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Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Another year gone, leaving everywhere
its rich spiced residues: vines, leaves,

the uneaten fruits crumbling damply
in the shadows, unmattering back

from the particular island
of this summer, this NOW, that now is nowhere

except underfoot, moldering
in that black subterranean castle

of unobservable mysteries - roots and sealed seeds
and the wanderings of water. This

I try to remember when time's measure
painfully chafes, for instance when autumn

flares out at the last, boisterous and like us longing
to stay - how everything lives, shifting

from one bright vision to another, forever
in these momentary pastures.
Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.
Áullos Kósmos
Gregory Dun Aer Apr 2017
Crescent orb radiates its crystalline sight,
languid lips coalesce like a tessellation,
the vexing vines wilder the incandescent-
glimmer but the burning impression remains.
Celestial bodies affixes a soliloquy amongst-
a halcyon tongue that revelate a rhapsodic-
episode.

Quiescent ambience rings a plethora of-
sentiments stinging on the mellifluous
lullaby. The lithe wildflower murmurs-
the euphonious recital of a sonnet that-
is unacquainted to the mind.
Luminous assemblies of fireflies retire-
behind the myriad of evergreen forest
as the insouciance wildflower approach.

Precocious primrose locked from the
scorching sensation of a wildflower
exhibited a lassitude facade like a -
waning lantern fiery on its final residues.
In the distant a wildflower and in
the presence, an idyllic primrose:
so scarce and so strange.
Mercury Slo Jan 2013
Shrooming in the last light
Gold ignites the trees
My gaze is the eternal compass
Of broken Time
Truth grapples with my mind
As I photosynthesize in the residues,
The residues of the last light.
Jami Samson Jun 2014
Take your thoughts to the sink,
Pile them all up with the plates,
Grimy and greasy
Just like your mind
Which you can scrub all you want
With a sponge or a foam
Since there's no difference
Above sea level,
But the residues will remain
Staining your perfect little machine,
Robotic, malfunctioning,
Because manpower is always better
Than a cold bin
Where it is just you
Echoing your asking everything
Except for what you want
Because cowardice and pride
Are the oil of your psychomotor,
Running,
Missing,
Out on those
Who really don't need you in their lives,
Let alone
To do their dishes,
If ever, in case,
So what the hell are you still doing,
Waiting for the suds to drain,
Don't **** your brain
Like this,
Get a pen
And replace the dishwashing liquid
With real poison.
#53, June.01.14
Marshal Gebbie Mar 2020
Jottings from David Bagerow's "Quickie"

Shame on she, the selfless *****
Who caused your temperature to fire,
caressed your sandy, sweated brow
To rivers of desire,
Tho she fled at poignant time
To leave you in the lurch.
Best you weave your magic touch
And promise her, the church.
Then woo her and caress her
In your happy, carefree way
Then at that moment of exultance,
Laugh and run away.

David Lessar's "To an Unread Poet"

Dave, You are right ,of course, once committed you raise an expectation and once that expectation is released to the world you are obliged to maintain face...but that damnable thing called "Life" intervenes and totally stuffs up the programme. Take the current interlude of coronavirus...the whole world has been taken by the scruff of the neck and jammed, inconveniently and complaining, into seclusion, all systems ground to a halt, production lines vacated, malls and city centres deserted, blown newspaper cascading across the deserted pavement...a testament to mans ultimate frailty when his house of cards collapses, without a whimper.
So you see, as life intervenes...we are excused from maintaining face.
But fear not, like McArthur, we shall return.
Cheers mate M.

Fawn's "Happy Trails"

Were it not the touch profound
That doth caress my feathered ear
Would thou wish a thousandfold
That I should shed a tear?

A glistened tear suspended there
in iridescent light,
While you, my love, with parted lips
Await, the ruby night.

Victoria's "Wherefore Art Thou"

Strides, he does, through corridors of lust bound lessers,
through forests of small penised dwarfs, through canyons of would be's who could be.....just to countenance the promise within your words....Dear Vix!

Terry O'Leary's "Sweet Butterfly"

You enter the portals of entomology where bugs, flies,butterflies and moths are the true rulers of the planet.
A world vastly magnified by compound eyes, of lightening lifetimes and vivid, saturated colour. A world where life and death are synonomous with the culmination of a single ****** union and the reproduction of a batch of precious pearly eggs. Yea Brother thee hath entered the portal...rejoice!
M.

Fun with Terry O'Leary

"Buried in the Sand" by Terry O’Leary

A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.

"A Rebuttal" by Marshalg

So Hood lied low, despite the show ensueing without help,
One would have thought a British sort would spring forth with a yelp!

Would spring ***** to help deflect contusions which occurred
When beggar Clump adorned the dump confusing all deferred.

Whilst sister Ant, attired in scant, ran forth on spindly legs
And brother Frog with shaggy dog said "****" and drank the dregs.

It all became too much, as such, a meelee did ensue,
So all called HALT and as one did BOLT...to the local for a brew!

Phew...that was FUN & hard work!
M.

Singing the Devil's Song*

There is no Makers formula
This life depends on chance,
The way you play your given cards
Depicts your daily dance.

Oh dogma flows in utterance
From pulpits far and wide
From those who claim to understand
Eternity's vast hide.
From those who hold damnation
As a weapon from on high,
From those who claim a judgement
As their finger points to sky.
The good, the bad are absolute,
The right bedevils wrong,
Redeemed shall live eternally
The bad shall singe for long.

Old men stand in pulpits
Across this Sunday's land
To threaten with damnation
If you should cross God's hand.
"Belief" is now their catchword
Abomination's wrong
Is to seek to proffer proof of claim
....to Sing the Devil's Song.

So gather all ye faithfull
Go listen to your man,
Sing the Gospel loud and long
And pay your tithe, as planned.
...But should you find you're dying
From cancer's frozen claw
And the the Godly fail to sweep you
To eternity's gold door?
Remember my clear message
Your life depends on chance,
You live within your own good sphere
....There is no Maker's Dance.

Marshalg
After an overdose of Pulpit hogwash.
10 March 2013

Singing the Song of Angels:
A Response to Marshal Gebbie's "Singing the Devil's Song"
By Luca Anselm
There’s a church in the city with pillars of stone
And windows like sea-glass, still and alone,
A fountain, and cloisters of ivy, away
From the noise of the street, and the hum of the day.
There my father would tell me of Christ, how he died
Surrounded by soldiers and thieves, crucified,
How he wept for the women, and fell in the sands,
And loved those who hammered the nails in his hands.  

Marshal, dear poet, you have heard the priests tell
Of a god who left heaven to walk into hell?
Of a god who wept softly for men he had known?
Of a god who dripped blood in a garden alone?
Of a god who sent men with book and with sword
With eyes bright as fire for love of their Lord,
With limbs dressed in black, on altars of stone
By windows of sea-glass, still and alone?

So they give up their lives for a lie, as we say,
And toiled for centuries, long as each day--
And our money built palaces, lofty and tall
With frescoes and candlesticks, gold on the wall--
They preach with words awful and deadly and free,
Of gorgons and hell-fire, worms and the sea,
Of the last day of judgment, and mankind amassed
By the wailing of angels and bright trumpet blasts…

But Marshal, they preach something sweeter and kind--
Of a mother’s soft love, of a father resigned,
Of a still, soft voice, that comes with a light,
And gives hope to the hopeless, and conquers the night.
Of charity, piety, sweetness and love
Like fiery ***-cakes, but soft as a dove,
Spicy as Christmas, solemn and grand--
(Like throne-rooms or magic or the roar of the strand)
Then you wake, and the house smells of peppermint-pine,
And a child is laid in the crèche, now a shrine.  

And all that I long for, dear Marshal, you see,
Are the gold-blooming gardens that soar by the sea,
The mountains and dragons, the prophets and kings
And Icarus falling with fire-fraught wings,
The grey-shifting sea-lanes, the flutter of sails,
Temples on mountaintops, graves in the vales,
And Dido who bleeds from her breast as she cries
For her Love, and stares helplessly into the skies.
But more than the shadows of worlds that might be
Of fairies or phantoms or rocks by the sea,
Dear Marshal, I long for who made me a man.
And would love and give glory as best as I can.

But these days oh! sad days, the loss and the shame
In which all of my loveliness falls into flame--
Where gardens have withered, and sails have been furled,
And kings plodded off in the dust of the world.
Our cities rise higher, and burn through the night
And rear into heaven with noise and with light,
The palisades echo with horns and sound
And the churches with voices and quarrels resound.
But the statues sit silent, and some say they cry
For the shame of the sins against children. Oh! My God, Why?

And those old men—well—they taught me the loveliest things
Of my gardens of gold, and the sunsets of things,
They told me of kindness, and honor, a way
That winds to the West, where the end of the day
Breaks bright like fresh bread, and crimson like wine,
And the sun sets to purple and green in the brine.

And still I remember their words and their songs
And the churches which taught me so well and so long--
Though I’ve turned my head, to the lands where the sun
Will rise again brighter when starlight is spun,
Somewhere fresher and pale, where the cold and the air
Spreads the dew like a lawn paved of crystal, and there,
In the meadows of silver, with light in my eyes,
I will honor my god in the dome of the skies.

Marshal Gebbie's poem "Singing the Devil's Song" inspired this. It's in anapestic tetrameter, for you metric buffs. If you haven't, you should absolutely check out Marshal's stuff--it's awesome and poetry-inspiring--seriously amazing. Thanks again, Marshal!

Sepia Sown

Sepia sown as best it can
Where you and I, as one, once ran
Across, beyond a savored sea
Where lust became reality.
Where spiraled lust, entwined, entrenched
Left you gasping, pale, en benched...
a figment of a thought, now lost
Forever..at what cost, what cost?
M.

Addenum to "obituary" by V

So no one notices, at all
When golden greys of aged fall?
Except perhaps, for those who stay
To blend with every ordinary day

Plus you and I as time flies by
And too, those starlings flocking high.
That old man loitering in street,
Who eyes the million passing feet.
And she too at corner store,
Toothless face and wrinkled maw,
Exchanging cigarettes for coin
(With surreptitious scratch of groin).
Mailman, fat, long, loop mustache
Complaining long and rather harsh,
That they, gone, without a word,
Should vanish into air...absurd!

Someone in their every day
Feels the absence in the way
Details don't fall into place
And warmth is absent from the face.
M.

The Kraken Arises

From blue tranquillity where turquoise waters wash white golden sand, where brilliant fish school in myriad colour and shape, where magnificent squadrons of sleek tarpon and barracuda dash in perfect formation, grazing schools of silver mackeral through diamond flecked deep green shallows, to plunge vertically down to the depths of the black abyss and security.

Calm tropical waters which shimmer like aqua blue glass in the mid day heat and turn to simmering,red fire at the setting of the enormous, ovate, orange sun.

Sea birds flock above wind blown waves, their sharp cries a symphony of the sea, to suddenly wheel and dive en mass, to dine amidst teeming schools of flashing, shiny minnows.

The idyllic picture of a calm blue infinity of ocean framed, in brilliant sunshine, by white sands and gracefully bowed coconut palms.....and suddenly, at the horizon, a thin black line appears, It approaches with steadily, mounting speed, the coastline surf recedes dramatically seaward leaving exposed coral, mountains of seaweed and frantic flapping, beached fish everywhere. A sudden, oppressive silence becomes a distant roar. The sea birds, as one, take panicked flight... and a massive wall of water rears up and rises like a giant beast, to rush headlong, raging, at the coastline.

What once was blue and serene is now a huge cascade of violent black death and destruction, gigantically it destroys the coast, snapping huge trees like twigs, surging ashore, a tsunami of unimaginable violence it obliterates, housing, streets, bridges, vehicles, shipping, aircraft and people, thousands of panicked, helpless, struggling people, killed in a titanic, black, swirling maelstrom of inexorable violence. The wave is followed by another...and another, extending right along the coastline and beyond. Each wave larger and more violent than the last...surging inland for miles  until defeated by the accident of gravity in rising land.

Those who have survived, on high land, on tall buildings, in treetops....cling to each other and look on in horror and utter helplessness. They can only wait, in fear, for the monster to retreat before venturing down to the devastation below to render help where ever they possibly can.

Twice in the space of the last forty thousand years the Kraken has awaken and risen from the depths of the Tasman Sea to the west of New Zealand. It has risen to gigantic proportions and driven right across the Auckland isthmus to the Pacific Ocean. It has twice flattened gigantic primeval Kauri forests laying them waste, all lying in one direction, each time beneath twenty feet of debris and black mud.

Born in innocence from a natural tectonic adjustment of the earth plates, the Kraken doth arise at any time, in any place to wreak it's dreadful work upon we, who reside in our comfortable, seemingly secure and beautiful coastal idylls.

Marshalg
Dedicated to all the coastal population exposed to the threat of inevitable tectonic induced tsunami.
JAPAN. WEST COAST, USA. WEST COAST, SOUTH AMERICA. ALL PACIFIC ISLANDS. NEW ZEALAND. INDONESIA. AUSTRALIA. SOUTH AFRICA. EAST COAST, CHINA. MALAYSIA.
KOREA. THAILAND. PAPUA NEW GUINEA, VIETNAM. PHILIPPINES. TAIWAN. BURMA.

Part of My Job (A love Poem) by Nat Lipstadt

A little embarrassed by all the attention but great to hear from you Sweetheart...all fine and dandy, here...except for being forbidden to go to the beach and the park..and anywhere else except in cases of dire need..(And on punishment of prison time if caught out!)...but hey, I'm not really complaining...All for he common good, aint that right?
M.

Bridges Burnt....

Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.

M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.

Perchance, in a Bus Shelter

Here I sit amidst the ruin of a white winters' day
Convulsive rain and harsh wind outside, contribute tumult.
And in here, in this small shelter, there is a tension in the air.

We two sit apart, uncommunicative, remote and quite detached.
Not for any reason other than the fact that we are strangers,
We have never met, nor are we ever likely to.
She has an elegance and a stylish angularity whilst I am bald, bearded, unfashionable and somewhat overweight.
She is singularly indifferent to my presence, whilst I am uncomfortable with the circumstance that placed us in this small proximity.
We would, in truth, rather both be elsewhere.

I break the ice in throwing her a small smile and complain about the weather,
Her eyes flick across my face and immediately resume their distant focus on the rain,
She adjusts her seating to face,ever so slightly, askance.
Her choice of course, to assume an air of indifference or superiority...or adopt a measure of defense..or perhaps a combination of a bit all three.  
Regardless... I wipe my backside in exactly the same manner as does she, I  am definitely no less a person for my dumpy demeanor and friendly overture
And I really feel that I don't have to share my space with coldness and impertinence,
Better, I think, to be wet and content with my own company
..So, donning my cap and jacket, I stride out into the deluge to leave the remote and uncommunicative young woman alone and dry with her thoughts.

And then....
Howling rain and shards of wind
Pelt me as I walk
Along the foreshore wild and white
As hovered seagulls squark.
When all at once she's by my side
Walking pace for pace,
Her linen suit a sodden mess
Hair plastered to her face.

"Thought I ought to make it right"
She told me with a smile
I threw my coat upon her back
And walked another mile.
We called into a coffee shop
And sat down by the fire
And sipped a steaming latte
As she told her story dire,

"The cancer's all but killed me
My husband's left the home,
The baby's gone to mother
And I'm facing death alone."
We quietly spoke for ages
I held her hand in mine
Then suddenly she stood to leave
And thanked me for my time.

I sat there in a stupor
Recalling how it played
And felt the guilt impact on me
For judgements I had made.
Those callow, shallow judgements
Made in ignorance, my friend,
Will haunt me as she girds herself
To boldly meet her end.

Marshalg
On a bleak and blustery cold winters day.
Titirangi
5th September 2010

The Old Café by Steve Yocum

It's my go to place,
has been for years,
The Wildwood Café,
an eclectic tiny place
with a mix of old dinette
tables and mismatched chairs.
the cutlery also unmatched
and well used, old photos
and signs adorn the walls
and there is usually a line
of people waiting patiently
on benches outside.

Best of all there is this pleasant
girl, always wearing a welcoming
smile, who seems to know us all.
She knows my order by heart,
Ham and eggs over medium,
a half ration of potatoes, home baked
slice of bread, well toasted, well buttered,
home made salsa on the side, a cup of
"hot" Black English Tea. Tall water no ice.

If I arrive between the busy times, she may
sit down at my table and we talk a while,
It's not a big thing, just chitchat, I'm old
enough to be her grandfather, it's the
dessert before my meal served with genuine
friendliness and unforced civility, not often
encountered in these strange days and times, it's a slice of small town America at it's purest best, she and folks like her help sustain my belief that basic human decency is far from dead.

The food is always good, but it's the comforting embrace of familiarity and
simple warm kindness that assures my frequent return.
It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those.
written by Steve Yocum

It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those

Marshal Gebbie
  That old world touch suits you Stevo,
When I come visit your beautiful state of Oregon, We shall partake this delightful repast in the company of your fair maid.... and we shall tip her well!
M.

Scoot the Streak
One must believe in something be he misanthrope or gambler
In tomorrows omniscience or the future proof of God
The penance in a drunk's decay sets self destruct's imposer
Wether speaker phone's on disconnect or cellphone's in the bog.

Conveyance of a threat to adherents of St Selfwise
Show atheist's are proof here, in belief of disbelief,
Haunted by the images painting painful retribution
Picture sympathetic **** star's allocated hand relief.

A moments allocation of a syllogist abstraction
Shows perspective of the caliber we now reserve for Saints
A paradox regarded as autistic fascination
In a one act play of living disregarding all restraints.

Deliberately indicative of fraternal heat's expression
Notebook at the ready and deep frowning at the brow,
Question definition's collage of confusion's contribution
Do we sit it out pretending or just catch the late bus now?

Marshalg
13 February 2014
© 2014 Marshal Gebbie
Marshal Gebbie
Written by

victoria  Intriguing work...so I search the comments for help... Ah
0
Feb 2014
Terry O'Leary  Marshal, I kinda like this (I read it several times since yesterday)... but I'm still not sure what it says... maybe I'll down a shot tonight and try again... ;-)) Terry
0

3 replies

Feb 2014
Marshal Gebbie
Marshal Gebbie   A confession Terrance.. I was half cut when I wrote it!
I have no idea what it means.
Feb 2014
Terry O'Leary   :-)) Great... I'll be back in a bit... T
Feb 2014
Terry O'Leary   Well, in the meantime I've had a few shots... now I think I know what it means... hic°°.... hope I remember in the morning... ;-)) Terry
Feb 2014

Pradip Chattopadhyay
Residues
By the night one long dark road
the houses are deep in slumber.

Lucky I'm alive and awake,
can see the stars
in their vast magnitude of silence
gentle and not drunk
have love to count upon
filled with a will to live
feeling I'm almost done.

Having a life is a great reward
and with the residues
gets more valuable.

I won't cry over the lost years
would rather think
have been blessed with enough.

The stars grow blurry dots
as I slip into dreams.

I had a once upon place
and I'm grateful.

With dewy eyes
I hurry to the warmest space
beside her.

You slip into your years well, Pradip.
Your woman must relish your peace, your contentment.
Cheers mate
M.


Tony Grannell
Autumn's Sonneteer
Behold, upon yon ivy bunch, my darling blackbird sings;
I know not why nor shall I try to understand such things.
For born this morning on a song, pray hark, her sweet refrain;
to chance a sigh, oh, dare not I, for this is God's domain.

Out of the night the art of song in tuning in the day;
unknowed afore or evermore such music on display.
'Tis love begad, a lover's song, a diva, I declare,
in soaring o'er both vale and moor, this morning's love affair.

In wonder's charm, this precious bird in song to comfort me.
Alone I stroll, no proffered soul to share my company.
Yet rare this morn, in splendours all, true love like none afore;
let passions roll, in song extol, in verse the morn's rapport.

Be succour in such music found for autumn ails me so,
when summer's run, the harvest done, to rest my scythe and ***.
Of idle lands and nowt ado, to wait without employ.
Yet, hail the sun, my kingdom won, when sings that bird of joy.

Behold her charm and charmed, I am while autumn leaves still fall.
'Tis life anew, a sweeter brew when hear the songstress call.
Though winter’s nigh, with strength and will, we’ll bear our pain and fear;
'tis all to do, good hearts and true, sings autumn's sonneteer.

Written by
Tony Grannell  62/M/Spain

Marshal Gebbie  I stood out at the rock wall and gazed at the splendour of Autumn in Taranaki, as I read, aloud, your sonnet.
...and my heart sang.
M.

Dr Peter Lim
When?
When is the when
of when?  
rampant still is the ravage
which will not relent-

the claustrophobic shut-in
hearts toward gloomy moods they bend
no happy voices of kids heard outdoors
the green fields do not comfort lend-

the downcast look, the sinking feeling
are the joys and delights of yesterday years all spent?
the spectre of pain brings bitterest tears
in the faces of every continent-

oh, when is the when
of when?
such a wash-down
we could never comprehend.

Marshal Gebbie:  But isn't that the way, Dr Pete? Mankind builds his castles in the air, thrusts out his chest and proclaims himself, King of all!
...to be decimated, in an instant, by a microbe of infinitesimal stature. Oh! the fragility of it all.
Life cometh, life goeth....but somewhere, down the track, life shall come again.
M.


Al Drood
The Merman of Orford Ness

So long ago in King Hal’s time, our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.

Entangled ‘midst our dripping catch, with eyes that stared all hellish green,
enscaléd like some creature deep, a Merman writhed as one obscene.

All webbéd were his hands and feet, his body dripped with ocean bile;
upon his head the ****-wrack grew, green-bearded was this demon vile.

Fast to the shore with awful haste we sped before the wind and tide;
Lord Glanville for to summon forth, the Merman’s fate all to decide.

Upon the quay his Lordship stood with men at arms and shriven priest,
and all did cross themselves in fear before this strange unholy beast.

“Enchain it,” cried Lord Glanville loud, “then to God’s Kirk with all good speed!”
The shriven priest prayed long and hard as to the church we did proceed.

With Holy Water, cross of gold, with candle and with testament,
the priest then exorcised the beast, who knew not what was done nor meant.

To all’s dismay he would not bow before the Host on bended knee;
and so to dungeon was he dragged to dwell upon his blasphemy!

The silent Merman beaten was, and hung in chains in for seven weeks,
and fed was he on fish and shells, yet never did he sleep nor speak.

And so at length his Lordship said, “Across the harbour tie a net,
and we shall see how he shall swim, but by his ankles chainéd, yet!”

The net a-fixed, the village folk came down to see the Merman’s plight;
into the sea they threw him then, with foam and wavelet flashing white.

He vanished ‘neath the waters like some seabird in pursuit of prey,
then surfaced laughing, chain in hand, and to his Lordship he did say;

“You thought to make me such as you, who walk in blindness o’er the land!
You’d punish me for difference!  You thought to treat me like a Man!”

So long ago in King Hal’s time our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.
Al Drood
Written by
Al Drood  M/North Yorkshire

Marshal Gebbie:  Tones here of the Rhyme of the Ancient Mariner.
An original work in time honoured rhyme and metre.
I devoured every syllable..Bravo!
M.

G Alan Johnson
Kafka's Bug

When I shed the last skin
last year
there was left a hardened shell
protecting a patched up heart
and a petrified husk
of a soul.

You can throw your bombs
if you wish
and they will hurt inside
but I will just eat them
and **** them out
flushed and forgotten.

Sometimes my antennae
come out in a social setting
and people look at me
with an odd expression
or look off into space
a kind of awkward acceptance,
(the ones that know me).

My mandibles will at times
spit out a divine stupidity
a slacker kind of opinion
and no amount of saliva
can dissolve it
so it sits in the heavy air
stinking like a butterfly corpse.

It was an attempt
at transformation
that failed
(I'm too weak with ego),
and I'm glad that I tried
otherwise I would always wonder.

Vincent Price in a cheap suit
and a lost puppy daydream
a world full of flies, wasps and failed caterpillars
patient spiders and polished leeches...
and all I can do is write.
Written by
G Alan Johnson  65/M/USA

Response by Marshal Gebbie

Pelting rain adheres to soil
As spiders sprint and earthworms roil,
World in turmoil stinkbugs, stink
And Satan beetles disgorge ink
But thee, my budding, sodden flea,
Hath entertained quiescent....me.
M.

Nat Lipstadt
Pandemic Poems: Unclaimed bodies, There’s ain’t no anonymity in heaven.

There are more poems inside me, but I intuit it is longer fair to impose on you by sharing more.  The deep seeded infection of my spirit waxes and wanes, and there is no antidote, and unlike the virus itself, there never will be, a future cure, an inexpensive replacement cost for the spirit spent, the time and futures spirited away.

Perhaps you recall I was one mile away from Ground Zero on September 11th.  Rarely do I walk there.

The coronavirus poetry inserts itself unaided, never asking permission, a like minded, but a contra-cousin to the coronavirus.

I live in New York City, the epicenter where now, close to 800 die daily.

Normally, about 25 bodies a week are interred on Hart island, mostly for people whose families can't afford a funeral, or who go unclaimed by relatives.  In recent days, though, burial operations have increased from one day a week to five days a week, with around 24 burials each day.^^

Each dies with no last words, no Kaddish recited, Last Rites, too late, no Ṣalāt al-Janāzah or Om Namo Narayanaya.  Each one, a numbered pine coffin, and each one will have at the very least, a poem of their own, so help me god.

Buried side by side in large trench, room plenty for new arrivals,
I hear the banging, protesting, resisting, this is not the way, I was promised, my ears left pounding!  Hillel, the great scholar in this dream, reminds that “the time is short, and the work is great.”          

He paraphrases, though, “the bodies many, the poems too few.”

There ain’t no anonymity in heaven, but I’ll reconfirm that with you later.

Written by
Nat Lipstadt

Marshal Gebbie
God! It's harrowing to feel the raw spirit in a New York City man's soul.

You speak for the dead, the ailing and the fearful.

You speak for beggar in the street, the broker, quaking in his plenty, imprisoned on the 14th floor.

You speak for the cop, in face mask, on 24th and Vine, doing, as always what he must, with authority.

And you speak for the White Clad Angels who carry the dead to Hart Island and who forgive you, your fear and safer seclusion.

You speak also for we, who watch and sorrow from afar your agony, in our own fear and seclusion.
M.

Nat Lipstadt
raw is the word, oft need to lie down midday to escape the the viral infection of every outlet we use to pass these days. don’t know when i’ll go outside again, because the virus kills and wounds in horrible ways... thank u MG for the kind appreciation natty

Sally A Bayan
Conduits
In distance and in proximity...in despair
and joy...in existing and in dying...in the
bliss of love reciprocated, and in the pain
of love unrequitted...verses dance and call,
awaiting......

poetry has its own pulse, its own heartbeat,
it calls, taps the shoulders any moment,
awake, or adrift, it just can't be ignored...
even in a tangled, or weird circumstance,
it sparks like a bulb or a comet, curving
in a rainbow...riotous some days, teasing, fleeing,
then, turning up at unexpected times and places.

in every bit and breath of life, in every seed,
in every drop of dew, in every ember burning,
there is poetry birthing, growing...

deep within us flows green, purple, red,
glum gray, darkened inspirations...fleeting,
but, when time is ripe, they linger long,
giving us time to capture them all
.............................................
we sense them...we give space
we speak them, or we write them,
:::::::we are conduits:::::::


Sally

©Rosalia Rosario A. Bayan
February 11, 2020

Marshal Gebbie

  A touch, so light,
So sensitively slight
As to be caress,
In dead of night


Don Bouchard
And then
We become old men
And old women, and

We look back wistfully, and
We look forward hopefully, and

We wonder....


Written by
Don Bouchard  60/M/Minnesota

Marshal Gebbie
  Slipped betwixt the then and now
Methinks, with finger on the brow,
Thee needs a shot of earthy ***
And a wanton ****, to rub your tum.
Thee needs a cheery pick me up,
Some hairy mates to help you sup
Elixir from the joy of life
To salve tomorrows' threat of strife.
Cheers mate M.
0
Tommy Randell
From a young man's parlance, tripping from an old man's tongue; Right On, brother, Right On!
Mateuš Conrad Feb 2016
.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.
grumpy thumb Oct 2015
The weighted press of measured steps on stair
accompanied by an echoed call to the familiar.
The first syllable of her name severed  midway,
yet it tolled long after the utterance rang out.
The comfort of routine;
tethers of association
snapped under the strain of realisation.
A mocking gift from forgetfulness...

...she left him..

Mechanical body shifts
fighting urges to hesitate and listen to her vanished sleeping breath.
Vacant the cold bedroom,
the chamber harbouring her scent on fabrics, pillow and scantly furnished dresser top.
Each sniff raw as salt on opened wounds.
She left
and left him
only remorseful residues
from the harvest
of three years and five months.
PJ Poesy Mar 2016
Nearing great compost pile,
that steamy heap,
insatiable hunger hits guts.
And I know fortitude for journey
is contained in wealth of
centipedes, predatory mites,
rove beetles, ants,
nematodes, protozoa,
and **** of wriggly worms.

Virgil waits for me, as he did Dante.
He takes form of a sowbug,
but with whole of worldly wisdom.
Shows me circles to which I will fall:
organic residues,
primary consumers,
secondary consumers
and further tertiary consumers.
An ancient pyramid decompositional
processes the scaling down
before the rising up. Each eating
excrement of another before them.

One I become with slugs and snails.
Invertebrates shred meat from bone.
Flies make airborne my bacteria,
carrying me off to feed birth of
future fungi.

I am reborn over and over.

Never more have I known
anything more Godly.
Intestinal juices of earth, enzymes
and other fermentation
taking me down,
pushing me out,
transforming trash of my existence
back to Eden.
From compost comes a wealth of life.
Nat Lipstadt Jul 2021
Of ***** roasting pans and racks and island fog!

if you love me, then you know poems wright themselves when standing, driving, bus riding, love-making and especially when
doing manly battle, ******* ***** dishwashing midst island fog

a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?

for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church  in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”

this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)

array three kinds of sponges and some human & metallic *****,
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness

when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….



but they do source poems that flavor life

2020
*sometime last year?
Nat Lipstadt May 2016
~~~*

this old man's tiddlywink, land-locked words,
runted, blunted instruments,
needy for release, the balm of salvation,
woods, neither silvered or exacting,
more a spit stain polish for a dulled, tarnished brass spittoon,
smoothed 'cept for the brute brunted bunting
of christ-crossing railroad tie lines,
all across his roughened terrain'd face,
a black and a white Degas
pen and ink etched illustration
of howling agitation.

the concrete moonscape
racked upon his soul and face,
mapped remembrances of variegated Judas kisses
each left in a pockmarked hidey place,
tired principles bent, bent from sacrificing oneself,
a rockstar burnt offering,
to any deity that promises illusions that time,
can be healed, all its cursed residues & sins sealed,
in locked antechambers, fully furnished rooms,
rentable for perpetuity if so desired,
but irony dictums diktat says you've locked yourself in,
in circular spaces where every angle stab-states:

yo, there are no unpainted corners for escape,
no day of atonement on your petite universe's calendar,
nor a host of worthy words that can e're suffice,
so howling makes perfect sense

inventory the wasted errors accumulated, accentuated,
uncovered by the howling of only "I'd known better,"
his accountants all jolly rip roar laugh,
when you beg them to ******~reduce jail time of
ancient leaden bulletpoints from the taxes future payable,
they profess there is no statue of limitation from any authority's press
for dues owed arising from your own imitations,
they mock me by howling in poe-ing unison,
"nevermore, nevermore...forevermore"

the contradiction of those criss#crossed fine lines,
each pointing in no direction, a trap of inaction,
fie, fie, on the double dealing hand you have dealt yourself
in the game of liar's poker, where all the face cards curse with smiles,
pretend portents portrait paintings of only rosy outcomes,
each a one way sign,  each pointing to a different,
magnetic compass course in a world
where all polarity confused, reversed,
so wayward, the only direction home

before Rembrandt's self-portrait @  Met Musée, he worships,
the painter's hipster jaunty hat pouty-pointy stating,
"what me worry,"
but the cracked crevices, whisper even louder,
"nothing left to lose,"
in the gallery, all stare, misunderstanding why,
why you weep profuse in perfect recognition at the
mirroring witness testifying, from whose pixels you cannot be protected,
each agitated paint pore shouts words of 
"j'accuse, j'accuse"
in a dulcet howling harmony

words lip locked, no exit, traffic jammed inside squirrelly cheeks,
scabs form, mortar and pestle a pus paste of
jumbled sounds and tongued blood,
a delicacy of swoosh and swish spit,
ugly kept behind prison bars of yellowed teeth,
a vile concoction of glorious bile of new combinations,
destined to die unuttered,
the howling all internal, becomes silence,
and yet, here,
here lies buried proof positive,
"even silence finds a tongue,"^
even words, unspoken,
yet, mind-reader read quietly,
permits the howling agitation exorcise and surcease,
rein to escape
inspired by David Hare's  play about Oscar Wilde,
The Judas Kiss

^John Clare (English Poet, 1793 - 1864)

composed April 30 ~ May 15, 2016

this will likely be my last poem for awhile
Terry O'Leary Jul 2013
Remember all the Wise Men on their knees upon your yacht?
With orphans on their backs they’d crawled (with others that they’d brought)
Through rubble on the highway sands and residues of Lot.
They came from severed cities selling postcards of your thoughts,
Though offered for a penny piece, not even worth a jot.

They mused
               “How are you feeling? What it is you want, you’ve got.
               The words you scrawl on calling cards: ‘I AM – the others NOT’
               Shun wisdoms of the Seven Seas: ‘Salvation can’t be bought’ –
               Your fathers tried before you and your fathers came to naught.

               “You started out by gelding goats and then by casting lots
               Of bodies to the battlefields, contorted, tight and taut,
               Then wallowed in the wake of trails the dervish devil trots.

               “With marching bands of fatherlands, and drums of Hottentots,
               You lure your legions in harm’s way like giant juggernauts.
               Like Tweedle Dum your minions come (the sober and the sots,
               The troglodytes, barbarians, and mislead patriots,
               The Vandals, Huns and Hannibals and seaport Cypriots,
               The Japanese, the Congolese, Americans and Scots)
               To vanquish bows and arrows, spears and catapulted shots
               Of those who hide in bamboo huts their families, pale, distraught,
               (Their withered wives with dried up *******, their swollen babes in cots)
               Who swoon, engulfed in poison darts and vats of acid hot,
               Consumed by magic mushroom clouds, atomic megawatts.

               “In churches of your deities, your Holy Huguenots,
               Your Imams, Rabbis, Voodoo Dolls and Mitered Lancelots
               Lit wicked kindled candled walls in temples (while we fought)
               (Used pins and needles, magic spells on makeshift mock whatnots)
               And mosques, cathedrals, synagogues have blessed each new onslaught
               With prayers for pipers, puppets, pawns, your rigid armed robots.

               “Upon your knees in golden naves, while peeking through the slots,
               You horded thirty silver pieces, downed a whiskey shot,
               Then crossed yourself and wrapped yourself in furs of ocelots,
               And danced on cleated cloven hoofs in purple polka-dots,
               Then drank His blood from chalice cups with pious afterthoughts.

               “You’ve treated men like mongrels chained, like little flies to swat,
               By doing what you wanted to, instead of what you aught;
               You’ve wiped your nose with dollar bills and paid your serfs with snot,
               But when you’ve paused to preen your pride, you’ve scrubbed a scarlet blot.

               “In ashes of our victories: the diamonds that you sought,
               The crock of gold, the Golden fleece of bogus Argonauts -
               In mirrors of your lifelessness, the evils you begot.
              
               “The haunted winds strew leaves of time across a shallow plot
               Where now, beneath the frozen stones blanched bodies bathe in rot,
               Disintegrate, return to dust to feed Forget-Me-Nots
               Amidst the bane and pits of pain where broken bones lie caught.

               “In fields above the catacombs and tombs of Camelot
               The black and withered tree of Death arises from the spot
               Where oft beneath a bleeding moon you hid your gold in pots
               Embedding doubts neath barren bogs where roots of wormwood squat.

               “While waiting at the river Styx, in twisted time untaught,
               From branches of the gallows tree, in recollections wrought,
               Your soul, a beggar’s blanket, hangs in crazy quilted knots,
               With dangling pearls and diamond studs mid dripping crimson clots
               And gaping wounds with bulging eyes like fouling apricots,
               For wrapped in chains around your throat, the Reaper’s grim garrote.”

Yes, that’s the fate of all your kind, disclosed by Wise Men taught.

But that was, oh, so long ago, by now you have forgot…
Mateuš Conrad Jul 2016
you can ******* a man with accusations of insanity and destroy him instantly, or over a few years... but that only shows the collective approach is insane and, including the man in question the prefix added to the collective: self-destructive... it's no good implying a man faked a coherent use of language, when the western model attached paranoiac iconoclasm of certain pronoun and noun usage - one man had more coherence in language than a million reduced to Emoticons - but no one minded that affair - they simply accepted it - it was once making the populace literate then the unmaking of literacy with technological advances - as ever the lax aristocracy - we don't philosophise in western society, we simply imply logistics of psychology - a Chinese model for the eradication of the unit of indestructibility - a soul, but what happens in China is a success story, the number in question are too man, our experiment is a failure in this eradication of the unit of indestructibility is a failure, excess individuation processes with too few example of coherence and grey matter - the family model is primarily the one source we have no coherent grey matter populace - with its failure no person will strive to wear the mask of father, grandfather, uncle... there's no investment in society of a family, western hands said: freedom to clone, freedoms for L.G.B.T. communities to flourish - surrogacy prostitution... care homes and tattoos of ***** bed-wetting on the skin - individuation's aggressiveness and objectivity's passiveness reduced to a criticism of a book rather than a project of collective cohesion... Communism came across the greatest antisemitism known to man - capitalistic zenith of the holocaust - now slang in populist propaganda - V for Vendetta realism i approach - i don't think i want to go to a pub these days, whether with Scot, Irishman or Anglo - i don't think watching rats scuttle is much fun over a pint of beer... schizophrenia of the collective, from theorem and other additives you can see the reverse chirality - some way or another you become involved - globalisation did that, you want to be un-involved and yet you become involved - you want the village life but are forced into an abstract urbanity - you have the urban life but are discouraged from an abstract village-life although in deepest desire, you wish for it... the day when two speakers of the same tongue undermine each other's speech - by way of constructing the perfect Ypres' replicas of entrenching validations to stand opposite each other on the basis of argument per se, and so the argument comes... how then contend between masochism on one side and sadism on the other, when the former traps himself in a panic room and does it to himself, and the latter is kept repeating a knock-knock joke with no answer?*

England has become a place where
i don't want to socialise -
i wouldn't want to be in a pub
full of Irish or English -
i've become marginalised as a user
of the tongue - i'm a user
but hardly the attaché - the "where you from"
question is always asked, i'm here,
but where from seems to matter more -
it's not fun anymore - London is
slightly confused at it all,
they said the European Union experiment
is a failure akin to the Communist Plot -
but of course both were pre-readied failures,
the former was tackled by puppetry of the
American president, the latter by the Pope -
both were ****** - the populist assertion
of the dream of Nebuchadnezzar -
if history is hardly a hindsight, it certainly
is a way of sleepwalking -
the failure from places not formerly conquered -
the anger of north africa and the elsewhere
encompassing the Mediterranean -
invigorating a force of conquerors by the once conquered
by goose-pimple buttocks of the Romans not
heading north on the continent (islands are insulators
of the cold) - hence the once former conquered
trying to scold and try out their post-colonial
authority - white v. white won't work -
Scandinavians and the Baltic States weren't
ready for ***** Gaul or ***** Britannia setting
orders - the Roman didn't go that far -
the failure was imminent from a single dream -
history is nothing about hindsight -
the hindsight default is nothing but the wrong
of the waking hour for many a man,
to take a dream as a vector for forward only sent
as backward - never make history from the interpretation
of a resting body - from a dream -
to make history from a dream is to give more men
unrest in the waking hour - to make history from
dreams is to make history without hindsight
but with sleepwalking, and few men are given
the anti-psyche drugs for a sober approach,
they say: but i didn't drink... but their intoxication
came from dreams... a drunk man will stumble and fall,
but a man intoxicated by dreams will make more
horrors outside the realm of cinema than is already
there with an eager audience - indeed, a cinema with
an un-eager audience - residues of symbolism,
the quote: for king and country and such baffling e.g. plural.
Ukraine was almost ready to join... you could say
Russia and Britain pulled the project apart...
i just don't think you'll like this aggravated German
with the expulsion of Jews from Poland -
the Visegrad Group - partly because this is the undercurrent -
so when will the channel tunnel become a plot-line
for Guy Fawkes? it's already rearranging itself -
a new chapter - a new nothing - it never worked in
the first place because there was no respect for the diversity,
we shared a single phonetic encoding, sure, some of us
used diacritical stresses, one particular didn't -
but it was anti-representing the diversity, this was
supposed to be an European Union -
not the Post-Colonial-Pseudo-African Union -
the great colonial states ruined it, that's why the greatest
of them has left - the European Union should have
excluded Britain, France and the Iberian peninsula -
it was intended as the revival of the Holy Roman Empire,
but including post-colonial states invoked the realisation
of their colonial past, thereby necessitating an integration
of their past colonial subjects into Europe -
Britain left because they heard the news... Turkey is going
to join... well... never mind Rotherham, eh?
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.
Poielipsis Souls of Trouvere
Nat Lipstadt Jan 2017
humans born a mess,
messengers carrying blank notepads, sheet music,
brought from within to the without

a baby-sized handful of historical residues retained,
garnered from all too brief a prelim existence,
arriving possessing hints of what may be

most emerging crying,
crying over loss of the womb security,
for seers all, all see unaccountable futures clouded
by an inevitable chance of rain
and death

all of us, no one excepted,
covered for months in **** stained fluids ,
a holy, ***** combination
of amniotic nourishment,
and our own waste

a hint of what is to come?

human then spends the rest of life
cleaning up after himself,
mostly with tasks of addition,
punctuating by the occasional cleansing of
elimination subtraction

making room for the next love,
labored birthing of a baby poem,
from your womb, midwifed,
haunting ghosts of three note tunes,
begging for a set of lyrics and a
great chorus everybody can sing,
a completion competition

going along, all along, to the goings on,
all our routes preternatural crooked,
lived a life of pretense, a straightened out life,
which is the nuanced, connected summary of our components
which are all curves, dots on a line

and the composition source,
the secret chords employed,
tech installed just prior to birth,
effacing glorious sadness, glorious joy,
the human building blocks,
with the certainty that
everybody knows,
that's how it goes
everybody knows,

only fools believe,
you'll live forever

but live at least long enough to sing and write of
a man cleaning up his own life's messes,
and perchance, after our absence,
leaving the world better for it
where shall I send my poems?**

to my eyelashes,
for they beat irregularly
unconcealed and unconscious
like my poems

to my fingertips,
where they are released fluidly
they grasp, strained and staining, tapping breaths
like my poems

to my smile,
fleeting and happy weeping fortuitously
a lifetime of a whisper, glimpsed and gone
like my poems

to my brain,
where they are symmetrically born only to die ceremonially
a fireworks duration evaporating into a rich velvet
like my poems

like my poems,
none will survive me,
blemishes, pockmarks, beauty marks, residues,
in a flash bang born, in a flash bang consumed

3:08am dec. 9 2019
mark soltero Feb 2021
let it wash us away
like the floods of the new age
**** all the mistakes
leave only perfection
all true honesties
that leave their residues of purity
right down the leg
of each other
your body cries
tears of merriment
One mile down the drunken river
I lost my mind in her midday yellow haze.
Residues of the river-wind-kiss lingered saline on my face,
Wild sun on the wild river scathed my skin copper,
And I glided upstream in blurred eye sweat
Losing and finding the river’s mangrove shore.
My mind in delirious mess wondered
What it was that wined the river, made her a swirling detachment,
Bearing all with the endurance of a drunkard
But embracing nothing like an all foregoing monk.

I dreamed adrift one more mile and then another
Till I was windswept and wined like the drunken river.
Synne Sep 2012
I’ve never seen eyes quite like yours.
So beautiful, yet so desolate.
I wonder what you’ve seen,
I wonder where you’ve been,
I wonder what you see in me.

Your charcoal pupils
and slate-gray irises.
I feel as if I could swim in them--
a pool of gray on a misty day.

Do you see your world in shades of gray,
I wonder.

Glossy with the residues of emotion,
your sad eyes have so much to say.

Do you see your world in shades of gray,
I wonder.

*June 2012
Terry O'Leary Aug 2013
Cold rains, wet and weary... seeping through the sky,
spectres pass ’long side me... bent, with collars high,
my visions are invisible and no one sees me cry.

Minstrels of destruction... rapping at my door,
naked anvils aching... heavy hammers roar,
their monodies of emptiness pulse, bleeding through the floor.

House of cards collapsing... sagging walls of wax,
deuces in dissension... aces slip through cracks,
the Joker’s lost and lumbers by, alone, along the tracks.

Steeple steps dismantled... muted bells below,
ruins quake and tremble... frozen in the snow,
their pains implode within my brain while pale winds cruelly blow.

Prophets tumble temples... residues of tea
highways of no entrance... paths of destiny,
where phantoms haunt my nightmare dreams, tell tales of roaming free.

Foghorns moaning lonely... waves awash in sound
silver schooner sinking... swirling round and round,
at midnight’s stroke, the mainsail broke, and driftwood drifts aground.

Silent seas misshapen... moonbeams painted ***,
teaspoons sifting ashes... fingers cold and numb,
an incandescent candlestick’s impaled the sinking sun.

Smothered fires smoking... oceans filled with ice,
lightning lashing windows... blades from paradise,
like tongues of limpid laughter licking wounds of sacrifice.

Flowing fields of flowers... silent harmony,
rolling river reveries... washing to the sea,
my love, she was my daylight bliss, she once belonged to me.
Fah Dec 2013
tear apart the seams

it’s ok.

i, don’t wanna talk about it.

even looking at the writing i wrote about you makes me feel slightly nauseous , it ...it’s not that i didn’t love you but....

well perhaps it was my fault ,

i don’t know

i don’t know

i thought i loved you. Ok.

and how is it? that one moment i can feel the whole world for you and the next....
it's lightning struck tree all over again.


Do not get me wrong , you inspired me to write and to breathe , you showed me loving myself wasn’t that hard and yet , yet .... you...broke my heart just like aunty said.

you broke it good and well that i didn’t even realize until i was out from under your spell...
  
                                                                  * ~ * ~ * ~

Open my heartspace ,
you were golden in my eyes ~

heavy sits the stone in my chest , cracking as i walk, dropping bits of crystal on the floor, turning to molten liquid scorching the floor with unsaid words and dispelled feelings to seep into
the ocean of bliss

burning the waters to desert residues
in the blink of 3 eyes ,

i saw in you - the flash of brilliance that i know is holy. The kind that could rule the world if, you dared.

But you were too scared ,

i want to explore this world , step out of my comfort zone , feel like i add to the mass of human potential -
not accept my consumer status because it’s simpler ,
i don’t care about public image , i despise whittling myself down for some pre-conceived notion of etiquette, and i can’t stand people seeing they have the power and not taking it.

You are a reason and you have a purpose, we are only here for a short time , this is our chance at something great and i want to share it with you.

I wanted to help you , and maybe that was my mistake.
To make you see yourself through me ,
that you were golden in my eyes
and should think yourself no less.

So i let you in to the secret place , my choice , i don’t regret it, not one bit.
I guess you made me a woman  so to speak. But i don’t think you are any more of a man.

You were a 26 year old boy.

Nor were you anymore of a lover who was soft and fair ,
but you twirled my hair, turned my lips to ashes , sashayed across my hips, tore holes in my skin with your teeth , sneaked kisses on my inner thighs , you danced with my imagination and petted my ego...oh so gently.

I saw a newer version of myself through you ,
and maybe , i just like being adored,
but i would have given everything back. I’m all for fairness
and in some twisted way i hope i hurt you as much as you hurt me, just so you know how it feels, but somehow i think , it was me who ended up with the short straw on this one.

I’m sure there are gaps in your fingers you don’t understand, let alone loving someone, but i hope you get this , your lesson was : Love freely.

And you know , if that makes me stronger and more flexible and if it means that i can bounce back faster , then so be it. I will learn my lessons in time , because i’m shooting for the stars and i intend to be amongst the nebulas that shimmer so well.

And i intend to love with that ferocity again and even more , because i won’t give you that.


Not after i ******* my being in ribbons for you. No. I won’t and i can’t.
I’m worth so much more.
So these tear filled words are as much for me as for you , that i hope one day , someone comes along who can give you what you need to make you happy.



Because i’m *pretty sure
i’ve already found mine.
this is long overdue, i guess i didn't really wanna look at the scars , they're almost healed i guess.
The golden tinge of the shy sun
Peeked onto her pinkness
The youthful night was full of fun
Leaving residues on her face!
Whole night the storm blew
That no cover could protect
Denser the darkness grew
Hankering for a ****** perfect!
It’s still there the bed sheet
Spotless without a stain on it
Gone is the storm with its rage
Pinkness stolen, she has come of age!
Alin Feb 2016
i am good is a place
of peace and bliss
i am good is a place where
cells replace to their primordial
and i am good
is no more wonder
than when he says
i am good
when i learn
it’s as easy as
to swap
the not good
to its antonym
like within a time
as long as
a slip of the tongue
and i am good
once again
because of what he says
because of what i am


yes
we are good but
are you also good??


good is a place
not at the turn of an age / any age
in reality there is no age
there has never been a yuga
after Mahabharata

if you don’t want to
you don’t stay
in what has never been
in what will never end

there is no count for
one thing to end and for
another thing to start
no silly things like that!

there is no place
for a savior one
to show up

these are all residues
of a delusional mind
an anthropogenic
pollutant is expectation
that only awaits
and awaits
for a tomorrow
to resolve
a past! ?!?

which tomorrow?
which past?
no silly things like that
and
may you be
depressed by that!

always
a you
who values thisrthat
always
a you
who cannot be
whereas it
is one step
and not ahead
to here and now
to i
and no

no one can tell you
it is your path
it is your step

cause
we already are
and we have always been
here
enlightened in Satya
and we have always been
love

and
now
inspired by someone who says ‘i am good’
a goodness that brings goodness :)
Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.
Genesí of  Apokalypsis
Julia Mar 2019
Stickers all over my body
A collage as my identity
like tattoos

They don’t hurt when you peel them off hairless skin
But I will never let them leave
sticky residues

I have a long roll of stickers
that never ends
And I walk down the street

Sticking them on everything
just like friends
A flower sticker on the window

A saxophone on the telephone pole
Fried eggs on the sidewalk
Stickers glitter in the crystal shop

Those dots that color code life
I use them now to organize the world for everyone
And I give every little girl a lollipop
sticker

A fairy on my fingernail
A snowflake on my cheek
this poem wants you to read it really hard.
Wonthelimar, in the last transmigration that he planned from Nyons in the cavern on the eastern side of the Rhone, surrounded himself with mountains that dwarfed them with promiscuous caves of the Eygues. From these buckets as a margin of power and go referring to the nocturnal wind of the Pontias; created his fundamental tool of attraction of the Mementos de Cartography of the Seleucids, decomplexing the logistical notions of the Diadocos after having resuscitated and liberating Alexander the Great from a Cartesian Underworld in the manner of apocryphal late Aristotelianism, mechanizing existential dualisms of Hades with formulas and psychotropic and geometric tricks, licensing them theologies of habeas corpus, coexisting in the first instance with Etréstles de Kalavrita who would establish the term of definitive transmigration of Alexander the Great, so that between the Diadocos and Wonthelimar they would contend the final and disciplinary action to revoke the high arrest, transhuming the sovereign as Macedonian next to the Hexagonal Birthright finally very close to Saint John the Apostle and Vernarth in the vicinity of the Megaron Spilaion Apokalypseos.

The generals of Alexander the Great shared his legitimate Ark without royal titles, they were Perdiccas, Antipater, Craterus, Eumenes de Cardia, and others like the satraps who came to be proclaimed as kings; Antigonus, Ptolemy, and Seleucus. Residing the most substantial in this parapsychological saga in Vernarth; his brother Etrestles de Kalavrita who seconded and predestined his monolithic and constituent sovereignty of Polis, for the purpose of ruling and raising his Kopis and Xifos in the independence of aldehyde and alcoholic carbonyl residues emanated from the ferment of the Backhoi and Nepente, depositing LSD in substantial amounts. to align himself with Seleucus, and materially present himself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing himself in that totalitarianism of Seleucus over that of Alexander the Great who was splendid in the cosmogony of a king similar to David of Judea, solvent and illustrious in the conception of Apological dynasty and identity, of Zeusian roots and of eternal numeral politics. In the quantitative of the champion of Alexander the Great revived on Patmos, the Mashiach of Gethsemane will continue to be deified with such a signature of both in ****** skies in two absolutist emperors and of dogmatic differential Pythagorean, propagandizing both dynasties with domains in regencies and different latitudes of the conceptual decision. Base, to refute proposals to follow them in part of anti-Alexandrian perplexities or opposed to marginalizing himself from following them after they abandoned him in Babylon. This was sensed in the confrontation between both forces of univocal polarization, for the good of one and the bad of the other of having to distract them from the proposal to enlist and harass dethroned kings on purpose from their deaths and revive them in others than in their own court of observers and bosses, they will only exist in the empty temples and idols without dates to know to avoid and in prevailing dates that will not happen.

Seleucus says: “Khaire my Commander…, unite the divine sanctuaries of Apollo, and take up the harangue of Tel Gomel with us disunited and lost by you. This dating will remain in the offices of reforming Macedonian armies and we will both command our generals in the Panhellenic dynasty, overall the heavenly armies that you will ever have here with fragile oracles confusing your divine blood! "

Wonthelimar, already manifesting from Nyons, lightened his Bucephalus bases, having a great somatic affinity with the bridles of Alexander the Great's steed, unraveling here a great mystery in his parapsychological regression directed from the cavern of Chauvet.

Wonthelimar says: “I have been confined with early Neolithic alloys, here I have dwelt livid among all your intrepid adventures channeling the axons and sketches of manifestations of superior cause and effect of correspondence of the ages and their Aeon and paleo-uncrossing precessions of you and your new death, from the Ardeche river together with Medea and Hypnos, among all of them being aerial, visionaries and northern lights who traveled to my redoubt to spray them in river waters, on the night of Agios San Ioannis. The gorges that swallow the seal of the Pontias, make rivers form with their name since the bulk of their waves of gusts are grandiloquent and robust like a gaseous river that becomes hydrological in larynxes where the wind is astonished when entering the concavity that it is wasted in its nature of time and qualitative content. Unusually I have been the progeny of organisms of rapture and cytological drama, in each one that is represented in these walls in which they are trapped next to me as tricks, and radiocarbon tricks by these vicissitudes, and of their actions that have dated my radiation of radioactive carbon in these caverns and so-called fourteen carbon spaces, for more than fifty million radiometric years. I lived here with my parents until as a child I stayed with my godmother, but one day my father did not return. From that moment on I became after the anticipated axial carbon, to keep myself as a torch in the caverns to see where no one was light but me, only of someone who was more than a dawn to illuminate what they wanted to know in my organic depressions, my trident of dating and carbon, by my parents and I in incisive philanthropy staining all the walls detesting the otherness that made me move towards a Wonthelimar; with dated apparitions and curtains that behind them always like gargoyles appeared before Hypnos, and then Medea, taking me as a child with her hands. When they left, I was left alone and patiently waited for them, when they did not return in the harsh winters they would send me Gerakis Falcons, to deal with your pain my lord Vernarth. In this field, I live, but now I am on my way to grasp the horns of the ibex, which took me to their lair with their goat colonies to give me milk and ursid ***** herbs that shielded me from a lethal genre, although not every day. Remain so. The lord that you will be now is the reflection of the bodyguard along with his ibex that will cordon off your rebirth after leaving the traces and rods of your bone marrow, spleen, and glandular that now belongs to me, to take you to the coldest waters that run inside me since the last ice age. The interference of the Diádocos tried to convince Alexander the Great, this is already a new rock piece to represent him in numismatics, walls, and ceramics in a predominant and complacent way of historical, shamanic record and of astonishing parapsychological fold that I have projected on the walls of Chauvet without your consent "

The new turn from Nyons to Patmos was one of the seizures and ecstatic agonies, for a former little prodigy boy and son of an Íbez and a Bucephalus named Wonthelmar, who comes to rescue the entelechies of someone who was an ignorant man who carried in his arms his divine death, without knowing that before she was eternal life waiting for her in the Katapausis, after building the Megaron and negotiating with Seleucus the evolutionary stylistics of the resurrected Alexander the Great in the flames of the candle enlisted in the night lanterns and united with Saint John the Theologian. Seleucus' talks will be one of the stubborn and ****** visits to persuade and catechize his major general, in periods that do not elapse in real-time, and that will be the fatal fate of his obstinacies because Vernarth was already a prodigal son of the Duoverso-Universe., whose basal was unparalleled in attacking their ideals and hegemonic settlements of the material of minimal cause and effect, a wonder of worthy to lean on invisible gods who at a great speed never seen before..., trafficked in front of every gap or shoulder of their destiny, wandering under a pendulum of a sword and under the support of the farmer, who held prey and meat between a lightning bolt and an elder that supports him, cushioning all earthly sufferings, even more coming out from the silence and the most hidden isolation of those who dare to release from the vaporous darkness of Chauvet, Wonthelimar, already forging paths and ups and downs from where no one comes or goes.
Metaphysic • Quamtum • Parapsychology • Regression
Tehreem Oct 2016
All in pieces divided in you
Falling in and out of you
To be in debt, to be in love
The time if I could control
Put together a deceit moment
Blessing of words and cigarettes
Your hands held my face
Your heart in my pocket
But I am all burned and dead
Cool, you're too cold to call me
My sweet, sweet memory
I will be lost and drowned
I will write verses all for you
To win your kisses while I sleep
Residues of your lost smiles
Catching on my ignited lips
Cause it will get dark around here
I will then hold on to your light
To whatever MM dreams of.
I am left with his nightmares.
Terry O'Leary Jun 2013
The eyes behind a head inclined reflect a universe

      Of shanty towns and kings in crowns and parties in a hearse,
      Of heaping mounds of coffee grounds and pennies in a purse,
      Of heart attacks in shoddy shacks, of motion in reverse,
      Of reasons why pale kids must die, quite trite and curtly terse,
      Of puppet people at the steeple, kneeling down averse,
      Of ****** tones and megaphones with empty words and worse,
      Of life’s begin’ in utter sin and other things perverse,
      Of lewd taboos and residues contained within the Curse,

While poets blind, in gallows’ rind, carve epitaphs in verse.
Nat Lipstadt Feb 2014
Dedicated entirely to and for Marisa White

So many human cells,
trillions, not billions

staying alive, a constant balance
between losing and making more.
when young and growing,
like you babe,
like you babe,
making many more new,
than we lose.

when we "advance"
to advanced ages,
like me babe,
like me babe,
when old sick,
either body or heart,
starting to die,
losing more than we make.
new cells, no more,
past
tense,
yet, still have colorations of all kinds,
streaming residues inside yet thrive.

the youthful biologist,
you, know all this,
yet still needy seemingly,
for gentlest reminding,
by an inexorably dying man,
prime declining,
so care for these words well,
they won't come again.

for you to imagine a grain
inside you,
so wonderful envisioned,
that the yet uncorrected words
limbo, stasis,
are deleted from the textbooks
as yet unwritten,
on and of you,
writ by you.

I
need
but one cell,
of your DNA,
freshly birthed this day,
a canvas of only you,
unsullied by pernicious infected hopelessness,
where, under the microscope electrifying,
I will paint with scalpel and brush,
away the limbo,
injecting the blue dye of
happyness,
to course through your red veins.

how cannot you see,
the potential vastness of the trillions
that awaits, so in need,
needy for coloration by a scientist~poetess,
when a lover good and true appears,
you will birth trillions
new cells in a new body, imagine that,
using only the brightest hues of your untapped potential.

which cell?

so many choices,
so many possibilities,
why that I leave that
up, to you babe,
up up up up up,*
up, to you babe.
------
The science is from:

http://www.madsci.org/posts/archives/2001-02/981770369.An.r.html

The inspiration is from:

http://hellopoetry.com/poem/601246/new-canvas-no-limbo-on-it/
Mateuš Conrad Dec 2015
well, it's hardly a dostoyevsky novel: this western journalism; there's no elaborate plot, no complex characters, if western journalism deems itself fit for purpose, and by purpose i mean demeaning the poles as the eastern irish, plumbers do all, i dare say they ought to consider the balkan slavs for a natural selection cocktails of augmented purposiveness in demanded bourgeoisie opinion, in the safe abode of having a piano in the lounge; socialists in the framework of ably philanthropic, but penniless by nature.

that's the thing with the reincarnation of the roman empire,
the areas of europe not conquered
due to the romans' fear of icy goosebumps
is hilarious,
not to mention the trick western "philosophers"
(psychiatrists) have give us, us, children of the setting
sun - weight & measures, chevrolet sized wheels & bonnets
in ***** envy over our counterparts -
the conquered lands suddenly feel they have
a legacy to fulfil - if i was ****** the soviet would be neutral
and the belief in the luftwaffe would be minimal,
i would be the anti-thatcher, believing in the dwarf miners
of coal rather than diamond: to dig under the channel
and invade from beneath the breathable earth
rather from the sky on failure of the zeppelins...
i wouldn't follow napoleon from the pyramids of giza
into the realm of the oninion domes of russia...
what fate, what travesty! everything i say seems to
be far right albeit it isn't.
that's the thing with western "philosophers"
(psychiatrists), they think ireland (err land)
is on some strange continent known as eastern europe,
central of the ural mountains,
poland the ireland of the east? i dare say iceland.
amsterdam lost to st. petersburg over being the claimant
of the twin: venice of the north - too many ******,
too much of life worth living without fashion
and what someone else thought, edinburgh stood
still whole while the athenians just talked crap
although thee twinning was accurate:
never mind that, the zenith of travis' musical output
the 12 memories output is staggering,
like in that club in edinburgh i wondered
what the guy was playing, he was playing,
and years later knew it was neil young's old man...
managed to play it with scarce notes resounding...
but i tell you, western society is not the zenith...
syrians over their own... just to look into a loo
rather than a magic mirror on the wall...
loo loo on the tiles... who's **** stinks more than mine?
so before the sun set i had a drink,
i got out from bed on the promise of a drink,
not the goldfish wish fulfilment of passive sadism
watching my mother cry at what she and they did...
i got up for a will of life with a drink,
skimming the ice rink for some cubes in mathematics,
i got out of bed for the drink, and nothing else,
the else otherwise is revealed in people living
fully amused lives...
you know...
we're doubly animate, there's the animate bit of us
that residues animals as your counter-points,
but the doubling effect lies in our thinking,
we can be immobile: stephen hawing on alladin's
flying carpet sort of speak... it's not exactly
the expression via telepathy or telekinesis,
the former being a projection of pathology -
the spreading of mental illness via mere thinking
and the egg throw ogling into another man's happiness
of possessions priceless, like: wife, children, house.
begin with fakes... i'm not sure why it's called
artificial if not simply placebo intelligence to add
to the illusionary spectacle gratified...
artificial seems to only add to the confusion
between synthesis and psychoanalysis...
but of course we're not synthesising souls
(pashtun *sa
, breath, a rendering, esp. if only in
afghanistan), we're synthesising replicas,
clone wars tore us apart, the en masse greys
of the daily walk on the land once in bloom
now in square paving, or by masonry spiders
cobweb.
yes, i left my soul in scotland, on the climb up
gleann comhann - with ben nevis the tallest
peak visible through the shroud of cloud seen through,
but i still, i still just, don't, get,
the fact that western society sees me like it
sees itself, with a colonial past that needs self-repression
(prefix self and hyphenate and you get automation),
i was without land for some time,
the four partitions of poland between austro-hungarians,
russians and prussians learned via scolding
taught me... what i learned i'm not quite sure, but
i did learn the lesson...
but psychiatric treatment can't teach me anything,
it can't turn a physical problem into materialising
a metaphysical condition,
but as i said, english existentialism has no human
affairs to be concerned with, english existentialism
is more concerned with monkeys and dinosaurs,
sweet & sour bits of life, coupled together
you only get *** tree fruit pastels: sweet & sours.
i can't imagine a worse off exile...
but i read of one in a book what took to foot
from england straight into afghanistan...
i heard it... literate or illiterate, nonetheless sung...
the pashtun women singing landays (syllable
restrictive songs of 9 or 13 syllables while
cooking or washing clothes in the river),
with the "little horrors", all that mature man
and me attired in wrinkles beneath the niqab,
the parchami (member of the afghan communist party),
unlike persian dari poetry, thus like:
fate brought me a spouse a child to raise
god, while he grows tall & strong, i age and i grow weak.
but the western nations will not be so assured
in fermenting their colonial past among their european
neighbours who weren't colonial... and that i vouch
with an ardency to simply prove them unable to
take a holiday in southend's pebble beaches
rather than silky white sand of the carribean.
polarisspark Jun 2018
Sweet ocean ! Oh , my sweet rocky shore .
what a residues !
longing embers, soundless weeps and journeys ends .


Sleep now and dream ,
Your stranded breathes give birth to spring
Lonely for the ocean .
Oh, you lovely sleepy head , soon you will see
The sea buckled with calling ships.
Soft strokes of night breeze brush shall paint
Canvas of this dripping ache into light-filled
Cracks on bleeding darkness , keys for
Long time forgotten doors and sinful daring wind
Weaving your hair between its dancing waves.


You sweet ocean ! Oh, my sweet lonely shore.
What a residues!
Tortured dreams, feeble hopes and fleeting stars.


Sleep now and dream,
Skies melded through every tenacious scars as
Enthralling map of new-found stars.
Oh, you dear weary head, soon you will see
Cosmic sprinkling magic in your too long waited
Gazes, tickling those rusty pale cheeks setting
Them into heart warming giggles.

Lay down and let those sand soaked happy toes
Just to give up....
Scared waves trading their blessing to win
Your still lung for a sigh of relief
And your dawn flavored lips for a mumbles of our old oaths,
This is our home ship.

— The End —