1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o

This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped

“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus. “Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o

telephone lines wrap around our wrists and fingers, holding us up for something less special,
we were never meant to be together - with bows in my hair and mismatched socks folded to your ankles;
i just didn't see the parallel love enough to keep the conversation going on both ends in different booths.
i talked for you, puppet glued to the ideas that i ask and you follow with simple lines
of
two sense. (or two cents, rather.)
so, i redialed to give you some time for focused thoughts or to walk away.

funny, i didn't even use your name,
or even think about coming over for
evening tea and to view films with dashing young men like yourself.

but, we never had the chance to correlate our likes
and hopes
and possibilities because

the telephone fights and make ups were the center of
our little world that you took as
"us".

so i'm cutting myself from the phone line to take
a break and shake the mouth movement motions.

*please insert two quarters to stay on the line...

As I walked through the apartment door,

I did not expect anything more but comic books and video games

Scattered on the floor.

I felt like I was at a comic book store back down south.

Batman, Superman and the green guy too.

Posted on the walls for all who entered to view.

But I had no idea who the hell they were.

All I knew was that they had powers,

Till Brett gave me the rundown for about an hour.

Batman is a super-rich guy, with a fly ride.

His parents were murdered by an evil guy.

So Batman goes around knocking bad guys out.

For he won’t **** you because of how his parents went out.

Then we have Superman over to my left,

A very fast man, with an “S” on his chest.

He gets dressed in phone booths, then fly’s to save the day.

He’s got x-ray vision, yep right through your shirt.

If you turn around then it’s your skirt.

Then we have my favorite one of them all,

Green lantern with his ring of power.

Making fists and gripping things.

Anything is possible when he’s wearing that ring.

So this is all I got out of my superhero lesson,

They are all really good guys with their own little blessing.

Here in America,
we improvise morgues
as needed.
in the cafeterias
or by the lockers,
near the ticket booths,
and at the altars.
We divvy up the dead.
Tally them
and report the number
like an answer.
13, 20, 49, 58, 6
Every death count
a timely national shock.
Almost as if  
our well-televised  
monthly tragedy
was ever anything less
than a game of roulette.
anything less than a matter of time
and time and time again.
Covering them each
with our bed sheets,
we try and stifle it.
Do our best to
staunch the the sights,
the noises,
(“just like chairs falling”)
the names
that keep bleeding out
onto our thoughts  
and tongues,
Far too much and
too often
not to choke on.

Here in America,
we’ve learned that  
horror is level-headed.
It is debatable.  
It is pangless.
It seeps, deep to the core,
perverting with a silent smile.
the steady, feverish dread
weaving itself into the mundane.
the “god help us”  
annulled by the
“respectfully disagreed”
the nightmare that lies  
always just underneath,
and just out of mind,
Until it insinuates itself
Again and again...

Here, in America
We line the bodies,
death slumped, and  
bled out on the pavement.
We arrange them-
Side by side.
Most are missing things-
a hat, a piece of face.
one shoe, a dulled pencil
(fill in C)
phones
buzzing on the ground
lit up with unread messages
(“Please call me”)
They are missing-
an upcoming  
7th birthday party,
(Star Wars themed)
They are missing-
their vacations.
their first dates.
their college applications.
job interviews.
kids.
fiancées.
Lined up lifeless,  
they are missing
far too many things  
to gather.

The Mill sits comfortably among the sea of red.
Unwavering, unyielding, and thriving.

Cafe Espresso and oolong tea.

The booths are occupied with
reminiscence of the glory days,
contentment between mothers and daughters and sons and fathers,
appreciation of music and art and literature.

All the while sunlight illuminated
the scarf and the starfish
of the girl across from me

as our minds were slowly revealed to one another.

Korean fashion experts have shared their know-how with Malaysia.

At the "K-Fashion Conference for Malaysia" in Kuala Lumpur on Feb. 16, a group of Korean professionals gave lectures under the topics "K-Fashion Design Trend Transition & Forecast," "Digital & Online Marketing Strategies," "Power Brand and Concept Development Strategies" and "How to enter the global market."

The Korea Fashion Association, the Malaysia External Trade Development Corporation (MATRADE) and the ASEAN-Korea Centre organized the event to strengthen the competitiveness of Malaysian fashion brands by improving the added value of the industry through brand development.

About 50 Malaysian fashion industry companies and related government officials attended.

"There is growing interest in K-fashion, along with the high popularity of Korean dramas and entertainment shows, making this workshop even more timely and meaningful," ASEAN-Korea Centre Secretary General Kim Young-sun said. "The Malaysian fashion industry has huge potential as it is currently ranked in the top five in the ASEAN fashion industry."

On Feb. 15 and 17, Korean experts visited local fashion merchandisers for market research and consultations.

According to the ASEAN-Korea Centre, the Malaysian fashion industry has had massive growth with the expansion of Islamic fashion markets.

MATRADE aims to boost the industry as the nation's leading exporter. It has been organizing Malaysia Fashion Week (MFW) since 2014 to make the capital a fashion destination in Asia.

The second MFW in 2015 featured designers from more than 15 countries, and over 300 booths showcased the quality products of Malaysian fashion brands to the domestic and foreign trade, accodring to the organization.

The ASEAN-Korea Centre is an intergovernmental organization established in 2009 with an aim to promote exchanges among Korea and the 10 ASEAN member states.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses

It was the midsummer of the 50’s and my girls and I went out for a bite. Jimmy’s Burgers was a block away and boy were we hungry! We could eat a cow for all we know. Jimmy’s jukebox can play music day in and day out.

My girls and I parked our blue Thunderbird Convertible, and hopped on in Jimmy’s. That place is always filled with younglings like us. You can smell the fresh potato cut fries fryin’ up in the greasers. The burgers are always my fave! I would beg to just get a bite out of those succulent, juicy ground babies.

Everyone in this joint always seems to be dancing their little feet off, the girls with their casual oxfords and pastel loose skirts; the guys wearing leather, pompadours, and their high-wasted pants. I love to crank that jukebox with only my quarters and dimes I have left in my purse. The girls and I sat on down in one of the red booths. A young waiter came over with bottles of coke with his pen and paper.

“May I take ya’ll lovely ladies’ order?” He was chewing on that mint gum.

Boy was he handsome! That sweet southern twine had me going bonkers. He looked all fancy in his all white uniform; his apron had ice cream stains and fry grease. His sandy brown hair was cascading behind his ears. I loved his paper hat too. His big brown eyes were looking into mine as he was getting our orders. I couldn’t help but stare back. He gave us our cokes and gave me a little wink behind his thick black glasses. I really didn’t care bout’ those pimples, his face made a girl melt like Texas asphalt on a hot beach afternoon!

I made myself look sweeter than a peach. I fluffed my hair and fancied my outfit, hoping for that rascal to come on back. The jukebox was still kicking tunes in the back, that’s when the cute waiter came back.  His tall, slender, perfect body walked on over and sat our tray of burgers down. My face was red hot like the time I first took a bite out of a chili pepper. The waiter got close to my ear and whispered,

“You wouldn’t mind if I take your sweet self on the dance floor for a second would you?”

Wasn’t that boy supposed to be working? I didn’t care. That rascal waiter grabbed my hand and swung my little waist on the dance floor. We twist, kicked, and shimmied. I was having the time of my life! I didn’t know my girls were staring at me, cheering on. Too bad the cutie had to go back to work. I walked over and sat back in the booth.

My girls were giving me the, you’re his sugar girl look. Not my fault he was sweeter than maple syrup!
The girls and I were finished at Jimmy’s Burgers, so we started to head out. Before I even opened the door, that waiter grabbed me by the waist and said,

“Hey sweet thing, leaving too soon? I didn’t catch your name?”

I looked into those eyes again; I felt my heart skip a beat like the jukebox when there’s a bug in it. His southern twine again,

“My name’s Robert James, but you can call me RJ.”

He kissed my hand and gave me that wink again. I gave him a smile and went outside. My face was peachy like a baby’s bottom! I didn’t even tell him my name, dog-gon shame.  From now on, I’m hittin’ Jimmy’s Burgers just so I can see that waiter.

Back at Donnie's place
this chick had shown me her ****.
Her brother was some guy we ran with.
She had just gotten her ******* pierced
and wanted to know what I thought.
She was a thick girl
with blonde hair
and big chubby ****.
Later
we were at a bar
one of our friends was the DJ
and another was the doorman
so all of us 18 year-old scumbags
were able to drink without too much hassle.
The night started the same way it always did
the first song of the night was always the same
'Symphony of Destruction' by Megadeth
our whole crew sitting in the corner booths
out of the light & in the dark.
We were the dimmer of lights
The party crashers
The woman stealers
The Black Circle.
We downed shot after shot
of this green **** they had
called 'Zombie'.
Drunk off my ***
feeling warm & fuzzy
I went outside for a smoke.
Matt W. ***** lay next to me on the concrete patio
in the back alley of the bar.
I had barely lit the cigarette
when the thick girl with
the big pierced ******* came out back.
We made ******* conversation
for about a minute
before I asked to see her **** again.
She carefully pulled them out
wincing at how sore they still were.
We started making out
and she asked me if I wanted to go somewhere.
I motioned towards the darkened alley behind us.
Matt lay on the ground
Laughing to himself and staring at the night sky
Taking long drags from his cigarette.
In the dark behind some cardboard boxes
And empty liquor crates
She kissed me hard and messy
Both of us reeking of ***** and cigarettes
That stinky combination.
“Why don’t you let those get some air?”
I asked, pointing at her massive mammaries.
“Okay, but…be gentle okay? They’re still really sore.”
“You got it darlin’.”
And out they came, hanging like gods in the sky
I was down on my knees
With my head under her skirt
Just going to town on this thick chick
Like I hadn’t eaten for weeks.
Her hands gripping my greasy hair
And pulling hard
As I got faster and faster
Licking and ******* like my life depended on it
Reaching up and squeezing those *******
As gently as I possibly could.
And then she tensed up
Her knees shaking, trembling, and finally
Buckling as she came
Still holding me by the hair
She pulled me back and out from under that little red skirt.
“Oh my god. Just give me a second.”
She asked, trying to catch her breath
And stop her legs from shaking.
I stood up and gave her a ***** flavored kiss.
“Well?” I asked.
“I’ll go down on you…..if that’s what you want…”
“Of course.”
And she got down on her knees
In that dark alley.
“Ouch.” She squeeled.
“What is it?”
“The ground’s got a bunch of rocks or some ****. ****.”
“Here…” I grabbed one of the cardboard boxes
broke it down in a matter of seconds
and laid it on the ground
at my feet.
“There ya go.”
Before she put it in her mouth
She laughed.
“You’re such a gentleman.”
“I have my moments.”
Afterwards
I walked back over to Matt on the patio
Buckling up my pants.
The lady thanked me
Said it was nice meeting me
And walked back inside to her brother and friends.
Donnie was now sitting with Matt on the curb.
“Where the **** did you go?”
I just started laughing.
It took him a second, but Donnie figured it out.
“Did you just **** that fat chick?”
“No man. I just got a *******. That’s all.”
“What the **** Danny? What are you a male ******* or something?”
I just kept laughing
“Hey ******* man. Nobody gives a ******* like a fat chick.”
Matt rolled over and spoke up,
“The man has a point Donnie.”

The end of summer is such a ******
The end of picnic's in the park
The end of Fireworks in the dark
The end of State fairs
The end of outdoor booths were  people sell their wares
The end of camping and roasting Smores
All too soon we will back indoors
The end of outdoor Music Fests
Too soon to be replaced with books and taking tests
I hope what remains is some good memories of Summer to keep us warm all fall and winter long

BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass

Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;

The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white

As powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:

The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;

And star-bright masks for youth to wear,
Lest any dream that fare
--Bright pilgrim--past our ken, should see
Hints of Reality.

Upon the sharp-set grass, shrill-green,
Tall trees like rattles lean,
And jangle sharp and dissily;
But when night falls they sign

Till Pierrot moon steals slyly in,
His face more white than sin,
Black-masked, and with cool touch lays bare
Each cherry, plum, and pear.

Then underneath the veiled eyes
Of houses, darkness lies--
Tall houses; like a hopeless prayer
They cleave the sly dumb air.

Blind are those houses, paper-thin
Old shadows hid therein,
With sly and crazy movements creep
Like marionettes, and weep.

Tall windows show Infinity;
And, hard reality,
The candles weep and pry and dance
Like lives mocked at by Chance.

The rooms are vast as Sleep within;
When once I ventured in,
Chill Silence, like a surging sea,
Slowly enveloped me.

Let me be frank.
For once this poem is not about you.
It's about me.  

I was born nine days late
& I've been trying to make up for lost time ever since.
But I've never felt the need to rush
anything
or anywhere—or anyone.
I went through more band-aids than Barbies growing up
& I used to love to climb trees—
until I fell out of one.
I've got about seventeen different favorite colors
including cerulean, yellow ochre, & ******’s green—
They all exist, I swear.
I used to stock oil paints in the college bookstore.
I think I told you that before, right?

Crap.
Me.
This poem is about me.

I knew I wanted to write every since my
stubby, five-year old fingers
punched the keys on my mom’s old college typewriter.
I would take naps beside it, listening to the hums & whirrs
of that beautiful blue machine.
I think I've been in a dreamy state of mind ever since.
I’m almost positive it's stunted my growth.
I've never been taller than 5’3”—
but I like that my feet never touch the floor
when we sit in restaurant booths.
& I like that my head falls on your heart
whenever I hug you.
I try so hard to hear your heart murmur—
though I can never seem to find it.

****.

Swedish Fish are my kryptonite,
& love sinking my teeth into fresh cantaloupe.
I enjoy slowly peeling the labels off of my beer bottles.
Some say that means I’m sexually frustrated.
I don’t really buy it.
I say I just like to constantly be doing something
with my little hands.
I’m happiest when I’m in the water & when I’m singing—
which makes my shower one of my favorite places
in the world.

I used to be a sucker for drummers,
before I was a sucker for guitarists.
Now I’m just a sucker for anything
with a sense of humor & good high five.
I’m good at picking out people’s quirks
& putting them into words.
I observe more than I speak—
& sometimes, I think that bothers you.
You know me— you can tell
that I’m not divulging the entirety of my thoughts.

**** it.

I have to see the ocean every year
& marvel its size—
if only to remind me how small my problems really are.
It's painstakingly obvious that I'm a Scorpio
& I don't necessarily think that's a good thing,
but I try to own it as best as I can.
I love the smell of extinguished candles, warm lighting,
& adding the “and many more” every time I sing “Happy Birthday.”

I like a lot of things.
I am a lot of things.
I can do a lot of things—
like sing all fifty states in alphabetical order,
make roses out of paper napkins,
& play “Oh Susanna” flawlessly on my harmonica.

But one thing I can't do lately—
one thing I have clearly failed to do on the whole
is write anything
without a piece of you in it.

Summer 1986 Sunday 5:30AM

Misty morning in Malibu.
Seagulls stitch the sea to a subtle
silver sky. They sputter stridently.
Each elegant gull hovers effortlessly.
Entreating each other. Echos bounce
off the sound of the surf into eternity. The screeching of many a
soliloquy akin to silence.

I sit on the pier. The water before
me washes onto the staccato legs
of tiny waterbirds who wander
in and out of the surf. Little
windblown ***** of ecru and grey
wool. I worship in the womb of
the great goddess ~ nature. I wasn't to know the Creator was watching patiently...

6:30AM
I make my unhurried way up the
pier to my car. A cheap but
comfortable convertable. Nobody
walks in LA. I punch in a tape.
Don Henley. Boys of Summer.

I take PCH up to the incline that
takes you from the beach. Pushing
the pedal slightly as I slide by the
colossal bleached cliffs of
Palacades Park. There the homeless
sleep under the benches dedicated
by friends and family in
rememberance of loved ones.
Small plaques attatched for
posterity.

My hands are on the steering wheel
at 7 and 12 o'clock.I look at the cast
I wear on my right wrist. A token
of rememberance from an angry romance. He and I parted
respectively, if not at all
respectfully. I drive.

7:00AM
Venice beach. Not yet boysterous.
But never boring. The young people
(and old) still bundled together in bed. Saturday night hangovers will
be had by most of the denizens of
Venice beach boardwalk. A grainy
eyed few wander around abstractidly. Shopowners enter
their buildings, their storefronts
almost as small as booths. Graphitti
and giant works of art grace walls
everywhere ~ Jim Morrison and
Venus in workout leggings much
in evidence.

I smoke my cigarette and drink my
hot coffee carefully in the open cafe'.
I consider the eyefest of the crowd
that will congregate here to enjoy
the clement weather.
The cacophony and the clamor.
Touristas and Los Angelinos alike
drawn In by calculating vendors
and coyote souled street performers.
I look forward to seeing the
non conformity usually. But not
today. For now I sit in the quiet cafe'.

Venice beach. Vulpine. Vacuous.
A strangely vunerable venue. The
***** and the beautiful. The talented and the ******.

A street performance pianist trundles his acoustic piano on
casters out onto the boardwalk.
I ask him if I may play. He looks
at my cast doubtfully.
"I can still play..." I tell him.
He ascents and listens thoughtfully
as I play my compositions. He really
likes them. I ****** the ebony and
the ivory with insistant fingers.
The smile on his face is irrepressable. I smile back and we
flirt in self conceous, fitful fashion.
Time to leave.

9:00AM
Radio is on in my car now. A cut
from the musical Chess. One night
in Bangkok makes the hard man
humble... I like the driving beat.
I'm going up I-10, a single blood cell
in the main artery that brings life
to the flesh of this mamouth town.
Traffic is tenuous. A boon here in
this conjested city.

I drive to Fairfax and Sunset, where
I lived with in a tiny one-bedroom
apartment with my mom. An
ambitious actress. I an ambivalent
artist.

Sunset. The Roxy and Whiskey-a-
Go-Go. Cartoon characters Rocky
and Bullwinkle casually cavort on
the top of a building. Billboards
as tall as the Hollywood sign. The
street of broken hearts for many
an actress -slash-model. They
wander about on street corners
looking haughty and haunted.
Waiting for who knows who to
honk. Their dreams have flown
away like the exhailation of smoke
from the mechanical lungs of the
Marlboro Man. Schwab's drugstore
and diner. The place where some
famous starlet was discovered.
Delivered into the arms of the
Hollywood machine. I opt to go
to the Sunset Grill.

11:00AM
I'm walking down Hollywood Blvd.
Perusing shops and persuing
pedestrian pleasures. Everyone
talks of the star-studded sidewalks.
To me they look tarnished and
filthy. Stars from a sultry smog
laden sky come to earth. The names
of some of the folks honored on
them I don't recognise.

I'm here to view movies today.
I'm definitely not going to
Grauman's Chinese Theater.
Been there. Done that. Gave the
very expensive T shirt to
Goodwill. I look around at the
proud and the plebian. The pedantic
and the pathetic. No prostitutes
out yet that I could see. Probably
toppled into bed to sleep
(for once). Deposed kings
and queens of the monarchy of the
night. The homeless hobble along
with their hair matted and askew.
Shopping carts with stuttering
wheels de reguer.

A couple of tourists with Izod shirts,
plaid shorts to the knee and deck
shoes sans socks gaze in a shop
window. It's borded by tarnished
and faded silver garlands... tinsel
Christmas tree.
"Want to buy a mood ring today?"
One of them querys his buddy,
laughingly.

I find my small theater and enter
the air conditioned lobby. I purchase
a soda and pass on the popcorn.
As I enter the theater's modestly
plush, dimly lit cocoon sanctuary
I notice very few patrons are here
for the matinee. GOOD. I finally
watch the premiere product of
Los Angeles. Movie after movie
slides across the screen. The callus
morally corrosive corporations
conspire with the creative to produce
the culmination of many art forms
in one. Cinema.

LA. Languid. Luxurious. Legendary.
Rollicking, raunchy rodeo.
Seaside city. Sophisticated. Spurious.

SPECTACULAR.

8:00PM
I wend my way up Mulholland Dr.
Another tape is playing in the deck.
One of my favorites. David + David.
Welcome to the Boomtown.

I pull over at a deserted vista. From
this viewpoint I can see the city
spread out like a blanketfof brilliance. The gridiron of LA.
Glitzy and glamorous. Generating
little gods and goddesses. A gigantic
gamble for the disingenuous and
gouache. Tinsel town. Titillating.
Tempestuous. Only the very brave
bring their dreams here... or fools
rush in where angels fear to tread.
All but the fallen angels. They thrive.

Oh! If this place could be bottled it
would be such sweet poison. I
look up at the auburn sky and back
down at the breathtaking panorama
The metropolis that is LA with awe
and angst. I carefully stub out my
cigarette and flip it irreverantly
toward the lagoon of lights.

I get in my car to drive home.
Home?
Could this imposing, inspiring,
impossible place be called home?

Well. Home is where the heart is.
And I live in the heart of a dream.
This is the city of dreams...

CITY OF ANGELS.

Soul Survivor
Catherine E Jarvis
(C) 2005

We were sitting in a restaurant
Table set for two
One of those single couple booths
Perfect for me and you

We spoke of money and
I refused to let you pay for me
Maybe I have too much pride
But I’m not who your ex used to be

The overhead lights reflected perfectly and
I was sure that you were not a mistake
Your ocean eyes vibrated my soul
And then I spilled my milkshake

Blood rushed to my face
And I looked away in shame
But then I heard you laughing
And something in my heart changed

Somehow you weren’t embarrassed
Or uncomfortable with my lack of grace
But instead that heart-shattering smile
Was plastered across your gorgeous face

And then you surprised me yet again
As you opened up your soul out of the blue
And though you spoke nonchalantly
I knew those thoughts were haunting you

I painted versions of your stories
Across the walls of my mind as you spoke
Memorizing the imagery and your feelings
About your insufficient social support

And while I know I can’t be everything for you
I can try to be better than the last
So you have somewhere safe to run
When you need to escape your broken past

Because although the table spanned miles between us
And we were connected only by our fingertips
I could feel our souls grazing one another
As they tangled together in electric riffs

At that very moment
Staring into your eyes, gold and blue
I felt the first real chance
That I might truly love you

Thrift Shop Confessional

Old carts squeak down re-sale aisles
"One of," "two of,"
Sometimes "three of" items
Tempting treasure-sifting shoppers,
Bargain-needing families,
Women seeking up-brand names at low-brand prices...
Our wives, followed by their husbands,
Acquiescent, but quiescently seeking
Seeking a thrift shop oasis.

A cast-off dining set beckons,
Sturdy enough, if a little battered,
To make us solemnly content to wait
Carted clothing trundling
Off to fitting rooms.


He shuffled up with a foolish grin.
"I think I'll join this convocation of
Waiting gentlemen.
My wife is a shopper...
She'll close the place down."

I moved a chair and gave some space;
Strangers become brothers in this place.

Five minutes on,
I knew he was a vet:
Army, Vietnam Nam...
"I don't like to think about it,"
Cleared his throat,
"Never can forget."

I turned to look at him.

"A little girl came running,
With her hand behind her back.
She only stood this high," he said,
And showed me with his palm her height,
"They carried grenades that way...
All of 'em...couldn't tell which ones...
Sergeant told us, 'Don't ever check...just shoot.'"

The voice trailed off....

I sat sweating in a thrift store,
Captive of my own politeness,
Half a century,
Half a planet,
Transported in his words
into a soldier's Hell.

"So I shot...
Nothing else to do."

Silence then.

A total stranger staggering
under the weight of having
Murdered his Albatross....
Of having carried this thing,
This memory,
Inside him all these years,
Of finding me,
The unsuspecting thrift shop guest
Who'd listen to his lonely tale,
Perhaps so he could earn some rest....

I, his unwitting Confessor,
Uncertain what to say,
Certain something must be said...
Certain nothing could be said...
Sat dumb, but understanding
The wisdom of confessional dividers,
The private comfort of two booths
Where prayerful exchanges
Intersperse uncertain silences,
Present in the overhanging need:
Demanding sorrowful returns,
Impending memories of sorrows...
And lonely trudgings home....



(Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")

I was over at the Church today
And saw a notice that was posted
There would be a Christmas sale
And by the ladies would be hosted
They didn't have a firm date set
And they weren't sure where to hold it
They barely even had a theme
But they sure knew who would host it
You'd surely think a Church event
Would be held inside the Church
But because the ladies could not agree
They were all left in the lurch.
The Church was booked right through the  1st
And the place they had to find
Would have to hold all 50 booths
To sell their wares of every kind,
They checked the ads for vacant halls
But they were already taken
Sister Eugenie "Better than you",
Said her faith was really shaken
That they would not come through this year
And the church they would let down
"We'll find a hall to hold this thing?"
"We'll tear apart this town"
Phone calls were made throughout the night
Notes and letters all were sent
Surely there was someone there
Who had a hall to rent
Without a hall there was no sense
In fact there was no reason
To start their crafts and baking bees
There was no reason for the season
They met as one and did decide
To ask the churches elders
If they could open up one day for them
By rescheduling the welders
They sat and talked and talked and sat
And lots of time was spent
But Father Reagan from the church
Said no, "And that is that"!
Time was quickly running out
When a message they were told
For Sister Eigenie "Better than you"
was left by a Mr. Gold
She called him up and let him know
Exactly what their needs were
He had exactly what they asked
Of this he could assure her
The only thing that he did ask
He had this one request
Was that his name be mentioned not.
At his families bequest.
He said he'd help them even more
And help fill up their tables
With baked goods, crafts and candles
And small models of the stables
Where Christ was born so long ago
He'd help them all he could
They all said yes to his demand
Things were looking good
They set to baking everything
Likes cookies and cream horns
Sister Eugenie "Better than you"
Made a jello "Crown of Thorns"
She was always different with
The things she baked and gave
Last Easter she spent two whole weeks
Making a Chocolate burial cave.
They did their crafts and made their things
and soon they all were ready
The big day came and the excitement
made the ladies a bit unsteady
ESpecially when they all arrived
At the address they'd been given
And there to meet them was a Man
Who said " I'm Rabbi Schiven"
This is a first for us you see
Our temple hosting Christmas
So, If we make a few mistakes
I'm sure you will forgive us
We've food prepared for you to sell
And crafts and sweaters too
I'm certain we will have the first
Christmas Bazzar run by jews.
We made some stockings too you see
By our bubbie known as Nora
There's a Star of David on One side
And on the other a Mennorrah!
Please take our gifts and go set up
And good luck on this day
And as a final parting word
Merry Christmas and OY VEY!!!

I want to write a bad poem
A cringe worthy, generic, forgettable poem
Maybe something along the lines of...
                       ...your bruised arms around me
                                   left a hole where my heart should have been....
That was a good first attempt at bad, I reckon.

I shall litter said poem with words I found in a thesaurus,
(iridescent, luminous, diabolical, sacrilegious, egregious etc.)
and elements of nature,
(infinite blue skies, bubbling starfish pond, burnt autumn leaves)
and vague ****** references,
(satin bedsheets, steamy phone booths, glistening skin)
and unremarkable idiosyncrasies of past lovers
(you always filled your pockets with loose change;
you always peeled the apple bottom-up;
you always blahd the blooh blah with your blah-like personality)
and lastly,
but most importantly,  
the stray allusions to a life of tortuous heartache and unfulfilled dreams.


Zzzzzzzzzzz

Crowds of weary people
shuffle from life to life

in the bellies of subways
claws of escalators

past booths of seven-dollar coffees
taking off shoes and jackets

as a voice in the roof says that
the flight to Mumbai,

or wherever, is now boarding.
All of it disappears

because--after these many years--
your face

(I shrug off
my backpack)

your voice
in my ears

I am surrounded by empty booths
& four sides clothed in beige,
highlighted by hanging globe- lanterns casting a serene aura.

The swing of the kitchen door
greets me, the lone patron
who has placed his order
for miso soup &
white sticky rice.

My placemat educates
me about the zodiac &
I can almost hear the
creaking of the bamboo
painted on the walls,
it leaves me
feeling nice
inside.

wicked thorns on wicked wings
they fly and pierce the sky
the gashes open wide
the liquid life
pours
out

blessed words from blessed tongues
they soar and mend the wounds
the holes close up
the simple strife
floats
away

when we leak the color red
we feel alive although we’re quick to die
when the truth is spilled right
we know our pride and we’re ready to die

last meals, first truths
last loves in kissing booths
the world you need to get to is inside
godspeed and goodnight

It's a cool place to meet.
25 cent wings.
Nice, tiny booths
Lit by tiny electric lamps
In the guise of candles,
That give everything a nice, golden glow.
It's a Corona light,
And Corona-colored light always makes me feel
at ease.

She pulls up in a silver acura.

Gets out of the car and I can
see her ***
from the front of her
as she syrups over.

She’s got on a Black tanktop;
black bra straps showing
against white-pink
puerto rican skin
all while holding up those veritable C's.

Her hips burst against
a
long, beige
d
r
e
s
s,                                                                                
and I'm wanting to slide my hands all the way up her shirt to that black bra, and snap it off.

We have conversations about feeling older than
eighteen
and twenty-one
respectively.

Our lips are saucy
and oily. Tiny chicken scraps
can be felt in our teeth.

"I just started reading Starship Troopers."

"Yea, I love that movie."

I've never seen the movie,
but it endears her to me

that she loves it.

"Do you have any plans?"

"Plans?"

"After college?"

I plan on finishing my wings
before you, then I'm hoping
you'll let me hold your ****.

"Not yet."

"You know I've read some of your poetry."

"What do you think?"

"I like it," She smirks,
uncomfortably.

She ladles a wing in a slick of sauce.

"Truthfully, it was too much for me,
you really shouldn't talk about things like that."

She brings the wing
to her lips
and smacks it down
with a loud ******* noise
of a working, pink tongue.

I’ve wanted to hold her **** ever since I met her.
Now I’m lost.
Because she’s got black eyes
and I’m not even thinking about her **** or her bra.


I start thinking about how white her teeth are,
and how much two people can never know about each other.

well... between listening
to the INFO WARS ban...
by the mainstream...

and listening
to Greig's
perfecto
   in the hall of the mountain king...

and john williams...
london symphony orchestra

for the emperor's throne room
scene?

            youtube was always my
testing alternative to
            ****** megastore listening
booths...
like replacing my ears with
a tongue...

               i never actually tuned
in on youtube,
for the indie commentators...
i was always there for the music...
      listening to these
content creators,
grovel a penny,
like some Oxfam offshoot?
   not cool...
    
                i was always there for
the foraging of music...
         never the commentaries...
who said anything about
the commentaries?!
        
          can't be bothered,
won't be bothered,
given that i've been doing this
scribbling for over 10 years,
and hven't been paid a
barnado's penny...
can't be ******* bothered,
mate...
        burn in hell;

at this point, you don't dictate,
and... i don't tell you
what you must do...
           welcome! free fall!

oh no... like my english neighbor,
he doesn't tell me when i can or can't
light my barbeque...
  just so he can hang his washing!

*******!
       the only respected violence is
that against private property rights...
i'd cut his limbs off,
and then hang him off in a noose
composed of, his ******* tongue,
the next time,
he tells me i'm to inform him of
when i do my next barbeque,
prior to him doing his washing...

PRIVATE... PROPERTY... RIGHTS...
YOU *******! ENGLISH! ****!
nor king, nor Buckingham Palace
janitor!
*******!

you even know what itchy teeth
implies?
     i beg to differ:
you don't want to know,
but i'll let you know;
it implies a desire to own
a pig farm;
   and we known what the economics
of pork looks likes...
now apply that in reverse,
to hide, cannibalism.

Hairline cracks are breaking through
the slough I'm about to shed.
Dry and dysfunctional
as the neuron sac in my skull.

I'll change my hat and change my ammo
honeysuckle artillery polished,
waiting in my drawer.

Sliding an empty coffee mug
back and forth along a counter
like a puck preparing for a slapshot.

Paper matches in colourful books
pressed between the pages
found leaves for child arsonists.

Takeout boxes filled with poems
are sold as artefacts
Don't be silly, poetry comes in plastic bags,
not styrofoam.
To keep ideas hot, wrap them in tinfoil.
But don't forget to leave a hole at the top for steam
or your fresh concepts will get soggy.

Equipped with tennis *****,
spandex suits picket office blocks
standing on chairs and voicing nearly racist remarks
making health and safety inspectors nervous.

Out of control students
launch dictionaries out of third story windows,
donning 21st century masks.

I left my patience beside my keys, on the kitchen table.
Waiting in line for obsolete phone booths
as movie stars soundlessly mouth slang into a receiver.

Nearly responsible
nearly nine
nearly time for bed

I resolve again
that I’ll resolve more
but this time write it down.
Folding kamikaze paper planes
to hide behind park benches, fly into trees.
Let the sun fade the pencil crayon.
I can't run from this blasé gangrene that’s taken my toes.

I enjoy sitting in coffee shops watching business men be busy
Drinking burnt coffee
Watching my leg hair grow
noticing that my pits stink
Watching people fight over booths that have an electric outlet to plug in their laptops
Which is funny because I'm writing this on my cell phone while everyone assumes I'm texting.
Well, at least I know that I'm not.

May 2013
Memorial day weekend
It was warm with promises of sun
Beautiful blue skies
And no cloud in sight
Seattle prepared for crowds
People swarming the Center
For folk music, food
Laughter and smiles shining bright

My leg, a bright red
I woke up
Burning hot with red seeping up my leg
Pain swarmed my back
Tears gathering
In corners of my eyes
As I was admitted
To the emergency room
Greeted with morphine, leaving me in a haze

*** induced haze
Lingering around the fountain
Families occupied the edge
Children running in and out
Collecting droplets of water
Along with sunburns
While groups of friends
Gathering in drum circles
Slow rhythmic thumping could be heard for miles

My son’s heartbeat
Thumped in my ears
I watched the fear
As he focused on the antibiotic drips
Invading my body
The days in clipped moments
Passing in and out
With each wave of fever
And the doctors
Tattooed my leg with sharpie

Artwork was only one thing
Found in the vendor alley
People flooded the booths
Snatching up
Brightly colored creations
As they headed to find
Dance troupes, bollywood
Inspired activities
With stomping feet, swaying arms

They placed the central line
Into my right arm
My body had clogged each IV
the doctors warned me
If the redness started
To show patterns of serrating
Then they would have to take my leg
Diazepam had me slurring out
I am fine, I am fine

Memorial Day
A time of remembrance
Services to be held
Events to commemorate
All the fallen
From a concert at Museum of Flight
To baseball game with Seattle Mariners
To appreciate, appreciate

It took ten days
For me to be released
May 2013, Memorial Day weekend
I would always remember
As the beginning
Of my growing struggle
With gradual loss of mobility

I am fine, I am fine

We sit as children on paper with crayons.
The timing too perfect, as soon we will learn.
Sifting through albums of family photos,
we struggle, endure; tomorrow we must fight-
for semblance of self in uncertain future.
The reflection we see tells "truth" to our eyes.

Frantic, we hope someone will see through our eyes,
see the artwork we’ve crafted with our crayons.
We fall wayward as they continue their fight.
But were we not supposed to be their future?
Onward, we find, only refusal to learn,
and they hope to be remembered in photos.

Happily we sat in booths, taking photos.
Love for each other, blooming shutter of eyes;
snapping so clearly: destiny, the future.
Making love through the pain, we began to learn:
Romance is like the colors of our crayons;
Red passion, blue tears, green envy, the black fight.

And from gray ashes, we gained strength from the fight.
Made a history of our lives through photos.
Our own child is coming. So much she will learn.
In her tiny grasp, she’ll struggle with crayons.
Let’s color a better image for her eyes;
help her discern a multicolored future.

For we have reckoned our own troubled future,
must be rife with the educational fight,
lest we forget our past: black and white crayons.
We’ve witnessed the agony, beauty through eyes,
deceived that the past is happy as photos,
as though there was nothing more for us to learn.

As for our beauty, she’s but begun to learn
that always we’ve waited for her, our future.
The love we’d not gotten, sadness in our eyes.
Thankful we are, to have learned from the photos,
to muster our strength and our love for the fight.
Imagine the hue she’ll paint with her crayons.

Remember to learn, that we must also fight.
Leave behind your photos. Look to the future.
Behind those eyes, do you remember crayons?

Years are mixing into decades like tasteless stew
while I sit here in the second floor of a double decker bus affiliated with universal energies that haven't been given names, and gods which haven't yet been killed over.
Sudden Spring makes me sentimental!  I daydream with my eyes shut and sunlight repeatedly washing over my face that Im racing on some enchanted eastern express en route to Benares while Lama peak Nepal is weakened with Earthquakes. Fallen monestaries still romanticized and newly forged in my mind. A few countries North, the radical religious groups are continuing the impractical path of world decay with frequent threats and televized beheadings.  We're guaranteeing ourselves a real apocalypse to save ourselves from a fake one!

Owls in suits recently drycleaned return home,  their bedroom drapes appear ethereal veils of cruelly false night-brides twirling from wind beating fiercely at the door. Next morning the
Hong Kong tram serrates the neon
acid streets where blankface ghosts are observing the hundred thousand faded shoes and wirey laces encircling the larger paths of Chinese cities like a hollow caffeinated sterile ball of yarn thrown over by the communist Cheshire cat. Bluehue sad sickness is the largest global airborne infection we all have to worry about!

Many Summers later, Debt and debt collectors are equal hell,
I'm home and showering off the society sweat and mutual bruises of some mundane corporate copy job where I copy and jab and jib and bob my head outta the sea of slate jaws and somber smiles. Everything has become a bore! The year is 2045 I'm growing gray and I feel like it, the world feels like it, too. Why did I let go of the poems? The rebel heroes in the 1960s who fought off nuclear holocaust with rhyme and meter?
We could really use that now!
Whatever happened to the soul of India budding in my veins and making me stiff with insatiable wanderlust? My prescription needs to be renewed and my passport expired two years ago. Nobody but the dead travel anymore and they aren't getting to their destination by plane. Those greenhouse gases really ****** us for good! All the aircrafts are now modern art and all my dreams are hidden in hypothetical fallout shelters crossing their fingers they survive before the generators power down on them.

Those past inspired goals faint and lifeless carried by anchors to underwater trenches. Back when my hair was down and long. Dandelions were polished in rainwater outside Vietnam Hostels encased in zipper basket backpacks on stock with incense,  teardrop ecstasy stains and cantinas filled on liquid dharma platinum with the zen seal bottlecap. Well off they go! hearts of an aspiring mahasattva sticking to the back ends of sticker stapled scooters gliding
down to the outdoor booths in Saigon.
As was expected, even the scooters were left to fizzle away in the cyclic guyas once all oil tapped out when I was 37.

Sedative Queens have tightened their authority on all of us and I'm sleepy in the wholes of days where thoughts barely catch wind off the finish line. Nobody is a firecracker anymore. Radios no longer work in closets!
I heard they used to. Radios worked anywhere.
All sound is dead. The angry ghost of an eighteen year old watches out his  kitchen window observing the approaching storm and listening to The Velvet Underground feeling like the world is gonna conflegrate to rock & rubble from the creamy ******* skies ready to drown us out.

Hepcat hideous mangled in gradual oppression diseases!
***** teen hormoned out of homosexuality, I thought we'd gotten past that ignorant belief!
Animal axed in syringe oblivion muscles tense then loose, consciousness BLANK.
Ozone overdosed on air miles and morning commutes, they said it would never happen!
Happiness hung on air, we've been told that our experiences depend on how we choose to perceive them, so maybe all this worldly wack has been my fault!
Dragons exist behind snowy beards contrast to a blood red tie sitting up on Senate! Why'd we been told they're make belief? They're burning everything down!

It feels like Summer no matter what season it is these days. Those Alaskans sure work a good tan!

All in all, years are mixing into decades like tasteless stew,

And we're running low on bowls.

you can find me in old picture frames, hidden
in a box at the bottom of your basement.
you can find me in telephone booths, scouring
my pockets to find the meaning of change.
you can find me in the font of signed birthday cards, stylized
and nonsensical.
you can find me in your ashtray, waiting
to be reborn.
you can find me at the bottom of your coffee cup, a sludge
of accumulated words that fell out of your mouth
each time you go in for another sip.
you can find me in the pages of your youth, smiling
at the illusion of time.
you can find me in the lyrics to each song
that come on in your car as you drive, alone at night
that make you think of how we were.
you can find me underneath the carpet, a stain
that refuses to come out no matter how hard you scrub.
you can find me at the beginning of your dream, camouflaged
with scenes of sirens, snakes and skeletons singing lullabies
that make you forget what you dreamt of when you finally awaken.
you can find me through the eyelet on your door, as i float
above your head the moment you consider opening it.
you can find me in every embrace, every kiss, every promise
you choose to let fade from your needle-pointed memory.
you can find me in your shoe, a rock
that makes each audacious step feel uncomfortable.
you can find me in the ditch, roadkill
that quickly passes you by as you mumble a
“what was that?” to no one in particular.
you can find me beneath the apologies you didn't mean
and the iloveyous you forgot to say.
you can find me amidst the scattered shards of glass
that scour the linoleum floor from the glass of water
that you dropped in a bout of thirst at midnight.
you can find me underneath your pillow case, whispering
reminders like sweet love songs for the self.
the pieces i have left are ripe and over-cooked,
i can only resign myself to the fact
that you may never choose
to look.

we met in Mexico,
slept rough in the back;
the seats folded down levelled out
and tacked down with two springs

we went by cities
not knowing their names;
stopped at payphone kiosks
shamed our pasts with left messages on answering machines

we stopped at toll booths,
paid for more road to play on,
to drive over smooth,
to cross another border before the noon

we deciphered restaurant menus,
ate with fingers crossed and hoped
the chicken was just that,
left a tip lost in another used ash tray

we wore sun cream
to screen us against the rays
and the glare reflecting
off the mineral water, natural bays

we walked up to bars
asked for drinks in cold bottles,
sipped and supped until kisses rolled out,
left holding hands like mannequin models

we kept the trip a secret,
kept it secure between you and me
and the folds in the bed sheets,
we only exist in hotel cheap suites.