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If I weren't burdened,
with the weight,
of being a woman...
What would I do?
If each step I took,
wasn't visually measured
in the shake of my hips,
or the weight, of my *******,
tell me,

what could I do?

I'd scream, for you to chase me,
and run towards the surf.  
I'd throw myself, eagerly, upon its
cresting, ******* waves,
and lounge on top of bluest water,
floating idly by on its surface,
like a sleepy lotus flower...
dreamy, soft white petals,
stretched limberly towards the open sky,
and aching, for the kiss of sun.

I'd be unconcerned, and unaware
of the arch, of my back...
of the rosy fullness, of each cheek
as I bent, and knelt
between cascading water ripples
to capture pretty shells, and shiny stones
and present them all, to you,
with childish enthusiasm.

If I weren't burdened,
with the weight,
of being a woman,

I'd run, wild, through floral fields,
and hedge mazes,
as giddy, as a fairy.

I'd duck, under arboreal tunnels,
and climb, into the low-lying branches,
in the little copse, of trees,
and slumber sweetly
in its leafy canopies.
I'd immerse myself
between paperback pages,
as the wind steadily rocked me
like a babe, in its bassinet,
and the wind, whispered,
through vibrant leaves.

I'd rush out, to greet the rainstorm,
as its icy waters, folded over me.
I'd race, and run, and dance,
through puddles that split around bare feet,
and warbled, their enchanting echoes,
around the circumference
of saturated, joyful, ankles.

If femininity,
weren't the loaded gun
that presses my temple,

I'd wander, for hours, in pre-dawn streets...
blaring eighties music, like a wandering minstrel
down city streets and quiet, tree-lined roads,
until the bruisy, tangerine glow,
of impending sunrise,
gradually re-skinned my cheeks, and face.

I'd clamber across the overpass, to ogle the seasonal starbursts,
from up high,
in the blankest, blackest canvas;
fireworks screeching, screaming,

exploding, into new life,
thrown onto dark paper, like neon splatter-paint
Charring the ozone, to a hot, charnel glow
in an impossibly starry summer sky.

If womanhood, weren't the knife
they use to press my throat,

I'd spend the entire night under the stars,
gazing upwards, the way I used to.

I'd explore the navy breadth of midnight streets,
all its blues...nearly deaf, with resounding cricket chirps
nearly mute, beneath the busy squeal, of brown cicadas.

I'd travel for hours,
lost in a poetic passion,
just so in love, with things.
Dreamily gazing at a natural world,
with no strangers,
and no cars, following me
while my artistic eye,
drank in the atmosphere,
until satiated.

I'd climb poles, in sundresses,
clamber over fences,
explore the world,
and all of its understated beauty
without reservation, or end.

I could go anywhere,
I could go,
everywhere...
and never need a chaperone.

I'd think nothing of chasing dreams,
that suddenly grew teeth, or fangs,
and came after me,
like the main monster,
in a horror cinema.

I'd open up,

and freely speak,
to the people around me.

I'd never be too afraid,
to close my eyes, again
and receive a kiss,
at the end of a sweet date.

I'd feel pretty, to feel pretty.
I wouldn't try to hide it,
to chameleon myself into the crowd,
in the hopes that no one else,
would notice me.

I'd feel like family...was really family.

Smile so hard, that the mask I wore, would crack.

In short...
I would do all the things I used to do,
before someone showed me,
how dangerous it was, to live.
I really only wrote this because I noticed how much self-censuring I've done throughout the years, in order to protect myself. How much you have to change and correct your behavior, when the answer to everything that ever happened to you was always "you should have been more careful."
Lance Remir Jun 5
I punched that mirror
Over and over and over again
My knuckles bloodied
Hundreds of shards on the floor
Yet no matter what
Even as I kept smashing it all
Each shard is still
A reflection of a broken man
cleo Jun 4
victim
car crash
bodies colliding
in violence
crying out
to no one
(again)
cleo Jun 4
turn back the clocks, rewind it
there's something else behind this
not that hard to find it
but hard enough to fight it
cleo Jun 4
a broken plate
with its sharp edges
and dwindling purpose
cleo Jun 4
it's the most heart wrenching thing
he forced his way back in again
thought i was safe in my dreams
but it seems he's still haunting me

can't shake the feeling of his touch
i wouldn't call what we had 'love'
younger me didn't know enough
to get out of that hole i'd dug
Viktoriia Jun 4
sometimes you sit in the dark all alone
and it's not a guiding light that you want,
but for someone to be there with you,
to know that they know the dark, too,
to have them keep you company.
for the light can become a trap, you see,
like a constant pressure to push through,
so you'd rather have someone stay with you
to practice counting each other's breaths.
there's a sense of hope to mutual setbacks,
tethered by the unseen hand you're holding
as you co-write a step-by-step guide to coping.
Lance Remir Jun 4
I kiss the wounds you left behind

Because at least these scars

Would never leave me
Never let someone who hasn't been in your shoes tell you how to tie your laces.
Laces are complicated, and they take time to figure out.
If you can't tie your laces, you'll figure it out eventually.
It's okay if you need help tying your laces, we all start somewhere.

Are your laces *****? We can clean them.
Too thin? It'll work out somehow.
Thick? We'll find a way.
If you have velcro instead, that's okay too.

You can't tie your laces in a normal way? We can find another one, even if it's more complex.
If you don't tie your laces, you'll fall in them.
If you do, you can keep walking, maybe even run,
and eventually forget you had laces in the first place.

In the end, you'll realise that,
your laces, messy or neat,
have always been yours,
and that's enough.
So I'm actually quite proud of this one, this poem talks about trauma recovery, it's not an easy journey, but at the end of the day, it's your journey. And you can choose where to "walk."
F Elliott Jun 1

Let it be the Mountain she finds Holy—
not because it sparkles,
seduces her
or speaks in riddles,

but because its dark loamy soil
receives her bare feet like a memory.

A prairie hill above the sea,
where grasses bow and whisper,
and the wind carries the salt and scent of things
too old for names—
that’s where the house stands.
Not built from stone,
but from time.
And longing.

And the laughter of those
who once remembered Eden.

Let her dig down,
as if the roots of a wildflower
were waiting to rise through her skin,
lifting her slowly from within—
the stem, the pistil,
the fragile yet indestructible bloom.
Let the soil speak to her in silence,
saying:

You are still loved.
You are still alive.
You are not what happened to you.


Let her turn toward the sun—
not in shame,
but in radiant defiance—
and know in that moment
where her help truly comes from.

Let her running to the mountain
be joy, not dread.
Let her ascent be not an exile,
but a return.

Let her wings unfold brazenly,
as the daughter of the living God.
Not tucked.
Not hidden.
Not compromised.

She does not belong to the mountain that mocks love
and feeds on the ruin of hearts,
or exploits that which is still unhealed

She belongs here—
where her own flesh and bone
become not only family
but friend,
through the common bond
of the soil that gives life to all who dare to sink into it.

She belongs
where peace lives in warm light on cold nights,
where cotton sheets smell of soap and skin,
and starlight sifts through trees
like the hush of forgiveness.

Let her remember her first love..
before the theft,
before the theater.
Before the wound.

Let her toes remember
what it was to wiggle in the dirt
of something unbroken,
unshamed,
true.

Let her find home again—
not in a place carved out for her,
but in the space she reclaims
with her own rootedness.

Let her petals unfold slowly in the sun—
but only with her feet deep in the mountain's soil,
where others also have planted their lives,
becoming one
in harmony of breath and memory and Grace.

She will not enter into a sepulcher
or a place that makes usury of her pain.
She will stand on the mount before the rising sun—
alone if she must,
but never abandoned.

And somewhere in the hush between
the breeze and the soil,
she may yet feel

the quiet echo
of someone still with her.

Let the flower breathe the free air
  and  she  will  sing...


"In an old house on a hillside
Next to the sea
Far from the madness, that folds around me
Peaceful and gentle, like sails on the breeze

In an old house on a hillside
Next to the sea
There's a warm light on a cold night
And clean cotton sheets
Soap smellin' skin and tinglin' feet
With stars linin' the skyline
And shine through the trees

In an old house on a hillside
Next to the sea
And when the autumn comes down
We'll get what we need from the town
And all of our friends will be round

In an old house on a hillside
Next to the sea
Moon white as paper and night black as sleep
With old things behind us and new things to be

In an old house on a hillside
Next to the sea

And when the sunshine comes down
My hair will turn golden
And my skin will turn brown

And all of our friends will be round"

https://youtu.be/FPQyn36gzlY?si=B5mtweJP3pbu6jqO

#MattersoftheHeart
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