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Michael DeVoe Jul 2013

The thing about fingerprints is not that, right now, there are seven billion different unique fingerprints on seven billion different people.
It is not that in all of human history no one finger print has been repeated, making, if my math is right, which it's not, twenty trillion individual fingerprints.
Nor is it even that none of the quadrillions of people that will come after me will have my exact finger print.
No, the thing about fingerprints is that they are utterly useless
Which is to say they serve no practical purpose in the survival of the **** Sapien.
That's a lot of effort to put into something that is pointless

2.
If we were created in God's image, then God was a man and
I imagine he took Sunday off and came back to work on Monday like the rest of us.
So maybe fingerprints haven't been forever.
Like with snowflakes maybe God's just doing some interior decorating lately.

Or maybe Saint Peter was kicking it with God in the break room at heaven and was like, "Dude...we need a new system, too many people are dying and I can't keep looking up everyone's deeds by hand; it's taking too long."
And in a moment of genius He was all, "I got this bro" and invented the fingerprint
Then went down to Best Buy and got one of those scanner things for the pearly gates and now when you die you just scan your finger and it auto-populates your deeds and if you get in it's all awmmmm and the gates open,
And if you don't get in it's all whup whum and you fall through a hole in a cloud in the sky and land in a fiery pit of hell.

(My parents stopped making me go to church in 2nd grade so my visions of heaven and hell are colored in crayon.)

3.
I wonder if the image of God sitting at a desk with a protractor, compass, drafting pencils, and tracing paper designing each individual finger print all day long comforts you?

4.
Maybe we're some Alien sociology major's thesis and our fingerprints are our unique identifiers for tracking and data collection purposes

5.
When I started this poem I thought maybe fingerprints are keys.
As in someone out there has the fingerprint that unlocks me.
But I've loved more than once
Hurt more than twice
And had a lot more *** than that
So unless this key unlocks something I've never heard of my lock's broken and I need to know who to call about that.
But I don't like to think of myself as broken anymore.

6.
Maybe when God's little helpers are making us they slice off a sheet of skin from the butcher roll, spread it out flat sticky side up on the stainless steel slab.
Grab a set of bones off the shelf lay them down and like canvas around a frame stretch the skin tight around our skeleton.
Starting from toes, to the knee, over the shoulder, around those pesky elbows
Until they tie us off at the finger tips with twine, cut the excess with sheep sheers, let it heal.
Fingerprints.
Our our little "Heche en el cielo"

7.
When I fall in love for the last time, I will dip my finger in red paint.
I will roll my finger across the bare chest of my love and she will wear it there
Like a tattoo no one else could give her.

8.
Maybe there is no point to fingerprints
Like arpeggios before a concerto
Maybe God was just warming up

9.
Maybe fingerprints are the point to everything

10.
Maybe an omnipresent God is at every birth
In every bedroom, hospital, and taxi cab
In every town, in every city, in every country in the world.

Maybe every time a baby is born
God, takes the time to name it
Then writes it down
In a language only He understands
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Christian Danner Jan 2012
Split mind. Split soul. Half of him loves his family. His intelligent daughter, energetic son, and beautiful wife. The other half loves nothing at all. Not himself, not his immorality, not even the toxins that he constantly ejects into his body. A modern day Jekyll and Hyde. To have a split personality is no easy taking. How does one love a single being with two men trapped inside. Knowing you will only be thought about with half the effort. Only known half of the time. Only loved with half the heart. Knowing this could drive a woman equally as crazy. While his careless half went out for another night of binge drinking and fornication, she was left at home. Well honestly, doing the same. One day it all became to much. In one of her drunken rants she grabs a pair off kitchen sheers. "Honey, where are you going?" she asked, not haven made up her mind on her next step. "Who the hell are you?" He replied. In a fit of drunken rage she charges after him. Determined that she could sheer away his lesser half. She screamed. He ran. She followed. Cornered, he had no where to flee. He snapped back. "Baby, what are you doing with the scissors?" , he asked frightened. He saw the look in her eyes. She was no longer there. The rage and fury had taken over her. "Babe, put the scissors down." He pleaded. She didn't understand what he was asking. Whether she couldn't comprehend that it was her husband back in control of his body, or if she just didn't care anymore, fed up with it all, no one knows. She lunged at him with the sheers in hand. When the officer arrived they saw the women curled in the corner smiling. "Did it work? Is he my husband again?" The mans body was mutilated. His skull was open. Half his brain was gone. His chest was open as well. Only half a heart. The women was taken away, convinced she did it all out of love. The children were placed in foster care. Both scarred for life from the events that they witnessed. And the man, well let's just say his partying days are over as well. Half hearted love kills.
Joshua Haines Apr 2016
Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.
Half of "Godless". Any feedback, good or bad, is appreciated.
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
Zombee Sep 2014
.






Mirror Mirror on the Wall;
Walk with me n be my Friend:
fending oFF thee awful Qualm,
calming all the thoughts of Death.


Mirror Mirror on the Wall;
Talk to me if no one Else.
"tell me what to do aGain?...
...death is gonna Haunchew."


Mirror Mirror on the Wall,
Waltzing in my ball of Hair;
share the Yarn of all you Bear,
spare the Rod n chop the Sheers.


Mirror Mirror on the Wall;
"Welcome to the slums of Hell."
help me Speak in bleeding Tongue.
"vi la Vita......vi de Vel".








Mirror Mirror on the Wall:
wall of Talking thought so Clear;
hear the Fall of waldo's Water,
thrall the Call of ocean Odlaw.


Mirror Mirror on the Wall;
call my Bluff n cuff my Arms,
bar my Cell n sell my Soul,
sow the Seed n reap its Rose.


Mirror Mirror on the Wall;
flaunt my Card n guard the Door.
Youre the one im steering Clear of...
..."ofCourse you are."


Mirror Mirror on the Wall;
all i Know is no ones Lost,
mossy Oak is all i Know,
frozen Walls i call my Home.








Mirror Mirror on the Wall;
all you Are ish ards of Glass;
lashing Out n always Laughing,
laughing as you watch me Ball.


Mirror Mirror on the Wall;
all you Do is use my Tears.
here you Are with all the Cotton,
swabbing all my flaws n Fears.


Mirror Mirror on the Wall;
call me what you always Do:
stupid Queer n weird n Ugly."dont
******* Tell me what to Do."


Mirror Mirror on the Wall;
talk the way you always Have:
Chanting like a ******* Trucker,
Cussing like a ******* Sailor.








Mirror Mirror on the Wall;
Hollow be my only Name.
satan stole my only Halo:
angel of a broken Cross.


Mirror Mirror on the Wall;
Follow me n see my View.
you should see what i have Saw...
...all ive seen is You.


Mirror Mirror on the Wall;
all you Are is all i Am.
have you not a ******* Conscience?...
..."obviously Not."


Mirror Mirror on the Wall;
walk a long this haunted Path.
after That if you can Laugh...
...so can I.








Mirror Mirror on the Wall;
all youve Done is run n Hide.








'and Then...
...tyler was Gone.


was iaSleep?...
...had  i Slept?'


-  Jack's Medulla Oblongata  


.
Mirror Mirror on the Wall;
call my Parent......scared of School.
whos the Fairest......ferris Bueller?...
...You are.
judy smith Apr 2016
From fairytale princess gowns to feathery mini-dresses, bold skinny trouser looks and showgirl sequins, Bridal Fashion Week had something for brides of every size, shape and style inclination.

White reigned, as did classic silhouettes to please the most traditional bride. For everybody else, there were splashes of color, plenty of fluttery floral applique and sparkle, sparkle, sparkle.

Highlights from the Spring 2017 collections:

CHRISTIAN SIRIANO FOR KLEINFELD

After a smaller, capsule collection for the famed bridal shop, Siriano teamed with Kleinfeld again on a broader range.

His show stopper was a pricey pink ombre ball gown with a sweetheart neckline and skinny straps. As an evening wear designer, Siriano said bridal was a natural fit. He created in a range of sizes up to 24 or 26 — and a range of price points from about $3,500 to about $19,000.

Noting most dresses can be modified, he showed a lot of sleeves. There were long lacy ones on a column gown and a structured, off-the-shoulder pair in satin, embellished with tulle and strings of pearl.

One of his mermaid gowns included cascading ruffles. He used four tiers of ruffle at the bottom of a white, tailored suit jacket with matching boot-cut trousers.

Siriano also offered a range of hem lengths, from well above the knee in an appliqued mini to a fitted tea length with an ornate high neck and dramatic train.

In a backstage interview, Siriano said he's enjoying his first full push into bridal with the 27 pieces for Kleinfeld after focusing most of the time on evening.

"But the customer is so different," he said. "There's not as many rules. You can get away with trying new things, doing new things. It's a little fantasy dream world."

And what will Siriano wear when he weds his longtime boyfriend, Brad Walsh, at their Connecticut house this summer?

"I don't know. Literally we've got nothing," Siriano laughed.

INES DI SANTO

This was a **** runway dominated by sheers holding lots of floral creations in place. Romance meets sensuality is how the Toronto-based designer likes it.

While many of her looks were fit for royalty, complete with extra-long trains, she also ventured into over-the-top. An ultra-short hem with just one long lace sleeve had tulle skirting that skimmed the floor in back and leggings mismatched with floral embellishment, offering the appearance of one bare and one covered.

Spring itself was her inspiration this time around.

"The flowers, the garden, the beautiful trees, the sky, the sun," Di Santo said in an interview.

There were other vibes, in a sleeveless illusion Palazzo romper, for instance, with an encrusted bodice and dramatic detachable bell sleeves.

"I went very soft, romantic. You can see through the layers of the lace, the legs, the tulle," she said.

Like other designers, Di Santo included fit-and-flare looks along with sheaths, A-line silhouettes, halter necks and princess ball gowns.

Her backs and necklines were often illusion style, offering a barely there appearance. She included open bolero jackets for brides looking for a little cover, along with detachable skirt options for those who want to change up the outfit for the reception.

At the core of any bridal collection, Di Santo said, is how the dress speaks to budding love in marriage.

"It's so important," she said. "You can live without many things but you cannot live without love."



OSCAR DE LA RENTA

Designer Peter Copping is making his mark gradually at the storied Oscar de la Renta label, with a mind toward both preserving his predecessor's legacy and modernizing the label in his own way. In his bridal collection, Copping included some looser shapes — not everything was cinched tightly at the waist, princess-style — and even some short bridal gowns.

"I was thinking of the different women who are brides and the different ways women can get married," Copping said in a post-show interview, "because it's not always the same rules or traditions that people are looking for. So I think it's important within the collection to have a good cross-section of dresses, some short, some big columns, a real mix of fabrics."

Indeed, some of the gowns featured the sumptuous, extravagant embroidery for which the house is justly famous, and others featured much subtler embroidery for a more modern look.

"I think it was really just having a complete range of dresses," Copping said. The most striking were two short numbers, a nod to the popularity (and danceability) of shorter lengths, even if you can afford the big princess gown. "Yes I think it's popular," Copping said of the shorter length, "and I also think it's very relevant for rehearsal dinners, where a woman can still feel bridal the night before."

A highlight of the de la Renta bridal show is always the impeccably attired little children modeling flower-girl designs. "Having children here reflects what a real wedding is," said Copping.

And then there was Barbie.

Guests were sent home with the de la Renta Barbie doll, wearing a strapless white lacy column gown with a light blue tulle overskirt — something blue, of course. And in case you were wondering, under the skirt were some teetering white heels. No flats for this miniature bride.



REEM ACRA

For a bride looking to be just a bit daring, visible boning in corseting lent a uniqueness to some of Acra's fitted bodices.

There was an abundance of drama in ultra-long trains and encrusted sheer overlays. And Acra, too, offered a variety of sleeve options, including a web design on a snug pair that ended just above the elbow. The design, almost twig-like, was carried through to the rest of the full-skirted look.

Many of her dress tops were molded at the chest, bustier style, while she played with the lower halves. And some of her silhouettes fit tightly across the rear, sprouting trains where some brides may not feel entirely comfortable sporting one.

Acra put a twist on other trains, creating them to detach and also be used as veils. And she went for laced-up backs, both high and plunging, on some dresses.

In an interview, she called the collection "very airy, very light." Indeed, the stage lights during her show shone right through some of her dresses.

For the edgier bride, one who might appreciate the James Bond music Acra used for her show, she offered an unusual embroidered illusion gown adorned with pearls, white jewel stones and metal grommets.

Today's brides, she said, "have to have fun," adding: "She can't stress out about her wedding. Enjoy the ride and be the bride!"



MONIQUE LHUILLIER

There were lingerie-inspired elements here, too, with a touch of color in rose, pistachio, antique ivory and caramel. There were pops of fuchsia in bloom applique fitting for the outdoor garden where she staged her show.

Lhuillier decorated some organza gowns with hand-painted floral designs in asymmetrical layered tulle and silk organza. Deep necklines were prominent, with simple slip dresses offered along with bohemian gowns of lace and sheer skirts. Lhuillier also used corset bodices paired with cascading tulle skirts.

The collection felt like a chic romp, complete with high slits for a run through nature.

"My woman this season is in love and care free," Lhuillier said in an interview. "A little bohemian but just carefree."

The only clear trend in bridal these days, she said, is the need for designers to present more options.

"My core bride is somebody who loves femininity, she loves tradition but with a modern twist. And she wants something interesting with a lot of details," Lhuillier said.

There's definitely more fashion involved than when she began in bridal 20 years ago.

"One of the main reasons I got into the bridal business was when I was a bride in 1994, looking for a gown, I thought the options were so limited, and there was not a lot of fashion ideas," Lhuillier said.

Her bride doesn't want to be weighed down, however.

"She wants to look effortless," Lhuillier said. "But she wants to feel **** on her wedding day."

Are we all romantics on our wedding day?

"For me it's a really happy business," Lhuillier said. "We all are romantics deep down inside."



Associated Press writer Jocelyn Noveck contributed to this report.Read more at:www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-perth
Raven Feels Apr 2021
DEAR PENPAL PEOPLE, don't hide it---we miss them:|


me being a runaway flying in the black hinges

  soaring in the twinkling skies

I crave you as a hungry wolf that knows no boarders of freedom

in there in the shady street

as I dive into my vulnerability you sense my need

you sense my desperation

its like you read my locked lines

among the flowers of the highs

in the publicity of tamed crimes

you have me

running on rage

screaming on blades

the cake comes and you appear none

lying down

hating the crowds

the bargaining weight of these suicidal sounds

where are you???

nowhere to be found

leave me in yells when the time ends and dwells

this is a first in a hell

do you intend to choke me to death again???

it is me who you pressed undamned on your wided chest

and carried it all away in a mild stance

when no one dares

to a slightest bare of your cans or cares

don't forget me still not lying

still breathe for your touch

and your essence on that spot

just tell me where

and my heart will voluntarily beware

to be awaiting a hold of torments in the bliss of fair

when you mindlessly gear

affording to disappear

a night changes its shades into a million gleams

you seem to draw on my warm sheers


                                                                                        ------ravenfeels
She holds these butterfly dreams
these dragonfly visions
always before her eyes
to materialize
The longed for want that within abides
the tear that cannot hide,
this deliverance of love
that flutters within her heart as a dove
longing the expression, the want
To fly high the fields of hope
Where she can cope
with the uncertainties, the fears
that within her at times sheers
her world apart to the doubt
Of all that she does want.

Alisdaire O'Caoimph
H Oct 2012
The clock was bound to strike midnight
This I already knew.
But I lost track of time,
And I stayed searching for my shoe.

It's like I was playing tug of war with a cowboy
I just really didn't have a chance.
I might as well have been doing the tango,
During a western square dance.

As soon as I tried to walk away,
The cowboy was up in arms.
He lassoed the rope around my waist,
And I heard the shrill of alarms.

Yet I still let him reel me in,
Like a fish caught in a net
I laid all my chips down and out,
Knowing I was loosing the bet.

I joined his game freely,
With my whole army down.
I had no back up at all.
A shopaholic out on the town.

And now I'm all torn up
Cause he's done and had his way.
And with a tip of his hat,
This cowboy's said good day.

He's ridden off into the sunset
And I've watched him disappear.

And I'm the cut up fragments of an unwanted ****
That the gardener tore up with his sheers.
CandidlySubtle Apr 2021
A quicksand cyclones downward at the center,
A spiraling hole spun around by the sands that enter,
They scratch at the innards of my heart,
Pulling everything down and ripping it apart,

I’ve tossed so many things at it,
But they just drop into this endless pit,
Nothing seems to fill it up,
Instead everything just gets ****** up,

It’s like having my flesh sliced by scattered grains,
Spun at high velocity as it sheers against my veins,
Carving out tiny wounds accumulate into scars,
Blood seeping, lost and disappearing with its cause,

Cries are ****** up and then dispersed,
Scattered into pieces until it’s no longer heard,
Screams are silenced by a ringing vacuum,
Run through bleeding veins buried in my womb,

It’s like something wants to come up,
Like a volcano that’s ready to erupt,
Everything that’s been sunk and saturated full,
It’s getting ready to finally burst my soul,

I didn’t want to shut it all up,
It wasn’t my choice to have it all ****** up,
I tried so hard to pull it out with my strength,
But I underestimated the length of my pain,

It’s been loaded and treated with all its vice,
So I don’t know how to clean it up nice,
I think my exterior is too thick for it to ever explode,
But I think that one day, I am going to implode.
D Conors Jun 2010
Satin-textured shamrock flower,
whose eyes chrome the seas
of the faded cushioned theatre seats,
with their sparkling, piercing power--
You,
saunter sprightly up and down,
lyrical laughter over-bounds,
in quick-timing
to the taste
of your Irish school-girl ways.

We take time enough to see,
those livid, lush-red cheeks,
(ripe, rose-blushed every time
as you savour sweet the wine)

that sanctifies
your softly senses,
sans pretenses,
whereon your wings of
wonder float and fly.

Scented, tactile spirit-showers,
all the joy we need,
as the stage-light's haunting beam,
Sheers the magic of this hour--
You,
lightly lift us off the ground,
set us oh, so softly down
upon those rhyming wisps of air
that caress your auburn hair.

Now, I, a poor poet,
upon this paper
play
pleasing poetics of your praise,
whilst the ink upon these lines,
dries far faster than the tears
falling
from my wistful, yearning eyes
in exaltation of
your Wings of Wonder Ways.
D. Conors
c. October 1992
M May 2014
Something must make you happy;
something must make you sad.
Humans cannot simply be.
Events construct emotions.
Right?
Something must be wrong with her-
An extra something, making her disturbed.
Removing that will fix her, yes?
An extra foot of hair- watch it fall from silver sheers;
an extra twenty pounds- watch as each disappears;
an extra pint of blood- feel it evaporate with old fears.
With everything wrong now gone there is no sorrow.

Sadness is not replaced with joy,
it's not replaced at all.
The hollow void must be filled somehow.
Something must be wrong with her-
A missing something, making her incomplete.
Adding that will fix her up, yes?
One more earring- a small silver pin;
One more scar- a memory on her skin;
One more boy- feel him feel her in sin.

Addition and subtraction won't make a person whole,
but it's too late now for her to walk away.
She's started a complex equation
and will never see the solution defined.
An explanation for the way I (used to) look.
Allen Wilbert Dec 2013
Just My Job

I chop off hands, I chop off feet,
I'm the kind of guy, you don't wanna meet.
I chop off legs, I chop off arms,
if you wanna help, I'll take turns.
I chop off *****, I chop off *****,
I freeze the parts with ice cubes.
I gouge out eyes, I chop off ears,
don't worry I use sanitized sharp sheers.
I cut out your kidneys, I cut out your liver,
Cannibals pay me good to deliver.
I chop off your *****, I cut out your heart,
then put them all in a shopping cart.
You may ask yourself why cannibals,
because they eat humans, like we eat mammals.
I peel off your skin, then chop off your head,
they eat your skin with some mayo and bread.
The payment plan is very well,
if it wasn't, I would never sell.
Times are tough in this recession,
please don't get the wrong impression.
This has become my career and passion,
sorry that I show no mercy or compassion.
I lure people into my home,
started with a salesman selling chrome.
Jehovah Witnesses are easy victims,
I guess you can say I have serial killer symptoms.
I sell the blood to all the hungry vampires,
if you could only read my secret diaries.
If anyone you know is considered missing,
it's because of me going fishing.
Cannibals give me a people list,
I'm doing Gods work with a twist.
Ten years and going strong,
I guess, what I'm doing is wrong.
People please don't judge what I do,
or my next victim, could be you.
Mitch Nihilist Jul 2016
An after midnight wolf
lives as a sheep by day,
amongst opposites
he sees through
sheep’s clothing
and moralizes through
insecurities,
though inaccurate,
accusations man
a marionette,

a wolf in sheep’s clothing
can manipulate but
is easy to forgive,
an after midnight wolf
can ruin his sheepskin,
and have follicles run dry,
alcohol and anger
and selfish malevolence
over compassion, thought and
apathetic benevolence,
the sun can divide strong from weak,
an after midnight wolf lashes
and drinks
and lashes,
regrets and lacks morals
yet lacks intent
only listens to his mind
and not his heart,
he sheers himself
with broken bottles
and it takes a while
to grow back
Timothy Brown Oct 2013
Stuck in a rut
of fear.
Guck, through I cut,
now clear.
Shuck, here's a nut;
no beer.
Pluck until ****
then jeer.
Struck at the glut.
New sheers
Meanings are relative.
© October 4th, 2013 by Timothy Brown. All rights reserved
ΟΥΤΙΣ Feb 2015
a ruddy thrush of experience

artifacts your chest

opal sheers of lineage

marred by remains

of precise and careful

additions to a calcium

body

accented by a

lightning storm quicksilver

river

coursing across neck

and chest

a mark to guide

breaths of life into you
Lauren Marie Nov 2013
Roses have thorns for a reason.
If they were all beauty with out defense
Those hard, sharp edges
Extending from their stems
They would be easily plucked and clipped
Taken advantage of.

They would be used
For some hideous centerpiece
That would be adored for a few hours
Than ignored for weeks

Until the water turned black
Leaves rotted and decayed
The petals dry out and fall
Leaving bare stem remains.

Leave me in my garden
Where I am surrounded by friends
The daffodils, lilies, white chrysanthemums.

The hard working bees
Could make delicious honey
From my sweet nectar
That would be taken to the hive
And served to the Queen.

The words I speak
Are my thorns
Verbal warnings
That I am not to be reckoned with.

Release your the sheers
Remove your greedy hands
Grab me like that again
My thorns will make you bleed
You will be sorry.

Truthfully speaking,
You will never be a rose.
Even if you tried
You would result as a ****
A blight, a disease
Pulled from the ground immediately.

You are a hideous creature.
A monster.
Without you
I am stronger.

I am not a dandelion anymore
Easily destroyed
From a meager blow.

Let me alone
I am a Rose.
Cameron Boyd Jun 2016
Wet skies
Grey dawn
Blankets the coast.
Black rocks
Sea foam
Triggers the most
Atlantic applause,
An encore to those
Just hearty enough
To make a life on The Rock.

And to answer the call,
Between stone cracks,
Moss roots,
And squalls,
A garden was planted
Where nothing
Had grown
Before.

Before...

Before the Gardener came
The coast was a love-lettered painting,
A bouquet to the sun,
Orange, red, and yellow flattery
Through living imitation.

"Seek ye first the kingdom of God,"
Said the sign
On the gate
At the edge of St Johns.
"But I think I've finally found it,"
Said the man
Creeping silent
With his too sharp sheers
Cutting flowers
Uninvited. -
- Everyone's front lawn
A memory
Of what united
Them for two score years.

****** hands dropping pedals on his way to the shore,
"Don't worry," said the man,
"I don't want to come back,
With any luck," he said again,
"I think this should be enough."
As he placed in the arrangement
A note that read,
"Je suis
Désolé.
Bitte fragen Sie nicht
Für mehr."




100 years ago, July 1st, 1916, the entire Newfoundland and Labrador regiment was killed at Beaumont-Hamel, during the Battle of the Somme in World War I. Of 780, only 68 reported for roll-call the next day.
After 40 some years of having no military of their own, they had mustered up a unit of volunteers to support the war effort. 90% of them never made it through their first engagement.
Canada Day isn't just about celebrating.
Angela Moreno Aug 2015
He wakes every morning 
To stare into the mirror 
And wonder when his face 
Turned like elephant skin;
For all his mind recalls
Is a memory of a laughing girl
Who pulled the ribbons from her hair,
Until one day she stole his sheers
To carpet the floor 
With black raven wings,
All because she longed to drink
From the basket of life,
But in his animal-instinct weakness
He cut the cord
From the source 
To her lips.
Frida Kahlo Diego Rivera
Manic Brilliance Nov 2015
I work too much to think,
I think too much to work.
one minute I'm playing games,
trying hard to stay sane,
and then at my face I stare,
trying to fix my hair.
funny how time flies,
when you're doing twenty things at once,
I'm not the other guys,
it's been way to many month.
it's funny isn't it?
you try hard to keep your mental,
but your mental is detrimental to potential to have potential.
I despise the way you cry in the rain to hide the pain, when you try to hide the tears, and shelter all your fears, it's been way too many years, so you change it with the sheers, one hair at a time, counting down all of the crimes that happened to your life as you're reaching for the knife, screaming on the inside, but my words you don't abide when I'm trying.
I'm just trying.
****** I'm trying.
I'm trying.

I walk away in a silent vision of all things that are violent.
changing the description of faults, you default back into the shell as if it were your fault, but it's none but their own from what the records show.
And I try to make you see that inside my eyes you'll see a soul that's ment to be the reason that you breathe. but my words you don't abide, but I'm trying.
I'm just trying.
I can see, that you're trying.
I'm trying.

Delirious to the mysterious succession of the furious fears that settled in to the demons that are near to us and thus we make them dear to us.
my friend you are just missing out on what your life could be all about. a future that you surely doubt but realise that you're finally out. so wipe away the salted wounds that only you can see and despite all of the water you have to let yourself breathe because you're free. but my words you don't abide but I'm trying.
I'm just trying,
she not special but you're trying.

In the end do you love? or perhaps it was lust? or perhaps it was a must, for you to claim your trust. that you lost from your past? as a child you didn't last very long in a fight internally ignited by the crazed human beings that you said you wanted to show you your affection? instead of dereliction of a fantasy of perfection? and I read all of your sections and my words you don't abide even though I try.
and man, I am trying.
stop fighting it and try.
I'm just trying.

Albeit that you must realize who I am. I'm ashamed of what I was, I'm ashamed of what I became. I could never hide my sin, and I never could fit in, no matter friend or kin. so I hide the voice within trying to tell me to let them in. but what you know is just the skin. and you see.
the skin sheds.
as it dies, it tries to hide.
and me? I'm just trying.
so a hermit I will become.
because all I do is try.
and for now.
I'm done trying.
brandon nagley May 2015
Where her preponderance takes over rainbows will overtaketh thy dark cloud, the phantism of her queen screen projection is for all to daydream of!!! What a riddle shell leave you upon thy emptied tray, her mysticism and mystification can leave a bruise upon thy name!!! An atlas of lost time, shell pursue to all oceanic depths, a mall thief of unbelief, she just could pile all thou has left!!!! An intensive heart throb to maximum proportions, she will jeer you to distortion if thouest forget her special occasions!!!
How lovely is thy own grass when it withers? Still leaving behind sheers of myrtle grove? She will dissavow your heated warm loathe.... Discerning one, disclose me all the way, where is thy key to ones disorderly dungeon? The embellishment to all real estate!!!!
One whom I can fascinate and rellish to mine and hers own doings!!!!!!!
Note- this is not about a real women lol just sounded fitting to me (): enjoy eh friends!!!!
Steven Hutchison Apr 2012
Mother Nature,
green-thumbed,
with eyes of purpose,
with floor length gowns,
went about her morning gardening.

Singing to her crops of we,
the skin of her feet tracing mountains and reefs,
granting rain to the thirst farmer patch,
her scent driving men to humility.

Lungs filled sharp as she winced her eyes,
at the sight of blood she grit her teeth.
The urban thorns were growing now
and choking blossoms of unity.

Remnants of her song now ghost,
the sky grew dark as she approached.
She snipped, with hurricane-force sheers,
and trimmed Louisiana's coast.
Day 21, in reaction to reading Patricia Smith's 'Blood Dazzler'
EP Robles Nov 2020
Eyeball god in mouth

Ostara?…Dio?…Luna? …

Is light as hunger for colors?

Eros the god of eyes and the hidden feelings
shameful man with ***** **** — sighing ***
in his heart — a crack, deep and wide!

Black Hole!

Punk rock for a Black Hole!

Rainbow and jubilee exploded in flood!

Like a ***** universe all of our pornographic desires
moments of starving stars and **** stars!

An eyeless god living in a glass tube with hearts
like hot flashes in heat-blasted rooms!
Pulsing pimples — swirling while a midnight sky
brings forth a cacophony of cosmic screams!

More impassioned raw-animal! More barking!
more vibrations — more imminence!

More sinewy limbs on show — ***** I’m looking at —
lifeless grey body but voracious pink face!

It licks and whimpers, suckles and *****!

Shall I become a statue again? — glazed face with eyes
sheers-white in precession of Venus?

Hey! Taint! Milk it!

:: 11.12. 2020 ::
Detached Dreamer Oct 2015
He didn't like the flowers
that sprouted beneath my collarbone.

He hated the red oak
and the fruit that I'd grown.

So I plucked every petal,
brought sheers to my throat
No longer my haven,
I was a garden of smoke.

Now he holds my wilted pieces
with a face of disgust
and decides an empty garden
is just too much fuss.
Aliya Almoudheji Dec 2014
Watch movies about daughters who killed their fathers,
you are obsessed with paintings that are crude words written in children’s crayons,

and your wife exhausts you,
you can’t stand how
her shoes match her gardening sheers,

your house is intentionally or unintentionally patriotic
red doors, blue shutters, white vinyl,
hey I’m successfully sedated,
it’s so much easier this way,

I don't even have to drink scotch to fall asleep by 10,
"at least I don't have to pay women to **** me,"
I was proud of you for that one,

everyone tells you "I’m one of the good ones,"
chairs set in an illuminati triangle around the dinner table,
you ask your daughter how school was, she says
"spectacular," the poison trailing from her mouth to
the carpet to your loafers,

cameras everywhere,
through the window,
through the drapes
your wife is on a dinner date with your boss,
your wife is in a motel with your boss,
your wife just wanted to **** a powerful man for once,

you sell me **** in your garage,
my dad sent me to an institution but I fall in love so easily,
I watch your daughter in a shadow on the lawn at 11pm,
I convince your daughter not to **** you,
convince her to run away instead,

hours of film of small private lives,
the glare from the window pane
not enough to obscure how embarrassing people are,
but I love you for this,
the best footage being
inanimate objects dancing in the wind,
it’s proof I think of forces in the world
we don’t recognize at first til we feel them,
then we can’t stop recognizing them,
then we can’t stop trying to get them back,
then we spend our whole lives in pursuit,
of that evasive silent lightning strike,
moments before a kiss from a beautiful sad girl,
how it hurt a very specific part of our chests,
but like in a good way;
like in the best way possible.
Chris Apr 2015
.

Whispering apricot beams shine upon frilly sheers,
lazy shadows dance in daffodil dawn colours,
pirouettes of pleasured moments,
silently flowing on smooth brush stroke walls

You breathe, softly, the sweetest sonnet,
rhythmically exhaling beneath satin sheets
symphonic…bringing a grin to the sunrise,
blushing clouds hide behind a bashful horizon

Placing a gentle kiss upon rose petal shoulders,
you stir ever so slightly…eyes flutter, chiffon wings
hugging the pillow wistfully, floating within,
cascading between dreams of us

Exploring the mesmerizing curves of your body,
my lips touch warm porcelain skin,
the faintest sigh escapes, a smile appears
as your wispy fingers seek my own

A purr escapes, whispered desires sooth,
tranquil thighs twitch as they part slightly,
the sweetest scent tempts me, awash in dewdrop bliss,
glistening beads of summer rain memories

Probing gentle folds, serene recesses of silken slivers
sipping the morns perfect elixir, ambrosia,
seeing your eyes wide open now
and falling once more deeply into their hypnotic beauty

Maple sugar cravings, slippery pearlescent glimmers,
tasting your flavors as methodical moans sift dawns hush,
drippings linger my lips…nectarous indulgence,
essence of honeysuckle breezes

Hands ****** my hair, wavy lengths, grasping  
tickling heated embraces, melting into the morning
reaching beneath arching form…pulling nearer, closer
quilted comfort massages

Sunshine illumines the room with sparkled effervescence,
writhing deep into the blue sky destinations,
azure visions of springtime promises kept
and green grass wanderings

I rise with you, fall with you…with this perfect time,  
mirroring movements in reflective crescendos, rapidly,
as your voice sings my name, feathered pillow melodies,
ending in an ovation in hummingbird quivers

And you collapse, tethered breaths, tiny giggles
pulling the sheets tight to your chin playfully
I peer up, cinnamon eyes gleam, twinkle
*rejoicing as brand new day begins…in love
Use your imagination.  :)
Sorry, it's a little long but once I started it was hard to stop
The Nameless Sep 2016
I’m
       Picking you
                 Picking you
                           Picking you out
And
                          Bleeding you, bleeding you, bleeding you dry with
The
                         Sharp sheers of my too clever coffee-lipstick-stained
Lord
                          And the garden variety scorn you Rose-hipped hipsters
Said
                          Your rosy glasses and tinted cheeks proclaimed, and:
               I’m
                         Casting you
                                     Casting you
                                               Casting you out
The
              Immortal, infallible garden of meaningful
Man
            And his poetry-stained bedsheets and love bites
Has
            Taken to candle lit vigil nights and too tall pedestals, has
Become
            More or less himself, of himself, for himself, for nothing, really,
One
            With smug sadness and the proud self-aware death
Of
            Self-proclaimed martyrdom sold to
Us
            Twenty-five percent off at Walmart.
                      I’m
                                 Taking you
                                              Taking you
                                                       Taking you down
To
                     My level, (game over, hit restart)
Know
                    That you were always player two and
Good
                     Intentions are nothing more than fancy dress
And
                    On your sleeve sit a collection of hearts,
Evil,
                    They pave the way to hell.
Kiri Nells Jun 2011
Flakes of mica and diamonds
Scattered on the cold, grey floor
Reflecting the faces of yesteryears
And people forgotten
Rotten memories eaten at the core
Histories erased, scorched and burned
By our own fires at heart and word

Sheers for cutting crystal
And teeth for devouring silver
Bending the True Gold with its lips
And justifying pyrite and iron
For what did change
That living truths would become deceased to the worldly
That poisoned deceit come of value to the trade and less to traitors?
For who did slide his alluring hiss to
Manipulate and falsify
The common thought?

Insight from the outside
Forced but widely accepted
Did bind what smooth tongued statements
Then blinded to what has been bound
Add that desire has been labeled “the sacred emotion”

Love has been fired down
And showered by water like William Blake’s
To grow a new love
Secret identity: Lust
But for its shaded reality must mean
A hero
A tolerant, but unloving hero
Or *heroine
Samantha Apr 2015
I walk into the thrift store yelling at my mother,
which is terrible because
1) I’m yelling at my mother in public and
2) I’ve always hated people who yell at their mothers in public.
But she just won’t stop
Dissecting every part of me that I hate,
Every part that is stripped bare for all the world to see
But is still somehow secret.

Somewhere between 12 year old me
With her short blunt black curls and bruised knees
And 15 year old me
With her blood shot eyes and broken back trauma
I’ve developed a habit of stuttering my words,
Of letting anxiety snake through me like
Early on set rigor mortis.
Somewhere things got seriously ****** up.

How do you tell your mother,
Who birthed you who raised you who loved you,
That you can’t talk to strangers
Because you once got too friendly with a boy
Holding garden sheers,
A boy who clipped your wings and left you
On a bedroom floor?
How do you tell her
Your poems aren’t just statements,
They’re stories?
How do you tell her
You’re like Sisyphus with the boulder,
Like Prometheus with the eagle?
How do you tell the truth?

I walk out of the thrift store quiet.
My mother doesn’t say a thing.
On the way home
She takes sharp turns and hits the brakes.
Hard.
My stomach churns.
This is my punishment and I deserve this
For yelling at my mother.
Gioia Rizzo Jul 2011
In the beautiful silence around us

I only hear

Your throaty whisper

My heartbeat quickening at as you graze my collar bone

The soft swoosh as my dress falls to the floor

The wind blowing the sheers in front of our glass wall

The sound of traffic on the bridge

The engines of jet planes landing in the nearby distance

The city noise across the river

The rustle of sheets tangled between our bodies

The friction between skins

The sounds of leaving and goodbye

In the deafening silence around me
Zombee Oct 2014
this is where i lay my Head,
let my Brain remain aSleep,
dream of Rays n razor's Edge,
fetch a Blade n slay the Sheep,,

seep the Sheers n near the Ledge,
shed the Tears n steer the Ship,
shifting Gears n piercing Threats:
threading Needles  --  wielding Stitches.
"This visage  --  no mere veneer of vanity -
is
a vestige of the vox populi
now
vacant  --  vanished."

- V


http://www.youtube.com/watch?v=ACUpr5GvVsE

_
Poetic T Jan 2016
When the chains fell silent, the gears stationary
Once more. When sheers where as they were.

Everyman's ideology fell soundless on the
Breeze of once tainted obsessive thought.

Bullets were but pebbles now taken by the
Shores of time, stationary no longer tainting air.

A rose grew through the white bleached remnants
Of what exhaled life now motionless and still.

Man was many things but his temperament
Grew to strong, now earth heal now he's gone.
Francie Lynch Jun 2023
One hundred years ago
My Mammy was just three,
The exact same age as me,
When she sailed us across the sea,
All those years ago.

Just lately,  just now,
I said Mammy's Mammy's name out loud.
What was that, I asked.
For sure her name's not been said
For many, many years.
Margaret Duffy
A dog barked.
So I said my mother's:
Mammy
A breeze furled the window sheers.

The dog continued to yelp,
So I said her other names louder:
Brigid...........Nellie

I will keep the wind inside me,
And allow the dogs their day;
Your names will still be called upon,
In stress or tranquility.
The Irish have called their mother "Mammy" since forever.
Lin Cava Oct 2010
I’ve been drifting in a clearing at night. Alone
once more; the music of this place sings sweet memories.
I listen to the spill and tumble of the water nearby.
In quiet reflection, I can still hear laughter.

Pieces of our own music come back to me
as remembered kisses on the sand -
an embrace; the lightest touch amidst the trees
a tease and the chase; the mystical haze - lifted.

Awakening to delicate remnants of its touch
evaporating too soon to recapture.
Was it there? The sense of it; the caress?
By some connection; is it with me, even now?

In the sharp sunlight of morning,
summer sheers flutter at the window –
and I am filled with it once more.
The scent of sun on skin, sand in my toes...

I hold out my hand to the finger of sunlight.
From no-where, a fairy puff lands on my palm.
In my morning shower, a tendril of grass.
In the kitchen sink, a sliver of lime.

Is it that place, or the Spirit, calling me back?
Have you journeyed, too, as freely as I,
to breathe in tender sweetness,
to listen to the laughter once shared?

No. Perhaps not; my shadow of doubt, alive.
But the flame burns again, and as much as I try,
I cannot close the door, nor ignore the call of its
enchanting charms or the heartfelt touch that beckons me

In dreams...

Lin Cava©
Creative Commons
Jacobo Raymundo Dec 2013
The brilliant aurora of the sun
Evaporates in a vacuum of sorrow
A world unlit, shamed by darkness

A steel wind penetrates my soul
And sheers the joyous sparkle from my eyes
A life unseeing, blinded by desolation

A blanket of snow warming my heart
By numbing me of my pains
Unfeeling, paralyzed
I'm releasing this for now... However do not be surprised if this comes down. I may be using some of these phrases in a much more complex project I have in the works
Alan S Bailey Jul 2015
It's a vicious circle of love and hate,
Me and you,  you and me,
Cutting the thorns off around stem,
The rose looks beautiful,
Set next to me, all the color,
Nothing detracts from it,
But it's so hard to get them all,
The sheers are quite wonderful,
An extension, just like your hand,
Careful watch, gliding effortlessly,
Following cues is easy, fact of life,
Before we be ourselves let's take one
Moment to try to think of something
Besides how happy we would be,  right.

It's a thin line between masculine control
And making a women your prized treasure,
Like that rose if he takes more snips,
He can cut it down to "perfect measure,"
Have it to go with his set of trophies,
Whatever is the current prickly danger?
Fix it up, face the facts, your reputation flawed!
Until this rose is no longer so prickly sharp,
Makes it easy for me to have your cake and eat it,
In between your being *yourself and odd.
Like a loose thread on my favorite sweater,
I couldn’t resist pulling.
My heart pounded as I held the stitching in my hand
But knowing it could unravel all around me
I grabbed the sheers
That found their way into my right side pocket
Used too often
Sharpened by cutting grief
And clipped the string
Saving my words for another day.

— The End —