Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

for Jennie in gratitude*

For days afterwards he was preoccupied by what he’d collected into himself from the gallery viewing. He could say it was just painting, but there was a variety of media present in the many surrounding images and artefacts. Certainly there were all kinds of objects: found and gathered, captured and brought into a frame, some filling transparent boxes on a window ledge or simply hung frameless on the wall; sand, fixed foam, paper sea-water stained, a beaten sheet of aluminium; a significant stone standing on a mantelpiece, strange warped pieces of metal with no clue to what they were or had been, a sketchbook with brooding pencilled drawings made fast and thick, filling the page, colour like an echo, and yes, paintings.
 
Three paintings had surprised him; they did not seem to fit until (and this was sometime later) their form and content, their working, had very gradually begun to make a sort of sense.  Possible interpretations – though tenuous – surreptitiously intervened. There were words scrawled across each canvas summoning the viewer into emotional space, a space where suggestions of marks and colour floated on a white surface. These scrawled words were like writing in seaside sand with a finger: the following bird and hiraeth. He couldn’t remember the third exactly. He had a feeling about it – a date or description. But he had forgotten. And this following bird? One of Coleridge’s birds of the Ancient Mariner perhaps? Hiraeth he knew was a difficult Welsh word similar to saudade. It meant variously longing, sometimes passionate (was longing ever not passionate?), a home-sickness, the physical pain of nostalgia. It was said that a well-loved location in conjunction with a point in time could cause such feelings. This small exhibition seemed full of longing, full of something beyond the place and the time and the variousness of colour and texture, of elements captured, collected and represented. And as the distance in time and memory from his experience of the show in a small provincial gallery increased, so did his own thoughts of and about the nature of longing become more acute.
 
He knew he was fortunate to have had the special experience of being alone with ‘the work’ just prior to the gallery opening. His partner was also showing and he had accompanied her as a friendly presence, someone to talk to when the throng of viewers might deplete. But he knew he was surplus to requirements as she’d also brought along a girlfriend making a short film on this emerging, soon to be successful artist. So he’d wandered into the adjoining spaces and without expectation had come upon this very different show: just the title Four Tides to guide him in and around the small white space in which the art work had been distributed. Even the striking miniature catalogue, solely photographs, no text, did little to betray the hand and eye that had brought together what was being shown. Beyond the artist’s name there were only faint traces – a phone number and an email address, no voluminous self-congratulatory CV, no list of previous exhibitions, awards or academic provenance. A light blue bicycle figured in some of her catalogue photographs and on her contact card. One photo in particular had caught the artist very distant, cycling along the curve of a beach. It was this photo that helped him to identify the location – because for twenty years he had passed across this meeting of land and water on a railway journey. This place she had chosen for the coming and going of four tides he had viewed from a train window. The aspect down the estuary guarded by mountains had been a highpoint of a six-hour journey he had once taken several times a year, occasionally and gratefully with his children for whom crossing the long, low wooden bridge across the estuary remained into their teens an adventure, always something telling.
 
He found himself wishing this work into a studio setting, the artist’s studio. It seemed too stark placed on white walls, above the stripped pine floor and the punctuation of reflective glass of two windows facing onto a wet street. Yes, a studio would be good because the pictures, the paintings, the assemblages might relate to what daily surrounded the artist and thus describe her. He had thought at first he was looking at the work of a young woman, perhaps mid-thirties at most. The self-curation was not wholly assured: it held a temporary nature. It was as if she hadn’t finished with the subject and or done with its experience. It was either on-going and promised more, or represented a stage she would put aside (but with love and affection) on her journey as an artist. She wouldn’t milk it for more than it was. And it was full of longing.
 
There was a heaviness, a weight, an inconclusiveness, an echo of reverence about what had been brought together ‘to show’. Had he thought about these aspects more closely, he would not have been so surprised to discovered the artist was closer to his own age, in her fifties. She in turn had been surprised by his attention, by his carefully written comment in her guest book. She seemed pleased to talk intimately and openly, to tell her story of the work. She didn’t need to do this because it was there in the room to be read. It was apparent; it was not oblique or difficult, but caught the viewer in a questioning loop. Was this estuary location somehow at the core of her longing-centred self?  She had admitted that, working in her home or studio, she would find herself facing westward and into the distance both in place and time?
 
On the following day he made time to write, to look through this artist’s window on a creative engagement with a place he was familiar. The experience of viewing her work had affected him. He was not sure yet whether it was the representation of the place or the artist’s engagement with it. In writing about it he might find out. It seemed so deeply personal. It was perhaps better not to know but to imagine. So he imagined her making the journey, possibly by train, finding a place to stay the night – a cheerful B & B - and cycling early in the morning across the long bridge to her previously chosen spot on the estuary: to catch the first of the tides. He already understood from his own experience how an artist can enter trance-like into an environment, absorb its particularness, respond to the uncertainty of its weather, feel surrounded by its elements and textures, and most of all be governed by the continuous and ever-complex play of light.
 
He knew all about longing for a place. For nearly twenty years a similar longing had grown and all but consumed him: his cottage on a mountain overlooking the sea. It had become a place where he had regularly faced up to his created and invented thoughts, his soon-to-be-music and more recently possible poetry and prose. He had done so in silence and solitude.
 
But now he was experiencing a different longing, a longing born from an intensity of love for a young woman, an intensity that circled him about. Her physical self had become a rich landscape to explore and celebrate in gaze, and stroke and caress. It seemed extraordinary that a single person could hold to herself such a habitat of wonder, a rich geography of desire to know and understand. For so many years his longing was bound to the memory of walking cliff paths and empty beaches, the hypnotic viewing of seascaped horizons and the persistent chaos of the sea and wild weather. But gradually this longing for a coming together of land, sea and sky had migrated to settle on a woman who graced his daily, hourly thoughts; who was able to touch and caress him as rain and wind and sun can act upon the body in ever-changing ways. So when he was apart from her it was with such a longing that he found himself weighed down, filled brimfull.
 
In writing, in attempting to consider longing as a something the creative spirit might address, he felt profoundly grateful to the artist on the light blue bicycle whose her observations and invention had kept open a door he felt was closing on him. She had faced her own longing by bringing it into form, and through form into colour and texture, and then into a very particular play: an arrangement of objects and images for the mind to engage with – or not. He dared to feel an affinity with this artist because, like his own work, it did not seem wholly confident. It contained flaws of a most subtle kind, flaws that lent it a conviction and strength that he warmed to. It had not been massaged into correctness. The images and the textures, the directness of it, flowed through him back and forward just like the tides she had come far to observe on just a single day. He remembered then, when looking closely at the unprotected pieces on the walls, how his hand had moved to just touch its surfaces in exactly the way he would bring his fingers close to the body of the woman he loved so much, adored beyond any poetry, and longed for with all his heart and mind.

precursor - title correlation
body -

mind of:

C                oh

    oh                      Ri

n'ah.   (half an hour fiddling with a 502 bad
gateway; traffic these days! jeez!)

I.

it don't know what's more frustrating for the reasons that it's so good... i can't choose... it's a close call... either listening to Red Hot Chilli Peppers' B-sides from By The Way... ugh! why didn't they release that as a double album! Stadium Arcadium was not that good as a double-album... all the prior albums are MAGIC... literally... for ****'s sake: GOLDMINE is literally just that... there's that... i can't concentrate on making my own translation of Ovid... i'm yet to scribble down the translation i have... i can't even drink my whiskey properly... the other frustrating focus? watching Armand Duplantis break his own world record of 6.21metres... the ****** has still at least 10cm in him! a record that will have to stand-still for the next 20+ years... i'll be dead before this record is broken... Сергій Бубка best be sleeping... i'm listening to the music, reliving the end of the World Athletics and trying to heel-myself-in-the-buttocks: better get a move on boy... hmm! "trying"... i'm actually heeling myself in the buttocks: no time to wait... one can wait for a bus... one cannot for one's own incentive... ol' Lizzy is coming up the mountain... she's coming with the proper closure of the 20th century... however many popes she outlived... however many prime ministers and american presidents... come on Lizzie... just one more year... i'm actually dying to spend money with whittle Charlie printed on the notes... my fingers are itching... but **** me... music so good By The Way should have been a double-album... no! Stadium Arcadium was not the salvagable double-album worth session... i'm getting "schizophrenic" vibes... i know that poetry is not an entertaining medium: it's a complacent self-congratulatory, thereupeutic load of *******... it's obnixious when staged: the exasperated art of speaking with speed... today i realised that i much prefer drinking to having ***... i like the preservation of my brain with a hard-on of itchy fingers than any actual ******* hard-ons... the knife opening oysters or plucking out the eyes of deer... best the eyes be gauged out... than having deer stare into car lights... hybrid confusions of static, motivated to move... frozen in a make-shift imitation of root and clay and copper: bam! one more statue down...

II.

it's no wonder why i'm not looking for a girlfriend, it's no longer bewildering why i'm not looking for a wife, at best i'm looking out for that ancient custom of Roman emperors: to become a foster father, a surrogate - i'm yet to find a match-up... i almost did, but she undermined my chances by undermining her own seriousness in such affairs... but clarity does come... as much as i might be a surrogate father to her son or daughter: i wouldn't be faithful to her... i would steal the night and run away into a brothel... but there's something else... the whole dynamic of publishing has changed... the whole idea of a library has also changed... i own more valuable books in my private collection than the public library of Romford... which is me peering at the dire straits of what the public is fed... i know why i don't aspire for pair-bonding... perhaps man so levelled aspired toward the imitation of birds a long time ago... perhaps swans are truly noble creatures: for one hears of widow and widower swans... perhaps parrots: born from those monstrous beasts that were the dinosaurs can imitate our talk... all that's this reality within the confines of "perhaps": nonetheless, it's all true... but perhaps being the mammal that i am... i moved from a community of chimpanzees into a solo-ride of imitation-bear... perhaps i only entertain the opposite *** on the encounter of ***... i couldn't land a conversation with a woman outside the constrictive-framework of work, so much so: i would abhor the mindset of men that go on dates with women: buy them food and then EXPECT... i leave that ******* out in my interactions... pay-up-front for what you're about to receive otherwise don't play cat while the woman plays mouse... or rather... a rat in cat's clothing: the woman therefore becoming a rat-trap... mind you: i can't think of a more terrible idea than the modern version of: eat first, **** later... at the old ****** proverb states: a hungry ****** is angry... a filled ****** is lazy... god forbid i ever become tempted by those dating sites... i'm currently looking for the original Latin text of Ovid's the Amores book 2 poem 6... why? what i have in my hand... and what i'm finding... it's like what Robert Pinsky remarked about once: TRANSLATIONS differ so much from one translator to another...

they have done it... UEFA are mad... just to get my
accreditation for the women's Euros final
at Wembley they're asking me to bring my passport
with me... so is Wembley the JFK of Florida
          space-shuttle launch? Houston? am i leaving
the country?
                but the girls have done it...
funny: some other people are still complaining:
IT'S TOO WHITE!
   there's not enough diversity in the team...
          that's me also planning to go and live
in Kenya and become a model for toilet paper...
i'm sure i could replace that known Koala bear /
golden retriever or perhaps i could go there
and model for soap adverts...
it just so happened that racial tensions (only football
could create them) rose up for a little:
just one night the day England lost to Italy
on penalty shootouts... because... 3 black guys
were playing a rigged roulette...
            then again? me? and the African heat?
fat chance...

find me the original Elegy VI: the death of Corinna's
pet parrot...
oh man... and her name was Polly...
i sat up late last night trying to find something
interest on the television...
bam! thank you ma'am...
                       kurt cobain: montage of heck...
sort of reminded me of...
                           a SCANNER DARKLY...
                           mind you: i sometimes do enjoy
a one-man show... or at least two...
there was this brilliant show in the West End...
Stones in his Pockets...
       two actors... sharing the roles of...
                  about 15 people each...
but it was back in circa 2001...
so... maybe it was Louis Dempsey
                                                        & Sean Sloan...
mind you... i'd still love to see Samuel Beckett's
             NOT I...

Jack Trades says: i'm about to a heap
of hay of hate...
                                i'm everywhere sometimes...
if it's not music, then its visual arts,
then it's philosophy, then fine literature...
then something "oriental" in thinking...
then its coupling my fetish for Deutsche as:
father to the English zunge...
then it's back east to rummage in some Katakana...

i know why i'm single, Roger Moore remained
a bachelor until his death...
  courteous: as ever as forever always...
i'd be a terrible match-up... i've given pair-bonding
a chance: i can't bemoan why X is not Y...
the sort of men that pair-bond are claustrophilic...
they love the company of a mate...
each time i was ever in a "relationship" i already
had one foot dangling: tapping an imaginary
drum set...
recently i discovered the B-side of the Red Hot Chilli
Peppers... so for me it's a version
of keeping the 20th century alive with
the "dichotomy" of the Rolling Stones vs.
the Beatles... i'm more... R.H.C.P.'s A-sides
of R.H.C.P.'s B-sides?
                                        i'm busy...
                i'm always busy... i don't want to relax...
i want a Turkish barber to suggest that
i need  hot-towel and an arm massage after
my beard is trimmed and... i'm still going to state:
getting a Turk to trim my beard is a close
contender to oral *** from a Turkish *******...

but try finding me that original Latin of Ovid's...
ah! found it! let's see if i can compete with
my own translation... the one i originally read
and the one i found finding the original Latin
were so disparaging...

**** yes! well... there was Ted Hughes writing
about the Crow... poor ******...
should have killed himself: might have competed
with his terribly-wonderful wife of a poet...
i give her that: what noose?
best head in an oven...
and you want a shovel with that?
but this is Ovid... "complaining" about
the death of his lover's parrot...
immediately i jumped to conclusions:
not enough crackers...

(A) the Original:

Psittacus, Eois imitatrix ales ab Indis,
    occidit—exequias ite frequenter, aves!
ite, piae volucres, et plangite pectora pinnis
    et rigido teneras ungue notate genas;
horrida pro maestis lanietur pluma capillis,
    pro longa resonent carmina vestra tuba!
quod scelus Ismarii quereris, Philomela, tyranni,
    expleta est annis ista querela suis;
alitis in rarae miserum devertere funus—
    magna, sed antiqua est causa doloris Itys.
Omnes, quae liquido libratis in aere cursus,
    tu tamen ante alios, turtur amice, dole!
plena fuit vobis omni concordia vita,
    et stetit ad finem longa tenaxque fides.
quod fuit Argolico iuvenis Phoceus Orestae,
    hoc tibi, dum licuit, psittace, turtur erat.
Quid tamen ista fides, quid rari forma coloris,
    quid vox mutandis ingeniosa sonis,
quid iuvat, ut datus es, nostrae placuisse puellae?—
    infelix, avium gloria, nempe iaces!
tu poteras fragiles pinnis hebetare zmaragdos
    tincta gerens rubro Punica rostra croco.
non fuit in terris vocum simulantior ales—
    reddebas blaeso tam bene verba sono!
Raptus es invidia—non tu fera bella movebas;
    garrulus et placidae pacis amator eras.
ecce, coturnices inter sua proelia vivunt;
    forsitan et fiunt inde frequenter ****.
plenus eras minimo, nec prae sermonis amore
    in multos poteras ora vacare cibos.
nux erat esca tibi, causaeque papavera somni,
    pellebatque sitim simplicis umor aquae.
vivit edax vultur ducensque per aera gyros
    miluus et pluviae graculus auctor aquae;
vivit et armiferae cornix invisa Minervae—
    illa quidem saeclis vix moritura novem;
occidit illa loquax humanae vocis imago,
    psittacus, extremo munus ab orbe datum!
optima prima fere manibus rapiuntur avaris;
    inplentur numeris deteriora suis.
tristia Phylacidae Thersites funera vidit,
    iamque cinis vivis fratribus Hector erat.
Quid referam timidae pro te pia vota puellae—
    vota procelloso per mare rapta Noto?
septima lux venit non exhibitura sequentem,
    et stabat vacuo iam tibi Parca colo.
nec tamen ignavo stupuerunt verba palato;
    clamavit moriens lingua: 'Corinna, vale!'
Colle sub Elysio nigra nemus ilice frondet,
    udaque perpetuo gramine terra viret.
siqua fides dubiis, volucrum locus ille piarum
    dicitur, obscenae quo prohibentur aves.
illic innocui late pascuntur olores
    et vivax phoenix, unica semper avis;
explicat ipsa suas ales Iunonia pinnas,
    oscula dat cupido blanda columba mari.
psittacus has inter nemorali sede receptus
    convertit volucres in sua verba pias.
Ossa tegit tumulus—tumulus pro corpore magnus—
    quo lapis exiguus par sibi carmen habet:
"colligor ex ipso dominae placuisse sepulcro;
    ora fuere mihi plus ave docta loqui".

mein gott... in English it reads so smoothly reading
it while listening to Red Hot Chilli Peppers'
B-sides... quixoticelixer...
teatra jam (short)... and then thinking about it...
through to and through Going Li coupled
with trouble in the pub (instrumental version)...

i will never own a car...
              mind you: i already secretely own a house...
if i keep appeasing my mother and my father:
when reality kicks in and they're dead and i'm
project solo... it's not like i'm waiting for the day...
they are hoarders of shoes and screws...
literally... no metaphor...
  on my own: i will have to recycle so much ****
before i will put the house on the market...
and? i never pledged any allegiance to Essex...
England... i have: pledged an allegiance
to the English tongue...
                 but if not the Shetland Islands...
north... "god" send me north! even as far as
Greenland!
                i'm not willing to die in a place where
villages are flaring up in a July heat...

i can't bemoan what i honestly couldn't keep...
i sometimes get mad at my father for being
so submissive to my mother...
i sometimes get so mad at my mother for only
being able to talk about her chronic pains:
i'm alligned with my grandmother
who once said: she's just like your paternal
great-grandmother... every itch and scratch...
it's like writing with chalk on a blackboard...
hey presto! ruptures of the Grand Canyon...
that ******* bollocking of: ooh! ah!
           me? i don't understand people with tattoos...
me? i collect scars...
these two fading ones on my face are a disappointment...
i thought something more pronounced
could be kept from that bicycle-crach Francis Bacon
esque imitation of painting:
   the sort of painting where you can still revel
in brush-strokes being visible...
   because it's not rigid: Renaissance form painting...

now: i can sort of imagine what men couple up...
those who fear being alone...
those not interested in art...
those mostly interested in sport... but not all sport...
just some sports...
sports that they support "passing their lineage"
with according to the cult of football teams...
not all-sports... i.e. not an interest in fencing...
swimming... certainly guys who thought:
wow! tennis is great to watch!
   but squash is so much more fun to play!
cycling... well... if you love cycling per se:
watching other people cycle is a bit: BOO-RING...
what sort of other men get married?
probably those not interested in risque ***
with prostitutes...
ones interested in making money for a woman
to spend...
me? i'm not interested in money...
                       in terms of money:
i'm more likely to spend £30 on a book than
think about a dinner date...
                      
is that...   ??? i'm not even going to ask myself
that question that begins with a buzz-word
and the letters Mmmm... miso...
                             well... what is a boy to do...
figure out what to do with his spare time...
               i don't mind cleaning the house:
who ever said that it's the duty of a woman to keep
the house clean? i like living in a household in order...
i love cooking: it's like chemistry 2.0...
                      give me a bag of Indian spices and i'll
cook up a perfect storm of a curry...
but then again: i'm not work-shy when it comes
to using heavy-duty tools akin to the KANGO...
which... i later found out was a Japanese word for
Chinese in general... or the other way round...
i'd hate to be one of those Phil Collins types of
forgetting how many hands i have
by changing gloves like i might be an octopus...

and when it comes to children?
eh... it's enough for a boy in a buggy in a supermarket
pointing his finger at me as i walk past
making that chimpanzee face of OOH at me...
or a fist-bump with some teenagers at the London
Stadium... that's enough... i'm happy to play
the "secret uncle" role...
while women remain women: as fickle as the wind...
i've learned to live with that reality...
i scratch my beard and pretend that i'm playing
a violin...

plus, i'm a terrible drinker... i'm a loving-drunk...
i'm drunk right now...
if a litre of whiskey per night satisfies
my libido shortages i'm happy:
it implies i can write... i stop drinking and start
*******: alles goot...
                           today i was visited by a wasp...
i was visited by a bee before...
oh man... it was heart-breaking...
he was dying... i had to help him...
   i poured some honey onto the pave-,
and moved him towards the puddle...
he stuck his mighty Gene Simmons sucker out
and started to perform an OD on sugar...
i was glad... watching him die from a sugar-overdose...
it was: rather pleasant to watch...

TERROR! mix JAINISM with TAOISM
and fuse that in an European mind...
               but i'll still eat meat...
                        it's a parody of what's to be expected:
i prefer life with the possibilities of change...
with... curiosities of: extensive ulterior
possibilities that run counter to estblished norms
of expectations of a RIGID MIND...
i water: i flow...
      i fire: i dance...
i air: i whirl...
i earth: i rumble...
i lightning: i blink...
hey presto! the five elements!

in another language close to my heart:
since i was born with it...
the pronoun disappears:
ja woda: płyne
ja ogien: tańcze...
   ja powietrze: kręce się (odd)
ja ziemia: trzęse się (also "odd")
ja grzmot: mrygam

there are languages in existence where pronouns
hide... to be honest...
in ******? the pronouns are rarely used...
oh mein gott... when they're used in a sentence:
esp. the I... it's like... wow! i just found
a "nugget of gold"!
seriously... that how my mother-tongue
is structured: on English is the current
prounoun-circus available to watch...
i'm siding with the Somali pirates having
a giggle... playing blackjack with either Greeks
or some other Africans...

there are languages in English that cannot: will not,
succumb to the current Marxist onslight
happening in this tongue...
not because these languages will not:
they CANNOT...
mind you... it's such an intellectual low-bar
of achievement... but since it's piggy-pop...
it must be slaughtered on an individual level
before this DISEASE is allowed to spread...
thank heavens that English is only my second
language... how that allows me to bypass
buying into any sort of propaganda...
   my lingua Ingelese... my tongue for spreading
ideas...
    oh: and thank **** i' expressing in a medium
desecrated by the same people pushing these
sordid ideas... post-humous fame! 'ere i come!
obviously! who's in it for the "real" and immediate
if one isn't... fabricating a pickling of a shark
in plastic.... who? who?! woof!
   a-woooooo"

            my heart has shrunk and hardened to
the size and hardness of a pebble...
    i wish i could entertain cosy nights with a woman
watching some pointless movie about
the stereotypes of love... then again: no...
i'd rather not...
drinking alone: who the hell said i was alone?
i sometimes "hallucinate" someone crying:
of late... i'm like: this isn't Aud Lang Syne...
this isn't Shakespear...
then again i love the idea that my true readers
are yet to be born...
i'm happy, happy-bear-alone...
                       a Maine **** is sleeping in my
bed... i'll join him come the right hour...
but he's not looking at me... he's looking above me...
only yesterday i started to paparazzi
a wasp that flew into my bedroom...
          what the **** do i have above me?
please say letters... i will not do alright with a halo...
i'm not going to join that
archangel one minute... saint the next...
clip my ******* wings for a get-through-easy
card: no!
          
it became finalized today... i'm literally tired
of ***... i'm tired of *** when it's equivalent to not...
being tired of eating food... drinking water...
it's unnecessarily-necessary... *** as golf...
per say...
                2 months of delay in payment...
i'm thinking about rekindling my affair with that mountain
bike... i have to forget the streets...
i need the woods again... but for that i need new tires...
oh... hell... i no longer have anything
to prove in the brothel... blah blah whatever...
threesomes look great: LOOk...
like a block of cheddar looks great...
when shredded...
and then melting...
perhaps in pornographic flicks...
but in reality? the changing of condoms
from one mouth to another...
from one ****** to another...
                          
what?! peiple are having unprotected ***?
vermin ****?!
   **** me... well... at least i'm obnoxiously savvy
in that regard...
no no... it's too disappointing...
you have to split your attention up...
there's nothing good about a *******...
why? because, usually... of the two girls...
there's one you really want to be a screwdriver to...
while the other is just being a, *******...
a ******* bandwagon... leftovers...
a pair of **** you get to imitate ****** with...
it's a bit like:
coupling an elephant with a giraffe...
but i want to ride the elephant!
but i want to stroke the giraffe's neck!
but  i want to pretend the elephants's tusk...
no! not tusk! TRUNK....
that rectangular bit of ******* you shovel
your clothes in when travelling...
TRUNK... or a TRAMPOLINE!
no... not the bouncy layer...
TRUNK... sneeze! trambone! jazz! ******* Miles Daisies!
Davis!  trumpet *******!
no... don't get me started on the sax...

then again: i want a rhino's horn! ram-jam...
Black Betty Bam B'eh Lam!

- oh no... i moved along... R.H.C.P.'s: thanks for the t-shirt...
Big Bukowski style:
i hate the eagles... run through the jungle...
run Forrest! whun!
WHUN!
  and that's me... hardly a LAMNTIA of the Beatniks
tripping... me? enough whiskey
and the right song... and i'm grooving beside
an imaginary drum-kit...
in that: once upon a time...
when men grew their hair long...
they were the barbarians knocking
on the gates of Rome... rather than being
the implosion of Rome within with
all of Rome's degeneracy of transgender gimmicks...

mind you: i've given it some thought...
i broke it down toward the following schematic:

anonymous audience, commenting,
video making blah blah...
****** "schematic": if you can call it that...
mind you: the VAR in WIETNAM
had the best soundtrack...
just saying: hey! her?! hey! don't shoot
the messanger!
i'd rather work the Fulham opening night
with the new stand: Thames-side being opened
than attend Wembley for a Westwood...
Westworld... Westlife concert,
i'm all up for handling those Scousers:
northern monkeys?
southern fairies...
let's just call them for what they are...
northern TOURISTS...

but the dynamic of publishing has changed:
i already know the criterium first...
women and children first...
THIRST beccause water matters...
i'm thirsty too... one litre of whiskey and
i'm still typing like a machine...
i'll box my liver and kidneys
as long as i keep my brain and eyes happy...

but it's just a different dynamic...
the internet experience...
i know a lot of people miss it...
i can't force people to read my bollocking-riddles...
ergo? i don't stagnate into celebrating it
or therefore advertising it...
i'm either read or i'm STAUB...
   dust...
                
i can't! i'm only making something available...
i can't force people out of their democratic "wedlock"...
you like it? great! you don't? great!
but the psychology of those video creators that
mind how many views they receive and
how many comments they: likewise receive...
"false hits" with the number of hits of viewership?

me? i'm not bothered... i've been watching
the female Euro finals...
i was almost scared... what if the female England team
don't make it to the finals?!
me? i'm gearing up...
any rowdy hooligans up to speed?!
as much as i hate women not trying toi compete
in sports that are sexually-exclusive...
there's this... THIS... i watch the games because
the Colleseum is burning...
i'm only watching the fire...
    and i'm watching the women i'd love to ****...
this never would have happened if watching
tennis...

    the crisp biting attache of a sharpshooter
WONG sort of mixer-mix-up with a whiskey
and a pepssi...
me... reaching for a second glass
with one already filled like: *******... RAINMAN...

keep your horses!
i'm gearing up to a translation!
wait, the, ****, up! keep it cool in Doob-Lyn!
oh no... you don't get to tell me
i use too many vowels without me showing
you... you mishandled the vowel-to-consonant
dynamic... Doob-Lyn is Dublin: tow me...
no: not to me? tow me... now you're dragging me
along the snail-trail...

the disparaging translations:

(B) the A. S. Kline translation

Parrot, the mimic, the winged one from India’s Orient,
is dead – Go, birds, in a flock and follow him to the grave!
Go, pious feathered ones, beat your ******* with your wings
and mark your delicate cheeks with hard talons:
tear out your shaggy plumage, instead of hair, n mourning:
sound out your songs with long piping!
Philomela , mourning the crime of the Thracian tyrant,
the years of your mourning are complete:
divert your lament to the death of a rare bird –
Itys is a great but ancient reason for grief.
All who balance in flight in the flowing air,
and you, above others, his friend the turtle-dove, grieve!
All your lives you were in perfect concord,
and held firm in your faithfulness to the end.
What the youth from Phocis was to Orestes of Argos,
while she could be, Parrot, turtle-dove was to you.
What worth now your loyalty, your rare form and colour,
the clever way you altered the sound of your voice,
what joy in the pleasure given you by our mistress? –
Unhappy one, glory of birds, you’re certainly dead!
You could dim emeralds matched to your fragile feathers,
wearing a beak dyed scarlet spotted with saffron.
No bird on earth could better copy a voice –
or reply so well with words in a lisping tone!
You were snatched by Envy – you who never made war:
you were garrulous and a lover of gentle peace.
Behold, quails live fighting amongst themselves:
perhaps that’s why they frequently reach old age.
Your food was little, compared with your love of talking
you could never free your beak much for eating.
Nuts were his diet, and poppy-seed made him sleep,
and he drove away thirst with simple draughts of water.
Gluttonous vultures may live and kites, tracing spirals
in air, and jackdaws, informants of rain to come:
and the raven detested by armed Minerva lives too –
he whose strength can last out nine generations:
but that loquacious mimic of the human voice,
Parrot, the gift from the end of the earth, is dead
The best are always taken first by greedy hands:
the worse make up a full span of years.
Thersites saw Protesilaus’s sad funeral,
and Hector was ashes while his brothers lived.
Why recall the pious prayers of my frightened girl for you –
prayers that a stormy south wind blew out to sea?
The seventh dawn came with nothing there beyond,
and Fate held an empty spool of thread for you.
Yet still the words from his listless beak astonished:
dying his tongue cried: ‘Corinna, farewell!’
A grove of dark holm oaks leafs beneath an Elysian *****,
the damp earth green with everlasting grass.
If you can believe it, they say there’s a place there
for pious birds, from which ominous ones are barred.
There innocuous swans browse far and wide
and the phoenix lives there, unique immortal bird:
There Juno’s peacock displays his tail-feathers,
and the dove lovingly bills and coos.
Parrot gaining a place among those trees
translates the pious birds in his own words.
A tumulus holds his bones – a tumulus fitting his size –
whose little stone carries lines appropriate for him:
‘His grave holds one who pleased his mistress:
his speech to me was cleverer than other birds’.

(C) the  P. Green translation

parrot, that feathered mimic from India's dawlands,
is dead. come flocking, birds, to his funeral:
come, all you godfearing airborne creatures,
beat ******* with wings,
   mourn, claw your polls, tear out soft feathers
(your hair), and pipe high your sad lament.
Philomela, nightingale, the ancient crimes of Tereus
which you lament is long past -
    divert your grief to the obsequies of a rare and modern
bird: poor Itylus' case was tragic, but antique.
all wind-borne voyagers through the clear empyrean
lament now, and above all his friend the turtle-dove
they lived in complete agreement,
    their bond of faith held firm to the end.
what Pylades was to Orestes or Argos, that Parrot,
turtle-dove was to you - while fate allowed.
yet of no avail your devotion, your rare and beautiful
plumage,
your adaptable mimic's voice;
    not even the care that my darling lavished on you -
poor Polly, paragon of birdhood, is dead.
so gree his feathers, they dimmed the cut emerald;
scarlet his beak, with saffron spots.
no bird on earth could copy a voice more closely
or sound so articulate.
fate, jealous, removed him - that unaggressive creature,
that talktative devotee of peace,
with his tiny appetite , whose love of conversation
left him little leisure for food,
who lived on a diet of nuts, used poppy-seed to encourage
sound sleep: kept his thirst at bay with nothing but water.
quails spend their whole life fighting -
maybe that's how they reach a ripe old age.
carnivorous vultures, kites gyring high in the heavens,
weather-wise jackdaws, prophets of rain to come,
are all long-lived - while Minerva's bête noire, the raven,
can outlast nine generations. yet Parrot is dead,
that loquacious parody of human utterance,, that bonanza
from the eastern edge of the world,
greedy death almost always pickss off the best ones early -
it's the third-raters who reach a ripe old age.
Thersites attended the funeral of Protesilaus;
Hector was ashes while his brothers still lived.
what point is recalling the desperate prayers my sweetheart
uttered?
some stormy sirocco blew them out to sea.
six days he survived, and then, at dawn on the seventh,
his thread of destiny ran out.
yet somehow, though dying, he could still find utterance,
and the last words he ever spoke were: 'Corinna, farewell!'
beneath a hill in Elyium, where dark ilex clussters
and the moist earth is for ever green,
there exists - or so i have heard - the pious fowls' heaven
(all ill-omened predators barred).
harmless swaans roam after foot there, there dwells
the phoenix, that long-lived, ever-solitary bird;
there Juno's peacock spreads out his splendid fantail
amid the billing and cooing of amorous doves;
and there, in this woodland haven, the feathered faithful
welcome Parrot, flock round to hear him talk.
his bones lie buried under a parrot-sized tumulus
with a tiny headstone bearing these words:
r.i.p. Polly: this tribute from his loving mistress:
articulate beyond a common bird

the thought of LEMONS or perhaps
the IDEA of lemon...
then again: i can't refrain from
ORANGES and LIMES...
and the shy-sunlight of autumn
and the blooming of apples...
and operas...
             "someone"...
                              what pretty pies of
unfuckable wonders await...

divert your grief to the obsequeies of a rare and modern
bird: poor Itylus' case was tragic, but antique
(antiquated?).
all wind-borne voyagers through tge clear empyrean
lament nowm abd above all
his friend the turtle-dove, they lived in complete
agreement
   their bond of faith held firm to the end.
what Pylades was to Orestes of Argos, that, Parrot,
turtle-dove was to you - while Fate allowed,

i'm not even going to bother with a "bananna C"...
i woke up wild-awake with ideas...
brimming with Tao...
"non-doing" id est: point PROVEN
or rather point SERVED?!

Russia and China are clashing...
or rather sparring...
they're having their civilization-state
agenda being put in place...
while there's a "culture-war" in the "west"...
right... James Bond...
so we're refrrering to nation-stattes
as post-nationhood...
  "states"...
                    precursors to the globalist agenda
of fake space exploration via the ******* telescope...
if Russia and China are civivilasation-states...
then... whatever culture "war" is investing in:
or rather: digressing into... impliies
the FSA (federal states of america)
             is a culture-state...
                                                ­                 no?

personally? i don't like the current h'American culture...
it's absolute *******...
no! i'm not going to translate any more of Ovid...
i already read the better translation...
i found out only two minites ago that
i prefer drinking to having ***...
and keeping an eye on cats is just as rewarding
as rearing children: if you allow yourself
to give them a personality...

           so Russia is a civilisation-state...
while America is a culture-state...
                    well... no wonder...
                                            America is the zenith
that could be: but doesn't have to be
preserved...
the culture-state-of-the-sand-*******...
i wish: the Arabs clocked in lucky...
sitting on so much raw ill of oil...
bounce bounce libido bounce bounce...

hmm... "inner monologue"... i had that "thing"
once... i kost it... turning psychotic...
then again: within the confines of having
an internal monologue? i was passive...
       i was a passive agent...
                         upon losing it: having my soul
evaporate: becoming an "N.P.C."...
i became an active agent...
i opened my eyes a second time...

           i think my inner monolpogue became blocked
by:
został wyciszony... bo zaczoł być cykliczny,
tzn. nie po prostej:
       wymarł według koncepcji
sprawiedliwości...

even i know: the gods uttered the words:
shut the **** up! we know you're right!
but we're playing roulette!
shut the ******! we're playing cards!
shut up!
wait! wait your turn!
**** me, given the prowess at attaing
a concept of the differential of space comparing
time... i.e. speed... i'll be karma-happy
once i die...

i'm not translating the rest of that Ovid...
a girl's parraot died... great!
now i'm thinking about:
a bicyckle is a terrible idea... to ride...
on the roads towards St. Paul's... i think i might
require a horse!
i need a horse! bring me a hood, a hoof,
an apple and a toothbrush!
the last place i'm thinking about moving
to is California...
   and thank no god for that...
just the people who already live there.

III.

i sooner discovered the rare B-sides of Red Hot Chilli
Peppers than having realised... oh right...
they release two albums after By the Way...
i completely forgot about those two...
               guess i'm not as big a fan as i thought i was...
Go Robot... it's not oh so wo terrible now, or anymore...
oh woah woe... what a whale to ride into the night...

sometimes it just happens, a sort of blend of an Ezrra Pound
and a Charles Olson moment, poem, moment-poem...
it stretches for three days and you just don't want
to finish it... you kept repeating yourself writing seemingly
aimlessly with no focus...
at this point writing becomes theraputic...
by the simple act of writing: not theraputic regarding
what you're writing about: memories of frustration and
complications having finished Thomas Mann's Dr. Faustus...
unlike those joyous frustrations with Samuel Beckett's
Watt...
                  and on the third day "he" finished painting
four metal chairs a new colour of copperhead...
a copperneck painting chairs copperhead...
to me the colour of copper is more appealing than
that of gold...

if i still had that inner-monologue people speak of
i wouldn't be writing this,
that inner-monologue fantasy i once was a proud owner
of: i.e. the closest "thing" to the idea of soul
was also filled with so many doubts...
i simply don't care what the supposed benefits
of it were... that whole no-inner-monologue ergo
one's an NPC (non-playable character)...
    i remember that that when my first psychotic episode
slammed me on a rampage i started to see DIFFERENTLY...
it was as if a veil was lifted from my eyes...
if i didn't write terrible poetry back then...
i most certainly wrote very little...
             the inner-monologue doubts... a plethora of them...
no? psychosis = the osmosis of soul...
   the body has remained... the devils said:
but these idle hands and this idle intellect have to stay...
we'll pass on the message with your soul
as it leaves your body...
call it whatever you want:
   res vanus or the silence of the "mind"...
that's how you become more of an active agent...
it might be called writing but i call it digging...
a tunnel toward some variaton of: marrying Hades
with Tartarus...
                after all... Venus is the daughter of titans...
and she's the only Titan among the Olympian gods:
such is her perfection... almost on par with
   the patron of philosophers that's Sacred Sophia:
who entertains the foolishness of elder men
without being able to tell them apart from boys...

IV. if i were to translate Amores II. XI

would i be willing to add a D in the translation sequence?
i don't think so
there's no need... i like comparing the two i already
made available...
i just wanted to stress how unbelievable Latin is...
compared to the modern tongue, for example English...
how compact it is!
- and course, i prefer the second translation...
     it... exfoliates!
                     this is the point for me where i truly appreciate
Ovid to be on par with Horace...

side by side walking through the zenith-nadir of
man...

   i'm finally come across a sequence of events that
make me unwilling to stop typing: perhaps if i get
drunk enough and stumble on my first typo
perhaps a series of typos would end my ambition...

do i think men in the west are living
in a land of libido-insomnia? i think they are...
whoever said that watching one type of pornogrphy
soon spirals out of control and men start
scouting for more extreme *******:
hello outlier A! hello outlier B!
where's outlier C? oh... he's coming...
at a time when women are supposed to be these
sexually liberated creatures while men
are either STAGS with harems or limp biscuit *****...
thank god i managed to catch the train
of having the ***** of walking into a newsagent
and buying a pornographic magazine to ******* to...
stashed about six in a folder behind
the radiator in the bathroom at 21B Beehive Lane,
Gants Hill...
                         mind you: i started prematurely...
8?
     i switch off with western ****** antics:
people are either having too much ***: ergo the kinks
or not enough of it...
outlier in the middle: when it's too hot
i leave the insects to do their lineage pride...
cooler temperatures: *** like rubbing sand-paper
on a ****** paint-job...

                         makeshift boney **** of the hand...
well: at least ******* makes me more interested in
the **** than **** ***...
but i did the opposite... i need to keep a sack-of-sanity
atop my head...
beside adoring the Katakana...
i very much adore Japanese tamed sexuality...
     グラビア アイドル (gurabia aidoru)...
back in the day when the English tabloid newspaper
the Sun had a page 3 girl...
back to basics... a show of *******...
    a show of cleavage... perhaps even the breast
like the eye... the sclera of the rounded breast...
the darkened skin at the iris and then the pupil
as the ******...
  floral patterns of the *******...
                  back to basics...
                           a photograph of a naked woman
and all the imagination at work: what wouldn't
i want to do with her?

well... if you begin pleasing yourself while concentrating
on the kiss between Venus and Cupid
in one of Bronzino's beauties of paint-strokes...
you're hardly going to go down a rabbit-hole
of "hide and hide": wihtout seeking it out...
people and thier kinks...
while a minority: dodo-project sexuality of
homosexuality is celebrated: garnerded unto the guise
of "pride": i can't stomach shame...
but hey: look at me! i'm about to parade my sexuality
like and ******* latex-clad gimp readied
for being given ***-favour-orders...

outlandish! god-forgiving god-fearing...
  hardly every god-loving...
           a settling in of a blue that's not the sky
but a melancholy... i'm finally willing to end this
"diatribe"... to start afresh... again and again...
like mixing: Dreams of a Samurai with
Hans Zimmer's spectres in the fog...

                      my ***: going back to figuring out
the premature adventures into ***...
one boy passing on the secrets of *******
to another while sharing a bath:
the cruel curiosity of the circumcision:
in a secular environment: without the kippah
or the niqab: the submission of the women...
i will not give up the "sheath" to my "sword"...
i will keep my teeth with my twirling tongue...
if ever an improvement on the aesthetics?
clipping the ears of Dobberman dogs...
banning clipping the clipping of their tails...
but still: the preserved atrocity of male circumcision...
i could agree...
once a woman is devoted to her man...
a circumcision like putting on a wedding ring...
noble swans... oh noble swans...

a melancholy that's sort of azure...
amass enough water and you will see blue...
amass "too little": freeze it...
a paleness somewhat grey...
but then the icebergs roaming that are
the Cistercians...
            all i need right now is for some lonely
dog to start barking into the night...
or the cackling "laughter" of a fox...
    
    but all those sexless lives...
            "lucky" me for taming my consumption down...
where would i be without it?
i didn't ask for a *******...
i wa offered it... i will never forget how she clamoured
for the opportunity...
she couldn't stomach being rejected twice...
she just had to clamour like a crab in a crab bucket...
even if she thought she thought she succeeded:
she was the spare wheel...
what i've learned... i prefer one-on-one interactions...
but i gave in...
   it would have never worked out:
not like it "works out" in pornographic flicks...
the sharing of saliva and other juices...
we're responsible adults...
unlike in the pornographic flicks...
          two women: one man...
the changing of condoms...
                           i had to think quick:
there's only one way i will not be undermined...
snuggling up to the one i really wanted
to spend an hour with...
                       kissing neck and cheek...
while she did a hand-job...
   the other just sat there sort of idle...
                          until i figured out... those *******
could be of some use...

- i couldn't pull off a Jesus look...
long hair and a beard is not my "thing"...
even with a sly undercut...
i chose the better option.... short hair, a beard, yes,
but a "fu manchu": an elongated love-spot...
competing with the length of the beard...
i really "don't understand" why i have no memory
of my chin and neck...
it's like there was never the idea of using
water as a mirror... perhaps poor Xerxes lashed
at the Aegean for hiding his reflection
when he had one of those Narcisstic moments
of anguish: he forgot how he looked like...
but then the sides of the moustasche also drooping:
elongated... that work much better than
a beard and long hair...
it's so unfashionable these days...
i don't get why men think beards and long hair
"work"....

then again i never figured out why Khadira
wanted to have unprotected ***...
  how she insisted that it was just plain o.k.
for me to ******* into her...
how i snapped and dived in into her pandamonium
of multiples springs of irritated ****...
all slobbering with oyster-tongue
and knose...
                               all that informed me...

companionship? what a rare commodity...
it's enough to have a mother to know
how a woman's company can quickly sour
the already sweet grapes...
one word: tell a man he's LAZY...
while he's just tired of being pushed and shoved...
if a mother can do that to a son?
what could a wife do?
                          and i'm come across curiosities of
men who waged wars with their mothers...
at the Tyson Fury boxing match...
i was trying to calm the **** down a guy
who was having a panic attack after being
"abandoned" by his mother...
who bought the tickets... and drinks...
i squeezed him hard... told him: but i'm here for free!
nay! i'm here and getting paid for it!
blah blah...
               i hate seeing panic attacks in men...
it makes me either feel like
more than a man or less of a man...
it makes me think of the men prior
with shell-shocks... or women exploiting
the challenges of p.t.s.d.

                                    i've seen so many people fake
a mental illness... i've spoken at length
to them... how easily open up to their own struggles...
while i'm left alone with whatever ones
i have...
                   maybe because my "mental health issues"
have morphed into philosophical caviats
implies that i'm immune to outright sharing
the details... and boring people to death...
so i listen...
        i listen...
                            in one ear out the other...

i remember days in high school when we would love
to change the subject, create a game:
SLAP-BALL... imitation of Tsar Peter III prior
to tennis... an imitation court... with a fence between us...
or just playing BLACKJACK...
cards... that was big... we understood that ignoring
women was best done with / by playing cards...
at one point: i remember it to this day...
Samuel Richards grabbed Ian Goodman's neck
and pinned him to the floor...
we tried to intervene...
i don't know whether it was about the actual
game of cards or whether it was about
Sam bailing out... he was about to move to France...
and ****** off from pur in-group...
started playing basketball with the black-boys...
forgot he was supposedly the "PUNK" in the school...
i remember skateboarding with him...
he actually stole his mother's credit card and bought
a skateboard for me...
but his ******* MOHICAN was ****...
it didn't entertain the entire length of his skull
meeting his spine...
but we did walk back from Romford
toward Ilford this one night...
underage drinking... singing Backstreet Boys songs...

ha ha...
         time is a museum of melancholy...
while space is a museum of furthering whatever is left
of leftover potential...

i'm so despondent about this life having to end...
today i cycled up to the traffic lights
on my ******... ******?! £125 viking road bike... say the word
****** one more time... what was i facing?
a solitary man in an Aston Martin...
behind him? some solitary guy in a Porsche...
right... "alphas"...
i'm on my bicycle... but these two guys
in those choicest of motor-examples?
that's the thing with "competing" in life rather than
sport...
     i like my bicycle... i love my bicycle...
i am yet to wash away the blood from my head
from the crash...
i don't have a broken leg: i just have an outgrowth of bone
on my shin where my bone should have cracked:
i love milk...

competing with these men... **** me...
i was thinking about the Porsche guy...
nice game... but it's not playing cards...
i taart myself up: compete...
what do i get? i get a Porsche...
     but then ahead of me there's this guy
in an Aston Martin: mate! i'm ******!
oh blue blue Hue... the Aston Martin looked like
the bomb that is already was...
the Porsche? the Porsche looked like
a ******* Ford Mondeo by comparison...
Civic Extra... if that's even a car...
i was sort of happy to by cycling...
i figured... well: i'm not using my legs...
to walk... i'm peddling...

ever heard the expression "push-bike"?
i heard that only recently... what a werid coupling
of words... a motorcycle is distinguished from
a a bicycle by the term: "push-bike"
this half-brain-dead coworker...
what the **** am i pushing?!
it's just as weird as calling it a peddling-bicycle, no?
eh?
but what am i pushing? a bicycle is a bicycle
a turtle is a turtle... i still have to figure out
what's being pushed...
what comes first? the donkey, the carrot, or the stick?!

mawn the lawn: sieve the sand...
mawn the lawn: sieve the sand...
keep nurturing the spacing between numbers
but also keep lost track of the alphebticaal
queue...
never the type to rehash a refurbishment
of SPAWN...

           i simply don't want this day-dream to end...
around me people cowering into sleep...
i'm left in limbo...
            between consetllations and the scythe
of the moon... dearest: moooooon...
i'm itching to break the silence with a howl...
but first: the thirst of a dog barking...
i hear a dog barking i'll start to howl!

aren't we simply becoming the same
tired people of old?
              more impetus...
more gravity! more fire! more tides!
more the quaking of the earth!
more whirlwinds! more! more!
one Pompeii is not enough!

                       almost one litre of whiskey
into the session and i'm sober-tense...
i'm starting to think that entertaining
hell is not a bad "gimmick"...
                  there's the imaginary hell-crowd
and there' some also doubly-imaginary
crowd of people that yet to be bound to imitation-migration
focus...
           next time you ask me:
i'd rather be eating ice: crunching on
ice than drinking water...
i want to burn my tongue...
licking ice...l i want to burn my tongue
licking ice: but first i want to be dipping
it in coridnader-cumin-chilli-turmeric mix-up
of spiders...

i want to first bruise my knees before
i lick them clean...
i want the strict juices of: not tomatoes?
red is red: ergo blood is blood...
vulture ****...
there's an open window:
there's an evaporating night too...

best refrain: 6 by 6s refrain on 9s...
since? there's plenty of 0s / oopses...
by this "flesh and blood"...
i heave this sand and timer
like: i was sadly woken up with
an inheritance of salt...
boiling blue bloods and boiling gravy...
a smile that reads: clenched teeth...
a smile so awkward that
it make^ a parrot think twice about
imitating human speech.

^a notable typo, i think i might require an editor
(insert a snigger); two alternatives:
1. it might make a parrot think twice,
2. a smile so awkward that it makes a parrot think twince...
all depending on the tense.

Something about being 151 miles from home
walking around barefoot all day
in Golden Gate Park, San Francisco, California
wearing a vest and some black cotton pants,
drinking good Cabernet and lots of water,
eating homemade pasta salad and chicken sandwiches,
in the early-Autumn Summer-esque temperatures,
the third day of the 2013 Hardly Strictly Bluegrass Festival,
witnessing Gogol Bordello and The Devil Makes Three,
with my great Friends, and also Roomates, Abdul and his Wife,
and their friend and her 20 month old Son
makes me feel sort of ... *****.

Funny how that works;
Unprotected feet on very Public grounds
Unprotected feet on verily treded grounds;
Going barefoot is nice, though.

(Except the ******* sidewalks, incidentally.
Even the streets are nicer to walk on barefoot. Even pineneedles!
I am disappointed, San Francisco! I thought you were on the side of the hippies!)

If anything was learned from the Sixties,
it's that unprotected anything
in San Francisco
is easily a hazard.
-
Now, that was a ******* amazing day.
Now; to the shower and then directly the **** to bed!
Away!

A burden is the depression settling in around you like a rain cloud over only your head.
Walking from place to place soaking wet from the storm.
You are cold, you are sick, you are not okay.

2. A burden is the anxiety shaking your body until you feel like you might burst at the seams.
People can see that your hands won't stay still, and they stare.
You are trembling, you are scared, you are not okay.

3. A burden is the rumors your "best friend" has spread around the whole freshman class.
Secrets exposed to people you don't even know.
You are found out, you are alone, you are not okay.

4. A burden is the thought of suicide bouncing around your head.
The thought of death so good, yet so bad.
You are confused, you are conflicted, you are not okay.

5. A burden is reaching out for help and being punished.
No longer allowed to talk to those they told you would help.
You are lost, you are unprotected, you are not okay.

6. A burden is not a student who has experienced 1-5.
A  student who yearns so much to get better, and just keeps getting pushed down.
A student who is terrified, who is lonely, who is not okay

7. You called yourself a mental health professional.
But 8. would never deal with this student yourself.
and 9. called her a burden to the entire campus.

But the campus is unaffected, the campus is stable, and the campus is okay.

So did you mean the campus would be better off without me?

Or that you would?

My unprotected heart
Limply falls out of its chest
Loses its way down the left arm and
Slips right out of my sleeve
Rolling right past my cuff, my open palm, my fingernails
No time to catch it, no room hide it in my skinny wrist.
No time to take it back, to swallow the incredible lump of tears swelling…
There it spills. Pumping blood into cracks and crevices on the unfinished table.

My unprotected heart
Cold and birthed
Lays there beside the elephant in the room
Gathering slivers and stains
Too scared to move, too weak to breath
The room gets a good look.
A car wreck, gazes glued to the scene.
So many gazes…
Unprotected, it is dissected.
Focused and scrutinized
It is analyzed
Thoughts like a string of pearls so perfectly placed
The perfect calculation for my imperfect equation
Lab work is drawn up.
My heart becomes the experiment.
Attention in humiliation like a trip on the sidewalk, a
Stumble on the road.
My unprotected heart undergoes surgery

Open on the table
It cries out to be back in its cage.

Beauty out in the open, light falls on linoleum tiles like heel-worn stones
Windows to a sunny world sit at the end of locker-lined tunnels, beckoning beyond fluorescent mazes
Clotted with conversation, upperclassmen stroll like the elderly
Young blood doge or cling to the sides, scared of the critical runway that is us

Windows to a sunny world sit at the end of locker-lined tunnels, beckoning beyond fluorescent mazes
Eyes from all sides, thinking nothing yet are supplied by our own thoughts
Young blood doge or cling to the sides, scared of the critical runway that is us
Finding refuge in educational terrariums, an ecosystem that saves me from the weight

Eyes from all sides, thinking nothing yet are supplied by our own thoughts
Finding solace in stairwells, sealed off by doors and hold awkward opportunities
Finding refuge in educational terrariums, an ecosystem that saves me from the weight
Clanging like a child’s cry releases stress like floodgates, another trip into the shark tank

Finding solace in stairwells, sealed off by doors and hold awkward opportunities
Open doors that are actually closed; they are like aquariums – no tapping on the glass please.
Clanging like a child’s cry releases stress like floodgates, another trip into the shark tank
The longer I stay the more I wish to leave, away from substituted confrontations


Open doors that are actually closed; they are like aquariums – no tapping on the glass please.
Prejudice like heavy rain beats at my skin and soaks my clothes - but I know it was I who brought the downpour
The longer I stay the more I wish to leave, away from substituted confrontations
Must comparisons be so obvious when I walk alone, unprotected? They are lucky to have such equals to act as parents; they hold each other’s hands to keep from drowning

Prejudice like heavy rain beats at my skin and soaks my clothes – but I know it was I who brought the downpour
They pull like vultures at flesh; I am not allowed to wrap myself in hurricanes while out in the open
Must comparisons be so obvious when I walk alone, unprotected? They are lucky to have such equals to act as parents; they hold each other’s hands to keep from drowning
Ignorance is bliss, they say, and truth that is here – the less you know the less hate you bear the weight of.

They pull like vultures at flesh; I am not allowed to wrap myself in hurricanes while out in the open
Look down, one foot – and then the other!
Ignorance is bliss they say, and truth that is here – the less you know the less hate you bear the weight of.
Anger and sadness, guilt and fear turn like Viewmaster slides lit up by the sun

Or am I on my own here? Each boy's path runs along each other like long-exposure stars, leaving streaks between the darkness.

To impregnate a women, you have to feel the horn
Being soft is not much good, or if your ***** is worn
Many men they want a ****, but don't want babies born
It's best to avoid men like Boyd, because he's low on corn

If you have unprotected ***, and your cocktails on the prawn
Then pregnancy is immanent, unless a line is drawn
Wearing a sheaf is sensible, that's if it isn't torn
Make sure your rubbers in one piece, or watch some ******* ****

****** stimulation can be achieved, when there is a certain need
You soon had some excuses, when your rubber tore at speed
There's no need to lie, because it's just for your own greed
Suddenly your low on ***** after you had your ****** feed

You didn't mind your pleasure, when you layed and did the deed
Some consequences matter, when you know where things may lead
No mention of low ***** counts, you came and spread your seed
Pregnancies have happened, because low ***** counts can still breed

Hay now Boyd I wonder how, your ***** count is so low ?
It seems to me your capable, but you don't want to know
If you can break a ******, then it just goes to show
The only thing you can count, is a free cash money flow

Counting *****'s not easy, was it sitting in a row
Low ***** count is an excuse, for just another ***
Responsibility is not your thing, you want to ***** and go
You don't care you've had your ***, instead of going slow

Avoid Boyd because I think, his low count is a lie
It can get through rubber sheafs, and it doesn't even try
Destroying morning after pills, it looks like his counts sky high
His Low count cant be so low, to kiss pregnancy goodbye

He's implied the kids not his, its enough to make you cry
It didn't bother him before, when he layed in the pie
Now that pregnancies occurred, he's now done up his fly
Suddenly his ***** is low, and that's the reason why

Isn't Boyd just a boy, but with an added D
The laziness of proper names, at least to a degree
What's his parent's thinking of, are they completely of their tree
What's wrong with naming a boy, ben or pete or lee

Is it a bit like catchphrase, where you say what you see
Was there born a baby boy, holding brook bond tea
I don't think Boyd is a real name, but you may disagree
A better name I could supply, and I wouldn't charge a fee

Poor old Boyd his ***** is low, they must be quite annoyed
Their waiting for orders to go, but now there unemployed
Most of them are killed off, and the rest just get destroyed
Not one of those *****'s hanging high, unlike Harold Lloyd

He's claiming that his count is low, he must be paranoid
******* that rips rubber, that's some ***** you should avoid
Combating morning after pills, once his ***** has been deployed
If you value your own dignity, for **** sake avoid Boyd

I sit here alone
wondering where my life is
where it all went wrong
despair haunts me
how I got involved
why I lost what love is

The days go on
just one at a time
waiting for the
goodbye to all the anxiety
to anger with myself
for surely I have suffered enough
through all these months

left unprotected
so lost
lost by your embrace
haunted by your words
I search around everywhere
for the passion and hopes of life
searching for the day chaos
no longer in my head
perhaps I won't feel so lost

I feel I am finding my way

Then

I want to scream..all I want to do is scream
I want my anger to go away
but its like a blazing flame
I want my despair to leave me
but I am drowning in pain
I want my sanity back
but I don't know where to find it

My name is *** and I have no friend, I infect unborn during labor and infents during breastfeeding ,teenage s during unprotected ***,adults with multiple partners, I don't choose colours.

I infect whites,blacks,coloured and Indian,people call me names,like 3 series, magama mathathu,koloi ya eliya,go slowly and I have no problem because I have one friend which is death,you fail to use my enermy ******,my friend will attack you.

please young generation upstain for I have no mercy,adults be faithful because I will pass like a chameleon and once I reach you,you will point your finger to witches and while doing that,you will be on the grave unknown.

get tested and stay loyal,me hlv my high point is ***** or viginal fluid so be careful little mistake I will get there and hide there till I end all off your immune system or in an easy way your white blood cells.

to win me is to condomise,be faithful, abstain or do it your self that's musterbation, wear gloves when helping any one because you may never know where I am hiding.

if you already have me talk to your health professionals ,if not I will finish you without knowledge, because I am a bio slim and I am in love with your blood.

to win me test before is too late because I will take you into your bed as you took that partner of yours and to me is gonna be hard to be awake.

books written by men, for men, while only read by women... that's sexist mon... books written by men should also be read by men, not some sexist housewives... hence the dire need for househusbands, and stopping sexism against these men as bending over and needing a ***** pucker.*

you hear of it: oh ****, so much of woman
in everything pro contra wom-ah...
  she just said it was weird that a guy
wanted to **** her her on her period,
thankfully this time round she mentioned
mr. rubber, and doing  it in the bathroom...
   because, "apparently"
a lot of guys found it
disgusting... then she said: take the rubber
off, let's make a baby! oh right,
heliums around us? no? ****...
     what's become disgusting
is yet another question of: huh?
        you can do unprotected ***,
but when it comes
to some sort of "emotion":
say hello to ms. ****-buddy-****-forever...
ah, but she's a rich *****...
     has a prior boyfriend in the russian
defence etc., and has a st. petersburg
     apartment... it's not like she's poor...
hence me waiting for a bolshevik defence
to hand the **** and ****-loader
unto the guillotine...
        come on, the guillotine is,
to be honest, a rather civilised method
of execution...
       better than hanging...
    with a gamble of: high enough
to break a neck, or low enough to dangle and
choke on the suffocating ooze of state sponsored
monday...
           i never thought
the guillotine was brutal,
    i always thought the guillotine was
humane in comparison to the practice of hanging,
or decapitation with a blunt axe...
  sorry...
    but at least there was some humanity
worth engrossing oneself in a faking of an escape:
to prove the point of the spirit of propagandism,
i.e. default "failure",
           or rather failure via "default" -
at least there was an attempt that required
a failure to prove its success in being a failure...
let's applause!
      shame to see such "loss of interest" in terms
of spelling...
   when so much can be given in
the aggravated form,
some say charlie wished di, the fate current
for ***** and harriet as now prescribed..
                who the hell asks for writing to
be akin to an i.k.e.a. manual?
most probably a pseudo-irishman...
             i can't believe some people want to write
an an i.k.e.a. manual....
                 and never have the imagination
to invoke a chance for nuance, suspicion,
or a "fictional" monochromatic "bias" of
q. vs. a., as is usually the case;
it's rather abhorring to be demanded
             an i.k.e.a.. form of narrative,
without a necessary imperfection that's necessarily
perfected...
                     having a plan breeds actors,
not having a plan breeds characters,
  which also means that by being
discouraging of characters, the narrators can
unshackle himself from the narrative role...
well, sure, great, women first,
i am pro matriarchy, but can i be the first,
officially recognised and respected
house-husband?!
                  no? guess not.
                       that's sexism!
                        why can't i be a househusband?!    
why are you being sexist?! we don't you
like coal-mining?! you're being sexist!
sexist! sexist! why can't men be househusbands?!
******* sexist feminists.

I sit in the sun room, I am shaded for the sun
is only newly risen, low slung, just above the horizon,
behind me, over my shoulder, early morn warm

Slivers of sun rays yellow highlight the wild green lawn,
freshly nourished by torrential rains of the prior eve

The wind gusts are residuals, memoirs of the hurricane
that came for a peripheral visit, your unwanted cousin Earl,
in town for the day, too bad your schedule
is fully booked, but he keeps raining on you,
staying on the phone for so long, that the goodbye,
go away, hang up relief is palpable

The oak trees are top heavy with leaves frothy like a new cappuccino,
the leaves resist the sun slivers, guarding the grass
from browning out, by knocking the rookie rays to and fro,
just for now, just for a few minutes more,
it is advantage trees, for they stand taller in the sky
than the youthful teenage yellow ball

I sit in the sun room buffered from nature's battles external,
by white lace curtains which are the hallmark
of all that is fine in Western Civilization,

and my thoughts drift to suicide.

I have sat in the sun room of my mind, unprotected.
with front row seats, first hand witness to a battle unceasing

Such that my investigations, my travails along the boundary line
between internal madness and infernal relief from mental pain
so crippling, is such that you recall begging for cancer or Aids

Such that my investigations, my travails along the sanity boundary
are substantive, modestly put, not inconsiderable

Point your finger at me, demanding like every
needy neurotic moderne, reassurance total,
proof negative in this instance, of relevant expertise!

Tell us you bona fides, what is your knowing in these matters?

Show us the wrist scars, evidential,
prove to us your "hands on" experiential!

True, true, I am without demonstrable proofs
of the first hand, my resume is absent of
razors and pills, poisons and daredevil spills,
guns, knives, utensils purposed for taking lives

Here are my truths, here are my sums

If the numerator is the minutes spent resisting the promised relief
of the East River currents from the crushing loneliness that
consumed my every waking second of every night of my years of despair
                           divided by
a denominator that is my unitary, solitary name,
then my fraction, my remainder, is greater than one,
the one step away from supposed salvation...

Yet, here I am sitting in the sun room buffered from
nature's battles by white lace curtains which are the hallmark
of all that is fine in Western Civilization

I am a survivor of mine own World War III,
carnaged battlefields, where white lace curtains,
were not buffers but dividers tween mis en scenes,
variegated veins of colored nightmares, reenactments of
death heroics worthy of Shakespeare

Did I lack for courage?
Was my fear/despair ratio insufficient?

These are questions for which the answers matter only to me,
tho the questions are fair ones, my unsolicited ******,
they are not the ones for which I herein write,
for they no longer have relevance, meaning or validity,
for yours truly

I write poetry by command, by request, good or bad,
this one is a bequest to myself, and also a sidecar for an old friend,
who asked in passing to write what I know of suicide,
unaware that the damage of hurricanes is not always
visible to the naked heart

These hands, that type these words are the resume of a life
resumed,
life line remains scarred, but after an inter-mission, after an inter-diction, an inter-re-invention
in a play where I was an actor who could not speak
but knew every line, I am now the approving audience too...

But I speak now and I say this:

There are natural toxins in us all,
if you wish to understand the whys, the reasons,
of the nearness of taking/giving away what belongs to you,
do your own sums, admit your own truths
query not the lives of others, approach the mirror...

If you want to understand suicide,
no need to phone a friend, ask the expert,
ask yourself, parse the curtains of the
sun room and admit, that you do understand,
that you once swung one leg over the roof,
gauged the currents speed and direction,
went deep sea fishing without rod or reel
and you recall it all too well, for you did the math
and here I am, tho the tug ne'er fully disappears,
here I am, here I am writing to you,
as I sit in the sun room.

Memorial Day, 2011

I rub my skin raw because of the way your desire scarred its way across my unwilling flesh. You were selfish, you are selfish. You are greed in a human body, and I am paying for it. Triggered by another man the same as you, who put his hands around my neck and seemed confused by the concept of a woman not wanting him. Who quickly decided he didn't care either way, and that I could get him off "willingly" by my own method or be forced in ways I would not survive. There is no such thing as yes when no is taken from you, when you have a choice between two evils and you choose the one you think you can live through. When silence answers questions and "I don't want to do this" is ignored because his **** means more than the choices of the person he's trying to force himself on. That is no man, that is a monster dressed as a high school student pretending consent can be forced. Because you made me decide between you ****** me unprotected or getting you off with something else, and I chose the one I thought I could live with, that wouldn't result in an unwanted life growing inside an unwilling body, a body that wasn't willing at conception and who would probably make the choice to end its budding inside of her before having her rapists child. Because you triggered memories of coercion with your threats, because you made it happen again and afterwards had the ******* nerve to get me some ******* grape juice and hand it to me ******* ******* pouting because I "looked like I hated every minute of that" and you "didn't even get to **** so it wasn't even worth it." Because coercing me into ****** activities under threat of unprotected **** apparently wasn't worth it because you didn't get to **** me, because me telling you no and saying I didn't want to until you got so fed up you wrapped your hands around my neck and squeezed annoyed you. Because you put your **** over my free will, over me as a human being. And I get to suffer because of it. You made me a survivor twice over and you smile at me in the hallways like you're somehow still my friend.

The Miner, Absolom
(a haibun)


green hill where sheep graze
white bones and coal, buried, held
seasons all the same
  
My grandfather worked in the mines from age thirteen to seventy. His life was closed in by mountains, the green one at the back, the dark looming one at the front and the pit head along the valley., winding the men in and out of the shaft, day after day, dawn until dusk when they came home singing  

boots ring on the road
deep valley voices echo
backyard starlit smoke

.
They worked on their bellies or crouched, often in water for days, water that undermines rock. Shaft collapses where frequent. Life was cheap. He came home covered in coal dust to his wife and two sons, sons he was determined to keep out of the mines. Yet he loved that coal - coal that he always polished with care before lighting a fire, brushing dust off black diamond surfaces.

water breaks through rock
with wood and straining shoulders
man becomes the beam

He saved twenty lives that day, men he had known from boyhood. When his lungs were affected they laid him off, no pay, no pension, no life. He bought an insurance book with the money he had and every day he trudged over the mountains and valleys gathering pennies that would help to secure some livelihood to the widows who lost their men in the mines. He never told his wife that when a family couldn't pay he put the pennies in for them rather than leave them unprotected.

winter, summer, fall
the mountain hangs over all
tired to the backbone

When the mines were nationalised my grandfather went straight back to the coal face despite his age. He wasn't going to miss those days of glory. Safety was suddenly the watchword and changes were made very fast. Hot showers were installed at the pit head and the miners came home clean at last.

men stripped to the skin
hot water, steam, baptised
brothers singing hymns

Then out of nowhere and at once, the voice stopped.
No lingering feeling of self hate
The questions
The pondering
It all came to a halt
A thing that’s been with me all these years
Came to an abrupt end
Not bitter
Not sweet
Just end
An ending i’ve been hoping, but not waiting on
I didn’t know that there was such a thing
As an end to it

A blabbering, mumbling sorrow of self pity
Or just a mere convenience of a lexicon with words to degrade myself
A daily reminder of how worthless I was
So I would’ve never forgotten my reason
A reason never explained
Never cared for
With a reach of a sovereign hand I touch the notes
Floundering through the air
Playing a floating piano
“A river flows in you”
Caring for unprotected skin

I was waiting for a different ending
An abrupt ending, not like this one
Fingernails not bitten off bleeding
A curious feeling of relentlessness
Not used to the feeling of not being alone

It all came to a halt
A voice that’s been with me for years
A sadness of emptiness is nowhere to be found
A clue to a healthy mind
Maybe a fear of what could’ve been if not the voice left
A sort of trembling worry of who to now complain when I do wrong
An understatement of falling leaves from my tree

I know my family will be glad
Even though I haven’t ever told them bout the pain I contain
Who to be worthy shall never pass
Through my gates of hell
No one is worthy of that pain
Maybe not even me?

I think this was and end worth waiting for

I'm finally home, I thought I'd be happy
I get to sleep in my own bed and finally take a long shower
I get to see my best friend tomorrow
I get to see him

Yet I still feel like this..?
All those feelings from the course of five days unleashed.
I don't have the protection of sharing a room.
Now it's just me and the walls of my mind.
The walls that not only keep other away-

But they lock me out as well. What's in there?
I wonder.

I wonder...

I was written off before I was born. My mother didn't want me. I was a mistake. An accident like black coffee spilled on suit. I became a stain that couldn't be wash. I felt the neglect in the womb. I was all alone. But I born and raised well by the woman who I thought considered me accidental. She wasn't ashamed of me. She was frighten that she couldn't protect me. And here I am dead in the streets by the police who couldn't protect me either.

Your arctic blue eyes
Light my heart on fire
Your cold flames of ice
Burn me
Yet I only feel a slight chill
As my heart erupts into electric blue flames

Your frost-bound lips brush against mine
And my frostbitten heart
Melts
But freezes again as they leave
And forms a shell as hard as stone
And as cold as ice

Yet you leave me
Cold and unprotected
The turquoise embers still smoldering
Maybe I should fight ice with ice
But your hypnotizing gaze
Pierces into my soul and ignites it once more

The world bows to my will and power
But do you?
I am invincible from everything
But from your soul of ice
Your cold flames
And your arctic blue eyes

If I could subjugate the seasons, and bend them full,
Unto my will, then I would make them playthings…
Like pretty maids, all in a row; and all I hate I’d cull.
Of old, I held esteem higher than bards and kings…
When the sickles fell in the corn, as the fire did roar,
The wicker man died, to the druids’ mystical chants.
I was there and in my honor the maidens sang more,
As the blood of the wicked watered growing plants!
My symbol was the ram, the horned beast of Hades,
And I am the wolf that runs wild, amongst the flocks.
My holy temple lies in the realm of the palest shades,
Cast low, yet rising ever higher from infernal rocks…
From such places have I climbed seeking my justice!
Elfin queens have donned the black courtesan gown,
And danced before my throne as many a mistress…
Their grace enhanced, by silvery slippers and crown.
I was the serpent Saint Patrick cast from out of Eire!
The children of Dana spoke of me only in whisper…
Whilst their mother kept tended, for me, a secret fire.
Only she could touch it without one burn or blister…
But her traditions are now the stuff of forgotten myth.
The gods have laid me low, seeking to humble pious,
A spirit wilder than the forest when cloaked in mists!
Though I bow to no tyranny; as a god, I was jealous.
As a man I am lonely and angry at the evils I behold,
Hungry for love and thirsty for what peace I can find.
In the name of desire, I rage until Hell’s fire is cold…
Look beyond my flesh, and do not in hubris be blind.
Know me by my words and know my love is honest,
I offer up my darkness with my light to here confess!

Descent I: The Spire of the Eye

(No heresy of Babylon, was ever so honest…
As that which captured my soul, in conquest.)

To love me, you must take my hand and so enter…
The hidden places, where not just good is centered,
But also evil the like of which you knew not I kept.
If you can understand, sweet dreams blissfully slept,
Then mayhap you can bear the nightmares’ sting…
And when all is so done, more of love we shall sing!
I am the darkness, the eye watching from the spire,
The one you deny, the embodiment of your desires.
I am the shadow, the faces in your mirror’s pane…
The one you fear, as you enter a nightmare domain!
Welcome to my paradise, let me offer you an apple,
As I send you to the Abyss on a steed lithely supple.
Behold the gardens where my kin wait to be free…
The roses there grow reddest, all from infernal seed.
I can lead you beyond the fire, if you take my hand,
For you are but a stranger, in my own strange land!
Behold the desolation, caused by the sins of man…
Would I punish humanity for it, if not for divine ban?
Nay, I am not God nor could I ever be one so aloof.
When I see the innocents who perish in disasters…
I weep for the children the most and I ask for proof,
That God cares for any soul, either here or hereafter.
Do you say wickedness lives, in the hearts of some?
I see it even on high, and wish it could be overcome.
But then somebody hurts me and I cannot forgive…
And in that hour I know why God can be full of fury.
Some pains are too much, to endure and saintly live,
I too was a child, and not a one wept for my worry!
Is my pity a service, to those who cannot be saved?
The answer is in no scripture, or on altars engraved.

Let me look into your eyes so that I might wonder,
Whilst you gaze into my own to behold the thunder!
Let us shake the heavens, until they are darkened…
Whilst those that slumber, below, violently awaken!

Descent II: The Feast of the Fallen

(No heresy of Atlantis, was ever quite blest…
As that which, here, has been shown interest.)

Behold the table I have set out for one great feast…
The wraith-maids come to dance in gowns creased,
By night-threads woven by the spiders of the pits…
As screams of the ******, provide a song most fit!
You ask, why God would create a domain like this,
A twisted realm of mad passions: and madder bliss?
It was the creation of the darkest dreams of angels,
And gods fallen, who found a home within the hells.
Where the elfin kin were remade into a dark image,
In a time lost to all history, unrecorded by any sage.
When love is denied me, I am a prisoner of the ice,
Which sweeps across my heart by sorrow’s device.
Fire and ice lie before you, within my soul reflected,
The origin of this nightmare you dream unprotected!
Do you feel the chill that I kept from all who’d pry?
Now you know how awful is loneliness, and why…
To bear it any longer would be verily to lose myself.
Far better is companionship, for the spiritual health!
Oh the irony of the ignorant who called me maker…
Knowing not, the blasphemy to which they commit!
Woe unto the repast prepared for them by a baker,
Who serves them the poisons to which they submit!
Only love can provide release that passion can seal.
Awaken me from my nightmare, with a love so real!
Black webs stretch across gulfs where vultures soar,
And I know how terrible goodness can be, unveiled.
For there is a terrible righteousness at Hell’s door…
Hotter than the sun over the waves man once sailed!
More terror lies in light too bright for eyes to handle,
Than the dimly flickering fires of one lit black candle.

What reflects in a mirror, naught but flesh opposed,
Is less real than midnight’s embrace, hotly imposed!
What you see in my face, only a tiny facet of a form,
Is something primal and untamed as a raging storm!

Descent III: The Light of the Dawn

(No heresy of Gnosis, which many did contest,
Was ever so revealing as what I’ve addressed.)

In a ziggurat in the center of an Eden grown so wild,
Sits enthroned, the dawn star in the form of a child…
Her power undaunted, despite her unassuming form!
For the heart is the domain, of the angel of the morn.
She is the light in the darkness that I have described,
Her soul is the flame, from which sinners would hide.
Would you sacrifice your wickedness unto her now?
Only light can forgive darkness, by grace endowed!
The banner of a ****** cross on white, unashamed,
Flies from that temple I share, with she I just named.
How many died beneath it, in the days of the sword?
What lies were men told, that evil was God’s word!
Armor is heavy, when the cause of arms is not just…
It shines less brightly, when bloodshed makes it rust.
You were not there when I knelt and wept, faithless,
Abandoning God, and lusting for a kinder mistress…
But if you would love me, you must know its’ cause!
For love I ****** myself, and did so without pause.
Through Sophia, and the child angel, God illustrated,
Unto me, the depth of the mercy I doubted did exist.
Oh Sophia, first mother of mine, how oft I hesitated,
Blind to the grace that, within us all, does so persist!
Just as in grief Athena gave herself unto tragic death,
I gave myself unto the night, for I had not a thing left.
There are sights that cannot be unseen by inner mind,
And there are sensations that cannot be taken away!
Tear away the outer garment and there you can find,
All that man is truly clad in, hidden from light of day!
To the left hand is the path: to the right hand of glory,
It is the winding way I took, throughout my life story.

Let me show you the glories of the hour of witching,
When a single tear can break one’s spirit, twitching!
Let me take you to the ball where the undead dance,
Where the dire ravens gather and the satyrs prance!

Descent IV: The Madness of Love

(No heresy of Cain, which was silenced to rest,
Was ever so damning as what I just confessed.)

For love, a brother’s very blood would I so give up.
I would heat it like a tea and pour it in a golden cup!
For love, my very flesh would I scourge, and scar…
I would offer my pain to every god to bottle in a jar!
For love, all of the earth would I conquer: lay waste.
I would build it anew, all its’ fresher delights to taste!
All of these wicked deeds would I do for one I love,
But I would never forsake her, not for angels above!
We have all had the frightful thoughts rise, unbidden,
Of which these are but a sample, of what lies hidden.
Am I good because I did not commit such mad acts?
No, for the thoughts were still mine, sharp as an axe!
To know there is evil within us is wisdom of a sort…
It means good is within to define it, granting comfort.
Once was I a god, but fell because of the inner dark,
Growing jealous and wanton, until I would not hark!
Love redeemed me before, and it can do so again…
If you love me you can, with a kiss, my torment end.
I am not a beast for awaiting beauty’s loving bounty,
Though all who live have within them a true monster.
People misunderstand much, and oft speak contrary,
Seeing not the raven until it flies up under their rafter.
Be a goddess in mortal flesh, and share my throne…
So life can be a dream, beyond mere flesh and bone.
Perhaps one must sin to know salvation’s soft touch,
Making the blessed into hedonists hungry for feeling.
I have known ambrosial delights far beyond all such,
Not by denial but by an embrace that left me reeling!
It is man, who first called me the Prince of Darkness,
Even though, of old, no such title did I once possess.

What sacrifices, as are offered: to redeem the fallen,
Cannot bring them salvation as a flower gives pollen!
What boon you grant, must be for only we to enjoy,
Cannily breaching my soul like the gates of old Troy!

Descent V: The Paradise of Perdition

(No heresy of Lucifer, with a rebellious zest…
Could shine so brightly, from east unto west.)

Trapped in memories, and tormented by my visions,
I’ll struggle ever onward making the only decisions…
Which ever my destiny allowed me freedom to bear.
If you are lost in my nightmare you had best beware!
No one can save you if you hold not love most dear,
And cannot endure darkness to conquer your fear…
For terrible is the beauty of the paradise of perdition.
But I would rather be bound there, than by tradition!
There is freedom in darkness and light there aplenty,
Not tainted by those who sold their faith, for money.
If fallen I am, at least in one way I am still redeemed:
Ever was I honest, and by me no one was deceived.
My sins have been great, and I reveled in them all…
This is where they dwell, amidst the flowers ever tall.
You have seen the surface of my darkness laid bare,
Walking in the wastelands where few would so dare.
If you love me, we can make the desolations bloom,
Build a heaven in our hell and let light replace gloom!
Joy is hedonistic, but modern man dulls it insensibly.
So why not partake, of what others fear to indulge?
The fruit that I offer you is born of true irresistibility.
The twilight of the gods begins not without a tumult!
Tell me if you be, such an adventurous and fair maid.
As Persephone was to Hades, be unto me: unafraid!
Let me touch you softly, and show you carnal virtue,
So that all the things they taught you were wicked…
Are revealed as pleasures, when passion pays a due.
Let us live and love with zest, on finer ambrosia fed!
The flames that scorch others, will be for us sensual,
In Hell is that paradise granted to the true individual.

Let me be swept away, by tides of passion carried,
Where any wish might be granted but never harried!
Let us do as we will, and that shall be our only law,
When the Abyss comes for us, we dive in its’ maw!

Ave Eous! Amor Aeternus. Gloria Paradiso Inferni!
Amorem et Lucem! Ignus Aeturnus. Ave Luci via!

When you smile
Your teeth tell a story
Of never ending words
And endless punctuation.
When you smile,
I can smell your breath
Wreaking of every stale cigarette
And every stale memory
That has ever polluted your tongue
And that you continue to relive
And that stain every word
That you let spill
Recklessly
From what you call a mouth.
Every time you flash that
Maybelline painted smile
I pity what you were born with
Every time you smile,
I cant help but feel smug
My smile doesn’t stain my words
Betraying my secrets
My displayed sense of happiness is neither false
Nor does it stretch on forever
Like some bad Friday night
With a bad date
In a bad place
That you call “fun”.
My smile in not tainted
By a lifestyle the breeds regret
With all it’s unprotected endeavors.
But somehow
With all your flaws
Your inability to make a
Self preserving decision
You still remain victorious.
Over my honest to goodness
Absolute genuine attempts
At legitimacy.

People in essence are spiderwebs

Each so fragile and beautiful

Yet so strong and full of purpose

Each molecule is connected by a strand of the web

Each thought intersected

Woven into another

Yet separate, unique

There are no two alike

Though many are bland

So distasteful

Never living out their full potential

Instead being destroyed by tiny things

The fears and doubts that eat away at the delicate strands



Still someway somehow the rare few so complicated

Protected so carefully by their creators

Manage to hold their true form

Even for a second in time

They capture drops of inspiration like dew

As the sunlight fades the useless webs left unprotected

It also catches hold of the glimmer of inspiration

Suddenly transformed into a shining brilliant treasure

The web can maintain these inspirations

Build them into anything they desire

Or they may allow them to simply lay in shadow

Weighing them down

Until they come crashing from their position of glory

To a simple puddle of ruin

Riding the air
In dark morning
A steady current of rain
Descends
Upon everything
The fir tree
The house roof
My dogs fur
The empty Ash tree
The fallen leaves
Brown, red, yellow, orange
The bird feeder catches the water As does the bird bath
The puddles
The street
The cement
My head

My ears hear each
Multitude of patterned drops
In apparent chaos
Reminds me of the brain
The synapses in my brain
Circuitry, each drop a connection from
Dendrite to dentride
Messages of the unknown
Of falling to earth
Of vulnerable life
Unprotected.

The unhoused, in the cool soaked air of December. Will you remain blessed?
Will you spread your joy in the patter of rain to those who bare the rain in their skin, on their dampened clothes? Adding a chill.
Will today you find some without a home
Bringing tarps, blankets, source of heat, to those who listen
To the same rain
While they shiver
And you stay in your glow with your tidy wood burning fireplace. Stay comfortable? Risk giving for giving sake. What floods of love can you share in December rather than giving to
Your precious family, the left overs, the excesses
And give to charity that make each day another day for breath in rain from the heavens. I choose the rain. I could be the one in
The open now, soaking as I pen these words.

Hoping words of love, neutrality, non-judgement and altruism be the "church" we reside in. Drop by drop.
Over a hundred different sounds of rain brought to earth by gravity, in my receiving ears, and the tiny sparkles of light reflected upon the  light from the street lamp shining upon concrete saturated by this extended morning rain.

Jackie Robinson is exalted
as the first Black man to play,
but far fewer fans remember Glenn Burke,
the first ballplayer openly gay.

Like Jackie, he played for the Dodgers-
(different coast and a different time.)
Glenn came up to the Majors
In the summer of 79’

Burke was strong and tall and fast
And some teammates called him “ King Kong”
Though he roomed with Reggie Smith on the road
most nights Reggie Smith slept alone.

Burke befriended Young Tommy Lasorda
which was why he was traded away.
Old Lasorda couldn’t deal with the rumors,
Nor acknowledge his own son was gay.

Glenn Burke rode the pines while in Oakland
Billy Martin never gave him much chance
When Burke injured his leg in Spring Training
That ended his time at the dance.

He drifted, his playing days over,
He used, he stole and did time.
An accident left him a *******
Unprotected *** ended his line.

No shock was the A.I.D.s diagnosis-
His sister had long known he was gay.
When she took him in he was dying
when all others turned him away.

Sandy Alderson, with the Athletics,
took pity on Burke in despair.
The team paid for his A.I.D.S. medication
and covered the cost of his care.

Sad is the fate of the Athlete unsung,
dying apart from his team.
Glenn Burke showed that a gay man could play,
That a Gay Athlete also can dream.

Glenn Burke passed a long time ago
But his story deserves to be told.
He said when your suffering, dying of A.I.D.S.
Even days in the summer are cold.

Snoring gangling giant,
Slumbering away on a snowy
      night.
Spoil of war unprotected,
Opening ways for ingress of
      worrisome infiltrated
      interlopers.
Remember the lord of Philistine
      Samusini,
Who returned not from the
      seductive antics of his
      mistress,
Perished in the furnace fire of
      frustration,
And drowned in the Laguna of
     no return

Slumbering hindered the move
      of the water.
Howling of devourers enclosed
      your shack.
Heterocercal caudal fins of
      sharks prevented the sailing
      of ships.
Wolfished wailing of tidal waves
      consumed the anchorage
      ground.
And the apparition of foes
      lurked-up in darkness like
      the foehn on the Alps.

Awake before the devastating
      night owl.
Awake from the abyss of deep
      slumber.
Awake before the cockcrow,
When darkness of defeats
Controls the reigns of night.
Snoring gangling giant,
Awake unto light.

Strange place, strange ways, each stay away!
Then why are there two roads to take?

The maps and paths, and followed tracks.
And Google, Waze, we trust their facts.
Turn left, turn right we let it steer.
To miss a turn, we start to fear.

Across to tolls, collect control.
Like little soldiers, do as told.
Planned flights and crowds, comfort in traps.
Are we confined in our skin wraps?

Some lost, pretend to just be found.
Some found, act lost, pretty profound.
To take that step, the unprotected.
To turn towards, the unexpected.
A wasteful plan, we must forget it.
Insane repeat, and do we test it?

Misdirection, to find us love.
Misdirection, to find us trends.
Misdirection, finds ideas.
Misdirection, to find us friends.
Misdirection to free in stress.
Misdirection leaves no regrets.

Let one misdirection find you.
Let one misdirection guide you.
Let one misdirection define
And be the reason, you are you.

If I could do anything
Anything at all for you
I would save you

I would save you from
The torment that you feel
The constant feeling of failure
The way that you hate yourself
The way that you hate other people
The sad poems that tear me to shreds each and every time I read them

I would wipe that pain away
Wipe all the sadness and replaced it with joy
Take all that pain and turn it into love
Make you feel safe again
Make you feel whole not just a shadow of what you once were

But I can't

I am the aggressor
I make you feel the pain
I take you and break you down
I take your heart and **** it right in front of you
I make you feel cold, unprotected
I warp your world
I warp your self-perception

If I saw a shooting star
Or if God asked me what I could wish
I would wish that I could save you
But that sort of thing isn't realistic
I can't save you
But someone else will
I just hope it won't be too late
And that it's the right One

My questions go unanswered.
My words ignored.
My presence overlooked.
Myself invisible to the eyes of others.

In a sty of stench.
In her own ***** she is drenched.
The reason I crossed two states borders.
Pack rat hoarder.
Without organization of order.

Out lived my heart hesitated.
My life dictated.
By a **** "mom" who dominates.
Controlling with my child as leverage.
She holds us hostage.
In her cobwebbed hellhole of dust.
Mold, ***** stench, mildew, & rust.
She is no one to ever trust.
I have alot to complain about & fuss.

Neglected, unprotected,& disrespected.
Taken for granted & unappreciated.
Unknown but senselessly hated.

For love or friendship I waited.
No one ever asked me to be dated.
My life I lived & created.

I miss
the forest of
        your magic
    as it winds its
                  tattooed way
through the
          serrated textures
                  of nightfall
all up inside
          my vertebrae
the soft wind
       rustling in your
elms,
outstretched to me
                   like arms
as stars burn through
       this brewing sky
in molten,
    fiery charms
They beckon to me
unexpected
          in quiet      
      apertures of subtle
they sneak upon me,
          unprotected,
when I'm sunken
in my tunnel
and sometimes
              in the
                   quiet stream
of the lonely, sacred night
I hear a whisper
whirring soft
as it permeates
            my spine
I let it take me over
                   as I sit,
slumped,
     in the bath
it creeps and seethes
over my wet skin
eats out my silent wrath
I let it
       fill my senses
as I walk inside
                 the deep
and on wooded paths
of solitude's carpet of leaves
when I feel
no soul is watching
     the deer start shyly peeking,
  and lynx resume their stalking
then long slashes
                  of ache
are reawakened
           from their lair
snaking through my ribcage
choking up my hollowed air
        yet, somehow
        in the longing
of bottomless, falling space
I see in distant, faded visions:
the precious contours
of your face
and so,
like an enchanted
          secret box
I open you,
inhale the confetti
of your floating stars
wave them over and through
my strands of vein,
my tripped out,
           healing scars
your essence
       penetrates
my presence
   like misty mountain rains
seeps inside my pores
opens up
       striations
of seismic,
      writhing pain
Your invisibility
            takes form
and then
            in sudden,
whipped-up heat
        it pours out in
honeyed rhythm
       to our own
             invisible beat
and just like that
I get taken.
Overcome
by slakes of love
rushing through my
arteries
like sweet
    manna
from
    above

In haste...
Behind
Our footprints
Were the scattered emptiness
Of the memories
Of them
On the shores

She left the three parties of us
Me, Samantha
And our traveler friend

They were play things for sunset fares,
She said.

Just yesterday
They were happy to be here
The young flowers now scattered about
This beach shore
Too young to be plucked
Happy to grow up into one party of laughter!

That's how we remember they were here
That's how to plant graveside flowers
For the dead
They were play things for sunset fares

They were not soldiers
They were unprotected women
They were not warriors
They were unfed afraid Biafran children  

That's how to plant graveside flowers
That's how we have kept them forever
In our hearts
That's how we actualize Biafra.

I see it happening in all of the jumps and laughter of the little one,

He has been wronged by so many people and he can’t spell yet,

I can already see the anger and tears in his eyes beneath the smiles and warmth that lies alongside his innocence,

He’s finding outlets that society will judge and he’s already ignoring them when no one’s looking in pursuit to be himself to find heroes in this world who understand and won’t yell and judge,

He feels safe and home and in peace with the surroundings that bore him it is new,

So infatuated with subtleties that he unbeknownst to himself find solitude in joy,

The kid is outrageously confused, figuring things out that I hadn’t till the latter years and it is confusing,

It’s as if you know the future of the child already despite the choices and personality of the frail soul,

You know him in and out and the kid just wants to be a kid, have fun, and surrender to happiness and safety and home,

Well home is mobile, always on the move, home is fatherless with mother selling dope, home is little torturous yells that don’t ring with I Love Yous anymore, home is torn into pieces of I don’t cares, grow ups, and be a man,

Well if you should ever find yourself so unprotected, so delirious in thought that it pains in your gut and you can’t scream out with so much intensity as to bust a balloon with red, then say ok and move on. Say okay and move on,

Repeat the torture only in your head because you don’t have the right to live in abuse, you don’t have the right to be afraid, you don’t have the right to be misunderstood, you don’t have the right to cry yourself to sleep, but it’s okay not to be okay.

My momma, she taught me to be a lady
never treat a lady sister shady
to walk with my head held high
respect is to look me in the eye
to always be polite
it doesn't matter who is right
say please and thank you
give credit where it is due
and you
who taught you to be a man?
who are you trying to be better than
who taught you to talk down to me
like I’m some kind of discount deli meat
cause I walk down the street
strangers whisper “hey ****”
then they flex for me
“I’m just looking to get more ***** in my life"
keys between my fingers cause I can't carry a knife
“****, where you going tonight?”
this **** well ain’t right.
Cars beep and slow down as I walk alone
asking if they can pick me up and take me home
it’s not a compliment, more of a threat
heightened consciousness makes me sweat
feel unprotected, cheap
another car horn beep
you gents just don’t see it
the wrongs those guys commit
the slimy unyielding stare
cause when it happens you’re not there.

*****, sweet, innocuous Seed
Survived ****** brutality...

Pride, slick, promiscuous deed
Unprotected *** fatality.

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing.
Wondering if this is all just a lesson.

Is this all just a lesson?
Got so many goals but I’m just not that invested.
Writing down all these words,
Hoping they are effective,
Love me or hate me but I’m still my biggest critique,
And anxiety got me spinning more out of control than a fidget,
With existential crisis’s filling up my brain with so many questions.
Who am I really? How good is my intentions.
I have a very passionate soul,
Yet I can still be crippled by depression.
But I try to stay positive and count all of my blessings.
I can fall face first over a hundred times,
But still get back up each time more determined and strengthened.
I’ve come to the conclusion that nothing gets done by just stressing,
For I need to discern the lessons from these seasons.
And knowing when to reach out to others when it feels like I’m sinking.
Trust me when I say you just gotta hold on and keep breathing.
Hold on and keep breathing.

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?

Is this all just a lesson?
I may not know where this road is headed,
Trusting these lyrics bring hope to those that feel neglected.
For I know how it feels to be disjointed from a society that just doesn’t get it.
Which may make you feel like you just want to end it,
For the pain is just so far embedded,
And if you’re skin is coloured your left unprotected.
Prescribed drugs that are either force fed or injected.
However, I refuse to be controlled or to be tormented,
Nor do I care if people are offended,
For I will decide where I’m headed,
And I will never sacrifice my objectives!
No longer will I be subjected as a suspect to be tested.
You can try to strip me naked,
But you can’t strip my individuality or my perspectives!
I’ve come to love my perfect imperfections,
And to count all of my blessings.
Even when I feel like I’m drowning,
I’ll will hold on and keep breathing.

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?
Is this all just a lesson?

Gotta love these perfect imperfections,
Looking both ways,
Always got me second guessing,
Wondering if this all just a lesson?
Either way I’m thankful for these lessons.