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"resumes" poems
I hold the feather’s weight of your artery in my pick-ups, and tiptoe the tightrope about which life and death abuts. You’re a 2 AM trauma and we still don’t know your name, the social worker’s thin lips had mouthed: “estranged.” I read your anatomy like a text as you flat-line: your hands turn blue as your heart falls still in mine. The monitor hums "out of time," but by Epinephrine, and Grace, your chest resumes its rise. I leave trauma bay in prayer: for the surviving, not the knife; for the closeness of my hands in your chest, our joining in this life. Tonight I see you at the Kroger, buying TV dinners and beer. I hide behind cereal, admiring the life I’d held dear. But you look so tired, and my heart breaks for how when you died, I would’ve sold the shoes off my feet to buy you more time. I wish you knew how precious was each of your heartbeats, I wish you the wisdom of my view: How fragile the stent is where your veins meet.
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Apr 5, 2018
Apr 5, 2018 at 7:32 PM UTC
A brief history of surgery
I do not see space travel as an evolutionary event I look at it as an excess of dissociative disorder colonialism and the making of whiteness whiteness justifying the guilt by searching and searching somewhere else not somewhere better just somewhere else there is nothing better than how we evolved are place within experience all that surrounds us is intimately woven with our sheer experience that has evolved without the possibility of memory or redundancy or even a pattern or repetition to desire somewhere else is to leave the best most evolved experience of being human organic intelligence artificial intelligence has patterns that are not evolution or the experience there of they are patterns that are also of this desire to be some where else where ever it may be a space or an entity an other counter-transferance aliens colonization product of whiteness excess the profit of colonization dissociative disorder from the experience of being human if you teach people that evolution is something related to a process that is merely the documentation of the desire to be somewhere or something else slavery is a combination of somewhere else and something else it is like aliens inherently under control of a powerful military actually the alien extracted from their home all mighty whiteness is the most powerful dissociative power evolution did indeed give us the possibility to dissociate but is was designed for empathy not as a tool to be somewhere or something else the experience of the dissociative human declaring whiteness has other opportunity but to experience slavery since it is a dissociation it is delusional and although the human dissociating may not be within the structure of slavery they conceive they are without the original experience I notice them organic intelligence resumes
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Aug 9, 2016
Aug 9, 2016 at 10:23 PM UTC
somewhere and something else simultaneously
I do not see space travel as an evolutionary event I look at it as an excess of dissociative disorder colonialism and the making of whiteness whiteness justifying the guilt by searching and searching somewhere else not somewhere better just somewhere else there is nothing better than how we evolved are place within experience all that surrounds us is intimately woven with our sheer experience that has evolved without the possibility of memory or redundancy or even a pattern or repetition to desire somewhere else is to leave the best most evolved experience of being human organic intelligence artificial intelligence has patterns that are not evolution or the experience there of they are patterns that are also of this desire to be some where else where ever it may be a space or an entity an other counter-transferance aliens colonization product of whiteness excess the profit of colonization dissociative disorder from the experience of being human if you teach people that evolution is something related to a process that is merely the documentation of the desire to be somewhere or something else slavery is a combination of somewhere else and something else it is like aliens inherently under control of a powerful military actually the alien extracted from their home all mighty whiteness is the most powerful dissociative power evolution did indeed give us the possibility to dissociate but is was designed for empathy not as a tool to be somewhere or something else the experience of the dissociative human declaring whiteness has other opportunity but to experience slavery since it is a dissociation it is delusional and although the human dissociating may not be within the structure of slavery they conceive they are without the original experience I notice them organic intelligence resumes
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77
Keep your American football Your helmets and body armor Rugby is the game for men Bang on the head, a bleeding wound Ten minutes off the pitch Six stitches and a bandage And the rugby player resumes Take the hit, take the pain The tackle must be made The shattered bones just part of life Worth the yardage gained I've had the broken bones The stitches in my head I had the very worst Because in a tackle I broke my neck But it never did deter me From the game that I so loved I remember all the times Shaking hands when smeared with blood Yes rugby is a game for men A game where pains the norm A game for modern knights A game where men are found
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Feb 15, 2015
Feb 15, 2015 at 10:46 AM UTC
RUGBY... A Game Played By Men
1682 Summer begins to have the look Peruser of enchanting Book Reluctantly but sure perceives A gain upon the backward leaves— Autumn begins to be inferred By millinery of the cloud Or deeper color in the shawl That wraps the everlasting hill. The eye begins its avarice A meditation chastens speech Some Dyer of a distant tree Resumes his gaudy industry. Conclusion is the course of All At most to be perennial And then elude stability Recalls to immortality.
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Summer begins to have the look
The Pigeon Gent, He woos and coos around the river bent. Pursues his muse with artful dance and skillful prance, With inflated neck and ruffled plumage, until his energy or luck is spent. He then resides by ebbing tides to ponder on his next advance. "Now Now", "Whats This" the gent exclaims, A shadow looming from the skies. With ***** and claps he glides and lands with  full surprise, He spies the intruder, "A fellow Brooder". Pigeon gent cant believe his eyes. Pigeon Gent cannot believe the sauce, The scurge seems intent on taking his prize by force. At once he knows he must respond, And force this illbread vagabond to abscond. At once chest puffed and muscles flexed, With wild eyes he jabs and pecks. To teach this ruffian respect, So on his actions he may later reflect. He stands his ground both large and proud, To make example of this foul winged burglar from the clouds. "You insult me sir" he shouts aloud, To make his intentions clear for all the crowd. For several rounds they fight and scuffle. With intruder retreating, feathers ruffled. Then bested suiter fairly parted, The quarrel ends as fast as started. The vanquished victor displays and grooms, As peace and honour now resumes. Soon the ripples upset the green, An armada of ducks come on the scene. Alerted by the heightend coos, They race to see what act insues. The mighty mallards, Kings of the river, None contest their right of way. Their ways of conduct such generous givers. Majestic river royalty, the law is always what they say. On bank or shallow pebbled river they have always been, They love to feed and breed amongst the river scene. There royal cape made up of browny reds and shimmering greens, reflects and intejects on mirrored water skies and evergreens. To their mates for life and lady lovers, The mallard gent is like no others. Such loyalties are seldom seen, In modern times and different dreams. Fine and lean with striking features, Best examples of river teachers. But at any moment no matter how abrubt, A river duel may easily erupt. Battle can ensue and rage, As both apponents approach and engage. For they mate for life as duck and wife, A rarity in any age or life.
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Sep 2, 2018
Sep 2, 2018 at 1:38 PM UTC
The Pigeon Gent
The Pigeon Gent, He woos and coos around the river bent. Pursues his muse with artful dance and skillful prance, With inflated neck and ruffled plumage, until his energy or luck is spent. He then resides by ebbing tides to ponder on his next advance. "Now Now", "Whats This" the gent exclaims, A shadow looming from the skies. With ***** and claps he glides and lands with  full surprise, He spies the intruder, "A fellow Brooder". Pigeon gent cant believe his eyes. Pigeon Gent cannot believe the sauce, The scurge seems intent on taking his prize by force. At once he knows he must respond, And force this illbread vagabond to abscond. At once chest puffed and muscles flexed, With wild eyes he jabs and pecks. To teach this ruffian respect, So on his actions he may later reflect. He stands his ground both large and proud, To make example of this foul winged burglar from the clouds. "You insult me sir" he shouts aloud, To make his intentions clear for all the crowd. For several rounds they fight and scuffle. With intruder retreating, feathers ruffled. Then bested suiter fairly parted, The quarrel ends as fast as started. The vanquished victor displays and grooms, As peace and honour now resumes. Soon the ripples upset the green, An armada of ducks come on the scene. Alerted by the heightend coos, They race to see what act insues. The mighty mallards, Kings of the river, None contest their right of way. Their ways of conduct such generous givers. Majestic river royalty, the law is always what they say. On bank or shallow pebbled river they have always been, They love to feed and breed amongst the river scene. There royal cape made up of browny reds and shimmering greens, reflects and intejects on mirrored water skies and evergreens. To their mates for life and lady lovers, The mallard gent is like no others. Such loyalties are seldom seen, In modern times and different dreams. Fine and lean with striking features, Best examples of river teachers. But at any moment no matter how abrubt, A river duel may easily erupt. Battle can ensue and rage, As both apponents approach and engage. For they mate for life as duck and wife, A rarity in any age or life.
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52
Whitewashed four walls Silence and total recalls Ticking clock on the wall My mind begging for a curtain call Flashbacks in my cerebral theatre Complimenting the rainy weather Raindrop falls as my insides wither As I lay on my bed where we were last together 4 months gone and I still remember Your scent from my shirt down to my sweater Your voice I recall and every laughter Became history now that you found another So much done in this apartment room So much wrong ended it so soon River of tears flow as I vacate the room Another chapter ends, a new story resumes
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Jul 22, 2018
Jul 22, 2018 at 7:51 AM UTC
Apartment Room
The 3 toed sloth Rhymes with goth Or is it oath Moves slowly Sometimes algae grows on his head Joni Mitchell didn't mean him when she said Wild things run fast 3 toed sloth, he'd come last Once a week he climbs down from his tree And that's to have a poo and *** Now sloths get amorous But *** is tricky up a tree He moves too quick, he's not used to it And hits the ground involuntarily Randy broke his arm Kind people fixed it with titanium He resumes his slothful days But now he's more careful with his loving ways
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Dec 31, 2011
Dec 31, 2011 at 4:18 PM UTC
Randy sloth
Step by step , my sword feels heavier, the rain a billowing distraction, your face in my thoughts, a crime I always tend to commit, instrumental skill is needed, my wits stay sharp, a forest full of noise, my presence is known, seven pairs of eyes watch, my steps and actions, the silent face, before death, I kneel to slow my motion, eyes closed, the rain falls, eyes open, they appear, seven deadly distractions, I move fast with intensity, ten slashes, bodies fall, I stand breathing alone, my motion ceases, the rain washes the blood, each **** an expression of you, your eyes my true weakness, you may never know this, my sword is drawn back, the stroll resumes, you sleep silently, the rain falls harder, my heart follows in parallel….
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Jul 21, 2014
Jul 21, 2014 at 12:29 AM UTC
Samurai Blue
Three days, is what the HR rep said, somewhat sheepishly, As if she was fully aware that boxing up one’s grief In a span of a few dozen hours Is a matter of wishful thinking And certainly she sympathizes (Indeed, as she speaks, She spreads her hands in such a way As you half expect doves to come forth in full flight) Empathy being their stock in trade, But the law and the handbook say three days, And then you need to have your head ******* back on and looking forward. Eventually, the mail brings fewer envelopes Marked with embossed flowers And subdued and tasteful stamps, The usual flow of solicitous inquiries, Pre-stamped and pre-sorted, Inquiring as to your credit needs, The condition of your windows and siding, Resumes apace, and more than once, In fits of inappropriate black humor and frustration, You scribble, in bold thick strokes of a marker, The addressee no longer resides at this location. You return to nine-to-five, Though your ghosts keep their own hours, Stopping by to visit on their own schedule alone, Prompted by the tiniest of things: The dog scampering to its feet in a hurry, As if someone was at the door, The discovery of a long-unused pitching wedge Standing expectantly in the back of the closet, A song from long ago which was beloved When you lived in the pairing mandated by Noah Before you entered the shadow world of ones and nones. Sometimes you give into the giddy madness, And rise to waltz around the room, Careening about unsteadily, clumsily As you have yet to completely master The difference in weight shift and distribution That is required of a solo act. The timing of these visitations Often disrupts your schedule and sleep patterns, And you think that perhaps tomorrow you’ll call in.
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Nov 28, 2017
Nov 28, 2017 at 10:38 AM UTC
sick day
Three days, is what the HR rep said, somewhat sheepishly, As if she was fully aware that boxing up one’s grief In a span of a few dozen hours Is a matter of wishful thinking And certainly she sympathizes (Indeed, as she speaks, She spreads her hands in such a way As you half expect doves to come forth in full flight) Empathy being their stock in trade, But the law and the handbook say three days, And then you need to have your head ******* back on and looking forward. Eventually, the mail brings fewer envelopes Marked with embossed flowers And subdued and tasteful stamps, The usual flow of solicitous inquiries, Pre-stamped and pre-sorted, Inquiring as to your credit needs, The condition of your windows and siding, Resumes apace, and more than once, In fits of inappropriate black humor and frustration, You scribble, in bold thick strokes of a marker, The addressee no longer resides at this location. You return to nine-to-five, Though your ghosts keep their own hours, Stopping by to visit on their own schedule alone, Prompted by the tiniest of things: The dog scampering to its feet in a hurry, As if someone was at the door, The discovery of a long-unused pitching wedge Standing expectantly in the back of the closet, A song from long ago which was beloved When you lived in the pairing mandated by Noah Before you entered the shadow world of ones and nones. Sometimes you give into the giddy madness, And rise to waltz around the room, Careening about unsteadily, clumsily As you have yet to completely master The difference in weight shift and distribution That is required of a solo act. The timing of these visitations Often disrupts your schedule and sleep patterns, And you think that perhaps tomorrow you’ll call in.
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43
Piano llorón de Genoveva, doliente piano que en tus teclas resumes de la vida el arcano; piano llorón, tus teclas son blancas y son negras, como mis días negros, como mis blancas horas; piano de Genoveva que en la alta noche lloras, que hace muchos inviernos crueles que no te alegras, tu música es historia de poéticos males: habla de encantamientos y de princesas reales, de los pequeños novios que por robar los nidos una tarde nublada se quedaron perdidos en el bosque; y nos cuenta de la niña agraciada que recibió regalos de sus once madrinas, que no invitó a la otra a sus bodas divinas y que sufrió por ello los enojos del hada. Me pareces, oh piano, por tu voz lastimera, una caja de lágrimas, y tu oscura madera me evoca la visita del primer ataúd que recibí en mi casa en plena juventud. Piano de Genoveva, te amo por indiscreto; de tu alma a todo el mundo revelas el secreto; cuentas, uno por uno, todos tus desengaños. Piano llorón, la hermosa más hermosa del valle se nos ha vuelto triste por que tiene treinta años y no hay por todo el pueblo quien ronde por su calle. Genoveva, regálame tu amor crepuscular: esos dulces treinta años yo los puedo adorar. ¡Ruégala tú que al menos, pobre piano llorón, con sus plantas minúsculas me pise el corazón!
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El piano de genoveva
A solid center presages two generous edges to shoulder the weight of the curve: the bow relinquishes tension to the anchors of the taut bow-string. The wayfaring archer tends to the curve, notches the arrow, selects the target, gauges the wind, surrenders -- *Riding like an arrow on the wind,       sure to find its mark in Breath,       and the end of Breath it portends.*       A reveler abiding the flirt of angle and arc, finite and eternal, arbiter of the holy moment, the dance linking death with life; So unbearably near the horizons, desire yields its grip to the coaxing womb of the curve: tension sighs into the space between arrow-head and its mark. *And in the transmission of feeling       is the spirit of Life,       clinging - so gently - to free itself       of its own burdens.*       A sudden violence voids archer and stag: Continuity rushes forth to meet the sacrifice. The heart of the bow resumes its tension. And the curve evaporates, all but a trick of Timing.
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Dec 28, 2015
Dec 28, 2015 at 11:33 AM UTC
Asymptote
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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Preludes
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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58
A curiosity at the velocity Of the travel of boulders Crashing into ships Descending upon us Second goes by Pauses looks around And time resumes again Speeding towards insanity My mind screams yes You say no You will regret Hindsight goes hand in hand With impulse The consequence The aftermath Of your decisions
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Nov 19, 2013
Nov 19, 2013 at 9:43 PM UTC
velocity of love
Revving up the engine of the gleaming funky machine before zooming around, gave her such an Adrenalin high, nonperil. The constant ****** no guy ever could promise, this act gives her. She is pleased for that moment, gets ready for the ****** rigmarole, the very next second. She gets jealous of her own story, ever heard of that? On the race course and the spread bed alike her ebullience creates tsunami waves,broke long standing records. When you run fast enough there comes a moment,when there is no record left to break! and the beds, you guessed right, all are broken, made redundant. And then the inevitable happens, she smells leaking gas, panics, freezes on the track, shuddering, switches off quickly the engine of her dream machine,her heartbeat, makes the final escape,spontaneously, without delay, decides to renounce worldly pleasures altogether, up to the Himalayas goes by foot, seeking that thing which in life she missed all along, Finds silver light's play on ice caps, and realize this: she was walking through a dark, dark  tunnel , of self-deception,"Affluenza" was indeed her affliction. The Himalayan snow cap, loomed large as an attraction, in her dreams once, now seemed less formidable, at arm's length, "What a Guru,who looked timelessly ancient, jokingly predicted  once, comes true here"she muses. Her trek upwards resumes with a vengeance.
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Mar 6, 2016
Mar 6, 2016 at 6:08 AM UTC
Himalayan snow white
Such a slow day, time ticks by in tempo Provide a way to reach the sun, and It will be taken by men. Don't look at me that way, Even I have a weakness. Rendered useless by my own happiness Wisps of silky steel wrap 'round mine eyes Eke a living out of thin air Before your death is upon on us both Such a fast day, time resumes a tempo.
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Feb 26, 2010
Feb 26, 2010 at 7:47 PM UTC
Spiderwebs
In foreign land of towering pines And hammocks, mangrove-torn A dark-filled night reluctantly Bequeaths a pale dawn Upon one battered cypress perched, Amidst the morning haze, Bright eyes stare out from part-cocked head With piscicultural gaze. Intently focussed on the brook, That glides beneath the tree Alive to every shadow’s sound Yet never truly free. For choicelessly these eyes are drawn, As waters break below And like a flash a head snaps back And rippled muscles flow. Within the slightest moment’s breath, Two mighty wings released, Two claws full-stretched, two legs reach out The sinews, strained, unleashed. The beaten air the only sound, As time itself stands still And, tracer-like, on charted course The osprey meets its **** With consummate and practiced ease The painless end begins The single deadly blow is dealt As sharpened claws sink in. Then up away into the dawn And time resumes its course Two final beats – then disappeared Is this magnetic force. The cypress perch and well-filled brook As silent witness stay And as they settle – calm again The sun declares the day.
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Aug 26, 2014
Aug 26, 2014 at 8:18 PM UTC
The Osprey
the stifled sound rumbling on the tip of my tongue eager to come out. It roars with happiness and excitement from what it seems. But behind that exotic laugh is a soul. The laugh hides the soul keeping it hidden from outsiders. The laugh keeps a delightful smile on someones face. Everyone wants to feel happy..even if it is for a split second. That laugh takes your mind away from the dreadful thoughts of suicide or the painful outlook of what is called you life. The laugh takes away the pain as if were an antidepressant. But what happens when the laugh stops...that dreadful pain resumes to what is reality as it consumes your identity as a whole.
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Mar 9, 2016
Mar 9, 2016 at 9:17 PM UTC
A Laugh
A confinement to the street, I likened it to a bliss of pain. Not extended like an overrun episode, But the anxiety is sleepless, When yesterday approaches, I wrap myself in the ignorance, Homeless, timeless, It grows and defines, Coarses through my fundamental Lapses, A boy becomes an atitude, I wish i had these experiences in youthful insurgencies. Its someday in the week, I lose the raptured schedules, To hunger is life. To thirst is life. The misled winter wraps itself On my frozen life. A faint emergence of time Resumes, There in the shadows I once knew a man, The visions of him asking to feed My souless self. Stretched by insistent graces, In a road of certain contrasts, Gentle into the street, I laugh; the revolving doors, I cry; what or who i never was, A certain kind of grace to be Within the containment, the poor, the  restless, bleeding my facades, Shredding the faces I once knew Destroying my world. Once I sat upon a throne Lost in the decimations, I dont know who I am. Keep walking. Telling myself as the night freezes I will be just fine. Keep walking Telling myself in minced Thoughts as hope flutters against Nowhere to go. Keep walking, The sun rises And blisters on my feet Calm the night as the safety Of day lets me rest. I will bounce back tomorrow, And the streets become a ripened spring fruit, Losing myself And the art of loss Is no disaster, Not unlike losing my keys, Not unlike losing places, Not unlike losing names, Until i reconciled myself At the fork of the river, Losing myself is not an art: The beauty was in finding who I was meant to be.
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Mar 6, 2019
Mar 6, 2019 at 6:09 PM UTC
Homeless, Who I Am
A confinement to the street, I likened it to a bliss of pain. Not extended like an overrun episode, But the anxiety is sleepless, When yesterday approaches, I wrap myself in the ignorance, Homeless, timeless, It grows and defines, Coarses through my fundamental Lapses, A boy becomes an atitude, I wish i had these experiences in youthful insurgencies. Its someday in the week, I lose the raptured schedules, To hunger is life. To thirst is life. The misled winter wraps itself On my frozen life. A faint emergence of time Resumes, There in the shadows I once knew a man, The visions of him asking to feed My souless self. Stretched by insistent graces, In a road of certain contrasts, Gentle into the street, I laugh; the revolving doors, I cry; what or who i never was, A certain kind of grace to be Within the containment, the poor, the  restless, bleeding my facades, Shredding the faces I once knew Destroying my world. Once I sat upon a throne Lost in the decimations, I dont know who I am. Keep walking. Telling myself as the night freezes I will be just fine. Keep walking Telling myself in minced Thoughts as hope flutters against Nowhere to go. Keep walking, The sun rises And blisters on my feet Calm the night as the safety Of day lets me rest. I will bounce back tomorrow, And the streets become a ripened spring fruit, Losing myself And the art of loss Is no disaster, Not unlike losing my keys, Not unlike losing places, Not unlike losing names, Until i reconciled myself At the fork of the river, Losing myself is not an art: The beauty was in finding who I was meant to be.
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62
Sit in stillness Allow the unrest Of idleness Contour the shape Of nonentity Soon you’ll hear A loud ringing Within your ear The same noise Howling staunch Before you sleep The same sound blaring As the world stagnates And time loiters And sorrow seeps up from the rug I don’t think you realize You will never see him again As long as you live For now he is a tall tale Retold to offspring A distant memory A mythic architect Nothing in the past has ever occurred There is only now And now There is only the wind And the world moves on And time resumes clockwise And his ashes are spread about the sea
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Apr 3, 2016
Apr 3, 2016 at 7:40 PM UTC
Upon the Reception of Loss: A Letter to Myself
I stand firm, ground beneath me Foundation of solid feeling Foot connected to the globe Then she walks in Earth falls Stomach rises to my throat No other thoughts When will this torture end? She walks out Tremors shake me slowly Missed opportunities Missed chances Missing her She walks away Earth resumes its spin Shakey, but spinning
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Feb 7, 2012
Feb 7, 2012 at 4:50 PM UTC
Earthquakes
XXIII Is it indeed so? If I lay here dead, Wouldst thou miss any life in losing mine? And would the sun for thee more coldly shine Because of grave-damps falling round my head? I marvelled, my Beloved, when I read Thy thought so in the letter. I am thine— But . . . so much to thee? Can I pour thy wine While my hands tremble ? Then my soul, instead Of dreams of death, resumes life’s lower range. Then, love me, Love! look on me—breathe on me! As brighter ladies do not count it strange, For love, to give up acres and degree, I yield the grave for thy sake, and exchange My near sweet view of Heaven, for earth with thee!
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Sonnet 23 - Is It Indeed So? If I Lay Here Dead
(Mount Pinatubo and the Aetas) the mountain god that has slept for so long has decided, it is time to rise and as it opened its eyes and stretched its invisible limbs it unlocked a deep fury of destruction kept inside for years and years of restraint not wanting to disturb the people lying at its feet worshipers and true believers they are the few good people left in this wretched earth and yet the mountain god would not keep them safe from enormous grief and physical pain they too must suffer but they are flexible children they never really complain ashes flying while lava flows one by one properties and creatures were struck down like pins in a bowling alley it was so fast and so vast they never really knew what hit them until it was all over there are only shadows now plus sporadic eruptions the mountain god had made its presence felt and as it resumes its former pose of quiet repose i see the little black people huddling together and coming around back to sleep at the feet of the mountain god as of the start they said this is where they were born and whatever may happen this is where they will die so as they reach their prized destination i hear a song coming from their lips they are dwarfs in stature but giants in character i reached out to touch my little black brothers with pride for i love them true.......
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May 5, 2015
May 5, 2015 at 5:09 AM UTC
THE MOUNTAIN GOD OF THE LITTLE BLACK PEOPLE
*A large puddle and water resumes a calm reflection of cliffs above.. The same water in recent hours found new voice raging and tearing expressive duality.. Placid once now a surgical knife carving new paths through roadbeds and homes.. We reflect as water beings hope for calm to mitigate our storms...*
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Sep 13, 2013
Sep 13, 2013 at 11:34 PM UTC
Raging Water
Anxiety is a chartreuse bookmark pressed between the pages of life prominently protruding around the edges yellow and green sickly caught between past and future beginning and end But when the story resumes the bookmark is cast away forgotten as action ensues
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Apr 2, 2014
Apr 2, 2014 at 2:11 PM UTC
Anxious