shallow sympathy that you knew they were true god fearing Christians”

(All at once)
Stab, chug, crack, chug
Stab, chug, crack, chug
Stab, chug, crack, chug

Bliss

Those words I've been dreading to hear,
Not boldly uttered--
But clearly, I could feel...

     Unspoken words, indeed they sear...
     Seemingly rendering you unfettered.
     Our flags mismatched in mauve and teal.

I marched my fingers, slowly,
To your cheeks down to your lips.
Touched the traces of stained tears.
From deep slumber,
You've awaken.
Eyes fluttered open.
Those eyes.
They spoke.
Those eyes.
They told me to stay---
To stay.
Away.

     I cupped your face while time froze in
     eternity...
     Locked in tender gaze as my heart dips.
     Reflected in yours were the wasted
     years...
     Felt the weight of commitment's anchor...
     Dragged over a land forsaken...
     Overladen...
     With dastardly lies...
     Tinting future skies so grey,
     But my mouth would welcome the urge to
     say,
     Of the courage long held at bay...
     This minute... This day...

Sweetly tortured by your kiss.
The pain came.
Swift.
Blinding.
Sharp.
It pierced me to where i am.
My heart shattered before it dies.

     These subtle hints you conveniently miss,
     Only hastened the end of this game...
     Time had seen our hearts set adrift...
     We are only playing,
     A broken, detuned harp...
     Withholding our conflicting wants, much
     like a dam.
     Protecting us from defeated cries...

     So let us dispense with sweet
     pleasantries.
     Let us bid farewell to the dream of our
     unified fates in one painful sigh...
Along with all our
memories.
And your words of goodbye.


iammissbrightside
**ryn

With passing time
the paint begins to crack
and slowly peels away
Revealing a tainted canvas
of what you really are
as opposed to how I pictured you
I try to figure out
what is more heartbreaking,
Who you really are
or what I wanted to see.
The angel plucking my heartstrings
its lovely sirens song
or the Demon
who ripped them away
leaving a silent void.

Down at the local bar, there are two chairs.  
In one is a man named Logus,
Who came from The Desert of Nine Valleys;
In the other is a song-less musician named Sparrow.

Day after day
Alone in the bar
The man with the foolish grin
Is keeping perfectly still.
But nobody wants to know him,
They can see that he's just a fool.

He wandered very far,
Very far,
Over land and sea.
A little shy,
And sad of eye,
But very wise was he.
And then one day,
One magic day he looked Logus' way.
And while they spoke of many things,
Fools and kings,
This he said to him:

“Good morrow to thee, brother prisoner!
Do you realize that you have the most beautiful face?
Do you realize we're floating in space,
Do you realize that happiness makes you cry
And
Do you realize that everyone you know someday will die?”

Logus doesn’t want to bother with the bird,
”These are all lies
and jests.”

Sparrow retorts, “Still
A man hears what he wants to hear
And disregards the rest.
Now,
Drop your guard, you don't have to be smart all of the time.
I've got a mind full of blanks, I need to go somewhere new fast.
And don't be shy, oh no,
At least deliberately.

What was I saying?
Oh yeah.
Let me tell you a story that's sad but true,
About someone who just may remind you of you.
Let me tell you a tale that may help you awake a woozy head-
I'll buy you a drink
-It begins long ago on a happy day,
With a fool who was loved, but threw it all away,
Who exchanged a good home for a flophouse, a bar and a plank-“
Sparrow’s eyes begin to glisten--

Logus Interrupts,
“While we're on the subject,
Could we change the subject now?

My name is Logus,
I'm carrying the wheel.
Thanks for all you've shown us,
But this is how we feel.
Come sit next to me.
Pour yourself some tea.
Just like Grandma made,
When we couldn't find sleep.
Things were better then,
Once but never again.
We've all left the den
Let me tell you about it:

I am just a poor boy
Though my story's seldom told.
I have squandered my resistance,
for an existence
In which
Ever anyone discovers exactly what the Universe is for
And why it is here,
It will instantly disappear
And be replaced by something even more bizarre
And inexplicable.”

Sparrow began stirring in his seat,
”You know, there is another theory which states
That this has already happened.
And you lived that,
In exchange for a pocket full of mumbles,
Such are promises."

Logus looks at him,
“And? I am still alive.”

Sparrow rolls his eyes,
“Geez, you know
Somebody once asked, "could I spare some change for gas?"
I need to get myself away from this place."
I said, "yep what a concept,
I could use a little fuel myself,
And we could all use a little change."
Too bad
A fake Jamaican took every last dime with that scam.
It was worth it just to learn some sleight of hand.
Bad news comes, don't you worry even when it lands,
Good news will work its way to all them plans.

But the building's not going as we planned.
The foreman has injured his hand.
The dozer will not clear a path.”

Logus scoffs,
“You talk in maths.
You buzz like a fridge.
You're like a detuned radio.”


Sparrow Laughs, “You'll never be what is in your heart.
Weep little lion man,
You're not as brave as you were at the start.
You have a heart that's full up like a landfill,
A job that slowly kills you,
And bruises that won't heal.
You look so tired, unhappy.
Such pretty houses,
And such pretty gardens:
Green plastic water-cans
For fake Chinese rubber plants
In the fake plastic earth.

There's an empty space inside our hearts
Where the weeds take root.
And now I'll set you free,
I'll set you free.”


They both left right on time,
The Sparrow accosted his mind.
The Sparrow said,
"Hey man, we go all the way"
Of course, they were willing to pay.
Back to the street,
Down to their feet.
Losing the feeling of feeling unique,
Do you know what I mean?

Well on the way,
Head in a cloud,
The bird of a thousand voices
Talking perfectly loud.
But I never heard him
Or the sound he appeared to make.
And he never seemed to notice.
But the fool on the hill
Sees the sun going down,
And the eyes in his head
See the world spinning 'round.
Of course, everyone goes crazy
Over such and such and such.
We made ourselves a pillar
We just used it as a crutch.
We were certainly uncertain
At least, I'm pretty sure I am.
Well, we didn't need the water
But we just built that, good *******.

For most have found both freedom and safety in their madness;
The freedom of loneliness
And the safety from being understood,
for those who understand us
Enslave something in us.

But let me not be too proud of my safety.
Even a Thief in a jail is safe from another thief.
And Horses run fastest on the way home.

Logus and Sparrow had just that in mind,
and so, after deciding to take Sparrow’s ride, they left.
After dragging themselves into the car
Logus looked at Sparrow from the passenger seat,
“I keep myself in
To pull myself out.
I'm rising up,
Wish I was sinking down.
And it's not like
There was warning
We were happy.
And it's not like
There was mourning
In the warning.

I guess I am a scout.
So I should find a way out.
So everyone can find a way out.

I know I am a scout.
I should've found a way out.
So everyone can find a way out.

Sparrow starts his car, the ignition doesn’t turn at first,
It’s an older model so it takes a few tries.
Sparrow turns to Logus,
“Well, that is that and this is this.
Will you tell me what you saw and I'll tell you what you missed
when the ocean met the sky. (You missed, you missed)
You wasted life, why wouldn't you waste the afterlife?

Drift all you like,
From ocean to ocean,
Search the whole world.

And you find your destination
With so many different places to call home.
'Cause when you find yourself a villain,
In the story you have written
It's plain to see
That sometimes the best intentions
Are in need of redemption.
Would you agree?
If so, please show me.

These thoughts and the strain you're under
Be a world child, form a circle
Before we all go under
And fade out again and fade out again

Logus starts groveling,
“Turn me on to phantoms,
I follow to the edge of the earth.
And fall off.
Everybody leaves
If they get the chance,
And this is my chance.

My shadow's shedding skin,
I've been picking scabs again,
I'm down, digging through
My old muscles, looking for a clue.

I've been crawling on my belly,
Clearing out what could've been,
I've been wallowing in my own confused
And insecure delusions
For a piece to cross me over
Or a word to guide me in.
I wanna feel the changes coming down.
I wanna know what I've been hiding.”

His eyes are the size of the moon,
He could 'cause he can so he does.
He’s feeling so good,
Just the way that he does
When it's nine in the afternoon.

Logus starts thinking to himself,
“So you think you're a Romeo?
Playing a part in a picture show?
Cause you're the joke of the neighborhood!
Why should you care if you're feeling good?
Take the long way home!
Take the long way home.

His phone starts ringing,
he clumsily pulls it from his pocket
and answers it.
It’s his wife, para.
She’s concerned,
“Hello? Hello? Hello?
Is there anybody in there?
Just nod if you can hear me.
Is there anyone at home?
Come on now,
I hear you're feeling down
Well I can ease your pain,
Get you on your feet again.
Relax.
I'll need some information first,
Just the basic facts,
Can you show me where it hurts?
Please don't
**** yourself for recognition.
**** yourself to never ever stop.
oh no!
You broke another mirror!
You're turning into something you are not.

Come home!
I'll bake you a cake
Made of all their eyes.
Do you see me
Dressed for the ****?”

Logus chuckles and thinks to himself,
“I know she's looking kind of dumb with her finger and her thumb
In the shape of an "L" on her forehead.”

Their eyes are the size of the moon,
she could 'cause she can so she does.
They're feeling so good
Just the way that they do
When it's nine in the afternoon.

Para continues,
“But you'll still
**** yourself for recognition,
**** yourself to never ever stop.
You broke another mirror,
You're turning into something you are not.

And that's okay

I got a box full of all your pity.
We're fresh out of tissues
Because on them I wrote a comedy,
I wrote a comedy.

Logus looking down,
almost as if she’s there in front of him
to see how sad he feels,
“Sorry, but
I'll take a quiet life,
A handshake of carbon monoxide.

With no alarms and no surprises,
No alarms and no surprises,
No alarms and no surprises,
Silent, silent.

Tell me what to do!
Now the tank is dry.
Now, this wheel is flat.
And you know what else?
Guess what I received
In the mail today?
Words of deep concern
From my little brother:

Logus briefly thinks of a letter he received recently,
“Weep for yourself, my man,
You'll never be what is in your heart
Weep little lion man,
You're not as brave as you were at the start.
Rate yourself and rake yourself,
Take all the courage you have left
Wasted on fixing all the problems that you made in your own head,
you'll never settle any of your scores.

I backed my car into a cop car the other day.
Well, he just drove off - sometimes life's okay.
I ran my mouth off a bit too much, ah what did I say?

Well, you'll just laugh it off and it'll be okay.
it'll be okay.
Everybody needs a place to call their home.
Everybody needs someone to call their own.
Even when you're lonely, know you're not alone,
You're one of us.”

Logus' attention turns back to para.

Para begs,
“Please hold on hope, don't choke
On the noose around your neck
And find strength in pain
And change your ways
Know your name as it's called again.”

Logus sighs,
“Phew!
For a minute there
I lost myself, I lost myself
Phew, for a minute there
I lost myself, I lost myself.

Sparrow,
Somewhere on the edge of the conversation,
Begins getting heavy eyed,
Shutting one then the other and then opening both
And says to himself, drifting into an irresistible
road hypnosis induced sleep,  

“And if you could be what you wanted,
If you could be who you wanted
All the time,
All the time.

And now I'll set you free,
I'll set you free…”
Before trailing off.

Her fingers dance along the keys.
Delicately at first, then with more conviction,
As she grows more assured.
"Something inside this one is broken," she says,
The disappointment plain on her face.

Then she moves on.

After a time, sometimes a day,
Sometimes more,
Another comes by,
Finding the notes to her dislike.
"This tone is not where it should be."

And like all the others,
She moves on.

The instrument has been there waiting
For a long time.
When the shop closes,
And no one comes to peruse,
I sit down with myself,
And strike the chords aloud.
They sound beautiful to my ears,

As my heart-strings always do.

Allen Ginsberg, a raving madman, a man beyond the borders of normal
      once said, “Poets are ******, but see with the eyes of angels.”
His ranting howls, mere paradoxical clamorings (LOUDER).
His bootless, penniless, homeless cries, slight nonsensical musings.
His power subdued, his passion put-out, his well of enumerations run
      dry…

Can you hear him?

(LOUDER!!!)

Are you even listening?

What do holy angel-headed hipsters like he see?

A myriad of star-crossed artists, poets, gurus, and monks?
A tired and beat batch of street corner hustlers, homeless and hungry?
A drunk in the back-room bar?
A stumbling, shadowy silhouette in the by-street (an enigma...)?
An old man, philosophizing to everyone and no one but himself?
A juke box stuck on repeat?
A young couple, making love with their feet under the table?
A trio of jazz musicians out back for a smoke?
A bar maid making minimum wage, or nothing?
A priest who's losing his conviction?
A down-n-out loner, dreamy, dazed, dashed,
      staring at the bottom of his empty beer glass
      (who will buy the next round)?
A nosey cop?
A rosey fop?
A belligerent racist?
A beat runaway?
A child begging? (there are so many...)
A fed-up fanatic? (too loud, too loud…)
A would-be protester-rioter-anarchist, giving up and going home?
A giggling girl, flirting, with her skirt hiked high?
A show-off with an inferiority complex?
A shy recluse, too afraid to walk through the door?
A power-hungry politician, his propaganda blasting through the static of
      a detuned radio advertisement, paid for by (who are these people?)?
A struggle, never-ending, ever-renewed, always there, always alive,
      but only seen through crazy, mad, angelic eyes.

Haven't really eaten, in a long time.
Wasting away. Physically,
but not mentally yet.
Yet.
Banging on instruments for
the perfect cacophony.
Stormy tonight outside Cleveland
as I stab away inside my laboratory.
Raining hell and I **** around
till my ears are almost bleeding,
screaming, more aspirin,
lighting thunder, and in the
dead sequences of recording
IT LIVES.
Strings detuned from a menace,
pure chaos on a note rings on,
SKRONK.
Skronk is freedom,
every voice saying what
every voice has to say.
5/4 and it's ******* outside,
and all I know is the key to
utopia is any note you like
in A major.
**** the signature.
Skronk is *freedom.

three two one. fade in. you
are a dream                     time
will                   molder.
i return to you each arm.
the wildfire of you; flew rubies.
pitched; and scalded. moonless,
we carried the night like
flying-carpet fabric of our
soul. the way your words
shone, fluttered.

clung to the frayed spine. radiance
and immaturity. counting you
in ribs; starved of stomach. crumbs
                                    like gratitude.
the shades of you in
                                    detuned strings.
                                    you wanted to see

slide. i dream of pulling
focus and zoom but maybe
it is better a dream. yours
were those of emerald;
mine, abstinence.

i watch you fade fast
fire gone grey fire famished
trickle and then
drowning; rhythms of limbs
and limbs, downy limbs
and waterlungs

i close my eyes
you are a dream
                        time will drown
and it feels right. a hollowed-out
kind of right.
fade out

I once asked my parents if I could join cadets. They asked me if I knew what cadets grew up to be. I never brought it up again.

I got into a fight with a friend about her ex. We haven't spoken in months. She still hasn't forgiven me...

Someone detuned the piano in my mind and now music sounds awful. I want to find where melody and harmony met and made a straight line coming back to me.

it was a kiss with coyote’s embouchure, with the river’s casket, with gelified venom, with the apron’s appetite, with compact distortion around portable lip cuffs, with trite lies liquified, with mud clumps in mercury clasps, with spit woven theses, with unwound ovoid wellsprings, with sun-hidden shadows, with the frayed nighttime squish, with closeted hand dice tossed, with chance in the fistfuls, with detuned static and bellyaching bramble, with losing yourself, with entropic dissociation, with fleeting tokens, with sayonara stamps, with honey pumping nozzles, with inside out stratus veins, with the pain of history tucked in the trail fringe, in the pebbles kicked outward, with fried abandon, with seatless balconies, with the touch of an insect unexpected while straddling a brick wall with electric grout, with eyelashes trimed by the wind, with patterns passed, with breathless shapes and shaping dimensions, without the taste of lavender or the mosquito’s lonely thirst, with time passing, with time passing, with time passing, without passing time, with the sky dumping elected dead bodies, with spoonfuls of miracles, with starvation kicking, with moon swells forgetting the fomite sea, with weather inside, with dry mouth drawer memories, with omens and herrings with teeth and tongue.

I walk my life, a subway station
Where dirt consorts
The air around.
It pounds my nape,
It flames my mind
With sights and fates
And sounds.

Above, a tram goes up the alley
Tinged with canary hue.
Below, my wit:
What void, what valley:
It sank, in Tagus mused.

I take a seat, doors screech behind.
O, what wondrous whiffs?
Of metal beams
Attriting loudly
Against metal wheels?

To a halt it cuts my chain of thought,
Rivals my dream, they brawl.
'Tis from the gallery
Of broken hope
The beggar man crawls.

Intemperate horns his entry announce,
Dysphoric scenes aground.
He comes detuned
Near clears his throat,
Lethargic voice resounds:

I beat my cane
In wrongful rhythm,
'Cause wrongful
Was my life.
My voice hurts from
All this singing:
'Twas morphed into
A sigh.
I longed, I longed
For all my sinning
Was ought to be repaid.
Deserved so much,
God took my
Will, my sight,
My love, my
Name.

So tell me, vagrant,
What did He take?
-Said I-
Who has loved you?
What is your will,
What name did you go by?

I used to be a man of soul
Whose heart beat strong and dign,
I used to write
And then I died
On the 10th before July.

He took my coins for all my service
At wars:
At land
At sea
-The waves still have her,
Laying there still,
Waiting away from me!-
Said he-
I will my love,
My fire, passion
-My young Natercia!-
Most darling of all nymphaea!

So God is just after all,
Replacing sin with grief.
No need for me
To pay the man:
God has done the deed.

The deadbeat coins of his cup
Turmoil ever so slightly.
I leave my dream,
Doors shrill again:
'Tis time to end my journey.

VERNARTH
Monastic  Cell

Vernarth begins to describe:
"This magnificent monastic complex dominates the island, and the old settlement of Chorá, associated with it, is home to many religious and secular buildings, where the famous pressurization of the inspiring forces of the Beloved Disciple is present, in this place he will reside in the sacred year 95 AD. AD, with his Gospel and the Apocalypse. A monastery dedicated to the "beloved disciple" was founded there in 1088 by Hosios Christodoulos Latrinos and has been a place of Greek Orthodox pilgrimage and teaching ever since.

Spilaion Apokalypseos (Cave of the Apocalypse) Many architectural changes have undergone over 900 years, adapting to changing political and economic circumstances. It has the outward appearance of a polygonal castle with battlements flanked by towers. It also houses a remarkable collection of manuscripts, icons, and liturgical objects and works. The primitive elements, which date back to the 11th century, are the catholicon (main church) of the monastery, the chapel of Panagia and the refectory. The north and west sides of the inner courtyard are surrounded by the white walls of the cells, and on the south side stands the Tzafara, a two-tier arcade in dressed stone, built in 1698. The outer narthex of the catholicon forms the east side. . Halfway up the steep path from Skalá to Chorá is the Cave of the Apocalypse (Spilaion Apokalypseos), where, according to tradition, Saint John dictated the Book of Revelations and his gospel to his disciple Prochoros. This sacred place attracted several small churches, chapels and monastic cells, thus creating an interesting architectural ensemble. ”
They continue in this set of phenomena towards the definitive mediation of the cavern by means of the inspirational illumination of the conduit of the ****** of the hundred doors or church of the hundred doors, declaiming the Panagia with the hermit and his disciple Prochoros, with remarkable whispers of the Blue Cormorant that he brought from La garriga; from a nearby ecoregion with plant formations emerging in the biomes of the Mediterranean forests, to incense all the white walls of the cells where the hermit led them walking together with two monumental candle torches. From here this cormorant will transport all the bioclimatic zones of the ecosystem, to constrain the Tytillinus embryo to be swallowed by it, predominantly to forget about its concept of egg as an oviparous generation of temptation and to be anchored to the plant site as an original species. . This blue cormorant is a superlative factor in the context of changing the cephalization of this demon-monster in the collective consciousness of the grotto and its shed.

They transpose the Tzafara, where the cormorant perches lavishly moving its head like a spasm in its neck to the northern north, illuminating its crimson green eyes. Destining his penances for the narthex as an open portico until the exonarthex, here the multiplied figure of Tytillinus would increase, appearing to be dominant before them, but all remained cohesive and closely united in paleo Christian rosaries, to re-infuse the forces of fear transferred to this invader.

Thus being able to reach the hemisphere of the mound that comes from Skalá, in front of them the Spilaion Apokalypseos grotto in Katapausis. You could see how the crystals of unhappiness turned into high-grade psalms of translucent stained-glass crystals of extremely shameful colors. Vernarth carried in his hand a Sheesham box with purisms and essences of the temple earth that he was building, he carried his magnificent thoughts inside the catholicon tied in his arms of the quarterdeck, where the raw solvents of the past wars as Military Commander oozed.
In front of the cave they all perch. Vernarth will inaugurate the Quadrivium whose four paths; They would group disciplines related to mathematics, geometry, astronomy and music as a study curriculum for the uprising of species and their preservation for centuries and centuries. Linked to the tracks or roads; grouping grammar eloquence and helping to speak, with dialectics to help search for the truth, and rhetoric coloring the words. Thus they understood the grammar, dialectic, rhetoric and its elementary figures and the three Trivium routes attached as a whole on this pilgrimage as they were already in front of the hermitage of the Saint. Raeder, Petrobus and Eurydice move their anxious feet with a few bars of Laziko, thus throwing from the ground with their feet the particles of thousands of years inseminated by the adjacent atmosphere towards the theological philosophical goal of the spirits satisfied to join them in the masses in proportion to the weight of their mobile talents, applying makeup like millennia to each other ..., parading before them.

Orpheons of the lowlands of Patmos were felt entering through the holes of the roof of the cavern, in communion to join them in the compas of this beautiful melody that diverged from all the original immaculate accents of the gifts along with the original of the Holy disciple. The petrified lotophagous mushrooms walked swiftly along the walls through the deviant Trojan ships, towards where the Trinidadian music descended from the roof, bruising the oversized apricots of the candlesticks, dazzling the other walls full of figurative tapestries of conceptual and iconographic images. Vernarth sang the Almara, an insistent retrograde song that invoked the entire community of Skalá and surroundings to join them through the arena sliding down the face-to-face gorge of the Katapausis, imbued in the mega center of the redoubled canticos of their own gorges, cloning the flat voices of the unknown mezzo vocal origin. Saint John only Vernarth allows him to enter his monastic cell, the others remain in the anteroom, pouring holy water and touching the hyper-curled walls of Chytridiomycota mushrooms that became voluminous in the immortal reflections of the vivid glow, to gather them to follow his insistent pastoral voice to a meadow of prominent demarcation step with its dynamic Laziko. Vernarth places in his hands a thick and heavy sacred medal, which will allow him to cease his lamentations and processes of Excessive occultism, before the heavy solitude procreated on his new face in rictus of joy and smiles in rounds of healing, beyond all predictions of his avatars and proselytes.


Vernarth goes on to describe:
A large amount of stress accumulated due to damage to the mitochondria that respond to the DNA that preserved the genetic material niche itself in a different way from that of the nucleus in the cavern, managing to dissipate after auscultating with the Quadrivium, detecting that a large part of the volumes manuscripts and iconographies were reactivated to other books as guests, to make them a living portrait for the tissue of the organism that parasitically inhabited the cavern walls. Inquiring an organized mitoconuclear communication. If they fail to resolve the mitochonuclear mtDNA breaks, before the radiosities of the celestial diaphragm, a dysfunction will be triggered that will affect the cells and tissues of the host, on all manuscripts and iconographies. These mitochondrial genomes will examine their function in the area of organic cellular spatiality, therefore the ideas obtained of incompatibility will remove all the saprophytic material from the rough trails of the demon granule Tytillinus, to exile it to the confines of its eco-region, where it lives unnaturally abandoned.

An evanescent canonical source alluding to this stay in Patmos will reveal to them through the roofs of all the houses of Skalá, mentioning through the mouth of the Eremita: “I, John, your brother and partner in the tribulation, in the kingdom and in the patience of Jesus I was on the island called Patmos because of the word of God and the testimony of Jesus. I was in spirit on Sunday when I heard behind me a great voice like a trumpet saying: '' Write what you see in a book and send it to the seven churches (Rev 1: 9-11). Moist winds licked all the roofs changing the nuances and morning faces, proclaiming the new secular kingdom. ” The most detailed source, continues to deny his parchment although already in late popular event, on his stay in Patmos are the apocryphal Acts of John, attributed to his disciple Prochorus. In them it is told how Juan and his disciple looked for a quiet place with a cave where they spent ten days of fasting. Subsequently, John sent Procorus to buy papyri and ink, and for two days dictated to his disciple the text of the revelation. Later the saint would entrust his disciple with a noble copy on parchment. The Golden Legend makes practically no reference to these moments, except for a mention that "he was entrusted with having confidentially known some arcane and profound things, such as the divinity of Jesus Christ and the end of the world".

The apostle appears on the spot presenting Vernarth with writing as a sacred office, also to commission future parchments for his future prophecies, and ink on a scroll or codex resting on his knees or on a desk. He also boasts showing him the writing tools (calamus, inkwell, rasorius, cornua) that are usually also reflected in considerable detail in the decals of his fingered golden fingers, accompanying the eagle, symbolically within the set of the tetramorphs of the old testament. Here Vernarth takes his face in compassion when he learns that his hermit master acquired the appearance of an octogenarian appearing accompanied by his disciple Prochorus, showing him the streaks, singing to them with the ninety years since he was exiled. It is a subject of late consolidation, very frequent in the late medieval manuscripts that contain this book or fragments of it, especially the books of hours where the image of the saint abounds on the island accompanied by the eagle, allusion to the apocalyptic living, and with much Frequently, of an imp that throws the inkpot or hides the calamus and that many authors have identified with Titivillus, a medieval demon who was credited with spelling errors in books and mistakes in prayers in order to win souls for Lucifer. The first reference that is had of this terrible demon is in the Tractatus of Penitentia of John of Wales, which dates from the year 1285, which will be evidenced in the framework of this stratagem entrenched in Vernarth's career as a Macedonian warrior, and that he would bring with this odeón the detuned song that would rule those who cultivate the art of sound near luminous beings prone to lose faith, as well as those who represent here as Tytillinus, vast evil oppressor of those who look at sacred scriptures affecting their eyes, as a sign of peeling of degraded human eye skin.
The others appearing were outside in a shed, all very close to each other, just waiting for the order to leave. Suddenly they see a brilliant blue waving light, which was coming down on them, it was an eagle coming towards them as a signal to tell them that Vernarth was coming back, to go to go with them to their rooms and continue with their daily tasks.

Under edit / continue

If trees could talk theyd tell stories.
Of a moon mad boy that travels between the seams.
A guitar motor.
A love punch horror.
A love **** taker,
The holy rock maker.
Crashing gates
takes the face
from bark.
Stoic as the trees
sonic as the sound
crazy loon lashing
dance around.

Heard a voice
One with the birds
birdy brain feather
emergancy of words

Killer killer
the liqour drinker

the little libra
The sinatra fevor

The apple eater
stream water drinker

the hopefull hopeless
Cautious curious

bring it back

the fat cat

the heart beat speaker
detuned reaper

an desperate dreamer of romamce roads and rigamorits

Carolina fire flies
tenneses weeping walls
arkansas arkane maw

The dandy dandalion
Photosynthesis the good times.

The photo prisim
The self made prison
The wall written upon
the wall dashed upon
friends family lovers understood
break down rebound
Some new coast bound.

Nothing but words,
And one with the birds..

Here in the wasteland
Swarming
Cold
Gazed with locked doors
The shadows of your frail body
Scared me
Imminent contagion
The land opened its mouth
To swallow the town
I would've felt bad for the mayor
If he had treated us with an ounce of respect
Our dry throats singing broken tones
Like a detuned string
Air comes out foul and distorted
The hymns were sang and
The souls ripe with hope
Danced
Instinctive motion
Of the universe
Laughed
My gaze was extinguished

——————————————————  

midway up the alleyway

among illegal upheaval

urban street backgrounds
swell unfolding into soundscape shapes


for exchanging
cracked mufflers
and
broken English as ingredients

out in this blacktop district melting ***

ramp-up,
cascade,
clatter,
and crash

spilling out almost detuned chords of reverberated sustain

into and echo through my window
in an oscillating fling around the ceiling  fan  
and from there it’s on repeat until dusk begins to loom

Static sizzle begins a final crescendo
And quickly takes its medicinal weakening

inevitable low murmuring enduring

in an almost complimentary gradation
a fading to dark (so you know where we’re at)

Frogs and crickets use their voices

In nocturnal harmony

singing the daylight to rest

while synchronizing intone
all those unforgiven and withdrawn souls
can take a new step forward

walking in stride with carefree invisibility

beneath a scattershot of luminaries
that constellate a shadowy veil

draped over town
My town
and Your town
and across
in a floating waft

Dispatched via the calm blue astral spheric hue
from a lunar dome
Or
cosmic citadel

represent

Represent

REPRESENTING

for all  our collective
Grandmother Astral-sphere

————-————-————-————-

So happy when I see your sad eyes
Vacant lot
So full of myself
Unread books on dusty shelves
Did you miss me?

The art of compression
Words sprinkled over crumpled paper
Too tight to breathe life into the room
A new obsession
Held captive
I'm too tired to run
Will you?

Wilted flowers
On top of a detuned piano
Look dear! See how the cherry blossoms grow!
Broken petals
Trampled underfoot

Clouds are breaking
You can almost see the sun
Bounty is for the taking
Hey babe. Looks like I've gotta run.

the best part of the champagne is the sound
effervescent spiky staticy tv on the wrong channel sound
(back when tvs could be on the wrong channel)
detuned radio's perverted whispers twisted 'round freaky frequency and amplitude sound

ah, the **** of this
somehow envibing makes the words pour out
that old cliche 'bout writers
where would we be without 'em
our toasts less profound, at least
ting ting ting

fewer songs to go with the crack of fireworks
groaning accordions
and all the other ancient anachronistic ephemera persisting
like us, persisting
for another round