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"projectile" poems
the job of the artist is to be luminous and dangerous *luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised* and so the job, our work, begins
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Jun 30, 2018
Jun 30, 2018 at 8:34 AM UTC
the job of the artist /luminous and dangerous
she is outspoken and bold bold like the sun bolder than an army of boulders falling from a hillside she is an avalanche when there is nowhere left to run she is despised by some and others wish to fill her with some old fashioned whisky i am sanctified by her ways and returned to my former glory as this poem has tasted far better days she is a morning glory her eyes are like the petals of a flower she is the Wordsworth of the decade a wordsmith dancing in her own decay i am essentially a target a lost projectile in the arrow's path she has coaxed me back to sanity with her sardonic gestures and her sarcastic use of wit i am a nitwit she said so i laugh and pick the flowers from her hair slowly and soporifically i am seaweed adrift in her bonnet sandpaper scattered along the shoreline remove the blind spectacles and eat the lines i’ve written a poem is just a candle anyway to spray the eyes of infinity with lightning mars is retrograde regardless so i’ll just sit here and pretend that i’m not too much of a target for her beauty
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Jul 23, 2018
Jul 23, 2018 at 3:05 PM UTC
a target for her beauty
My enemy let us compete, in game unique, offbeat. This is my father's vintage gun, using it we'll have some fun. Rules of the game let us fix, bullet is one, chambers are six. Rotate the chambers putting bullet in one, where is the bullet will be known to none. Pointing each one's head in turn, we'll pull off the trigger one by one. At the very outset brain can rend or game can go till the very end. Six times of nervous ****** is enough to make the projectile burst. With anguish and pain looser will yell, very soon his soul will reach fiery hell. Winner's anger and hate will get a vent, future will give him enough time to repent. My enemy let us compete, in game unique, offbeat.
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Nov 29, 2014
Nov 29, 2014 at 11:30 AM UTC
My enemy let us compete
Among the market greens, a bullet from the ocean depths, a swimming projectile, I saw you, dead. All around you were lettuces, sea foam of the earth, carrots, grapes, but of the ocean truth, of the unknown, of the unfathomable shadow, the depths of the sea, the abyss, only you had survived, a pitch-black, varnished witness to deepest night. Only you, well-aimed dark bullet from the abyss, mangled at one tip, but constantly reborn, at anchor in the current, winged fins windmilling in the swift flight of the marine shadow, a mourning arrow, dart of the sea, olive, oily fish. I saw you dead, a deceased king of my own ocean, green assault, silver submarine fir, seed of seaquakes, now only dead remains, yet in all the market yours was the only purposeful form amid the bewildering rout of nature; amid the fragile greens you were a solitary ship, armed among the vegetables, fin and prow black and oiled, as if you were still the vessel of the wind, the one and only pure ocean machine: unflawed, navigating the waters of death.
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5.4k
Ode To a Large Tuna in the Market
Fingers cut palms as hands turn to stone And a catapult hurls the projectile home Knuckles collapse from bone meeting bone Down in the alleys where miscreants roam Suggestions of violence fill gutters with blood Fill heads with the sense of nefarious thrill Their skin turns to ash and their brains into mud Rage in the kingdom of eager to **** The children are soldiers who train everyday Cowboys and Indians, Robbers and Cops ****** is plot and the actors will play Portraying the place life will come to a stop Violence is cancer, and love is no more Edge of our seats waiting for the next war Dedicated to the deceased and forgotten, Love and Peace
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Oct 5, 2013
Oct 5, 2013 at 11:34 PM UTC
Violence, a sonnet
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
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Jul 10, 2023
Jul 10, 2023 at 11:25 PM UTC
5 years later, the artist returns to his first job: being luminous and dangerous
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
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74
Sunday night is a dull hum constantly buzzing in my ear Sunday night is a broken clock hands stuck at five to five Sunday night is experiencing technical difficulties bars of black, white, and other colors Sunday is so high it can't get off the couch was that somebody knocking at the door? Sunday night is so drunk it fell asleep in the closet only to wake up thinking this doesn't look like my bed Sunday night is trying out for varsity only to make the practice squad Sunday night is a suburban strip mall at five AM on a Monday I took my Sunday nights and poured them in a glass downed it in one gulp and projectile vomited all over my Monday through Saturdays I took my Sunday nights and put them on a page for you
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Oct 4, 2013
Oct 4, 2013 at 4:16 PM UTC
Trapped in Sunday Nights
Physics: It is in your children's behavior Example! The way your child tantrum Toys like Cars, Teddy bear, Barbie, Lego blocks, ***** anything a child can hold can by be thrown away in a perfect projectile landing it to your favorite vase causing it to fall with the strong impact the vase broke into a thousand pieces And as much as you want to punish your child but you love them so much you let it slide this time!
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Jan 2, 2019
Jan 2, 2019 at 10:04 PM UTC
Science is everywhere Science is everything #3
(I hate poets. They annoy me deeply.) I. There are the balladeers, Working in service of their inner Service, (Though, despite the seeming impossibility, Their hackneyed verse is even worse) Creating tortuous rhyme Which slows down labyrinthine narratives Ending up in some deus ex machine So implausible that it would make Euripides blush (Most often courtesy of some unforeseen projectile Or sudden viral contagion; Would that their creators meet such a fate!) II. I come not to praise the so-called sonneteers, But to bury them. They are an earnest lot, (Lord knows that they are earnest) And they will make their fourteen lines rhyme (Though sometimes the rhyme scheme screams for mercy) And hang the cost. Though their narratives are head-scratching things, And their iambs proceed with the steadiness Of a nonagenarian church pianist Doing her damndest to fight the wedding march to a draw, They are content, nay, proud of their work Because babble rhymes with Scrabble (Though they are not particularly proficient with the latter, They have the former down to an art.) III. Let us not forget the Buk-zombies, Those apostles of aphorism, Most of whom speak of their departed deity As if he were an old drinking buddy (Never mind that most of them were two or three Or perhaps not even a bad idea In the back seat of some mom’s Buick When he exited this mortal plane, stage left, even.) One’s mind is boggled whilst considering The expanse of the bar required to accommodate Everyone who would like to (Or worse, have claimed to) Buy old Charlie a beer, not that he’d stand for a round. They are a sullen horde, this lot, Best dealt with by aiming for the base of the skull. IV. Ah, the confessionals, Lord have mercy upon their souls (For they shall have none upon ours.) They feel so many things so deeply As such things have never been felt before (They have not read their Sexton, their Snodgrass, Their Lowell, their Pl--well, no, They have all read their Plath.) It is, from the moment they arise in the morning Until such time they set aside their fears and let sleep take them, All too much for them, And they bravely face the days Until such time they care bear to take action And fling themselves from some convenient precipice. We should, as a service to them and ourselves, Ensure the soles of their shoes Are sufficiently worn and slippery. (I hate poets. They annoy me deeply.)
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Jan 12, 2017
Jan 12, 2017 at 11:22 AM UTC
Poets (A Hate Song)
(I hate poets. They annoy me deeply.) I. There are the balladeers, Working in service of their inner Service, (Though, despite the seeming impossibility, Their hackneyed verse is even worse) Creating tortuous rhyme Which slows down labyrinthine narratives Ending up in some deus ex machine So implausible that it would make Euripides blush (Most often courtesy of some unforeseen projectile Or sudden viral contagion; Would that their creators meet such a fate!) II. I come not to praise the so-called sonneteers, But to bury them. They are an earnest lot, (Lord knows that they are earnest) And they will make their fourteen lines rhyme (Though sometimes the rhyme scheme screams for mercy) And hang the cost. Though their narratives are head-scratching things, And their iambs proceed with the steadiness Of a nonagenarian church pianist Doing her damndest to fight the wedding march to a draw, They are content, nay, proud of their work Because babble rhymes with Scrabble (Though they are not particularly proficient with the latter, They have the former down to an art.) III. Let us not forget the Buk-zombies, Those apostles of aphorism, Most of whom speak of their departed deity As if he were an old drinking buddy (Never mind that most of them were two or three Or perhaps not even a bad idea In the back seat of some mom’s Buick When he exited this mortal plane, stage left, even.) One’s mind is boggled whilst considering The expanse of the bar required to accommodate Everyone who would like to (Or worse, have claimed to) Buy old Charlie a beer, not that he’d stand for a round. They are a sullen horde, this lot, Best dealt with by aiming for the base of the skull. IV. Ah, the confessionals, Lord have mercy upon their souls (For they shall have none upon ours.) They feel so many things so deeply As such things have never been felt before (They have not read their Sexton, their Snodgrass, Their Lowell, their Pl--well, no, They have all read their Plath.) It is, from the moment they arise in the morning Until such time they set aside their fears and let sleep take them, All too much for them, And they bravely face the days Until such time they care bear to take action And fling themselves from some convenient precipice. We should, as a service to them and ourselves, Ensure the soles of their shoes Are sufficiently worn and slippery. (I hate poets. They annoy me deeply.)
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65
Behind me and my daughter In line for the Ferris wheel Perhaps when you are older You will find breastfeeding Is the least nasty thing Your child will do Wait for the projectile ***** The diaper explosions Snot handed to you So kindly like a present Wait for the strangers to ask you "So when do you plan to get your body back?" My body never left It did the most badass thing Any body could ever do What have you done With the beautiful sharp mind and body God has given you? Used your eyes and words To judge other women Looked at your tummy in the mirror and thought "I should be skinnier." It is a shame, Women ought to stick together So I'm going to tell you now Your bodies are amazing Magical, you might say Life giving, you're **** right Do not judge me Say that my nursing toddler is nasty Look at her face, How can you be so cruel? For ***** sake, It's just a ****** I can see more of you Pre-thirteen In your crop top and skinny jeans Than you can of me
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May 25, 2015
May 25, 2015 at 10:19 PM UTC
Dear Preteen Girls
There's this guy who constantly gives me grief online as if I need a reminder that I am not funny or smart that I am incapable of posting any story without his remark as if he should impart and bestow all of social media with his divine and seraphic academia: what is with that? He posts comments about how illiterate my poetry is how it doesn't follow the rules; the do-nots and the do's pontificates how its not properly punctuated as if I should give up altogether and just shine shoes and forget trying to construct sentences just wander in the carousel of nebula's eternally seeking the tentacle of enemas: what is with that? This guy enjoys winding me up like a persistent hobby the reverent devilment of sadistic entitlement pushing my head under water for a digital baptism that I should thank him for his rhetoric enlightenment as if he was blessed with a correspondence talisman: what is with that? This isn't even a poem. I am letting off steam like an overused kettle fed up of his mortar forever rammed in my pestle the temples are raging and my brain is just draining to explode on cue on the next digital heckle the cracked and broken vessel into a vengeful steam-driven projectile: what is with that? This, < here > , is my only escape and creative cathartic vent I'll post this lament with the stench of discontent and tag his name and then just wait for his feverish malcontent that I should dare to prevent his God-like dissent: memo to self to a digital antagonist and his verbose verbal cyst and the keyboard of twists when you push sometimes you get a big shove back so don't be surprised by my riposte and this poetic attack.
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Jul 8, 2014
Jul 8, 2014 at 8:56 PM UTC
Digital Antagonist V2
There's this guy who constantly gives me grief online as if I need a reminder that I am not funny or smart that I am incapable of posting any story without his remark as if he should impart and bestow all of social media with his divine and seraphic academia: what is with that? He posts comments about how illiterate my poetry is how it doesn't follow the rules; the do-nots and the do's pontificates how its not properly punctuated as if I should give up altogether and just shine shoes and forget trying to construct sentences just wander in the carousel of nebula's eternally seeking the tentacle of enemas: what is with that? This guy enjoys winding me up like a persistent hobby the reverent devilment of sadistic entitlement pushing my head under water for a digital baptism that I should thank him for his rhetoric enlightenment as if he was blessed with a correspondence talisman: what is with that? This isn't even a poem. I am letting off steam like an overused kettle fed up of his mortar forever rammed in my pestle the temples are raging and my brain is just draining to explode on cue on the next digital heckle the cracked and broken vessel into a vengeful steam-driven projectile: what is with that? This, < here > , is my only escape and creative cathartic vent I'll post this lament with the stench of discontent and tag his name and then just wait for his feverish malcontent that I should dare to prevent his God-like dissent: memo to self to a digital antagonist and his verbose verbal cyst and the keyboard of twists when you push sometimes you get a big shove back so don't be surprised by my riposte and this poetic attack.
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46
The attendees are told, in a manner befitting a high mass You have been finally set free, (Although, in truth, free is a very large and entirely vague word), And the message is sent forth from all comers in all corners: Vendor and visionary alike, German socialists who left university to ride boats for Greenpeace, First lieutenants doing their level best To appear at ease in civilian polos and khakis, But no matter the vessel, The message is still the same.   The tyranny of cables and storage space is dead, It is all but shouted from the lecterns, (Although it is noted, in small print and sotto voce That there are certain requirements In terms of hardware and licensing) And it is stated by Those Who Know In tones which neither brook nor invite contradiction, That they have surmounted, all Hadrian-like, The alpine divide separating mere data and magic. Two or three blocks down the street from the convention center, In a narrow storefront housing an exhibition of ether-only comics Which have broken the nettling constraints Of editors and syndication, There sits, under a somewhat opaque And slightly scratched piece of plexiglass, A yellowing comic strip of uncertain vintage, In which a frowzy cat, Free of the constraints of panels, gender, and standard grammar, Is the recipient of a mouse-tossed brick Whose flight, unfettered by physics, probablility, indeed time itself Ends striking its mark right between the x’s of the eyes The projectile itself an inexplicable alchemy Of confusion, mirth, frustration And the impossibility of an undeniably pure love.
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Aug 20, 2018
Aug 20, 2018 at 9:29 AM UTC
in re: cloud computing and cartoon cats
The attendees are told, in a manner befitting a high mass You have been finally set free, (Although, in truth, free is a very large and entirely vague word), And the message is sent forth from all comers in all corners: Vendor and visionary alike, German socialists who left university to ride boats for Greenpeace, First lieutenants doing their level best To appear at ease in civilian polos and khakis, But no matter the vessel, The message is still the same.   The tyranny of cables and storage space is dead, It is all but shouted from the lecterns, (Although it is noted, in small print and sotto voce That there are certain requirements In terms of hardware and licensing) And it is stated by Those Who Know In tones which neither brook nor invite contradiction, That they have surmounted, all Hadrian-like, The alpine divide separating mere data and magic. Two or three blocks down the street from the convention center, In a narrow storefront housing an exhibition of ether-only comics Which have broken the nettling constraints Of editors and syndication, There sits, under a somewhat opaque And slightly scratched piece of plexiglass, A yellowing comic strip of uncertain vintage, In which a frowzy cat, Free of the constraints of panels, gender, and standard grammar, Is the recipient of a mouse-tossed brick Whose flight, unfettered by physics, probablility, indeed time itself Ends striking its mark right between the x’s of the eyes The projectile itself an inexplicable alchemy Of confusion, mirth, frustration And the impossibility of an undeniably pure love.
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34
These lines experimental but elemental to your mental, My creativity, Will never submit to the minimal, Isotopes subliminal penetrating the simple, Similes send criminals to infiltrate your biochemicals, Infected stanzas with stacked syntaxes sickness, My subconscious semiautomatic and stimulated, Formulate semblances of Leviathan illuminated, It's a tragedy my soul's has become a victim of gravity, Now my temples been raided, My nirvana's disseminated, And I've contemplated annihilation of self, Picturing my end as a senile senior citizen, With no one by my side, My mind can't complete a sentiment, Remembering has become my source of a smile, But it's making me even more curious to taste the end of this projectile,
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Mar 30, 2015
Mar 30, 2015 at 6:15 PM UTC
Warped Raspberry Flesh Slushie
LAST night a January wind was ripping at the shingles over our house and whistling a wolf song under the eaves. I sat in a leather rocker and read to a six-year-old girl the Browning poem, Childe Roland to the Dark Tower Came. And her eyes had the haze of autumn hills and it was beautiful to her and she could not understand. A man is crossing. a big prairie, says the poem, and nothing happens--and he goes on and on--and it's all lonesome and empty and nobody home. And he goes on and on--and nothing happens--and he comes on a horse's skull, dry bones of a dead horse-- and you know more than ever it's all lonesome and empty and nobody home. And the man raises a horn to his lips and blows--he fixes a proud neck and forehead toward the empty sky and the empty land--and blows one last wonder- cry. And as the shuttling automatic memory of man clicks off its results willy-nilly and inevitable as the snick of a mouse-trap or the trajectory of a 42-centimetre projectile, I flash to the form of a man to his hips in snow drifts of Manitoba and Minnesota--in the sled derby run from Winnipeg to Minneapolis. He is beaten in the race the first day out of Winnipeg-- the lead dog is eaten by four team mates--and the man goes on and on--running while the other racers ride, running while the other racers sleep-- Lost in a blizzard twenty-four hours, repeating a circle of travel hour after hour--fighting the dogs who dig holes in the snow and whimper for sleep-- pushing on--running and walking five hundred miles to the end of the race--almost a winner--one toe frozen, feet blistered and frost-bitten. And I know why a thousand young men of the North- west meet him in the finishing miles and yell cheers --I know why judges of the race call him a winner and give him a special prize even though he is a loser. I know he kept under his shirt and around his thudding heart amid the blizzards of five hundred miles that one last wonder-cry of Childe Roland--and I told the six year old girl about it. And while the January wind was ripping at the shingles and whistling a wolf song under the eaves, her eyes had the haze of autumn hills and it was beautiful to her and she could not understand.
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2.3k
Manitoba Childe Roland
LAST night a January wind was ripping at the shingles over our house and whistling a wolf song under the eaves. I sat in a leather rocker and read to a six-year-old girl the Browning poem, Childe Roland to the Dark Tower Came. And her eyes had the haze of autumn hills and it was beautiful to her and she could not understand. A man is crossing. a big prairie, says the poem, and nothing happens--and he goes on and on--and it's all lonesome and empty and nobody home. And he goes on and on--and nothing happens--and he comes on a horse's skull, dry bones of a dead horse-- and you know more than ever it's all lonesome and empty and nobody home. And the man raises a horn to his lips and blows--he fixes a proud neck and forehead toward the empty sky and the empty land--and blows one last wonder- cry. And as the shuttling automatic memory of man clicks off its results willy-nilly and inevitable as the snick of a mouse-trap or the trajectory of a 42-centimetre projectile, I flash to the form of a man to his hips in snow drifts of Manitoba and Minnesota--in the sled derby run from Winnipeg to Minneapolis. He is beaten in the race the first day out of Winnipeg-- the lead dog is eaten by four team mates--and the man goes on and on--running while the other racers ride, running while the other racers sleep-- Lost in a blizzard twenty-four hours, repeating a circle of travel hour after hour--fighting the dogs who dig holes in the snow and whimper for sleep-- pushing on--running and walking five hundred miles to the end of the race--almost a winner--one toe frozen, feet blistered and frost-bitten. And I know why a thousand young men of the North- west meet him in the finishing miles and yell cheers --I know why judges of the race call him a winner and give him a special prize even though he is a loser. I know he kept under his shirt and around his thudding heart amid the blizzards of five hundred miles that one last wonder-cry of Childe Roland--and I told the six year old girl about it. And while the January wind was ripping at the shingles and whistling a wolf song under the eaves, her eyes had the haze of autumn hills and it was beautiful to her and she could not understand.
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49
Temperature raised. Five bone shiver syllables. Parent. Haiku-er. Diarrhea-ing. Five winter sick syllables. Parent. Haiku-er. Projectile ***** Five flu season syllables. Parent. Haiku-er. Temperature raised. Five kids splash in backyard pool. Haiku-er. Parent.
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Mar 4, 2010
Mar 4, 2010 at 7:07 PM UTC
virus grouping
Little lung oyster all slimy and green. In my chest resting quietly you have been. Peacefully sleeping in your abode. Disturbed by my coughing and up you rode. projectile now free ascending my throat. And into my mouth my tongue you did coat. With your viscouse body spread all around. A salty Taste I now have found. Your texture, creamy and kinda stringy. With parts of you thick and kinda clingy. With my teeth, I scrape you off. And swish you around into a froth. Through my lips I let you fall. And **** you back up, bubbles and all. Oh little lung oyster you're a funny little thing. Kinda like a slimy string. Three more times I stretch you out. And **** back into my mouth. I then gather you on my tongue. "P-too-ee!" From my mouth you are flung. You speed away out of sight. But not so far as I thought you might. Your stringyness catches on my front teeth. And you make a mess on me. "Oh good grief!" The mess is far larger than I thought. That something your size could possibly wrought. You cover my chin and the front of my shirt. And drip on my shoe. Like that's gonna hurt? I look like I was run over by a fifty pound snail. Or splashed with snot from a two gallon pail. So I wiped what I could off my shirt and my chin. And swore never to play with lung oysters again.
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Aug 4, 2012
Aug 4, 2012 at 2:03 PM UTC
Little Lung Oyster
- Hi, I'm calling to tell you that: I wrote down everything you ever said to me (in the literal sense, standing stretched against my own uncultured and violently ****** vocabulary) - And am regurgitating it back to innocent passerby - my sincerest apologies to those poor victims of circumstance, suspended in the projectile ***** of my dysfunctional disdain (In a slew of worm guts and warm bodies, mama-bird to baby-bird saying "please don't leave the nest" - it's too hot for blankets anyways) My original letter to you was written on the backside of an airplane **** bag, where I detailed my favorite scenes from a movie we subconsciously made entitled "Baby's First Time", while blissfully unaware of my stern faced in-flight companion. My first draft, though, was a series of half-hearted winks and very, very drunk texts, beginning with:           SEXT: I offer my services as sacrificial ****** (and followed a whopping six months later by)           SEXT: I am still young enough to accuse you of statutory **** (The art of seduction seems to be less of an art and more of a particular science) You are: - My own personal Edgar Allan Poe, just blonder and younger, with a bigger gut and a bigger ego and (alas!) a complete lack of interest in your sweet Annabel (but I could change my name) - And oddly enough, I'm the one writing the poems here (The whole world's a stage, with me just watching your sad indie boy band from the nosebleed seats)
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Sep 10, 2013
Sep 10, 2013 at 12:56 AM UTC
Several Showers Later
Sitting here, thinking about death, about which death to choose, about which passing of time to write about. I am sweating, like, hold your breath or die sweat. It is hot here, but it isn't the temperature that is making my glands leak, it is the memories, it is the death grip that takes my heart when i remember, when i write about life leaving, silence stealing from the night. Heroine. She's a tuff-tender ***** with soft sleepy skin, the daughter of Morpheus, who takes your breath and holds it inside you. Somniferous, She likes to sit alongside you while you die, she holds your hand and whispers in your ear, allaying fear and slowly she wraps her fingers around your lungs. So tired, of this world, of this life; you think, i'll just close my eyes, nothing new about being on the nod, nothing strange about this tiredness that follows a quick projectile puke in the gutter. Let sleeping dogs lie. Writing about Overdosing. It is a strange thing, a quick story, one minute your blinking, nodding, often murmuring, then asleep. Lucky the dog who runs in a pack. Lucky the man who walks with strangers by his side. I don't remember much of what happened before i closed my eyes. A shot, pin ***** relief, then, quickly/slowly/gone. It is night out, with a dark and steady sky, I am watching the stars through slitted eyes and loving my life, loving my wife; ****** how she makes my heart sing. I am glad to be far from withdrawing, i am happy to be in sin with my lovers, stainless steel turemo picks. It is my first blast for the night and apparently my last. There is no warning, no red flag that appears in my minds eye. Just silence and a world fading away. A heartbeat disappearing. Short shallow breath and a small niggling concern that soon will come the time when i am not high then... I am going. I am gone. I have died. The strangest thing about dying is not dying. The hardest thing about it all is waking up and realising you were finally gone, you were finally done with the rigmorale, the procedure, of living, of life. You had reached the ultimate goodbye. And now you are back. Still high but not high enough to be faced with the living. Narcan gives your lungs back, it breathes back into you what She stole away. Wanting more then ever to ***** but not wanting to puke on the paramedics lap. Fear of police and reprisal, anxiety soars high on the agenda of the recently revived. A trip the hospital, a free ride, then signing out early, i have shots to blast, a past to wipe out, a life to live or die trying.
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Feb 11, 2010
Feb 11, 2010 at 5:01 PM UTC
Die trying.
Sitting here, thinking about death, about which death to choose, about which passing of time to write about. I am sweating, like, hold your breath or die sweat. It is hot here, but it isn't the temperature that is making my glands leak, it is the memories, it is the death grip that takes my heart when i remember, when i write about life leaving, silence stealing from the night. Heroine. She's a tuff-tender ***** with soft sleepy skin, the daughter of Morpheus, who takes your breath and holds it inside you. Somniferous, She likes to sit alongside you while you die, she holds your hand and whispers in your ear, allaying fear and slowly she wraps her fingers around your lungs. So tired, of this world, of this life; you think, i'll just close my eyes, nothing new about being on the nod, nothing strange about this tiredness that follows a quick projectile puke in the gutter. Let sleeping dogs lie. Writing about Overdosing. It is a strange thing, a quick story, one minute your blinking, nodding, often murmuring, then asleep. Lucky the dog who runs in a pack. Lucky the man who walks with strangers by his side. I don't remember much of what happened before i closed my eyes. A shot, pin ***** relief, then, quickly/slowly/gone. It is night out, with a dark and steady sky, I am watching the stars through slitted eyes and loving my life, loving my wife; ****** how she makes my heart sing. I am glad to be far from withdrawing, i am happy to be in sin with my lovers, stainless steel turemo picks. It is my first blast for the night and apparently my last. There is no warning, no red flag that appears in my minds eye. Just silence and a world fading away. A heartbeat disappearing. Short shallow breath and a small niggling concern that soon will come the time when i am not high then... I am going. I am gone. I have died. The strangest thing about dying is not dying. The hardest thing about it all is waking up and realising you were finally gone, you were finally done with the rigmorale, the procedure, of living, of life. You had reached the ultimate goodbye. And now you are back. Still high but not high enough to be faced with the living. Narcan gives your lungs back, it breathes back into you what She stole away. Wanting more then ever to ***** but not wanting to puke on the paramedics lap. Fear of police and reprisal, anxiety soars high on the agenda of the recently revived. A trip the hospital, a free ride, then signing out early, i have shots to blast, a past to wipe out, a life to live or die trying.
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12
she's an active volcano the lava she spewed destroyed many valleys it'll take time to clear her destruction for her to turn back into a mountain she doesn't want to open up again believe her but she's most likely going to and after she realizes what she's done she wants to sink under water and help shift continents                 she makes your bones rattle and the blood in your veins turn hot like your grandma's gumbo and you don't know a thing about her or when she's gonna projectile ***** her mass destruction she's unpredictable and that's what scares you that's why you're drawn to her you just know in the end she's just gonna hurt you even though it's not her intent but she's just so breathtakingly beautiful
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Jul 18, 2014
Jul 18, 2014 at 2:04 AM UTC
gumbo
THIS Mohammedan colonel from the Caucasus yells with his voice and wigwags with his arms. The interpreter translates, "I was a friend of Kornilov, he asks me what to do and I tell him." A stub of a man, this Mohammedan colonel ... a projectile shape ... a bald head hammered ... "Does he fight or do they put him in a cannon and shoot him at the enemy?" This fly-by-night, this bull-roarer who knows everybody. "I write forty books, history of Islam, history of Europe, true religion, scientific farming, I am the Roosevelt of the Caucasus, I go to America and ride horses in the moving pictures for $500,000, you get $50,000 ..." "I have 30,000 acres in the Caucasus, I have a stove factory in Petrograd the bolsheviks take from me, I am an old friend of the Czar, I am an old family friend of Clemenceau ..." These hands strangled three fellow workers for the czarist restoration, took their money, sent them in sacks to a river bottom ... and scandalized Stockholm with his gang of strangler women. Mid-sea strangler hands rise before me illustrating a wish, "I ride horses for the moving pictures in America, $500,000, and you get ten per cent ..." This rider of fugitive dawns....
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1.8k
Mohammed Bek Hadjetlache
For fuck's sake. How did we end up here again? The soothing, annoying word flickers on my blue-back lit screen and I am ****** back to the tumultuous moment when once upon a time it yelled bipolar. And here we go again. My thoughts flick, flit, floss between teeth made for biting and real meat. They need plaque, collection, to grow and accumulate mass to progress. But there my flicking thoughts go, flossing. I've always struggled focusing, but I just got excitable, got manic, and it would solve everything. Mania was my monster, my red bull, and now that its sated and off to Wonderland... I'm left here, face to face, with a twitchy white rabbit wondering why I would ever think to use my pretty little head when its such a good projectile into the sky. I had always wondered, in those whispering nights, when my hands couldn't stop moving and my head wouldn't shut up, if something was wrong. But it was silly, I had two already, full of worry then full of poles. Couldn't be another, could it? Of course, a Grace of Wonderland always knows best, and here we are. Another bottle to drink to keep me sane. I wonder if my fingers will thank the capsules when I might stop biting them? Or my toes? Is this why my toes always twitch and dance, why they stand center-stage in so many of my mild fantasies? After all these years, the divas that my lower digits have become may not appreciate losing their star titles. I just want to be fine. I want to figure out how to move beyond all the strange misfires in my head. How did I survive so long without a notice? Inflates my ego to know I should have been caught by now. Guess just like the White Rabbit, despite my widgets and worries, no one can stop me from running when I'm madly, absolutely, refusing to be late. Graces only knows to fight with fire and fists. Tis the state of my Wonderland, and perhaps now things will only get better.
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Nov 5, 2017
Nov 5, 2017 at 7:08 PM UTC
ADHD
For fuck's sake. How did we end up here again? The soothing, annoying word flickers on my blue-back lit screen and I am ****** back to the tumultuous moment when once upon a time it yelled bipolar. And here we go again. My thoughts flick, flit, floss between teeth made for biting and real meat. They need plaque, collection, to grow and accumulate mass to progress. But there my flicking thoughts go, flossing. I've always struggled focusing, but I just got excitable, got manic, and it would solve everything. Mania was my monster, my red bull, and now that its sated and off to Wonderland... I'm left here, face to face, with a twitchy white rabbit wondering why I would ever think to use my pretty little head when its such a good projectile into the sky. I had always wondered, in those whispering nights, when my hands couldn't stop moving and my head wouldn't shut up, if something was wrong. But it was silly, I had two already, full of worry then full of poles. Couldn't be another, could it? Of course, a Grace of Wonderland always knows best, and here we are. Another bottle to drink to keep me sane. I wonder if my fingers will thank the capsules when I might stop biting them? Or my toes? Is this why my toes always twitch and dance, why they stand center-stage in so many of my mild fantasies? After all these years, the divas that my lower digits have become may not appreciate losing their star titles. I just want to be fine. I want to figure out how to move beyond all the strange misfires in my head. How did I survive so long without a notice? Inflates my ego to know I should have been caught by now. Guess just like the White Rabbit, despite my widgets and worries, no one can stop me from running when I'm madly, absolutely, refusing to be late. Graces only knows to fight with fire and fists. Tis the state of my Wonderland, and perhaps now things will only get better.
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13
Almost every time I ***** I cry. It’s like a habit, a song. Puke, tears. The first time I remember it happening -when I was 9- I sat up straight in bed and vomited all over myself. It stained the mattress and got all over the wall and my bedsheets- projectile stuff. Real nasty. I got out of bed, took off my clothes, went to my mom’s room, and started sobbing. Even at seventeen, I still almost always cry when my stomach betrays me, when the bile mixes with spit and I’m running to the bathroom and seeing stars as I feel pain erupt through my body and out of my mouth and nasal cavity. There’s nothing I can ever do to stop it. And afterwards, I always cry. Maybe that’s why, when I could tell the friendship was ending, I cried so much that first time. When I could tell we were growing apart and my soul was rejecting you. You were rotten steak and I hadn’t eaten meat in five years. I couldn’t handle you anymore. Do you ***** when you panic? Is that why there was such an explosion in the middle, bile mixing with bile? You didn’t want me to be mad at you, so you puked on me and gave me a reason to be angry. Yours wasn’t so rotten though, nothing your body couldn’t keep down. Are you bulimic or an emetophobiac? Did it scare you when you couldn’t breathe and you rejected me from your body? Or did you do it on purpose? Afterward, did you cry?
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Jul 16, 2015
Jul 16, 2015 at 12:49 AM UTC
It’s like projectile ***** Real nasty stuff. You’re on everything I own.
Kinesiology is the new brain surgery Preferential treatment A Martyr for your sugar gene Cat fights Bud lights Hookups and straightened hair This is the new Jesus Wouldn't you know It's the jocks and the nerds again Over and over until you've lost all your friends To a horrible incident where you decided to be free This is why you will always Be better than me Projectile ***** Thesis on emesis I am so green I am peridot and coriander Caring about what they think Watching all the popular shows Does and stags Waving flags Pre-packaged beliefs Artificial older sister Looking down your nose You are so humble You are so polite It's the other person's fault When you get in a fight But most of all You aren't racist You aren't racist There's no way you're a racist
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Mar 29, 2012
Mar 29, 2012 at 4:34 PM UTC
Eye Haight
Measure horizon interjecting South Asia Hammurabi formed Akkadian Nation Babylonian beast winged lion upon your cajoled eyes Mesopotamian feast a civilization dreaming under oil fields now known as Iraq petroleum empowered How history repeats in crude circumstances Assyrian War rages on Have all temples been replaced by mosques or filling stations for Halliburton to gas up? tanks, projectile convoys not a winged god amongst them unless you count Mobil Babylonia azimuth combustible tankers horizon sunrise or sunset both burn black
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Mar 22, 2016
Mar 22, 2016 at 5:48 PM UTC
Babylonia Azimuth