AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

What makes you feel the most beautiful?
  ->doing whatever the fu€k I want
edit 1: I usually thought this way, but now I would say when I’m worshipping or praying
edit 2: I would add it is when I am completely vulnerable. It is a different kind of beauty. One that is emotionally strong
(usually a person will say when they look a certain way which is sad to an extent because it reflects the way in which they associate beauty immediately with an external reflection; however, most people think this way)

2. Who do you love the most in your life?

3. Who has shown you and made you feel the most loved?
—> I had a 11 year old ask me this once

4. What would you do during the summers as a kid?
—> it can reflect the socioeconomic background one comes from

5. Do you think you’re an aesthetically  beautiful person?
—> this is quite interesting, bc if a good looking person says yes, then they’re proud and stuck up; if they say no, then they’re obnoxiously oblivious and seeking attention; if a not so good looking person says yes, then they are praised for their confidence; if they say no, then they are pitied and encouraged, the best answer is to give an answer back: do you believe that everyone should feel aesthetically beautiful?

6. Do you have any siblings? If so, how many brothers and sisters, and are you the oldest or youngest?
—> learning about birthing order can be huge! Oldest tend to be protective, responsible, mature at a very young age, selfless, and carry more of a silent burden and stress, introduction to adulthood is rather quick. Middle child is often overlooked and will seek a sense of family/community elsewhere with friend groups and such; they feel like their thoughts/existence goes unseen by the ones that are supposed to care the most youngest tend to seek the approval of others especially of those older than them, outgoing, irresponsible, and babied. They can have a harder time managing task without it being done for them by others.

7. When we fall asleep, where do you think we go?

8. What is a thought that has kept you up at night?

9. What was the most humbling moment you’ve had in your life?

10. What is a piece of advice that you still hold today that transcends time?

11. What’s a favorite quote of yours?
-> the unexamined life is a life not worth living; don’t take yourself too seriously; come back home to yourself and choose to show up authentically; growth is a dance not a light switch; Harriet Tubman- I freed a thousand slaves. I could have freed  a thousand more of only they knew they were slaves.

12. Who has impacted your life the most? How and why?

13. What is an overlooked or under appreciated strength that you have?
—> honesty, forgiveness

14. How do you give love? How do you receive it?
—> 5 love languages: words of affirmations, physical touch, acts of service, quality time, gifts

15. How do you communicate when in repairs after a rupture has occurred?
—> discuss as soon as possible, take a five minute break, wait a few days, words, touch, gifts, silence, etc. so you never repair after a disagreement?

16. Do you enjoy the late hours of the night or the early hours of the morning?

17. What’s your favorite type of weather?

18. Do you prefer exploring and staying in the gray, or the black and white?

19. Of you could study anything what would it be?

20. What are ways that you work on your emotional intelligence and character?

21. What type of communicator are you?
—> words, touch, actions, silent, loud, stoic, expressive, curt, bombastic, blunt, passive, etc.

22. Would you say you have a better face or body?

23. What is a moment where you felt a supernatural appreciation for the earth due to the view you saw?

24. How do you handle seasons? The ends and beginnings of them?
-> journal, reflect, avoid, acknowledge, cry, run backwards, move forwards, etc.

25. What book had a huge effect on you? What was it about the book?
-> all the bright places, Fahrenheit 451, the curse of the good girl, it ends with us, great gatsby, the voice of archer, etc.

26. What is the worst thing you can take from another person?
-> their time

27. What’s the greatest act of love (that you can do for another) ?
-> to die for another since the greatest fear is death

28. What is something that brings you peace that not many people do or notice?

29. What is the worst form of loneliness?
-> when you are uncomfortable with yourself

30. When do you feel the most vulnerable?
-> sleeping, expressing emotions, sick, crying, etc.

31. How do you handle seasons? The end and beginning of them?

32. Liquid or bar soap?

33. Have you ever closed your eyes, plugged your ears, and listen to the noise that comes when you let the water from a shower head pour over your skull

34. What is the most beautiful sound you have ever heard?

35. Do you think your parents are soulmates, or do you question their love for each other?  

36. What are important qualities to have in any relationship (platonic, romantic, etc.)?
-> trust, love, loyalty, respect, empathy, compassion, boundaries, autonomy, differences, effective communication, etc.

37. What are qualities that you look for in a romantic partner?
-> thoughtfulness, observant, confidence, wisdom, romantic, humorous, self-driven, self-discipline, humility, grace, etc.

38. How do you know that your (insert name/ relationship) loves you?

39. Would you rather be hated or alone?
-> interesting philosophical question in regards to being hated would mean that there is a recognition of your existence as opposed to being alone

40. How did you learn to ride the bike? Ice Scate? Snowboard?

41. When was the last time you felt rejected? By who? For what?

42. When was the last time you cried?

43. What has a kid said to you that has made you stop and reflect?

44. Which is a worse fear: the fear of dying or the fear of not being worthy of love
-> Jordan Peterson claims that the greatest fear that humans have is not death because then how would we explain suicide...the fear of death is a subcategory for the greatest fear which he believes to be the complexity issue (people **** themselves not because they want to die but because their life has become too complex for them to handle emotionally and/or physically)

45. What is the most destructive thing a person can do to themselves?
-> to deny themselves; to place the responsibilities of loving and accepting themselves onto others such as lovers or family members; to believe they are not worthy to be loved

46. What is something you want to experience/feel in a relationship
-> unconditional love; lol I have a while poke dedicated to experiences

47. Tell me about a dream that you have had multiple times

48. What do you like most about yourself?
-> my mind/thinking process; understanding, and open to conversation

49. Would you be friends with yourself

50. What is the worst thing you have done or said to another person? How old were you?

51. Why do you choose to wake up and participate in society?

52. What makes a woman or man their gender? Their body/attitude/characteristics?

53. Would you let your child date someone that has the character of you?

54. What makes you special? Since the beliefs you hold and the personality traits that you have aren’t exclusive to you?
-> it’s the combination and ratio that makes us unique

55. when was the last time anyone ever told you how important you are?

56. what are things you do when you need to feel nurtures?
->hot bath, foot rub, curling up in a comfy chair with a comforter and a good book, or making a *** of soup or a nourishing hot drink

57. what are ways that you neglect your physical and emotional well-being?

58. where in your life are you not protecting what is precious in you?

59. what adjectives describe your relationship with your mother? do you like the closeness or is it uncomfortable in some ways and hard to fully accept?

60. What do you do when you cry? do you try to stop it, cover your eyes, in the dark, into a pillow, silent, loud, sooth your body?

61. What was something that someone said to you that made you feel seen for the first time in a long time? what is something that touched you heart?
-> you are do brave, you have a courageous heart, you are a natural teacher and psychologist, you lean towards healing, you do not realize how much you impact other people's lives

62. what is a go to song that you could listen to at any moment in your life?

63. What do you do when you feel lonely?

64. What is something that puts a smile on your face?

65. What smell brings you joy?

66. would you rather get caught or catch your parents?

67. what is one of the biggest lies you have told yourself?
-> you are unworthy of love

68. what is a memory that reminds you of the beauty in life?

69. what is your favorite word to pronounce?
-> tantalizing, satiate, revere

70. what stereotype do you think people put you in when they see you?
-> pretty, (not super smart) blonde

71. what are things about you would shock other people?
-> first generation. youngest of five, 4.0 student, write poetry, love to read, not active on social media, don't like taking pictures, never been kissed, played the violin and cello, struggled with insecurity

72. tell me the accomplishments that you might be hesitant to share bluntly in fear that it comes off as being a show off?
-4.0 since sixth grade to nursing school in college, won a poetry competition in senior year of high school, got a full ride to UW Seattle and declined, won best dressed in high school, squatted 225lbs, muscular body, sang in a few songs (good at singing)

73. how do you interact with others when they are invading your personal space?
-> don't do anything, interrupt and tell them to move, slowly do something on your own without saying anything to them

74. what do you do and how do you feel when someone cries next to you?
-> hug/touch them, talk to them, remain silent, get stiff and uncomfortable, try to get them to stop crying, walk away

75. how do you regulate your emotions when they are out of homeostasis?
-> don't know how to, take deep breaths, walk away from the situation so the stimulus/source is not in front of me, cry

76. name as many emotions as you can
-> reflects their ability to accurately label their emotional experiences and can possibly be a marker/indicator for their emotional intelligence/maturity

77. how do you feel about death, do you talk about death, do you see others shut down or open up when you express this topic?
-> isn't it ironic how death is an inevitable event yet so many humans are uncomfortable with talking about it. I believe that it interrupts the natural grieving process. I talk about death with my dad and he is more open with talking to me about when he passes; my mom gets uncomfortable and gets upset and tries to switch the topic.

78. would you rather eat any form of noodles or burgers for the rest of your life?

79. when was the last time you sat in silence and was comfortable with it (excluding before you fall asleep)?

80. when was the last time you had a conversation with yourself about something deep? what was it about?

81. what is a revelation in your life that made you cry?
->only God can provide me with unconditional love; no one else can

82. what do you think is the root of all fears? what do you think can remove them?
->ignorance; distraction/knowledge -> unconditional love

83. What is the most unique response you’ve received when you’ve asked someone how they are doing?
-> still breathing

84. Do you think humans are easy to love?
-> I don’t think they are easy; it is complex just like they are

85. When was the last time you read a book? What was the title called? what was it about? Why did you read it?
-> the emotionally absent mother by Jasmin Lee Cori

86. If you’re comfortable with sharing, talk to me about the life of someone that has passed away? What were they like? How did they make you feel? Who were they to you? How did you cope when you realized they passed away?

87. Who are addicts? What do you need to do to be one? Do you think everyone is an addict to some extent? Why do you think people become addicts?
-> whenever faced with such questions it is imperative that we must ask ourselves the question of why! Yes, I believe all of us are addicts to dopamine; our brain is wired that way. But when we think of addicts, we forgot to ask the question of why they are addicts. Life became too difficult to manage and the body found a way to stimulate the mind in such a manner that it either numbed the pain or provide sensation to a chronic state of numbness

88. Other than the lips, where do you like to be kissed the most?
-> forehead, cheek, behind the ear, neck, top of head, hand, nose, shoulder, chest, back, collarbone

89. What type of kiss do you enjoy the most?
-> slow, fast, French, peck, open mouthed, short, long, sloppy, hungry, passionate, affectionate, sweet, etc.

90. it is easy to agree with the statement that dehumanization is not okay, but is it more gray than we think? is there a degree of dehumanization that is okay or needed? if so, what is that degree? also, do you think we commit acts of dehumanization regularly? if so, when and what are these instances?
-> i believe that as humans we have a tendency of wanting to see our light and ignore the aspects of ourselves that are casted in that shadow. to have a light is to also have a shadow; i believe that we dehumanize almost every time we meet someone by limiting their mystery to small snipits of who they really are; also, sometimes it is very difficult to handle and hold such emotional space that our minds need to shut off and dehumanize for our own sake of well-being

91. are soul mates meant to be with each other?
-> A soulmate is a person with whom one has a feeling of deep or natural affinity. This may involve similarity, love, romance, platonic relationships, comfort, intimacy, sexuality, ****** activity, spirituality, compatibility and trust

92. what are ways that you can take a break from reality?
-> sleep, reading, gaming, showering

93. do you have people in your life where their presence is enough? no conversation is necessary, just each other's presence is comforting enough.
->celesa, kristina, michelle, marta,

94. what is a memory you like to relive time to time?
->dancing with celesa at the bistro to adore you; trinity; late night phone calls with close friends

95. how would you describe your relationship using 5 adjectives or phrases with your best friend, sibling (if you have one), and care giver?
-> "If you love yourself, you love others. If you hate yourself, you hate others. Because in relationship with others … the other is nothing but a mirror." - Anonymous

96. how would you describe yourself using 10 adjectives?
-“I’m selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can’t handle me at my worst, then you sure as hell don’t deserve me at my best." I like this quote because it acknowledges the negatives of who we all are. we aren't all only happy, funny, bubbly, hard-working, etc. we are also grumpy, boring, rude, and lazy. we are a combination of every adjective out there; it just depends on how aware we are of our expressions of these adjectives. So, notice the kind of adjective the person uses when they respond and also note the context and circumstance of your relation to them.

97. do you prefer a hot drink on a cold day or a cold drink on a hot day?

98. if you could be famous would you? famous for writing, acting, food, music, sport, YouTube etc.
-> for me personally it depends on the exposure i get. if i get a lot of focus on myself then no (music, acting, etc.) but if my work gets more focus than i do and i can still live a "normal" life then yes (writing, food, etc).

99. which musicians or artists do you think deserve more recognition?
-> emotional oranges, Justice Der, cigarettes after ***, the 1975, pink sweat$, A. Chal

100. what is one of the most thought-provoking questions or statements you have ever heard?
-> "not all of us can afford to be romantic" - Pride and Prejudice;
"when will it be enough; how much more do you need to finally be happy"- My dad; "do you believe that everyone deserves to look and find themselves to be aesthetically beautiful" -My brother

101. Favorite piece of clothing?
-> yuriy’s wedding: the dress I had, red socks, fuzzy sweater

102. What’s your full name?

103. What’s the weirdest saying an old person has said?
-> don’t go spending your money in a wooden nickel

104. What age would you consider a person to be old?

105. Do you believe that life requires s purpose?

106. What is your purpose?

107. What is one of your biggest fears that you believed in (as a child, adult, etc)?
-> that I was unlovable at some point in my life

108. When you are in an emotional emergency, do you have someone you can call? If so, who is it and why?
-> I don’t really...I try to stick through it...weird since I have had people tell me that I could call them but I still don’t feel comfortable to talk to them...

109. Do you have relationships where you felt valued, a sense of belonging, calm, accepted?

110. What is your earliest memory of feeling left out?
-> the social pain overlap theory (SPOT) describes the overlap between the pain of being physically hurt and the pain of being left out. In our bodies, there is literally no distinction between the two.

111. If you could only have one for the rest of your life, would you choose to keep limes or lemons?

112. Have you ever experienced the relational paradox? If so, with whom?
->  when you’re convinced that your friends won’t tolerate who you really are so you decided the best way to be excepted is to leave a part of yourself out of those relationships; By hiding yourself you may preserve the friendship but at the cost of feeling that you don’t legitimately belong but if your friends can see who you truly are they would cut you loose

113. Have you ever done a relational mindfulness exercise?
-> set a timer for 10 minutes, and then stare into each other’s eyes silently. It should sync your cardiac systems as well as your respiratory systems. Hold each other’s pulses to identify; I find it weird how we get stared at lovingly when we are babies and then that goes away as well get older...

114. What is a secret that you have kept from your partner, family, or closest friends that you believe if they found out they would reject you?

115. Do you have a person in your life that can be categorized as “the one that got away”? Someone you either dated or never dated?

116. Is there someone in your life that you don’t see anymore that you would like to have a conversation with? Dead and/or alive.

117. Sunset or sunrise?

118. Do you want children? What is your opinion on men who don’t want children; what is your opinion on women who don’t want children?

119. Have you ever felt forced to do something that you didn’t want to do or say? Like give a handshake, hug, take a picture, have a conversation, give a number, compliment someone, disclose personal information, go on a date, say I love you?
-> there’s a difference between not wanting to do something and feeling forced to do something, and I find it interesting that we all do things that we feel are forced upon us when no one is directly stating that we have to do it; it’s like an invisible force

120. what is something that another person did that made you uncomfortable but you never addressed it?
-> sing terribly while they are genuinely trying, get physically close to me, compliment me in a creepy way, talk in a movie theater

121. What is a pet peeve of yours?
-> leaving garbage on a table after you eat (not cleaning up after yourself), having poor etiquette with servers or cashiers, saying “mom” instead of “my mom” if I don’t share the same mother as them (missing the possessive pronoun before a parent).

122. Who is someone that you find attractive that is the same *** as you?
-> Arbby, Irina, Jessica, Sara, Valentina

123. What is the most sweet/****** compliment you have given to someone?

124. What is the biggest plot twist you have ever seen in a movie or book?

125. When did you  feel the most loved (in your entire life, this week, by me)?

126. what is something I have said that you have always remembered?

127. Blue or red Gatorade?

128. Star gazing or sunset picnic?

129. What is something that is underrated?
-> our bodies (specifically our our hands, eyes), stars, cologne/perfume

130. have you ever tried to impress the other? If so, for what reason and when?

131. Which do you prefer: breakfast, lunch, or dinner for the rest of your life?

132. Are you missing someone right now? Do you think they miss you?

133. What was the happiest meme out you have had this year?
-> dancing with Celesa at trinity, at the apartment, after hours at the bistro, French dip at lost like with Celesa, holding Lorenzo, seeing a birth and colostrum, making my first song and listening to it for the first time, board game with Hayden, D.E.A. Hat guy, Fourth of July with kristina -> ride back with questions, eagles falls, yuriy’s wedding and gelato boy, euphoria makeup with Bella, painting with Michelle at green lake, reading books

134. where were you born?

135. how many states/countries have you visited?

136. what color would you use to describe your life

137. would you say it is better or worse to listen to sad music when you are sad?

138. what is the #1 factor that predestines people for failed relationships?
-> no examples of healthy relationships

139. what is the weirdest ice cream flavor you have ever tried?
->black licorice, peppercorn/caramel/goat cheese

140. What’s the most exciting dream you have ever had?

141. What’s the most peaceful dream you have ever had?

142. What’s the most terrifying dream you have ever had?

143. Who is the most misunderstood person you know?
-> Mark; he wasn’t well liked, but I remember thinking that the was just misunderstood...

144. Who in your life are you misunderstood by?
-> my mom

145. Do you prefer handshakes or hugs?

146. Do you prefer movie nights or dinner dates?

147. When was the last time you read a paper book for pleasure?

148. What is a comment that someone said to you that you were honestly shocked by? Like, you couldn’t believe it came from their mouth?
-> when I was in sixth grade and my friend’s mom said, “aren’t you jealous of [her daughter/my best friend’s name] ****”?; “do you even know what wings are”?

149. As a kid in elementary school, where did you play during recess? Tetherball, four-square, hopscotch, jump rope, soccer, basketball, slide, monkey bars, swings, sandpit, etc?

150. What otter pop flavor was your favorite?
-> the pink one

151. When you brush your teeth, are you messy or clean? Meaning, does the toothpaste get outside of your mouth at all?

152. What do you remember about elementary school in terms of field trips, punishments, recess, fun run, day of activities, lunch food, movie nights, fundraisers, assemblies, and reading points?

153. what do you remember about middle school in terms of the change from elementary school with no recess, classes, $ex ed, lockers, assemblies, P.E., lunch food?

154. what do you remember about high school in terms of the change from middle school, classes, assemblies, P.E., sports, lunch food, standard tests, dances, friends from your first year to your last year?

155. what do you think is a poet's aphrodisiac in the form of a person?
->intelligence, originality, mystery, intriguing personality

156. what is a bad habit that you know you should quit ( can be a substance, activity, or person)?

157. How often would you say you reflect on your life? with the mundane activities and the more impacting activities?

158. what's a song that you are replaying right now?
-> redbone x childish gambino by Jospeh Solomon

159. what is the most random food combo that you really enjoy?
->mashed potatoes/gravy with corn; hot dog with jelly

160. who is a person in your life that was the most mysterious to you?

161. would you say that you were shown healthy relationships throughout your childhood? in particular, your parents' relationship?

162. would you say that your family made you feel seen, heard, and understood? if not, would you say that you subconsciously expect this in your adult relationships? what have you done to unlearn this mentality?

163. would you say that you are always the one doing the caretaking in your relationships?

164. do you have a hard time listening to others?

165. do you act differently with men than with women?

166. do you get hurt easily and withdraw when there is conflict; what are you like during conflict?

167. what are you like when you don't get your way (aggressive, sad, quiet, loud, irritated, calm, unbothered, indifferent, annoyed, happy, frustrated)?

168. what are the molds for your ideas about how relationships are supposed to work?

169. what do you believe you're entitled to within a relationship (any/ friend/ romantic/ family)?

170. what was your closest experience with death?

171. do you prefer cauliflower or broccoli?

172.  what's the weirdest thing you have ever eaten?

173. what are your favorite tv shows or movies?
-> bridgerton, pride and prejudice, law abiding citizen,

174. what is the most controversial thing you have ever done?

175. what is the most controversial thing another person has done?

176. what is your superpower?
->there is no one on this planet that is quite like me

177. what do you believe is the purpose of a romantic relationship? Marriage?

178. do you think love is needed to marry someone? would you find yourself ever in a situation where you would marry someone that you did not love?

179. what is your weirdest talent? hobby? experience?

180. do you bring your phone with you when you go to the bathroom? if so, when was the last time that you went without your phone?

181. what is something that most people have done but will not admit to?
->eat a ******, smelling their **** out of curiosity, ma$turbate, blame a **** on someone else, etc.

182. do you believe that there should be aspects of yourself that no one else on this earth except yourself should ever know?

183. what's the weirdest conversation you've ever had with someone?

184. How old were you when you had your first kiss? Describe the situation? Who made the first move?

185. What is the spiciest thing you have ever eaten?

186. what is the most bitter thing you have ever eaten?
-> unripe pear!!

187. what is the most spontaneous thing you've ever done and/or said?
->eagles falls with kristina, lorenzo's birthday with selesa

188. how would you want a girl/boy to shoot their shot at you?

189. if you could be someone else for a day (someone you have met and know) who would it be?

190. if someone wasn't interested in you, how would you want them to rejected?

191. do you prefer buttered popcorn or the sweet kettle popcorn?

192. what is the rudest thing you've wanted to say but stopped yourself from saying?

193. what is the most genuine, heart-felt compliment you have received from someone?
-> you are courageous/brave; you are a natural psychologist and healer; you're my best friend, I can tell you anything

194. what is an experience you look forward to in life?
-> walking down the aisle and maintaining eye contact with my man the entire time until I have to hug my dad goodbye; my wedding night; going on vacations with just my husband; going to Jamaica; holding my baby in my arms for the first time; watching my husband play with our children on a beach as I sit under the shade; trying fruity cocktails on my 21st; going on my first date; my first kiss; moving into my house

195. what is a moment that you tend to relive in your mind?

196. what is something that you have learned to accept in life as you have gotten older?

197. who was your first crush? how old were you? what about them made you like them?
->ruslan at church; I was maybe four; he was really sweet to me and I thought he was cute; at yuriy's wedding, I saw him and told him about it which made him get really excited

198. what is something that you hate to eat? you've tried it and you know that you will try to avoid it at all costs.
->parsley, celery, beets, ginger

199. at what age would you say you lost your child-like innocence?

200. your turn. create a question!

201. how old were you when you found out that santa wasn't real? how did you handle it?

202. what is something that people hate, but still choose to participate in?
->beauty standards

203. what super power would you wish to have?
->time control

204. if you had the chance to have the superpower of mind control, would you accept it?

205. how would you decorate your ideal house?
-> different vibes for different rooms; monochromatic black room with lava lamps, white room with dark brown wood accents and lots of plants, pastel light pink with neon glass decorations

206. who is a person that had made you cry?

207. what is one of the most scariest thoughts you have had run through your mind?

208. what is one of the most sad thoughts you have had run through your mind?

209. do you believe you should have to pay to live on a planet you were born on?

210. what is a candy that you hate?

211. what is a song that you try to avoid because it is too personal?
-> apple bottom jeans

212. would you say that you are alive or merely living?

213. what is something that someone said to you that you have never forgotten?
-> you have a lot of knowledge, but you lack experience

214. what is an example of a person that you thought was good but turned out to be a genuinely bitter, horrible person?

215. When was the last time you felt truly understood by somebody? Who was it? What did they understand?

216. Can you think of someone in your life who understands you better than anyone else?

217. Is your relationship with yourself healthy or unhealthy?

218. Growing up, the relationships I primarily saw were healthy or unhealthy?

219. Do you attach guilt with growth?

220. Have you spent too much time today comparing yourself?

221. When did you feel the most trapped?

222.who do you feel most yourself around? Why?

223. what parts of yourself do you need to break up with?

224. what is your favorite conspiracy that you believe in right now?

225. do you prefer to work with people are are the same or opposite gender as you?

226. what was the most intense experience of $exual tension that you have had?

227. what activity do you do that makes you feel most at home/ yourself?

228. what was the most painful truth you have ever been told?

229. who is someone you will never forget even though you have only had one encounter with them?

230. when was the last time you felt adrenaline pumping through your veins due to excitement?

231. what about you feels easiest to love (physical and character)?

232. what about you feels hardest to love (physical and character)?

233. What kind of love feels more familiar to you -> peaceful or chaotic love?

234. to what extent to you feel your appearance is the most important aspect of who you are?

235. do you think being attractive is a privilege? are you nicer or meaner to people you find attractive?

236. what was the hardest thing that you forgave someone for?

237. how would you define forgiveness?

238. who have you farted the loudest or most often?

239. what is an embarrassing story of when you really needed to **** in class but struggled to hold it in?

240. what is something that made you blush really hard?

241. if you had the opportunity to be famous, would you choose to be?

242. what is the longest you have not dated someone (or was flirting or thinking with someone)? In other words, what is the longest you have been alone?

243. what separates us from God?
-> ignorance (spiritual) and death (physical) - Jordan Peterson

244. what is a message that everyone deserves to hear in life?
-> "you deserve someone who's going to work hard to find ways to care for you." You are worthy of unconditional love.

245. what is a difficulty in your life right now?

246. what is something you've always wanted to try but haven't yet?
->fall in love, go on a trip by myself, go to Europe with Itzhel, drink a mimosa at brunch in a sunny place

247. what are qualities that you really admire in people?
-> attentiveness, observant, thoughtful, thought-provoking, mysterious, charming, honest transparency, vulnerability, calm curiosity, humble confidence

248. what is one of the most important connections you can have in life?
->your relationship with yourself

249. what memory comes to mind when you think about the ocean/beach?

250. what memory comes to mind when you think about carnivals?

251. what memory comes to mind when you think about water balloon fights or snowball fights?

252. Do you think your parents have thought about killing themselves?

253. Do you think your best friend has thought about killing themselves?

254. How often do you think people have thought about harming or killing themselves.

255. Do you believe in the concept of marriage?

256. what is the worst advice you have ever received?

257. was there ever a time where you were vulnerable and regretted it? if you are comfortable with it, what was the situation?

258. if you could go to any concert, who would you go see?
-> chase atlantic, post malone, cigarettes after ***, ariana grande, the 1975

259. why do you think people protect their pain? what does that look like - to protect one's own pain?

260. what is an acoustic version of a song that sounds better than the studio version?
-> like a rockstar & what u call that & cassie - chase atlantic

261. what is an experience that you wish to never experience again?

262. how do you feel about silence? is its presence comforting?

263. have you taken any drugs? if so and you feel comfortable sharing, what are they?

264. what is advice you would give to your 15yo self and your 40yo self? (a much younger and older version of yourself?)
-> younger self: you are worthy to love; you are worth getting to know and understand; you will one day believe that you are enough and choose healing with a life filled with authenticity that will get challenged; you'll be more unconventional; your way of thinking will not be like most that are around you - this is okay and expected
older self: I hope you are happy and live a life that you chose and not one that you compromised on for the sake of other's happiness and comfortability; I hope you live authentically and continued the process of living actualized as Maslow would saw; I hope you married your best friend that is your match in his own unique way; i hope your communication is better and that your relationships are healthy and boundary enforced

265. if you knew you were going to interview God for thirty minutes and could ask him only one question, what would it be?
-> who am I?

266. what would you do if knew you could not fail?

267. how are you, really?

268. how would you behave if you were the best at what you do in the world?

269. are you finding your dream job or are you creating it?

270. if there was a solution to your anxiety, what would it look like?

271. why are you worth knowing?
-> well, you're sitting in this seat listening to me

272. when was the last time you did something for the first time?

273. how do you treat people who can do nothing for you?

274. do you stack the plates and clean up your table when at a restaurant?
->analyze SES and their behavior to working class

275. what or who lights you up?

276. what would your perfect day look like?

277. what is an underappreciated fruit and vegetable?

278. what is something that guys/girls are insecure of that guys/girls do not really care about?

279. tell me about a time where you threw up in public?

280. tell me something illegal that your family did?

281. what is a word that would always make you laugh whenever you heard or said it when you were a kid?

282. what is the first cuss word you started using often in your vocabulary?

283. if you could be one animal, what would it be?

284. what insect were you the most fascinated by as a kid?
->ladybugs, dragonflies

285. if you could blow one thing, what would it be?
->paint, slaughterhouse, firework stand

286. what emotions would you associate to every color in the rainbow including pink, brown, black, and white? If that is too much, if you could choose one color, what emotion would you assign to it?

287. what is the saddest thing that a person has ever said to you about themselves or their life?

288. if you could be any pair of shoes, what would it be?
->professional rock climber, work boot

289. would you consider yourself to be an addict?
-> I think we are all on a continuum and are all wired to be addicted to dopamine and love we just go about it different ways.

290. if you could have any dog in the world, what would it be and why?

291. if you had to describe love and what it feels like to a young person, what would you say? OR
if a kid asked you what love feels like, how would you answer them?
-> able to feel no judgment and feel free to be who you are without the fear of rejection

292. how would you define healing?

293. how would you know that you are healing or healed?

294. where in your life have you compromised and lived for someone else?

295. what is a thought or idea that scares you?

296. why do you think people protect their pain?

297. how would you like to be cared for when you are experiencing an emotional crisis?

298. what is something that you were told when you were a kid that you have never forgotten because it provoked you so much?

299. who is a friend in your life that you know you should stop the friendship with but you struggle to?

300. what is a motto that you would tell your kids that you have lived by?
->be the man/woman that you would want your daughter/son to marry one day

301. when was the last time anyone ever told you how important you are?

302. Who have you spoken the most genuine I love you to?

303. What social situation are you the most anxious of?

304. What is something that people would never think or associate with you that you’ve thought or done?
-> I love to binge on romance novels, I played the violin and cello, I’ve never been kissed/had a bf, I have a song on all platforms, I’ve had a 4.0 most of my life, I tend to write ****** poems, I was in a drill team for five years, I wasn’t born in America, I love country music

305. What is something you’d like to say to someone who has already passed away?
-> Robertson: I hope you’re proud of me in the way that I am; thank you for supporting me in more ways than one

306. What is something you’d like to say to someone who hurt you badly?
-> i deserved better than your projected insecurities, but I was too naïve to understand any better

307. If you were forced to only listen to three songs on replay during the deed for the rest of your life, what would it be?

308. Like all of us, we are replete with contradictions -> we are walking contradictions. What are yours?
-> a desire for intimacy and a fear of touch/commitment; a desire to be known and a fear of vulnerability

309. Do you think you ever turned a teacher on?

310. What is the greatest lesson that the other person has taught you?

311. if people could not take pictures, do you think they would still drive to the tulip festivals?

312. why do you think we met?

313. which is the hardest for you to say
(1) I love you
(2) I was wrong; I'm sorry
(3) Worcestershire sauce
(4) I need help
(5) I appreciate you

314. what is one of your favorite lines in a song?
-> hoodie on low cuz I stay focused yeah, hard to stay low when everybody notice
-> heart on your sleeve like you've never been loved; I don't feed her fears I feed her habits; type to make you f*ck 'till you finish
->said you needed this heart then you got it turns out that it wasn't what you wanted

315. Are you struggling with your mental health right now?

316. Are you afraid to admit the things that go on in your head?

317. Have you ever met a person that made you so nervous that you avoided them at all costs due to the way that they look?

318. Who is the most selfish person you know?

319. Who is the most selfless person you know?

320. How many Costco hotdogs could you eat in 45 minutes for a hotdog eating competition?

321. What do you put on your Costco hotdog?

322. What’s your favorite cereal brand?

323. Stargazing or sunset?

324. What is an underrated aspect of life that is mundane to most?
-> breathing, eyesight, touch

325. If you could only keep two out of the five senses, which ones would you choose? What if you could only keep one?
-> taste, touch, smell, eyesight, hearing

326. Would you consider yourself to be more black and white or gray in terms of your thinking?

327. What was your favorite kind of candy cane: the peppermint, chocolate, or fruity ones?

328. What’s an American tradition that you do not follow?
-> I'm not a huge fan of chocolate chip cookies, PB cups, peppermint candy canes

329. what do you love most about your family?

330. what is something you would like to change about your family?

331. what is a fashion trend that you think is overrated?

332. what is an aspect about people that you have only encountered a few times in your life?
->humble/ confident authenticity, thoughtfulness

333. what do you think is the ugliest trait one can have?

334. which is worse to be super insecure or to have an inflated ego?

335. would you call yourself a good person? how do you define good?

336. what is something that fascinates you that you think about time to time?
-> reality doesn't really exist; it's our perception of the stimuli in our life that we come to understand as our own reality which is only one side of the narrative. Also, people have conversations that are quite incompatible in the sense that their definitions of words and their life experiences impact how each person enters the conversation. It is like there are two conversations that are being shared and understood in the same space.

337. what is a job that you think is much more difficult to do/live with?
-> acting: how do you separate and keep hold of your authentic self and the characters you play if you can play them really well. Does life become your stage?

338. what is a movie or song that is about to release that you look forward to seeing/listening?

339. how do you feel about your inevitable mortality?

340. what do you think about graves? how do you think society has shaped or challenged your opinion of them?

341. what is a reason for why you cried?

342. when was the last time you laughed so hard you couldn't breath?
-> talking to Bella's family and Devin jumping into the conversation with his friend that his lactose intolerant when we were talking about birth control

343. what is the best vacation that you have had? what made it so special?

345. what is the greatest lesson a friend has taught you?

346. what is the greatest lesson a parent or adult has taught you?

347. what is the weirdest thing you have done with someone in public?

348. have you ever looked at someone while they're doing something like driving, laughing or eating and just smile because they mean so much to you? If so, who?

349. what do you think is the most influential relationship that you have that impacts all other ones that you have?
-> yourself or with your parent(s)/caregiver(s)
-> "never forget that the relationship you have with yourself sets the tone for the relationship you have with everyone else. If you want to work on your relationships, start working on yourself"

350. what was a phase of your life that you would go back to if you have the chance. why?

351. what is a warning that you wish you got before knowing me?

352. what is a question that you have wanted to ask someone but got too nervous to announce?

353. talk about a time where you needed toilet paper but it wasn't there. what did you do? were you in public or at home?

354. what is an instrument that you think is harder than it actually is?
-> the drums!! that is multiple rhythms to keep up with...

355. describe a time where you thought you were going to cry but tried really hard to keep your composure?

356. when you would cry as a kid, what would your parent(s) say? other adults? if they shamed or shut you down immediately, do you still do this to yourself today?

357. what is the craziest drug you have ever taken?

358. what is something you would miss if your home burned down?

359. if you could move anywhere, where would it be? would it be in the city or country?

360. what is knowledge that you wished you knew when you were younger?

361. what is the most expensive item you have bought that you regretted?

362. if you could hug anyone in the world, dead or alive, who would it be?

363. what is the most messed up thing you have seen another person do to another?

364. what do you tend to think about during the time where you are laying in bed and trying to fall asleep? where does your mind tend to go to?

365. what is an event in the future that you are looking forward to?

366. Is a hotdog a sandwich?

367. If you were diagnosed with Alzheimer's and you could remember only one memory, what would it be?

368. What aspect/version of yourself are you the most ashamed of?

369. What aspect/version of yourself are you the most proud of?

370. Is there someone in your life that you hide aspects of yourself from? Do you believe that if they knew all of you unfiltered that they wouldn’t accept you? is this true love?

371. Do you know how to swim? If so, how and where did you learn to?

372. What is a song that makes you cry/emotional? W

373. What song reminds you of another other person?

374. What is the name of a song you will not listen to again because it is too painful?

375. Who has emotionally hurt you the most in your life?

376. When was the last time someone told you that they loved you? How did it make you feel?

377. What did you dream of last night? If you do not remember any dream, then what was your most recent dream?

378. If you had to either eat and **** out of your mouth or *** which one would it be?

379. What's something a stranger said to you that you remember to this day?
-> I think that your body is perfect

380. What is a lesson that the earth has taught you?

381. What is a lesson that your body has taught you?

Loaded down with swag, you could say I got some baggage
Now tag me in your post - host server overload with traffic
Havoc, I smashed it I'm smokin on that hash **** its magic I'm laughin,
***** where the **** my brain go?
Oh I know **** I got so braindead before I wrote this
I'm monumental, moving boulders
Deport this *****, jumpin borders
Spit my lyrics so hot just like you was sippin Folger's
Burn your tongue? I burned my face,
You in a race?
Huh, ***** don't even try to run

Your nightmares are my fantasy
I make your dreams rip at the seams
Best believe it I'm the reason
You be losing sleep
Unfeasibly
Freddy who? Man **** that dude
This ain't no ****** "Elm Street"
11-12 Better check yourself
**** with me I killed it
You're in my world now *****

And grab your crucifix
Ha! AND PRAY TO GOD *****

Oh ****, break in the beat
I can't be defeated so don't leave your seat
So many drugs my heart feels complete
Lungs replete with the cloud of a thousand burning trees
Smokeapalooza, my brains on vacation
maybe it's a factor, all the inhalation
Snoozing you loser?
Got it going on,
Got more bombs than a marathon in Boston
AND IF YOU THINK THAT **** WASN'T A FALSE FLAG GO BACK TO SLEEP

I'm a self confessed bongaholic by definition
Cro-Magnon, I'm stone-age in terms of cognition
though hopefully I can get some ignition, generate some sparks
My colorful rhymes stand in stark contrast
against this black and white palette
all these so called artists paint with
Oh and blunts are great, ******* Wiz Khalifa
pearl another one and I'm feelin golden
withholding nothin, so I'm puffin til I'm huffin

straight baked like space muffins
something you can't relate or replicate,
so don't defame, or deface my status as
realest ***** in the rap game
no malarkey;
you have a better chance swimming with sharks b

breaking bad
take a line of that Walter White to my head
til my brains are frying like eggs at breakfast
hear just a little sizzling
**** bro I'ma wake up dead

David Banner he don't know swag
Lil' B holla that he own swag
Overflowin with all these newfags
I /b/ like :bitchplease: I ******* made swag

I'm beautiful man super cool
and all all the ******* love me
most popular boy in school
I have everything I want
it seems -
in my dreams,
******* **** me
My ADD is so infuriating
which is at least partially
why my primary hobbies
are screaming rapping and smoking ****

Swaymvar- Wedding! With Translation in English

Kavi, tha khayalon me khoya
Dard-e -dil soch ke roya

Tab Apsara sundarsi hui prakat
Ahista se gayee Kavi ke nikat

Likhte kyun ** kavita hamesha udaas
Racho koi rachna jisme ** harsh-o- ulhas

Ghatne wali hai ghatna avismarniya
Reh jayega baki sub kuch asmarniya

Aney wali hai baraat aaj raat
Yahi kuch gyarah- barah baje ke baad

Chaand ke saath hogi chandni
Sitare layenge jhilmil roshni

Indra layenge varsha ko saath
Varun ayenge thamey badalon ka haath

Suraj layenge bas kiran ek
Teeno mil sajayenge indradhanush anek


Draupadi ke saath honge punch pandav
Shiv bhi karenge nritya tandav

Agni khud karenge havan
Halka sa jhonka denge Pavan

Patton se banegi chudiyan hari
Maang mein mitti hogi lal sindoori

Aasman mein cha jayega kala-neela sa rang
Krishna jab nachenge radha ke sang

Rachegi khoob ras leela wahan
Dekha na hoga kabhi ye jahan

Pakwan har ek hoga anvesh
Bhojan hoga bahut hi vishesh

Srishti banegi ati ati -sundar
Rachegi jab
Ambar aur dharti ka swayamvar!



Translation The Wedding!
The poet was lost in thought
Heartbroken and distraught

When appeared an Apsara ethereal
She touched his shoulder lightly

Why do you write poems full of sorrow
Do write some poems replete with joy

About to happen is an event memorable
Everything else will be forgettable

The bridegroom will ride on a chariot light
Around eleven-twelve tonight

The moon will swing in with his moonlight
The stars will twinkle on their own shining bright

Indra will bring along the rains
Varun will hold the clouds in rein

The sun will be present as a single ray
The trio will create a rainbow array

Draupadi will come with five pandav
Shiv will swirl to his Dance Tandav

Agni himself will do the Havan
Gentle breeze will be supplied by Pavan

The bangles will be made from leaves green
The color of the earth will be vermilon red

The sky will be decked in black and blue
When Krishna will dance with Radha his beloved true

There will be celebrations lavish
Mortals will be left in disbelief

The food will indeed be delectable
Each dish will be a creative spectacle!

Creation will be at her very best
When the earth and sky
will be in their union blessed.

the token of love, vacant of meaning
the token of love, vacant of meaning
a non committal heart, ne'er sticks by
a non committal heart, ne'er sticks by
the token of love, ne'er sticks by
vacant of meaning, a non committal heart

ponds replete with lovelier lotuses, of enticing thrall
ponds replete with lovelier lotuses, of enticing thrall
shun none of them, attentive the mind is
shun none of them, attentive the mind is
of enticing thrall, attentive the mind is
ponds replete with lovelier lotuses, shun none of them

binding in love's genuine bow, doth require consideration
binding in love's genuine bow, doth require consideration
all avenues being toured, the right lady chosen
all avenues being toured, the right lady chosen
all avenues being toured, doth require consideration
binding in love's genuine bow, the right lady chosen

the non committal heart, doth require consideration
all avenues being toured ,ponds replete with lovelier lotuses
attentive the mind is, of enticing thrall
shun none of them, vacant of meaning
the token of love, ne'er stick by
the right lady chosen, binding in love's genuine bow

Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!

Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think that's frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was three thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few months later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."

Growling and hissing, a storm formed along the road, portending the merging of the chaos that had been gripping our minds for months.  This day, this type of day, we could have dreamed up in the novel of our love affair.  The conversation along our drive into the country was as full and ***** as all other tête-à-têtes shared in our two months together.  We were never at a loss for words and his conversation had been more educated than the older men I had dated since the divorce.  I was forever astonished at him and with him.  

The first time I met him, I was sitting behind my desk and planning for another monotonous day of office politics and all the drama connected.  Lost in thought, I sipped coffee and read emails until, there was - him.  He opened my office door with such fervor and drama, I knew someone had just entered into my life that would leave me forever changed, and I welcomed it.  A mess of auburn hair, neither combed nor styled and yet quite fitting, haloed around his head and gave the visage of an angel.  He had a freckled nose and cheeks with blue eyes staring from behind all that wildness and they were the only calming feature about him.  I turned my head and grimaced a bit, “how dare someone charge into my office as if to own it”.  “How can I help you?” made its way from my lips with a bit of a sigh.  And he smiled, that smile which would make his face even younger and more deceptively angelic.  

“Hello” danced off his lips and in two syllables was able to sound singsong and my anger soon turned to anticipation.  He introduced himself as Parker and explained his new position as Junior Editor.  He went on to say someone instructed him to introduce himself to me since I was Senior Project Manager for the organization.  His fervent entrance into my office had sent a gush of wind that disheveled my tidy desk and his wide blue eyes looked around at the chaos he had rendered.  He seemed unable to offer apologies, and I soon learned this was his way.  His confident facade prevented admission of mistakes and the word “sorry” could not escape the tightness of his will to be correct.  This was my lover’s way and it was the structure built that only wrecking ***** could destroy.

As is expected of me, I extended my hand to welcome him, overmuch aware of my grip and strength in presenting my hand, I felt the need to dominate the grip.  I was a woman in a senior position inside the male dominated echelon of upper management.  I took his hand and with rehearsed quickness attempted to demonstrate my dominance, my superiority.   It was then, the first time I saw a devil behind his angelic face and I remember my expression churned up my secret thoughts.  He saw my eyes searching those thoughts and delight shone from his blue eyes like cold fire and I was burned.   Our hands soon contorted into a dance of dominance with fingers twisting as if in a finger shadow play.  No time for games or plays for control, I simply took the shake he offered and turned towards my coffee, my drama, my emails and without looking at him welcomed him again and gave a wave of dismissal.  He greeted my brush-off with a laugh and made his way to the chair in front of my desk.  He was tall and the light from behind silhouetted his broad shoulders and upright posture.  He was confident and sure.  His clothes were expensive, well-tailored and not at all the measure for his age.  He had a style about him and I believe it came as naturally to him as did the confidence in which he clothed himself.

I wanted to be angry at his overconfidence, his interruption, his disregard.  I was, instead, amused but annoyed.  He sensed he was beginning to irritate me and it seemed to delight him.  He would speak without taking a breath, eager to finish his thoughts, aware perhaps that time could steal the moment away and he would forever wonder.  He spoke with an accent I did not fully recognize and attempted to invite me to lunch or even coffee.  My lover was bold.  

I was succeeding in this corporate world, my world.  I was not ready to lose my focus for a moment alone with the delightful creature staring back at me, awaiting the “yes” he expected would be my answer.  He was a man who did not accept the “no’s”.    He would get what he wanted and would wait in predator mode until his prey was wounded, weak, ready.  He was not a predator in the malevolent sense, more in the need for survival mentality.  He would lift the wounded and weak above the limits of their afflictions and a “yes” would flow from their lips in fond gratitude.  Today I was not a “yes” and it did not feel like a final answer.  Somehow, I knew one day I would be naked with this man, my lover.  I knew I would take him inside me, and he would show me how to love in ways I had never known.  The “no’ and the explanations of the “no” exuded from my lips, and I could see him grow even more eager to know me.  He would learn the stories of my life from rumors and talk.  He would learn of my divorce, of the men I dated with expensive homes and cars.  He would hear about the occasional woman who would occupy my bed.   I had wished all of it to be true but only the divorce was correct.  I was not exceptional or exciting.  I was driven and focused.  

He stood there hearing my “no” with the sun behind him igniting the fire in his hair with his shoulders pinned back exposing his sculpted chest.  He stood there and allowed the silence after my rejection to hover the room, and there it was.  We locked eyes, and neither could emancipate from the other.  I wondered who he was and what he looked like naked in the morning with his disheveled hair, and we stared, locked in our gaze until my phone rang signaling the end of round one.  

Wrapped in my shawl, I moved between sipping coffee, as was my usual, and typing on my laptop.  He was behind me in the cabin.  I felt him approaching and knew he would quickly whisk me away from the overwhelming din of office emails and calls.  His presence behind me now was no longer disquieting but natural.  

The cabin had been his grandfathers and he had a noticeable pride about it when showing me through the door and gateway to his childhood memories.  He had a smile on his face I had never seen.  I delighted in how young it made his face appear, almost as if the childhood memories possessed him and he became the blithe youth here with his grandfather.  


It was fall at the cabin and the smell of musk and rotting leaves and ozone from the storm, filled the cabin and each deep breath was taking in a memory from my youth.   I was happy to be here with him and yet afraid.  Two months we flirted and touched over our shared lunches, eager to get inside each other physically, mentally.  The office was replete with stories of the happenings between the older woman executive and the younger up and coming man, how he must be using her to advance his career and how she was using him to heal the wounds of her recent divorce.  We heard these stories and watched them grow to the point we ended our touching, our flirting.  Soon the denial of our feelings and time apart turned to foreplay.  Soon there were stares across conference rooms, perceptive smiles as we crossed paths.  The total of it led us to this moment, to time alone together for the first time, this time.  

Fall in the country was the vangaurd to a glorious death.  The earth would explode with color announcing its final breath and moment upon the stage and we had arrived during the final bow and curtain call.  Trees draped in gold - and red - and orange heralded the fire to come and we too were ready to pour forth in glorious blaze and inferno.  During the entire ride into the country an ironical mist of dew and rain dotted the windshield as if nature attempted to douse the desires clawing to escape in each other’s arms.  There was a devil sitting next to me and I had to smile as his auburn hair blended so naturally with the landscape.  I was obviously lost in thought and he looked at me and asked if I was okay.  Him next to me, him crookedly smiling at me.  

“It’s nothing.  It’s just nice to see you in your element.”  My replay was short but my heart was beating so hard I was almost afraid he could see it bouncing behind my blouse, so I began to cover up but was met with his hand before I even reached the edge of my coat.  

“No.  I want to see you.”  His voice was soft but demanding and strong.  Often there were hints of a struggle for power between us.  His youth and position within the company prevented me from accepting his seriousness and his face would ***** into a grimace.  I never gave it much thought other than a bit of a nuisance.  His hand led mine to my lap, and I expected him to hold it, but he let go with a smile.  I enjoyed his show of power but refused to reveal a glint of it for fear I would lose the respect and control necessary over a subordinate.

Soon the cabin filled with the sounds of rain and thunder and as I stared out the window jealous of the drops of rain and their randomness, he touched my shoulder and looked down at me with his eyes bluer than wild lupine.  I smiled a painful smile and he knew I was overthinking the moment.  Taking my hand, he brought me to his chest and into his arms, arms that would embrace all of me and at times felt as if they could wrap around me twice.  I placed my head on his chest and began to reach for his belt.  The *** I had known was always routine.  This was expected, that was not allowed.  I fell into that routine naturally and was happy to oblige his needs in order to meet mine.  He kissed my forehead and still holding one hand, led me to the door of the cabin.  “What are we do…”  He stopped me with a single “shhh” from his lips.  I followed him and felt myself shiver.  I was not sure if I was shivering in fear or from the nip of fall air.  

“Don’t be afraid.  You have nothing to fear from me.  There’s no need to shiver my little poppet.”  He stepped back from me and stared as if I were a tiny bird in need of nestling back into its home.  “I’ve never seen you afraid.”  He touched my cheek and I felt so small and helpless, lost from home, and he was the only way back.  With a smile he took my hand and led me outside to the rain, lifting his face and savoring the drops bouncing off his cheeks.  

“W..w..what are you doing?”  I was trembling now and wondered if I had misjudged this man and he was in fact a lunatic ready to strangle me to my death.  My silk blouse, now drenched, clung to my ******* exposing an imprint of lace from my bra.  He reached for my shawl and pulled it off my shoulders.  He was looking at me so lovingly my body and mind calmed and I was once again in the moment.  Our moment.  This moment.  

His face, stern now, official, his mouth opening with such deliberateness that I was sure he had been in this situation before.  Once again my mind wanted to race to thoughts of not being good enough or that I was too old or too plain.  His voice pierced my thoughts and brought me to attention.  “There will be no talking unless I tell you to.  Nod if you understand”

My mind wanted to slap him with reminders of my superiority to him at work, how he was MY subordinate and how dare he.  My mouth would not open and my head began to nod in understanding.  My body and mind were bending to his will and acting upon his orders.  Shivering gave way to shaking now and I wanted to run to the warmth of the cabin and watch the fire burn the logs to a black crisp and wake up in his arms naked and giggling.  

Having seen my compliant nod, he began to speak.  “Undress.”  One word.  One word in response to the shaking mess of a woman standing in the rain, cold and afraid.  My hands were barely able to form the necessary movements to reach for the top button of my blouse.  I did not want to fail him or appear as if I were unfamiliar with tales of ***** men overpowering and having their way with a willing lover.  My fingers moved quickly now, wanting to end the scene and move on to the *******.  He stared.  He did not blink.  He did not nod or move.  He was enjoying every subtlety of me.  He was pleased.   I was a willing participant in his fantasy.  Nothing made me happier than to please him.  I began to feel hot and something inside me broke.  Was it my will, my pride, my fears?  I was not sure, but I felt alive.  Every thirsty pore of my skin opened up and lapped at the rain so very eager to feel it on my skin and the randomness of the drops was no longer something I envied but something in which I participated.  

My hands began to tug my blouse free from my skirt and the wet silk now draped over my hips like curtains, revealing the curves I was so painfully aware of hiding to keep anyone from noticing my *** and concentrate upon my words and actions.  I knew now I had one button remaining before I would, for the first time, display myself to him.  He did not flinch, rather, he maintained his stare and for a second I pleaded to him with my eyes not to expect me to do this.  He was resolute.  I spread open the soft, wet cloth and began to drape it off my shoulders.  I let it slide from my wrists, then fingertips, then to the ground blissfully unconcerned that my Hermes blouse was now draped over wet grass and mud.  

I looked down at my skin dripping and alive with goosebumps.  I had bought this bra in anticipation of this moment, in fear of this moment.  White lace bra and perfectly matched ******* were demonstrative of my control over even the small details.  My skirt was loose and heavy with the rain.  It was low on my waist and lay just below the navel leaving me the most exposed I had ever been with him.  I reached to touch the button on the back of my skirt.  Undone, I slipped my fingers along with the zipper feeling each click of the tiny teeth holding together the disguise of a powerful woman.  My hands traced the banded edge of the skirt pushing it over my hips allowing it to fall to the ground.  

His face looked stern but pleased, stoic and fixed.  I was in my bra, ******* and stilettos now.  I began to reach for the hinged part of my bra when he stopped me.  “No.  Stop.” He walked over to me.  He was close now and I was so cold I could feel heat from his body.  I wanted to kiss his lips, his full lips, but I did not move.  I knew now the rules and I would do only what was asked of me.  I stood rigid with no flinching.  I waited for any words that would pass from lips to ear.  He did not speak but leaned into me and reached over my right shoulder undoing the chignon in my hair.  He draped my shoulders with strands of liquid filament.  He took his time there, placing each strand in the exact order in which he was pleased.  With two steps back, he looked at my wet hair with the deliberate strands, as if he had created a masterpiece and for a moment I was unsure if the artwork he saw was me or his work.  

“Now be still.  Allow me to touch you, to admire you, my beautiful Moira.”  When he said my name even after these two months, he had the ability of saying it as if he were speaking it in serenade and for the first time.  He moved his hands to my back and unlinked my bra, one hook at a time with such dexterity I knew he must be a professional at *******.  He, who was to be my first professional lover.  He slid both straps off my shoulders, then taking my hands towards my abdomen, he slid the straps forward on my arms.  Lifting my hands, he demanded I keep them out and straight.  Me, the student to the professional, complied without question.  He bound my wrists with the lace bra, the bra I had bought just to please him, then lifted my arms above my head.  “You will keep your hands up until I tell you to move.”

I had become his toy.  I knew in this moment, I no longer existed for me, I was his, completely and entirely, and I abandoned myself to the rain, to the cold, to his gaze, realizing that surrendering to his urges strengthened me.  He turned and walked away.  He took a seat in an Adirondack chair and even it looked small in his presence.  “On your elbows and knees,” he spoke matter-of-factly.  Just five minutes ago, the struggle inside me to have the appearance of strength, would have denied me this happiness, this happiness to be free in his command.  “Now crawl to me, please.  Slowly.”

I did not care to be in the mud.  I wanted it.  I wanted to please him.  First to my knees, leaving an indention in the clay, then awkwardly at first, onto my elbows with my hands still tied at the wrist.  Crawling on my elbows, my back was arched with my waist higher than my head, giving him a view of the thong I had chosen only for this moment, my succeeding moment.  My position felt ungainly.  I looked to his face for approval.  “No.  You cannot look at me”, he commanded.  For a moment I felt I had lost his approval and self-doubt harried my brain.  My will to please was resolute.  I faced the ground, once again aware of the randomness of nature, the power of nature, how things in nature will do as they are told.  The reed is told to bend.  It does.  It does not question why but responds in its way.  Rivers do not question why they are shaped.  They just continue with powerful current.  I was the reed.  I was the river.  I did not question.

Face towards the ground, I could see the mud forming on my body, molding to my shape then rinsing with the rain.  It repeated.  Mud.  Rain.  Mud.  Rain.  This was the cadence to my crawl.  I arrived at his knees and waited there, a dog eager for a command from its master.  I was content to watch the rain beat ripples around his feet, splashing and shining his shoes with glossy drops.  “I cannot love you”, I thought to myself, “this is forbidden”.  “Being here in this moment, is forbidden.” We would have this moment.  Yes.  We could create this memory and think back on it in fondness and with both heaviness and happiness.  I would remember my young lover, my professional lover.  He would remember the obedient executive on her knees.  I would not regret our moment.  I would some day write it all down in my journal and press the pen deep into the paper.  It had to be etched, those words, my words, this memory.

His hand below my chin, lifted my gaze to his and he smiled, that smile, his smile, the smile that was like nature to my body, and I did not ask why.  I was a river being formed.  “You are so beautiful.  All of you.  Your skin so soft and pale.  Your eyes moving from fear to acceptance.  I see now you want to please me and I want you to know that I want to make you happy.  I want to be your lover.  I want to taste your lips kissed with rain and feel your shivering body pulled against me.  You are safe.  I will not hurt you.  Poppet.  I love you.  I have for awhile now, and I think you know it.  You, my wise, wise Moira.”  He lifted me up and for a moment pulled my body towards him burying his face in my abdomen.  He lingered there.  I felt how soft his red tufts of hair were and how soft his words were against my ears.  I loved him too.  Genuinely.  Profoundly.  I was afraid.

He inhaled deeply, there against my stomach, as if he were breathing in my essence.  I felt his breath turn from warm to cold against me as it mixed with rain.  He stretched his arms and moved my body backwards as he extended until I was a foot away from him.  “I would very much like to undress you, poppet.  I’ve been imagining it, aching for it.  I want to see all of you, naked and on display.”  He touched my abdomen with the tips of his fingers, as if afraid the pale china of my skin would disintegrate into a misty dream.  I relished it, the touch of him against parts of me he had not known.  I was always able to keep him at a distance, physically.  His hands traced the edge of my *******.  He moved slowly, and I knew he was wanting to etch this memory into his journal.  Nothing less than ink pressed hard to paper would release this memory to time.  His placed his hands on my hips and spun me around, my thong lining up with his gaze.  “Bend over.”  His voice from sweet to demanding again.

My hands were still bound, and I stumbled at first.  He seemed not to notice or to care, so I arched my back and pushed myself outward and into his view.  I felt his hands move from my thighs to my hips as gentle as summer winds that in their seductiveness turn our faces towards the impact.  I was in my forties and unsure how I would compare to the twenty-year-old’s he was known to date.  The gossip left nothing to imagination and everything to speculation.  My mind had conjured images of him, this professional lover, inside the firm thighs of a youthful companion.  Thoughts transformed to pleasure as the nature that was his hands took dominance over the thin lace that hid the only piece of me left unseen.  I became art in his hands, marble statue, exquisite with textures and curves wanting to be touched.  

The lace scraped my skin as he slid the *******, wet and splashed with earth, over the expanse of my hips and down to the ground at my ankles.  “Step out of them.”  He helped free my ankles, and I saw the delicate lace become one with the earth as the rain beat it into the mud.  This was freedom.  This was me with nature, me with my lover.  I was the reed and he was the wind.  

I was keenly aware of his eyes fixated on the valley of my mound, how my cheeks spread just enough to give hints of the pinkest of my flesh, now swollen and ripe.  “Turn around.”  I heard his voice and could tell the bombardment of rain was making it difficult to speak.  

I turned and began to ***** my body when I felt his hand on my back.  “No, poppet.  You must stay this way until I say stand.”  My body ached to be touched by him, by more than fingers and hands, but this, the anticipation, the wanting of it all, this was the skill of a professional lover.  I saw the earth drowned with a thick layer of rain now, and my shoes made splatters and ripples as I turned towards him.  I was cold now, too cold, unaware cold, numb in my cold.  I was happy to feel it.  I had for too long hid from rain, this glorious rain.  Now, I was one with the rain.  I was the river coursing its path as commanded by nature.  

He took my hands and untied them.  I watched the entire progression of it and I felt his presence now even more.  My hands were free, and I stared at my shoes and his shoes.  I was so small in his presence.  “Stand for me, poppet.”  His voice diffused through the rain and seemed softer now.  I stood there in my nakedness and he delighted in it.  My lover was not afraid and moved his head along with his eyes.  It was easy to know where upon my body his gaze had landed.  He seemed to linger the most on my face, and I thought how odd it was as most men concentrated on my ******* or mound.  My lover was different.  My lover was professional.

“Poppet, I want you to remove my shirt, but you will not toss it to the ground.  You will place it on the chair.  Nod if you understand me.”  He knew I understood but was confirming I was still in the moment and willing.  I obliged him with a nod and without looking at his face, began to unbutton each dot from its hole until he was shirtless before me.  His chest was firm and hairless and dotted with unobtrusive freckles as random as the rain.  I was delighted.  He was beautiful.  My lover was beautiful.

He placed one hand on my head, the other on my shoulder.  “On your knees for me, poppet.”  My knees once again bent for him, and I knelt in the rain, the thick rain and saw my knees again molded in the mud and earth.  I was unsure now.  Years had passed since I had taken a man inside my mouth.  I felt panic, like the river, run a course through me and I started to turn away.  But I was resolute.  “I will make him happy in all things this day” rang in my ears like a mantra.  I watched as he undid his belt and felt it as he wrapped it around my neck two times and pulled the loose end until it was taut but not constricted against my skin.  I was his.  I was the pet and he was the master.  It was official to me now in this symbol.  I was leashed and about to be tamed.  My lover was going to teach me his skill.  I was delighted.

I watched him free the one button on his pants and move to the patterned teeth of the zipper.  He rested his pants on his hips and pulled free the thing, that thing, the thing I was craving.  The thing I would take inside me, deep inside wherever my master wanted it.  I was the river.  

He was not large, not small, but thick, surprisingly thick, he was swollen and vascular.  I studied the curve of it.  The tip, the head.  I watched his hand grip it and move it towards my lips.  I opened my mouth and took him inside me.  He moved his hands to the sides of my head and began to direct me in the movement he needed from me.  I studied the thrusts and followed.  I moved my tongue, my eager tongue, in unison with the rain and percussion of the drops.  I slid him deep inside me devouring and savoring the taste of him.  The taste of my lover was satisfying, and I wanted to bring him to completion there in that moment.

We stayed in the rhythm, with the rain, both lost to the moment.  He stopped his ****** and lifted my chin.  “Moira.  My poppet.”  He led me to my feet and gave his crooked smile to me.  He gave me his smile in that moment, in that second, his smile was mine.  

“I love you”, I whispered, unsure he heard me.  He lifted me like a child and carried my nakedness to the bed.  He placed me there, like a doll.  He contemplated my skin in the light of the fire.  My lover the wind.  My lover the water.  

He was soon naked and drops of rain lit up on his body like little mirrors and I could see images of the room and myself reflected in them.  He removed the belt from my neck.  “We won’t need this.  In this moment, you know you are mine.  You know I am yours.”  We both wrapped our arms around the other, and I felt his skin on mine.  His body was hard and moved in perfect form with each muscle flinching the way it should, each squeeze and release in harmony with the other.  My pale, soft skin was beautiful contrast to his and was yin and yang.  He felt hard and long inside me, so engorged each vein touched the inside of me in a different fashion.  We each sealed our mouth on the other unable to drink as deeply as we wanted.  We were in our moment, this moment.  Alive in the seconds that passed to hours.  We were ready to etch ink on the pages telling of how I was the reed and he was the wind and on this day, I did not ask why, I only did as was I was told.

towering gently overflowing with heightened awareness
subtle hints of blade’s keen glittering chiseled edges
untamed rugged surface powerfully averts gale’s acrid tempest
vigor pulsating that doth persuade the cloud’s reflections
if i shall not again embrace a meager glimpse; a demure echo
of thine towering mounts my soul shall ever suffer

my spirit soars with e'er one glance of thine majestic presence
replete with reminiscence seasons stir and beg thine tender mercies
to house the changing leaves at dusk of autumn’s auburn portraits
and give birth to crystal snow cascading peripherally in winter
which melding into spring then begs thy bluffs to cover
in soft amethyst of columbine blossoming first light of summer

‘tis not paramount to scale high aloft thine peaks in escalation
for small sheer glances stamp forever with imperial impressions
and ‘tho i’ve traveled ‘round and savored nature’s varied essence
none can compare thine evergreens laced in aspens nuance
my breath is gone and shan’t return ‘til in thy shadow casting
i stand and look upon thine hallowed face the rocky mountains

©2016 janetaylor

A Life Replete

I struggle now, my sweet, my sunshine
to wrap a lifetime's care in rhyme,
for I have little left to leave you
save these few words this one last time.
Unending love, bound tight with wisdom
is my most precious gift to you,
that you might dance where I have stumbled,
where I proved false, you may strike true.


The joy that was our life together
will not fail in time' s fleet flow;
reflections blur the sharper edges
and well-worn anamneses glow.
I knew this day would come untimely
and so I strove to fill life's span
with just one clear and noble mission:
help my boy become a man.


Take your time to make decisions,
don't be dazzled by fool's gold,
follow logic, not false prophets
seek out truth, my son, be  bold.
Be obedient to your mother,
her vacant arms, now yours to fill;
send her strength in times of weakness,
be her rock, protect her still.


Though I know you'll try your hardest,
sometimes nothing can be done,
there's no shame in disappointment,
you won't win every race you run.
But, son, remember every failure
when acknowledged can be turned;
every error tells a story,
speaks a lesson to be learned.


There will be times when you are lonely
fail to find a hand to hold;
those you thought your friends deny you,
leave you naked, stranded, cold.
Stand *****, my little soldier,
do not flee from might or foe,
there, my hand rests on your shoulder,
where you lead, I too will go.


When breath is spent and heart is racing,
muscle binds and sinews cease,
in the wind you'll hear me whisper,
your spirits lift, your burdens, ease.
In hopeless moments, hark my cheering,
in silence stark, my lion's roar,
rest your head on these broad shoulders,
then turn and face the bitter foe.



Know, you can never disappoint me.
Nor will I ever turn my back,
for nothing you might do could shame me,
loving thoughts, you'll never lack.
Know this too, you owe me nothing,
you alone make me complete,
though our paths diverged too early:
a journey short a life replete.


And I will smile on you in glory,
shed my tears in rare  defeat,
burst with pride at each achievement,
cheer you from a ringside seat.
Never scold you or berate you,
never focus on the bad,
be your pal when friends are needed,
yet remain your loving dad.


So here's my love to keep forever,
this, my smile, is yours to wear.
Wrap these memories in your kerchief,
bring them out when I'm not there.
Tuck sweet hopes in deepest pockets,
enfold my kisses in your dreams,
feel my arm weigh on your shoulder,
see my smile in each moonbeam.

The candle light flickers with such intimacy,
Celeste bodies colliding in allure,
Leaving only marks of compassion,
Turbulence and vile noted under the moon light,
As people envy our love in the other room,
The charisma and sparkle in our synchronization,
The heart melting and charming sensations,
My feet limp and my head spins,
With every stroke and touch that you trace along my back,
Goose bumps seem to increment,
****** emerges that weaken the chains in my soul,
Hangover
Strengthening my love and awareness towards you,
Enthralling enchant,
Chamber of secrets revealed,
A new dawn seen,
Replete words,
Embelleshed and kept,
Diffusing angst and reviving love beat,
Singing me deep lullabies as I sleep.

The mug stains leapfrog a linoleum asphalt countertop, sunbathing in the breakfast nook.
A magazine proofreads a hole in a bagel. Scanning for clues to the whereabouts
Of a Jewish heart. Beads of Oolong tea archipelago from a resting kettle
All the way to the 'good ' China. A cup on a pearl, laying flat… ear to the ground.
Listening to the stories only Formica can tell. Deciphering the steam
Rising from a steep. Curling whiskers into omens, embroidered upon a shaft of light
Heaven sent. Postage dew. Gilding quaint luxuries, tucked in a cozy roost
Smelling of oak musk and slow roasted dreams, evaporating before memory may lay claim
To the riddles of Morpheus. There’s an aire of Return.  
It molts in the bacon fats hovering in the strata unique to kitchen islands lousy with active volcanoes that shuffle in stocking feet and terry cloth bathrobes. Restless and foggy minded.
Looking for the keys. And...
Chewing a thumbnail. Staring out the window. Where there used to be a car in the driveway. But the officer flagged a taxi. Explains the migraine, like a Vulcan; stoically flipping switches in a fuse box wired to a vague recollection of a soiree.
All the while holding a pitchfork and today's horoscope.
For irony and street cred.

{ But out of cream cheese. }

Concurrently... This part of the house still has the rustic naivete of a celibate beatnik picking teeth with a signature pen presenting an Hawaiian girl with a vanishing skirt; blinking in and out of Vaud-villainy, like Erwin Schrödinger’s Cat. A kind of hole in a barge with an ornate cubby; loitering with sugar cubes and a bendy plastic fern.
Like the foyer to a room, still under construction.
      A busy little metaphor, lounging around the east wing of a humble abode… like news clippings in a mason jar… it’s superfluous handle threading a ceramic eye.
Like a stainless steel joke under a refrigerator magnet, pinned to a plate in your forehead. As any lamp-shade with ambition.  
      Playing to a rough Cloud, hung over an ashtray; that has seen Better Days - envy the baroque occlusion of monotony and routine, merging a hangover - into morning traffic. Replete with modest gains.
And Horizons that stab bleary eyes that would know a gypsy
By the weight of her purse…
     When the day begins, it gains a foothold by the spine of an overdue book, reclining adjacent runcible spoons and antique kitche. As a bathroom light squeaks between a door and a frame.
As ancillary and precise as a beacon for a blindfold.

Like turpentine palming a brick. And Wagner.

This civilisation I do lament,
For what was intended I cannot see,
All banks and buildings from fields of cement,
We can’t turn back from what we know to be.

Another way seen distant in the mist,
From a distance, copy it we cannot.
Never, before we are within its midst,
Will we look back and see what we forgot.

Look back we will but not with longing eyes,
We know the mistake of the wife of Lott.
With knowledge we’ll look back and realise,
Exactly what we had, and now what we’ve got.

Hist’ry of  humanity is replete,
With lessons, from times of old, of others,
From whose misdemeanour caused our retreat,
Learn willingly and see our endeavours.

MORNING HAS BROKEN
The men, in lines, ***** two by two,
forgetting all the women who
indulged them through a night of tricks
(their lips designed with crimson sticks,
their eyes a wild mascara mix)

and think instead on times ahead
when they’ll be gone, their bodies dead
(some rotting slow’, some mummified)
though once they were their mummy’s pride.

Attired bright in uniforms,
they strew their bombs in desert storms -
like melting sands, the sky deforms
with darkness, death - and doomsday swarms
through ravished lands where fires warm
the corpses, cold and puriform.

Their eyes flash forward towards the backs
of lucky ones who have the knack
of never being in the way
of bursts of bullets as they stray
(effacing phantoms faraway)
and dodging doom’s Redemption Day.

They’re wishing for a foggy morn
or best of all to be unborn,
and peering down to mark the sway
of wings in webs while spiders prey,

they wonder when their time will come
and they can cease their fleeing from
the sights they’ve seen, the deeds they’ve done,
the life they’ve lost, the death they’ve won,

then muse a while upon the child
they killed today when they went wild,
and when they’re finally reconciled
with broken bodies stacked and piled,

they ponder, does she have a kin
to curse them for their burning sin?

And if she does, will god reply
with tooth for tooth and eye for eye?

Or will her clan be mild and meek
and simply turn the other cheek?

2. MIDDAY MUSINGS
They’re counting steps to pass the time
and puzzle if they’ll reach their prime
or if instead they’ll serve the worm
their carnal flesh and aching *****

when soon, perhaps, they sleep in berth
provided by the chilling earth,
and fret about the fate they’ll find
below the stones that slowly grind.

And once or twice will come to mind
a sultry smile they left behind
(the distant past - a tepid trace –
another time, another place),
reflected in the gray grimace
that paints a frightened fading face.

And on they trek through guilt and gloom
to track their own and others' doom
and soon they’ll  grace another pool
with blood of other beings who’ll

inhale no more the evening airs,
unlike the wily Functionaires
who brutalize the fighting men
and send them far away and then

(relaxed, unwound, with victories made)
confer with sword an accolade
on those who’ve lopped bowed heads, with blade,
so someone bent must turn a *****

to hack a hole which then is filled
with all the cloven bodies killed
then cloaked with clay or loamy dirt,
as if to hide the pain and hurt.

3. TEATIME INTROSPECTION
Amongst the many are the few
who maim and **** and think it’s true
that purple war’s a parlour game
when really they’re submerged in shame
for crimes for which they are to blame
and can’t expunge with searing flame

while plodding through an endless time,
or pealing bells with holy chime,
or posing in a paradigm
where paradox and riddle rhyme.

And when they die (as die they must),
forevermore their putrid dust,
still soaked with gore and carmine lust,
will conjure thoughts of cold disgust.

And even though torrential rain
(which tastes at times like cool champagne)
can wash away the scarlet stain
which soaks the sands of god’s terrain,

it cannot ever cleanse the hands
that work the guns and burning brands,
or purge the throats that give commands
to him who never understands.

Nor can the raging hurricane
from blackened souls the white regain,
rescind the sins or void the banes
or loose the ****** from Satan’s chains
who line the pits of hell’s domains.

4. EVENING REFLECTIONS
When through the day to night they pass,
their eyes avoid the looking glass
displaying dim a pale phantasm
plunging deeper down a chasm,
surging through a blood ******,
smiling thin unveiled sarcasm

for the chances lost to taste
the many fruits that went to waste
when each was still a joyous lad,
who went to school and learned to add
and danced in rivers, barefoot clad,

attended church with mom and dad
(which tends the poor and cheers the sad),
to pray for good and curse the bad,
before, in war insanely mad,
he fought the fight (no Galahad)

by flinging flames and slashing throats,
immersing bods in  midnight moats
between the broken battered boats
where babes and booted bodies float,

and leaving bags of bones to bloat
in bullet-ridden overcoats,
and wondered if the goblins gloat
or spot (behind his eyes, the motes),

then strode away without a thought
that mortal lives had come to naught,
sedated by his conscience brought
to nothing more than dripping snot,
while Others sit upon a yacht
and pluck the eyes of fish They’ve caught,

for, when they die, fish seem to see
The Ones behind the tyranny
(with bellies round from gluttony)
in future dangling from a tree
(with leaves as black as ebony),
for that’s, They fear, Their destiny.

5. MIDNIGHT DREAMS**
At night the soldiers sometimes dream
of many things which make them scream,
like
                      floating down a gelid stream
             with burning flesh and cold ice cream
             upon their lips, which makes it seem
             as though their salt they can’t redeem
             when looking back at bold extremes
             of valiant warriors’ victory schemes.

Or ofter yet,
                      they sometimes meet
             a broken skull upon the street
             with gaping eyes, its mouth replete
             with swollen tongue that can’t repeat
             mere words of joy when lovers greet,
             or yell aloud or indiscreet’,

             or talk about the grand deceit
             of Those Who live on Easy Street,
             Who plot, destroy and overeat,
             while others bide beneath a sheet
             on bed of steely cold concrete,

             with final gift a flag or wreath
             that soon will wither like their teeth
             when once they’re settled underneath
             a mound of muck on mouldy heath,
             to lurk in Limbo Land beneath.

And ever more before they wake,
appear quaint dreams not quite opaque,  
like
                      upside down upon a lake
             keeps popping up a pregnant Drake
             who says “there must be some mistake,
             I only have a bellyache”,
             while high above’s a flying Snake,
             (a sight to make a killer quake).

             She cries aloud “for mercy’s sake
             your foresight’s blind, your wisdom’s fake
             the fragile bodies that you break,
             impale or burn upon a stake,
             then stack in layers like a cake,
             reflect a lust that death can’t slake”.

             And turquoise Turtles on the make
             (though taking time to overtake,
             each slurping down a chocolate shake)
             rev up to plead “let us explain,
             we think you men are all insane
            with morals thin as cellophane;

             for, peering through god’s window pane,
             we see quite clearly those you’ve slain,
             enough to fill the Dim Domain
             with blood and guts and tears and pain,
             Chimeras of a frenzied brain.”

             A worn and weary weather vane
             announces floods of claret rain
             that forty days and nights sustain,
             submerging mountains, raising Cain,
             while flushing mankind’s acid reign
             down nature’s evolution drain.

             The Serpent hails a hydroplane
             “because”, she hissed, “we can’t remain;
             behind the hill, the atom’s spark
             has vaporized the palace park,
             reduced to dust the Meadowlark
             and nullified the Rainbow’s arc”.

             And while the others hush and hark,
             a feline Toad begins to bark
             “This plane is certainly Boa’s Ark.

             Let’s flee the Human hierarch,
             forsake all Men to sate the Shark
             which swim within the Waters Dark,
             and purge all traces of the Mark
             in Eden when we disembark.”

             The beasts, in lines, by twos embark.

The dreamers wake, they’re staring, stark,
behind their eyes, a watermark.

In the divet between mountains
Resides a wooden cabin – ostensibly an amalgamation of the scape
Adroitly - I - quondam female warrior flit
Down massive (ancient) hand-laid, hand-cut carved stone steps
Bounding from contingent step onto the dense pad of turned soil
Tacit compliance between gravity and soil holds footprints bound
A compressed deflating crescendo as pace ignites with bounds

Cadences of protuberant wildflowers and grasses erupt from swollen terra
A winsome chromatic menagerie, dispersed in ecstatic fistfuls
A venerably ancient ritual

My nascent clandestine vocation
Personally meted out - a beatification for my provisional sanctuary

Along glacier-fed stream
Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments

I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance
Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path

The sun, nestling into its requisite apex endorsed my completion
I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form
Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux

As I lay within the basilica of opulent living columns replete with comestible bounty
Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover
Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate

Birds pitched and galloped through the frond tips and beyond in the lapis expanse
Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift

Auspicious rays transcended stippled diaphanous gravid clouds
Light inundated ether entered humbly into the cathedral oculus
Pyrite speckled terrain beneath, and my bare gilded form above
Cast a refracted aura about my sanctuary

Precipitously the elusive vaporous embankment distended further
Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode

And I -
Lingered beneath the descending gobbets, curls furled in a puddle
Fresh topsoil cupping my corporal topographic contours
Pressing blackberries into my mouth between smiles

The rainbow is still black and white,
Pitched in various hues,
Vibrant black and sullen whites,
Blending with the blackness inside.
Replete with broken trusts,
Reflecting a thousand shattered pieces,
Fading out like these emotions,
It never lived the light of dawn.

optimist - acrostic

Open up the book
Page one, neutralize your thoughts
Turn the page
Induct elation
Make your temperament positive
Idealism
See the prism of sanguinity
Turn the page

============================================

aqua - acrostic

Arid soul washed away
Quietly sinking down
Underneath the waves to stay
Awakening as i drown

========================================

flaw - acrostic

Forget about the way we see
Looking past the shallow grey
Awaken to a deeper degree
We are all beautiful in our own way

=========================================

harm - acrostic

Hurt me, the pain will go away
All anguish is fleeting
Remnants of your words might stay
My heart will go on beating

====================================

wolf pack - acrostic

Wild and free, nature's breed
Out of bounds of any containment
Living off of only what they need
Flourishing in sustainment

Prowling the forests and grass
Attacking only what they eat
Canids from our distant past
Killing only to replete

(i know i didn't use the word sustainment correctly here, but it rhymes)
==================================

jugs - acrostic poem

Jiggle and bounce for me
Underneath a cotton top
Gives me such satisfaction
Seeing them flip and flop

=================================

sympathy and attention - pity party poetry page

with an affinity for sympathy and attention
pity without empathy ends up as an affliction
sitting all alone having fits not fit to mention
depicting his own addiction to his self infliction

distemper words, written with intention
listless visions are a picture of his fiction
his existence isn't gifted within this dimension
it's a senseless decision to befit a contradiction

==================================================­====

discretion

if deception is a threat, i guess it begs the question
does perception get better with less discretion?
can a gesture of conception be answered best with ingestion
by letting down our guards will we fester in suppression?

changing our direction away from our debts of reception
pressed by our expression of protested progression
best bets are guessed and when we collect we learn a lesson
back to the question, is perception better with less discretion?

====================================

rhyme without reason

what is a rhyme without a reason?
it's no feat to beat the drum of no cohesion
it's like planting seeds that aren't in season
or a disease that leaves a bleeding lesion

a decent poet is adept at seeing adhesion
leaving the meaning amounts to being treason
completely missing pieces for completion
not even worth reading, only worth deletion

========================================

everlasting (4 versions)

though i have ran with the rats of cancer
as i craft the ladder to the final chapter
i never planned for crass disaster
abashed by the lasting factor

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

---------------------------------------------------------­---

abashed by the lasting factor
i never planned for crass disaster
as i craft the ladder to the final chapter
though i have ran with the rats of cancer

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master

---------------------------------------------------------­-------

(you can also do one of these)

where the past is passing faster
i ask the lord and await his answer
are my chances granted to live hereafter
i clasp the hand of the everlasting master
i clasp the hand of the everlasting master
are my chances granted to live hereafter
i ask the lord and await his answer
where the past is passing faster

Finally this Mint Assembly is Complete
As the Last Great Angel will sure confirm
Eight Gold Aureoles from Best Moments replete
A Standing Ovation his Spirit burns
See now, Prince of the Plym! And Testify
How they shared Lives to fertilise your Growth
There was no Contract; Only Hearts abide
Reminding you the Cradle of your Birth
Now you, Sweet Divine, to your Future's spout
Kindly live yourself well for Dream's extract
Know my Prayers stand as Friends throughout
Yet a Friend-on-Purpose I dress intact.
Eight Best Friends. Eight Blessed Souls I give Breath:
Kate. Dil. Jess. Beck. Lauren. Kat. Alice. Beth.

A milk udder lure between her thigh
though her chanty where bin nigh
as day her ungulate would stack
their jugs full in this wooden shack
while shop worn gloves did amount
a shine must replete but always count
only first total inside their raw clement.

[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw

Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think thats frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was seven thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few weeks later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."

Prescient, her essence
Casts a demure persuasion,                
Endowed with verve and vision;
Concept to consummation,
The serenely possessed,
Creator, originator,
Allusion to the eternal azure,
Logos of abstraction,
Word and image collision.

Tonal palette of faith infused reason
Beauty and sublimity,
Serve to season
Verse, canvas and film,
Mediating aesthetic, seminal senses blossom,
Lyrical each permutation,
Seeds of vibrant chroma diffusing the mystical.

Visage and hair,  her figure haunted
With perfection - a work of Art
Nurtured and lived invocation,
The canon of taste;
Crystal for the *****
Devotional fragrance ,
Holistic ethos, melodic invention,
Animated, pure -
The embodiment of redemption.

Transcending form, parenthetically  
(Merely) the decorative,  
Allure, artistry and symmetry
Superlative complexity,
Her erudition satiates, supplanting
Winds of constructive banality.

Purveyor of an uncommon savor,
She collaborates in the peculiar
Pursuit and reward,
Encounter  with depth, explored,
Human and divine, prosaic meets sublime
Igniting within an Eros
Passion for truth, being and Telos.

Visionary of grace and peace
Transforming our earthbound dissonance;
Our caprice,
Hope and abundance, the myth of scarcity,
She narrates the Good.
Pen, lens, color and stage
Vulnerable, unrepressed, effusive
Romantic articulation,
The reservoir deep,
Innately primed conduit of Love.

Beyond plebeian, cosmetic, the trite
Woman of substance, pulchritude
And delight.
Effervescent - her smile exquisite,
Eclipsing suffering,
Wordless expression, understood language.
I am transported, my imagination replete,
Sonya Rose -
Art personified; unabridged, complete.

©2008 & 2013 W.S . Warner

Our mouth customs has gone beyond our control,
Every time we talk about Turkana nation,
We always goof to label it a den of poverty,
By failing to see the vice of human backlogs,
That has worked most to stultify human hopes
Down to a false pale that Turkana nation is all poverty.

A nation that arms its daughters and sons in entirety
With the vogue models of AK 47 and 74’S
Enjoying money worthiness to a whopping!
Media with which they brutally rustle neighbours’ cows
Leaving them in forlorn cry like lame childlings
Such nation can’t be labeled a poverty reference.

Nation in which a naked elder in a loincloths is matchlessly animal rich
Owning hundreds of Carmel and goats, sheep and cows in similar fold,
Enjoying pure *** in marriage with virgins, whose breast are sharply pointed,
Marrying them in pairs out of polygamous morality in the chriso-paganity,
Where each man is a king and each woman an akuju; Turkana goddess of beauty,
All youth confident of animal wealth, then it is total sphinx of no secrete
To label Turkana nation a land that is all about poverty.

Land of sand tunes fit for use in modern architecture,
Replete with deadly desert scorpions, watchdog against women stealer,
Diamonds and gold form its hills of Lapur and Pelekechi,
Its underground waters huge than masses of Indian Ocean,
Lake Turkana being deeper that Lake Tanganyika, full of Fish like helluva,
In the sunshine that generates solar power in fathomless units
Desert snakes jumping here and there in chase of Locusts,
On the seashores at Todanyang and Loewarang towns,
Antelopes there are foolish that they don’t fear dogs
While chicken are condemned to be wild birds
For the Turkana don’t eat birds lest they degrade in dignity
Foolishly calling such land to be example of poverty
Is like putting your economics education in higgledy-piggledy pose.

A turkana woman is a beautiful woman, indeed a paragon of femininity
Slender and narrow at the waist with a humongous bossom,
Her legs are sizeable and long, forming a curve between her thighs,
Her neck stands straight on her thorax, forming a shape of flag post,
Warm on touch and sensuous on each kiss, with her eyes full of compassion,
Her arms strong on each assignement, hence her gun management power,
She screams on an ****** like the swine in a slaughter house,
Sending up the chills of gusto up the spine of the *** partner,
When in the apical realm of love at scenic Eliye Spring,
How can a nation full of such wonderfully virtuous daughters
Be declared in foolishness benchmark of poverty and human despair?

Walk tall Turkana, stand and walk tall, for you are the ****** of Africa
Your oil wells are gift of providence; it will put green foods on your table,
Walk to school and learn anything, learn the languages of the world,
Through which you will caution the lazy talkers of this country,
For them have labeled you as black sheep of the Kenyan family
When it’s their folly and vicious governance
That has betrayed Turkana towards its destiny.

There is a sequence of small events, signs; that as they occur point us in the direction of the mid-winter festival. This morning: the first snow; iced rain, not the soft down-like floaty stuff, but hard crystal-shaped foot-crunching shards. Yesterday, it was on with the wooly hat, the padded waistcoat and a more than just sprightly walk in a park of leafless trees. Everywhere, a damp coldness.
 
Sitting companionably after the meal, a fire spitting in the hearth had brought a glow to her cheeks. She was replete with glowness, her speech dancing too and fro after the family phone calls of a Sunday night. Outside, the sound of wind against the house.
 
Settling herself against him, feet tucked under his reclining body, she tells him about her niece, a birthday girl just two last week. This little one was touchingly innocent of what happens on a birthday. She knew it was coming, next week, soon, then tomorrow. Imagine her the night before: just think you'll wake up and be two! And that's what this birthday business is? She wakes and there is something special in the air, her sister smile-full, bouncy with expectation. Her parents’ voices are louder than usual, there are bigger hugs and longer kisses.  Birthday, birthday, birthday. Her grandparents arrive. More hugs. THEN her father appears with a cake! It's only just after breakfast, but the large people are having coffee and there's her juice cup and a cake! Birthday, birthday, birthday shouts her sister. For me, a cake for me? My cake? Daddy lights the candles! Oh, oh, oh. This is . . .  and something wrapped in pretty paper is being handed to me. Her sister, being wonderfully sisterly shows her how to remove the wrapping. A book! Read it to me now, now, please. It's my birthday, now.
 
This is a sign he thinks later when in bed she folds herself to him, arranges his arms and hands to hold her into sleep, still glowing a little. This is surely a sign. A child's discovery of the birth day. The joy it brings, the way it lights up our lives. And never again will her father see quite that measure of surprise and delight in his daughter's face. Next year she'll be full of expectation, know all about birthdays  . . and be three.

I pose on all fours
Waiting for you to mount me
My Love starts pulsing as
I watch you move towards me
You stroke yourself in your hands
My eyes are begging you
to use your rigid tool on me
To Feel you plunge deep
into the depths of my soul
As I close around you
My wetness envelops your manhood

My pulse is racing as you enter
And pound against my soft pliant vessel
My breath rushes out rapidly
I try to hold on as long as I can
To savor every moment.
Every feeling.
Each powerful ******.

I can’t stand it any longer!

I tense as
I allow my body to receive
All that it needs
From you
I release all my tension
As my ****** washes over me.
Wave after wave crashing against my body

I cry out in ecstasy
My muscles convulse
But you don’t stop there
You keep your tempo going
Harder. Faster.
Trying draw every drop of nectar out of me.
Then you feel your own finish approaching
You take what you need as well
From me
I moan as you spill your essence into me.

I long to have you lead me to that place.
That ends with you
Lying on top of me
Satisfied.
Happy.
And replete.

Where splendor divest itself in color emotion and tranquility the trade wind unleashes the atmospheric
Tropics boundless seamless the perpetual island teases the slipping away inspirational living dreams are
Evoked the night campfire is filled with haunts replete with the initial beginning of Polynesia and her
Island dance the rhythm of sea and land in unison plays wonderfully and perfectly in the soul perfect
Found its total awareness on this moon drenched coral atoll with softest breath it wooed the palms
Swayed the mist rose its crowning silver garland rose to the heights the nights became the embodiment
Of delight peace was the living feast it swelled with richest thickness you passed among the
Unquestionable effects of such joy a weighted grandeur was exposed it triggered melodious meters
The slow purposeful intoned music had the unparalleled sweetness that beat steady and slow
The deep nature of man was matched it played its own time and space interlude that moment
The sea nymph arose and spoke these words in these pure waters truth will prevail all who
Come and are tangled and wrought with trouble love seems to be in a log jam of one sort or
Another but here nature will reign a strong hold that will beckon like no other place and
Romance will respond hurts and scars and mistake will immerse in healing from the waves the
Sand will pulsate invisible vibrations will soothe and dislodge hard feelings that will flow
Outward to the sea a vacuum will be left and love will rush to fill the empty space the creatures
Of the sea will endow their harmony it will be powerful and free flowing the crusted and
Brittleness of man’s nature will breakup tenderness will express itself through the kindest look
The touch will be sensuous and perform admiral feats that will give way to understanding the
Other’s need selfishly they will gratify the deep longing of their beloved relationships that
Formally floundered now you will know stability found on trust and mutual caring for the others
Needs cures will stretch to impossible needs tears of thankfulness will be the standard bearer
Giving the richest freedom to know expression will be the hallmark of sensitivity a rootedness
Will flourish and grow deep this will mandate such a state of well being an aura
Will surround and envelop you the enabling life will be finally truly and fully yours it’s just a few
Heartbeats away off the beaten path in a coconut cove search and you will find it this is promised to all
Who will put others first

TIS past ! The sultry tyrant of the south
Has spent his short-liv'd rage ; more grateful hours
Move silent on; the skies no more repel
The dazzled sight, but with mild maiden beams
Of temper'd light, invite the cherish'd eye
To wander o'er their sphere ; where hung aloft
DIAN's bright crescent, like a silver bow
New strung in heaven, lifts high its beamy horns

Impatient for the night, and seems to push
Her brother down the sky. Fair VENUS shines
Even in the eye of day ; with sweetest beam
Propitious shines, and shakes a trembling flood
Of soften'd radiance from her dewy locks.
The shadows spread apace ; while meeken'd Eve
Her cheek yet warm with blushes, slow retires
Thro' the Hesperian gardens of the west,
And shuts the gates of day. 'Tis now the hour
When Contemplation, from her sunless haunts,
The cool damp grotto, or the lonely depth
Of unpierc'd woods, where wrapt in solid shade
She mused away the gaudy hours of noon,
And fed on thoughts unripen'd by the sun,
Moves forward ; and with radiant finger points
To yon blue concave swell'd by breath divine,
Where, one by one, the living eyes of heaven
Awake, quick kindling o'er the face of ether

One boundless blaze ; ten thousand trembling fires,
And dancing lustres, where th' unsteady eye
Restless, and dazzled wanders unconfin'd
O'er all this field of glories : spacious field !
And worthy of the master : he, whose hand
With hieroglyphics older than the Nile,
Inscrib'd the mystic tablet; hung on high
To public gaze, and said, adore, O man !
The finger of thy GOD. From what pure wells
Of milky light, what soft o'erflowing urn,
Are all these lamps so fill'd ? these friendly lamps,
For ever streaming o'er the azure deep
To point our path, and light us to our home.
How soft they slide along their lucid spheres !
And silent as the foot of time, fulfil
Their destin'd courses : Nature's self is hush'd,
And, but a scatter'd leaf, which rustles thro'
The thick-wove foliage, not a sound is heard

To break the midnight air ; tho' the rais'd ear,
Intensely listening, drinks in every breath.
How deep the silence, yet how loud the praise !
But are they silent all ? or is there not
A tongue in every star that talks with man,
And wooes him to be wise ; nor wooes in vain :
This dead of midnight is the noon of thought,
And wisdom mounts her zenith with the stars.
At this still hour the self-collected soul
Turns inward, and beholds a stranger there
Of high descent, and more than mortal rank ;
An embryo GOD ; a spark of fire divine,
Which must burn on for ages, when the sun,
(Fair transitory creature of a day !)
Has clos'd his golden eye, and wrapt in shades
Forgets his wonted journey thro' the east.

Ye citadels of light, and seats of GODS !
Perhaps my future home, from whence the soul

Revolving periods past, may oft look back
With recollected tenderness, on all
The various busy scenes she left below,
Its deep laid projects and its strange events,
As on some fond and doating tale that sooth'd
Her infant hours ; O be it lawful now
To tread the hallow'd circles of your courts,
And with mute wonder and delighted awe
Approach your burning confines. Seiz'd in thought
On fancy's wild and roving wing I sail,
From the green borders of the peopled earth,
And the pale moon, her duteous fair attendant;
From solitary Mars ; from the vast orb
Of Jupiter, whose huge gigantic bulk
Dances in ether like the lightest leaf;
To the dim verge, the suburbs of the system,
Where chearless Saturn 'midst her watry moons
Girt with a lucid zone, majestic sits

In gloomy grandeur ; like an exil'd queen
Amongst her weeping handmaids: fearless thence
I launch into the trackless deeps of space,
Where, burning round, ten thousand suns appear,
Of elder beam ; which ask no leave to shine
Of our terrestrial star, nor borrow light
From the proud regent of our scanty day ;
Sons of the morning, first born of creation,
And only less than him who marks their track,
And guides their fiery wheels. Here must I stop,
Or is there aught beyond ? What hand unseen
Impels me onward thro' the glowing orbs
Of inhabitable nature ; far remote,
To the dread confines of eternal night,
To solitudes of vast unpeopled space,
The desarts of creation, wide and wild ;
Where embryo systems and unkindled suns
Sleep in the womb of chaos; fancy droops,

And thought astonish'd stops her bold career.
But oh thou mighty mind ! whose powerful word
Said, thus let all things be, and thus they were,
Where shall I seek thy presence ? how unblam'd
Invoke thy dread perfection ?
Have the broad eye-lids of the morn beheld thee ?
Or does the beamy shoulder of Orion
Support thy throne ? O look with pity down
On erring guilty man ; not in thy names
Of terrour clad ; not with those thunders arm'd
That conscious Sinai felt, when fear appall'd
The scatter'd tribes; thou hast a gentler voice,
That whispers comfort to the swelling heart,
Abash'd, yet longing to behold her Maker.

But now my soul unus'd tostretch her powers
In flight so daring, drops her weary wing,
And seeks again the known accustom'd spot,

Drest up with sun, and shade, and lawns, and streams,
A mansion fair and spacious for its guest,
And full replete with wonders. Let me here
Content and grateful, wait th' appointed time
And ripen for the skies: the hour will come
When all these splendours bursting on my sight
Shall stand unveil'd, and to my ravished sense
Unlock the glories of the world unknown.