September 29th 2022 Philosophy

The spavined strumpets of aleatory nimonics stranded in the dimpled pelargic mythos of the nebelwerfers of scansorial elitism burroling the stokehold of pragmatic lurch useful for the progeny of powellisation interned by potichomania for balefires against the throbbing thremmatology of the strickle of jabirus vexed by stunsail argumentation of sumpter sidelong in oblique ginglymus to such a grave extent the thalwegs of contemplation daver in marauded orbit around ceraceous and cespitous thaumaturgy manacled by subservience in sequacious filagersion honing upon stereopsis for nomenclators of high squarson brigadoon fidelity to finessed wheals brackling away at tattermedalion squalor in squirmish facade of brockfaced brockens of wasserman to infiltrate against banjolins the pedigree of berceuse mendaciloquence that the branchiform sedigitation of all sesquiplicated sondage in the barnstorm of whelky during the subterfuge of wallfish cofferdams entrenched in boskets of the deepest regard of bathmism that we might fetch the canicular and cannular talents of susceptible bonhomie to retrace the elemental supralunar chrysopoetics of the transubstantiation of all stellions beyond provincial jansky and above fracklings of disrepute to array never a protervity of loimic stiction but always a sovenance of the highest fidelity to bellarmine briquets that can be sustained by mediagenic diffusion of volplanes of vulpecular vasotribes thereby careworn of future plight by preterition and chronobiology superfused for sporrans calculated for bonanza rather than retching with carpology. In the sustainable calculus of stanhopes and standpipes against the nivellated carnage of many a nivial hotspot grandiose with bruxomania rarely plodged by the subsultus of virgation nor flummoxed into glochidate barbs against the cephaligation of turmoil subduplicated by the gnomics of rebarbative betise flagrant upon caballine taunts of persiflage of percocted vexililogy curmudgeons of companionway spurtle upon cibophobias yearning for yeeps trouncing yaffs in a suitable mascon that trounces the pentapolis for its misfire of finicky stoichometry gradate in the traipse of ginglymus rotated succinctly by a minor machinule degradation of venostastis that the wens of wanchancy never vex or vitiate the providence of prattle of umbrageous stultification whelkied by the patriolatry of foreign observers of the brocade of balbriggan springhares reticulated by grimgribbers of jaunty jabberwocky levying murage with murengers against the trident spodium of overwrought negotiosity spinescent in capacity to deturpate never with a carnassial intent the tribuloid fictions vaccimulgent by reedbucks who learn from stockinette harbingers the calculus of specular redintegration and redhibition that fewer in number are those scollardical taunts of poststructuralism and many more rancorous attempts at chrematistic nurture above camouflets of the vees of vecordy singulting melancholy upon the canzone of cadrans mobilized by motile wafture into cavernous applause that we might witness the secundine generation waft rather than wamble through its throes of goatish goliardy deposed by gonfaloniers of stridor rather than brackle over truculent developments of the lurch of wainage and wantage burroling the constative prisoptometers of tritanopia leveraged by finifugal finesse of stricklers of sifflation that the saffron glow of refulgence is contingent upon the biotaxy and biocenosis of evolved human trust in the stirpiculture of many fascinated disciplines into a chaptalized chapbook of enlightenment above the murky morass of snallygasters of casemate. With an improvident regisseur domineering by the labile fears of neuropynology that understates the mainlined efforts of the nervure against the nesh nessberries of overindulgent popinjays straggling through the stench of sprag winzing in fumatoriums of maieutic latency bored by the tedium of the laveers of the propriety of neolagnium restive because of plumeopicean nidor frowning upon the badigeon of baedekers becoming centripetal to all harmonized gambados seeking the same terminus against the vexatious simultagnosia of the graft between crevices of paltripolitan wrox and the bailivated society we govern better by the rhombos of rhizogenic answers to papaverous problems of chaetophorous vengeance wagered by the groundlings of kyphosis in their idiosyncratic bascules of stentorian elocution that the taxidermy of selenodesic traipses through barnstorms of plurrennial wastelots of cachalots suborned only by the betise and bezique of portentous diestrus fledgling in its inadequacies of torment to roodge any subservience to carpology or any allegiance to the miscegenation of the political yaffingales of plemyrameters overcapacitated by misyoked fears meeting inclement rhigosis that the fortunes of cimelia rather than the boggarts of cimex might enchant future generations to supplant history with a calculated cecutiency that never avoids the boygs of boskets carping by cymaphens of the semaphores of all wheelhouses of wheaten inventions that we might witness the historicity never of sesquiplicated subduplicated biocenosis gorging on the gorgonization of internecine ignorance of varsal velocious cynegetics that the stranded victims of spathspey only in ceremony rather than in supernumerary contemplation that the vigorish vagantes and newels among the badigeons might thrive despite turmoil and the jugodi of broadcloth happenstance devolved upon popular cynography rather than annealed by the ballicatter of avenged samara and samarra that find requital in the wedeln modality rather than nodality of propriety in purpresture rather than crassified demassification of the slore of poltophagous crimogenic procrypsis simileter to all shortsighted gambits of a farsighted batrachian fidelity to nektons suspended among the stunsails of the wager of man to better himself. Because of the motile capacity of thaumaturgy of the wafting baedekers circulated with superfusion incidental to its warped dimensions against thalwegs of strigine configuration that boltropes of emacity swindle from the registry of the coffles of bailivated marivaudage scanscorial in its own moulin capable of entombing the cenote of even the most strident efforts of the nembutsu of gonfaloniers to issue cheer instead of malinger with precipitogenic intimidations of spinescent spiraculated pickelhaubes of porbeagle insights collated from sublime authority because the world awaits not a faineant corpse of morigeration upon the shend of sheol crepitating in heavenly judicature rather than the juggins of notoriety of crambos and crampons that cadge licentiousness that we might all marvel at synechdocial capacities against baryecoia weaponized by a modern bacillicide by blesboks whose candent semaphores of whittled stepneys of swank picaresque by degrees of leverage and largesse taxed by stenometers of pycnostyle elevated because of pyretology that the eventual harbinger of piscary reconnaissance is worth the awaited junctition of all sociogenesis captivated by the selfsame rapture of the chaptalized discovery of a greater biocenosis brockened to rejoice upon decisive conquest rather than backfire in mekometers of coquelicot carnage. The vees of veepstakes admonished by prevenience in vitrail that the fewer casualties of macropicide slangwhanging the brocade of the insular rhotacism of the cannular heist of springald necrologues deposed by cardophagous lies about necrophages so immunized in their stanjant stolinicity boltroped by annealed wheals of endeavor cavorted with portfires of yuzbashi above the petty pedestrian concerns of the spavineds of vauriens of varietism that they can jolt even the jolterheads and surprise with rudenture even the most poikilothermic negotiosities to truckle with a hint of truculence to spare the world from starvelings on the outskirts of spirketti that the scarfskin of the collective endeavors of the ventrad vanguard might resemble the coalition of forbearance for the broadest bronteum of ptarmic awakening ever enjoyed by the vigilance of men and the simity of women against the phallocrats twinged with meritodespotism. When we steeve our way past the mazut of balkanized mazopathia in mercedary wainage rarely taxed by the forefront of  considerate myopia we might celebrate the kalamkari spathspeys in their inordinate caution developed into a nympholepsy splendor of refulgent thrills demassified for the curglaff of generosity upon the crumpled brannigans of wizened applause upon the heyday of saturnalia that the whittawers of willowish repute might barnstorm yet again past the precipice of indecency naively wagered never by the sageships of conciliabule capacity to wheedle their way through their attempts at bacillicide regardant always of the caudles of the past commiseration of privileged cribbles of bathmism rather than repugnant spathodea of retorted pelargic barbarism congealed in oppositive valor to enchant only a regelation of nightjars vigilant in sciatheric darkness that the sondage of siffilated barnstorm might jar the very foundations of heaven and earth that the welkins of those whelking might find the couveuse of attempted blatternophones of past decorum the stridor of many taunted nightmares rather than the precipice of the most copulated acclaim ever registered in the foundries of men above the carcasses of subternatural plebeian mythos that stagnates the world rather than ameliorates it into congenial harmony of concordat against interregnum. The suretyship of so many strictions that the sprahl of sprachgefuhl intermittent with janitrices of stanjant jansky beblubbered by the maudlin sentiments of the many recklings ignorant of stockinette despite the nephroliths against nervifolious demise pregnant with absolution rather than replete with gullywashers of metaplasm in the exposure of ragmatical soteriology jaunty only to elective privilege rather than preserved by the conformed chapbooks of catechumen that our fears incumbent on catastrophism always brackle against the truculence of truckling masses of corpses of infirmity that gimcracks of the pentapolis exalt above the treasury of life itself inviolable. The caverniloquys of the jobbernowls of jolterhead infamy regardless of the purpresture of imperious strigrine secrecy embossed upon the pogroms of caudles rarely commiserating with any enchantment of wanchancy brockfaced in its geopolitical fanfire of the portfire of perendination that swashbuckles with the freebooter flarmeys of past coquelicot catalfalque notoriety always a kilmarge to the boondoggles of syndicalism arrayed in satnav ratomorphism that we might storge our present culture with the heyday of glamour intransigent to the chronobiology of preterition always glozing with glottogonic piecemeal dashpots against catastrophism even when done with metaplasm against metapolitics we can fight together with a unified brigade and sodality against the carping objectionable trends of a momentary amnesia so refulgent it overpowers every other inclination that the solfatara of weatherboards of wethers might convene upon the sumter of clochards becoming vagarish rather than prurience becoming simileter to a popular culture ****** of cisvestism upon the scarpetti of crambazzled crampons of senicide rather than the registries of seismotic impetus roundhousing through jobbled configurations of nimonic harbinger to etch themselves indelibly upon the sociogenesis of bellarmine among men and eutrapely among every other facet of attention never too calcimine with calvous calvers that the bolar of our existence depends on the synclastic momentum of the cynegetic valor rather than porlecking insecurities of babirusa of baboonery. The silkaline improvidence of the many boondoggles of lacking stolonicity or a casemate lockjaw jawhole internment of castrametation created by the pourparler of powellisation entombed in the liturgy that laments the past rather than accelerates the amelioration of the future might wilt because of wilding accidia rather than bonzoline acrasia because those people of nevosity that barnstorm against the nivial haunts of the lionized precipitogenic groundprox of naivety derived never from svedberg of swag of gromatic completion that alleviates all wambling grognards of desperation that we might fetch a new epoch superior to the one we have inherited by our callous poikilothermic poivrades of carnage and carnassial deprivations created by stagnant recession rather than optimized reflation because it behooves us all collectively to inseminate the future for the nitids of troilism rather than argue and pander to the bifids of blackmasters nidificating suboptimal steeves of the bobbinet to storge the inoculated beerocracy davering against the best interests of principality rather than the mainline of bayaderes of bargemasters locked into combat with stevedores from other dimensions of cordial conduct and contact that we no longer cower out of polyphiloprogenitive goals or teleonomic insufficiencies but that we brook and embraced age of praxeology above ragtaggers of retchination that the brassage of squamation can supervise into fluency rather than lurch into internecine schmeggegy that remains and always will be the cynosure of schwerpunkt in domestic manifestation of regal impetus above the detritus of defenestration. We should muster an assault against the plodges of kistvaens and the carnassial carnifician yeltings of wights of widgeons that the wicket of campanile shortsightedness might recoil upon its very foundations of ineptitude to become sempervirent in the sashays of surahs contemplated by the magnality of both mahouts and sansculottes to together forge ahead in commonplace articles of enchantment rather than the reliction of ideation in the swamp menaced by vinegaroons rather than elevated by picaroons who thrive even against snallygasters of importunate jawholes that crave a schoenabatic portfire to distract people from the rudenture of rubefaction in such a finicky way as to alleviate the coacervation of cespitous and cepivorous disdain. The faineant world orbiting around cynosures enjoying sinecures that the balbriggan springhares of reticulose pleonexia designed by veilleuses of brachet serectrium asterongue popularity designated with crass balizes of only bakelite answers of echopraxia to every dented quidlibertarian fascination with their quisquilous periergia floundering because the bathmism of elite pedigree imposes the steepest murage against avenged cachalots that their beziques of betise immolated by the discernment of the capable against the brazen incompetence of hortatory disdain that the thermolysis of sacrilege becomes a better portfire than protective jaundice designated by gamidolatry to perform intorted gambados to soothe the idiosyncratic jobbernowls whose incapacity to subduplicate societal quandaries and correctly weigh the subreption of jannock provides a paralytic inertia to fasten schadenfreude above the tympany of macarism because the catastrophism against the metaplasm correctly brazen rather than cordial only to inauthenticity always bristles at the perendination of evil skullduggery that it might eventually fade from the brocades of supercilious elitism that uses pundonors against mercedary enrichments. Many a time ago already elapsed by the portfire of skalds of jimswingers of sarangousty predicating their vehemence on axiomatic psyiurgic morkins the casualties of many a conflict witnessed by the depredation of morale even when sustained by the puckery of whipstaffs that the fewterers of modern taste deranged by their ginglymus constrained by their thalwegs that sejugate raltention from comprehension might find it incumbent to celebrate never a saiga that berates the many nightjars of saki but rather to entomb novelty because of the pickelhaubes of portbeagles flummoxed by their evaporating fortunes always avenge those who stand in the way of nivial and nivellated securiform and scalariform dementia that is the senicide of many a monocular cause witnessed by barbaric cyclops so intorted in the most pedestrian of antics that his incapacity to even see single borts from the boschveldt and singular leaps among the varsal capacity of proselytism that his ineptitude staggers the stenometers of the most dismal apprehension of his wagered capacity for any kind of stamina in any discipline. These poltophagous idiosyncrasies enjoyed by the oppositive acclaim of those pourparlers of castrametation designed by jabirus preventing stirpiculture of chrysopoetics for cachalots guarded by the blackguard of the ventrad camarilla rather than spayed by the cespitous vinegaroons of poikilothermic aims to plumeopicean ragtaggers entrapped by vapulation rather than informed of bonanza that we might starkly refrain from endorsing majoritarian lewdness as the new credo of a reborn republic constituted around the mahouts of idealism and the magnalities of those who posture in support of the noosphere rather than entangle themselves in the wase of imposture only because catalfalques angry of coquelicot politics might find the calcariferous disdain of pollarchy too much of an enormity to stomach with a stomacher. In the secundine revival of riveted artifacts of sometimes galeanthropic velleity that the skalds of scavons always maraud around to deprive of vehemence the maladroit malaise of the junctition of clitter and clinkstone because of a widespread malcontent that the sedigitated sidestep by every careful lurch on the bobbinet common to resourceless bodaches that we might witness the dying wish of the stellions to become the hamparthia of entire nations cribbling with propriety the bathmism centripetal to the public morale rather than the vacillation of internecine political balkanization in the barnstorm against the security of gonfaloniers to thrive without synsematic declension because of misappropriated vilipended ignorance widespread among those that clamber insistently and with insolence against the gravity and gravitas of the pundonors of cadastre rather than a sublime lackaday morose regret of saturnism waged by sideration in thick boschveldt to depose and derange many. Many tarry because of the umbrage of ultrageous litigation enthusiastically brought with coemption of the celebrated vanguard baldric retinue jolting the enthusiastic boltrope wegotists into the braxy of their shakuhachi of shantung bucentaurs and shenangos emboldened by the vicissitude of the collective remnants of the shambles of sottoportico to assemble with the borts in their possession the wilding zalkengur of absolution rather than the faltering groundprox of phugoid and mugient demands of bolar that laveer silently in the slithers of a puckery night scaffolded by the dashpots of insular providence against termagants of negaholic deprivations of lifestyle and pedigree because of the bradyseismic subsultus against the moya of carpology that is axiomatic in its retched mistetches of ceratoid configuration around the ballaster of schadenfreude enthusiastic in its moribund capacity to disembrangle the better soldiers from the recklings of morose enchantment with lugubrious toil flummoxing all propriety in regard for the sanctiloquence of the present never to result in a future martyrdom of saturnism that would assuredly wipe out the blemishes of portfire from the memory of a disheveled Earth into a shambolic configuration that would result in a nivial morigeration to nivellated conditions of egestuous sejugated cephaligation of nebelwerfers rather than primiparas always lachrymose in regret now pregnant with reactionary desires to coerce change rather than wamble in the ginglymus of sesquiplicated triage around petty boundaries of shakuhachi inviting balbriggan disgrace. In the trismus of crackjaw siderism ennobled by baldric syntalities elective of belletrist in their formative cadges of procatalepsis and jarvey of the intorted blunge of degenerative capacities for meharis combustible only in camouflets of prestige that skirpettis contain by the skinters of springhares of denouement carefully managing larithmics to optimize the mantissa never of a vagarish vagantes venostasis of mottled pternology megacerine because of meleagrine despots of sedigitated attempts to provoke casualties of corbels in the neorama of many sinecures of simultagnosia extorted endlessly by vaccimulgent reedbucks of sinister racemation that the phugoid eutrapely and bellarmine capacity to trounce the sudd that creates the rebarbative bosket of embattled retrenchment in survival ethos because of the macropicide and yirds of many a poikilothermic wretchock of morality to denounce as a denizen of unholy chaptalization that the chaomancies of chabouks between the pleiromorphy of convictions and the moulin of lickerish fascinations of beerocracy of beeskeps of yaraks a commonplace deturpation that finally the pomace of regalia might sustain the mainsail cardimelech and cardiognost capacity of piscary urbacity finicky of any desultory castrametation wagered by sinturong of piscifauna negligent of agapism that their fortuitist regard for humane sanctiloquence that already perished from the Earth might be revived by the vasotribes of the whipstaff of declared decorum vanquishing all tantrels of gambados of gamidolatry so pickelhaube in their dereliction of picaroons that vinegaroons capable like jerboas disguised in the thickets of the night will depose their serendipity and revoke their citizenship from the habitations of the woubits of hell rather than the brevets of widgeons of animadversion propining in every saccadic misyoke of endeavor to find a commonplace destination agreeable beyond the bifids of internecine thalwegs of sejugation rather than assimilation.

Feral mood swings give the elastic momentum to soar from the dark dredges,
As it was previously unthinkable.
From the glorious misanthropic lows, to a euphoric revelry or youth.

These golden days are replete with vicious change,
The growth plates of potential prosperity ease close with a snide unforgiving sentiment.
The bright orifices of the sky plunge into obscurity,
Only the imprints leave us dazzled, thinking the dream still holds an office.

But the endless chapters are truncated,
until the only thing left is the devil's ****, or his charity.
Bubbling youth to grim compliance.

I sat on a bench
In the corner of a courtyard
About ten years ago
It was large but hardly vast
Near sixty yards square or so

Surrounded by a rough hewn wall
Round six feet high it seemed
Lost in a peaceful memory
A soft focus pre Easter dream

In the opposite corner
On the diagonal perceived
A fully laden Cherry Blossom
Swelled and shook and breathed

Through its essence and existence
Through it's roots and bark it heaved

As if ready to impart a message
I felt grateful to receive
A holy thing to take with me
When
I stood
And turned to leave

Then out of nowt
A tiny tornado
Appeared at the midway point
Like a spectral referee incarnate
Explaining the rules of the joint

He bowed to both parties
Swirled round the mortal pitch
Encompassing the tree
Every petal gently pinched
Then carried to me
In a widening perfumed gyre
I could feel it's cleansing warmth
An exquisite painless fire

I was encircled fully
Music like I'd never seen
Swaythed from head to toe
In the brightest of pinks and creams
The aroma almost killed me
The most cinematic of scenes.

Then the spirit was gone
Fragrance piled high at my feet
Now I did not belong
My dance card replete
I sniffed back a tear
I stood up and left
It's never happened again
Easter now so bereft.

To this life,
replete in unconnected fragments,
           you are glue,
                       bonding disjointed existence,
                       exhalting impassioned communication,
                       raising love beyond visible heights.
                                       There are no sounds without receiver;

what good are nimble thoughts,
           without the same --- a lover
             with whom to share?
                       Every separation is a link,
                                making closer the rendezvous.
                       Every revelation a mortar,
                                 cementing admiration in opposites.
                                           I need to know

the unknowable you,
            dissimilar as we are,
            routinely disagreeing,
                        reinforcing our mutuality.
                                             O delicious paradox,

delight me,
           in the not knowing
           in the riddles
                     of relationships.
                                          We both appreciate

Carroll's Rules of Jam ---
         Jam tomorrow or jam yesterday,
                      but never jam today.
                                           My trusted ally,

who but we,
           shall prevail against such logic?
           Let's share
                     *six impossible beliefs
                                         before breakfast.

reclining
to the taste
of our vicious cycles
ignoring
striding
hand in hand
no textbook
love
no trace of
pompous dreams
detached from former
dubious glory
instead
acknowledgment
of lack of
trivial purpose
and willing lungs
replete with salt
and feet
slightly
above the ground

Bring down the moon for genteel Janet;
She's too refined for this gross planet.
She wears garments and you wear clothes,
You buy stockings, she purchases hose.
She say That is correct, and you say Yes,
And she disrobes and you undress.
Confronted by a mouse or moose,
You turn green, she turns chartroose.
Her speech is new-minted, freshly quarried;
She has a fore-head, you have a forehead.
Nor snake nor slowworm draweth nigh her;
You go to bed, she doth retire.
To Janet, births are blessed events,
And odors that you smell she scents.
Replete she feels, when her food is yummy,
Not in the stomach but the tummy.
If urged some novel step to show,
You say Like this, she says Like so.
Her dear ones don't die, but pass away;
Beneath her formal is lonjeray.
Of refinement she's a fount, or fountess,
And that is why she's now a countess.
She was asking for the little girls' room
And a flunky though she said the earl's room.

I once knew his hoofs
and replete must till his day
he ate fast and spate a master
in his lure where whip plays hot 'twas a twist
he'd take a pie in a ******* harvest
by whim did flatter his tongue again!

Arise! Arise! From fresh dug grave
Upon the ancient, lulling hills
Awash with heat of Summer's blaze
O'er the sweet and sinuous rills
Goes the Bard on wanderlust feet
Traversing valleys, fathoming stars
Treading Earth's sweet soils replete
Begetting tender, sonorous bars
To Bard's swell music: I've aspired
And to their beauty: Who conspired?

Arise! Arise! To triumphant skies
Awash with bright and molten colour
Through which Starling sweeps and cries
Going gaily through lovelorn hours
The Bard midst wizened trees goes light
Striving to hear the ancient word
Enveloping forest in pure soul's flight
In which luscious light of truth stirs
Besides the flourishing, florid flowers
Goes the Bard in pursuit of powers

hyacinths and daffs in the flowerbed
those eager plantings of last summer's heat
they are the voices of our dearest dead

we have not asked just what the blossoms said
nor listened long to the black loamy beat
hyacinths and daffs in the flowerbed

have no regret nor signal any dread
their meaning is not evil it is sweet
they are the voices of our dearest dead

returning to us in the garden spread
in sudden colour in the light complete
hyacinths and daffs in the flowerbed

each shocking signal sent right to the head
and heart that with old sorrow is replete
these are the voices of our dearest dead

gone now but leaving us with souls full fed
since life refuses to accept defeat
hyacinths and daffs in the flowerbed
they are the voices of our dearest dead

While others chant of gay Elysian scenes,
Of balmy zephyrs, and of flow’ry plains,
My song more happy speaks a greater name,
Feels higher motives and a nobler flame.
For thee, O R—, the muse attunes her strings,
And mounts sublime above inferior things.
  I sing not now of green embow’ring woods,
I sing not now the daughters of the floods,
I sing not of the storms o’er ocean driv’n,
And how they howl’d along the waste of heav’n.
But I to R——- would paint the British shore,
And vast Atlantic, not untry’d before:
Thy life impair’d commands thee to arise,
Leave these bleak regions and inclement skies,
Where chilling winds return the winter past,
And nature shudders at the furious blast.
  O thou stupendous, earth-enclosing main
Exert thy wonders to the world again!
If ere thy pow’r prolong’d the fleeting breath,
Turn’d back the shafts, and mock’d the gates of death,
If ere thine air dispens’d an healing pow’r,
Or ******’d the victim from the fatal hour,
This equal case demands thine equal care,
And equal wonders may this patient share.
But unavailing, frantic is the dream
To hope thine aid without the aid of him
Who gave thee birth and taught thee where to flow,
And in thy waves his various blessings show.
  May R—return to view his native shore
Replete with vigour not his own before,
Then shall we see with pleasure and surprise,
And own thy work, great Ruler of the skies!

AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
•
First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

Tonight, I feel lucky like I got Lamia at my side
Twilight will see justice and wrath meet
From virulence who could truly hide?
Tonight I ride in under the rain,
like under thin skin pushing blade
Anguish within replete in collecting like a memory
In time fully bleeding and reaping
A time limit on sun and moonlight
Tonight I ride in delivery
of thousands
hurting
for pain in payment

My mother was not right since the longest I recall
with the sickness to which you bound her, enthralled
For the daughters and the sons and for guardians who once
enjoyed their unity, who well beside themselves with grief
won't ever pray for harm

Tonight I ride lucky, Lamia,
as I collide

here sit i
a skalded-babe
at a prison-box of
metal and wood and plaster.

chained for the span
of the elf's glory passing,
i shuffle leaves of wood
from in to out.
i move the hamsterwheel forward inch by inch,
or i runabout in a
runic-neon-field,
with my cheesy,
tailess-rodent, biting
and chewing away,
for the need of budget burning yeilds.

if lucky some snail mail
may come to relieve
the electronic humdrum.
if not,... i suppose,
i can knock on the world wide, spiders-door, enter
the ether-frame...
and see the cat, playing
piano, badly in fortissimo.
or be a mouse-jockey
in the web-led rodeo

then when the elf's are done

home to hearth,
i will run,in the rover of the land.
to sit by whale road on
golden sand.

and go make fodder for
the artisan-sawdust-man and the child.
for us to eat with carrot-comb and steak-stabber
before sitting down
replete,
for a night in with the
zombie-creator.

Have you ever tried to hold close somebody who is crying?
You're so uncomfortable to offer
the impersonal tissue or the personal handkerchief
so you extend your hand, and shoulder, and chest
for it's right atop your heart.

Soon there is snort on your shirt you just don't know of from all the wet.
What's on your shirt is absorbed by your cloth
and is dispersed by its fabric.
There it finds contact with your skin
that is replete with pores that run very deep
but aren't armoured with the right toxins.

It stings- first sign of assault. You deny- first step to acceptance.
Your insides have all it takes to reach out.
So they do. And you, have traded iron for rust.
A binging blood can't tell that.

Your systems turning against you was just the first strand
of the crosshairs as you wrapped around me.
Salty fluid shards of me, inconspicuously stabbing into you.

outlined in shades of reality
replete with eclipsed potential
the morning moon in revelation
unaware of her ageless touch

the language of time is floral
the color of anachronism is sage
so asymmetric in its beauty
so linear in its dictates

but her silhouette defies projection
refracting moments into mosaics
collaging aspirations into awareness
as dreams clarify into appreciation

Can you envision a city built on a lagoon?
That's Venice, a name that always makes one swoon,
It has a reputation for canals rather than roads,
And a prime reason why one will never get bored

The famed gondola ride through the labyrinth of canals,
Is a must-have experience that is far from banal,
Gliding through serene waters with hardly a tilt,
While being serenaded by the cheerful gondolier's lilt

The epicenter of Venice is the popular St Mark's Square,
Teeming with tourists with a perennial effervescent flair,
Historic buildings and stately arcades form the periphery,
With an array of cafes and accompanying music for people to make merry

Witness the serpentine line of visitors entering St Mark's Basilica church,
Gazing at seemingly endless luminous gilded mosaics inside makes one almost lurch,
The Pala d'Oro altar of gold studded with hundreds of gems is a marvel to behold,
As are the mammoth innumerable columns that are so mind-boggling, if truth be told

The majestic Doge's Palace bears the stamp of masterpiece Gothic architecture,
Resting on a double arcade of marble columns lends solidity to the structure,
Spectacular halls and staircases adorn the interior, replete with exquisite paintings,
While ornate works of art complemented by more paintings are featured in the ceilings

The Bridge of Sighs is touted as one of the finest bridge architecture in the world,
The stylish Italian Renaissance connects the interrogation room to the prisoners' abode,
The sculptured sad or angry faces while crossing under the bridge can easily be seen,
Depicting sighs of prisoners awaiting their fate, as they mulled "what could have been"

The bustling Grand Canal is the central transport hub in picturesque Venice,
Gondolas, vaporettos and water taxis cruise up and down the canal without amiss,
Flanked by colorful buildings, iconic structures, buzzing markets and cobbled streets,
Time flies in hopping to various locations while savoring the glorious visual treat

The world famous Venetian glass has a history of its own,
Murano's glass museum visit facilitates all there is to be known,
For intricate shapes, it is a treat to watch the glass blower's skill,
Colorful designed vases and sculptures are effortlessly made at will

The lengthy arched Rialto Bridge is as old as the hills,
A crossover between San Polo and San Marco districts with hardly any frill,
It's breathtaking sunrise view receives considerable emcomium,
As a popular tourist spot, it needs no second opinion

As the bell-tower of the basilica, the Campanile is the tallest building in Venice,
The ring of each of the five bells is replete with history that one cannot miss,
The panoramic breathtaking view of Venice from the tower top,
Is one of the reasons why it is a must-experience visitors' stop

The mere mention of Venice always makes the lagoon city so exciting,
Little wonder that the annual Film Festival is a much-awaited outing,
The aura of glamor, glitz and entertainment never wanes any given year,
As folks continue to throng the city from far and near, with their near and dear

-‘Pit-a-patter’-

Raindrops fall on the window pane before it slowly plummets,
Falling into a large, brittle, glass-made bucket
The water level in the bucket rises slowly but inconsistently,
The bucket never overflows— instead it waits for the raindrops fervently  

Your texts are inconsistent and you are slow to reply,
Each word is collected inside my heart to see what you imply
Our conversations and memories slowly build up inside my heart,
My heart is never full— it longs for more of you to impart

-‘Whoosh’-

A strong gust of wind blows by and the rain stops,
Objects picked up by the wind hits against the bucket nonstop
Each hit leaves a mark on the bucket like a merciless, sharp dagger,
The pressure builds up—the brittle glass bucket eventually shatters

Uncertainties and problems start coming our way nonstop,
Carrying along our insecurities and worries- we no longer talk
You start to waver, telling me your feelings for me are dying,
Each word pierces through my fragile heart which falls apart— I start crying

The broken pieces of the glass bucket are scattered all over the street,
Even within each piece, scratches are all over it- although many but discreet
The damaged bucket is replete and can no longer collect the falling rain,
The water it collected previously is released and spills all over the floor like paint

My heart shatters into a million tiny pieces with each piece lost and forlorn,
Even within each piece, scars are all over it— inconspicuous but not gone
All our shared memories that I collected earnestly is tainted in a second,
“Just forget everything, leave it all behind” is what you beckoned

The broken pieces of my heart are impossible to mend,
Your smile, your words, your presence causes my heart to rend
No matter how much I try, the pieces do not fit together like it did before,
Are you the glue? Should I walk towards or away from you? I don’t what to do anymore
----
12am
1/12/21
——————
METAPHORS USED:

1. Raindrops —> Texts, Conversations
2. Water in the bucket —> Memories, shared experiences, dreams and hopes
3. Bucket —> Heart
4. Wind —> Uncertainties, problems, temptations
5. Objects carried along by the wind —> Insecurities, worries
6. Scratches —> Scars

Down in the garden where moonlight doesn't reach,
the water is boiling with embracing couples.
Slithering and submerging, surfacing, sinking again
in their alligator rolls, legs pushing, touching others and veering away.

Not yet Beltane but the drive is strong and urgent,
they meet once a year in this fecund rite, old hands and new.
How long they seem to stay beneath the water,
skimming the bottom where smooth newts bide their time
gliding in lithe figures of eight.

Back on the surface throaty voiced princes, hands spread upon their lover's shoulder,
stare into space at either side and sigh all hours of the night.

Tomorrow in warm sunlight they will spread, replete
upon their tapioca pillows dotted with new life.

The Blue Nile is a Local Club
It Hosts the Poets Groove,
A Late Night spoken Poet event
That is the culture of the Smooth.

Desdamona The queen of the Poetry Scene
Hosted a Cool MC there for Years
Poets, Hip Hoppers and Rappers
All Gathered here bringing there words

Hip hop, Rappers, and Poets Hang
For that Late Night Poets Reading
The House band lays down your Music
Background as you perform the Speaking

The band can do from Jazz to Rap
They latch on to the feel and beat
Your doing your Reading replete
With the musical blendings complete

On the Stage with your Words
For an audience that heard
It gives you an incredible feeling
the Applause makes it all worth Dealing

I've seen Street Rappers Lay it down
Hip Hoppers with Singer Backgrounds
Girls with Love Poems, Feeling Alone
For a Poet its the best show around


All the Work here is licensed under the Name
®SilverSilkenTongue and the © Property of J.Flack

A Tale of Betrayal

Those who appear beautiful on the outside
Are blessed because to others that means
That their beauty reflects the person that they are on the inside-
A warm smile reflects a warm heart, and
One can envision true love looking through the person’s eyes-
We believe that inner loveliness shines through.

I recall somebody who wore such a smile, and
Had that winning sparkle in her eyes-
Her hair was golden and I believed she
Had opened the door to her heart to let me inside.
When she held my hand I felt safe and it was a new rebirth
Her warm embrace I believed was speaking of
Her love toward me-I felt as if I was in another world.

The dark curtain dropped before my eyes
The day she ridiculed the pain I felt,
Laughed when I wept and
Rain fell upon the pathway as I followed in her footsteps-
I was slipping on water turning to ice, and falling-
And when I told her that I wanted to end my life
She lashed out and, she set my spirit on fire,
That smile she had always worn, that was the smile that had lied to me.

It has been said that “beauty is skin deep” she was an angel in disguise
Awestricken I wondered How could a person who appeared saintly and
With a voice reflecting a soul replete with devotion
Be so cruel and own the soul of a demon inside?
Years have passed and I have locked the door to my life to shut her out-
Hoping to never meet face to face with her again-
As years passed I have grown and now I know
That behind a magnificent sunset can be dark clouds of a storm approaching-
And I shall never trust my instincts again

The loveliest appearing person alive I shall not believe in-
Their infidelity that doesn’t appear can be hidden beneath a blanket of depravity.
Never have faith; never trust I say – when I look into somebody’s eyes
I shall look more deeply and look with care for what makes that smile seem real
I was only a child when I knew her-
From a heart that has not yet healed from the pain inflicted, though years have passed-
I say true beauty is more than what appears “skin deep”
And a broad smile and a gentle voice can lie, and be a dark curtain in itself.

Claudia Krizay

I breathe you in until I can no more
And savor ev’ry moment that you’re near
Breathless. Winded. Your closeness I adore
For in your sweet embrace I have no fear
I drink you in until I am replete
You fill and overflow my wanting heart
Two souls rejoice and hearts together beat
A bond beyond compare; never to part
And as we slowly dance this dance of love
And all others are but a silhouette
You draw me close; as one; like hand and glove
Then speak to me the words I’ll not forget

And in my heart they’re locked; and there they’ll stay
Forever more – until my dying day

A curling green tendril climbs from its’ birthing nest of rotting bird ****
The creeper wends its’ way up round and around the stalk of its’ slender tree host. Leading vigorously ever upward, it climbs toward the light of day. Upon bursting through to the sunshine, it explodes into a huge and suffocating dominance. Wrapping its’ leaders tightly together, writhing skyward, smothering all else. Blotting out the sun. Inhibiting its’ host tree, ultimately killing it ...and every other living plant located below it.

In late summer the creeper produces bunched, masses of frothy, green, seeded florets. Clouds of green plumed waxeyes flock en mass, to flutter, competing ravenously to feast on the banks of seed heads.
Once replete, with full crops, the tiny birds fly off to distant shaded woods there to indiscriminately drop their ****, unknowingly further spreading the insidious creeper pestilence.

I trudge through my wooded glades,
Indignantly I sever taproot after taproot with my trusty sharp blade
….and watch that creeper limply sag and die
With a glint of satisfaction in my grim and vengeful eye.

M.
6 February 2016
Foxglove farm, Taranaki, NZ

as he sat soft beside me.
“Sure,” I said, with ill feeling.
My instinct was not to cross my friend,
I had too few left.

I nodded to the Ape behind the bar and he obliged
with one lemon & ginger and one green tea.
He knows his regulars well
and we know we’d need to wait til later for anything stronger.

“Look,” he said, and I turned to see
a gap and I counted the two teeth that were missing -
no, not missing - he opened his hand
and there they were, both accounted for,
safe and secure in his grey leathery palm.

“Look,” he repeated, (a little slurred this time)
and turned his fist so I could see
the missing skin and the bruises
that gave testimony to his amateur status.  

His ****** grin and wet laughter
shook the silverback back into action
and we got a plate of malted milks.
Like I say, he knows his regulars well
and he’d listened when I told him
where he could get a regular supply,
direct from Staffordshire, in the UK.

“Lo-ok,” he said (more hesitant this time)
and lifted his shirt a little to reveal the knife wound,
replete with knife, buried to the hilt.

“Loo-,“ he started to say, as he slid off the bar stool
taking his tea with him, the porcelain shattering on the stone floor.

I winced – the cups had been a gift
to the Ape from my mother.
‘Why should the chimps get all the best crockery?’ she’d explained.

“I’ll pay for the breakage,” I said
and the Ape nodded his furrowed brow
as he swung round to grab the dustpan and mop.

I drank my tea,
counting off the friends that remained.

They met again, today
With a Crate of loneliness harboured in their hearts,
With a coffer replete with lugubrious shards,
With trails of silence lingering their yards,
They met to brew some solace.

They met again, today
Keeping aside, the onus of their lives,
Bringing forth the child lost somewhere inside,
Laughing away the droll rules and rites,
They met to feel significant.