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Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
‘You have to come up to the house,’ she said,
‘I hate to be there at night,
I have two ghosts in the old bedposts
And each of them wants to fight,
They make their way to the kitchen there
And clatter the pots and pans,
The woman ghost is a Gretel, and
The masculine ghost is Hans.’

I said, ‘You must be imagining,
There’s not a ghost you can see,’
‘Well, I’ve got two and I’m telling you
I see, believe you me!
The guy is a cranky, violent fool,
He must have been bad in life,
While she defends herself with a stool
Each time that he beats his wife.’

The house was Gothic and Romanesque
And leaned out over the street,
It had an arch like a gothic church
With an overhead retreat.
And that’s where she kept the poster bed
Where the ghosts, she said, reside,
‘They can’t come out in the light of day
So they go in there to hide.’

We spent the evening playing cards
To wait for the witching hour,
Sat in our coats to await the ghosts
And their ectoplasmic shower,
‘It often gets messy,’ Cassandra said,
‘At the point they first appear,
They give out this vapour in the air,
A bit like the froth on beer.’

It must have been eleven o’clock
When Cassandra fell asleep,
I thought I could see her nodding off
Though her eyes began to peep,
Each nostril gave out a pale white smoke
And it formed on left and right,
One was Gretel and one was Hans
And it gave me quite a fright.

It didn’t take them a moment then,
She screamed and he would bawl,
He beat her with a broom handle and
Then pinned her against the wall,
She kicked him fair in the shins and ran
Right out of the room in there,
I watched him yell as he followed her
Down by the kitchen stair.

And then there was a clatter of pans
A noise like you’ve never heard,
They threw them around the kitchen
Until Gretel was calling ‘Merde!’
I tried to rouse Cassandra, who
Was groggy, but still awake,
I said, ‘You’ll have to be exorcised,’
And watched her begin to shake.

‘They may have been in the bedposts when
You came, I’m sure that’s true,
But maybe they found a better place
For now they live in you.’
I told her the ectoplasm formed
From her, and from whence it came,
She covered her mouth and nose and said,
‘They’ll never get back again!’

When daylight dawned in that gothic house
And the sun came shining in,
The ghosts came back to the bedroom and
They paid for their ghostly sin,
Cassandra fended them off until
They both were shouting, ‘Merde!’
Until the light had destroyed them with
A scream that you should have heard.

There’s not been a ghost in that gothic house
From then until this day,
I’m visiting still with Cassandra and
We’ve found a game to play,
It has to do with that poster bed
With its polished, wooden posts,
But the one thing that we’re certain of,
We’ll never be seen by ghosts.

David Lewis Paget
Brian Oarr Jan 2013
In those days all thinking took place in his heart.
It had no favorite suburb, no shelter that was home,
immersed, as he was, in the Mojave of humanity,
memories of only former places through which he'd drifted.

Yes, there were women, storms of passion, brevity in bed.
Today, they only took him back in time,
reconstructing scenarios more of actions never taken.
Bedposts served as bivouacs for the nomad.

Here in this desert water assumes a circumstance,
the nomad becoming as fond of it as ambition.
Here silence need not be kept at bay, rather welcomed in,
though it looks down upon him in uncertainty.

Out there on the horizon he hears a sigh,
a mother tongue corresponding to his own.
RJ Days Jan 2017
Oh heroes of our youths, drawn in
splendid colors and panels or flying across
screens for sake of justice, you stars
of infinity and all realities sparing us
from the scourge of boredom while you
saved the day with ease, right vs wrong
clear as the cerulean sky, for you we pine!

Your winsome smiles soothed housewives
and maidens and doe-eyed youngsters
even as your capes became faded
and tattered and no longer were draped
over bedposts of intrepid lady reporters
willing to overlook, like we all did,
the familiarity of your unspectacled faces!

Your somber tongues gravely implored
us to redeem our grimy criminal cities,
lighting our fervor by spotlight against
darkest sky and even in the absence
of grappling hooks or alone with only
the latest fashionable belt, with no
hot young bird in the passenger seat
of your improbable nocturnal sports cars!

Your responsibilities and power came
all woven together, kept you from looking
out of any of your eyes the wrong way
either up or upside down, holding
the universe together with chivalry
and astute entomological acrobatics!

Your master kicks rivaled any other
rat or amphibian, and it was pure art
how you would karate chop through
our mutated melancholy, radical dudes
freeing us in every dimension
from maniacal brains and threats
of shredding our dignity like pizza cheese!

Your ecology was right as rain,
bio-available when we'd ring you up
and always giving back the power after
cleaning up some toxic mess, blowing
our adolescent minds as you flew about
kicking *** and spouting corny puns
long before oddly-dyed hair was trendy
and when Earth was a few degrees cooler!

We mourn you now more than ever,
remembering you with longing
as true villains appear, their green rocks
growing heavier and more radioactive,
their twisted jokes severing us
from one another, spewing venom,
bidding us conquer this land
and scorching the world for spite.

We mourn you now, our heroes, gone
but not forgotten and barely evoking
this nostalgic sense that you never left,
summoning within us the courage
to claim our inheritance, to finally discover
those ancient powers you've bequeathed;
to finally step up and save the world.
Poetic Artiste Oct 2015
The taste of your sweetness,
Still lingers on my tongue,
I am an addict for your dew,
Remember the first time I pleased you,
The time my lips pursed between your folds,
That purr that escaped,
You knew I loved to hear you moan...
Then there was the silence,
You sensed what was in store,
As my mouth fluttered across your wetness,
and my lips engulfed your other lips,
You spoke and told me I'm nasty
But your taste I can't resist,
or how your diamond peaks at me,
Awaiting a tantalizing encase,
To be wrapped within my tongue,
Light strokes upon the center,
Twirling around the cape that no longer keeps it sheltered,
You hated when I teased you,
I could not resist when you said,
Please. Don't. Stop...
As if you knew being craved was my weakness,
I told you what you wanted to hear,
I'm not here to play games,
Firmly wrap your legs around my head,
Bring your garden to my face,
Every drop of dew is a present to my sheets,
Will you be my submissive?
I will handcuff you to the bedposts,
Before I let you run away,
I missed the way your body would spasm for me,
I promise to take my time if you honor me another night,
I only wish to say this blessing between heaven and your thighs.
I always wanted to attempt s ****** but not too ****** ****** poem.
"But, sir," I said, "they tell me the man is like to die!" The Canon shook his head indulgently. "Young blood, Cousin," he boomed. "Young blood! Youth will be served!"
-- D'Hermonville's Fabliaux.


He woke up with a sick taste in his mouth
And lay there heavily, while dancing motes
Whirled through his brain in endless, rippling streams,
And a grey mist weighed down upon his eyes
So that they could not open fully. Yet
After some time his blurred mind stumbled back
To its last ragged memory -- a room;
Air foul with wine; a shouting, reeling crowd
Of friends who dragged him, dazed and blind with drink
Out to the street; a crazy rout of cabs;
The steady mutter of his neighbor's voice,
Mumbling out dull obscenity by rote;
And then . . . well, they had brought him home it seemed,
Since he awoke in bed -- oh, **** the business!
He had not wanted it -- the silly jokes,
"One last, great night of freedom ere you're married!"
"You'll get no fun then!" "H-ssh, don't tell that story!
He'll have a wife soon!" -- God! the sitting down
To drink till you were sodden! . . .
Like great light
She came into his thoughts. That was the worst.
To wallow in the mud like this because
His friends were fools. . . . He was not fit to touch,
To see, oh far, far off, that silver place
Where God stood manifest to man in her. . . .
Fouling himself. . . . One thing he brought to her,
At least. He had been clean; had taken it
A kind of point of honor from the first . . .
Others might do it . . . but he didn't care
For those things. . . .
Suddenly his vision cleared.
And something seemed to grow within his mind. . . .
Something was wrong -- the color of the wall --
The queer shape of the bedposts -- everything
Was changed, somehow . . . his room. Was this his room?

. . . He turned his head -- and saw beside him there
The sagging body's *****, the paint-smeared face,
And the loose, open mouth, lax and awry,
The *******, the bleached and brittle hair . . . these things.
. . . As if all Hell were crushed to one bright line
Of lightning for a moment. Then he sank,
Prone beneath an intolerable weight.
And bitter loathing crept up all his limbs.
Jane Doe Dec 2013
How to be a *****.  Step one, find a lover, preferably one of the same gender and do not render yourself completely helpless against her charm, don’t hold her too close because her eyes are fire and you must be the moth dancing seductively close to the flame but don’t mame yourself with her words, don’t forget that she’s leaving in a month and you the moth only lives a few days don’t fall in love with her, that would be gay.
Step two, get another lover, preferably one who is awkward and cute, someone who can flip you on your back and pin you but doesn’t because he is gentle someone who fills himself with your smile and takes solace in the fact that just because you’re **** buddies doesn’t mean you’re not making love, but soon he’ll discard you, not like a broken glass he won’t smash you. More like an apology an epilogue to a song you didn’t know you knew the words to. He will remind you, you are human,
acquire a third someone poetic, you know these are just safety nets in case the first one leaves you, you heave through the pain of every meeting but you still worship your first as if she wasn’t your curse but your lover, but you can’t love her.
Step four; have *** with them, this might seem like an obvious choice but if the voice in your head says it’s a good thing that this fling isn’t fool proof prove them wrong you’re allowed to say no sometimes
Step five: Stay alive amongst the bodies huddled close, don’t fall in love with the first, she is not well rehearsed or as well versed as the third don’t miss your second, not the way he beckoned you closer and don’t hold her, don’t hold her don’t love her, don’t kiss her, don’t miss her just **** her she’s your *** toy and you’re hers don’t fall for her.
Step six: solitude is simple, measure the space between his dimples on the off chance he’s ever smiling, the timing is perfect but you can’t purchase another round of bullets for this gun, it’s all fun and games just don’t lose it, don’t love it just like the flame
step seven: minutes in heaven is your new best friend, because a new pair of lips will remind you that you’re not as alone as you know you are
step eight: debate telling her how you feel and throwing away the third, but then say no because after tomorrow she’ll be gone and your hands will be tied to his bedposts where they belong
step nine: cry. Because you couldn’t stop yourself from falling and calling her name as you felt the soft grass beneath you.
step ten: send a quick message to the second, thanking him for showing you that it is possible for you to mean something to someone without hurting them. Let him know that before this you thought that destruction was your only coping mechanism because you have destroyed so many before him and now things have changed.
Hold her. You know deep down inside that you can’t hide from the way you feel you can’t exchange your emotions for a safety net you just have to let the pain sink in.
M Aug 2018
A chair in the corner sits huddled with the shadows,
while a second chair lowers itself by the door.
A window between the chairs hangs silently on wall,
as the curtains whisper with the wind outside.

Towards the left of the window is a shrunken bed,
with bedposts like redwoods and the body of a willow.
On the bed is a bundle of fabrics and tweed,
twisting and spinning amongst eachother.

Joining the first chair is a spindly wooden table,
with wobbly fingers and with only three legs.
The top of the table is clustered with trinkets,
pinecones from Alaska and feathers from Pompeii.

Littering the floor are denims and glass,
clothing and pieces of vases strewn under the door.
Thrown under the second chair is a pair of old shoes,
weathered and worn and left to die.

On the walls with the window is doodles and sheets,
drawings of childhood tapped in the space.
Paintings on the plaster are dusted with flakes,
burdens of memories of past and future.

In the center of the room stands a coat stand of mahogany,
standing tall and strong in the ruins of its lost kingdom.
Unaware of what goes on outside of his window,
all he knows is the dust and objects trapped with him in the room.
Transferred from my account from AllPoetry. :)
Joshua Martin Mar 2013
Sometimes when I pick up the pen
I feel my 5 ft 7 and ¼ inch frame
perk up like David at the sound
of Goliath's slurs.
I swear i'm 6'6"
and ready to dunk the basketball
straight over Wilt Chambelain's head
made soft by the kisses and “**** yous”
of the 20,000 he probably never called back.
Sometimes when I start to write I believe
that I am invincible like James Cameron's
submersible in Titanic's
C deck sifting through soot and broken china,
floating over smoke stacks and rusted bedposts,
or reaching out my robotic arm to open
up the door to the radio room that once
buzzed with hellogoodbyes.
Sometimes I feel like the soldiers walking
behind that little napalmed angel screaming
down that dirt road in Vietnam,
oblivious to the fire of my words.
Her cries shrink me back down to size.
But most times I feel like I'm hooked
up to a lie detector test in the dank basement of
an FBI facility, blood pressure rising while
the polygraph line traces
the outline of a mountain range
no one has ever hiked.
Elizabethanne Jul 2021
I have seen friends tie themselves up to the bedposts of lovers
who would never give them a second thought
If all their pretty untouched skin wasn’t right there
To bruise and taste at their convenience
we have been told there is no other way for us
to hold any value as a person unless someone wants us
I have seen friends cry so hard they puked
as they untied themselves from those bedposts
their wrists had been rubbed raw
and they still left their heart behind in hopes
he would return it with his own in tow
I have seen friends make themselves
names in a little black book
A faceless body  
They will let you treat anyway
you want because it’s better than alone
I have seen friends
Break themselves for this twisted messed up version
of love that’s being sold to us


- Who taught us how to do that to ourselves
- Everyone, everyone, everyone
Mitch Nihilist Aug 2015
she is an asylum,
her walls drip blackness
writing every word
that neglected
to slip past her
teeth,
she sleeps on
****-stained spring
mattresses as the
clod tiles bite
at her heels,
hair and skin hide
beneath her fingernails
as palms are twinged,
the padded walls
whisper screams
of coercion; wrists
bound by silence and
tightened by insanity.
to bedposts
rusted,
her hands retired on
ridged thighs
hugging her
goosebumps with
convulsions of agitation.
her mind
scratches melodies of an
insomniac,
the flickering lights choke
her vision and blind her speech.
a room of contradictions
irregulating regularities
intoxicating sobriety
hallucinating reality,
the muffled screams
that weave through
the fibres of the
pillow clinched tightly
in her lap harmonize
algorithms that pull
each padded wall
towards her howling
being — centrefold the room,
as the walls hug her body
she awakes and paints
antonyms to
perpetual despondency
Quite an old piece revised.
Jon Tobias Jan 2012
My love looks scintillating on you my blue

With just a hint of black

When my rough love meets your tough love

And the two wear us smooth again

I mean

There has to be something to justify how ugly I am

Be ugly with me

And grind sandpaper skin

Til we can shake the shavings away after the sheets dry

You’ve always wanted to know what it looks like when ugliness leaves you

It looks like dust illuminated inside beams of light

After you’ve decided you’ve collected enough

How good did it feel

When you notched my bedposts with your vampire teeth

Dulling them down so that you couldn’t draw blood anymore?

Not even with your words?

You said that becoming human never seemed easier

Let me second chance

Your too tough tugs

With my lizard tail laughter

And I have two cheeks to turn if you need a third

My shoulder is only cold

Because neither of us know how to hold the other

Being

Beautiful

And Nice

And Capable

Take practice

So I am sorry I rub you the wrong way sometimes

Just that

This kind of black and blue

Looks good on you

And these faded bruises means

We’re healing
Special thanks to g jha for donating the first line to this first line poem. Thank you so much for playing! PS. If it helps at all the integrity of my work, I have been drinking. Just thought I should throw that out there.
v V v Dec 2012
A shadow on the upper right lobe,
its probably nothing*

Its close to Christmas,
I think about our first
and how purple it was,
sunflower medallions
and George Winston.
I grew my hair long
and wore camouflage.

We ought to run a few more tests

My guilt was more than
I could carry back then,
gallons in half gallon buckets,
blood splashing onto
white carpet.

We'll get a little more blood on
Tuesday


The waiting game was nearly terminal,
the kids and I exchanged gifts in the Sears
parking lot. When I got home you held me.

We need to talk in my office for a minute

I cried about the choices they made.
You were never unkind. The rosaries I
made were hung on our bedposts,
they hang there still.

The shadow on your lung is a tumor

Its been five years.  They're adults now
and old enough to hear about death.

I'll schedule a biopsy for after Christmas

I don't think I'll tell them.
I don't think I'll tell you either..

maybe just once we'll have a peaceful holiday.
disclaimer: this is for the most part fiction.
Venusoul7 Sep 2014
Courtesan rests upon satin pillows,
placed so many for weightless fare
Treasure box of lace and fragrance spilling out into her hair
Rich red velvet drapes the contours
of her silhouette
against the backdrop of an argalis mountain landscape
Thick rouge stain encircles her mouth and cheek,
now smeared askew as evidence of talking bodies friction
She wonders where he goes when he is gone~
He often wonders how good it feels when she comes into his candelabra room
Bedposts tell no lies...yes, this is true, mind you, no other girl would do the deeds he required of his staff in hand.
This innuendo ~ no Comprendo
What more details do you really need from me??
It's not like I sit and watch...here, have a seat~
I compose me
try to pull teeth and grey elements

Ash and grey elements appear during supper
Words and personalization become law
Become a creed

A fool bringing moss to market,
Shawl holds tight while eyes pierce concrete,
wide at home and closed while here,

In this home

A shack with spoons

This late hour steams from crowns of heads,
or crowns on heads,
when darkest,
only mist is seen in crowns on bedposts.

Black panther melodies scar institutes
Whiter power anthems are nothing to speak of

I bet it is on three laurels
A magic marker nodding off

It is a drinking whiskey game I win


But I think I'm going to Hell

Kiss me before I am in Hell


Finding many things burnt but not char

I can't find what that word means again

This song and title I can't put back together

Oh, I could call


If only,

Oh,

I knew it all

A neck to breathe down with the gauge I bring down

Could suddenly cut ourselves short

This vegetable garden could produce marrow

Not knowing it was a crime
Tragedy
Emma B Apr 2014
He slept in that bed
long before I came into
the picture
navy blue sheets
golden brown bedposts.
I could always run my fingers
along the wall that connected us at night
his steady breath a steady
reminder
that all was well,
all was normal.


He came home from school
my parents around the dining table
shifting weight, waiting.
A letter with letters, words
of navy blue and shining gold.
Congratulations we are pr…


Smiling, embracing
          mind racing
We still had precious months…
Until liftoff.


Gazing at the bed
tired eyes
foggy with 3 am,
now foggier with tears.
His steady breath
a comforting metronome
lulled me to rest on the cool
hardwood floor
The room was warm,
full, occupied
with steady breaths,
cardboard boxes and love.


The car flew away before I could put my shoes on.
through the dust
“I couldn’t see the permanence.”
I waved
I waved until my arm burned hot
enough to evaporate the falling water from my eyes.
“If I closed my eyes
I wouldn’t see him go.”

Gazing at the bed.
tired eyes.
foggy with 4 pm
now foggier with emptiness.
He left a dent in the mattress
a comforting mold
I tried to fit
Tried to fill the space left behind.
The room was gusty,
empty, vacant,
with distant breaths,
dust and new negative space.

He slept in that bed
long before I came into
the picture
navy blue sheets
golden brown bedposts.
I could always run my fingers
along the wall that connected us at night.

The wall has swelled, hallowed.
I still trace it
listening,
waiting
for the void to narrow.
A poem i wrote for a friend
Elaenor Aisling Sep 2021
The proximal end of my soul is no longer safe
Decay has dilapidated the space
The raveled fragments fester
Leaves wilting with vinegar burns
Where I have tried to **** the infestation
And found I was only killing myself.

I can remember when my mind was softer, but not safer,
Hiding in the hallway to the den
Watching the scene of the desperate father
pulling his dead son from burned rubble
My child mind imagining
Blooms of orange around my bedposts,
tendrils of cinder and smoke,
Placing my hand against the back of the door
To feel the phantom heat.

And now I hold the matches to my own bed
The quiet comforter can only stifle them for a moment
There is not enough weight to press
These dreams out of myself
Maybe I still crave heat because it is the pain that is also comfort
It is the fear and the foment, the ailment and the aid
It is my body asking for enough feeling
To know it is alive and safe
While my mind is screaming fire
in a crowded
theatre.
Sarina Aug 2013
Your tongue used to sneak in my mouth
like the old days, girls climbing trees to sneak in an older boy's bedroom:
he had a single bed and plaid sheets she would think of
in the same way she thought of wrinkled bubblegum wrappers
but neither tried to taste good for the other. The
boy and the girl just were what they were, just hidden in each other.

My hands could be the bedposts, my hair the headboard,
my skin the blanket she will dig her fingers into, thinking what is home
what is home - somehow it has become a
tap on the window, a whispered I am here, hello.

You helped me to get over my fear of silence,
my chirophobia. When everything was meant to be quiet, when we have
nothing to say, you would pour honey down my throat
and hold hold hold me tight
so tight that it would seem everyone knew. I imagined turning on
the television, there would be an image of us lighting up Times Square:
you would calm the whole wide world. It took us years
to realize that we have the kind of love that is always, always okay.

The girl shimmies down the tree, an old oak
so tall she feels like she has dropped fifty stories before she finds grass,
she feels like she has lost fifty feet worth of body and flesh.

His window is open, her lips separate, it silent and
it is okay. She mouths, I miss you
then climbs up again almost desperately, completely dependent on her
legs to pump air into her lungs and breathe through the pores -
blackbirds see up vines up her skirt, and twigs
bruises like wide bushes and then his hands like a nest. What is home.

Your saliva grew like moss against my cheeks,
I once bit and bled in my sleep, had nightmares so I could hear something
but you gave my teeth a garden to pick vegetables from
and I stopped needing traffic to rock me
to bed: your tongue used to sneak in my mouth, now I have its words.
C S Cizek Mar 2015
I painted the bedposts and bedside whiteboard
beside the baseboard, the outlet occupied
by a power cord, the bookshelf, both coffeemakers,
the power strip duct-taped to the brick wall,
the bush outside, the sidewalks, the brick,
the steel fences separating traffic
babble from pedestrian small talk,
then filled the wall in, gave the oak posts
enough depth to hold up four coats,
a backpack, and a shoe lace, swirled
in the condoms and coffee rings
inside the microwave, sketched a Sears
Apple-Jack-colored record player plugged
in, turning dusted Beatles records
like the cosmos, like the snow, squirrel-
hair, and leather-leaf bush outside.
I masked off the concrete, the asphalt,
and construction yard sidewalks,
penciling dead mosquitoes in the cracks
and $2.39 Rock Salt Slush along the edges.
I measured the fence, so each stake hit
the vanishing point like cigarette butts
in cement cereal bowls of cat litter.

But I ran out of paint before I could fill
the mouths of motorist **** yous,
the car barks chasing dogs
to the chain-link guard rail,
doorbells and mailbox flags
being flipped up, pay phones
clashing on metal receivers,
church bells, footsteps,
some guy breathing,
and a red-light button Wait.

Maybe it’s for the best.
Ivie Jul 2013
The wind has been howling for days and days, searing the clouds and her mind,
It tells a tell, tale that will slice her lungs worse than his words-
Her lips bleed in the frosty wind, slow, her feet trudging, incapable, her fractured legs leaving crimson traces burning in agony
Huffing, escaping, running, crying out, hear her desperate plea, but this actions have silenced her
Death lurking behind the pine trees, acres of snow covering up the lies.

He said, he doesn’t love her anymore, already had every inch of her in his mouth,
His **** in her mouth, again and again, feral eyes watching it unfold a plan successful, forcefully, trapped, chained her to the bedposts, scarred on the outside and charred from inside
Tearing petals off, from the roses he gave her, one bright afternoon, he loves me, he loves me not
He said he did, naive girl, moved to Siberia for him, where did loving him lead her?
She laughs, like an asylum patient, a tortured madness climbing the veins of her soul
Poor little lamb, he is carnivore, tearing off her skin, divulging into her body.
                                            Look at her destroyed, frayed
                                             Look at the ghost of a girl

Who walks through realms of life, the wind is still, mourning in the loss.

Her bruised body all shades of blue and red, lifeless.  He ate out of her too much, he ****** her life out.
At frail attempt at an escape, bittersweet atleast, darkness claimed her on the hands of freezing terrains, not him.
Look at the countless wolves howling, consuming the remnants in a mad glee.
this is one is,its different or maybe not,but it hurt to write something so brutal..
A Renee Feb 2010
You are my corrupted dream.
An intended perverted fairytale.

The break rolls in.  
Your fingertips white with selfish memories.
Addicted, with fabricated smiles after dark.
Time pours faster.
The embers cling to balconies and bedposts.
Stepping gently from another unwelcomed sunrise.
We sink into an inevitable blindness.

You ****** into abandon.
Awaiting a slow bitter collapse.
Full speed cold front.
No stopping the fever.
Four walls, two ways to burn them down.
One pitiful habit to sober the spell.

Melodic moments raise their weary hands
And rock the city comfortably.
A Renee Feb 2011
the break rolls in
your fingertips white with selfish memories

fabricated smiles after dark
time pours faster
the embers cling to balconies and bedposts

stepping gently from another unwelcome sunrise
we sink into a soft inevitable blindness
****** into abandon
to await the slow bitter collapse

savor these polemic kisses
we have already died a few times
just to feel alive
Jonathan Witte Nov 2016
The farmhouse
also awakens,
pine floorboards
and joists unsettled,
plaster walls rattled
by midnight voices.

In certain rooms,
the lace curtains
sift moonlight
with graceful fingers.

Shadows making their rounds
slink past doors and bedposts,
curl into unlocked keyholes,
uncoil time across the duvet.

Just outside, familiar silver trees
conduct an orchestra of illusions:
branches graze the metal roof,
tap tap tap on windowpanes.

It goes this way for hours,
sounds of a haunted choir.

When sleep comes
my dreams are like
balloons brushing
against razor wire.
JL Apr 2015
I am just the lightbulb
Swinging in the attic
If you would just
Shut up
I am the static

Little ghost
Show me your play things
Tall bedposts
You are always swinging

That's the record
Play it again
If you speak up
You'll only blend in

And I wish
I wish to **** I was someone else
Take my bottle from the shelf
Grin, kiss, smash me

But here you are
Lily hand
Sail my ship
Read my stars
Kiss me

Crystal ball
Palm reader
Your eyes say it all
Your lips say it better
Sophie Hulmes Jul 2013
i wasn't at least surprised
by your callous gaze on me
another name, another notch
on the bedposts where you can't sleep

i learnt through that december
that a kiss can be empty after all
that a label i so easily dismissed
really does means 'just friends' and nothing more

i know it silently haunts you
losing the first honest thing you'd ever known
but it's hard to sympathise with a boy
that swears love to girls who then walk home alone
Tremors held in the young girl’s face
Quaking in exquisite lace
Pulsing in place
Hip locked base
Ejaculatory race
Spermicidal mace

Thoughtless porcelain dolls
Shatter as bedposts hit walls
Reverb in the halls
Landlord calls
******* stalls
Waiting on drained *****

Thick housing in a fat cat’s den
Seal on the locked pen
Revolving door of men
Seems to break the Zen
Memorabilia of Cheyenne
Windup to go at it again

Shower sprays flakes of gold
Washing off latent mold
Rubbed off in the hold
…These men are old
Temperament’s cold
Cost of being sold
AMcQ Nov 2014
Last night
the earth spun
too quickly,
making chaos  
of my senses.
The churning stole
away sleep,
making ghosts of coats
draped on bedposts;
demons of the
sheets against my skin.
How inconsiderate the morning,
to all but rush to my aid.
I'd rather be where you are.
I'd rather be held by rough hands,
pale fingers upon flushed cheeks.
Make me new again.
You're no stranger darling,
but you can be who ever you want for now
and I never liked my name until you hummed it
beneath blue sheets and bedposts.
I'd rather you remember us
by the way we tug and fumble
over belt loops and knit stockings,
over neck ties and shirt clasps,
over thin cotton and ripped lace,
over me
under you
under sheets
under moonlight
under ceiling fans and stars
under scrutiny and love is all we
understood and love is
under appreciated and
underrated and maybe now you're
under me and I'm
under your spell and I hope this never ends.

I hope it's never over.
Iz Dec 2019
I remember the supervised showers
The crushed ice
The cries at night
The feeling of losing control
The idea that earbuds with the right twist and ties could make me die
The sewn on pillowcases
The weapon in scissors, mirrors, handles, sheets, bedposts, bags, shampoo, straps, glass, pens
The misdemeanor
The boy who’s anorexia was his slow suicide
The girl with two siblings that killed themselves
How everyone wanted to **** themself
The 7-year-old that only cried
The lime green hallways that haunt my mind
Found this poem from a year ago
So much laughter perhaps in front
of the console

If when we hand over what was given,
we are inconsolable.

Assume this position when
reaction is demanded:

You could, a massive day.
You could, a spectral of night
daggering into the forthcoming of nakedness  that was your title,

enmeshed, and then in a moment’s brief charade,
        torn apart, contained within four bedposts and a notch
        for a shimmering body lined with a peregrine skin.

how much it cost you, putting a face in this profile
    losing the document from flinging in the last time over and over
  as if we do not die only making copies of it each day

a    page is  turned not over but crimson  with   blame,
forging a lie  about  every  gilded moment  as  if  touch could  end it so

                      this day collapsed into a breath’s span crossing rivers.

— The End —