“The Silicon Tower of Babel”
The over utilization of technology, its abuse, is unweaving humanity at the seams. Human health, sanity, and spirituality are under attack. The boom of accessibility over technology has increasingly subtracted from the frequency of face to face human interaction as well as human interaction with nature. The result is a declining emotional and psychological health and a ******* of spiritual values. Each individual who values holistic health should limit the time he or she spends using technology that isolates them to less than twenty-four hours in a week. They should make more purposeful efforts toward interacting with nature daily and for periods of at least an hour at a time. Lastly, these individuals should labor to replace reclusive technologies with modes of technology that encourage face to face and group social interaction such as movies, Skype, etc.
Self-limitation of the use of isolating technology will begin to correct the twisting of our spiritual values and the social and physiological damage that has been caused by the overuse and abuse of technology. In James T. Bradley’s review of Joel Garreau’s book discussion of radical evolution, called “Odysseans of the twenty first century”, Bradley quotes Garreau when he says that technology will result in human transcendence. In “Odysseans” it is said that “The nature of transcendence will depend upon the character of that which is being transcended—that is, human nature.”  James. T Bradley, scholar and author of this peer reviewed journal says that “When we’re talking about transhumanism, we’re talking about transcending human nature. . .  One notion of transcendence is that you touch the face of God. Another version of transcendence is that you become God.”  This is a very blatant ******* of the roles of God and man. When the created believes it can attain the greatness of its creator, and reach excellence and greatness on par with its God, it has completely reversed the essence of spirituality. This results in the ability to justify the “moral evolution of humankind” according to Odysseans. And this “moral evolution” often results in “holy wars”. In “Man in the age of technology” by Umberto Galimberti of Milan, Italy, written for the Journal of Analytical Psychology in 2009, technology is revealed to be “no longer merely a tool for man’s use but the environment in which man undergoes modifications.” Man is no longer using technology. Man is no longer affecting and manipulating technology to subdue our environments. Technology is using, affecting, and manipulating the populace; it is subduing humankind into an altered psychological and spiritual state.
Technology, in a sense, becomes the spirituality or the populace. It replaces nature and the pure, technologically undefiled creation as the medium by which the common man attempts to reach the creator. The common man begins to believe in himself as the effector of his Godliness. Here there is logical disconnect. People come to believe that what they create can connect them to the being that created nature. They put aside nature and forget that it is an extension of the artist that created it. Technology removes man from nature (which would otherwise force an undeniable belief in a creator) and becomes a spiritual bypass. “According to “The Only Way Out Is Through: The Peril of Spiritual Bypass” by Cashwell, Bentley, and Yarborough, in a January 2007 issue of Counseling and Values, a scholarly and peer reviewed psychology journal, “Spiritual bypass occurs when a person attempts to heal psychological wounds at the spiritual level only and avoids the important (albeit often difficult and painful) work at the other levels, including the cognitive, physical, emotional, and interpersonal. When this occurs, spiritual practice is not integrated into the practical realm of the psyche and, as a result, personal development is less sophisticated than the spiritual practice (Welwood, 2000). Although researchers have not yet determined the prevalence of spiritual bypass, it is considered to be a common problem among those pursuing a spiritual path (Cashwell, Myers, & Shurts, 2004; Welwood, 1983). Common problems emerging from spiritual bypass include compulsive goodness, repression of undesirable or painful emotions, spiritual narcissism, extreme external locus of control, spiritual obsession or addiction, blind faith in charismatic leaders, abdication of personal responsibility, and social isolation.”  Reverting back to frequent indulgence in nature can begin to remedy these detrimental spiritual, social, and physiological effects.  If people as individuals would choose to daily spend at least an hour alone in nature, they would be healthier individuals overall.
  Technology is often viewed as social because of its informative qualities, but this is not the case when technologies make the message itself, and not the person behind the message, the focus.  To be information oriented is to forsake or inhibit social interaction.  Overuse of technology is less of an issue to human health if it is being overused in its truly social forms. Truly social forms of technology such as Skype and movies viewed in public and group settings are beneficial to societal and personal health. According to a peer-reviewed study conducted by John B. Nezlek, the amount and quality of one’s social interactions has a direct relationship to how positively one feels about one’s self. Individual happiness is supported by social activity.
Abuse of technology is a problem because it results in spiritual *******.  It points humanity toward believing that it can, by its own power, become like God.  Abuse of technology inclines humanity to believe that human thoughts are just as high as the thoughts of God. It is the silicon equivalent of the Tower of Babel.  It builds humanity up unto itself to become idols. In extreme cases overuse of technology may lead to such megalomania that some of humanity may come to believe that humanity is God.  Technology is a spiritual bypass, a cop-out to dealing with human inability and depravity. The misuse of technology results in emotional and psychological damage. It desensitizes and untethers the mind from the self. It causes identity crises. Corruption of technology from its innately neutral state into something that negatively affects the human race results in hollow social interactions, reclusion, inappropriate social responses, and inability to understand social dynamics efficiently.
It may appear to some that technology cannot be the cause of a large-scale social interrupt because technology is largely social. However, the nature of technology as a whole is primarily two things: It is informational; it is for use of entertainment. Informational technology changes the focus of interaction from the messenger to the message. Entertainment technology is, as a majority, of a reclusive nature.
Readers may be inclined to believe that nature is not foundational to spirituality and has little effect on one’s spiritual journey, it is best to look through history. Religions since the beginning of time have either focused on nature or incorporated nature into their beliefs. Animists believe that everything in nature has a spirit. Native American Indians like the Cherokee believe that nature is to be used but respected. They believe that nature is a gift from the Great Spirit; that earth is the source of life and all life owes respect to the earth. Christians believe that it is the handiwork of God, and a gift, to be subdued and used to support the growth and multiplication, the prosperity and abundance of the human race.
In a society that has lost touch with its natural surroundings it is sure that some believe that nature has little effect on health, as plenty of people live lives surrounded by cities and skyscrapers, never to set foot in a forest or on red clay and claim perfect health. However, even in the states of the least contact possible with nature, nature has an effect on human health. The amount of sunlight one is exposed to is a direct factor in the production of vitamin D. Vitamin D deficiency has been determined to be linked to an increased likelihood of contracting heart disease, and is a dominant factor in the onset of clinical depression. Nature has such a drastic effect on human health that the lack of changing season and sunlight can drive individuals to not only depression, but also suicide. This is demonstrated clearly when Alaska residents, who spend half a year at a time with little to no sunlight demonstrate a rate of suicide and clinical depression diagnoses remarkably higher than the national average.
Dependence on technology is engrained in our society, and to some the proposed solution may not seem feasible. They find the idea of so drastically limiting technology use imposing. They do not feel that they can occupy their time instead with a daily hour of indulgence in nature. For these individuals, try limiting isolating technology use to 72 hours a week, and indulging in nature only three times a week for thirty minutes. Feel free to choose reclusive technology over social technologies sometimes, but do not let technology dominate your life. Make conscious efforts to engage in regular social interactions for extended periods of time instead of playing Skyrim or Minecraft. Watch a movie with your family or Skype your friends. Use technology responsibly.
To remedy the effects of the abuse of technology and the isolations of humanity from nature, individuals should limit their reclusive technology use to 24 hours in a week’s time, indulge in nature for an hour daily, and choose to prefer truly social technologies over reclusive technologies as often as possible. In doing so, individuals will foster their own holistic health. They will build and strengthen face-to-face relationships. They will, untwist, reconstruct and rejuvenate their spirituality. They will be less likely to contract emotional or social disorders and will treat those they may already struggle with.  So seek your own health and wellbeing. Live long and prosper.

disclaimer: unedited rambling and overly long and frankly, Scarlet, don't give a **** anymore...

Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage

Dear Readers, President Theodore Roosevelt wanted
to save this marvelous Natural Wonder for posterity! So
the Grand Canyon National Park was set up in 1919. In
1979 it was declared as World Heritage Site! With the
portion “Sun rises and sets over the Grand Canyon”, -
I have concluded this poem. Kindly take your time to read,
no need to comment in a hurry please ! Thanks, -Raj

CONCLUDING THE GRAND CANYON
STORY IN VERSE – RAJ NANDY

INTRODUCTION
Literature about great natural features include
two personal types of writing;
Description of things observed, and impressions
of what is known and seen!
The story of the Grand Canyon takes us back
to the Pre-Cambrian Age,
When violent forces were unleashed from within
the Earth, during its formative stage;
When mighty forces of erosion began to sculpture
her undulating landscapes!
Therefore, I begin with a quote about Erosion,
From the great poet Alfred Lord Tennyson; -
“The hills are shadows and they flow,
From form to form, and nothing stands.
They pass like clouds, the solid lands.
Like clouds they shape themselves and go!”

TO RECAPITULATE PART ONE:
In Part One we have seen, how movement of
earth’s tectonic plates unleashed violent forces
from within!
It formed mountains and lakes, shaping our
landscapes, which now appear so peaceful,
grand, and serene!
Over millions of years the forces of erosion in
the form of wind, rain, sun and snow,
Sculptured earth’s evolving features creating
majestic, panoramic vistas as we know!
Geologists now opine, that the Grand Canyon
was carved out by the Colorado River, -
cutting through ‘layers of Geological time’!

THE COLORADO RIVER CARVED THE CANYON:
In the state of Colorado, from the high country,
Where snow and ice lasts well beyond the dawning
days of Spring;
There the majestic peaks of the Rockies form the
perennial fountain head from which springs, -
One of the great rivers of the world the Colorado;
Which travels 1400 miles through seven States
reaching the Californian Gulf west of Mexico!
Now during prehistoric days, the pristine Colorado
had flowed almost along the same path as today!
But after the magical rise of the Colorado Plateau
some five million years ago, (Refer Part One)
It had blocked the river’s path making it flow
south-east into the Gulf of Mexico!
Few Geologists now opine, that this diverted river
had formed the pre-historic Lake Bidahochi,
Which later drained out to form the Little Colorado
River, which today we get see!
But the cut-off western portion of the river (named
Hualapai Drainage) continued to eat away through
the Plateau’s southern portion,
Through a gradual process known as ’Headwater
Erosion’!
For the river flowing at a steeper gradient along
the ‘Grand Staircase’ of the Plateau, carried
stones, rocks and debris,
Which formed the cutting tools, deepening the
Canyon over countless centuries!
When the softer sedimentary layers of the Plateau
below the top rocky layers gave away, - it resulted
in several rock falls!
While flash floods and erosion continued to breach
the sides of the canyon walls!
Thus over millions of years the width of the Canyon
gradually increased;
While the gushing and untamed Colorado River
chiseled through the depths of those Cyclopean walls, -
running deep!
Now the ancient Lake Bidahochi which had breached its
banks, had captured our pristine Colorado;
And their combined power increased the volume of
water and river’s chiseling power, with its rapid flow!

ENDANGERED COLORADO RIVER :
It is unfortunate that today, the Colorado no longer
reach the mighty Pacific as in the olden days!
With the progress of civilization and the spawning
of big cities,
Like Denver, Las Vegas, Phoenix and Los Angeles;
And to cater for the agricultural farmlands and the
Industries,
Many dams got built to divert its water and to
generate electricity!
Thus over a century of overuse and abuse of this
precious natural resource,
Gradually choked up the great Colorado, as it
became a mere trickle at the end of its course!
Ecologists now debate, while USA has launched
‘Save the Colorado River Project’!
Let us now cheer up by getting back to our
Grand Canyon’s scenic beauty,
Before concluding this wondrous Canyon Story!

SUN RISES AND SETS OVER GRAND CANYON!
To see the sunrise from Mather, Yaki, or the
Hopi Point, - located on the Southern Rim,
Becomes a life time experience, better than any
surreal dream!
First a glimmer then a glow, when a faint blue-white
sheen begins to show!
As the sun gradually sprinkles its light, streaks of
crimson red spreads across the eastern sky!
Soon orange and yellow shafts of light, light up the
Canyon walls up high!
Squirrels scurry out of sight, and birds twitter in
the sky!
The Hummingbird hovers like a helicopter, and
Big Horn sheep are also seen;
The Hummingbird which can even fly backwards,
enlivens this early morning scene!
The sun now rising in its resplendent glory,
showers the canyon with its kaleidoscopic beams;
With streaks of yellow, gold and red, it chases out
lurking shadows from within!
Like a curtain lifting before their eyes, the tourists
view this panoramic sight!
As the Grand Canyon awakens to greet the day,
With cameras madly clicking away!
The great ancestors of the Hopi tribe, Hopi
meaning both peaceful and wise;
Had inhabited these areas some eight thousand
years hence!
Their scooped out granaries and tools found inside
Canyon walls, - have an ancient story to tell !
The Spaniards were the first Europeans to reach,
in search for gold which they never found!
But for the Hopis the Canyon remains, as their
sacred Holy ground!
When those Spaniards saw the Colorado way
down below, from the Canyon’s upper rim’s side;
They said that this thin blue streaked River, was
barely five feet wide! (In mid-16th century)
The average width of the Canyon is around 10 miles;
While the River at its narrowest point is 600 yards
wide!
The Condor the largest American bird, catching an
upward draft circles up high;
Like an uncrowned monarch he surveys his kingdom
below, nothing escapes his watchful eyes!
Temperature at the Canyon’s floor is 20 degrees
higher, when compared to its outer rim;
Supports an ecosystem of plants and animals,
With the river as chief nourisher of all things!
Evergreen pines and furs grow along the cooler
areas of the Canyon’s outer rim;
While cactus species are found on its arid floor,
Their exotic flowers bloom during Summer and Spring!
The Northern Rim a thousand feet higher, offers many
spectacular sites!
But the Southern Rim remains open throughout the
year, while the Northern closes during Winter time.
From the Hopi Point west of the Canyon, the visitors
enjoy the beauty of the silent, sinking sun;
When the sky gets diffused with vermillion red, as
darkening shadows engulf those Canyon walls!
The mighty Canyon with its Cyclopean walls,
perhaps the playground of the Titans from eons past;
Shaped by some mythical Vulcan, shall remain till
this World continues to last!

CONCLUDING THE GRAND CANYON STORY:
I conclude my Grand Canyon Story by quoting a
poem I had once read;
Written by an Anonymous author, whose name
I had failed to get!
“BUILT WITH PATIENCE OF ENDLESS TIME,
YEARS ERODE AND SHAPES DEFINE.
LAYERS YIELD THEIR COUNTLESS AGE,
EYES CAN SEE BUT CANNOT GAUGE!
STAND AGAPE WITH AWE INSPIRED,
IMAGE READS OF LIFE TRANSPIRED.
CLIFFS REACH OUT TO TOUCH THE SKY,
PATHS LEAD DOWN WHERE RIVER LYE.
COLORS, SHAPES AND SHADOWS MELD,
HERE, A PLACE FOREVER HELD.
WALK AWAY YET NEVER PART,
BODY LEAVES BUT NOT THE HEART!”
- Anonymous
……………………………………………………………
ALL COPYRIGHTS WITH THE AUTHOR RAJ NANDY
OF NEW DELHI, E-MAIL: rajnandy21@yahoo.in

I was born on November 30th , I hear that makes me a Saggitarius.
I dunno what that means.
I  know how to swim, and I'm a sucker for a guy with a nice smile
And nice words.

I'm still learning how to whisper sweet nothings
I'm often loud at times when I should be quiet
I'm often quiet at times when I should be loud
I keep holding back or letting it all out at the wrong time.

I like sweet drinks... a lot.
I've been told that I give pretty bad hugs
People say that it feels like I'm trying to escape
Well I don't like letting people close.
Especially close enough to hear me breathe.

I have this odd fascination with things like time machines and technology,
I assume it's because I like to figure out how things work and fix them.
Am the same way with people, like to know what's coming before it does.
Love usually lasts a few moments,
That's also why I tend to fall in love with men
Who would never love me back
I know it sounds crazy, but it's actually much saner than it seems
And to be honest, I think it's safer that way
See relationships, they often remind me that I'm not afraid of letting go.
But I'm scared of what's gonna happen
The moment that my body hits the ground
I'm clumsy. I usually trip when am following my feelings.
I landed on my pride and it shattered like a mirror i check daily.
Now I can't even tell who's trying to give me a compliment
or just trying to get into my pants.

I've never been into martial arts but I have all these bruises,
I got from beating myself up over things I can't fix
I know it sounds weird but sometimes,
I wonder what the voices in my head say when am asleep.
I wonder what the doors would do if they found out
About all the things that I've done when they are closed.
I've got a trash can that's overflowing with really, really obnoxious mistakes
And a dump site in my closet with all the skeletons.
You'll trap me in a corner and insist I get help.

Hi, my name is Em,
I enjoy ice cream and yoghurt, people watching
And figuring out how to make them work.
I allow myself to cry more than I need to,
from letting all the wrong people in.
I have solar-powered energy, I have a battery-operated heart,
It flickers and dies from overuse.
My hobbies include rewriting my life story, hiding behind poems,
And trying to convince myself that I do matter to someone.
I don't know much, but I do know this
I know that if you don't have standards,
you won't be treated right and be happy.
I know God is still reworking my faults and flaws,
I'm a unique work in progress.

For our Echoing Little Red Riding Hoods
Lagging behind in the Opposition Departments
Lets help you out by  offering some buzzwords
For your important assignments even though they've
been floated around forever,

But we understand you need some help catching up
So memorize these basic premises
And please enrich your lives and utilise your valuable time
by raking your little brains to create  poems with them

Lets begin with ITALIAN , don't forget RAINBOW, LIES
is also in, add RESPECT, throw in RUDENESS, factor in
LITTLE GIRL, remember ANGEL, write about TRUST, that
much overuse term, throw in BLACK - that's quite a
popular one. Also PINK is quite up the scale, as well as HEART-
Broken ( as if ) and pleeeezee make a big fuss on LONELINESS
That's a big seller. APPLE and SERPENT did appear now and
again so trigger them as you like.

How about BETRAYAL, LOYALTY, FAKE FRIENDS and that
famous one, FOUR or is it THREE, what about BONES,
Lets not forget SKELETON or even ANOREXIC, let also
remember SCREAM, that was a scream..hahah see what
I did there! Remember GREY that has a bit of colour and
what about BUCK or even DOOR-MAT that was a wipe-off
or SUBMISSIVE another popular one.

Hmmm...what about HAIR CUT or TOMBOY or DIGITAL
those are quite good or WOODGREEN or HULL or DOG
that reared its head...woof....woof...hahahah or CEREAL,
beats me what that's about or even MONEY..though that
never was an issue, how about GOLD-DIGGER just for
drama or 50/50 which has been mentioned. Hey! don't forget
RED, what to do without that pinking away.

So please  Little Hoods, students of the Opposition Department
keep with the programme and work on these pointers
crack your little brains and write poems like crazy little ants
Your contribution is valuable cause persistent is the Key.
Keep up with your assignment and forget all other things
Oppose, oppose, oppose, work those little brains!

.and there are plenty of reasons why western Europe commemorates the end of the first world war, and while eastern Europe commemorates the end of the second world war... sure, they were Jews, but they were ****** citizens... and whatever ****-show the first world war was... it was a war within a family... wasn't Wilhelm II the grandchild of Queen Victoria? so... George V and Nicholas II... so basically a ****** fest manifest of inter-familial ties... the second world war i can understand, given the catalysts, like the treat of Versailles... Weimar Republicanism... whatever... but the first world war? no wonder Western Europe commemorates the first world war more, than than the second world war... the first world war was.... not the war to ends all wars... it was just the most pointless, ******-infested war of our time... oh... look... no Helen on the horizon! now let's shoot up some ground down poppy seeds... or bake us a poppy-seed cake... because this... i'm not into tattoos... my psyche is already tattooed with vague dates... 1914 or 1918 11:11:11 isn't one of them.

it always feels like a guilty pleasure,
being raised in England...
how the **** i learned the language
i will never know...
  thrown into the deep end of the pool...
i remember Ms. Jarvis
at St. Augustine's primary school
(halfway between Gants Hill
and Barkingside)
   giving me a folder with pictures
of objects and their names...
PAJAMAS...
      i remember that distinctly...
learned the language by myself,
learned to swim by myself...
being mute for most of the time
at the primary,
i used to spend lunch hours in toilet
cubicles, ashamed at being unable
to speak, or in the classroom book
section reading...
then one day: and there was light...
bilingualism is not much,
i'm not a polyglot...
but i know more than merely speaking
several languages...
i know how to think about them...
for example:
why does English, not apply diacritical
markers...
thinking it's the descendent
of Troy, and subsequently Rome?
- and why do the modern Greeks
overuse diacritical indicators?
the first English word i properly learned
was back in Poland...
i was told to write C L O W N
and then draw a picture of a clown...
then came the ambition...
to speak the native tongue than
the natives...
                          to become covert...
chameleon...
                    so... why cat?!
   and not... chatterer? or, rather:
care-taker?
       the linguistic diversity of
this tongue is unbecoming,
  it's exhausting,
paradoxically a universal language
in the form of the lingua franca...
but then the ******* Amazon of
biodiversity of unchallenged particulars...
and English is littered with
its set of particular...
                  how the English think
that English is a difficult language
is beyond me...
   the fact that it is a lawless language,
without any diacritical markers
indicating a clarity of syllable cuts
intra-verbum is one thing...
   and then... people just run along
with whatever is the new vogue...
                                                 CUL8ER...
a moral disintegration i can handle...
all the hedonism, i can handle that...
but when it comes to the orthodoxy
of language?
                        this, "neo cyber punk"
*******?
                            i don't want to get it...
it's the same ******* crap of
slang being the language of exclusivity...
sure... when you're trying to guard
yourself against rogue actors...
like pedophiles online...
             but i didn't learn this *******
language to respect its degeneracy into...
quasi-hieroglyphics...
     oh right, the original point...
it's so ******* weird writing about my
history, having been subjected
to the English historical perspective...
like...
            Rome never made it...
the northern crusades...
                      Mongols...
        weeee'ird;
 ­         like... should this be even mentioned
using this tongue?
or should it be spoken in
the native?
                       and like the new
continent of H'america...
back in Europe... there's no concept
of Hispanic...
                   there is just the: Spaniards,
and their Barcelona,
  and their Madrid...
and their Lisbon...
and their own unique pride,
Hispanic sounds like...
what, a bunch of mongrels?
i'm a psyche mongrel...
                    basically **** up when
listening to the H'americans.

She has dressed Oscar-winning actress Lupita Nyong'o and Uganda's chess Woman Candidate Master Phiona Mutesi for the premiere of 'Queen of Katwe'. She has also designed several Miss Uganda and Miss Tourism contestants among others.

Yet Brenda Niwagaba Maraka, who is undoubtedly among Uganda's top fashion designers, describes herself as "just a simple person who loves work and fashion". She is also quick to recognise people who have inspired her, including renowned fashion designer and artist Stella Atal and Xenson Samson Ssenkaaba

In January 2007, Maraka officially launched 'Brendamaraka' as a fashion label.

"I work to represent Uganda as a tropical country through fashion and also extend Kampala's position as a fashion hub," said Maraka.

For the love of developing and inspiring others through her fashion skills, Maraka grooms two talented and interested students in fashion and design every year.

Come next year January, Maraka is set to showcase at her own fashion show marking ten years in the industry.

It will be the highest point for a woman who from way back, as a young girl, has loved being artistic. It was no surprise that she concentrated on art in school and one of her fondest memories as a student is designing costumes for school plays and beauty pageants.

"That confirmed my goal in life of creating designs through my own fashion label," she says, "I love to create new things."

At 13 years old, after completing primary education, Maraka proceeded to Namasagali College in Kamuli for O-level and these to her were years of fun and building character. She then left to a new environment of only girls at Trinity College Nabbingo for A-level and by the time she left she had forged a career path.

"It was a totally different and harder experience. However, by the time I completed Form six, I knew what I was meant to be a fashion designer courtesy of the school's arrangement on career guidance," says Maraka.

She was offered several opportunities including one on government sponsorship at Makerere University all of which were meant to grow her fashion career but Maraka settled for a fashion design program at the London Academy of Design and dress making where she completed in 2005.

Maraka chose exposure to international fashion trends at the London school at a cost rather than free education in Uganda. She rates it as a priceless decision that has paid off.

In 2014 as part of her internship program, Maraka made a maiden runaway showcase during the Uganda International Fashion Week and since then she has not looked back. She has participated in a number of fashion events both in Uganda and UK.

In comparing London's fashion industry to Uganda, Maraka says London has already established big brands and it is close to impossible for anyone starting out.

"The industry is faster, bigger and people produce too many new collections every year as the market demands," she says.

By contrast, she says, Uganda offers limitless opportunities are limitless or, in her words, "There is room to define who you are".

Maraka was born in Soroti-Teso, Eastern Uganda in 1981. She was raised by a single mother Elizabeth Maraka who worked long at the Soroti Flying School and she says is her great inspiration. She used to make dresses for her and remains her stylist to date. Maraka grew up as an only child because her twin siblings died. It is the reason she is also called Akello, meaning 'follower of twins'.

Liteside

Any three things we don't know about you?

I am an only child of my mother. I really love sports to the extent that I train for kickboxing. I had a dream of representing Uganda for RIO 2016 though it didn't come to pass. When I am confident enough to have my face punched, I will get to the ring.

I love to travel and for this year, I chose to visit every part of Uganda that I had never visited. One of them was Kidepo and it was a breathtaking experience where I realised I had made it. I also visited the pyramids in Cairo.

What is your idea of perfect happiness?

Doing what you love. If you think you can regret doing it, then it's not worth doing. Even when you fail to achieve at something you loved doing, you gain satisfaction.

What is your greatest fear?

I have a phobia for rodents. I can face anything in life but not them.

What is the trait you most deplore in yourself?

I am not a confrontational person yet sometimes I wish I could be one to give my all. It makes people walk all over me.

What is the trait you most deplore in others?

I just don't like dishonest people. I appreciate honesty.

Which living person do you most admire?

My Mother, Elizabeth Maraka; she taught me to be a strong person, believe in myself and to see good in people. I am privileged to live with her even as an adult.

What is your greatest extravagance?

Everything about improving my fashion and design career.

What is the greatest thing you have ever done?

I still have to do it and I am planning on how to achieve it.

What is your current state of mind?

I am at peace and love my life.

What do you consider the most overrated virtue?

That whole saying of 'Government should help us' or 'government has not done much' just breaks my heart. How I wish the same people would ask themselves what they have done for government as well. Anyone can start small and grow big.

What does being powerful mean to you?

Being able to make a difference in someone's life or inspire someone. It can also mean being well connected in society.

On what occasion do you lie?

I like to be real.

What do you most dislike about your appearance?

When I was young I was chubby and I didn't like it but I have since found peace in myself.

Which living person do you most despise?

Even when I see the worst in a person, I don't destroy bridges because I might need them tomorrow.

What is the quality you most like in a man?

Having a plan or purpose in life.

What is the quality you most like in a woman?

Having a purpose in life.

Which words or phrases do you most overuse?

I like saying 'you know' and 'yeah'.

What or who is the greatest love of your life?

I guess it is my Mum but there are so many other people I love.

When and where were you happiest?

There is no one single moment because there are so many things I do that bring happiness to me. Finishing School in 2006 was a happy moment but also each time I remember when I had my first fashion show during my internship in 2004, I am fulfilled.

Which talent would you most like to have?

I love music and may be one day I hope I will drop an album. I used to play a violin and hope that one day I will do it once more.

If you could change one thing about yourself, what would it be?

I am just in love with myself.

What do you consider your greatest achievement?

I am still a work in progress; I haven't yet reached there.

If you were to die and come back as a person or a thing, what would it be?

As me and fix everything I didn't do from as far as a child.

Where would you most like to live?

Uganda but particularly in Karamoja and Kidepo; the landscape and weather are amazing. It can rain so heavily and dry up so fast.

What is your most treasured possession?

I never got to see my grandfather but I was given a crucifix from his things. It has that sentimental value and makes me relate with him. But even when everything is taken away from me, I can start afresh and build-up.

What do you regard as the lowest depth of misery?

Suffering from cancer; I visited Mulago Cancer ward and witnessed people suffer in too much pain. Things like broken heart can be amended but not cancer.

What is your favorite occupation?

I always wanted to be a fashion designer.

What do you most value in your friends?

Honesty

Who are your favorite writers?

I am not a fan of any particular person but I love to read inspirational pieces.

Who is your hero of fiction?

I like Superman and how he comes in to rescue at the right time. I wish there were true supermen.

Which historical figure do you most identify with?

I may model myself to Mother Theresa but I can't come even an inch to who she was and what she did.

What is your greatest regret?

I don't regret anything.

How would you like to die?

I want to die of old age on my bed with my grand children all looking and smiling at me.

What is your motto?

Always make sure you are climbing the right hill.Read more at:www.marieaustralia.com/backless-formal-dresses | http://www.marieaustralia.com/long-formal-dresses

Thus spake and quested
another, younger poet to me,
a far better one than I,
but obligations thus provided,
are serious business,
to those who understand
poetic responsibilities, and
under his own Rules of Order,
an answer,
though long in coming, AR,
must be provided.*

Well well well
all is not well,
the faucets offers choices....
chrome hot
chrome cold

there is no such thing as
lukewarm truth in
clear waters that
run run,
yet never
run stilled,
birthed at turned-on conception,
to drain death removal,
another daily poetic miracle,
unappreciated by most,
overly consumed by their
own passage on this Earth

peddler wayfarer,
passing through with truth
poem pots and rattling pans
(nowadays, mostly panned),
a historic factoid,
and not what Amazon delivers...
truth is a genetically modified
bitcoin currency, misunderstood,
prone to sometimes useful,
but never ever, to stick or stain,
for I got excuses and who gives a ****,
yesterday is forgotten instantly

The coldest truths,
the confirmation of same
by mirrored image text sent,
(immediacy a necessity,
for though poor, it is 'real')
the twitter that methodically
A-lists your major crimes
B-lists your petty,
hope-you-didn't miss my
exposé of latest misdemeanors

the hot truths,
only whispered,
merely mint hinted
in a hot cuppa,
the heat itself
a cover up,
for what you do not
wish me to plainly speak
or plainly sell,
is accursed truths,
won't sell, even if free

Can't write about moon and June,
alabaster is a fine word,
but white suits me fine,
don't know the diff
tween dragon flys and lullabies

The way I write is
just the way I think, believe,
from my eyes to paper
there is no misdirection,
just silent labor conception

Poor poor real truth
is out of favor these days,
because there is nothing
no one won't cease or hesitate
to expose himself,
flaunt the anguish,
copy other's jive,
but that is real,
but it is not truth

Had a bad day,
You need to know about it
Right away!

Though I meander and excuse,
there is one state of truth,
I need yet to annotate

Too oft when tapped turned on,
it is rusty water and rusted truths
expelled and this, my stuff, my days,
not in vogue, or a top seller

I love the color rust,
overused in my poems,
but compulsion is not a
conditional, but a must

This then is the form
they spill in these,
my final days here

You might think that rust implies
lack of use,
a non-caring
for his voice,
his well practiced instrument

Au contrarie, amigo!

My rust is from overuse,
my eyes don't see
what the popular want nor
could I provide it
even if
it was demanded,
which it is not....

Rusted but unvarnished,
undisguised by fancy words
or silent cries, what you read
is what you get
until I find
a more "authentic" voice,
one that satisfies the world
not just me...he sneers....

Feel for me in the summer breeze,
from whence my best stuff
has always been plucked
sent on its way, to you,
in self-same wind,
to kiss your cheeks,
slap you alert

I used to write
on both feet
upstanding,
then Hillel was asked for
the whole truth
while standing
on just one leg

His reply:
"Love they neighbor as you love thyself"*

So I switched
and now compose,
in quiet ignorance,
a wrong footed poet,
left only with his what's left,
and to put his left foot truths
first, forward and foremost,
is what he got, and
what I got, you'll get....

But a cautionary note,
drinking riposte rustys,
bad for the body,
but kindly
for your mental
wealth,
if your have the
only other element
most needed,
in your pocket posses,

courage

lessons in graffiti, or the Pinocchio giraffe;
and was the H absolutely necessary
when otherwise asking of a cappuccino
or at your local caf? evidently there was distinction
with the mocha too, but that won't matter,
otherwise the language isn't used... but abused.

lessons in graffiti, or other confectionary products,
while you ooze the shopping experience
on your daily commute,
       *skittels on brickwork with the origins
of the #, cut short by simply the graffiti tag,
      you wrote tag, without the collective hash,
  not so much noughts and crosses gaming,
or remembering your phone number,
                  here graffiti: or the rekindling of
trademarks in the urban scenic bypass,
or: truly under the bridge.
             writing on money does very little:
but writing on newspapers? that say a lot,
the odd day i write something on a newspaper
review section and feel almighty -
        which is much more than the rage against
the machine instructions are about:
   write a message on a penny, it's still a penny,
write a message on a dollar, it's still a dollar,
but write a message on a newspaper:
you's basically encapsulating shouting at a protest!
() hence the picture.
             r.s. (receptui scriptum):
         i never knew whether the dot belonged in
the ). or the .) part of encapsulation, if that's to be
worded or acutely pill-sized embryo,
that bypasses the oesophagus workout before
the hydrochloric gym acidity.
   how is one to make science human again?
how is one to make science lessened in the Frankenstein
myth and the ostracized ostrich citizens
that scientists very much so, actually are?
       my notes on the matter?
non-existent: i see the feminist movement
i.e. there are more women than men as such
as not a case of **** culture, but as a case of "i'm not
getting any!" call in the Vikings,
mind you, even the supermarket cashier looked
astounded in between Friday and Saturday,
  on Friday a litre of whiskey
    on Saturday a litre of whiskey...
and some men climb the Everest or walk the moon...
while some envision their liver
as a Klitschko - the tetragrammaton exists only
because people made aesthetic suggestions / blunders,
it's a suggestion in the sur- or what's otherwise a surd /
a silent nonetheless inserted atom of sprechen:
like Nietzsche and Klitschko: you say less than you
write... out pops the tetragrammaton -
        if ever Caesar Octavian needed a teacher
my vanity suggests i'd done better teaching him
than Aristotle teaching Alexander, or Seneca teaching
Nero...
                  it's all down to excessive spelling, or
the keeping up of appearances, or simply looking
bizarre, and like in mathematics, there's a remainder,
what yhwh represents is in linguistic terms
as in mathematical terms: what's left over, scraps...
see it differently and it becomes gold:
five fish, two loaves of bread sort of scenario.
                           it's a remainder -
it cannot be eradicated, denied or be left into a limbo
of diminished responsibility
      it's man concern with how language should
look and how painting should feel:
               the fact that we created art from letters
and forgot our concern for art representing forms
is not postmodernism, it's post-Platonism; finally!
of course the s and the z are the crude and the refined
versions of each other via the transition of
being modulated by the chirality enzyme,
          but they're still called zigzag twins -
there's no delta involved akin to one face of a pyramid.
how grand then, to be living in a time
when a single phonetic encoding of sound
transcends into complex meaning:
akin to s and sigma and what's mathematically
the sum / total of constipated matter...
                    strange how the Cartesian model
falters thus,
           the fact that i think is never the ending
causality of my being's summation:
           it's but a summary, but never the summation /
sum - it's never the arithmetically sound answer:
hence the god-implant, or as i said:
the remainder, which i can't erase from the realm
of thought.
                 by the way? no Jew could have wrote as
much about their god as i have:
as said: the crucifixion was worthwhile,
      but there was no question that Latin had
to remain -
                     what was saved was the Latin encoding,
not some puny redemption from doing ****...
**** no! you couldn't create robotics or write
software without Latin: no other encoding has as
many "blank" hula hoops as already provided:
Q, R, o, P, p, A, a, D, d, g, b, B...
        26 x 2? 52 - and of those how many are spies
that we are descended from the gods and can
create our slowly-ascending replicas in robotics?
as the list suggests: 12.
     should i call up St. Peter and the rest to work
out the ******* numbers of correlation in
the framework of mirror / anti?
                      ah, the eagerly waiting public:
speak of the devil... and he shall appear.
      that ****'s been going on since the death of a man
in the year 1900...
           and oh my, the search has been gruelling,
you have Western Europe remembering the 1st
and Eastern Europe trying to not remember the 2nd...
   the name's Mars... while i say: try Moby **** first:
because god knows what's lurking in the depth.
or maybe i got my bearings wrong? maybe language
truly is a statement of Bermuda magnetics
that makes all compasses into twirling ballerinas?
to me? what comes with authenticity is a good joke,
nothing remotely suggesting a seriousness:
or as Wittgenstein said: have a joke, make a joke,
compose everything with a joke in mind -
        oh the fringe minority still have a bargain on
identity in this field, they're brewing their next cup
of tea brown-nosing and fidgeting over how to
answer... oh i'm mad enough to turn on the Mr. Bombastic
attitude, 1L of whiskey in a single night goes a long
way in terms of unwinding and making vocab verbiage,
or counter to that: something worthy of an antique status.
still, a reminder, the yhwh is the Jews' great
present, expressed dutifully in English as equivalent
of the mathematical remainder:
                      only because the diacritical bargain
wasn't met with much approval:
what with the elites wanting to push a global rather than
a solely Mediterranean twist on the plot of how:
a revival?          well... combing back to the ulterior
motive for graffiti, an elitist sport, your handwriting
over printed press rather than Coca Cola sorta similar
on a brick wall: i'm telling you, handwriting is
a bit like wanking these days...
         but isn't it true that when we write we are
sorta becoming radiologists? aren't poems essential
x-rays? am i not simply showing you my bones?
these isn't skeletal? you sure?
and there's me thinking that America is on
the threshold of romanticising the French Revolution,
with the former concern? to reinstate a Polish
state, i.e. the Duchy of Warsaw...
              but it's not really a first world war reparations
injustice while the Germans used money instead
of wood to warm themselves in winter...
no, nothing can be said that would ever appeal
to the fact that the Third ***** was milked:
not even Indiana Jones had a ******* of that horror;
me? i took the best of the ****** affair,
the fully bewildered insurance broker of the zeitgeist:
Heidegger, and yes, i made more apologetics with
him than philosophy: as with an fatal attraction:
be it the bazar flute charmer of the cobra -
this one is bound to sting in the ***.
then another thing hit me, usually an internet
variance off state media... you ever wonder why
very claustrophobic pronoun usage (frequent interchange)
is almost equivalent of brawling with someone?
dreams of Angelique:
                     imagine a scene at a protest (two people):
- i doesn't matter what you think! your opinions are not relevant!
- true, as is the case of: you don't matter with regards
                 to what i think.
anyone spot this concentrated pronoun use
for the purpose of aversed violence via a degradation
emphasis, concerned with defending sported violence
but not social injustice : turned into justified violence?
   (yes, colon as ratio, variant of fractions,
meaning? less comparative literature of the fraction,
   and more divergence of authority within the Libra
of what's necessarily unfair: the whole is no authority
to distribute fairness);
  it's just that i feel the relentless overuse of pronouns
in a confrontation symbolises a need to use the body
rather than the tongue -
when too many pronouns are interchanged
and the repugnant pronoun collectivisation begins
the paranoid "they" and the sane "we" -
            well... Rη-oh! Rη-oh! Rη-oh!     (sheen sheen Mecca
       ism)
                             well hardly ref. to Brazil: rhy ate!
rhy ate!
                see how that tetragrammaton remainder just,
like, plops up like a baby gazelle from the mama
gazelle's ******? plop! and no diapers either.
ah: the cruelty. or as someone said:
  few letters are given geometric status, or at least
something remotely symbolising twins,
but still there are a few:
   m - sine (trigonometry)
   w - cosine (     "              )
  Δ - Pythagoras for short
      LΓ - the right hand
                  and the left hand in the non-superimposable
          categorisation of things
   ψ - the devil's barrister / i.e. a fork
     also 8008135 upside-down on a calculator screen
(insert a weird face) -
   χ - compass convergence, i.e. the point b
        you need to get to from your starting point oh,
and i guess H       for a rugby goal...
             oh hell, only a few phonetic encodings make
it out of blah blah land -
                       and without really wanting
to orientate myself on the origins of things:
i'm getting a suntan basking in all of this
in the immediate sense: actually using it.
                             and to think: we actually think
about what we talk about using only 26 symbols?
that's ****** effective,
                             which is why we were so keen
to spread out encoding system to think / say things.
and why the Chinese felt the greatest pull of gravity
in all of mankind and due to their ideograms
got pulled way way down and just say there:
which enabled them to reproduce on a scale such as
is apparent to us exporting our manual labour to
them: who the hell would want to learn
unit wording when it can be wording units?
       they have words we treat as onomatopoeia
shrapnel -
                   which is why we have enshrined ourselves
to sit on laurel leaves with Mozart:
     if ever us, then never us: linguistic atomists
                                            who perversely dissect
words into, what i can only call: a Lingua Table of
the 26 elements. it's there, it's naked, compared
with the diacritical approach: English is all
and Adam & Eve ready for a voyeuristic spelling
out of realities - hence the plural:
    there was never one intentional crowd-surfer out
there to make people form cults, plagiarise
and sooner than later: get lost.

I'll make you look pretty
I will make beautiful
You just have to use me
Just by that, I'll make you full

I will hide your empty,
I'll put on an illusion
Overuse'll become healthy
Incomplete? Then I'll make you done

I'm the perfect finish
I'm the cherry on top
Start with me, I promise you,
You won't want to stop.
I'm the creme de la creme
I will make you ENOUGH.

Cover up
Apply emotional makeup.

Times New Roman reminds me of a time when I knew that romance was not dead because I got to hold it in my hand 
 
The curve of the characters reminds me of the uneven curve of your cupids bow

The claustrophobic clustering of vowels reminds me of the cringe worthy cling of your foggy glass  frames stuck to mine, failing sight feeding failed intimacy

The simplicity of each symbol reminds me of the systematic sufficiency with which you seduced me in so few words,
 the straightforward soliloquy with which you struck me and bereft me of my sanity.

The length of each letter reminds me of the longevity of our last embrace
Lanky limbs looped laterally to the length of my body for literal milliseconds

The overuse in overdue essays typed in early hours of the morning reminds me of the overuse of three words and the emptiness and lack of effort behind them, 

Submitting those three words for a good grade and a pat on the back, coming up short because professor and princess alike saw through the inability to do
With meaning,
That your words had no feeling.

The fact that though I've faced fancier fonts and fell for them fanatically, I always return to the first, reminds me that though a fair few have found more than friendship in my fragile forearms that the first is the forever 
and if at times the former 
then always the future

the finest font I've ever found is you

I sit here angry with the writer (myself)
for his overuse of cliches, for his underuse of relatable things
Scorning his very existence.
    "Why would you write, you fool?"
"Ah, It's an escape for you! Who gives you the right?"
No one does.
If you must, continue

I'd rather I heard 1,000 bad poems tonight
than let you sleep without writing a one.

Sometimes I wish I could leave.
Disappear from everything, and everyone.
Get away from the people who were once so close.
We're not even really family anymore.
Just individuals who live in the same house.
Not really sure the terms for that, but I've narrowed it down to:
Family now acquaintances.
We used to be so close, so we'll assembled.
Like a puzzle fit perfectly together.
Now all we do is fight.
Something broke our perfect creation.
We fight over the simple things, over sad things, over complicated things, & even over things that are supposed to make us happy.
We fight.

She yells, He yells, I yell.
She cries, He cries, I cry.
I'm sure my neighbors think we're crazy. Or maybe that everyone inside my house are violent abusive people. Though, they probably could care less. Which I'm okay with.
The fighting wouldn't be so bad if it didn't happen all the time.
Those are the moments disappearing becomes more of a reality than merely a dream.
I wish it was as easy as blinking.
Disappearing would be so natural, so calm & undisturbed. Like the way I find tranquility in sleeping.
It seems to be the only time I can get away from what is so bad in the world, in my house, in my mind.

Disappearing.
Otherwise known as the act of leaving without a single trace of evidence left behind.
No way to track a living soul.
All signs of existence washed away.
No one knows where you are, or what you're up too.
Maybe you'll finally cross through their minds, maybe you won't.
No more fighting. No more crying. No more pain. No more hurt.
Complete solitude.
Nothing can compare.
As She gazes into my eyes, Hers began to sob.
She says "I promise. This is the last time".
Her promises mean nothing more than the overuse of I love you.
She says it as if she's never spoken these seven words before.
Yet, she wonders why my mind cries out for help knowing no one can hear it's screams.
She wonders why I became so distant so quickly. As if, being three inches apart physically and mentally is too much space.
Her laughs depress me. My frown fears Her smile.
I can't help but know I'm being selfish. As if, I'm ruining everyone's happy ending.
Once Upon A Nightmare.
"Two months." She says. "Only two months". Another argument breaks out.
She can't wait to get out of this hell-hole.
As though, multiple three-headed canines guard the gates, which are meant to be forever shut.
Tearing people apart, and eating them inside out from the moment they step foot indoors.

Disappearing.
It would be easier than having to start all over, than having to sit through another argument. Knowing I'm only going to be found guilty.
It's easier than being here.
Enclosed in this world, inside my house, trapped in my mind.
If I could fade into the dimension between life and death, overriding all rules of time, and space.
It would be blissful. No more arguments. No more pain. No more tears.
My happiness, an eternal feeling I'd never shake.
"Two months is not long enough." I say.
There is is still much left to do, people to meet, and goals I have yet to accomplish.
Two months is not nearly enough time.
She says "Two months is all the time you have."
And with that, another argument breaks out.
Disappearing.
The act of leaving without a single trace of evidence left behind.

remember the last great
unpredictable summer
deluded by codeine and cigarettes
pulled by lunar cycles toward reproduction practice
interconnected over coral reefs
before real estate won the forest
we slept untouched on the beach
encouraged by chemical overuse
with our hair tied together in knots
and seagulls flocked on long leafy wings
their beaks pointed out passed the big rubber sun
and i struck your vein with a needle
and you struck my strange heart like a runaway slave
you danced naked in the florida sun
and i stood behind you on tall stalky legs
laughing, getting high like an osprey
sweating into a shrine, wringing out my heart
on the banks of that lazy river in my hometown
when the sun went down we chased each other
through the thready umbrella of vines and pine roots
under the old abandoned bridge
a mile long

Sometimes, I simply think of colours, you know.
The world is so complex, the human brain and the ocean unexplored, wars and marriages are battling with its side effects and a lot of good goes ignored, so sometimes, instead of Newton, I think of colours.
Like black. What if black is just the ink squeezed from a blind man's dreams?
And yellow, the Sun's abominable hot ****?
What if Snow White was just a Snow"man", a 5 year old created
but forgot to add the nose to?
Was it Olaf disguised as Charming who broke the sleeping curse with "true love's kiss"?
You can hit the bandwagon and say "Haha! Then, white is an angel's ****!"
And I could believe you!
I'm a believer!
I'm also a wild guesser! I'm the harlot of semantics, or whatever that is.
I have never met a naive gold digger, except of course, a gullible beggar.
I hate vulnerability, but then I hate strength too,
because I revel in crying and feeling my face wet and pretty
secretly waiting for a stranger's **** to give me sympathy.
Let me tell you something today.
You can give me food, clothing, warmth and a shelter to sleep under, but if you can't give me peace, comfort and acceptance, my world inside my mind and soul is a thunder waiting to erupt once I lose you and never bother to come back.
I would care less for love in fact.
I guess I'll go searching for a Kentucky's to ravish on a chicken leg with my legs up and heave a sigh of having found solace in no bra!
I see a rosary dangling down a fat woman's pious chest and I think of Jesus Christ.
70% of the world's population celebrate the man who died on the cross and topped it off with resurrection
And then again, I think of valiant soldiers who die on the borders trying to protect their nation
Who are grieved and honoured for a day, no, not celebrated no! They are forgotten.
This ******* contrived sense of sacrifice and nationalism is causing to humanity, its suffering and damnation.
Eve offered and Adam ate! Stupid snake! Because, when I didn't know any better I was too scared to *******!
All these esoteric questions and theories and debates and elocutions and apologetics and guesses, what's the ******* point?
The sanctimonious have the God of gaps, the Spaghetti monster for the iconoclastics and then we have the ******* with a  purpose to save the planet from overuse of plastics!
"There's a lot wrong with this world today and we MUST change IT!", asserts a 14 year old onstage in an air conditioned school,
where hundreds have gathered in an international thinktank for "imitating truce".
What is maturity? Tenacity? Or Acuity?
Do you understand subjectivity?
So, just because I'm 20 now, it's hilarious to still watch me drinking milk instead of "adult tea"?
I would rather listen to stories of people who've travelled the planet and lived to tell about it all, than load Stories on Instagram of people who barely make it across the hall.
And I wish I could say "Social media can **** my *****."
Because in this planet of intelligent creatures, one gender accuses, the other waits and muses, so the former forms a movement, hoping for some improvement, but really all this is a sham. All of this? It's just entertainment.
It's not about free will, it's about freedom.
It's not about fear and dogma, it's about reason.
It's about effortless loving with no condition. NO condition.
My mother says all the time "Live and let live", and I believe this is the only greatest gift we can give, to people around us and unto us, also to forget and forgive.
Why seek for mankind's origin and destiny? Why not find the  purpose we need to serve right now?
What can you do now?
And this will never have a proper ending, because I like it that way.
The world will never change, I snigger knowing because there was just one thing the Priest said right, "And we all like sheep have gone astray."

It was two lipsticks and a secret ago
That a text message from you lit up my screen
But my phone goes off and I read your name
The boy who uses pretty words that he doesn't really mean

And my name is not plan B
But you're a tough craving to ignore
Don't you tell me I'm beautiful
The way you never did before

'Cause I hate the way you overuse
The same phrase every time we talk
And I hate the way you think you're something new
When you're just another cliché in the flock
I hate the way you cling to my mind
With the letters of your name you can spell what I'm thinking
But between your indecision and the masks you wear
I hate how I'm only pretty when you've been drinking

I scribble on
With a half lobotomy;
A radar seeking Hell by looking up
And another dictionary
From another time and place;
An alternate timeline
Reaching right and left
As well as fore and aft;
The beard of a ******
And naïveté too;
Undiscovered depths of emotional manipulation
Unseeing, unthinking,
A new old structural familiarity
To abduct and probe
The time-honored, vacuum-sealed
Ineptitude of ideology
Whose meat is sweet
But suits the skeletons of standardized educational theories
Like a pair of jeans at age eleven that you expect to grow into;
In hope of justifying
Overuse of monetary resource
For the sake of bonus states of mind;
Scouring the depths of discarded everything
With hooks catching on to all the similarly forgotten names
Who live in fear of obscurity
Clinging, not unlike insects
To their sixteenth minute of fame;
Finding in myself no way but out
To understand that which lives inside;
With disregard for any thread which weaves past me and takes no hold,
And loathing for the ones that do but unravel before the eyes;
Lightheaded, ending any sense of continuity
When, prostrate in the comfort of another tapestry
I stand abruptly, let my dreams be drained from me through tendrils
Like the passing of a temporal existence;
Drinking in the dust and glue of crowded bookshops
In fear of losing inspiration
To the insatiable jaws of my consumerist natural state;
Rummaging in a bargain bin
In search of someone to tell me, “Stop!"
With heads in clouds and bodies in ice trays,
Stealing lines of logic and lyric,
Throwing down and hacking into
Elemental bits which fit into my own vernacular
Sacrificing beauty for originality and vice versa;
Choosing idols idly with the tides
Of knowledge and of art
Rising and falling without fail
Never apparent and never blurred by motion;
Searching for a style like an odd-numbered jean size;
Finding greater inspiration in waves of unopened mysteries;
Following examples laid by unsuccessful fictions;
Learning ethics only from the prologues of ****** novels,
Unsuspecting victims snuffed in interesting and lurid ways;
Letting technological distraction detract from the projections of psychological complexity
Which I, from atop the high horse of my own pretensions
Pretended to embrace;
Committing massive acts of thievery, fraud, and infinite lethargy
For the sake of juvenile, illegitimate art forms;
Seeking other seekers who exist autonomously
For the sake of personal independent credibility;
Leading unsuspecting, overreaching, overeating, understanding, undemanding,
Too forgiving, not forgetting,
Victims of domestic warfare
To a loveless watery grave
For the sake of my own loneliness;
Patronizing every segregated buffet
With courage enough only for a small taste of everything;
With the flavors of the day swirling around
For me to shoot them down
And pin their carcasses to elementary school walls
And Mormon tool sheds
And nature centers
And all the forgotten places of summers past
In the hope of rediscovering
Some old buried treasure
Be it wondrous or worthless;
With the uneasy insincerity of a rodent who pretends to understand a city;
With adopted methods
And repeated thoughts
And ideas which came to me in waking dreams of my own retirement;
Sharing, for a captive audience,
The formidable giants which
Inform our common denominator
Searching through myself for only the most indecipherable
With the fear of being understood
And the fear of being ridiculed
And pretensions of some preternatural predetermination for greatness;
With acceptance of predisposition for obscurity,
The cost of the inundation of the new airwaves.
The series of tubes that feed us intravenously
With information, information, information,
Having killed God and left material validation in His wake;
It could be that new gods are born in the minds of the innovators,
Those wonderfully wealthy
Whose social structuralism
Was a beacon to us all;
In the darkness of an architectural anomaly
Where lights extinguish as my body lies dormant
Alone and abandoned
Only by my own subversion;
Confined ever to a convolution of passages
While above me all my peers still carry on;
Overstaying welcomes
And letting emotionality
Color conversation
A sicklier green,
A green of a tree only just sprouted,
A green of a new recruit,
A green of an inexperienced schoolboy
Faced with the daunting and timeless act
Of copulation;
Somehow taking in the sights and sounds and smells
Of advanced mathematics
Even occupied, as I am,
With explaining my actions
Most eloquently;
Devoting myself to another cause,
Another, another, another
Always relaxing my grip by losing focus;
Desperately hoping not to let my fellow travelers
Lose their innocence
While I reluctantly, dogmatically
Keep mine on a leash;
Always keenly aware
Of the universe of worlds
Beyond my control,
And even my understanding;
On the increasingly frequent
Intrusions of risk
Into my significant reality
And the iota of explainable truth which guides the motion of my body but most frequently my mind;
Questioning the meaning of all words
Without thought or coordination;
Considering another restful journey
To clear my mind of human language
And in its place acquire thoughts and emotions from the street;
Without foreseeable direction,
Malice aforethought
Or noticeable signs of critical reaction
Giving birth to litter
Forgetting articles
And floating my sense of time up the Ganges;
Taking only seconds to counter the possibility of
Accepting more responsibility for myself;
Complicating matters with an interesting or bitter goodbye.

imagine a calloused doubt.
cracked, chipped, clicking
like warped wooden floorboards.
soft from overuse
but still overrides willpower
in one palpitating breath.
grimy yet illusive
like your teeth after a day’s work,
collecting gunk that sidles up
to calcium companions,
crunching down on things
that become
so bland in the end.
doubt is offbeat,
monstrous footsteps hidden deep
off beaten paths,
its thudding is clammy and hurried,
aligned to the discordant jazz of
your alarmed body.
it tastes like
coppery heartbeats,
rising bile,
salt and mucus in the back of your throat.
it is a truly uncomfortable thing.
it stacks sweetly like buttercream pancakes
but crumbles you
with such a sour taste on your tongue.
imagine an agony that loves you.

Transplanted to these '...fruited plains...', grandpa,
One of Gaia's fruits, what was his twinkle among
The countless stars? Here, millions have come
To stay, imbuing us with their place of origin,
Their souls dancing, flying, in a universal way.
For over 60 years Americans to be came through
Ellis Island, headed to who knows where West,
My grandfather, Uru, which means hero, a Fin,
One of three who left a concentration camp that
Fifteen thousand entered, did too, to NYC, NY.

Following freedom's beacon, its first light he saw,
The Statue of Liberties still unscorched torch, thanx
To Frederic Auguste Bartholdi, and the French. Of
Libertas, the Roman goddess of freedom and a
'...Tabula ansata, a tablet evoking the law, upon
Which is inscribed the date of the American
Declaration of Independence, July 4, 1776.'
The broken chain of tyranny lies at her feet,
Upon a pedestal, wherein etched words are,
From Emma Lazurus' sonnet, 'The New Colossus',

Which may rise again, only if we embrace them:
'...Her name Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
'Keep, ancient lands, your storied pomp!' cries she
With silent lips. 'Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!'

Only 151 feet tall, she will ever stand taller, or
Be turned to dust with us, all of humanity and
Large mammals, as well as the Earth, tragic
Members of extinctions annals, if we don't stop
The permanent altering of weather cycles through
Overuse of fossil fuels, the degradation of the
Earth's orbit around the Sun. We can walk in
Nature's abundant balance again, humane beings.
Still, she gives hues to the vast canvas of what
The Big Apple, and its beautiful mosaics' art, can be.
I shine only because he, a Merchant Marine, did.

Andy...

You are not alive anymore.

You will never read this as a living breathing human anymore, you will never click on this poem and read my name and be blinded by the brightness of the screen, but I wanted to post this anyway. I wonder if you are watching me type this in spirit form or if you are doing something else but, just know that I'm glad. I'm glad you are not suffering anymore from the dread. I'm glad you are not scared anymore, because waiting is the worst. I grieve for your family and I'm heartbroken for your friends, and all who loved you but you were truly the most inspiring person I have ever had the privilege to speak to. I hope from heaven you can see me, I really hope now you know my real name because it probably doesn't make a difference but it's something I wanted to tell you because, I mean, that's a part of my identity, that's me, and I loved your soul. I loved listening to you, I loved reading what you had to say I loved watching the people who's lives you touched be inspired by the amazing person you were and you know what, it felt wrong for you not to know my name but I am very wary on the internet, I don't give out personal information so I stuck to my screen name, symbolic for something deeper, a deeper part of me, so in a way it was a part of my identity like a name but it still wasn't my real name.

The cancer killed your body, but nothing could possibly **** your soul, and I hope to God you are happy now that you have passed on because if anyone deserves it, it is you Andy.

I think “Rest In Peace” has lost its meaning from overuse by now, so instead I will say

Rest happily, Andy.

“And” is a part of your name, Andy
And you were the “and” in everyone you met’s lives. Something additionalto people’s lives to remind them that there is an and not just the depression or sadness they feel in their lives there is an and to go along with their burdens and that and was HOPE. You were hope. I hope you are okay, I pray for you and like I said before, Andy, I don’t know where you are but if you read this where ever you are in whatever form somehow Andy as I said before I don’t know what you are facing, what is going on right now with you now that you have passed on but like I said before it’s okay to be afraid.

I don’t know what else to say.

There will never be another person like you ever for the rest of eternity, so thank you, for being you and wherever and whatever you are, I hope you Rest Happily Andy, and I thank God for the beautiful blessing I was given: Knowing you.

Ember Evanescent

It's soft white alabaster but
a little dingy from overuse
hinting it's age with a bit of staining
around its curved spout
condensation dribbles from the lid down its azure twisting floral patterns
hissing it's boil with a pitched
Screeeeeeeeeeeee

Yup, that's right.

Don't be offended or upset.
It's very environmental,
recycling words.

True, the quality of literacy,
(have mercy on it!)
is getting quite strained
(not-so-good poems
droppeth as the
gentle rain from heaven).

Certain words are grumbling,
talking, overworked and overuse,
in poems that say nothing new
(they got their pride too!).

Rumors of unionizing going around,
increasing the minimum wage
to a passing grade,
and something like
a penny a letter,
and double for words,
not of the English language...

The ringleader I'm told
is the word itself

Words

tired from being in
59,649 poems (plus 1 now)

Death, heartbreak and depression,
scars, cutting and sad,

the most overwrought ones,
the children's beloved,
their never-ending
plastic ones trending,
under the weight collapsing
of boring and from
the pressure of overuse, bending.

The words have brought
the unrisen, alabaster body
of poor dead (oops)

Love (137,207 + 1)

as evidence of this
too long a verbal
season of victory.

Make no mistake,
among the guilty we be,
our sweet tooth
for these miscreants,
documented in black and white,
resting uncomfortably,
among our total of
171,500 words we've purportedly
recorded and employed.

The Writer's Guild,
all a titters, arms, up and akimbo,
the cries of poetry poverty
among the living thundering,
no longer
suffering silently,
ere the mendicancies cries
from Ye Olde York emanating,
seeking contributions
and donations,
minimum on PayPal,,
one whole dollar!

Well I have paid my dues,
much more than one
and much more than once,
would so again, annually,
as I could no more
surcease this gig,
for where to find
another profession that
pays so handsomely?

Let it not go unnoticed
like so many poems
left footed born,
themselves, unread, unnoticed,
that the ever increasing number of

Poets

is a good thing for the universe.

So many new humans each day,
from the black forest of
daily life's lessons emerge
choosing poetry to
conquer life's ailments.

For they bravely
having taking the
road less traveled by,
and that has made all the difference,      
and the world,
a better place for it...

I am 17 years old, sitting behind a computer in the dimly lit living room.  
It is dark outside and I just arrived home from working a 9 hour shift.  
My body is exhausted and my mind is even worse.
For some reason, it is completely silent in the house.
That kind of silence that is so loud.  
The silence that doesn’t make sense.
A rare occurrence, and so I am not only bewildered by it,
but I am also somewhat frightened.
After 10 minutes, my mother walks in and quietly walks upstairs looking more worried than a man who is on his knees in a back alley with a gun pointed at his head.
My father follows her and climbs the stairs with a strained look on his face.  
This is it.  
This is the moment we’ve all waiting for.
This is when the world stops moving and the sun stops rising and the rain stops falling.
I hear the hushed whispers coming from my parents bedroom.  
My mind tells me to run, to leave it all and never come back.
But my feet are glued to the ground, I cannot move no matter how hard I try.  
My father walks down the stairs, the wood boards creaking beneath his weight.  
He’s not a heavy man, but his broad shoulders and tall stature could scare any little kid.
He comes over to where I am sitting and kneels down beside me.  
He tells me that he has cheated on my mom and is leaving for a while,
At least until everything gets “straightened out,” he says.
I’m sorry, but you could you please explain to me,
What the hell that means?
How do straighten out that kind crap?  
He says he sorry and he knows he has messed up.  
His rehearsed words spoken like an award winning actor.
I don’t believe a word of it.
This isn’t the first time and I can tell you right now, it isn’t the last.  
Some kids are afraid of the day when their parents tell them they’re getting a divorce,
But that is a day I hope for.
I long for when my mom walks in my room and tells me dad’s leaving for good.
You see, he’s never touched me, and he’s never gotten violent.
He doesn’t drink uncontrollably and he’s generally pretty quiet.
But when my mother walks in and leans against the wall, the look on her face says it all.
Her cheeks streaked with dried tears.  
Her face aged at least 10 more years.
She sinks into the wall
And he leaves.

An hour later.  
I am lying on my bed in the dark with my head throbbing, unable to cry .  
All I want is the salty taste of tears in my mouth
The sweet release from the burning pain in my eyes.
I am replaying the words spoken in my mind.

Whenever he comes home, I’ll lock myself in my room.
He won’t come upstairs and knock my door.
He’ll know I’ll need space.
I’ll never come out.
I’ll hide in the dark, because facing my fears is the only way I’ll know I’m still alive.

I have a question:
How do you tell a child that it’s all gonna be okay?
How do you look a kid in the face and tell him that even though father beats him every night,
The bruises will eventually fade?
Sorry kid, you might not have bruises, but you’ll definitely have scars.
How do you tell a teenage girl that the pain will pass?
How do you look her in face and tell her that even though she was *****, she’s luck she’s alive?
Sorry honey, you might not be dead, but you’ll have to deal with fear every time a man walks by.
How do you tell a women that God will understand?
How do you look her in the face and tell her that even though she just had an abortion, she’ll eventually forget the pain?
How do you tell your own mother that everything’s gonna be okay?
How can you look her in the face and tell her that he didn’t mean it?  
When he cheated on you, he didn’t mean it.
How do you tell your little sister that dad will come home, when you know that she never wants to see him again?
How do you look someone that has driven a knife into your heart and tell them that you forgive them?

I think we overuse the word sorry.
I’m sorry I dropped that
I’m sorry I spilled that
I’m sorry I didn’t say that
I’m sorry I hurt you
I’m sorry I didn’t help you
I’m sorry I’m sorry I’m sorry

I think we also overuse the word okay
It’s okay
That’s okay
It’s all going to be okay
Okay okay okay

The worst thing someone has ever told me was,
Honey I’m sorry, but it’s all going to be okay.

And the best thing was,
You’ll have days when the pain is unbearable
When walking out your door is your biggest accomplishment
When getting out of bed means living
There will be days that you think you won’t make to the sunset
And there will be nights when you believe the sun will never rise
And one day you’ll look in his eyes
And tell him you forgive him
And on that day,
it might finally
be okay

I
--
The LORD is asking, “Do you trust Me, child?”
And surely He is worthy of all trust,
but visceral reactions oft’ seem just
in keeping soul’s anxieties well riled.
While panic, shame and dread stir doubting winds,
obsessive, tight, compulsive thoughts pour fuel
into this downward spiraling boil of gruel
where toxic interactions breed more sins.
So for relationships I feel unfit,
and now old interests die and pleasures wane,
as each new hope in Earth’s good brings fresh pain,
where dark depression’s presently my bit.
Yet in this wilderness I hear God call,
“Child, look to Me. I am your ALL in all.”

II
--
I meditate upon the word of God
to heal a mind that’s broken from the fall,
and lying in morn’s bed I now recall
the former paths of fullness I have trod.
I clear the course of tangling debris
that fogs perspective’s distance-viewing sight
and clogs the narrow way which lets in light,
so with God’s truth I’m able to agree.
I gaze toward the future that is sure,
to glory that is promised out of trial.
I push through lying voices of denial,
rememb’ring my inheritance secure.
So healing first begins by sizing scope,
for in true measure I can grasp true hope.

III
---
Long sheltered in the recesses of mind
on pedestals that overshadow truth
are lies which I have entertained since youth
like tape recordings stuck on forced rewind.    
There‘s something of appeal in misbelief,
some comforting, perverted, dressed-up face
which keeps foul strongholds rooted into place
and lets such rotten seedlings harvest grief.  
But I must choose to undermine their message,
uncovering deception’s hidden lairs
whose cultivation grounds for growing tares
leave roadblocks to integrity’s safe passage.
God’s probing, piercing words—what precious gifts!—
can excavate, expose and extract myths.

IV
---
I apprehend these truths in David’s psalm:
“I’m fearfully and wonderfully made,”
and all my days of life are firmly laid
within the sovereign care of God’s own palm.
And yet another voice keeps creeping out.
“You’re too unfit for blessed community,
hence from belonging full immunity
is your dim lot,” says paralyzing Doubt.
For ‘gainst the Word that says I‘m rightly hewn
rub all the bristling edges of myself,
but would one set forever on a shelf
a Bösendorfer piano out of tune?
No, value is a function of creation,
and He who made has promised restoration.

V
--
Restoration’s anchored in redemption,
and my redemption‘s grounded in God’s love.
Nowhere in far reaches man has thought of
could mind unfurl the breadth of such conception.
Sloshing, hesitating in the shallows,
I wander close to shore in Love‘s vast sea.
Then from the swell I hear a coaxing plea
to dive into the deeper wake of hallows.
What‘s this weight that pins my frame from racing
toward His unknown billows of delight?
Do I not trust that He will clasp me tight,
help me bear the fiercest waves I’m facing?
What guile of devils am I heeding here
which keeps me bound by paralyzing fear?

VI
---
Disheartened by my want for firm resolve
to swim toward agápē’s unplumbed depths
for int’macy with Him who paid my debts—
the only One from sin who can absolve,
I wander, wond‘ring what I’ve missed to see
within my comprehension of Christ‘s love
when He would vacate majesty above
and suffer cruelest death to set me free.
They stripped Him, flogged Him, spit, pulled out His beard,
then pressed a crown of thorns down on His head.
They nailed Him to rough cross to leave for dead—
Creator of the world now by it jeered.
In love this traitor by her King was served:
Christ Jesus bore God‘s wrath which I deserved!

VII
----
Considering what labors Christ performed
to buy my freedom off sin’s slav’ry block
that of His fullness, with Him, I could walk
in resurrected life (not just reformed),
can I not trust that He will see me through
each trial, tribulation, sorrow, loss
when He would not forsake me at the cross
but carried all my grief and suff‘ring too?
And just as death‘s cold grave could not contain
my Savior but gave way to watch Him rise,
whatever loss my path has to comprise
shall work for me eternal glorious gain.
So while my courage may still be in lack,
the settled thing is there’s no turning back.

VIII
-----
Wading through fresh tidal pools of mercy
along a piece of coast that‘s not too wide—
among the crags and caves where stragglers hide,
hoping to evade crowd controversy—
I know I‘ll have to move on before long.
But in the warm meanwhile of the day,
I kneel to rest; and as I start to pray,
my heart begins to open to a song—
a gentle, soothing lullaby I’ve known
sung to the tune of ‘Eventide‘ as hymn,
reminder that this life is fading, dim
but that in Christ I never walk alone.
And as I raise the words, “Abide with me…,”
here comes my Shepherd, walking by the sea.

IX
---
What now is this waylaying, sin-sick soul?
Diversional winds from cliffside descend.
Where‘s pressing fire my devotions attend?
Brain‘s robbed of sanity, sleep, self-control.
Jesus comes near numb heart in distraction
and bids me again to clean deadwood out.
Jesus, I‘m desperate, drowning in doubt!
Help me expel what‘s needing subtraction!
Discipline, prudence, wisdom, contentment
can work to restore both body and brain,
while worship will lift locked heart from restraint—
its untethering from woe’s resentment.
I won‘t, without wisdom, taste truest Love,
yet Love holds true keys to wisdom above.

X
--
Mottling mind’s hazed subconscious sockets—
bedecked by ego’s restless crave for fill—
infections grow to permeate my will,
ladening, with dross, affection‘s pockets.
Foul seepage soon coagulates to plaque,
forces clefts which weaken my foundation,
foments psyche’s stormed disintegration
till half-light’s flushing falls to midnight‘s black.
Yet amid murk‘s rotting, rank confusion
with ev‘ry faculty succumbed to rift,
My Shepherd plucks me fiercely from the cliff,
tending thorn-torn blight with Love‘s ablution.
Healing, though, requires my surrender—
all cooperation I can lend 'her.'

XI
---
Jesus asked a question at Bethesda,
the pool by which an invalid was lain,
for thirty-eight lost years left in his pain—
twisted, timed, tormenting, teared siesta.
“Do you desire to be made well?” He asked.
“I’ve none to help me!” was the plaintive cry,
then Jesus spoke miraculous reply
that to get up and walk the man was tasked.
That’s not to say all healing will be found
within this present life of ills and woes,
but still I hear Christ probing through the throes
if I am truly willing to be sound.
Or would I rather lie on crippling bed,
an invalid of spirit, heart and head?

XII
----
Shuffling through some past miscalculations
surrounding toxic breakage of the vines
that ought secure the healthy bound’ry lines  
guarding interpersonal relations—
rememb‘ring my susceptibility
to ego-shuttled, codependent err‘rs
which strain to manage others‘ own affairs
and so invert responsibility—
I ponder if I‘ll ever grow to learn
proper seeds for sowing mutual trust
with vital tools for gently sanding rust
to help stave off a bondship‘s breaking-burn.
One thing I know, that trusting in the LORD
steers love‘s impetus to carry forward.

XIII
-------
“I’m not enough and yet too much,” I've read.
Succinctly that describes my current angst,
and I can‘t justify to war against
these arguments which whirl around my head.
I’ve been told, “You’re just a little intense,”
by many people, not just one or two,
and this they voice clangs manifestly true,
as gaping holes defect my bound‘ry fence.
Voluminous in content and in force,
bestowing as prized gifts what isn‘t sought
or wanted by those for whom gifts are brought,
I falter in my need to change set course.
And where it comes to giving what‘s desired,
real competence seems found to have expired.

XIV
-----
Someone wrote, “true soul mate is a mirror“—
like limelight they‘ll reveal your unseen faults.
Where no one else delights to search your vaults,
“soul mate“ renders time to be apt hearer.
It matters not, was said, that they don‘t stay,
so long as they‘re an agent for reform—
the one who makes you desp‘rate to transform
by breaking heart and making ego fray.
Danger lies in nuanced underpinnings.
I thought I‘d found my soul mate in abuse
and used “he needs my fuel“ as excuse
to take a twisted game to extra innings.
Here I’ll grant these crazed imaginations
were at core demonic machinations.

XV
-----
Casting down romantic schoolgirl notions
that sin-drenched bonds might fashion souls complete,
I drag bewitching grails to Jesus’ feet—
spurning now to drink past guile‘s potions.
As I linger longer in His presence,
I‘m freshly bathed from marring guilt and shame,
reminded I‘m made whole in Jesus‘ Name—
partaker in the fullness of His essence.
Identified eternally with Christ,
secured by His unfailing love through grace,
one day I‘ll walk perfected face-to-face
with Him from whom true life is all-sufficed.
And as I muse, I taste true heart‘s desire—
rekindling, renewed with holy fire.

XVI
-----
Attitude is prime, determinant hinge
on which the door of restoration swings—
deciding what response subconscious brings
and on which morsels mind should bestly binge.
Plenty is dependent on perspective.
Mountain, plain or valley alter sight 
and size by which is measured present, plight.
Simply switching lens can be corrective.
In Christ, Ephesians tells me, I‘ve been raised,
seated with Him in the heavenly realm—
positioned by the One who steers the helm
that Father, Son and Spirit would be praised!
Worship, like a rudder, sets the outlook
to keep me highly grounded in God‘s Book.

XVII
------
Why should I to the worship of false gods
surrender my outlook frivolously?
Idols grab first gaze notoriously,
rob joy as will‘s defenses yield heart‘s nods.
What then? Can I suppose I might steal back
a measure of exuberance through more
skewed genuflecting to gilt calf before—
itself beleaguered, plagued by woeful lack?
Now heed, wayfaring soul of mine, what‘s true:
Creation‘s bounty-goods will make you slave
and with sweet Siren‘s flutes your mind deprave
when to them you lend focus Christ is due.
Lay firm your eyes on Him—pure, restful bed,
cover, fuel, completer, Fountainhead.

XVIII
-------
Wandering down some cobbled, crowded street,
I‘m nowhere headed, rapt in mindless thought,  
and as I saunter south I happ‘ly spot
a friend long-lost but fiercely longed to meet.
Just up ahead, he’s mixed well in the throng
but might be caught if I push through and race!
Heartbeat quickens. Oh, to see his face,
this one with whom I’m sure I must belong!
Yet when I actually seize him and he turns,
I’m devastated, sunk. It isn’t him.
Then moping northbound—dazed, dejected whim—
I stumble on the One for whom heart burns!
How strange, as I had grappled, chased and shoved,
that I’d been running from the One I loved!

XIX
-----
He‘s reservoir for which parched spirit begs,
familial feast cast heart longs to attend,  
elixir fractured psyche craves, to mend,
secure foundation ‘neath soul‘s skittish legs.
Jesus is hearth fire, garden blooming,
joy‘s kiss that welcomes prodigals with tears,
arms’ tender brawn consoling weak ones‘ fears,
shelt‘ring lullaby as nightstorm‘s looming.
Who else can scatter stars, strew mountain snow,
to whet beloved‘s taste for pristine grace?
What other love’s like this, that He‘d embrace
excruciating death to grace bestow?
And best, most faithful lovers of this earth?—
dull pennies next to Christ‘s resplendent worth!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME II:
(** — XXXII) [Edited in 9/27-29/21]

**
----
Closing the door on chaining obsessions
requires some short-circuiting of thought
previously allowed to flow uncaught
and forge ever-deepening depressions.
Pathways in my brain can be rerouted
by changing interactions with my world,
observing what’s most easily unfurled—
presently what’s to five senses suited.
‘Mindfulness’ can be a Christian practice
and doesn’t have to rest on Buddha’s shelf—
“awak’ning non-existence of the self”—
or from unseen, eternal things distract us.
True mindfulness is found in gratitude—
joyful, eucharisteo attitude.

XXI
-----
A biblical version of ‘mindfulness‘
is found in 1 Thessalonians 5,
revealing as God’s will that saints should strive
for ever-prayerful joy and thankfulness.
Pond‘rous gratitude staves off resentment,
greed and pride. As was taught to Timothy,
what‘s created and giv‘n by God should be
received in sacred thanks with contentment.
Creation reflects God‘s bounteous glory
and demonstrates His loving grace and care,
so in same grace and glory we can share
each time we recognize Him in our story.
Ten thousand tiny gifts write each day‘s page,
and he who welcomes most is most like sage.

XXII
------
In restoration, elasticity
of mind is a factor to celebrate.
So please don‘t ever underestimate
the wonders of neuroplasticity.
New brainpaths form and old channels falter,
depending on what choices I might make.
Fresh experience of which I partake
will physically help my brain to alter.
Here‘s one great hope I must now remember:
What’s hardwired today can still be displaced,
and thoughts might soon flow on paths greenly graced,
as I feast my soul’s eyes on brain’s Mender.
Bent mindfulness toward Giver and His gifts
best brings joy‘s healing for my mental rifts.

XXIII
-------
Realizations that some obsessions
are desires to vicariously ride
the mindfulness of others who don‘t hide
their own keener sensory possessions,
aptly are aiding to turn my focus
from curiosity to understand
their thoughts, which often‘s led my heart-demand—
want to consume their minds‘ crops like locusts.
What I‘ve perceived as love, concern to know,
empathy for others‘ worlds internal,
might be more escape from mine external—
attempts to hide from life‘s real, present show.
Avoidance wears all sorts of vibrant masks
to keep me blinded to here-moments‘ tasks.

XXIV
-------
Viewing secondhand eviscerations,
as others spill their innards on the page,
may seem the safest way to heart engage—
surrogated life participation.
Substituting others‘ honed perceptions
where I ought learn observance of my own
will keep childlike experience ungrown,
smother creativity’s conceptions.
Social media’s pitfalls lie therein,
along with greater dangers lurking large.
Despite its many goods, there’s needed charge
that gorging on a good thing leads to sin.
Shutting website windows is like trailhead,
opening mountain path to higher tread.

XXV
------
I‘m learning to sit with anxiety
raised by self-denial of habit’s fix,
mindful how my heart solicits tricks  
to alternate for true society.
Discomfort speaks in volumes to soul’s ear
like smoke alarm alerting to a fire.
It tells me, “Quick, investigate! Inquire!
Please find the source of inner burning fear!”
Nervousness as friend might offer insight
if I can hear and listen to its warning,
objectively without the shame-filled scorning
that tends to follow panic-stricken plight.
Practice putting tension in glass cage
to monitor its undercurrent’s rage.

XXVI
-------
It’s time to preach a sermon to myself,
for fears are overtaking me in waves;
and spirit must combat what habit craves—
flesh seeking consolation in false pelf.
Scrutinize what’s underneath such worry.
Do I believe the LORD is still in charge
of details of my life and world at large?
Look to Him. Don’t yield to anxious hurry.
Do I believe He’s with me and He’s good,
a faithful Shepherd tending to each need?
Then look to Him. Don’t drown in fretting’s greed.
Christ’s sheep don’t have to look elsewhere for food.
Each wait is opportunity to grow,
for God has holy riches to bestow.

XXVII
--------
God’s character and sovereign wisdom hem
my life, as His responsibility.
No wrong will steal my true identity,
whatever slips or schemes might spill from men.
Christ’s Ruler over all, but do I let
Him fully reign as Master in my heart?
Do I acknowledge I’m His work of art
and purpose for His hammers, chisels get?
Intimacy and glory are the friends
to which His sanctifying lessons point
and meld together as love’s dovetail joint
whenever I surrender to these ends.
Soul, set your hope on grace to be revealed.
Entrust to God strain’s mysteries still sealed.

XXVIII
---------
LORD, HELP! Why is my mind so distracted?
And why then, letting it be drawn away
for half an hour, am I now okay
to let my compulsions be retracted?
Give in to let go feels like solution,
but know it only deepens the desire
for later curiosity‘s inquire—
grants no satisfying resolution.
Those thirty minutes mindfulness was lost,
yet could it be empowered by the fall,
as I look closer inside to recall
that giving way to habit bears great cost?
I won‘t grow discouraged by the setback
but seek to further understand self‘s lack.

XXIX
-------
Low-pitched, humming anxiousness was sitting
all day inside my torso‘s cavity.
Mindful sensing lent no gravity
to coax the stubborn squatter through outwitting.
Head was tired from too little sleeping,
so frankly seemed to coast and just make do.
Soul felt no fresh excitement by woods‘ view
and lacked bright energy for much guard keeping.
One moral of this story is night‘s rest
must become priority for healing.
Otherwise this shaky default feeling
will grow into another panicked crest.
Though it‘s no excuse to say I‘m tired,
it‘s clear reformed sleep habits are required.

***
------
Changing what’s practical opens a door
to transforming what’s spiritual, mental
and emotionally experiential.
Habit alterations might well restore
enough equilibrium of body,
restfulness, clarity, reason and time
to give me needed aid to better climb
above oppressive moods, both low and haughty.
“Early to bed, early to rise...”could be
one thing to make a world of difference
and welcome back some simple common sense,
to open up new space for setting free.
But for that discipline to take effect,
I’ll also have to curb the internet!

XXXI
-------
Every opportunity for worry
is greater opportunity to trust
that God behind the scenes is sanding rust
from parts of me where fear has made faith blurry.
Without unknowing-gusts to stir the pit
of nervousness inside my helplessness,
I might ne‘er seek my Shepherd‘s faithfulness
nor learn to wait on Him and with Him sit.
These are times of richest growing lessons
when I‘m reminded He is LORD, not me,
and that He works to draw in int‘macy
feeble souls to Him through stretching sessions.
Joy is knowing sure—head, heart and will—
He‘s ever whisp‘ring, “Child, come closer still.“

XXXII
--------
Recapping basic steps to take thus far:
Find sleep (which may mean need for melatonin
to counteract my haywire serotonin),
and overuse of internet I‘ll bar.
Then with restfulness bring mindful thinking—
keen noticing that‘s graced with gratitude
and sets a stronger skyward attitude,
buoys me up against fret‘s downward sinking.
More important still is meditation
upon the word of God‘s indicatives
which lay foundations for imperatives
to follow as prescriptive medication.
Most crucial element preventing fall
is fix my eyes on Jesus through it all!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A chanter cracked from overuse
Cheeks salt stained from shed tears
Shed for those who lost their lives
Lost well before their years

The piper played for seventeen
Who never saw their best
Amazing Grace hung in the air
While our hearts beat in our chests

The massacre at Dunblane School
took seventeen that day
One teacher and lo, sixteen more
Beneath a sky all streaked with grey

The Pipers lips were dry and cracked
And the salt burned as he cried
but, he played the best he ever played
For the seventeen who died

The world was once their oyster
But, it never saw them grow
If you listen, you can hear him
That lonely piper blow

"Amazing Grace, how sweet the sound,
That saved a wretch like me.
I once was lost but now am found,
Was blind, but now I see.
T'was Grace that taught my heart to fear.
And Grace, my fears relieved.
How precious did that Grace appear
The hour I first believed.
Through many dangers, toils and snares
I have already come;
'Tis Grace that brought me safe thus far
and Grace will lead me home.
The Lord has promised good to me.
His word my hope secures.
He will my shield and portion be,
As long as life endures.
Yea, when this flesh and heart shall fail,
And mortal life shall cease,
I shall possess within the veil,
A life of joy and peace."

When we've been here ten thousand years
Bright shining as the sun.
We've no less days to sing God's praise
Than when we've first begun.

Versifyin'
Isn't dyin',
But man,
It's hard to do.
Words and lines
Sound like cliches,
What once
Was old
Is new..
Familiar phrases
Crowd the pages,
Causing such to do.
Can anyone write
Anything new.
Did I write that;
Overhear a wit?
Read it in the loo?
I'll note it down,
Sit,
Sweat and swap,
Get off the ***
And write it.

I don't purloin
Pretty Woman
Because Roy
Is older than me.
To write Yesterday
Is almost to say,
I've hijacked
Sir McCartney.
Write Daffodils,
And see what thrills
That word brings to you.

We may overuse them,
Unwittingly
Abuse them,
And with some we amuse,
But they're ours,
Put to good use
With me.

The number of chords
Limits the hordes;
Repetition ensues,
The decry is sung:
I've heard that song before.

The great ones of writing
Are cause for citing,
By we and me and you.

Can't contrast love to roses,
Shakespeare's told us;
Can't compare eyes to stars,
Lips to petals:
To say,
Your soft, white skin
Is an ink-black sin.
And Beautiful should not
Be used as such.
If one must use it,
One needs
A thesaurus.
Thee, Thine, and Shall
Have taken their toll;
Like Death,
Be not proud.

Be the chosen one,
You know how.

Words and phrases
Are replete;
Too well known
Not to repeat.
They're in
Our vernacular
To be used by
Any author.

But verbatim
Copying's outlawed.
The copy cops
Finger-print
The frauds.

if all these energies are spent on youth, then such a crescendo of disillusionment is waiting with its gnashing teeth and gangrene filth to stand straight iron your shirts, and queue for a bottle of milk - at the supermarket like a catwalk of Milan - people and their dream of telekinesis - they enforced stance on telepathy -  telepathy being, of course, the symptom of over exposure to televisions - that scale justified by infinity mirrors, or that infinity (∞) is actually a mirroring - mire rings and what other disambiguation  there is to it in reverse - but only in a snap of the flash - illumination via a twin begot between two limits... or something like that.

never you mind english pragmatism,
pragmatic speech therapies and other associations,
bundles of closed words that desire
the presence of a dictionary, desire or no
desire, are bound to require the dictionary
necessarily - long gone the pronoun overuse
as is the signature of the english tongue -
pronoun overuse - shrapnel of conjunctions
and the like between elongated word-giraffes...
infinity is a mirroring effect* -
infinity is a foggy murk of 19th century London
should it be looked at straight, or seen through,
paper from wood, glass from sand, finely
ground - not grin d e d - sublime i say ol' chap -
we are bound to loosen things up without
clear vox vis (voiced energy - pardon any
other association of vis, meaning also violence -
latin is dead in meaning, but alive with type oh,
typos as the curvatures of sigma: it total,
no northern barbarian conqueror or *** gave us
encoding to use - the rúnes were like roman
numerals, matchsticks - VI or ᛋ -
                                  or die junker in das bunker -
and if by the testimony of Ogham - should
any testimony be made - once a whisper &
secret... rune - now a frenzied shout on the hills!
råbe of king Cnut, the conquest of England -
ᚱᚨᛒᛖ: r (ride, journey) / a (one of the Æsir) /
          b (birch) and last e (horse)                   .
all my books smells of onions as i prepared dinner,
and garlic too, a famous imprint some might say;
or say that nearing-middle age all this
technological connectivity made us more distant
with our neighbours, or that some say
that all that's prone to internet publishing is false -
but have you inspected the publishing industry?
glamour models' autobiographies,
footballers' "auto" biographies -
graeme le saux is called a professor because he has
a-levels or a degree - and you think all that
is published for charity on the internet is false?
i guess you've never had so much freedom
to delve in private places where social media is
the ugly head of socialism popping up once more,
but the health of the publishing industry leaves
me agitated, as was richard brautigan
in his poem hey!   this is what it's all about
with the beautiful words:
                                             no publication
                                             no money
                                             no star
                                             no ****
                                             ____________
yes, i will be playing with diacritical symbols
as if i were learning chinese encoding of sounds
so so complex they might as well be crop-circles -
but what farmer cares for such symbols?
a secret genius on a farm in Iowa? hardly -
i'll be playing that game of what's more protruding
should i have written rúnes or rūnes -
or left it sketchy and stark naked runes -
since the r is also protruding when going
skiing into the parabola - believe me, the pedantic
in me, given the lessons learnt from Kabbalah
concerning active meditation using symbols
will keep me up all night long - and indeed, once
a cryptology for whispers and secrets,
now a blatant shout as if feeling it was necessary -
akin to a book of maxims:
are these necessary truths, or unnecessary truths?
but as they say: we lost a great treat -
we lost the leprechaun's and the genie's reward,
then came mathematics and solidified our loss,
it's not a case of secrets any more -
but a stance of i just want to be heard!

                                                        ­                    the end.

Don't worry, I'll keep you right here in my little box for safekeeping.
I'll stow you away in my secret hiding place deep in my mind and never take you out until I know it's safe.
You are my little marionette, your strings taught and wary from overuse.
The wood you are made from chipped and abused.

Don't worry, I'll keep you right here in my little box for safekeeping.
You are afraid of the monsters outside, creeping, but I will protect you.
I am brave.
I will defend you from the evil that surrounds everyone and everything and I will keep you safe.
Your little marionette arms hanging by your sides, already prepared for the heartbreak of rejection.

Don't worry, I'll keep you right here in my little box for safekeeping.
You'll never be able to run away because I control your strings.
The strings you could never use to walk on your own.
The strings, only I know how to employ. My fingers toiling with the knots. You are bruised.

Don't worry, I'll keep you right here in my little box for safekeeping.
I swear I will never stray.
This promise will be engrained on my mind, sewn on my heart and tattooed on my fingertips.
You are mine and I will never let you go. Never.
You are mine and I will never let you go. Never.

She gives the gift of gab!

When her love snapped onto my back, like a rucksack to be worn
The old me died, a rambling man was born.

My words are playing a twisted game of Temple Run
The monkeys are her eyebrows, cocked like pistols, and we're playing Russian Roulette.

My words are emptiness and hot air and imagined shapes, yet not nearly as two-dimensional as constellations.

She's a phrase I just learned, and will incorrectly overuse.
She's a worm in my ear, impossible to lose.

She feels like two cups of tea at three in the morning.
She feels like assembling an RC car without reading the instruction manual.

And by God, those eyebrows.

I need her like rocks need water and snow needs the sun.
I want her like turtles want to fly and eagles want to run.

She's that feeling when rain comes down on an empty highway.
She's half a bottle of Elmer's glue I just dribbled onto my hands.

I miss her like broken bowls miss Cheerios and holey socks miss feet.
I miss her like diarrhea misses constipation.
I miss her like NBC misses viewers who have turned to online news sources.
I miss her like journalists miss exposés.
I miss her like polar bears miss ice caps.
I miss her like avalanches miss snowy peaks.
I miss her like Hiroshima survivors miss World War One.
I miss her like cities miss silence.

Mostly, I just miss the silence.

Her poetry was like a living  organism
that changes form  every minute
by the chemical change it undergoes
within me, the reader's mind,
each avatar did a dance different
so much  the symbols and cryptograms spoke
right from time capsules of subconscious,
I had to choose from this or that.
I looked deep in to her eyes and read silently
words, one feels are severely limited, at times
much goes unexpressed for want of words
"exquisite" in such occasion is an expression
that has lost its sharp edges, due to overuse
so i smiled, I hope  in a way most expressive
of the spirit the poem reflected
but  more was in the poem, I sure felt,
beyond my view, some  hidden pathways exist
my ears craved for hidden voices, and I told her this
evening set the stage for her recitation
we walked the country road and she began
very solemn at first, then the words took
a life of their own and became palpable
I felt I was in presence of an oracle
who receives divine command from universe
a spirit that sprung from subconscious
was heard speaking in her throbbing words
the folk walking the path stood and listened,
the look on those faces were unmistakable
a knowing  beyond the  meaning it was.

I like to imagine myself as a shield
Casting itself over it’s allies in battle
Saving them from shrapnel and enemy attack
On the front there was color
It has long faded into a plain metallic sheen
The color was not faded in one short stroke of grief
But rather by years and years of wear and misuse
It is filled with scratches
Some from enemies, some from allies, some from myself
On the back there are words
Some that I say all the time
Words like “I’m fine” and “Don’t worry about me”
Others are phrases I wished I heard
“Proud of you, son” “Good job, son”
These words serve to protect the guise
To persuade those who are protected by the shield
To never glance at the battle-worn front
Sometimes the shield is close to breaking
Mostly from overuse
Sometimes it breaks itself
Chipping pieces off wondering why it doesn’t feel whole anymore
What was once a thick, sturdy shield
Has become a frail, flimsy barrier
Ready to break at the slightest hit
It refuses to go easily
As if it were gone who would protect those behind it
How could such an imperative device be so easily replaced
How could others forget its purpose
How could the shield forget its own worth