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Anoushka B Nov 2014
***
Through the naked crest of your back
The dips above your clavicles
And the way I lunge at your jaw.

Through pale hands and swollen lips
And heavy eyes

It echoes

Resonates through thin air
And seeps into the cracks of the walls
The way it collides with your skin
And buries through the flesh

That moment, awakening, I got through
You know now how much I love you
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
Tom Leveille Feb 2014
you are inches
measured by miles away
bulldozing oriental food
you don't intend on eating
around your plate
and i am imagining
the translation of asking
for a broom in a foreign language
for when you shatter over small talk
or the first sentence to start with "so"
breaks you into shaking
that i can feel from across the table
and i am thinking now
about tectonics and how you must be daydreaming of being submerged in a book
back home or gripping tightly
to bedsheets begging for familiar warmth
i can tell by the way you are looking at me
that you are feigning our salutation embrace
seconds drowned in ankle deep water and i wonder if you see my hands
as jackhammers and if the reason
why you hug so hard
but only for a moment
is to be as sharp as possible
so that i do not smell your perfume
or notice that you aren't wearing any and why
there are few suprises
in the safe you claim is a mouth
where shades of plush pink
hide a sickly pallor
and i continue to look over
brick & mortar borders
and think how maybe
she is thinking of kissing
but certainly not me
not these apologies nailed to my face
i give myself a moment
of benefitted doubt that you sometimes
picture your frame under mine
and if your clavicles would crack
if i were to touch them
i am sorry that i am a victim of imagination
but i swear i chalk it up
as the forgotten feeling
for when you look up
and the person you are looking
at is gazing directly at you
you have painted yourself
as a mosaic in my mind
as a mess of dust & incoherent words
that all sound like please in my ears
but that doesn't explain why
my hands are the ones that are shaking
when i imagine you
imagining me
in the spaces of yourself
where you've forgotten
you could put someone
Patrice A Mar 2021
Unravel me.
Plunge your fingers into the depths
of my anatomy-
wade into my rufescent flesh,
strum my fibers,
find me in the fissures
of my ivory bones---
then come back to the surface,
cling to the brims of my clavicles,
and tell me how
beautiful I am.
Donall Dempsey Aug 2016
YADA TASHY ( "Originator Stone" )

Outside the first snow falls.

Her wounds are photographed.

Spoken of.

Described in detail.

Technical.

The overhead microphone
takes it all in.

Being dead she is
more naked

than she ever was.

Stripped of her
humanity.

She had ceased to be
who she used to be.

She is now
merely a cadaver.

The autopsy can not tell
her name.

She is Kuzuku.

Her mother called her
KuKu.

She had been born
with a caul.

KuKu was pregnant.

She was going to call
the child if it was a girl

. . .Yuki.

She couldn't conceive what
she would call it if a boy?

It was always going to be
a girl.

She liked candyfloss
and her hair up.

Now her hair is down.
It touches her shoulders.

As if her hair were
still alive.

The autopsy
wound by wound

tells of the hell
of her dying.

The voice is
deadpan.

Mechanical.

The coroner
breaks for coffee.

Bitter.  Black.

"Ya da!"
as the Turks say.

"...with nothing..."

*

Kuzuku was named after the flowering plant/rampant ****. Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy.

She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture.

All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around.

Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
Yada Tashy (Turkish: Yada Taşı; Bashkort: Йәй Ташы, Azerbaijanese: Yada Daşı, means "Originator Stone" or "Rain Stone") is a legendary folkloric substance said to be capable of summoning rain. For many centuries, it was the single most sought-after item in Turkic folk legends. Yada Tashy was a central symbol to the mystical terminology in Turkic mythology, symbolising interference to and control over natural phenomena.

Yadachy (Turkish: Yadacı/Yadaçı) in Turkic tradition, were men believed to have an inborn supernatural ability to protect their estate, village, or region against destructive weather conditions, such as storms, hail, or torrential rains. It was believed that the souls of these men could leave their bodies in sleep, to intercept and fight with demonic beings imagined as bringers of bad weather. Having defeated the demons and taken away the stormy clouds they brought, the protectors would return into their bodies and wake up tired.

Yadachy of an area usually fought together against the attacking Yadachy of another area who were bringing a storm and hail clouds above their fields. The victorious Yadachy would loot the yield of all agricultural produce from the territory of their defeated foes, and take it to their own region. Although Yadachy could be women and children, most were adult men. Their supernatural power was thought to be inborn. In many regions it was regarded that the Yadachy were born with a caul—white or red, depending on the regional belief. The mother would dry the caul and sew into a piece of garment always worn by the child, such as a pouch attached under the child's armpit. Adverse weather such as a storm or hail could devastate crop fields and orchards, and thus jeopardise the livelihood of farmers in the affected area. A role of Yadachy, according to folk tradition, was to lead storms and hail clouds away from their family estates, villages, or regions, to save their crops. A Yadachy could take the storms and hail clouds over the territory of another Yadachy to destroy its crops. The other Yadachy would fly up to confront the bringer of bad weather, and there would be a fight between the Yadachy.
kellie scranton May 2017
When you can't go outside in the cold
Cause it hurts your bones;
And you've caused self inflicted mayhem
On every surface of your skin
When the night is your only cherished friend
It comforts your deceiving soul
And sings you a fast tempo lullaby

-Kellie A Scranton
Diary of a night owl
Janette Sep 2012
Hush, my heart, for something is done...




Watch for the night
to lay our vows
over the wild parable of gardens
and over the wet lessons of the moon,
that give us prophecy in whispers
of dream, elope, and leave,
the absence of still rooms,
soothing, the svelte lips
descending upon my neck
in the seance of evening,
you soak calla lilies
of our red earth oils
and ***,
and with them
draw me a nuptial bath,

unbind the taupe soles
I have kept with the grace
of a concubine, sold
into the dark alcoves,
beyond the value of reticence,
you find me in rainstorms,
and wrap me in the flesh

and fabric of your hands,
behind silk walls,
with the ardour of Rapunzel's deliverance,
let down over the clavicles,
as fists unclench
in their exhaustion,

baby roses quiver this night, I keep
in pecan skin and votive eyes,
dip the Fahrenheit of your glance,
as it strays over my lips, your tongue
whips of mustard weeds,
seed your voice, sinks
into the garden's cleavage

as its lit pink tapers
spill their desperate midnights
and abandoned mornings,

ache under the arthritic, thick cedar
addictions to the milkflower
of a presence painted in clay glyphs,
stay the sinew and ******
of my body, a madrigal
upon our Indian Summer bed,

bled in a chorus of cicadas....

let the hymn be heard
over all these broken vows
and shattered pledges, speak
from the ruined marriage of flesh,
as I kneel in our earth,
in the sere, and seek in myself
that measure of peace, I know
is not there, without you,

to writhe in the throes
of exquisite anguish,

I give

my mouth in dream,
between your thighs
where the river runs fierce,
under the lithe sapling root
of my tongue, as it runs
the swift currents
and golden eddies
of inebriate skin, puckers
over the Inulin of the ****
and begins its swelling,
down the trellis of bones,
and the ******* of limbs
beneath the black monsoon
of the soul, as it perishes

in the engorged maw
of the split body, blades
of shoulders, soaked in the myrrh
of our rapture, fading
lifelines engraved on the back
of the hand you hold soft,
against me,

as my throat buries its moan
swallowed by your own, for solely
in you is it silenced, quelled
by the swells of song
you reign in the jugular
and soothe, a balm
for all my body, burning

its defiance, taken
to the limits of this,
our savage garden,
in the pilgrimage
to such lavish boundaries,
held abeyant, the cadence
of candles and solemn vows
sound the rhythm of our slow deaths,
writ in the lush psalm of the handsome earth,

our love, engulfed
in the wells of a sole desire,
I give you this,
my body's silkwhite harvest of faith,
driven fast with nails

into the exquisite wrists of the Christflesh,
shivering under the furtive delirium
of these, our fevers,
severed from body to body: twain,
that is now one ardent sorrow of flesh,
this is my body,
this is my blood,

I have given,
vows to bind our words, my love,
to the vigilance of night, that lives
and dies with the fall and rise of you breath,
one muslin depth,
relinquished to the white earth,
over an eternity of deliverance...
Janette Sep 2012
So
from your hand,
I learned to drink the light...



A residue of dahlias
in their late summer blood,
rimmed white with the fluid evening,
the soul, some wild falcon
folded in golden lullabies
of nightingale acoustics...



Eclipsed by the gentle pathos
of the body, shining
as I leave it behind,
crying in its dark thorns,
some forlorn fragment shudders
in the silver embrace you lace with calm...



As it laps
into that crumpled karma
and dreams it was once
a jaguar of dark passages,
held in the long hands of sorrow,
see, these clavicles emerge through orchids...



And a liquid resurrection
envelope the earth you bathe
from the fugitive gesture of wings,
so, it was in these black,
grim prairies of the soul...



Where I
at last learned
to drink the light from your hand....
Brad Lambert Jul 2012
I see the mole.

It lies just south of his petite clavicles,
parenthesizing his fragile neck.

I'd like to find the others.

Moles dotting his figure,
beacons on his frame.

Showing me where to touch.

I'll map them all out,
every last speck.

Just call me the cartographer.

I'll connect the dots, drawing lines,
building routes with my fingertips.

Your body will be mapped like the Silk Road.

But no ideas will be exchanged, nor words spoken.
No empires will be connected across this globe.

Only moles.
My first tumblr crush.
PK Wakefield Oct 2011
like thighs

                   (shes got 'em)

them thick as ******* thighs
all skin and creamy
and the backs o' her knees taste
so good
                      (like sugar shes got 'em)

and that dark little spider web
o' ink shes got coming up her
shoulders out over her clavicles
shes got her neat little muscles
under it all bunching and loosing
muscles when she's (head down
biting 300 thread count) her hands
don't lie gripping and grabbing
snaring sheets and,
  

                                          ,
                   ­                                                              ,
I am not ashamed to love you
As i sit here and cry
I am not ashamed to have love-d you.
No I am not ashamed to cry for you.
I am not ashamed to love you.
With every fibre of my being.
With every sin, with every moral
with every, ****** hair on my head.
I am not afraid to love you.
I am more afraid of not loving you, than loving you.
I am afraid of you loving me.
I am more afraid of you loving me more than i have even been afraid in my life.
Because than that makes love real.
I lost my love a long time way back when.
It's not important.
There's details in the details.
But my faith in loving you will not wane, falter, stop or die.
I am not ashamed to cry waterfalls of salty tears into my hands for you.
I am not ashamed of messaging you 3am in the morning to see how you are.
and getting no reply.
I am not ashamed to know that my attempts to love you are futile.
Yes, you.
You who would want to punch me in the face, the throat, the clavicles of my heart
to stop me, from loving, you.
I am not ashamed to love you like you were my only love.
I will sing for you in the car my love, i will hold your hand, i will bake you muffins,
My love.
And you would want to **** my very smile with your eyes.
I am not ashamed to lie on my bathroom floor with arms in my chest, with pain in my stomach, and my eyes blind,
from loving, you.
I am not.
I am not.
I am not.
I am not ashamed to be the laughing stock of my friends, family and lovers past;
for loving losers like you,
for loving someone like you,
for loving someone who didn't deserve me,
treated me like ****,
beat me,
use me, washed me up and dried me out, hung me out.
No i am not ashamed.
I am not ashamed to cry these tears because i lost you.
I am not ashamed to cry these tears because i am not in your arms.
For my heart beats strong.
For all these years,
through all these lovers,
through all these partners,
through all these ******, *******, tears.
For i love you more, each day.
For in this world where there is more hatred, pain, sorrow, suffering and loss
I would rather be ashamed for loving you,
than hating you for loving you once.

'We can only truly hate something we once also loved'
Logic eh? What else makes sense in this world?
theresa the tree Jun 2014
“you shall carry my bones up from here” (Genesis50:25)
yea Little nymph of numbers has six teeth each with ******-chic epiphanies
protrusion of epiphyses thirsty for a fresh bonejuice deathblast
stringy strung theoroized skelecoded out arieal fractal sonix
lix hits antigravity dreambeats chew on infra-red-infractures
to explosively burn constellations out into dust bowls all heavily cranio-******
up with a soul narrowed down to a skelleconex technoillogical prototype
a freshly teased nanoNymph_2.0 osteo-tissue paper thin prototype
designed to bemuse, amuse and be a muse to forgotten infinite epiphanies
endlessly download digitisternums, clavicles whatever desired by the cranio- ******-
enough to risk phantom organic pain in time to playback biofeedback turnt up to deathblast
It’s the artificial cardiaudio arteries show featuring manibrium marrow leakage from infra—red-infractures
and six skinny feminine femora to sing blackened covers of diva demeter love sonix
diamond data mapped thick with smokey persephone bloodkiss shadow sonix
peruse the meanderings of the nanoNymp2.0 a double(triple) pianissimo prototype
fragile: prone to falling (ie) misunderstanding sharp blades pulled from infra-red-infractures
***** bonebuzzed off nothingness nectar numb drunken epiphanies
triangulated ossification between 1st 2nd and 3rd eyes lead up to deathblast
fossilized iconoclastic forethought will achieve status of cranio-******
this poem has no need to lobotomize fetal craniotomies; it’s all cranio-******
betwixt BANG BANG banging is clatter clix scatter bone-dance sonix
electricity sings in the key of major deathblast
crack open a bone on a nanoNymph skelleconex system and a replacement will be sent of the latest prototype
well calculated little nanoNymph’s all programmed  to know as why approached one, X approached ∞ -of cracked open epiphanies
triangle shaped fire, ▲shaped heart, equilateral to a dead sea, sacred geometric infraRed-infractures
biowired endless visions of these infraRed-infractures
Anthrenusverbasci (carpet beetles) eat away at bleached bone clean cranio-******
vertebrae of the Ouroboros eating itself epiphanies
grinding jaws brittle scurvy romantic-suicide die sonix
son of nyx an erubus have mercy installation psychopomp prototype
bring on one more broken septum to end =sempiternal deathblast
“bone of my bones” (genesis2:23) indeed; bring on an ablazed deathblast
fragmented spiraled and inside out infraRed-infractures
every one ends up broken, every bone of every prototype
smashed open coronal suture in everyone cranio-******
thanatos shadow between eros supraorbital sonix
godless and wandering without but epiphanies
soulless nanoNymph burns into dusty nothingness of a prototype
and the emptiness of silence is the deathblast sonix
some exposed spine litter vallies of dry bone epiphanies
david badgerow Aug 2015
talent --
that double edged sword or
sleepless dove with derringer wings
the ability to break yourself open
let others look inside your chest
and find the notorious self-doubt
pimpled succulent you keep fertilizing
because old habits never actually die
and the huge romantic idealism
of the old farmhouse heart
with crooked creaking screendoor
white paint chipped windowsill
the enduring softness of eyelashes left there
flies gorging themselves growing fat
from the dishes in the sink and
prickly leg hair still clutching the drain
sentimental tractor asleep in the barn
next to the weak ego rusted crowbar
the ivy-moss growing thick out there
perfect nostalgia really misplaced for
sepia tone memories i was never part of
a heart full of tongues and cute thighs
and backs of knees that i've never seen
lungs under clavicles filled with patient
lovers breaths never breathed
digging deeper with small fingers
for smooth freckled scapula flesh
that has never found warm pink rest
inside my cheap cotton sheets
-- i know that i have some
I have wished for years
That my collarbones would make themselves
Known.
That my muscles would
Atrophy.
And my skin would become
Paper thin.
All for the sake of exposing the calcified lattice
That holds me together.
Holds me down.
I have wished to see my ribs
So that I could better understand the bars that my heart
Beats so fiercely against.
I have wished my spine to rise from beneath sinew
Form peaks against my skin
Just so I can see
What makes a man
What backbone is
See what makes me
Stand
Against those things that I do not desire.
Yet here I am.
Synapses stretched between
Head
And
Heart
Eyes sundered, seeing what my heart can't take.
What my fragile fingers fail to grasp.
I am a graveyard.
Made of stars that decided they were meant for other tasks.
Rub your charcol across my bones
Just to see what stories the universe has told.
For it has lived and died a thousand times, and now
And now, this time around it chooses to call this body
Home.
So although there are days I wish my hip bones would rise like
Mountains
In the desert,
That this soft skin would part and give
Rise
To bones like Aspen trees,
I will accept that my
Clavicles
Are the bottom of the sea bed.
And I am
Mile
Upon
Mile
Of stormy ocean.
Still waiting to explored.
I am learning.

Copyright Alyssa Steele 2016
Izlecan Oct 2018
Thou tangle the mortality
And seek the mourning of its course,
With an outrageous cloak  that falls adrift
To have its custom afloat.
The decorations,  thereof flatters this turmoil
That has its doubts and moments,
A longevity beheld upon the chores of the subject,
Never cognizes its everlasting trials,
For those of which handles the elation
Of successive falsification.
I know not of the clumsiness of hymns,
That sighs the mourning of a course,
The chaotic iteration of single pauses
And the faltering of a mere *****.
I know not of the turmoil
That bedecks the frostbitten clavicles,
Onto which no sigh wavers
A petition of no faze and any dome.
I know not of the cloak
That nestles around a haze;
Bringing confusion that betrays every vivid sense.
Let it be the matter, ‘tis a matter of time(!)
Would it morph itself around the mourning mould,
When it dries away with the mud?
ji Oct 2015
When I was younger, I wanted to be an astronaut. I told myself, "I want to see the stars and the planets up-close." I think probably we all had that stage in childhood where we all wished to be space walkers like Armstrong.

But eight years later, now I don't wish to be an astronaut anymore. I wish to be a writer. Because I have already seen all of the stars and the nebulae in your eyes. I wonder how they all got condensed in those two small circles like the moon. I whisper to myself, "It's so lustrous."

I already felt the weightlessness of space in your kisses, and your hugs are like oxygen tanks -- I need them to breathe. And when I see you-- just looking at your gait and smelling your perfume is even more enthralling than being in a launching rocket ship that pierces through the clouds and breaks the invisible mantle that separates the Earthly skies from the cosmic tapestry called "the rest of the universe". And I float away from reality and just revolve around the idea of you and nothing more like how the satellites of Jupiter revolve around it almost eternally.

I don't need to see the constellations anymore nor the planets or the meteors because I have seen them all in your skin-- I painted them on your skin. Others might call it bruises, but they do not understand that your body-- your neck, your arms, your chest are empty spaces and it'd feel like a sin not to embellish them with love marks -- the bruises that do not scream pain but* I love you's. *And I love you.

More than all the splendor of space, I still find your hair and the arch of your back and the gaps between your fingers and your clavicles so much more beautiful. Even this galaxy we live in seem to be unfit for its name: Milky Way. I think that name suits better your complexion alone. And when you smile-- oh, your smile! -- it is more radiant than the brightest comet and more warm than the hottest blue star; even the sun in the most arid summer-- it just gives me sunburns, but your smile, only yours, renders my heart melted.

When I was younger, I wanted to be an astronaut because I wanted to see the space. But now I don't anymore. Because I learned that astronauts are just spectators and I want to write about the universe. I want to write about you.
Taylor Aug 2014
I Started To Fall For You At The Same Speed She Almost Jumped From
Or,
Couldn't You Have Said Something Sooner?
Or,
The Story of An Almost

Midnight exhales, meet 1 am clavicles.
2 am blushing, meet 3 am commands.
4 am cautiousness, meet 5 am lust.
6 am, meet the one you love.
I felt comfortable with you;
There was instant trust.
I wanted your creased cheeks and bleary eyes at every hour of the late night.
I would dream about my fingertips tracing your sides in the early morning light.
I've been missing the way I could only see half of your face once the drowsiness set in, the way you lifted your chin and smiled at me.
Your eyelids never crinkled evenly.
The first night we talked, you called me cute and told me that if I wasn't going to say the flirty things, you would.
You made me nervous. People don't make me nervous.
I don't get butterflies. I don't get pink cheeks. I get sickly moths and bats flapping around inside me. I go pale from head to toe.
You brought back raw emotion like sugar. It was too much all at once; it made both of us a little sick. Neither of us were used to it.
Your mind decided to change tracks and left me behind at the station. I've still been sitting at the help desk waiting for your return.
You're not the type I go for. You're much too cautious and gentle, generic and accessible.
That's gotta mean something. I usually go for the girls who stain their cigarettes with Ruby Woo or Sin lipstick; into none of those categories do you fit. I go for girls who live halfway across the world and would rather swim in tar than fall for me again. I chase after those who'd never want me. I do it so no one gets hurt. I once burned a girl so badly she wished she could fall from red steel at 70 miles per hour just to hit the water to escape my flames.
You're nothing like anyone I've ever loved. Why is it you had to pull me in so close, thaw me so much?
My soul is of the winter; if I'm not a raging fire, I freeze at anyone's touch.
I just wish you would've realized you made me feel so much, thaw so much, ache so much.
I wish you would've realized that no matter how much you hated poetry, the honey words still spilled from your lips.
You were one of my favorite poets.
From hipbones to little sighs, stinging skin and inner thighs; you told me stories of moonlight on shoulder blades and the dream morning of a nymphomaniac.
Maybe it was a dangerous mix of lust and a little too much trust, but I miss the way you made me feel a little loved
maria angelina Aug 2013
i used to think my body would look prettier in a casket
but i spent hours looking at it in a mirror anyway.
sometimes I feel like my body doesn’t want me in it anymore,
or like my mind is trying to trick me into leaving.
my aching limbs and tired heart make me feel like
my body has been around for longer than I’ve been in it.
it's only just now starting to feel like it's mine
because when enough grown men yell at you from their pickup trucks
and enough frat boys shout at you from their porches,
you start to learn that your body isn’t really yours,
and it took me too long to be upset about that.
because when i stopped eating, i was the only one
who could feel that pit in my stomach,
and the only one who had to live in my exhausted body.
and i’m still not sure if i liked that or not,
but i do know that it made me feel strong.
and it took me too long to unlearn that feeling.
that safe feeling i’d get when i was all wrapped up in my hip bones and clavicles
and the waist i was always so scared to spill out of.
it took me years to learn that a cold heart isn't a blessing
but my feet still haven't gotten the message
i carry worry in my teeth
and shyness in my ankles,  
i’m filled to the brim with feelings that
mix together so much, i can't tell which is which anymore,
and i overflow so often that i should be drowning in saltwater by now.
my heart races so fast,
it's a miracle i’m still alive.
but on those days when i’m held together with safety pins and good intentions
when i wear lipstick like armor and couldn't look you in the eyes if i tried
i will curl my knees against my chest
and hope that that will be enough to keep me in my body.
my body, that’s filled with endless love and cruelty
but not enough courage
it’s an argument i can’t win
it's a house i’m locked inside of,
but i’m not planning on going anywhere.
witchy woman Jan 2014
Oh,
      how your words drown my tormented soul in
                    nothing but their warm currents,
                            they caress down my neck and rest themselves on my chest
                                              to find my uneven heartbeat nonetheless.

                                                               ­                                        And,
                                                            ­             I regret to inform you
                                      my wants stay hidden with time & space above
                          for I had never imagined,
      that it would be me you to want love

A dream,
     the only comparison I would find suitable to describe you
                                                    one million miles away,
                                                           next time you wander the streets at night
                                                                ­         find my reflection in the puddles
                                                                ­              seeping through your woven fibre shoes

                                                          ­           I find myself hoping,
                                                      not­ to lose you
for that would be a calamity I could not bear
                I would never hear my name on your lips
                                   Or feel your steady hands make their way through my hair

                                                               ­  At the top of your lungs,
                                                      sing­ to me
                    for I long to hear your voice
       & this time,
the waves will carry it close to me

Daisy petals & orchid blooms
          rest tentatively in the concave of my neck
                  a pattern of small petals reveal themselves past my clavicles
                         down my sternum
                               covering the rosy buds atop my soft breast

                                              Sir,
      ­                                  will you brush them away
                
                 with a kiss?
                                                           ­         give me
                                  someone
                                                         to hold
                              give me
                                                    starlit hours,
     seconds,
                   to miss.
Circa 1994 Sep 2013
He said: "Of all the chat sites in all the internet, she walked into the one I happen to use."
He was drunk when they first spoke.
But she was too enthralled by the fact that he thought she had good taste in music to notice.
It had taken her years to train her ears to appreciate the sound of a bass solo
and learn to distinguish the no name bands worth knowing, from those that were not.

She had an appreciation for clavicles
and wrote too many poems about what love was, wasn't, and should be.
She liked to pretend that she hated cliches, yet her favorite movie was chalk full of them.

She said: "I dig you."
She dug so many things about him.
He had so much worth digging.
His love of the ocean and all things aquatic.
His green-gray eyes.
His general lack of amusement with things of the romantic sort.

He was too sincere to ever use lols
and fancied himself most competitive cooking shows.
And though he'd never driven a car, he had been para-sailing.

She said: "You're my person."
He said" "Make the world your person."
So they continued on in their mutual amusement,
exchanging selfies, sweaters and songs.
They spoke a unique language consisting of
puns
snark
lyrics
and innuendo.
Sarina Oct 2012
You are a radar-buzz,
I feel the jitter when you are around.

It is stony, it is inescapable,
but I do not mind.
I might want it, even if it weren’t yours.

For your shake I have my own,
like a thousand peacocks, enhancing
themselves for their mates.
Already too bright.

And what they are, I cannot say,  
not much better than my midnight jolt
when I go dancing in you.

Dilate your clavicles, sweet:
I am diving inward.

I think you sound like suicide inside,
do not want to admit you hate life.

So your body speaks for you.

That, the drone, it travels me in,
Love you like a son, a brother, a husband,
and cannot decide which is moving.
Bob Horton Apr 2013
White Man! White Man!
You dare come and conquer this country?
This corner of the continent
Construct your castles with crystal windows
Looking out on a foaming sea
Model your marble walls, polished and pristine
On your porcelain teeth: terrible and tough
Paint clouds on the ceiling with paper fingers
Papyrus skin crumpling with age
Your knights galloped in on young geldings
Castrated to keep them clean
Like the sterile white cloths draped across their clavicles
You’d scar this landscape
With a squat whitewashed town
Matt and peeling
Dishevelled and overgrown

Black Man! Black Man!
You dare come and claim this country?
My corner of the continent
Behind boulders and barren hills
Coalfires choke the burned sky
I’m breathing in your smoke but at night
Your bullet-holes in the firmament glint
As stars glimpse the belching flame
Of your volcanic pride
Your bearded bishops bludgeoning
The bloodied populace of pockets of resistance
Scorched brown eyes smouldering
From here to the horizon
Of mournful ashen mountains, blunt and black
You’d build your walls of black onyx
Cold, hard and brutal

So let the battle-lines be drawn
Let us duel to the death until we mix
Into that emotional grey area between man and man:
Peace
featherfingers Nov 2013
I sat outside for hours last night.
I sat outside under the same July stars
twinkling new under an icy, November moon,
shoulders still bare and hair tied back,
looking for the misplaced summer in an anxious fall.

I didn't find it.
I found cigarette ashes clinging to the fur of my boots.
I found crystalline fog glazed cold to my skin.
I drew childish hearts and arrows in the ghost of my breath
and traced glassy teardrops clinging to sweatshirt sleeves.

I sat outside for hours last night
until even my lungs stiffened with the cold.
My clavicles stung with the prickling of snow
and my fingertips ached with the effort of clinging--
to grass, to wood, to paper, to smoke,
to snowflakes falling through liquid-like air,
to memories, to monsters,
to you and to me.

But I couldn't hold us.
We slipped like water through my clutching hands;
we melted like rocks that never even were.
We dripped, trickled, and fell like rain,
and we evaporated in the blaze
of an ending Indian summer.

I sat outside for hours last night
listening for lost crickets hiding sadly under leaves.
They buried themselves too well for me,
better than you ever will, it seems.
You float, always just under the surface of an endless, salty sea
no matter how much concrete
I pour for your shoes.
You never leave.

But I sat outside for hours last night
perfectly alone.
about a boy I need to stop writing about.
PK Wakefield Jul 2013
it's the clavicles her
the
inching of

the
(her)the

vulnerable teasing the

at the edges pink the

trimmed in neatness the

amble of girlness palish

(******* just and
softer coiling
hushed by
an inch
of boyness)

she(the)her(the)

by the way sir(the)

i 'er the
gonna perce ya

a radiant by the folding o' yer faultless gleaming
(spear to plunge)
your heart and *****

a rill to let
of crimson mangé
Voluptuous.
Wafting smoke,
wan displays, embraced.
Hold the shame.
And:
carry yourself
along the Way.

Liberation
is the name of Her
shoulders and clavicles,
sinuous and ripe
swells,
the music of Her body
thrums.

My church:
Her vesica unveiled
uncoils the serpent.
Then, and then
only,
the shuddering
agony. Be.

Ubiquity
is the stone of Her altar,
death Her skeleton key.
Many locks; one door.
Enter.
Wake up.
Matter doesn't.

Surrender
is not an option, but
an oath of fealty.
One flesh
is
Forever.
Dreams fade.

Repenting
these depraved virtues,
the vice of Her worship
grips tightly.
Die.
All honeyed luster
and deep silk.

*****
is the tinge of Her kiss,
Her laudanum love
the needle ******!
Down.
It all points
that Way.
In nomine BABALON.
JL Mar 2016
I stood on the pill gray surface of a moon with my eyes closed against the pitch. Deafening silence encaptulates me swallowing every cell as I sit cross legged in the stomach of it. I felt her. The pump of her heartbeat colossal in the deep. I dissolve and recoagulate 20 trillion kilometers from her belly. White dwarf her ultraviolet laughter washes over me charring me black. Just beyond the speed of light I fight the cold vacuum spiraling  through fathomless rings of planet sized asteroids she has caught within her gravity. I accelerate through her categorizing every element naming some as I go. Her molten core flows pure silver. Radioactive, attractive in totality, she is stealing my electrons and I'm losing all equilibrium. With reckless abandon I arc through her nitrogen ice eyelashes and lips play supernova melting me again into a pool of shimmering metal reflecting her every facet fractaling in infinitum Eye couldn't capture unable to dilate in time. The mind could not comprehend it driving to madness decompressing time. Switching polarity with her smile I float awhile in her warmth basking in total integration. Resting on the glaciers of her clavicles. I run my lips on the molten surface of her neck, and my hands found the small of her back marble smooth in the bitter black. Hair of plasma on obsidian shoulders cradling me as I reform. Her finger  like Olympus Mans presses into my arm and she says something that I could not reproduce even after infinities of calculation. In this brand new mode she runs like code. Strands of proteins or DNA playing over mine becoming prime. The restorative gravity that brought us pulls atomicly until we are not.
Lydia Feb 2014
sternum (n.)
a bone extending along the middle line of the ventral portion of the body consisting of a flat, narrow bone connected with the clavicles and the true ribs.
I remember taking an anatomy class in high school, we had to memorize the bones of the body - the skeletal system. Scapula, humerus, mandible all favorable to the tongue, but I never liked the word sternum, it sounds far too angry, nothing like the supple it actually is. Years later I would still find myself walking to work and naming them off. Bones on my mind. Tibia, ulna, femur, breastbone.
Breastbone rolls around my mouth, lulls my anxiety towards its twin like a boat in calm waters. I think of your breastbone as a platform to profess my fascination. I am surprisingly amazed every time I count the steady rhythm of your heart, it's sound conducted as though your breastbone is a soundboard. I feel the slight ridges of your ribs when my head lays in the valley of your chest. There's not a day that I wouldn't love to get lost in the formations of your bones, each crevice a new place to hide - lounging in the curve of your collar bone, plucking the muscles of your fingers like guitar strings, getting lost to the soft scent of skin, and memorizing the plush roundness of your *******, each sensation leaves me with a new obsession. I look for replicas in everyday life, the hunt almost as intoxicating as smoke from campfires, or plucking wishbones from hens.
Im coming of age
In the era of the devoid
Hollow greed seeps unearned
from elephanitus of love  

all the dead *** heads
and the glorifed child **** stars
live in tandem with virginity commerce
a descriptive high full of lies

here we are raised to never forget
the look on a beautiful girls face
when the zippers break and all the mallets fall
when mud and blood and ***** mix to a collegiate concoction

Leaving her to bear the scabbing burns
The openings the ambrosia flesh wounds
The giant stamp of pulsing indecency

The markings don’t go so well with her hollow moon smiles
They don’t blend with her regal clavicles
To bend them in with a wrench
Would do no damage to this already feral *****

Don’t try to hide
The billboards may be sagging
But they carry the message loud and effeminate
All the drum ticks and coated arteries will explode
They cant be stopped

Mucho gusto, muy bien
All that we ever where locked into some
Tooth paste stained and tattered bibliomeca
It is true I have become that broken shameful collection
Which we are taught to stain in the wood works of our memory

I turn to page 1168
And I know that the bruises will be permanent
Surrounding the globe and bridging in the gaps
The ones that they left between your calamity eyes

Will they still love me with one foot locked in a bear trap
And a hobo having the last of my eyelashes ?
Or  maybe just the scary albinos at the san Francisco bar scene
Izlecan Mar 2017
filled up with enmity coiling up inside
The chest billows up
Thy want to heave it out
Then destined to tranquility

The claws scratch the flesh
Death gnaws on the remnants of longevity
Unless visions have a chest
To burst out into effervescence

Spontaneous sigh is kicked out of your breath
The clavicles sharpen, the eyes ogle ahead
The nothingness dilates
The flicker has no entrance for itself to adumbrate

For utopia has its own gore
To marvel over inside,
The plasters of bliss
Have guffawed over the gullible dusk

The gloom has left with a whisper
A muttering not to be heard
The relief has sewed on flesh
With the clouds coming out of thy outburst

The relief rebirths the serenity
Has been meandered, halted
For thou shed leaves
Making agony to clouds of no return

Utopic defiance,
the idiosyncratic anectodes
Stains of externalized innundation
For the literal existance of hope.
Sofia Jan 2017
i've always had a peculiar affair with history
history is a woman draped in red silk
with ***** eyes and sharpened claws
carefully picking out the hearts to break
and stories to keep
one day i'll arrive in her velvet palms
until then i am but another spectator
aligning myself with what has come to pass
i felt so deeply for the lost souls
souls history deemed unworthy to chronicle
i often wonder about the stories of fossils
of what love laid in the bones below me
of the life shared in worn out alleyways
i often remember all the sadness
the war that plagued the world around me
the death of kings the rise of nations
being affiliated with history is one way to come to it
to sympathize with all her victims
to love so much you love even what is done
the fall of rome broke my heart
for if an empire could fall
how much more i
to remember so much even what you never knew
i feared the flood that carried noah
for if all those quiet beings never reached that ark
who was to say i would've as well
i weeped for the library of alexandria
and all the parts of history left astray
for if that much life could burn
i am already ash
i find it hard to let bygones be bygones
when i am forever hanging on history's clavicles
somehow reaching for her and never quite making it
as i am a lost soul ripe and wary of her place
in a muse as big as history's heart
Brittany Wynn Nov 2014
I would not wake up to a war with flesh,
twisting and turning to pinch in a soft waist to lithe sinew.
Slim limbs and sharp clavicles—
my edges would cut deep.
Perfection; walking anywhere as a body
of art, letting everyone’s eyes peer through
me to sunlight, a curved heaven.

The women of my family have said that success
depends on matchstick legs and sleek hips that
insure a delicate beauty, seemingly effortless.
But if my smooth form fractures,
the weight swelling into weaknesses,
I would rather lay scattered as another’s
mess, so throw me down to the swift end.
Sarina Apr 2013
A ritual, I shape an acacia from your flesh and blood –
the fluff rather concealed. So are we, though your insides decorate
a globe just shy of blonde cornfields.

Tomorrow, you can be the columbine’s milk,
split drops deserting her center: now a park of petals on the edge.

But I examine every exposed hipbone, your clavicles rosy by me –
there is something around a jonquil about this image
you spread so I can embrace you, answer coils like a telephone
and want as much far away as I would close up to flaxen.

Hand me a celandine capsule or periwinkle bow –
all of this tied in a knot, originated from a bend of your hair.
I have recollections and joy from imminent meadows, girl and boy.
Loosely based off of a line from one of John Moffatt's poems, who is one of my fellow poets on here and is extremely talented. Also, this makes more sense if you know a bit about the meaning of certain flowers.
Myshele R Yee Aug 2011
..1
Atomic state of plasma, I feel so refreshed.
Just out of the shower and still not dressed.
Driven by the urge to kiss your clavicles--
I hope this is going where I fantasize it will,
And, Honey, I did warn you; I'm not nice from the waist down.

I only exist once a year,
To avoid the sun, to avoid the tears.
I'll trade you adulation in exchange for souvenirs--
A few wise words, a few beers.

I'm a slave--
No, I'm a sovereign.
Take me back to when I didn't know pain.
It sounds crazy, but they need you to stay sane.
We'll celebrate this holiday with a spoiled candycane.
Nicole H Oct 2018
my body is a pond

pondering body of



a pastime of skipping stones

rippling raphes

limping lips

collapsing clavicles



pop a lilac on my iliac crest.



how many hops can you make before sinking in my ****?

how many stones can I take before drinking from your stash?



[Stone skipping (or stone skimming) is the art of throwing a flat stone across water in such a way (usually Sidearm) that it bounces off the surface, preferably many times. The objective of the game is to see how many times a stone can bounce before sinking.]

*

my wellspring is a floodplain floodplain floodplain floodpain.
Oct 2, 2018
entropiK Oct 2010
Rx
ix.

when you were eighteen
and i was fourteen
you handed me a blindfold
teethed with razors
because you say
truth is schizophrenic:
                                                                                 and angels are anemic
and my eyes are sweeter
than pomegranate
but your poison did not stop at
fairytale apples or lazarus
or hellish flowerets,
it re-mastered
left its tar around
your marrows.

iii.

when you were twenty
and i was sixteen
you gave me a Glasgow smile
on my tongue:
                                                                                like the pale harlequin
so i could bleed solace
and sympathetical commiseration
through every word
when ever you needed me

wheil you emitted a rosary
that encircled
clavicles, threading it to a hole you manifested
inside my sternum
because you belived
a heart was not neccessary
if a doll could
love with fingers

*

now you are ten years old
and i am seven years older
you ask me to write a poem
about you and artistry
but i am waiting
for the aestheticist
beside the violet car
with one ear and
debauchery

licking my fingers
and biting off your nails.
its for an old friend..
Gabriel Roa Dec 2015
but she didn't know
I loved everything e v e r y t h i n g

her beautiful eyes,
disposed to look at other people
through the love she owned
to herself

her beautiful neck
and the way she feels all the love
passing from my fingers
to her veins

her beautiful hair
which moves graciously
along the air
she dances with

her beautiful chest
so warm,
you could take a nap
inside her

her beautiful lips
and the way she moved them
every time she was thinking
about her first love

her beautiful knees
and her infinite femur
which held her so long
even when she didn't want to

her beautiful clavicles
and how they stand there
waiting for the breeze
of an incoming morning

her beautiful nose
and how it keeps breathing
every time she fails
to convince herself to

her beautiful hands

oh God

I love her hands so much

and the way she moved them

and the way she touched her face

and the way she brushed her hair

and the way she did her makeup

and the way she listened to my voice

and the way she opens her heart

and the way she claims herself a mermaid

and the way she smiles like a little kitten

and the way she

oh, believe me,

I really really love how she

*tries to love herself
/to her/

— The End —