I wonder how I got here, secluded in a grimy apartment filled with smoke. We drink gin and tonics with mint like it’s the ‘20s; we sit and talk pop culture because we know. Taj has somehow become the effective authority on all of these things, paid to social network and connected to Hollywood; he’s very skilled at playing to people’s wants. My Cadillac sits intent next to me markering in a recent drawing for his newest class. He’s already famous for his graffiti, one day I’ll bet you this extra credit project will be worth money. He drew me a fox for Christmas. Valentines day is coming up. He never tells me he loves me. Jack is watching me watch him out of the corner of his eye while putting on a new remix of an old song. He leans over and asks if I like it and I nod. I feel bubbled up with *** smoke, frozen in time and vaguely uncomfortable. I’d guess this is what it’s like to be “too high.” I want Caddy to notice, but it’s Jack that’s pushing my hair back and telling me to drink more water. It’s sweet. Despite his need to be seen as a womanizer, Jack respects Caddy too much to even try with me, he looks but he doesn’t put on any faces for me. Everyone thinks so hard about how they’re seen.
Jack says his New Year’s resolution is to do less *******, even though no one asked. Everyone hears but no one reacts. I try to keep moving my toes and stop shivering. Across from me Ky and Nate are reading the encyclopedia in open-mouthed awe. In a room full of intellectual up and comers I feel like Hemmingway did when he was my age, how all the minds gravitate to each other and sit in a ***** room by the beach and let the creativity go. Like Mary Shelly and the whole gang writing Frankenstein and Dracula in the same trip.  After a while I think Taj is going to make it, Jack will be a politician and Caddy will be lost and with another woman. Ky and Nate will still be smoking and reading the encyclopedia, all the way down to ‘z’. I am like my mother: attracting the company of smart successful men who pay her selective attention.
The door burst open and the cold air stayed in my pores after it was closed. Rodger invited himself over. It would have been all right but when Rodger is wasted he forgets his manners. In his animated state he managed to kick over Caddy’s favorite smoking piece, insult Jack and look at me a little too hard. His girlfriend had immediately passed out on the couch, but she never smiled or spoke to me anyway. Her head was cradled in the lap of a girl I hadn’t noticed. Her hair was perfect and her eyes shadowed, the liner and mascara smudging its way slowly onto her high cheekbones. She stared at me but didn’t speak. I tried to smile, but didn’t want to give away the champagne sensation covering my skin, still too up to speak. She had already formed her opinion of me, some young ******* the arm of an older boy. She was once in my position, I’m sure of it, we are the same kind of beautiful and empty eyed. That doesn’t stop her from judging, in the total of 15 seconds she looked at me. Her self is tamed and mine is wild still. Unintroduced and unnoticed by the men in the room, we have an understanding and a mutual dislike of each other, only to defend ourselves.
The room takes time to settle, a bowl has been packed for an entitled Rodger, and now that everyone is calm, Cad sits back down and puts his arm around me again. I lean into him, protected and anchored, whereas I had been floating or about to puke a minute ago. I don’t know what I said but Caddy seemed annoyed when he said “Just let it happen, embrace the feeling,” and so I kept quiet for ten minutes or so. The high was infected with guilt. Next time he looked at me-- it could have been an hour—I whispered, “I can’t” and finally he heard me, and stood up.
Cad came back into my vision with a glass of water and turned on Drive, prompting Rodger, Mrs. Rodger and my pretty enemy to leave. Ky and Nate had gone long before I could focus on noticing. Taj left for trivia night down at the bar and no doubt some girl; wrapped up in a cashmere scarf and cardigan he kissed my cheek before he went. Jack also took his graceful leave with the Rodger group to woo some girl who knew exactly what she was doing to herself. He did have a straight nosed charm, Jack. I could not blame this girl, one of many (I am embarrassed for her; I have been like this ******* many occasions).  
Taj had been sent the advanced copy of Drive in blu-ray, so we snuck it from his room and watched it that way (the only way Taj would see movies now, it is the future (for now)). Kavinsky came through Cad’s new speakers the boys had spent half an hour trying to wire earlier in the night. “They’re taking about you boy/but you’re still the same” crooned Lovefoxxx as Ryan Gosling cruised down a street, ****** intense in driving gloves. Gears shifting and motors growling are very ****, I tell Cadillac so into his ear, as he pulls me into his arms and covers me up with a blanket.
The movie was perfect, maybe because it made me feel less dizzy and sickguilty (Cad knew it would) and maybe because Ryan Gosling can wear a white satin jacket. I loved it, hardly noticing when the absent roommate Travis strolled in with Taj and tacos somewhere around 2am.  Colder as Caddy got up for a burrito, left me alone on the couch for the kitchen table. Registering Taj taking his place, playing with my curls and talking Hollywood to me. I’m staring over at Cad in his chair, he makes eye contact once or twice and I blow him a kiss before Taj repositions my head toward the television and my ear back where he can speak into it.
Eventually Cadillac taps Taj on the shoulder and motions for him to get up. With Cad back I can relax and I fall into sleep just as the movie ends. Taj and Trav have gone to their own beds and Cad leans over me, picks me up and takes me to bed knocking my elbow on the doorframe along the way. He apologizes and kisses my head but I am too tired to care. He lays me down on the bed with crimson sheets and takes off my boots but then sternly says, “Mimi, you are not a child.” and so I must get up and undress myself. He wraps me in a duvet missing its cover and his arms. I trust him long enough to fall asleep.

-

Standing in front of the stove it was hot, but I am easily overheated. He came up behind me and said in my ear, “you’re lovely” watching me put the last piece of French toast on the large stack, getting ready to scramble eggs. He kissed my cheek. Then my neck and then my lips, taking me away from my cooking to be pulled against him, for a sweet short minute and went back to the living room with his friends. Jack had mysteriously reappeared in the night; he said he locked himself out of his apartment after leaving to see one of his girls. Taj just sat and blasted Radiohead over the new speakers, shouting something relevant at me. I scramble the eggs and make up plates, two pieces of toast each and a nice healthy pile of eggs. It is gone very quickly and no one says thank you, except for a smile from Caddy and a kiss on the forehead. It’s usually enough for me, knowing he likes to show me off to his friends. I sit down with my cup of coffee and plate, within a few minutes Cad suggests he takes me home. I resentfully take time to finish my coffee. But we are both busy and he is right, so I say goodbye to the boys and gather my things. We drive with the “best MC on the game these days” (so I am told) over the weak speakers of the car. Cad drives with his arm around me always. Cruising into my building’s parking lot I lean over for a kiss on my forehead, nose, lips. He says go, but his hand still sits on my shoulder so I stay for a little longer. “You’ll probably have to let go of me if it’s time for me to go Cad,” I say quietly, with a tentative smile on my face. He grins back and lifts his arm. I slide out of the suicide seat and smile at him, but he’s looking at the radio dials. Then my face. His eyes give him away, softened around the edges with affection. Maybe love, but he’d never say it and I refuse to say it until he does. I try not to think about it much as he drives away to smoke up again with his friends. I wonder if this is how it will always be, but then I realize our kind of “always” is only the next few months. I turned unsteadily and walked up the stairs to my empty room—dark and overheated smelling heavily of sugar and spice candles-- with the geese outside my window for company. I haven’t slept here for days.

Before you criticize me too soon, I think you should spare some seconds and answer a simple question to yourself...

If Shahjahan loved Mumtaz Mahal so much, why he had a harem of wives to use at his own pleasure?

While I agree that the Taj Mahal is arguably the most extraordinarily beautiful monument in the world, I don't agree upon the fact that it was built as a tomb of love. It is just a symbol of madness if you asked me. An emperor's insecure feeling to get his name registered in the history books. While it may be one of the most beautiful architectural monument, it was built by over 20,000 architects, craftsmen, masons and engineers who took over 16 years to build the magnificent building.

He got this apparently high & prestigious monument of love built but everything that the Emperor did was not pleasant at all.

° The lavishly living Mughal Emperor spent all his - his subjects' money into building this monument of love instead of keeping his subjects well-fed.
° Mumtaz Mahal might have been the luckiest woman to have died and got such a marvelous building built as her mausoleum but she died giving birth to her & Shahjahan's 17th offspring and then Shahjahan who had uncountable other wives was inspired by her demise apparently to undertake what is termed as the biggest project in history build the costliest monument proclaiming his rule.
° The arrogant - falsely proud lover - Mughal emperor didn't know that what he thought to be looked at as the greatest symbol of love will be criticized by some poet in his own land nearly 375 years later. The insane Mughal Emperor got all the builders of the Taj Mahal's fingers cut-off of so that there could be no other Taj Mahal.

But Aurangzeb, his & Mumtaz Mahal's son overthrew his power when Shahjahan got older and locked him up in a jail at the other end of Yamuna river where the emperor then died a sad old lovelorn bedlamite person in prison. Aurangzeb was the exact opposite of his dad, he showed religious intolerance and his habits drove the empire towards its doom after his death.

But let me think this way; when I look at any picture of the Taj Mahal, what I get the first thing in mind is this: *Such a CRAZY emperor who got such a beautiful monument of Egotism built!

The epitome on the show
is more than a dream turned true
a timeless beauty stitched on the stone.
The first sight hooks the eyeballs
no star is a far cry from here
it looks so close.
A narrative feels so familiar is never old
seen tons of times yet is a new Taj Mahal.

Since the medieval eyes were dazzled
by this monument of love
the crave to eye on it once in a lifetime
is in every lover’s heart!

People of new ages flock here
with the admiring birds
on this air of everlasting romance never
gone with the wind are mesmerised with love!

Through years of my prime
I walked with a heart
crazy about love.

I wanted my heart to bloom
and shelter a shadow of love.
when the heart was soaked in passion
and was wet,
I wanted to wrench it dry
on love itself.
I wanted to paint a picture,
in indelible print, across
the canvass of my heart.

I stand today
in front of the Taj Mahal.
I watch the marble smiling
as the sunlight gives it a touch.
I feel gusts of wind
gone mad
as they come across
the heights of love here.
I listen to the music, waking in
the dream-eyed visitors' quiet hearts.

I am tipsy after my
own feelings
themselves have become wine.
I forget myself, world and all.

I don't know
whether I'm thinking of Shah Jahan,
Mumtaj or myself.
I'm quite disillusioned, stupefied,
enveloped under an expanding heart.

Shah Jahan who proved
an emperor to be shorter than a lover,
who turned a grave into a temple
who gave his beloved a place of God
and converted love into a prayer.

there exists one difference between
us two.
he was all in all, and if
I'd ever grown prosperous like he was,
I'd not have waited for my beloved's death
before I erected a Taj Mahal.

(Translated from Nepali by Manu Manjil)

AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

Back in those days
when I was young and strong.
Pristine, Noble,
as pure as you'd long.
White as a dove,
handsome as a king.
I'm a token of love,
far greater than a ring.
My making contained
both good and bad.
My maker being
a hot headed lad.
Blood as blue
as the skies and seas,
I stood along the riverside
enjoying the occasional breeze.
My history is both
wonderful and morbid.
My beauty-spoken of,
I'm known by each kid.
Lovers cherish me,
write songs of my presence.
create tales of their own,
activate every sense.

And now when I speak,
when I look at my current state
I'm sad, deeply sorry
at my distressing fate.
Handcrafted marble
whiter than milk.
Quality as such,
smoother than silk.
Today has eroded,
decayed and died.
It matters not
how much I've cried.
For it all falls on deaf ears
while factory noises expose my fears.
My white is no more,
I'm a deepening gray.
I see pity in the eyes
where once admiration lay.
The pride of India,
its biggest glory.
The life of Agra,
this is my story.
Being the crown of the nation,
the jewel of its eye.
A wonder of the world,
I feel like a lie.
For what I am today
isn't me at all.
I've lived at great heights
survived a great fall.

It is my request
sincere and deep.
Give me no reason
to further weep.
Awaken. Arise.
the time is here.
Preserve your glory,
keep the pride near.
I am none other,
than your beloved Taj Mahal.
this is my story,
one I ought to tell.
Now my life
is in your hands.
the choice is yours
as are the lands.
Choose wisely,
The devils or me?
Perish with them
or rejoice with me?

What a strange feeling
Treading across the Taj Mahal
Floor as it look back at me

Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.  
Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them.

Here then is what I might call  
                                                My Reverse Bucket List

Towns and cities – architecture & atmosphere
   Barcelona, Spain
   Venice, Italy
   Oxford, England
   Jerusalem, Israel
   Luxor, Egypt
   Varanasi, India
   Hiroshima, Japan
   Pompeii, Italy

Other locations
   Galápagos islands, Ecuador
   Great Barrier Reef, Australia
   North Woolwich, London

Churches
   St Paul's Cathedral, London
   Sagrada Familia, Barcelona
   Coventry Cathedral
   Córdoba Cathedral, Spain
   Blue Mosque, Istanbul

Other structures
   Taj Mahal, Agra
   Auschwitz concentration camp, Poland
   Royal Festival Hall, London
   London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.
   Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)
   Bayeux Tapestry 
   "Angel of the North" statue, Gateshead, England
   "Christ the Redeemer" statue, Rio, Brazil

Events
   Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife
   St John's night, Spain, early 1990s (?)
   Death and funeral of Diana, Princess of Wales, Aug 1997
   Oberammergau passion play, 2010
   Destruction of World Trade Centre, Sept 2001

To live, one must die,
love takes a giving heart
a never fading Taj Mahal
an art of a beautiful mind!

Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.

I remember when the air breathed  easily,
or, rather, a great air breathed one in.
I remember floating
I remember dreaming on a cloud that I believed reach the heavens, like the natural tower of the Taj Mahal

Thy  beauty  and splendor
Awes  my   spirit
Jealousy creeps in slowly…

Memories of old  love days  
Awakens  the  inner  soul
Heart sighs painfully…
And I wonder,  What’ll I do to
Leave as token for my eternal love
                 *

Live and die
Love and give
Lover's Taj Mahal
Is in a good heart!

Mughal Emperor, Shahjahan
For the memory of his wife Arjumand Banu Begum
Made, a royal tomb-
Everyone knows it, called the "Taj Mahal",
Which stands on the banks of the Jamuna
With the scope of its vastness.

Beginning in 1832
It ended in 1853,
Thousands of artisans, architects, workers in 21 years
They were dedicated to its construction.

Ustad Ahmed Lahuri was
The original designer,
The white marble dome-shaped tomb-
Being a complex integral, architectural wonder.

Every year, millions of people flock
To see this archetype of love,
Everyone is overwhelmed to see-
In everyone’s heart, it’s unique to cut the stain of love.

--- as a boy, I explored a hermit's lair
--- the hermit was not there, he'd left nothing but a tin box
--- of charcoal pills, a panacea for curiosity, I was told.

This old bearded fellow who lived at the foot o'thumb butte,
by the burro's water hole,
other side o'the hill from Doug McVicar's Jasper find

Tidal shorelines from my child hood
swirling through the softed rocks

Boulders on the bottom, roll on, crustal waves rise and fall

it all goes back to that 13,000 year mark
when Gobekli Tepi,
was in the building,
long long before
the Hopis were on the Pollen Way, leaving land marks on

Rocks risen above the desert floor

Some thing came from space, something very cold,
a snowball so big it tugged the ocean of magma
through the crust of the earth

nuclear glass, same time. nano diamonds

The younger dryas-

melt water pulse, fire from the sky, men could see that, with their own eyes.
and then they saw the clouds of witnesses

Rituals learned, the story heart seeps from mother to child,

at first touch some say.

Specialized touches were included in the 2.0s.
Holistic wuwu Randall Carlson laughs, why lie? Evidence, see.

What did you see when you passed through hell the first time?
Nothing, you kept your eyes shut.

Are you really
Experienced? That was the question. Ask the experts,
but some of them lie.
Never trust their clocks, that's wise. Time is too temporary to make
much difference
in the long run. Time, least of all powers in eternity. Chronos,
Chaos shattered him, and some story teller on a journey
saw the event
while his tongue was being tamed, a task no man can do.

Fire and Ice from heaven to earth,
whole peoples saw it,
with the eyes in their head

Hope is the key to the heart's lock on reality

The younger Dryad's oak burned,
Drought killed all the others, bugs killed the elms.

Ah spirit to spirit, compare. The heart of the world is weeping
for the ignorant eaters of poisoned poems and stagnant stories

speed kills when it comes to cosmic notes on rocks

patience, under stand the canopy of heaven can, filter
poison from those
stagnant stories's idle words, redemption draweth nigh,

count on it. Keep counting, patience finishes what she starts.

Sacred Geometry, scale invariance, I saw the Mississippi
Carve meandering ant canyons in the dirt
while watching the rain
Nothing's secret anymore, that's a reality that may be beyond

your thought. Textbook in stone. I know geometry Mr. P,

can I come in? She who builds, who destroys, who rebuilds, suggested
my bombs have a Nobel role,
in energizing

the ark
the earth is the ark, but you knew that already, right.

Acacia bush visions from a medium
of messaging the master builder,
who, you know, made this
happen, used to heal with ashes.

Healing war, study it no more, it is
possible man, alone, can imagine.

The Godhead? What's the big idea? You a heretic, Mr. P?

Come and see, leave the clock/phone.
---

This is big momma story, little clay doll with pointy feet
sticks in the dirt, stares at the fire,

the story mamma, shhh

Stands, and lifts her hands up high, pointing
all her fingers to the skies where ashes, glowing
rise,
like we can imagine the stars once scattered by God
and his sons's servants prepping

origins of human conflict taught
Tubalcain by fire light, while Jubal
Sang the very umph umph song from
Taj Mahal' 1970 with Jerry, Fillmore West,

A message to Garcia, from on high:
the imbecility of the average man—
the inability or unwillingness to concentrate on a thing and do it,
That, resist. It is evil.

Angels, imaginable, you know, mere messages, nothin more,

so great a cloud of witnesses
there was a times when  all
imaginations men were imagining heartily
were evil, altogether.

Enki left and went to the moon, or that's the story grandma's
sisters told me
when I was a little boy lost and found from time to time

The serpent on the staff, where's that story from?
Who says their mammy saw that happen.

Time, Hosts of Heaven, time is one of those.

Fan tasty taste, see, the truth is good.

Freedom, responsible freedom, take as granted,
intend good and go.
Seed of the Dream,
I planted that. It contained this fact,

we reap what we sow.

Ambi-Dios, ambit-ion with no hope for something just beyond
the best that I have ever done,
that'll make a child mean as hell, on the average,
according to the data Google smuggled into China
through those super phones,
unavailable in the USA, protected by the wielders
of destruction who eat the world up,
and drink its very blood.

the bread of shame, is fed to slaves to keep them in the queue,

BTW que-eee was the word I used for ****, when I was a child.
I took that word to school.
Nobody knew what it meant. I considered that cool
and kept my secret until just now.

I feel so free.

A builder sees a building and the builder in a single glance.
None may enter here lacking geometry, that's no secret now.
The cultivated Pythagorean mind, simple as pi.

'Cain't get to Romans eight, which is here, now, I think,
with out going beyond Hebrew six.

The measure of a man that is the angel. No comma,
just a jot, then this means that,
to the mind
listening for mystery in beauty found lying around.,
glistening in the sun.

I have known this much talked about search for true love for over 10 years and I am aged 22 years now. There was this unforgiving loneliness till I was 17 years of age given that I am the only child of my parents who lives with them in a lonely campus of a research institute away from the small city.

A tumultuous relationship filled with resentment to the brim about my parents keeping me their only 'issue' was brought to the hilt and I was weary of being their arguably most beloved 'machine' who was supposed to live sticking to the 'guidelines' laid by them as the ideal only son.

We aren't from a landlord's family and have limited resources, so I was supposed to suffice in my parents' love and affection, studying at a fairly consistent dedication to bring forth the results worthwhile landing me a good job.

But who has been able to control a Romeo-in-the-making?

Answer: Nobody!

But my Juliet wasn't yet on the horizon till age 17, when I mistakenly took my first girlfriend who was my classmate till class 7, to be my last love. Period. Then for the first time I was introduced to the idea of 'love' by this sweet girl whom I dub "G3" over 11 months elder to me. I had proposed her, but it was not a pre-emptive proposal.

Our period of courtship had started over Orkut which was the most popular social website at that time. It was just friendship initially until I had unsuccessfully proposed two bimbets other than my first girlfriend. One of those two unsuccessful attempts was with her best-friend-once-upon-a-time.

I had told her about them both, she had even tried apparently helping me propose her best friend when I had told her that I had even written a song for my childhood crush over the years I had been away from my old school.

Her first reaction was, "I would die for having such a boyfriend! Wish it was I for whom the song was composed."

Then when I proposed my childhood crush, G1, I couldn't even mention about the song and she rejected my proposal. Period. I was distraught, I was broken & I was amazed at how easily she could've undermined my liking for her from the past 7 years.

To take my attention off the disappointment posed by my first rejection. I proposed a different girl, G2, non-seriously, knowing that another rejection was lurking behind the curtains of time.

Rejection 2 successfully diverted my mind away from the mess created. Anyways, I did have a girlfriend for myself. After all, people love guys who sing melodiously and can play guitar apart from having decent appearance, and believe me- I used to look this chocolatey young guy until I was 19 years of age.

The girl who later went on to have the place vacated by my first crush was her same best-friend-once-upon-a-time 'G3'. She went on varied lengths in narrating her own break-up story with the guy she was with. I got a second-hand  piece as my first girlfriend. It was no issues, at least till she was bickering about how he had broken her 'heart-of-a-self-proclaimed-princess' and we started having arguments and serious tiffs over what had been happening in her life.

We broke-up. I had enough of the hardships brought by myself upon her. She had taken to crying harshly over phone. I resented myself. I failed to identify that it was not true love indeed but only a mirage of the idea.

I next concentrated in studies and this time I prevailed over the hurdles offered by examinations and a second girlfriend, 'G4', who refused to openly accept she was going about with me was attracted to me. She'd go see the Taj Mahal at Agra and the Hawa Mahal at Jaipur with me apart from spending the night in the same hotel room but would still reckon me with my pending reappear supplementary exams and wouldn't openly accept a failure as her man. I was frustrated by her autocratic behaviour and opted for a different girl, 'G5'.

G5 was the prettiest of my first 3 GF's as far as looks were considered. We romanced around Delhi's historical places and malls; holding hands around cinemas and Old Fort walls in New Delhi. But still I was as ****** as I was when I was born.

May 7, 2010 was a scorching hot day with the sun ablaze overhead and me going on the busiest highway of India. I was going back to my home and met with a serious road accident en route that kicked me out of my senses into a frozen comatose state.

I somehow survived the life-threatening coma and was moving around in 52 long weeks, limping heavily all thanks to my parents and the kind physiotherapist. Thanks to a poor memory, I initially performed extremely below average at college.

Then I was all prepared to attack at all future examinations and nothing could stop me. I breezed past another girl 'G6', this was my last failure. She was confused between me and a different guy. Neither me nor any other guy with a high self-prestige would entertain the idea of being weighed as an option. I again moved on.

Then comes the continuing story of my true love. True love is the one that lasts forever successfully. She is incidentally my 7th chance upon the love pathway and last. I am sure this is her- my soul-mate.

She is my gateway to the 7th heaven, I find her presence in every aspect of my life. She is 6 years and 9 months younger to me and her descent in my life has been the best thing in my life. I celebrate and rejoice each day in her presence. Our tastes are so similar that we feel merely our X- & Y-chromosomes are different.

We patiently wait for time to last till the day till we perish after blessing our grandchildren. We live 250 kilometres away from each other and have only known each other through voices and photos. We are yet to meet. Till then I wait for the day my master degree gets over and she gets into a medical college.

Now I will end this post by saying that there's no end of love and no beginning of it - you just have to wait, identify and hold on to your truest love.

I have lived in your eyes forever
I have built stable love inside your retinas
The Taj Mahal on sacred land
I found myself attached to every nerve ending
Sparking signals of love into your busy brain
Lifting the weights off the corners of you lips
Showing a smile any man would fall for
But no man could ever fall as deep as me
No man could ever understand the color of your golden brown eyes like I do
The hardship of your day
The sadness in that way you say
"I'm fine"
When your crying
My house begins to crumble
My Taj Mahal begins to crack
I become homeless
Living on the streets of loneliness
Waiting for our rain to stop
So believe me when I say
Your happiness
Your love
Is my foundation
The reason I can still build stable love
The Taj Mahal on sacred ground
Without you
I'm just a color
A color that speaks beauty
But says nothing at all

I’m old enough to know but
too young to know better
the state says I’m an adult as of May
but I still don’t know what I want to be
when I grow up,
except for still carrying around my Blankie.

Teddy Bear holds up the pipe to my lips
I can’t do it on my own, I’m not so good at this,
he says breathe deep Baby, I’ve got you.
The fuzz on his face is rough when he kisses the top of my head.

Taj and Tibby walk in holding hands
“Baby!” he smiles and leans down to kiss me
“Hey little one” she says and hugs me tight.
Lauren and Luke come out of their room and
give me big smiles.
Everyone is glad I am home and I exhale
grey smoke because I am glad too.

I am the baby, but I am also the best cook.
While I clang pots in the kitchen my man pours
champagne and turns on the new speakers.
Chicken Piccatta for dinner, because when
you feed people, it’s the best way to tell them
you love them.

The flimsy laminate floors are sticky,
the practically cardboard walls are dusty,
the room like a cave is dark even with the blinds cracked open
but Taj makes us laugh and we dance to the music.
Kitchen table cleared of drug paraphernalia
becomes the flimsy garage-sale/side-of-the-road version
of the dinner table I grew up with.
The people crowded onto its edges
a kind of family.

Led down from the tower
Head high and hands bound
Blindfold declined against the wall
Black square pinned to his heart
Eyes afire and shining proud
He sang...

He sang of Caruso, Townes Van Zandt
Pavarotti, Bocelli, Mercury,
Carreras, he sang of Antoine,
Of Sinatra, Lennon, Morrison, Redding
He sang and songbirds paused in flight
He sang like them all

He sang a song of himself
Of leaves of grass, of second comings
Of Byron, and Bharti, and Cummings
He sang of Neruda, and Plath, Tagore
Dickinson, Kamala Das and Naidu
Oh, he sang of them all

He sang of art and beauty
Of Mona Lisa and starry nights
Girls in green dresses and pearls
He sang of Van Gogh, of Picasso
Of Rembrandt, da Vinci
He sang of Michelangelo

He sang of sadness, pain
He sang of My Lai, Sand Creek
Of Guernica and Krystallnacht
He cried and sang of Wounded Knee
Of Katyn Forest, Sabra and Shatila
Oh, he wept as he sang

He sang of history and wonders
He sang of Olduvai and pyramids
Machu Picchu, Tikal, and Angkor Wat
He sang of a great wall, the Taj Mahal
Stonehenge, Easter Isle, Mesa Verde
His song took us to them all

He sang of courage
A song of Bunker Hill, Gettysburg
Of the Alamo, Normandy, Stalingrad
Of Lincoln, Guevara and Dr. King
He sang of Bolivar, Bhutto, Ghandi
He shamed us with their song

He sang his song...
As women sighed and peasants cried
He  sang until the rifles fired, he died
Songbirds fell from the sky
Soldiers broke their guns on stones
And marched into the deep blue sea.

r ~ 4/12/14

In the seventies
we brought back silks and saris
hot with colours
that shocked the nights
Punjabi embroidery
on cheesecloth kaftans
mirror glittered skirts
that were spun with light
Kashmiri shawls
and Afghani dancing dresses
arms full of bracelets
silver and brass
enameled and etched
and singing with ***
rings of Ivory, sapphire and jet
necklaces of jade and threaded apple seeds
rain forest timber bowls
white marble boxes from Agra
with precious inlay stones
our little Taj Mahals
we wandered the globe
like a magical village
of lovers and
and came back
with backpacks of dreaming
and hope.


© M.L.Emmett

For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.

We will walk through the Cherry blossoms
in Japan, hand in hand, meandering through
the falling petals.  Our winding path
will weave through the countryside  with
no goal in sight.  We will stop in front of a
particularly beautiful tree, whose branches
are just beginning to look naked.

I will look at you, brush a stray blossom
from your hair...and whisper

           Aishiteru
               .                                                                ­                   
                   .                                                                ­                
                     .   .                                                                ­            
                               .                                                                ­          
                                     .                                                                ­        
                             We trek the Arctic circle and witness
                             the absolute beauty of the Aurora Borealis.                       
                             We're be bundled tightly in our parkas,                                     
                    ­         but we are still be able to feel eachother's                                   
                  ­           warmth.  We laugh as we throw snowballs.
                             We lie in the snow and make angels.                                          
               ­              Well...they'll start out as angels, but in the                                 
                            ­ end, they'll just look like snow that two people                          
                             have just rolled around in.                                                  
           ­                                                                 ­                      
                                              We can't help it.  As we embrace,                             
                           ­                   I whisper
                                                     Negligevapse                                                    
­                                                         .                                          
                     ­                                     .                           ­             
                                                          .     ­                                   
                                                         .                                          
                     ­                                   .                             ­             
                                                     .                                            
                   ­                              .                                                  
             ­                              .                                                        
       ­                                                                 ­                          
         We stroll the beaches of Hawaii, refreshing ocean                                    
         breezes cool us.  I picked you a flower,
         which you now wear in your hair.  Your cinnamon                               
         brown skin offsets your beautiful white smile.                                       
         We run through the breaking waves, our feet                                                
         leaving ephemeral indentations that are as                                             
         fleeting as our cares.  We fall over into                                                     
       ­  the surf and let the ocean wash over us.                                                     
        ­                                                                 ­                         
              I kiss your nose and tell you                                                          
   ­                   Aloha wau ia oi                                                               ­             
                              .                    ­                                                
                ­                  .                                      In China, we race eachother along   
                                     .                               .   the Great Wall to see who can get 
                                        .                   ­        .    to the end first.  We both end up   
                                           .                     .       dragging eachother across the         
                                             .               .           finish line...which happens to be      
                                                 .   .   .               a few hundred feet away.          
                                                 ­                        The locals shake their                
                                           ­                              heads disaprovingly, as we stifle      
                                                    ­                     a giggle.  I lean in and remind you  
                                                           ­                                       
                         ­                                                   Wo ai ni..                    
                                                             .  .                      .            
                         ­                                 .       .                     .          
                                                       .            .                   .          
                                                     .               .                 .            
                                                   .                  .   .   .   .  .            
                                                 .                                                
               ­                In Soviet Russia, girl kiss you                                              
               ­                and I gladly let her, for she                                               
              ­                 and I have had one too many shots                                 
                          ­     of *****.  Our faces are rosy and                                       
                      ­         we lean into each other as our feet                                     
                       ­        make hard noises on the cobblestone                                       
              ­                 streets.  Saint Basil's Cathedral                                          
             ­                  looms over us, as our lips dance                                           
                ­               a familiar dance.                                                           ­       
                                                                ­                                  
                              ­            Ya tebya liubliu                                                        
 ­                                                .                                                
                                                 .                                                
            .  .  .  .                          .               ­                                   
         .             .                      .                                         ­           
       .                .                   .                                                      
      .                    .  .  .  .  .  .                                                 ­       
    .                                                           ­                                   
We gaze at the Taj Mahal, a building                                                         ­   
built for a man's true love. I would                                                            ­      
build you a city.  we take in the                                                              ­          
mighty majesty of Everest.  I tell                                                             ­                
you I'd climb it for you.  You tell                                                             ­              
me to stop being silly, and say
you'd get bored waiting for me.
I give you a back rub instead.                                            

  Hum Tumhe Pyar Karte hae 
                                                            ­             We travel the dutch  countryside
                                              ­                            and kick off our wooden shoes to
                   .                                          ­            watch the tulips blooming.
                       .                                            .     I dedicate an entire field to you.
                          .                                 ­    .         You blush.
                              .                           ­   .         we fall asleep in front of a windmill,
                                 .     .                  .          watching the shapes of the clouds pass
                                         .      .      .             over us. I whisper in your ear
                                                             ­                                                                 ­      
                                                                ­       Ik hou van jou
                                                             ­             .                        
                                                                ­         .                          
                                     ­                                  .                            
                                   ­                                  .                              
                                 ­                                  .                                
                               ­                                  .                                  
                             ­            .  .  .  .  .  .  .  .                                           ­ 
    France has never been as beautiful as                                                               ­   
    it is now that you're here.  We skirt                                                            ­         
    the cities and explore the countryside,                                                     ­           
    Endless fields and clear skies bring                                                            ­     
    out our inner children, and spend the day
    romping and rolling until our clothes                                                          ­  
    are stained and our muscles ache.  I                                                         ­             
    lay beside you, panting.  In between                                                          ­       
    breaths, I manage to impart                                                           ­                
                                                ­                                                            
    ­                                                                 ­                                       
               Je t'aime                                                           ­                                 
                   .                                                                ­                        
                    .                                           ­                                             
                   ­   .                                                             ­                         
                        .              ­                                                                 ­     
                          .  .  .    .    .       .          .                                                    
                                                                ­                                            
                    ­                                            We explore Roman ruins and concoct      
                                                   ­             our own love story had we been born      
                                                      ­          in the Ancient city.  I would have        
                                                    ­            been a mighty General, who saved      
                                                     ­           you from a terrible dicator.  You            
                                       ­                         tell me to stop quoting Gladiator.       
                                               ­                 We share a kiss under the shadow           
                                               ­                 of the colleseum.  I brush your         
                                                   ­             hair from your face...                       
                                  ­                                                                 ­       
                                                         ­                  Ti Amo                              
                                                                ­               .                          
                                                                ­                                          
                      ­                                                        .        ­                    
                                            ­                                                              
  ­                                                                 ­        .                              
                                                                ­                                          
                      ­                                                                 ­                   
                                             ­                           .                                  
  ­                                                                 ­                                       
                         ­                                                                 ­                
                                                ­                    .                                      
     ­                                                                 ­                                    
                            ­                           You smile and reply                                   
                        ­                                                                 ­                 
                                               ­             I love you, too

Sara L Russell 11/11/2015, 01:45am*

I wanted to end writer's block.
So I got on my magic carpet and said "Take me to India."
It took off at fantastic speed.
Clouds flew past like frantic ghosts.
I thought I saw Lord Ganesh
smoking a hookah by the Taj Mahal.
The sparkling waters of the Ganges soon came into view.
I dismounted the magic carpet and waded out
in my long chiffon dress, into the cool water.
Candles shaped like lotus flowers drifted idly by.
Suddenly I caught my toes on a reed and was falling,
falling, falling...
the magic carpet flew away.
Woke up in ****** Carpet Right.

A crushed Shah Jahan said:
When you behold the memorial,
a sight so masterly, yet sorrowful;
you will inevitably admit
an aching little bisecting wish
that adorns your yearning lips....
parched,
barren,
effete......
And from the world's lid,
the luminaries too
would sob and drip.

#

He could well have been talking
about my beloved's words ;
......so utterly breathtaking
that a sigh poignantly quivers
in my dithering being.

Her words meander.
It is no wonder:
for all of us saunter
in thought and speech
one time or the other.

At times her words are poised and easy.....,
wonderfully jolly, sensationally starry:
They shimmer like the four minarets (1)
on the full moon night;
....brilliant......resplendent.

Then they taper from the dome
and stop halfway between the tomb
and the solemn reflecting pool:
They are calmer, sober,
and you know,
a little factual;
...what they call discriminating
intellectual, rational......

Soon the words leave charbagh (2)
and hit the red sandstone walls (3)
crenellated with flawless wisdom;
spotlessly beautiful
like the lifeless marble
that proudly commemorates
Mr. Shah Jahan's love
in grim, cold blooded grace.

We talk about
riders and scruples,
kith and kin,
restraints and constraints,
fidelity and modesty.......
....and I can not help
but to sadly agree
to the placid logic
in our impeccable scripts.

#

Logic is a wonderful remedy
for the radical and foolhardy
but for every cure,
there is a spin-off.
Deep somewhere,
a delicate,
two-cent sentiment
collapses into atrophy
and.......silently
another part of me
becomes a
meek monument
of disposable history.

----------

(1) The four minarets of the Taj Mahal

(2) The garden that starts from the end of the main gateway and ends near the squared base of the mausoleum is an integral part of the Taj Mahal structure.

(3) The building material used is brick-in-lime mortar veneered with red sandstone and marble and inlay work of precious/semi precious stones. The mosque and the guest house in the Taj Mahal complex are built of red sandstone in contrast to the marble tomb in the center.

russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!

"So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee."

Shall I compare thee...

...to the Iguazú Falls River, where legend serves that a serpent; Boi, demanded a sacrifice each year of a young female, and the day two lovers; Tarobá and his beautiful maid Naipí, took to escape, and in revenge of such an act, Boi exuded such anger that he parted the river, thus forming the Iguazú Falls, splitting the river and condemning to two lovers to the falls.

or

...to Cristo Redentor; Christ the Redeemer, the Art Deco statue, protecting and looking over the city of Rio de Janeiro, to whom in all its glory cannot escape the force of nature, struck by lightning, causing damage irreplaceable.

or

…to The Hanging Gardens of Babylon, hundreds of metres into the sky, a place that to this day is unknown, myth being that King Nebuchadnezzar recreated the homeland of his precious wife Amyitis, who was deeply depressed and homesick, allowing her to find comfort and happiness.

or

…the Taj Mahal, of Pradesh, constructed using marble by the emperor Shah Jahan, in loving memory of his third wife; Mumtaz Mahal, the *jewel of Muslim art, a calligraphy written Great Gate reading; "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you.

or

…the Temple of Artemis; Istambul, on sacred land in honour of the Greek goddess Artemis, the most apotheosized of Greek deities, the supposed daughter of Zeus and Leto, the temple also known as Diana, one of the goddesses who vouched never to marry; alongside Minerva and Vesta.

or

… the Mausoleum at Halicarnassus, of the Persian Empire, whereby Mausolus ornamented four sculptures created in relief for his wife (and also his sister); Artemisia II of Caria, generating an above ground tomb that would become to be listed as one of the Seven Wonders of the Ancient World.

But of all,
I compare thee to the Goddess of Love, Beauty and Sexuality; Aphrodite
arising from the sea, floating ashore on a shell;
Venus rising from the sea,
a lover of many,
later depicted as a painting of the Birth of Venus,
by the sufferer of unrequited love; Botticelli,
using his muse Simonetta Vespucci as a model.

© Sia Jane