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"booths" poems
# *I wander throught the works of art upon a gorgeous but cool day, Bewildered by the beauty (and the price they ask to pay). Paintings hang in canvas booths in styles of every kind. Statues, crafts and metalwork aesthetically designed Food and drink and music too a rousing, festive place. But oh my friends, the greatest art was smiles on every face. So many strangers mingling with a common goal to share To wit: a friendly greeting and goodwill enough to spare. Indeed, the day was perfect with weather cool and fine. But nothing tops a friendly smile in harmony with mine.* #
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Apr 8, 2018
Apr 8, 2018 at 9:55 AM UTC
Art and Harmony
As I walked through the apartment door, I did not expect anything more but comic books and video games Scattered on the floor. I felt like I was at a comic book store back down south. Batman, Superman and the green guy too. Posted on the walls for all who entered to view. But I had no idea who the hell they were. All I knew was that they had powers, Till Brett gave me the rundown for about an hour. Batman is a super-rich guy, with a fly ride. His parents were murdered by an evil guy. So Batman goes around knocking bad guys out. For he won’t **** you because of how his parents went out. Then we have Superman over to my left, A very fast man, with an “S” on his chest. He gets dressed in phone booths, then fly’s to save the day. He’s got x-ray vision, yep right through your shirt. If you turn around then it’s your skirt. Then we have my favorite one of them all, Green lantern with his ring of power. Making fists and gripping things. Anything is possible when he’s wearing that ring. So this is all I got out of my superhero lesson, They are all really good guys with their own little blessing.
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Jul 24, 2014
Jul 24, 2014 at 6:31 PM UTC
Superheros
Here in America, we improvise morgues as needed. in the cafeterias or by the lockers, near the ticket booths, and at the altars. We divvy up the dead. Tally them and report the number like an answer. 13, 20, 49, 58, 6 Every death count a timely national shock. Almost as if our well-televised monthly tragedy was ever anything less than a game of roulette. anything less than a matter of time and time and time again. Covering them each with our bed sheets, we try and stifle it. Do our best to staunch the the sights, the noises, (“just like chairs falling”) the names that keep bleeding out onto our thoughts and tongues, Far too much and too often not to choke on. Here in America, we’ve learned that horror is level-headed. It is debatable. It is pangless. It seeps, deep to the core, perverting with a silent smile. the steady, feverish dread weaving itself into the mundane. the “god help us” annulled by the “respectfully disagreed” the nightmare that lies always just underneath, and just out of mind, Until it insinuates itself Again and again... Here, in America We line the bodies, death slumped, and bled out on the pavement. We arrange them- Side by side. Most are missing things- a hat, a piece of face. one shoe, a dulled pencil (fill in C) phones buzzing on the ground lit up with unread messages (“Please call me”) They are missing- an upcoming 7th birthday party, (Star Wars themed) They are missing- their vacations. their first dates. their college applications. job interviews. kids. fiancées. Lined up lifeless, they are missing far too many things to gather.
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Apr 1, 2019
Apr 1, 2019 at 3:14 PM UTC
Here, in America.
Here in America, we improvise morgues as needed. in the cafeterias or by the lockers, near the ticket booths, and at the altars. We divvy up the dead. Tally them and report the number like an answer. 13, 20, 49, 58, 6 Every death count a timely national shock. Almost as if our well-televised monthly tragedy was ever anything less than a game of roulette. anything less than a matter of time and time and time again. Covering them each with our bed sheets, we try and stifle it. Do our best to staunch the the sights, the noises, (“just like chairs falling”) the names that keep bleeding out onto our thoughts and tongues, Far too much and too often not to choke on. Here in America, we’ve learned that horror is level-headed. It is debatable. It is pangless. It seeps, deep to the core, perverting with a silent smile. the steady, feverish dread weaving itself into the mundane. the “god help us” annulled by the “respectfully disagreed” the nightmare that lies always just underneath, and just out of mind, Until it insinuates itself Again and again... Here, in America We line the bodies, death slumped, and bled out on the pavement. We arrange them- Side by side. Most are missing things- a hat, a piece of face. one shoe, a dulled pencil (fill in C) phones buzzing on the ground lit up with unread messages (“Please call me”) They are missing- an upcoming 7th birthday party, (Star Wars themed) They are missing- their vacations. their first dates. their college applications. job interviews. kids. fiancées. Lined up lifeless, they are missing far too many things to gather.
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Korean fashion experts have shared their know-how with Malaysia. At the "K-Fashion Conference for Malaysia" in Kuala Lumpur on Feb. 16, a group of Korean professionals gave lectures under the topics "K-Fashion Design Trend Transition & Forecast," "Digital & Online Marketing Strategies," "Power Brand and Concept Development Strategies" and "How to enter the global market." The Korea Fashion Association, the Malaysia External Trade Development Corporation (MATRADE) and the ASEAN-Korea Centre organized the event to strengthen the competitiveness of Malaysian fashion brands by improving the added value of the industry through brand development. About 50 Malaysian fashion industry companies and related government officials attended. "There is growing interest in K-fashion, along with the high popularity of Korean dramas and entertainment shows, making this workshop even more timely and meaningful," ASEAN-Korea Centre Secretary General Kim Young-sun said. "The Malaysian fashion industry has huge potential as it is currently ranked in the top five in the ASEAN fashion industry." On Feb. 15 and 17, Korean experts visited local fashion merchandisers for market research and consultations. According to the ASEAN-Korea Centre, the Malaysian fashion industry has had massive growth with the expansion of Islamic fashion markets. MATRADE aims to boost the industry as the nation's leading exporter. It has been organizing Malaysia Fashion Week (MFW) since 2014 to make the capital a fashion destination in Asia. The second MFW in 2015 featured designers from more than 15 countries, and over 300 booths showcased the quality products of Malaysian fashion brands to the domestic and foreign trade, accodring to the organization. The ASEAN-Korea Centre is an intergovernmental organization established in 2009 with an aim to promote exchanges among Korea and the 10 ASEAN member states.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
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Feb 22, 2016
Feb 22, 2016 at 4:12 AM UTC
Korea's fashion experts put on stylish Malaysia show
Korean fashion experts have shared their know-how with Malaysia. At the "K-Fashion Conference for Malaysia" in Kuala Lumpur on Feb. 16, a group of Korean professionals gave lectures under the topics "K-Fashion Design Trend Transition & Forecast," "Digital & Online Marketing Strategies," "Power Brand and Concept Development Strategies" and "How to enter the global market." The Korea Fashion Association, the Malaysia External Trade Development Corporation (MATRADE) and the ASEAN-Korea Centre organized the event to strengthen the competitiveness of Malaysian fashion brands by improving the added value of the industry through brand development. About 50 Malaysian fashion industry companies and related government officials attended. "There is growing interest in K-fashion, along with the high popularity of Korean dramas and entertainment shows, making this workshop even more timely and meaningful," ASEAN-Korea Centre Secretary General Kim Young-sun said. "The Malaysian fashion industry has huge potential as it is currently ranked in the top five in the ASEAN fashion industry." On Feb. 15 and 17, Korean experts visited local fashion merchandisers for market research and consultations. According to the ASEAN-Korea Centre, the Malaysian fashion industry has had massive growth with the expansion of Islamic fashion markets. MATRADE aims to boost the industry as the nation's leading exporter. It has been organizing Malaysia Fashion Week (MFW) since 2014 to make the capital a fashion destination in Asia. The second MFW in 2015 featured designers from more than 15 countries, and over 300 booths showcased the quality products of Malaysian fashion brands to the domestic and foreign trade, accodring to the organization. The ASEAN-Korea Centre is an intergovernmental organization established in 2009 with an aim to promote exchanges among Korea and the 10 ASEAN member states.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
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The Mill sits comfortably among the sea of red. Unwavering, unyielding, and thriving. Cafe Espresso and oolong tea. The booths are occupied with reminiscence of the glory days, contentment between mothers and daughters and sons and fathers, appreciation of music and art and literature. All the while sunlight illuminated the scarf and the starfish of the girl across from me as our minds were slowly revealed to one another.
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Oct 8, 2012
Oct 8, 2012 at 11:02 PM UTC
The Scarf and the Starfish
The end of summer is such a ****** The end of picnic's in the park The end of Fireworks in the dark The end of State fairs The end of outdoor booths were people sell their wares The end of camping and roasting Smores All too soon we will back indoors The end of outdoor Music Fests Too soon to be replaced with books and taking tests I hope what remains is some good memories of Summer to keep us warm all fall and winter long
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Aug 29, 2014
Aug 29, 2014 at 9:47 PM UTC
The End Of Summer
I'm a Kool g rockin' coogis poppin' coochies Haters get murked like Colhese my rap lease Debutin' numero uno the heavy weight sumo   Born on Jupiter raised on Earth my heart's colder than Pluto Mic judo flows stickin' of ya corticals Check me in the articles I be the broken particle Of the universal ya need rehearsal **** goin' commerical I lay raps like a hearse flow for rappers funeral I a criminal none keep gats by the abdominal rhymin' phenomenal the mighty Apollo Blazin' my cocoa flippin' crime like Bardellino One luv to my nino got it locked like a Vegas casino We checkin' ya dough at the front door so stop ya show Fronting and stunting once my nines get the hunting Bullets spikin' like kickers punting raw taunting Game hungriest similiar to the lochness Mon-star far from subpar rhymes ride bizzare A pharcyde takin' ya into a spiritual homicide converged to the angelic hide Still a crime shame all of 'em say the same Thing flexin' diamonds on they pinky rings yet another sad soul that sings sub siblings To the underworld debators contract initiator so you can create a Pace between the stage and the audience face **** that rather keep a gat tucked in the front or the back With wisdom to rack Imagine that fools breakin' for stats? see where my heart at? Diggin' reachin' into the minds of the youth with the brutal truths Chippin' my tooth From killin' booths once I plot ya will ya loose bringin' the ghetto blues and cruising ***** Still a sober jealous God am I call me Jehovah Tactics of a Cobra one strike it's over Venomous ridiculous hataz so conspicuous Hatin' us only to anger my artillery surplus and who bust? More rounds than Matt Dillion coatin' ya brains With my lyrical penicillin stealin' Back the spotlight Catch the bright sunshine that stares into my mind A Pharoah prophecy laid in the back of me Head til I touch my final resting bed I'll embed The realist **** ya ever heard shooting a bird To all my enemies I blast at 'em with as the bullets herd
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Aug 29, 2018
Aug 29, 2018 at 12:40 PM UTC
Crime Shame Fools Act the Same
I'm a Kool g rockin' coogis poppin' coochies Haters get murked like Colhese my rap lease Debutin' numero uno the heavy weight sumo   Born on Jupiter raised on Earth my heart's colder than Pluto Mic judo flows stickin' of ya corticals Check me in the articles I be the broken particle Of the universal ya need rehearsal **** goin' commerical I lay raps like a hearse flow for rappers funeral I a criminal none keep gats by the abdominal rhymin' phenomenal the mighty Apollo Blazin' my cocoa flippin' crime like Bardellino One luv to my nino got it locked like a Vegas casino We checkin' ya dough at the front door so stop ya show Fronting and stunting once my nines get the hunting Bullets spikin' like kickers punting raw taunting Game hungriest similiar to the lochness Mon-star far from subpar rhymes ride bizzare A pharcyde takin' ya into a spiritual homicide converged to the angelic hide Still a crime shame all of 'em say the same Thing flexin' diamonds on they pinky rings yet another sad soul that sings sub siblings To the underworld debators contract initiator so you can create a Pace between the stage and the audience face **** that rather keep a gat tucked in the front or the back With wisdom to rack Imagine that fools breakin' for stats? see where my heart at? Diggin' reachin' into the minds of the youth with the brutal truths Chippin' my tooth From killin' booths once I plot ya will ya loose bringin' the ghetto blues and cruising ***** Still a sober jealous God am I call me Jehovah Tactics of a Cobra one strike it's over Venomous ridiculous hataz so conspicuous Hatin' us only to anger my artillery surplus and who bust? More rounds than Matt Dillion coatin' ya brains With my lyrical penicillin stealin' Back the spotlight Catch the bright sunshine that stares into my mind A Pharoah prophecy laid in the back of me Head til I touch my final resting bed I'll embed The realist **** ya ever heard shooting a bird To all my enemies I blast at 'em with as the bullets herd
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BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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3.6k
Clowns' Houses
BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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48
Thrift Shop Confessional Old carts squeak down re-sale aisles "One of," "two of," Sometimes "three of" items Tempting treasure-sifting shoppers, Bargain-needing families, Women seeking up-brand names at low-brand prices... Our wives, followed by their husbands, Acquiescent, but quiescently seeking Seeking a thrift shop oasis. A cast-off dining set beckons, Sturdy enough, if a little battered, To make us solemnly content to wait Carted clothing trundling Off to fitting rooms. He shuffled up with a foolish grin. "I think I'll join this convocation of Waiting gentlemen. My wife is a shopper... She'll close the place down." I moved a chair and gave some space; Strangers become brothers in this place. Five minutes on, I knew he was a vet: Army, Vietnam Nam... "I don't like to think about it," Cleared his throat, "Never can forget." I turned to look at him. "A little girl came running, With her hand behind her back. She only stood this high," he said, And showed me with his palm her height, "They carried grenades that way... All of 'em...couldn't tell which ones... Sergeant told us, 'Don't ever check...just shoot.'" The voice trailed off.... I sat sweating in a thrift store, Captive of my own politeness, Half a century, Half a planet, Transported in his words into a soldier's Hell. "So I shot... Nothing else to do." Silence then. A total stranger staggering under the weight of having Murdered his Albatross.... Of having carried this thing, This memory, Inside him all these years, Of finding me, The unsuspecting thrift shop guest Who'd listen to his lonely tale, Perhaps so he could earn some rest.... I, his unwitting Confessor, Uncertain what to say, Certain something must be said... Certain nothing could be said... Sat dumb, but understanding The wisdom of confessional dividers, The private comfort of two booths Where prayerful exchanges Intersperse uncertain silences, Present in the overhanging need: Demanding sorrowful returns, Impending memories of sorrows... And lonely trudgings home.... (Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")
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Apr 7, 2013
Apr 7, 2013 at 5:39 PM UTC
Thrift Shop Confessional
Thrift Shop Confessional Old carts squeak down re-sale aisles "One of," "two of," Sometimes "three of" items Tempting treasure-sifting shoppers, Bargain-needing families, Women seeking up-brand names at low-brand prices... Our wives, followed by their husbands, Acquiescent, but quiescently seeking Seeking a thrift shop oasis. A cast-off dining set beckons, Sturdy enough, if a little battered, To make us solemnly content to wait Carted clothing trundling Off to fitting rooms. He shuffled up with a foolish grin. "I think I'll join this convocation of Waiting gentlemen. My wife is a shopper... She'll close the place down." I moved a chair and gave some space; Strangers become brothers in this place. Five minutes on, I knew he was a vet: Army, Vietnam Nam... "I don't like to think about it," Cleared his throat, "Never can forget." I turned to look at him. "A little girl came running, With her hand behind her back. She only stood this high," he said, And showed me with his palm her height, "They carried grenades that way... All of 'em...couldn't tell which ones... Sergeant told us, 'Don't ever check...just shoot.'" The voice trailed off.... I sat sweating in a thrift store, Captive of my own politeness, Half a century, Half a planet, Transported in his words into a soldier's Hell. "So I shot... Nothing else to do." Silence then. A total stranger staggering under the weight of having Murdered his Albatross.... Of having carried this thing, This memory, Inside him all these years, Of finding me, The unsuspecting thrift shop guest Who'd listen to his lonely tale, Perhaps so he could earn some rest.... I, his unwitting Confessor, Uncertain what to say, Certain something must be said... Certain nothing could be said... Sat dumb, but understanding The wisdom of confessional dividers, The private comfort of two booths Where prayerful exchanges Intersperse uncertain silences, Present in the overhanging need: Demanding sorrowful returns, Impending memories of sorrows... And lonely trudgings home.... (Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")
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We were sitting in a restaurant Table set for two One of those single couple booths Perfect for me and you We spoke of money and I refused to let you pay for me Maybe I have too much pride But I’m not who your ex used to be The overhead lights reflected perfectly and I was sure that you were not a mistake Your ocean eyes vibrated my soul And then I spilled my milkshake Blood rushed to my face And I looked away in shame But then I heard you laughing And something in my heart changed Somehow you weren’t embarrassed Or uncomfortable with my lack of grace But instead that heart-shattering smile Was plastered across your gorgeous face And then you surprised me yet again As you opened up your soul out of the blue And though you spoke nonchalantly I knew those thoughts were haunting you I painted versions of your stories Across the walls of my mind as you spoke Memorizing the imagery and your feelings About your insufficient social support And while I know I can’t be everything for you I can try to be better than the last So you have somewhere safe to run When you need to escape your broken past Because although the table spanned miles between us And we were connected only by our fingertips I could feel our souls grazing one another As they tangled together in electric riffs At that very moment Staring into your eyes, gold and blue I felt the first real chance That I might truly love you
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Aug 21, 2017
Aug 21, 2017 at 3:42 PM UTC
Dinner for Two
I want to write a bad poem A cringe worthy, generic, forgettable poem Maybe something along the lines of...                        ...your bruised arms around me                                    left a hole where my heart should have been.... That was a good first attempt at bad, I reckon. I shall litter said poem with words I found in a thesaurus, (iridescent, luminous, diabolical, sacrilegious, egregious etc.) and elements of nature, (infinite blue skies, bubbling starfish pond, burnt autumn leaves) and vague ****** references, (satin bedsheets, steamy phone booths, glistening skin) and unremarkable idiosyncrasies of past lovers (you always filled your pockets with loose change; you always peeled the apple bottom-up; you always blahd the blooh blah with your blah-like personality) and lastly, but most importantly,   the stray allusions to a life of tortuous heartache and unfulfilled dreams. Zzzzzzzzzzz
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Sep 10, 2010
Sep 10, 2010 at 5:18 PM UTC
A Bad Poem
Crowds of weary people shuffle from life to life in the bellies of subways claws of escalators past booths of seven-dollar coffees taking off shoes and jackets as a voice in the roof says that the flight to Mumbai, or wherever, is now boarding. All of it disappears because--after these many years-- your face (I shrug off my backpack) your voice in my ears
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Feb 14, 2013
Feb 14, 2013 at 2:39 PM UTC
Congo
I am surrounded by empty booths & four sides clothed in beige, highlighted by hanging globe- lanterns casting a serene aura. The swing of the kitchen door greets me, the lone patron who has placed his order for miso soup & white sticky rice. My placemat educates me about the zodiac & I can almost hear the creaking of the bamboo painted on the walls, it leaves me feeling nice inside.
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Mar 24, 2014
Mar 24, 2014 at 11:55 AM UTC
Transcendence in An Asian Eatery
wicked thorns on wicked wings they fly and pierce the sky the gashes open wide the liquid life pours out blessed words from blessed tongues they soar and mend the wounds the holes close up the simple strife floats away when we leak the color red we feel alive although we’re quick to die when the truth is spilled right we know our pride and we’re ready to die last meals, first truths last loves in kissing booths the world you need to get to is inside godspeed and goodnight
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Nov 5, 2012
Nov 5, 2012 at 5:55 PM UTC
..fireflight..
It's a cool place to meet. 25 cent wings. Nice, tiny booths Lit by tiny electric lamps In the guise of candles, That give everything a nice, golden glow. It's a Corona light, And Corona-colored light always makes me feel at ease. She pulls up in a silver acura. Gets out of the car and I can see her *** from the front of her as she syrups over. She’s got on a Black tanktop; black bra straps showing against white-pink puerto rican skin all while holding up those veritable C's. Her hips burst against a long, beige d r e s s, and I'm wanting to slide my hands all the way up her shirt to that black bra, and snap it off. We have conversations about feeling older than eighteen and twenty-one respectively. Our lips are saucy and oily. Tiny chicken scraps can be felt in our teeth. "I just started reading Starship Troopers." "Yea, I love that movie." I've never seen the movie, but it endears her to me that she loves it. "Do you have any plans?" "Plans?" "After college?" I plan on finishing my wings before you, then I'm hoping you'll let me hold your **** "Not yet." "You know I've read some of your poetry." "What do you think?" "I like it," She smirks, uncomfortably. She ladles a wing in a slick of sauce. "Truthfully, it was too much for me, you really shouldn't talk about things like that." She brings the wing to her lips and smacks it down with a loud ******* noise of a working, pink tongue. I’ve wanted to hold her **** ever since I met her. Now I’m lost. Because she’s got black eyes and I’m not even thinking about her **** or her bra. I start thinking about how white her teeth are, and how much two people can never know about each other.
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Nov 18, 2011
Nov 18, 2011 at 12:15 AM UTC
Meeting Places.
It's a cool place to meet. 25 cent wings. Nice, tiny booths Lit by tiny electric lamps In the guise of candles, That give everything a nice, golden glow. It's a Corona light, And Corona-colored light always makes me feel at ease. She pulls up in a silver acura. Gets out of the car and I can see her *** from the front of her as she syrups over. She’s got on a Black tanktop; black bra straps showing against white-pink puerto rican skin all while holding up those veritable C's. Her hips burst against a long, beige d r e s s, and I'm wanting to slide my hands all the way up her shirt to that black bra, and snap it off. We have conversations about feeling older than eighteen and twenty-one respectively. Our lips are saucy and oily. Tiny chicken scraps can be felt in our teeth. "I just started reading Starship Troopers." "Yea, I love that movie." I've never seen the movie, but it endears her to me that she loves it. "Do you have any plans?" "Plans?" "After college?" I plan on finishing my wings before you, then I'm hoping you'll let me hold your **** "Not yet." "You know I've read some of your poetry." "What do you think?" "I like it," She smirks, uncomfortably. She ladles a wing in a slick of sauce. "Truthfully, it was too much for me, you really shouldn't talk about things like that." She brings the wing to her lips and smacks it down with a loud ******* noise of a working, pink tongue. I’ve wanted to hold her **** ever since I met her. Now I’m lost. Because she’s got black eyes and I’m not even thinking about her **** or her bra. I start thinking about how white her teeth are, and how much two people can never know about each other.
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We sit as children on paper with crayons. The timing too perfect, as soon we will learn. Sifting through albums of family photos, we struggle, endure; tomorrow we must fight- for semblance of self in uncertain future. The reflection we see tells "truth" to our eyes. Frantic, we hope someone will see through our eyes, see the artwork we’ve crafted with our crayons. We fall wayward as they continue their fight. But were we not supposed to be their future? Onward, we find, only refusal to learn, and they hope to be remembered in photos. Happily we sat in booths, taking photos. Love for each other, blooming shutter of eyes; snapping so clearly: destiny, the future. Making love through the pain, we began to learn: Romance is like the colors of our crayons; Red passion, blue tears, green envy, the black fight. And from gray ashes, we gained strength from the fight. Made a history of our lives through photos. Our own child is coming. So much she will learn. In her tiny grasp, she’ll struggle with crayons. Let’s color a better image for her eyes; help her discern a multicolored future. For we have reckoned our own troubled future, must be rife with the educational fight, lest we forget our past: black and white crayons. We’ve witnessed the agony, beauty through eyes, deceived that the past is happy as photos, as though there was nothing more for us to learn. As for our beauty, she’s but begun to learn that always we’ve waited for her, our future. The love we’d not gotten, sadness in our eyes. Thankful we are, to have learned from the photos, to muster our strength and our love for the fight. Imagine the hue she’ll paint with her crayons. Remember to learn, that we must also fight. Leave behind your photos. Look to the future. Behind those eyes, do you remember crayons?
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Jun 28, 2018
Jun 28, 2018 at 6:10 AM UTC
Remember Crayons?
We sit as children on paper with crayons. The timing too perfect, as soon we will learn. Sifting through albums of family photos, we struggle, endure; tomorrow we must fight- for semblance of self in uncertain future. The reflection we see tells "truth" to our eyes. Frantic, we hope someone will see through our eyes, see the artwork we’ve crafted with our crayons. We fall wayward as they continue their fight. But were we not supposed to be their future? Onward, we find, only refusal to learn, and they hope to be remembered in photos. Happily we sat in booths, taking photos. Love for each other, blooming shutter of eyes; snapping so clearly: destiny, the future. Making love through the pain, we began to learn: Romance is like the colors of our crayons; Red passion, blue tears, green envy, the black fight. And from gray ashes, we gained strength from the fight. Made a history of our lives through photos. Our own child is coming. So much she will learn. In her tiny grasp, she’ll struggle with crayons. Let’s color a better image for her eyes; help her discern a multicolored future. For we have reckoned our own troubled future, must be rife with the educational fight, lest we forget our past: black and white crayons. We’ve witnessed the agony, beauty through eyes, deceived that the past is happy as photos, as though there was nothing more for us to learn. As for our beauty, she’s but begun to learn that always we’ve waited for her, our future. The love we’d not gotten, sadness in our eyes. Thankful we are, to have learned from the photos, to muster our strength and our love for the fight. Imagine the hue she’ll paint with her crayons. Remember to learn, that we must also fight. Leave behind your photos. Look to the future. Behind those eyes, do you remember crayons?
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39
Hairline cracks are breaking through the slough I'm about to shed. Dry and dysfunctional as the neuron sac in my skull. I'll change my hat and change my ammo honeysuckle artillery polished, waiting in my drawer. Sliding an empty coffee mug back and forth along a counter like a puck preparing for a slapshot. Paper matches in colourful books pressed between the pages found leaves for child arsonists. Takeout boxes filled with poems are sold as artefacts Don't be silly, poetry comes in plastic bags, not styrofoam. To keep ideas hot, wrap them in tinfoil. But don't forget to leave a hole at the top for steam or your fresh concepts will get soggy. Equipped with tennis ***** spandex suits picket office blocks standing on chairs and voicing nearly racist remarks making health and safety inspectors nervous. Out of control students launch dictionaries out of third story windows, donning 21st century masks. I left my patience beside my keys, on the kitchen table. Waiting in line for obsolete phone booths as movie stars soundlessly mouth slang into a receiver. Nearly responsible nearly nine nearly time for bed I resolve again that I’ll resolve more but this time write it down. Folding kamikaze paper planes to hide behind park benches, fly into trees. Let the sun fade the pencil crayon. I can't run from this blasé gangrene that’s taken my toes.
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May 12, 2013
May 12, 2013 at 2:02 AM UTC
Drip Dry via Clothespin
well... between listening to the INFO WARS ban... by the mainstream... and listening to Greig's perfecto    in the hall of the mountain king... and john williams... london symphony orchestra for *the emperor's throne room scene*?             youtube was always my testing alternative to             ****** megastore listening booths... like replacing my ears with a tongue...                i never actually tuned in on youtube, for the indie commentators... i was always there for the music...       listening to these content creators, grovel a penny, like some Oxfam offshoot?    not cool...                      i was always there for the foraging of music...          never the commentaries... who said anything about the commentaries?!                    can't be bothered, won't be bothered, given that i've been doing this scribbling for over 10 years, and hven't been paid a barnado's penny... can't be ******* bothered, mate...         burn in hell; at this point, you don't dictate, and... i don't tell you what you must do...            welcome! free fall! oh no... like my english neighbor, he doesn't tell me when i can or can't light my barbeque...   just so he can hang his washing! **** off!        the only respected violence is that against private property rights... i'd cut his limbs off, and then hang him off in a noose composed of, his ******* tongue, the next time, he tells me i'm to inform him of when i do my next barbeque, prior to him doing his washing... PRIVATE... PROPERTY... RIGHTS... YOU ******* ENGLISH! **** nor king, nor Buckingham Palace janitor! **** OFF! you even know what itchy teeth implies? i beg to differ: you don't want to know, but i'll let you know; it implies a desire to own a pig farm; and we known what the economics of pork looks likes... now apply that in reverse, to hide, cannibalism.
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Aug 10, 2018
Aug 10, 2018 at 11:13 PM UTC
DA PURGE IZ 'ERE!
well... between listening to the INFO WARS ban... by the mainstream... and listening to Greig's perfecto    in the hall of the mountain king... and john williams... london symphony orchestra for *the emperor's throne room scene*?             youtube was always my testing alternative to             ****** megastore listening booths... like replacing my ears with a tongue...                i never actually tuned in on youtube, for the indie commentators... i was always there for the music...       listening to these content creators, grovel a penny, like some Oxfam offshoot?    not cool...                      i was always there for the foraging of music...          never the commentaries... who said anything about the commentaries?!                    can't be bothered, won't be bothered, given that i've been doing this scribbling for over 10 years, and hven't been paid a barnado's penny... can't be ******* bothered, mate...         burn in hell; at this point, you don't dictate, and... i don't tell you what you must do...            welcome! free fall! oh no... like my english neighbor, he doesn't tell me when i can or can't light my barbeque...   just so he can hang his washing! **** off!        the only respected violence is that against private property rights... i'd cut his limbs off, and then hang him off in a noose composed of, his ******* tongue, the next time, he tells me i'm to inform him of when i do my next barbeque, prior to him doing his washing... PRIVATE... PROPERTY... RIGHTS... YOU ******* ENGLISH! **** nor king, nor Buckingham Palace janitor! **** OFF! you even know what itchy teeth implies? i beg to differ: you don't want to know, but i'll let you know; it implies a desire to own a pig farm; and we known what the economics of pork looks likes... now apply that in reverse, to hide, cannibalism.
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74
May 2013 Memorial day weekend It was warm with promises of sun Beautiful blue skies And no cloud in sight Seattle prepared for crowds People swarming the Center For folk music, food Laughter and smiles shining bright My leg, a bright red I woke up Burning hot with red seeping up my leg Pain swarmed my back Tears gathering In corners of my eyes As I was admitted To the emergency room Greeted with morphine, leaving me in a haze *** induced haze Lingering around the fountain Families occupied the edge Children running in and out Collecting droplets of water Along with sunburns While groups of friends Gathering in drum circles Slow rhythmic thumping could be heard for miles My son’s heartbeat Thumped in my ears I watched the fear As he focused on the antibiotic drips Invading my body The days in clipped moments Passing in and out With each wave of fever And the doctors Tattooed my leg with sharpie Artwork was only one thing Found in the vendor alley People flooded the booths Snatching up Brightly colored creations As they headed to find Dance troupes, bollywood Inspired activities With stomping feet, swaying arms They placed the central line Into my right arm My body had clogged each IV the doctors warned me If the redness started To show patterns of serrating Then they would have to take my leg Diazepam had me slurring out I am fine, I am fine Memorial Day A time of remembrance Services to be held Events to commemorate All the fallen From a concert at Museum of Flight To baseball game with Seattle Mariners To appreciate, appreciate It took ten days For me to be released May 2013, Memorial Day weekend I would always remember As the beginning Of my growing struggle With gradual loss of mobility I am fine, I am fine
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Nov 12, 2020
Nov 12, 2020 at 12:03 AM UTC
May 2013
May 2013 Memorial day weekend It was warm with promises of sun Beautiful blue skies And no cloud in sight Seattle prepared for crowds People swarming the Center For folk music, food Laughter and smiles shining bright My leg, a bright red I woke up Burning hot with red seeping up my leg Pain swarmed my back Tears gathering In corners of my eyes As I was admitted To the emergency room Greeted with morphine, leaving me in a haze *** induced haze Lingering around the fountain Families occupied the edge Children running in and out Collecting droplets of water Along with sunburns While groups of friends Gathering in drum circles Slow rhythmic thumping could be heard for miles My son’s heartbeat Thumped in my ears I watched the fear As he focused on the antibiotic drips Invading my body The days in clipped moments Passing in and out With each wave of fever And the doctors Tattooed my leg with sharpie Artwork was only one thing Found in the vendor alley People flooded the booths Snatching up Brightly colored creations As they headed to find Dance troupes, bollywood Inspired activities With stomping feet, swaying arms They placed the central line Into my right arm My body had clogged each IV the doctors warned me If the redness started To show patterns of serrating Then they would have to take my leg Diazepam had me slurring out I am fine, I am fine Memorial Day A time of remembrance Services to be held Events to commemorate All the fallen From a concert at Museum of Flight To baseball game with Seattle Mariners To appreciate, appreciate It took ten days For me to be released May 2013, Memorial Day weekend I would always remember As the beginning Of my growing struggle With gradual loss of mobility I am fine, I am fine
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71
I enjoy sitting in coffee shops watching business men be busy Drinking burnt coffee Watching my leg hair grow noticing that my pits stink Watching people fight over booths that have an electric outlet to plug in their laptops Which is funny because I'm writing this on my cell phone while everyone assumes I'm texting. Well, at least I know that I'm not.
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Jul 10, 2012
Jul 10, 2012 at 11:01 AM UTC
circuits for breakfast
you can find me in old picture frames, hidden in a box at the bottom of your basement. you can find me in telephone booths, scouring my pockets to find the meaning of change. you can find me in the font of signed birthday cards, stylized and nonsensical. you can find me in your ashtray, waiting to be reborn. you can find me at the bottom of your coffee cup, a sludge of accumulated words that fell out of your mouth each time you go in for another sip. you can find me in the pages of your youth, smiling at the illusion of time. you can find me in the lyrics to each song that come on in your car as you drive, alone at night that make you think of how we were. you can find me underneath the carpet, a stain that refuses to come out no matter how hard you scrub. you can find me at the beginning of your dream, camouflaged with scenes of sirens, snakes and skeletons singing lullabies that make you forget what you dreamt of when you finally awaken. you can find me through the eyelet on your door, as i float above your head the moment you consider opening it. you can find me in every embrace, every kiss, every promise you choose to let fade from your needle-pointed memory. you can find me in your shoe, a rock that makes each audacious step feel uncomfortable. you can find me in the ditch, roadkill that quickly passes you by as you mumble a “what was that?” to no one in particular. you can find me beneath the apologies you didn't mean and the iloveyous you forgot to say. you can find me amidst the scattered shards of glass that scour the linoleum floor from the glass of water that you dropped in a bout of thirst at midnight. you can find me underneath your pillow case, whispering reminders like sweet love songs for the self. the pieces i have left are ripe and over-cooked, i can only resign myself to the fact that you may never choose to look.
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Jan 8, 2014
Jan 8, 2014 at 7:28 PM UTC
pieces i have left
you can find me in old picture frames, hidden in a box at the bottom of your basement. you can find me in telephone booths, scouring my pockets to find the meaning of change. you can find me in the font of signed birthday cards, stylized and nonsensical. you can find me in your ashtray, waiting to be reborn. you can find me at the bottom of your coffee cup, a sludge of accumulated words that fell out of your mouth each time you go in for another sip. you can find me in the pages of your youth, smiling at the illusion of time. you can find me in the lyrics to each song that come on in your car as you drive, alone at night that make you think of how we were. you can find me underneath the carpet, a stain that refuses to come out no matter how hard you scrub. you can find me at the beginning of your dream, camouflaged with scenes of sirens, snakes and skeletons singing lullabies that make you forget what you dreamt of when you finally awaken. you can find me through the eyelet on your door, as i float above your head the moment you consider opening it. you can find me in every embrace, every kiss, every promise you choose to let fade from your needle-pointed memory. you can find me in your shoe, a rock that makes each audacious step feel uncomfortable. you can find me in the ditch, roadkill that quickly passes you by as you mumble a “what was that?” to no one in particular. you can find me beneath the apologies you didn't mean and the iloveyous you forgot to say. you can find me amidst the scattered shards of glass that scour the linoleum floor from the glass of water that you dropped in a bout of thirst at midnight. you can find me underneath your pillow case, whispering reminders like sweet love songs for the self. the pieces i have left are ripe and over-cooked, i can only resign myself to the fact that you may never choose to look.
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41
we met in Mexico, slept rough in the back; the seats folded down levelled out and tacked down with two springs we went by cities not knowing their names; stopped at payphone kiosks shamed our pasts with left messages on answering machines we stopped at toll booths, paid for more road to play on, to drive over smooth, to cross another border before the noon we deciphered restaurant menus, ate with fingers crossed and hoped the chicken was just that, left a tip lost in another used ash tray we wore sun cream to screen us against the rays and the glare reflecting off the mineral water, natural bays we walked up to bars asked for drinks in cold bottles, sipped and supped until kisses rolled out, left holding hands like mannequin models we kept the trip a secret, kept it secure between you and me and the folds in the bed sheets, we only exist in hotel cheap suites.
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Jan 9, 2014
Jan 9, 2014 at 3:46 PM UTC
We Met In Mexico
I think it's stupid that you're gone, and the stars are still around. Every night I can look to the stupid sky and see the shimmering light from too many stupid years ago but I can't see you. I think it's stupid that I told someone how angry this made me, and they were stupid enough to say, "maybe they're up there too." I've never made anyone feel that stupid with a look before. I think it's stupid that you're gone but the stupid voicemail you left me saying, "I love you" is still around and you're nowhere to be found. I think it's stupid that there are still phone booths, crayons and wite-out on this stupid paradoxical planet, but not something people still want around. I think it's stupid that... I just think it's so stupid that I let you tell me that you'd always be here for me, because I knew I was stupid enough to believe you if I ever became stupid enough to let you say it to me. I think it's stupid that I let you drive to me that night knowing how dangerous the stupid black ice was going to be to your stupid blue car. I think it's stupid that you loved me enough, to be stupid enough to drive here in the first place. But really, ultimately,  I think it's just so **** stupid that I was stupid enough to watch them bury you under six-feet of stupid Earth, and not say goodbye. I'm sorry I'm stupid.
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Apr 10, 2016
Apr 10, 2016 at 3:00 AM UTC
If You Were Here You Would Too
Left with no suga for lemonade.. You didn't give me any. Its the bed you made. My suga hidden locked away I always keep plenty. Yet you should've given me some. You didn't give me any. Should things become unraveled undone. Behaviors.. Like gentle flavors Gifted courtesies. Texting etiquettes. Is like a lumpy preserved sugar cube. Know that rules in texting has its magnitude. Proper mannerisms set for the right attitude. Like sensual videos from youtube. Proper texting skills. Sets the flow for good word adjectives. If texting don't just walk away.. at least say bye have a good day. You were texting me and simply vanished away. Didn't hear from you till some other day. No good morning no how are you. No Sorry I hadn't replied back to you. The stems that builds proper relationships. Simple actions that can untie good friendships. Rude mannerisms, actions, bad timing..too many crazy smilies. Too much giving, too much doing, way too many gifs cheezies. Texting at wrongful innappropriate times. Like at the movies or on a date no good signs. Manners gone like public phone booths uneeded dimes. Your rudeness Your going I can't miss. You have no suga cubes. Just sour lemons.. Easy to dismiss. You gave me nothing to make lemonade. Can't fix this mess you have made. No suga for lemonade! By selinasharday all rights reserved..3-2018
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Mar 12, 2018
Mar 12, 2018 at 7:53 PM UTC
No Suga..4sum lemonade!