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Michael R Burch Sep 2020
Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu
Umi May 2018
A phoenix is...
Extended ash, through unending life,
Darkness clouds the happiness of distant days, as eternal life
might be cursed by the flames of hell, yet she is always resurrecting,
Like a spectator, she watches life rise and fall, alike day and night,
Comparable to the smoke which thins it's trail as it travels into the distant sky, yet never truly dying never truly disappearing, living on.
Such is the fate of one who is imperishable, it is alonely existence,
Scared to bond but filled with hope she keeps her head up high,
Because the majestic, azure sky is always a source of hope and bliss,
This makes her fight on, although this battle will never end,
Believing there is a future, in which she someday will rest happily,
Misery and hatred burn up in her flames, which then fall into the darkness of a deep sin which has found its occurance in the long past,
As her body scorches into a blaze of immortality, recurring memories soar, illuminating the land and guiding her through the long night,
Even if all what is lost can be found again, it will perish, transiently.
For now all what is left, is but immortal smoke.

~ Umi
I had to write this twice
Because hello poetry was down when I wanted to publish it and the draft disappeared almost completely =)
I hate my life
Bryce Jul 2018
Fold you up like unwanted fat
cook you into a rocky stew
placed beneath a mantle of ice
far enough away to be misconstrued

You are old laminated time
And pillowed rock of incomprehensible
Earlier than any lime
Or sand, or sediment, or any kind
You are the grandfather rock
of mine

When I step with my inconsequential feet
living but transiently
I cannot help but be erased
that even you hath but one resting place

All the plants
and sands
and ever since the very first
we have always been ******
to this earth
walking upon your bones
I am sorry we cannot do more
but you know your creator
Speak in the same language
in amalgamators
of which we have forgot
and for that I can say
we are envious; are we naught?

Build softly, and carry us upon your thick
crust like pizza dough, cooking
and you let it sit
Let us win, set us up
drift us apart, leave us crushed
build us,
make us,
break us,
fill us

I want to be restored into your
stony belt and be redeemed
I want to become my own atomic fossil
to connect with the universe through long-lost
plotholes
and once again
hear the story
as a young lad
the way it was meant to be told

I want to eat dinner with my grandfather again
my real sweet stony-chiseled cheeked
father again
to be loved a boy
and a girl
and the whole world
a soul touched back into the deep
left unshackled
by a ***** or a queen
please,
take me back soon
rather than let me turn into

Laurentia
or Baltica
or Gondwana
alack
smacked into new rock to form
Urals
and Tetons
and Moher
back

Carbonate or Silicate,
and the end its the same
It won't be the end
for that fate rearranged
CH Gorrie Nov 2012
Reclining in their rocking chairs, the brothers Beau and Cletus gazed despondently out
Past the final farm toward the convergence of the worn highway
And the fritz horizon. Cows paused their chewing; an ashy sun
Obscured in incongruous fluffs of cloud; it grew
Greyishly chilly. "Shame the kids're movin'," Beau squeezed out before a deep belch. Cletus only
Mumbled, his voice lost in the light drizzle rapping on the milky sheet-plastic roof. The
          porch

Was unfurnished, save the chairs, one ashtray, and a novelty sign reading: "Get off my porch."
Cletus took a long, pensive drag off a cigarette before stubbing it out.
He coughed a raspy croak wetted with sixty-six years. Besides Cletus' sporadic coughs, the only
Distinguishable sound to be heard in Moody Creek wafted in from the highway:
Rattles of the day's final Spokane- or Boise-bound semi-trucks grew
Inaudible as Beau transiently  murmured, "Purtier than a string of fried trout, that there
          sun-

set." "Whaaa?" Cletus wheezed. "It's settin'," answered Beau, loosely gesturing at the sun.
Fractaled-orange-shafts webbing manifold shades of yellow – amber, belge, stil-de-grain – grew
Plumply stout upon the farmland, edged between properties and crumpled on the porch.
"I'll tell you what Beau – I'm glad they got out,"
Cletus uttered with assurance, his eyes scanning the reaches of light upon the highway.
Beau fixed his cap, musing over Cletus' words. He cleared his throat before beginning, "If
          only..."

Then stopped and itched his belly-button. Cletus turned to his brother. "I know one thang only
Beau: they'll do good in California. They'll be livin' high on the hog. Yer son n' my son
'll 'ave secure futures." Jack nodded somberly. He hated the highway.
He hated its ability to isolate everything. It had been his original revamp, the now-rickety porch,
His first project on his fixer-upper after marrying Dorothy West. They'd wed out
In his father's corn field; bought a house a mile or so down the road. Kids were born. Love
          grew,

And in its growing all things tangible and gorgeous – like tangrams piece together – grew:
The farm, the house, savings account and family. They ate hearty; drank canned beer only –
Living was smooth – but it changed when Dorothy took Little Dale and got out.
She wanted what the farm couldn't give or grow, leaving tiny Moody Creek with their son
As the last moon of May, 1955 went up. "*****!" Beau had yelled from the porch.
He'd woken to his Buick's rev and watched its taillights wane upon the
          highway.

And though he remarried, this was, in truth, mostly why Beau never squarely looked upon highway.
The light drizzle grew
Heavy, intensifying. "Gosh **** rain might near knock the coverin' off the porch!"
Hollered Beau. Cletus looked up and blew a cloud of thick grey smoke. "It's only
Rain Beau. No need gettin' ornery." That morning they'd seen off their youngest sons as the sun
Was just rising. One left to work for a dairy ******* in The Valley, the other went to figure
          out

Himself and his career. The porch shuddered. Beau absent-mindedly repeated "If only..."
Daylight died; black inked upon the highway. Cletus lit a new cigarette. Moody Creek grew
Dense, compacted by the darkness. The sun inched away. Cletus hacked and put his cigarette
          out.
This is a sestina. The six end words of the the six lines of the first stanza are repeated in different orders within the following five stanzas. It is all followed by a three line envoy containing all six words.
vega Mar 2018
i quietly wonder
if i had done anything
wrong to reclaim
another faultful star

as i stare outside the window
cascading past endless stretches
of worn paved-roads
and vast fertile landscapes

and everything looks transiently gargantuan

but i momentarily glance
at the empty bus seat next to me
and i feel rather small again

flimsy music in my ears
speaking of infinite sentiments
and i’m disenchanted again
these mellisonant voices are enough
they have to be enough

to keep my wandering mind
company against the ephemeral madness

i flick my red lighter open
and hold it close—but not too close
to my dying pen; wondering, for
a moment, if the same trick could revive
my spirits like the stuttering ink,
tempted to burn my flesh back to life

but i merely stare into the flame—
flickering unsteady still—and blow it out
so it doesn’t have to be lonely
as my heart is right now

as i travel from small city
to smaller town, i wonder where
all my friends are right now
how they are all doing
what they are doing

and if they’re all having fun
without me.
Inspired by: Fire by Sleeping With Sirens
softcomponent Aug 2015
You come out of the dark, and a young Japanese schoolgirl--couldn't be any older than 19--is standing in a heavy-lit archway, the blinkered 'sort-of's' of her eyes only visible in corners due to the convex glare rebounding from the heavy light and onto a parked Miyata windshield, right back into the bloodshot lower-left cleft of each eye, sleepless veins like miniature pipelines slogging her fossil fuel blood to the energy markets of her face (but it ends in death, hopeless economy! it begins in death like OPEC!)

There's concrete, and there's stone: the former a collection of synthetically compiled chunks of the latter. In either regard, it might just be the end of the World, tho just an intermission during an afternoon matinee for the world. There are a lot of things you don't understand. There is plenty more you do, and yet you believe your own humility when it whispers, "You don't," tho you are entirely unaware this is delusion and not humility, but some unconscious form of ascetic worship of WONDER!! You're going coocoo for cocopuffs WONDER! We can remember what J.B.S. Haldane once said: "I have no doubt that in reality the future will be vastly more surprising than anything I can imagine. Now my own suspicion is that the Universe is not only queerer than we suppose, but queerer than we can suppose."

I was born at the edge of the Cold War. 4 years after America's Operation Just Cause deposed Nicaraguan dictator Manuel Noriega using heavy metal music and heavy metal weapons, loaded to capacity with heavy metal bullets. 4 years after the slow-dissolve tablet of the Berlin Wall finally faded upon the German palate. Brian Mulroney was my Prime Minister at birth. I was also alive (tho not 'conscious,' per se--intellectually conscious, that is) during the Prime Ministership of Canada's first female Prime Minister: Kim Campbell (she was only leader for just over 3 months and thus I cannot give her time in office the full credibility it would have deserved had she been a fully elected candidate instead of an inter-election Prime Ministerial appointment; when, for godssakes, will we have a Fist Nations' Prime Minister? I would like to believe the only reason there has been none is because the indigenous people have categorically rejected the game-fantasy we have stomped upon their land and the world and self-righteously crowned as 'realistic, sober, objective;' tho maybe I'm wrong, whispers Humility: "I don't know").

There is the endless and omnipotent consensus that the world's about to end. For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history. 'Now' is the always-result of 'then' and it will never change unless we neglect its consideration. That's really all theory takes to disappear: stop thinking about it. (as if that were possible, ha!)
Because the impression has been one of pollution and confusion, our wide un-thought idealization as children has often led us to emulate all the bad habits we witness growing up, even if at one point we cloudlessly rejected them because the damage didn't seem clear, it was clear.

I was 8 years old when I took my mother's cigarettes from her bedroom while she slept, and proudly announced to her the next morning that I had thrown them out. She had become furious, tho I had done it out of a militant concern for her well-being. During my years of primeval arrival on this planet, mom had almost lost her life to breast cancer. I can't remember understanding much as it happened, nor do I recall fully understanding the implications of death until my grandmother died and I watched my dad fight back tears as he read aloud her eulogy, recalling a story I can pick through scattered memories stored in grey matter to resurrect only one fact about it: they were on a boat, pulling up to shore. My grandfather--the cheeky Briton-optimist he is--made some silly joke, and my grandmother pitched in. The rest is somewhere else in space.

However--regarding death-- I feel that even then we never understand the full implications of death in witnessing another's death, but only through dying ourselves. Which is fine. None of us need to understand these implications until the time comes (and even then, it may just drip away once you've reached the Light. Which is fine).

Returning to the cigarettes: I had absorbed the common knowledge they were awful for you. 'Death-sticks' indeed, just like that scene in Attack of the Clones. Tho I understood nothing of the chemistry, a box or a video or an authority explaining their potential 'results' or 'consequences' was enough for me to righteously desire to save my mother from her own acquired vice.

14 years later, I skulk through the streets of Victoria with Chris, high on ******* and chain-smoking Export-A Gold on the subconscious condition that the world will probably end soon enough for none of this to matter. Tho as I said: For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history.

History is comprised of an endless succession of losers who sincerely believe they've figured it out. The only redeemable characters in this Human Odyssey are those who have realized nothing in particular. The people who think, believe, and conceptualize as an infinite process; something without a result. Something with abstract 'goals' that only fit for awhile, not forever.

I'm nobody special. Tho, at the same time, I am; and at the same time and in terms of my relationship to this greater Human Odyssey, whether I will matter in this giant plot is in part up to me (should I write a book? 10 books? Relentlessly pursue the arts, whether that be rapping, writing, music?) and in part up to sheer probability (if I do write a book, will many notice? Or will it be swept under the Great Rug of the Present-Into-Past and be forgotten to thought?), and regardless of all this: the rocks will forget. The trees will forget. Both space and dark matter will have already forgotten what I am doing and what I may one day do.

But life can't be approached on a basis of personal impact; honestly, who wants to pursue the writing of 10 books or the creation of albums in the same way the capitalist approaches economy, for sheer attention and accumulation? Those desperado's, those who chase-the-game-of-success, they have already lost. They lost as soon as they tried to win. There is nothing to win, no award great enough to keep, no person you love or have loved who you will one day depart with for the very last time. But to depart with a personality may be tragic, it is only a true void in concept; when one removes the individual (both themselves and the one they love) from the eternal context of the universe--the ebb and flow of tides to the movement of the moon, the soft breeze supplemented by a fan placed next to an open window, how your hand--when clapped to the surface of a wooden table--is one with the matter in that table regardless of how transiently you perceive such a touch as an interaction. In essence, it's all still here; it always was, and never won't be.

tho maybe I'm wrong, whispers Humility.


                                             *"I don't know."
Gabriella Nov 2016
happiness in my life exists transiently.
never have i been able to trust it completely.

on the occasions that things consistently go right,
my stomach drops and my mind keeps me awake at night.

i ponder why i must live in constant fear.
perhaps, it's due to the leaving of people i once held dear.

my hands clasp and try to hold you tight,
but my inner negativity makes this a constant fight.

i pray that one day happiness will be a friend to me.
that i won't fear its leaving and enjoy life peacefully.
Patrick N Nov 2014
You kissed him with my lips,
Those lips I thought were mine,
I felt his breath,
His dew pressed
Upon our mouths for a time,

In your eyes I see the want
For me, for you, for us
Yet what you crave,
I have given,
This harvest has no wine

Your kisses, remain unbound,
Ghosts obscured my view
In our haste we lost ourselves
Thieves together two,

I stole from you as you did from me
Still we remain never complete,
Only us,
Transiently
CA Guilfoyle Jan 2013
I stood long under stars and trees
clouds transiently swift in winter's eve
memories of yesterday's child, a year to play
a dream, a pond to skate away

Now wintery thoughts are aglow
cool drifts the night through open windows
Owls haunt with delight
they seek to prey,
quick before the light
of sleepy days

I slept and fell deep the well
my soul drinking freely
bathed in sweetest darkness  
depth of sorrow wakes me soon
my joy alights this
morning moon
marina b Sep 2015
time, love, and art--what illusory concepts
undefinable and immutable
we meld, over and over again, the borders of our bodies becoming unclear in defiance of the defined space we transiently occupy. teenage rebellion.
A most primal ritual, mother to a sentiment most sophisticated--
the bites you left on my neck lasted longer than your interest, which faded with the early sun like a dark cliche embedded in my skin.
How curious it is to feel time, evade love, and be art--
how bitter to know the hollowness of each one, a lesson imparted by the weight of their meaninglessness.
Sunset Man Sep 2017
In a previous life
the one leased before this
I was burned
in the Cocoanut fire.

To the nines
in a silky red-ruby dress
awaiting
revelry in the Grove
flirting the
crowds until
intimacy acquired
escaped into the
Melody Lounge.

That precycled scene
one autumn night
sleeps dormant
this life
unless
kindled by the smell
of acrid sulfer-ized air
or the sight of pitch
unexpected.

Then to re-live
transiently re-feel
flame poured fronds
from Melody's ceiling
char blacking my arm
blister gaped
as a thousand
racking wails
torment  me.

Too late to flee
stone hypnotized watching
the creeping black
consume my extremities
I stared immobile
immolation complete.
Burned in the Cocoanut fire.
May Asher May 2017
we are
lost
in a world we meant to build
bigger than ourselves.
we are
breathing
ink
but they wouldn't know,
that the ink we bleed
is so much darker than
our sins.
but in this world —
that is not quite round anymore —
we have seen peace in the eyes of
the dead, but i —
i am falling apart
too rigorously
to be defined in words.
we are
still
in the most literal sense.
almost synonymous with
stilted oceans. my heart is a
planet. and my heartbeat
is a jagged meteor
almost singeing
in its warmth.  
i am only transiently whole enough so long as i
will myself to hold together
within the chains.
my hands are a
constellation
of your heart;
it is not quite as big as a planet,
but fairly so.
fifteen years
and you crash,
desperate and drenching in January rain
and as old as 1627.
but my world is not encapsulated
in 146 square feet of space.
i am tired
in my bones,
in my skin,
in my soul,
in this body
that seems too limiting.
i am so tired
that you would not
be able to recognize me
anymore,
i have become so different
but so have you.
there is a hard way of learning
how to stitch flesh without pain,
but i — i exist on the underside
of the ocean's surface.
it feels like my home.
and then the sky falls
into my home,
collapses like it had been standing
for far too long.



sway ever-so-slightly to the left
only then could you feel the sunlight,
pleasant in its glow of starbursts
littering the sky with scattering silhouettes
of shadows pressed flat,
and shoved mercilessly into the closets
of sleeping children; their hair made of
flakes,
their hands reaching out innocently
to touch my face.
a giggle on your left,
of the child who has managed to break
through your frigidly cold soul.



stay behind the fault line,
do not step toward me
if you don't want to drown.
i am a writer, you see,
endlessly delirious
in my never-ending dolor.
a state of pretenses,
where everything exists behind lies.
fall into the dead end instead,
i —
— i —
i am not meant to be whole, i swear i
— i never existed as a whole, never
once in my seventeen years.
and there is so much more than
falling in love,
in this world full of wonders
where you wouldn't know
about how i'm
far more real
than you can ever be.
simply because i know who i am
and you, friend,
you are trying to find your reflection
in someone else.
but haven't you learned
that you are different?
(that i am too?)
and that we belong
in the void?
that we are
meant
to be the void?
Leigh Marie Dec 2016
My dad loves me most when he's drinking
he cares about me transiently
so maybe thats why I
look for gyspy love
maybe I like the surprise of
not knowing if you'll love me tomorrow
or maybe it's just what
I deserve
rachel Mar 2018
disclaimer:
I’m thinking about the hourglass in your mouth.
this is what is left behind
when the dust has settled.

please find attached:-
my heart.

my apoplexy, this, your words bleeding into me
settling, stagnant
clotting around the end of us -
salvaging the wound.

to have something, but not be able to truly hold it,
liquid, seeping through your fingers -
to see it pooled on the floor, the remnants of something you had
so transiently your fingers don’t even feel wet with it,
[not at all]
not when you’d rather be immersed.

you see, I don’t like to be in my body because it only serves to
remind me where your hands once were.
when all you want is what you had,
what is left behind in your palms?
whispers of the last time they were held,
and a kind of vacancy you don’t want to fill.

[close your eyes, breathe,
count how long it takes to fall apart]

interesting
to think of the systemic effects of heartbreak.
interesting
how you can pull one heart string and I’ll unravel.
I know I’ve been a shadow of myself lately;
it’s called “going through the motions”,
apologies.

safe as in a place,
safe as in your arms,
safe as in has-been once-was
and never again.
what happens when the goods commodify themselves?

I have never missed someone like I miss you,
have missed you since the day of my exile from your heart
a concept: existence as a kind of festering,
as though I’m in the last place I saw you like a finger probing the wound,
septic and exactly the wrong kind of comfort:
there is no unloving.

it comes in waves - the weight and salt of it
makes my back ache and my eyes sting.
you see, I’ve never been vulnerable like this before, and I’m wondering if
there’s a limit as to how broken a person can be,
the same way you can only fold a piece of A4 paper in half seven times?

I wanted to be unforgettable
and now I’m just trying to Be,
hoping that somewhere I linger

eat my feelings,
stick pencils down my throat
  ***** poetry.

if my heart is on my sleeve and my sadness upon my eyelids;
then my belly is a processor,
and all it spits out is simply
a checklist
of all the things we could have been
- our morphogenesis, our eulogy.

please. thank you.
a long time coming / how i felt 2 months ago. lol @ first love.
absinthe Jul 2017
how come you and me
two who’ve
never met nor swapped sentences manage
to share snark remarks
restless in our respective heads
with no respect for one another’s existence
only contempt
it’s not so with any of the others
strangers acquaintances or lovers
we share something so rare and more special
absolute oblivion untainted by rumors or manufactured societal whispers

i know you reel your bridge wobbly bridge up
when i can feel the joints in me grow feeble
as i sit crippled fixed and fixated facing my window
rear
view mirror pointed at my own picture
in constant and consistent self reflection
conquering me and who am i but my self image
the glass always did manage
to drive me insane while as i drive away
never knowing where always lost
and failing to distract the tailgating tears
that fixate on me in a manner familiar to the see through glass protecting and destroying me simultaneously
when so often as i do
i set my gear in rear to feed my view
with the daily purpose i succeed to achieve as i creep routinely
sealing
concealing
you
my blinds always convened at the zenith near the ceiling but me
blind as can be at the mastermind in my head that never doesn’t lie to me
perhaps on my deathbed if it’s cruel as me
she’ll ever so gracefully reveal
the futility of my mastery
existence
sat in the same seat
villains use for immortal rule
or so i believed
until she interrupts flashes of my life as it reels transiently
and i hear white noise
precede pictures of my enemy
not the one who consumed every day and week
but me
last in line
in the rear
like the rectangle red as my hand is
that i’d moved foolishly
when it came on the four wheels  
voluntarily convincingly and connvivingly
propelling my apathy as i tell havoc i wreaked to thank me for sloppily reconvening pieces of piece but only if they come to me at a time of conveniency

and as i let the last breath leave
i weep in agony
it tells me won’t cease lest i voice humility
and in the ashes of my pride
and defeat
i stand mistaken ready tremblingly

and as the last breath leaves me
i am forced to face myself for the first time truthfully
despite the absence of shards or glass  
i wheeze my insignificance
and its ancestors i ungratefully inhaled for years on end
leaving the atmosphere with nothing but negative air
known to devils as credit
and the naive indebted
i move it to check one last time
the status of the pests i’d see whenever i took one second to check if i’d yet received my privacy  
and it returns the gesture by in turn moving me

and as i lie here
losing touch with reality
and the air you breathe
absentmindedly
i burden chooses to leave me
and i know i defied physics
because until now
never have i truly breathed

and as you lie to me
blind that you are not me
but i am you
foolish
in the fake truth
that i lie here
when i no longer do

one day you too as i have
will have learned the lesson
taken the final
passed
and finally
as i have now
passed
you have yet to meet it
but there is a heaven

in time
you too
like me
will see it:

sleep.
absinthe Mar 2017
i apologize
fighting to find
fair rationale
that may contrast
the way i justify
the foolishness
of continuing
to provide
abode for this weight
when all it has
is novel means
of snapping my back

suffice it to say
my tolerance for pain
lies in a plain land
far far away
blanketed
on the outskirts

i will implore
should the scene need
for you to believe me
if nothing else
i’ve learned to suppress
my dignity
transiently

the only fear
is that it discover
the relief
of the darkness
under covers

- end
Dr Peter Lim Dec 2019
There never was a golden age
it was erroneously chronicled
by writers and historians
with exaggerated imagination
too keen to whet up emotion-
where man was and is-
the same theme takes over
in contention and confusion
a scene of humanity amiss-

there never was a golden age
beauty welled briefly only to fade
youth's dreams held sway but transiently
life was a game-play, ill-conceived, silly
without heart,  substance nor pity
first the  false waxing, then the swift decay-

there never was a golden age
power and greed had the last say
disobedience and disloyalty
was silenced by the sword
the voice of justice was brutally
silenced,  the just lethally put away--

there never was a golden age
love fought hard to survive
while faith had vacated the stage-

there shall be no golden age
what's left to be felt and seen
is but war, conflict, hate and rawest rage.
Kai Jun 2021
My feet splayed wide
In front blue doors embossed in white
Steel plated portals concealing
Most mundane sights as I passed by
Men and women scurrying
Though mostly sitting transiently.
Ghosts of day chased away
By neon signs that light the night
Glowing to life as silence of stillness
Bites deep into bone,
Lingering as the eye sweeps city darkness
Transfixed by baubles of towers striking starless sky –
Whispers of promise of greatness someday.

All is silent now as I reflect
On deeds of the day
Done by those who’ve scurried away.
Away to forget, away to escape
The days and days of gray,
Different yet same suffering returns,
Borne with indifference, suppressed hope
Flowers not to fruition.
Those beer halls and dance halls
Provide respite to tired senses,
Overwhelm them with stimulation
Drown them in torpor.
Drown them in bliss.
Drown them in release –
From endless cycle.

I see it stretch horizon to horizon
Black infinity, no release
Nothing above, nothing below
The path stretches only forward –
Familiar backdrop, grayest of grays
Beyond which lies a mirage,
What I don’t know, but oh
How comforting that dreariness
That comes entwined in dread.
Dread of what’s ahead,
Escape from what’s behind
Ignorant above and below.  
Dread, escape from dread
Suspended only, as deserved –
A tropical vacation.
Strictly speculation from this mind,
who contemplates stripped down version
bajillion eons ago
cosmic bit sized dots
pinwheeled thru spatial void

repulsed and/or attracted
colluding (putin on the Ritz)
infinitesimal show stopper
devoid of prior rehearsal
since previous cosmic contraction

absent remembrance
tabula rasa, viz consciousness
if rebooted, reincarnated,
repurposed, et cetera,
asper knowing nothing

perchance if previous rendition
courtesy big bang phenomena
commissioned swirling pretty
little invisible thangs
dust mote size

universe created, vis a vis
most violent explosion
blasting subatomic tidbits
bestowing, endowing, issuing, et cetera
propensity, allowing,

enabling, and providing
spontaneous quixotic, narcotic,
and kinetic (kit) impulse
gifted, kindled plenti
tinder vittle loving care,

(albeit on quark hilly
weigh small scale),
each unique data packet of life
transiently questing organic matter
linkedin within uber

webbed wide world
****** by motive forces distilled
since primordial ooze
painstakingly agglomerated
electron's micro gravitational tug

incrementally configured
viable combinations
propelled to fraternize, collide, amass
with other distinct minuscule entities
democratic, platonic, and symbiotic

tete a tete kickstarting avast
differentiation, golong
engendering hulu costs indeed
pensively trumpeting,
deploying, and fracking

the art of the Stormy Daniels deal
eventually across great swaths of time
inaugurating edifice of complex systems
(again unimaginatively teeny tiny
timid uber pinhead size zealots)

livingsocial hoity toity groupon outlook
accruing quicken fancy feast
to concatenate, generate, and get linkedin
with hotmail to discover
visa vis whatsapp
penning with Molly Q. Wells!

— The End —