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"amplify" poems
I pulled down vicious KKK flyers, listened to members amplify hate. Their harmful words only frustrate, hoping to cease their cruel desires. Harassment at work occurred hablas ingles? a lady replied. I let the racist remark subside, when I realized I was not heard. Being bullied at school would soon follow. A boy shout the Spanish slur at me, write vile notes for all to see. Slashed my tires with archery arrows. I never thought that they would presume, I was an illegal immigrant. Their logic absent, only based on looks they assume.
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May 30, 2012
May 30, 2012 at 3:59 PM UTC
small town hate
The Emperor left his palace with something shiny on his shoulder it weighed as much as an apple but was the size of a boulder it was the greatest weapon his workers could build the town awaited its appearance even though they had foot the bill Amazing said the scholar as the emperor passed so much power but such little weight this right here can save a country what you hold will educate we will teach people and they will listen and if they won't we will show them this weapon splendid said the old lady as the emperor trotted by I have been waiting all my life for this we must end all wars that is my dying wish now we can do that we can fight off the opposition and make sure peace reigns while our leaders stay in top position I don't get it said the kid and the emperor stopped what could you not understand about my gun? the boy answered this world is full of idiots and while you are surely not one there are people out there who would **** for that gun let's not act like one large weapon can change everybody under the sun what's more likely is that it will only amplify the issues that should be regional we'll proclaim "Our gun is big!" to justify that our choice is final the bigger the gun the more people it could **** and the more people that can die the more people that will
0
Aug 11, 2014
Aug 11, 2014 at 4:22 PM UTC
The Emperor's New Gun
your clean lips and serene eyes are instruments they, with fearless precision play those neatly folded tufts of skin on either side are speakers they, with unnatural ease amplify the epidermal pyramid sloping symmetrically amid your instruments is a songstress she, with innate necessity sings the song of life your head is a concert music to my troubled eyes ©Jason Cole
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Mar 23, 2015
Mar 23, 2015 at 10:22 PM UTC
Concert Head
Humanity is at the ****** of connection Connection is plastered to our bones It’s on our wrists dinging reminding us to take our steps that will apparently make us one with nature, it’s latched to our arms so while we are so spent attaching ourselves to nature that we don’t have to attach our phones to our hands, it’s our sun rise, it’s our evening prayer, heck it’s the only thing reminding us to wake up in the morning and connect with these people that we can only reach through these dull technological connections. Facebook says we’re here to help you connect! The Bible app dings remindign you, “keep in check!” You’re surrounded by connection, it immerses you and embraces you with its WiFi streamed arms and blue tinted light But shouldn’t you be embracing the connection? Shouldn’t you be the one to swallow connection? Shouldn’t you be the one to amplify connection? Humanity is at the ****** of connection but we are disconnected.. Shouldn’t the rate of depression fall not rise with every purchase of an iPhone. We are disconnected From ourselves from nature from the spiritual realm and from each other because we connect our souls to these arguable objects of connection. Seems like we need an intervention from connection. Shouldn’t connection flow within our bones and not simply be plastered to it? Connection is around us, but we’re not making the connection
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Mar 5, 2019
Mar 5, 2019 at 9:26 PM UTC
Disconnection
I met you at the station you said wanted to go anywhere but here. I said to look for the tracks that are the most uninviting. You took my arm. I wished for something better and here it came, disguised by dirt, dislocation and greying days. Your ticket says no return but mine is undefined, watchful, ready to bolt or to linger. You say you love the stations from afar. There's not much of me requested, but the splinters that you do, I gift hopelessly. The smallest glimpse of light approaching filtered through dank, oppressive air are superior, surely? than finite life exhausted watching the dark. By the night you amplify, when you have enjoyed my fill and left with little but fingerprints and recollections, casting parallel shadows on directions that await. I give you almost everything except for the words that travel nowhere but my head. You gave me the signal a briefest flash of red that stopped this in its tracks.
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May 16, 2015
May 16, 2015 at 6:04 AM UTC
Strikes on the Railway.
Unburden me my wiley friend from all my mundane woes Release the threads that bind me here, submit me to your throes Happily you blur the lines and change the days perspective Mollify me with your lies and kindly dope objective. It’s pleasant here, I have no care to change this altered state Inhibitions lose their power to taunt me and berate I perform well, I entertain, I please so easily Popular I find myself within your potency But soon I find the last drops have now dried up in the glass Your soothing draft has poured its fill, your best has come to pass And in its wake you leave for me a tender raw emotion That carries me upon a wave of heady dissolution The tears they stream, I am a mess, back down to earth I plummet All former worries amplify now you have reached your summit I was misled, you’re not my friend, a pariah in disguise You sought to trick and confuse me put beer goggles on my eyes So now into my bed I crawl to rest with bland submission The toilet has already shared with me your vile emissions I close my eyes I pray for sleep, my head already throbbing I enter sleep in throes of self-absorbed, repentant sobbing
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Dec 11, 2014
Dec 11, 2014 at 11:45 AM UTC
DRUNK
how can such hollow words fool you? how can you not see from your point of view? you let them pluck you like a fragile lute, you let them **** on you as if you were the ground. stop letting them smell you as if you were foul. just fight back and start with a growl. don't let them move you around in a chess game. let their every advance not allow your mind to sway. you could be losing but don't toss the board yet. stay even when all seems to go downhill, stay and don't let your losses shake your will. just fight back, break yourself free, and live with thrill. roar even when they can barely hear and know that they're not the ones to fear. do what it takes to amplify your lion heart. you can borrow my light to see through the dark. aim carefully like you were shooting darts. just fight back, shield your person, and make your mark.
0
Sep 13, 2018
Sep 13, 2018 at 10:13 AM UTC
don't let them
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
0
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
Heartstone
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note. Chert The piano draws an arc of rhythm rising then falling. Above two choirs of wind and brass exclaim, fanfare, mark out shorter, determined gestures of sound. The procession, almost a march, becomes a dance. Alone Two choirs of wind and brass become four couples whose music weaves from complexity a simplicity: Chromatic to Pentatonic twelve becoming five. Prase Four stopped horns, five extended tonalities. Together they wander a maze of Pentatonic paths; alone, and in pairs, as a quartet they discover within a measured harmonic rhythm. Tension: resolution . . . and surrounding their every move the piano insists an obligato, a continuum of phrases, absorbing into itself the warp and weft of horn tone. Sard Oscillating in perpetual motion the full ensemble occupies a frame of time and space. Flutes, reeds, double-reeds brass, piano, percussion mirror-fold on mirror-fold layer upon layer overlapping. Yarns of threaded sound. Tuff Without a break the mirrored oscillations patter pentatonics on tuned percussion of marimba and vibraphone whilst a batterie of drums lays down shards of beaten rhythm against this onward folding of tonality change. In the background a choir of winds flutes and single reeds waymark this recursive journey gathering together cadential moments and the necessary pause for breath. Marl Relentlessly, the motion is sustained, piano-driven, a syncopated continuo, rhythm-sectioned amidst layers of percussion. Adding edge, a choir of brass and double reeds amplify the piano’s jagged rhythms providing impetus for phrases to become longer and longer, ratching up the tension, ever-denying closure until the batterie delivers a conclusive flourish. Paramoudra Pulse-figures of winds. Motific cells of brass. Both negotiate a stream of fractal-shaped tonality expanding: contracting. A blossom of fanfares folding into pulsating layers of tuned percussion, flutes and reeds. A dance-like episode absorbs a chorale. Four horns in close harmony against the continuing dance. A duet of differences flows into a cascade of chords in closed and open forms. The piano supports brass-flourishing figures before a final stillness. Heartstone In gentle reflection the solitary piano – a figure in a landscape of collapsed harmonic forms - presents in slow procession the essence of previous music.
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112
Poison Ivy, red rash on my limbs. To the Doc I go, a shot will do. It grows on trees, but they're immune, their limbs aren't itching. *Thanks ~timothy~ for a new style. This is a syllabic poem in seven lines  4/5 5/4 4/4/5 Unrhymed Lines 1 and 2   INTRODUCE the SUBJECT Lines 3 and 4   AMPLIFY what is affected by the image/subject. Line 5 thru 7    Focus on NEW SUBJECT that complements and provides a meditative conclusion. Shanzi may be Titled*
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Apr 29, 2013
Apr 29, 2013 at 5:23 PM UTC
Poison Ivy ( a Shanzi )
Question 1. can you escape the words that so easily want to roll off your tongue can you put them away see them off on a ship have them cross into the horizon and dissipate under the burning red sun of the east Question 2. Can you replace all letters of an alphabet that easily taught, rolled off your tongue can you put them in a shoe box, seclude them in a corner of your new life, where 80% of the time you are fine Do you think they will cross too cross the horizon, like the things you wish would and then dissipate Question 3. Does the pollution amplify the heat, if so can the heat burn or melt old Polaroids
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Mar 20, 2018
Mar 20, 2018 at 12:42 PM UTC
Question Poems
Amplify my cuteness, Oh! Bidaal Devi, Like a cat, Kitten, Like a cat, Oh! Feline Devi, Amplify my cuteness. I shall adopt some kittens, Oh! My Cat Goddess, Maybe a Tom, Or a Pushy, Maybe a Tom, Oh! My Cat Goddess I shall adopt some kittens. I shall adore my kittens, Oh! Feline Goddess, Bring me a Tom, Or a Pussycat, Bring me a Tom, Oh! Feline Goddess, I shall adore my kittens. I wish that cats adopt me too, For except my parents, I'm alone, After them, I can't imagine my life, That's why I shall adopt some kittens, After them, I can't imagine my life, For except my parents, I'm alone, I wish that cats adopt me too. I offer my heart, Oh! Cat Goddess, Oh!! Shashthi Maia, hear my plea, Without your children, I'm alone, I don't want to end up all alone, Without your children, I'm alone, Oh!! Shashthi Maia, hear my plea, I offer my heart, Oh! Cat Goddess.
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Oct 23, 2024
Oct 23, 2024 at 11:16 PM UTC
A Marriage Proposal Lying In Front Yard
The grotesque weight of human ignorance Has slain the carcasses of innocence Though I shall amplify resilience Decline its fascist pleas to vanquish No more spare **** it shall **** No severed tissues we shall tape No stealth blades puncturing the nape We're foreign to psychotic language Advance we must, cascade we shan't Supremacy's the hymn we chant Our eminence shall never slant Majority refrains to languish Not a stain of slumber peaks Bones of stark rivalry we seek © 2012 (All rights reserved)
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Feb 4, 2012
Feb 4, 2012 at 1:25 AM UTC
Grotesque Supremacy
Arduous late Winter woes amplify in February false hope We’re all sick of constrictive clothes and cold climes conducive to staying in Cabin fever running rampant 45° t-shirts & sunglasses everyone driving with their windows down   Hoping Vernal rituals performed early will hasten Spring’s arrival I’m done fed up ready to move on Going crazy in the cold writhing to get moving unimpeded by frigidness and snow I’m ready for Spring for Summer for Fall I’m ready for the scent of thawing soil in the air biking in the Sun, verdance, and flowers in bloom I’m ready for grass between my toes Fireflies, crickets, peepers and warm night stars I’m sick of frost reddened runny raw noses sick of numb fingers and toes and having precious few daylight hours I’m sick of combatting glacial winds with layers, of treacherous icy apathy, and dreary bleak boredom I’m sick of not being able to sit on the ground sick of long pants, long socks, long sleeves, and silent stagnant long nights So, despite the fact that I’ll pine for January every day over 90° Despite the fact that when mosquitoes swarm I’ll wish a frost would **** the little ******** and despite the fact I’ll get just as fed up with temperate seasons I still want Spring and then Summer and then Fall But February brings false hope and despite the lengthening cheery sun months still stand between us and t-shirt weather mild nights, grassy hills,   and emancipation from an inclement icebox atmosphere
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Feb 25, 2014
Feb 25, 2014 at 8:50 AM UTC
February False Hope
Arduous late Winter woes amplify in February false hope We’re all sick of constrictive clothes and cold climes conducive to staying in Cabin fever running rampant 45° t-shirts & sunglasses everyone driving with their windows down   Hoping Vernal rituals performed early will hasten Spring’s arrival I’m done fed up ready to move on Going crazy in the cold writhing to get moving unimpeded by frigidness and snow I’m ready for Spring for Summer for Fall I’m ready for the scent of thawing soil in the air biking in the Sun, verdance, and flowers in bloom I’m ready for grass between my toes Fireflies, crickets, peepers and warm night stars I’m sick of frost reddened runny raw noses sick of numb fingers and toes and having precious few daylight hours I’m sick of combatting glacial winds with layers, of treacherous icy apathy, and dreary bleak boredom I’m sick of not being able to sit on the ground sick of long pants, long socks, long sleeves, and silent stagnant long nights So, despite the fact that I’ll pine for January every day over 90° Despite the fact that when mosquitoes swarm I’ll wish a frost would **** the little ******** and despite the fact I’ll get just as fed up with temperate seasons I still want Spring and then Summer and then Fall But February brings false hope and despite the lengthening cheery sun months still stand between us and t-shirt weather mild nights, grassy hills,   and emancipation from an inclement icebox atmosphere
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54
My whippet ran as fast as the wind. With a cheetahs gate he could catch all. And now he rests his race is done, all rabbits happy. *Shanzi is a syllabic poem in seven lines  4/5 5/4 4/4/5 Unrhymed Lines 1 and 2   INTRODUCE the SUBECT Lines 3 and 4   AMPLIFY what is affected by the image/subject. Line 5 thru 7    Focus on NEW SUBJECT that complements and provides a meditative conclusion. Shanzi may be Titled*
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May 24, 2013
May 24, 2013 at 10:58 PM UTC
Frazier ( a Shanzi)
You run your fingers up my thigh I sigh at the delicate touch and Inwardly shudder at my multiplying feelings, I try to say stop but the cry dies on my lips this I want My body belies my shyness My body electrifies my senses no shame is felt as those fingers explore the stimuli they bring, crash into me like waves upon the shore. Higher and deeper, they amplify the lullaby that in my head sings my shyness away and magnifies my delight. Detoxified, I soar like a dragonfly mystified at the brazen me lying spent in the moonlight.
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Apr 26, 2014
Apr 26, 2014 at 8:33 AM UTC
Shy
It's all much too Loud. The world going by me Is much too Noisy. There's already a consistent scream Inside of me. The last thing I need Is to be in this world With too many Sounds. So I hide In my room all day. I hide myself away, Because when I hear Everything that's happening outside, How everything moves just fine, I begin to lose my mind. Why can't I move the same? Why can't I become Part of this well oiled machine? I'll never fit into The motions they all execute, So I sit on the edge Of their common reality And watch it all turn. I watch it But it gets too much It grows too loud And now I have to hide again. Hide myself from all the sounds That start fires in my head. Run Little freak. Run Black sheep. My ears are too sensitive To be in anything but Silence. To be in anything but Quiet. The vibrations of the outside Go in my sensitive ears And amplify whatever is already Being screamed in my Tortured Tormented Time bomb Mind. Then they go to my eyes, Well right behind And build pressure And pain Until I have no choice but to Cry. Cry. Little baby Little freak Little black sheep
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Apr 16, 2016
Apr 16, 2016 at 2:19 AM UTC
Sound for sore ears
Was Set, created to establish God, or God, Set Do we live, to justify death, or die, to exist Is life filled with experiences, or is life the experience Does our good, amplify bad, or our bad, the good Darkness or light Darkness, shadow, absence of light Good, defines evil, or does evil make good If black, define white, what then, makes grey Does cold, give pleasure to warmth, or its absences Which was first, which one exists?
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Mar 15, 2010
Mar 15, 2010 at 3:59 AM UTC
GOOD OR BAD
A subtle carol echoes of the evening Upon bended knee I am arrested Betwixt strange refrains Shaking the floorboards of Teicu The evocative moans amplify The foolish peacemaker of astrologists The English dream of poetry Those I coaxed by death Were the witnesses of the tragedy And were familiar with its ballad Crafted the design ‘tis conceptual *********** Eradicated their honor for vanilla threads As they shimmy and shimmy They defile elongated hankering And retreated in the greenhouse of Woodstock Its language made iconic by efficacious character Having often been labeled an experiment Broadening its brilliance along death’s boulevard ‘tis she who was the stunning one Her language made sacred by her iconic fame A long time controversial reference An automaton, an origin of extraterrestrial etiology The evocative moans ensnares the tourist
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Sep 7, 2012
Sep 7, 2012 at 10:48 PM UTC
Major Motion ***********
got so drunk at their little, ahem, initiation ceremony: drank a bottle of whiskey when i heard we were going clubbing wearing lycra shorts... the man with the biggest bulge and the biggest stick... never understood male group psychology... or any group psychology for that matter... it isn't exactly a throng of noblemen following Henry VIII. i joined the lacrosse university team for a bit, left it when the time came to buy the equipment - i didn't think getting smacked by the defenders' longer sticks was worth it, to be a striker with the shortest stick - too physical - i thought i'd seek some other physicality, got stuck-up on rock climbing, and mountaineering for a while, nothing serious, a bit of easy bouldering on the edinbrugh crag, the one lining the skyline at holyrood park, the salisbury crag, just west of arthur's seat - i'm not going to lie about clinging off the matterhorn or something - but i did an expedition with the mountaineering club near Ben Nevis once... Glen Coe / Coire nan Lochan... and i figured, with all this talk of light pollution, well, "pollution", to think that a bunch of street lamps can blind away the stars of what former poets spoke of: about the illumination of the heavens for the blind eye to see... we camped outside one bothy (basic shelter) set off fireworks, drank whiskey, played music, burnt a fire in the bothy... but to be honest... i was not amused by this whole theory of light pollution... i looked up at the sky, and the number of stars was no greater than the number seen in a bright lit city... i know they say all those telescopes amplify the chance of peering into the heavens at night and see more stars... but why cite light pollution, when, in a remote highland hideout the number of stars didn't increase in number... i've heard a girl from australia cite that, in the outback she said more stars could be seen... even without a telescope... so the scottish highlands are unlike the australian outback? is it just me... or is it simply ******** this whole light pollution argument? it was dark out there like in an **** after black coffee and charcoal tablets.
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Apr 8, 2016
Apr 8, 2016 at 6:45 PM UTC
after black coffee & charcoal tablets
got so drunk at their little, ahem, initiation ceremony: drank a bottle of whiskey when i heard we were going clubbing wearing lycra shorts... the man with the biggest bulge and the biggest stick... never understood male group psychology... or any group psychology for that matter... it isn't exactly a throng of noblemen following Henry VIII. i joined the lacrosse university team for a bit, left it when the time came to buy the equipment - i didn't think getting smacked by the defenders' longer sticks was worth it, to be a striker with the shortest stick - too physical - i thought i'd seek some other physicality, got stuck-up on rock climbing, and mountaineering for a while, nothing serious, a bit of easy bouldering on the edinbrugh crag, the one lining the skyline at holyrood park, the salisbury crag, just west of arthur's seat - i'm not going to lie about clinging off the matterhorn or something - but i did an expedition with the mountaineering club near Ben Nevis once... Glen Coe / Coire nan Lochan... and i figured, with all this talk of light pollution, well, "pollution", to think that a bunch of street lamps can blind away the stars of what former poets spoke of: about the illumination of the heavens for the blind eye to see... we camped outside one bothy (basic shelter) set off fireworks, drank whiskey, played music, burnt a fire in the bothy... but to be honest... i was not amused by this whole theory of light pollution... i looked up at the sky, and the number of stars was no greater than the number seen in a bright lit city... i know they say all those telescopes amplify the chance of peering into the heavens at night and see more stars... but why cite light pollution, when, in a remote highland hideout the number of stars didn't increase in number... i've heard a girl from australia cite that, in the outback she said more stars could be seen... even without a telescope... so the scottish highlands are unlike the australian outback? is it just me... or is it simply ******** this whole light pollution argument? it was dark out there like in an **** after black coffee and charcoal tablets.
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She is in the blue shadow of a city on the horizon, the metronomal click of six inch heels, hypnotic on linoleum, the reflection of one window in another, the scoliosis of the trees in an unlit wood. When the sun is setting, and each blade of grass casts a shadow against the others, here the images are ready, like Velcro, to hold fast to a heart. In the slumber of dead flies on an attic windowsill, the cacophony of the contents of a garbage can spilled into the truck before your alarm, the way the syrupy night covers the windows to make it seem the world beyond has ended, there are words with which we amplify the beats of our hearts, most especially when they are too soft for us to hear ourselves.
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Apr 25, 2013
Apr 25, 2013 at 8:12 PM UTC
She hides
I woke up the sun softly breaking through resting on the wall, i left my radio on playing songs and songs that i love my hair is glued to my forehead i feel it scratching against my skin i look around piles of clothes laying on the corner of my bed empty bowls of  cheerio cereal my guitars laying up against a wall one that is laying on the floor two burnt matches on the floor a poorly painted zebra mask and a yellow leaf that fell from its place a lot of dried pieces fell off the dead leaf, old VHS tapes against the wall ***** dancing,breakfest club,ferris bueller , blues brothers so much more books piled in each other dorian grey,to **** a mockingbird, a farewell to arms i'm missing two books i lent them to my friend red ink from a pen on the floor i had to keep the guitar cord at a certain bend to it would amplify it gave in and exploded a green paint mark on my wall and a cut out mustache an old keyboard of the 80's sometimes it turns on sometimes it doesn't notebooks of poems and boxes of drawing i did when i was younger a big jar with two dead roses pencils and pens cross in and out a little emptied out honey jar filled with all my train tickets my bracelets laying on the floor except for the blue one my wrist it never comes off my camera lays beside the camera beg drawings on the wall and my hats on top of each other and my sweaters all over the place vinyl album covers of the Beatles and Pink Floyd My mom calls it a mess i call it me...
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Dec 26, 2013
Dec 26, 2013 at 12:09 AM UTC
Je t'aime a lot
There was a story hanging there from the edge of my bed but its teller I didn't want to know so the story went unsaid I thought I could ignor you hanging there leave you to gently be but after days you're still there I'll admit you terrorise me You crawl in through my eyelids to my otherwise peaceful dreams you mock me as your silence seems to amplify my screams and they keep on getting louder because I keep them locked inside and so they rage right through me until everything I once was has died They ***** my dignity disemboweled my calm tortured vociferously my very entity after knawing through the logical side of my brain so that the only part remaining is the part that is insane Now as I swing from side to side from the rope you've spun for me I see you joyously scurry by maybe we're both now finally free And from my perch in heaven If I ever look back down I look at you and reflect that I'd have done it differently second time round I'd definetly heard you're story I'd have given it a chance maybe we could have been great friends and we could sing and laugh and dance There's plenty of your kind in heaven and they're all great dancers too I regret I didn't know you before but now I look forward to meeting you
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Oct 14, 2012
Oct 14, 2012 at 6:54 AM UTC
Spider
You forgot your pictures On forgotten bed side tables In the back of my brains. I was supposed to sleep two hours ago, But I was busy tracing the tracks You’ve crossed with your fingers on my skin; And when I reach the end of the map I don’t find a treasure Instead I find your dead cells Lurking on my shoulders Like dust lurking on my book shelves, Like tanned blondes stretching on the sea shore, Like red and blue highlights that you’ve kept for so long. I found your sea shelled bracelets And 3 fingered rings exciting, I found the simplicity of you wearing no necklace soothing, But I knew that I was at the peak of a roller coaster ride- When everything slows down, When that loose feeling of safety Tingles up your spine And stays long enough To amplify the shock of falling suddenly. I picked up a flower shaped safety pin And as soon as I brought it close enough to smell Your grenades exploded in my face. Instead of shattering, I blew up into a thousand words That can make oceans of me , And instead of you swimming You learned how to drown; Avoid my words, Swim through the sharks and create jewels out of my sea shells Till I become just another Pendant from your arms, Or glitter on the corners of your backpack Where you hanged memories you force outside Because the demons inside are not on good terms, Because the demons inside of you are screeching But you don’t want the world to hear; Yet you left your pictures on my bed site tables, And you meant to keep a retraceable mark of you on my hands And you want me to come back, But your mines were too dangerous. Your mood swings Flew me over the bushes, Your cigarette smoke, filtered in my lungs Made it hard for me to breath out the words “I love you”, Your eyes are my only solace But sometimes, It takes less effort to exit home Than to stay in it.
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Sep 21, 2014
Sep 21, 2014 at 1:00 PM UTC
I Will No Longer Fight For You:
You forgot your pictures On forgotten bed side tables In the back of my brains. I was supposed to sleep two hours ago, But I was busy tracing the tracks You’ve crossed with your fingers on my skin; And when I reach the end of the map I don’t find a treasure Instead I find your dead cells Lurking on my shoulders Like dust lurking on my book shelves, Like tanned blondes stretching on the sea shore, Like red and blue highlights that you’ve kept for so long. I found your sea shelled bracelets And 3 fingered rings exciting, I found the simplicity of you wearing no necklace soothing, But I knew that I was at the peak of a roller coaster ride- When everything slows down, When that loose feeling of safety Tingles up your spine And stays long enough To amplify the shock of falling suddenly. I picked up a flower shaped safety pin And as soon as I brought it close enough to smell Your grenades exploded in my face. Instead of shattering, I blew up into a thousand words That can make oceans of me , And instead of you swimming You learned how to drown; Avoid my words, Swim through the sharks and create jewels out of my sea shells Till I become just another Pendant from your arms, Or glitter on the corners of your backpack Where you hanged memories you force outside Because the demons inside are not on good terms, Because the demons inside of you are screeching But you don’t want the world to hear; Yet you left your pictures on my bed site tables, And you meant to keep a retraceable mark of you on my hands And you want me to come back, But your mines were too dangerous. Your mood swings Flew me over the bushes, Your cigarette smoke, filtered in my lungs Made it hard for me to breath out the words “I love you”, Your eyes are my only solace But sometimes, It takes less effort to exit home Than to stay in it.
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Nobody mourn, nobody get hurt We just project redirect the blame and sink back into interactions with coping devices of mass distraction The artificial womb of the masses Tethered by an invisible umbilical cord feeding us way too much information Like hungry ghosts salivating the next notification We can’t run. We can’t hide. There’s a threat to survive, But we’re so ******* desensitized Seduced by the school shooter we don’t hear him coming singing siren songs heart-beating shotgun blasts That leitmotif in sync with The American Horror Story allegory Just forget it Too much in the queue Too many new things We can’t reject this reality It’s really ******* broken Em, I’m sorry we’re descending Much Madness has lost its meaning It’s just the means to unlock an achievement Emulate another scumbag. romanticize a villain amplify the bodycount Like how many do you need to ***** out before they give you the cover of the Rolling Stone? It's comedically-tragic, Stranger than satire. The Judge, the jury Executioner cutie cut all your losses for ya cashed in your lil tax deductions The most sacred snuffed out before the light could become them Get woke a-f, This is enlightenment! Come on get your mind blown! He’s the one who loves to shoot his gun But he knows not what it means knows not what it means. Do you know what it means?
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Oct 22, 2018
Oct 22, 2018 at 11:02 PM UTC
iGnoreality