When muskets shattered bones within the chest,
an era slipped from time; new shadows born
where history cast its cape on Budapest.

Their fate entombed in honour; doom the guest.
No haven in their valour, loudly worn,
when muskets shattered bones within the chest.

The sabre steel lies dormant in its quest,
its master slain in scarlet fields of corn,
where history cast its cape on Budapest.

One leader freed; damnation for the rest.
Thirteen there stood; thirteen then shot at dawn,
when muskets shattered bones within the chest.

These Arad martyrs, ever standing lest
long centuries erode the passion borne
where history cast its cape on Budapest.

Glasses do not kiss, by grief’s request.
Laid quietly the ghosts that gently mourn
where muskets shattered bones within the chest
when history cast its cape on Budapest.

The wind was a torrent of darkness among the gusty trees
The moon was a ghostly galleon tossed upon the cloudy seas
The road was a ribbon of moonlight over the purple moor
And the highwayman came riding,
Riding, riding,
The highwayman came riding, up to the old inn-door.

He'd a French cocked hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dark innyard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet if they press me sharply, and harry me through the day,
Then look for me by the moonlight,
Watch for me by the moonlight,
I'll come to thee by the moonlight, though hell should bar the way.

He rose upright in the stirrups; he scarce could reach her hand
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.

He did not come at the dawning; he did not come at noon,
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching,
Marching, marching
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at the casement, with muskets at their side!
There was death at every window
And hell at one dark window;
For Bess could see, through the casement,
The road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"now keep good watch!" And they kissed her.
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight, though hell should bar the way!"

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness and the hours crawled by like years!
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!

Tlot-tlot! Had they heard it? The horse-hoofs were ringing clear
Tlot-tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up straight and still!

Tlot in the frosty silence! Tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment! She drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him with her death.

He turned; he spurred to the west; he did not know she stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it; his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky
With the white road smoking behind him and his rapier brandished high!
Blood-red were the spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

Still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon, tossed upon the cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding,
Riding, riding,
A highwayman comes riding, up to the old inn-door.

Look in the mirror
Look at the clock
Look at the time
It never has stopped
It only goes forward
It's a one way walk
See how you have been growing
You ask yourself, "where have the days been going?"
Time can only progress
Yes, the river of life is always flowing

We lived cabins
And castles and caves
We came from Adam and eve
We evolved from apes
From Socrates and Homer
To Napoleon and Alexander the Great
The minds that desired knowing
And the enlightened ones glowing
People can only advance
Yes the river of life is always flowing

Revolutions and rebellions
Riots and revolts
Great discoveries
A key, a kite and a lightning bolt
Great writings and inventions
Innovations from inspiring jolts
Improvement was showing
To the future the world was going
Humanity only began to develop
Yes the river of life is always flowing

Religions and sciences
Economics and politics
Television and radio
Monarchies and dictatorships
Tanks and machine guns
Atomic bombs and battle ships
We went from arrow shooting and spear throwing
The muskets needed reloading
To nuclear weapons
Yes the river of life is always flowing

Exploring new lands
To find the world wasn't flat
To find silver and gold
And buried artifacts
To establish new territories
And expand the map
The searching ship kept rowing
As civilization went on growing
Accomplishments of the past
Yes the river of life is always flowing

Boats and rail roads
Fair trade and industry
World wide markets
Over land and sea
To keep out nations going
And stablize the economy
But now every country has money that they're owing
And the land that they're owning
Is has evolved
Yes the river of life is always flowing

Social reforms
Counter cultures fight
They protest strongly
For equal civil rights
The world's in constant change
Every day turns into night
Every opening has its closing
And then it comes back again
As long as there's someone hoping
Yes the river of life is always flowing

We put people into space
We have fought for equality
Created a world from nothing
And advanced technology
We've struggle to go to where we are
And continue to go strongly
The opportunities fate has been bestowing
We look forward to see what is ahead
The memories and mysteries the hourglass is holding
Yes the river of life is always flowing

It is snowing and death bugs me
as stubborn as insomnia.
The fierce bubbles of chalk,
the little white lesions
settle on the street outside.
It is snowing and the ninety
year old woman who was combing
out her long white wraith hair
is gone, embalmed even now,
even tonight her arms are smooth
muskets at her side and nothing
issues from her but her last word - "Oh." Surprised by death.

It is snowing. Paper spots
are falling from the punch.
Hello? Mrs. Death is here!
She suffers according to the digits
of my hate. I hear the filaments
of alabaster. I would lie down
with them and lift my madness
off like a wig. I would lie
outside in a room of wool
and let the snow cover me.
Paris white or flake white
or argentine, all in the washbasin
of my mouth, calling, "Oh."
I am empty. I am witless.
Death is here. There is no
other settlement. Snow!
See the mark, the pock, the pock!

Meanwhile you pour tea
with your handsome gentle hands.
Then you deliberately take your
forefinger and point it at my temple,
saying, "You suicide *****!
I'd like to take a corkscrew
and ***** out all your brains
and you'd never be back ever."
And I close my eyes over the steaming
tea and see God opening His teeth.
"Oh." He says.
I see the child in me writing, "Oh."
Oh, my dear, not why.

Earth (Pangaea)

Pangaea heaved and shifted
beneath the fire-storm sky.
Colliding plates and spewing mountains
shook, roared and thundered
under the brutal chaos
of torrential cataclysms.

In time she yielded her ire
to millennia of pacific rains -
her severed crust
set adrift across the oceans
like gigantic earthen rafts.

Jungles sprang up and terrible lizards
came, grazed and left their bones.
Forests, grains and multifarious beasts
grew and perished in accord
with their past and future destinies.

So here we are - earthbound,
tossed from our mothers' wombs -
fated to live and breed
by the grace of miracles
far beyond our ken.

Beloved mother Gaia,
from whose dust we are raised,
nurture and sustain us
and sing us to our mortal sleep.

2. Air

Air - earth's miracle brew of
     oxygen, nitrogen and all the rest
          meted out in perfect harmony.

Air - silent and still on a moonlit night -
     driver of sheeted rain on window panes -
          and winds that shake the trembling aspens.

Air - author of land and ocean squalls -
     bringer of that ominous pallor
          that presages a tornado's furor

Air - invisible aerial highway
     for majestic eagles and turbo-jets -
         medium of rhetoric and symphonies.

Air – window to the cosmos
      and our fragile life–giving broth -
          unwitting conveyer of toxic alchemy.

Keep watch my sisters and brothers:
     the air we breathe is what we make it
          or rather what we let it be.

3. Water

Water like a capricious deity
     wanders through time and topography -
     cherished and cursed for
     what it gives and what it takes away.

Gentle rains and strident gales
     sculpt rivers and streams
     through forests and plains
     bound for union with the open sea.

Diurnal tides ebb and wane
     at the whim of the charismatic moon.
     Ice mountains advance and retreat;
     rock-strewns moraines left in their wake.

Turbulent currents
     soar over jagged cataracts,
     spraying pastel prisms
     across the misted valleys.

Beneath our all too fragile skins,
     secret sanguine rivers navigate
     our veins and arteries
     bathing organs, limbs and sensors
     with curative balm and sustenance.

Wellspring of all elements,
     fill our daily ladles
     and grant us the will and empathy
     to bequeath the same to our progeny.

4. Fire

Two hundred million years ago
our Paleolithic cousins
seized branches from a burning forest
and stepped into a bold new world.

By the glow of fire-lit caves,
and the scent of searing venison,
they gathered wits and tools
to craft shelters and weaponry.

Their children's children would design
forges and furnaces, factories
and build engines that run on fire.

But their anxious siblings in despair
snatched lightning from the sky
and twisted by fits of anger pride
made also muskets, missiles, bombs
and nuclear Armageddons.

Loki, god of nobler flames
open our blood-stained eyes
and show us the means
to stay our arson lust and
abide by the light of reason.

*Revised and integrated version, December, 2015

Out on the marsh on a lonely night
The wind soughs through his rags,
The hat that’s pinned to his painted face,
Flutters and soars, then sags,
His eyes are wide and his mouth is grim
As an owl is put to flight,
And nothing but shadows will venture there
For the Scarecrow rules the night.

And back in the manse in a window seat
The Parson’s daughter sits,
She stares at the fluttering coat-tails, but
In truth, is scared to bits,
She watches the sails of the windmill turn
And creak and groan in the gloom,
As clouds come stuttering over the marsh
In the rays of a Harvest Moon.

The father is out in the donkey cart
To tend to his aging flock,
He’s left Elizabeth waiting there
By the tick of the hallway clock,
But out on the moors and beyond the marsh
There rides one Highway Jack,
A frock coat topped with a bunch of lace
And a gold trimmed tricorne hat.

He’s whipped the horse to a lather
In a retreat from a new affray,
For the magistrates have gathered
Vowing to ride him down that day,
The redcoats wait in the village Inn
For the sound that they know too well,
When the curate sees the approaching horse
He’s to toll the old church bell.

But the curate lies in a drunken fit
On the floor of the old church nave,
And soon, by matins his soul will flit
From life to an early grave,
Elizabeth sits in the window seat
And thinks of the coin and plate,
As the highwayman dismounts, and ties
His horse to the manse’s gate.

He beats on the door, ‘Please let me in,
I’m weary and faint, that’s all.
I wouldn’t abuse your person, but
I fear my back’s to the wall.’
She leaves the seat and she slides the bar
For bracing the oaken door,
‘I dare not, sir, I fear for my life,
You’re safer out on the moor!’

Their voices echo across the marsh
Like fear, distilled in the night,
And something shudders out in the gloom
And lurches to left and right,
It seems forever, but now a sound
Tolls out, like a final knell,
For something, out in the church tonight,
Is tolling the steeple bell.

He barely makes it back to his horse
When the redcoats stand in line,
Their muskets fire a volley of shot
And his coat turns red, like wine.
They go to the church when the deed is done
To say, ‘You have done well!’
But the curate lies on the cold stone floor,
The Scarecrow tolled the bell!

David Lewis Paget

There are spiritual healers getting in touch with those spirits
To ask them why they are present, ' said Erica. „Usually,
When you call them, they come to tell you some secrets.
Some sad lovers that passed away can't leave this world peacefully.''



„They can be demons, too, ' said Maya. „We must talk with the priest, '
Said Geraldine. „Let’s search in the storage room, ' she continued,
„We’ll find something, and we'll face this truth together, at least.''
''I hear the steps of someone walking away from this window, ''



Said Carla.'' Maybe it's the rain tapping on the sill, ''
Replied Geraldine. Surak opened the window and said,
'It doesn't rain; in the soft wind, I hear only the birds' trill.''
''But I've found some books in a big box for safe keeping instead.''



(Maya and Erica went to buy fresh fish from one of the many fisheries existent in that village.)




Fargo entered the Spianada, the largest square
In the Balkans, which was created by the Venetians.
The sound of the sea waves was like a stir in the air.
The peaks of the Old Fortress looked like swords of the Titans.



He passed the lighthouse tower and entered the underground
Tunnels that linked the Fortress with the main parts of the town.
Then, he entered the New Fortress, and when he looked around,
He saw the gates, the sea shore, and the land that sloped down.



(The port has been an important naval base since the Roman period. Considerably, Corfu was called the Gibraltar of the Adriatic. He bought a galley.)



The Ionian Islands belonged to the Republic
Of Venice; they were slowly conquered, one by one, in time.
Corfu voluntarily became a colony; its public
Gardens made the Islands' governor reside on that sublime




Territory; its economy was based on exporting
Raisins, olive oil and wine, whereas the Venetian lira
Was the currency of the islands; while incorporating
The culture of Venice, these people used a plethora



Of Italian words, because this language was official.
Venice had garrison soldiers, scattered in island forts
With muskets and bayonets made of the iron material.
The impromptu recruits and mercenaries were hired in the ports.



(Fargo started to talk with the infantry captain and with the lowborn ship’s captain.)



'' It's hard to eradicate the piracy from the world.''
''Because of money, the soldiers are recruited as needed.'
''Only with the convoy protection, the sail with the ships is furled.
When it is no longer required, their claims are unheeded.''



''The Muslim pirates attack the Christian ships to enslave.''
''I've heard there are Jewish pirates, too, '' ''Because of Inquisition, ''
''The corsairs are dangerous, '' '' Our ships hardly can face on this wave.''
The Christian navies are weak; don't have enough ammunition.''



''The Muslim opponents are fast; you need a large convoy.
You will be convoyed by us until you enter Italy-
After fighting the pirates.'' ''On our ship, there is an envoy.''
''To let you sail, they wanted some protection money.''



''Europe pays its duty to protect its own action,
But accepts the growth of piracy in Indian waters.''
''The piracy is bad in theory, but usefully practiced-
A cheap way to expand their economic and naval powers.''



''The governments don't want to eradicate the piracy.''
''The anti-pirate campaigns are only documents.''
''These pirates mean business behind the wall of privacy.
In bars and brothels for crews, the money means strong arguments.''



''This eradication needs a revision to the law.''
'' Only in the Spanish colonies, they are executed, ''
''Spain has a court of officers, '' '' This is a Britain law, new.''
''In return for the pardon, these pirates are persuaded.''



(The captain gave Fargo two galliots, each one having 80 oarsmen and 60 soldiers.)

(To be continued...)

Poem by Marieta Maglas

I wrote this long ago for a friend with cancer - a small malignancy the size of a pearl in her lung. The hateful thing metastasised to her pancreas after two years in the shadows - she lost her battle last week. She was 73. She was firm friends with my mother my entire life, and her own children Isobel and Craig are like my own flesh and blood. I was unable to attend the funeral due to ill health, but she requested this poem be read out at her funeral - I'm sharing it here as a tribute to her, and I've changed names to preserve her privacy and dignity. **


This kingdom's hewn of time and words
And glances flashing over
Shadows, shapes and silhouettes
And pearls of smoke and ochre.

Rude invaders! Generals!
Who dares encroach our borders?
"Naught but pearls my princess, so
We strike! At dawn! No quarter!".

Set shoulders low and feet aplant
And curl your fingers slowly.
Your enemy is swift and lean,
Ten thousand times below you.

No mercy from a princess who
Instilled in fresh disciples
Wisdom, courage, whimsy, love and
When it's called for... rifles.

Gather muskets! Catapults!
Oh marshalls! Summon nurses!
The game's afoot and outcomes?
Well, who dwells on whom we versus?

For masses swell behind you and your
Gleaming armour guides us.
Swords aflame! We saw! We came!
Wakes of pearls behind us!

Ten years hence, one hundred, more
Louises, Davids, Andrews,
Will sing with you your victory,
Sandy Alexandrou.

In the midweek of twelves months I torched blunts and choked on wet smoke and chamomile tea.
Fretting the niggling giblets of a queasy disrememberance of a sober stroll through your tossed hair salad.
I managed to mangle  the marvelous gross lust of our impending
delirium. i farmed bok choy to annoy our local siege. our muskets were polished with misdeeds.
our demons barked, all coy and ravenous in the sweet diffuse of our useless aplomb.
ginger rockets in our thespian numb. you Dis-Oriental surrogate Mom.
You.... flame folding cranes, like a Japanese cancer
with opposable thumbs.
Unstoppable in the dead wink
of an awkward eye
upon your heaving *******.

You burn regardless.

Memory takes me back to long ago, I can see the deck of the slave ship  I came on smell the salt air and hot vinegar used to clean away the escaping stench below decks hear the sound as male  slaves exercise as crew members play fiddler music while chains thud hard from dancing amusement my home was near the River Senegal on  the coast  the slave traders  ships brought brightly colored cloth beads *** cowrie shells to trade for our black flesh father raised cattle  rice maize this ebony man traded for muskets gunpowder needles colored thread for what he grew on the day of our capture we marched  during the long day tied to each other  given only thin meal and warm water tiredness bore down on our limbs each step canoes came on sea waves toward us fear moved down the chained line men women children were separated our clothes were taken  standing naked mouths were opened skin and muscles felt we had to jump up  and down while moving  arms  chosen ones were branded with hot irons marking each one cold wet cloths applied to the brand on the seared skin  I scream loudly until my voice refuses sound the time for hearing is gone rapid  waters fill with blood as some are tossed into sea for circling sharks to dine on the ship offers only sixteen inches to hold me  others have two and a half inches if tightly packed bodies are in the hold secured down my chain is nailed dimness cries of agony beat on my ears like drums I try not to breath in the rancid smells of those who have soiled themselves air is limited I wait  for my body to die like my mind and soul we sail  for slave ships must leave immediately before sickness breaks out if that happens slaves will mutiny uprising usually takes place within the shoreline when neared at sea chances are less to leave slaves who simply refuse to eat are force feed with the speculum oris  which is placed in the slave's mouth opening the jaws then food is pushed in usually rice or millet crew members wash away stench of blood  from floggings feces ***** from between decks the stink of vinegar drying in sun is as bad living is sometimes harder than dying

The Führer smashes his fist down, sending millions into the void.
An S.S. man in the Lager directs his gaze into the void.

British boys lie entrenched, gambling: mortar rains on German lines.
They charge at dawn with bets and hopes, but each pays into the void.

Sailors smell petrol and hurl themselves to the murky waters.
Fire explodes battleships, and grey Zeros rise into the void.

The Angel of Marzabotto buries the dead, wiping his brow.
An officer lodges a bullet there; the Angel prays to the void.

Green GIs go romping through the jungle after Victor Charlie.
They come upon rice fields, and set My Lai ablaze, into the void.

George III holds tight to colonies that raise muskets and new flags.
The Ministry of All Talents leads him, crazed, into the void.

Nippon men flood Nanjing and throw a maiden to the ground.
They ****** their bayonets to send her, dazed, into the void.

Fascist youth march the Bedouins across the Libyan sands.
Captors fence nomads in; the Duce looks, unfazed, into the void.

A young captain and his Bedouins shoot Turks without pretense.
Lawrence, disillusioned, fades out unpraised, into the void.

"I apologize, baby brother, for my voice waking you;
- but it seems, to me, there are laws to be breaking to-
- night. We need no sleep under the blue moon's rays!
My brother, do you understand what it is that I say?
                                   --
Get up, Giddy! There are copper coins for the taking
- and, simple, fragile windows to be breaking:
- in order to get in, and off, with what we deserve.
Are you in, baby brethren; have you heard-
- my plea for a partner? I know a home on Third - avenue that would be an easy target for me and you.
Within its windows, abundant rubies: I have view-
- ed those precious red gems with my own two-
- eyes. I think it would be, rather, quite wise
- to break into that house while all the lights-
- are out. The home owner can come back and pout
- but you and I will already be over the mount-
- ain range- with those jewels in our hands!
Don't you understand? I have a fool proof plan!
Aegidius, my brother, won't you be the man-
- to come give me a hand? I will not demand;
- I just hoped I could count on you.
- Your worried face has me quite blue!"

"But- Phillip! What if the tenants are still up;
- what if they possess muskets and gunpowder?
I cannot come; I guess I just sup-
- pose I fear that they could devour
- us before we make it through
- that window on Third avenue."

"Oh- Giddy! That's what's so pretty
- about my scheme; I already have,
- the last few nights, scouted out the scene!
It does appear to me- that they leave
- every night at nine thirty-three
- and their carriage leaves the city!"

"I am not sure, Phil; if anything goes wrong:
- our lives are a pretty hefty bill- to pay..
All because we wanted to get away:
- out over that vast mountain range
- with bright, shiny red jewels in hand!
Don't you understand? Even if we gauge-
- the scenario right and escape, how long-
- will we end up on the run from men with guns?
I cannot join you, Phillip- dear brother o' mine.
I hope you think twice before making up your mind;
- for: it would hurt me to see something happen
- to you. Should you go: I pray not to hear snappin'
- of muskets firing fatal shots on Third avenue.
Do what you have to, but, I can't join you."

"Aegidius, how has it come to this?
Shall I give you, now, one last kiss?
For: after this evening, I may not ever return;
- the devil may grab me and I may burn- away.
Down there with Lucifer, I'll be forced to stay!
It's okay! Don't cry, Giddy; if I have any success:
I'll hide you a few rubies
- under that ole' tree on the mountain out west-
- of Eldorado."

With that: Phillip threw on a dark cloak and turned.
Aegidius left out a plea of his own, "Don't go, Phil."
Phillip looked back, grinned, and left- still.
You see? Phil needed to acquire his thrills;
- after that night, though,
- he never again smashed in any windowsills.

Five Hundred miles deep
where the work has just begun
the sweaty backs of Chinamen
reflect the high noon sun

Their hammers strike the iron stakes
with a sharp resounding ring
and they murmur ancient melodies
to the rhythm of their swing

a hundred miles deeper
in an oaken-wooded glen
rusty-bearded lumberjacks
take up the axe again

every man together
brings the forest to its knees
and grumbles songs of yesteryear
to the beat of falling trees

deeper still, the boys in blue
staying true to form,
pointing with their bayonets
upon the village swarm

they spill the purest blood
over sacred ground
their muskets singing fiery death
with that wicked, wicked sound.

A million miles of light between earth and sky.
a million miles of stars before the sun goes by.
A million feet between a line in the sand.
and I'm still not sure where I stand.
A million feet trample the ground. A million muskets like trumpets sound.
this is the moment to stand your ground.
Where a million lives are lost only one martyr is found.
and another star still shines in the sky. A star that stood for good men willing to die.

Memory takes me back to long ago. I can see the deck of the slave ship I came on, smell the salt air and the hot vinegar used to clean away the escaping stench below the deck, hear the sound as male slaves exercise, as crew members play fiddle music while chains thud hard from the dancing amusement of the slaves. My home was near the River Senegal on the coast. The slave traders ships brought colered cloth, beads, ***, and cowrie shells to trade for our black flesh. Father raised cattle, rice and maize.  This ebony man traded muskets, gunpowder, needles and colored thread, for what he grew.  On the day of our capture, we marched during the long day tied to each other, given only thin meal and warm water. Tiredness bore down on our limbs each step. Canoes came on waves toward us.  Fear moved down the chained line of men. Women and children were separated. Our clothes were taken.  Standing naked, mouths were opened, and muscles felt. We had to jump up and down while moving our arms. Chosen ones were branded on the skin.  I screamed loudly until my voice refuse sound.  The time for hearing is gone.  Rapid waters filled with blood, as some are tossed into the sea, for circling sharks to dine on. The ship offers only sixteen inches to hold me, others have two and half inches if tightly packed. Bodies are in the hold, secured down by chains that are nailed. Faint cries of agony beat on my ears like drums.  I try not to breath in the rancid smells of those who have soiled themselves.  Air is limited.   Mutiny usually takes place within the shoreline. Because when at sea chances are less to escape.  Slaves who simply refuse to eat are force fed with the speculum oris which is placed in the slave's mouth, opening the jaws then food is pushed in usually rice or millet.  Crew members tried wash away stench of blood from floggings, feces, ***** from between decks until this day the stench still remains. Living as a slave while your soul is dead is a living horror.

The pirate quartermaster, Maro, saw two galliots
Coming towards the carrack; the first one had ten cannons.
To start the maneuver on the carrack, he asked his pilots.
They were attacked by a volley of fire; maniac in action,



Maro caught up with this army and replied with another
Volley of fire, but he had to retire the carrack.
Then, the army came alongside it and fought in a smother.
This assault was preceded by some flurries of the bullet attacks.



Using the muskets and some small arms designed for superior
Accuracy, the army could leap from ship to ship;
Once the ships had met, the battle had been waged; ulterior,
They used long polearms and swords which were kept on their hips.



The first galliot approached and used the bowsprit,
A protrusion which was angled upward from the bow,
To charge the flank of the carrack; some pirates wanted to quit.
The bowsprit penetrated the breeze upper the low



Waist of the opened deck, in the middle; it could be used
As a connection between the ships; a part of the army
Fiercely attacked the pirates making them be confused.
The ships collided; raw in front of the enemy,



The hidden soldiers started to shoot; they held the fire
At a close range; this ship was narrow for the artillery,
But into saving some honest lives they had to inquire.
These guns were placed on the centerline by the military.



The pirates turned to the opposite direction, but they were
Attacked by the second galliot equipped in the same way.
The bandits could barely put up a resistance; their deaths were near.
The fight had lasted until it was all done in their play.



The first galliot caught the carrack with the help of
The other one; Maro ordered one of his crew to cut
A small hole in the carrack to make this ship sink thereof
And to hurry the soldiers to save the hostages, but



They would need to know if there was a way to swim to the shore.
They abandoned quickly the carrack; the result of the fight
Was the victory of the army, stopping the devil's roar.
They took three pirates captive; three escaped in the waters' night.



The governor had the loyalty of a gentleman
While keeping his word in front of Frederick and while
Dedicating himself to protecting any merchant
And any passenger; they disembarked on that emerald isle.


(Frederick, Pedro, Naimah, Miguel, Cruz, Ivan, Pedra, Chiara, Francesca and the remained crew went to Prinylas. Cruz was injured but still alive. At least, while having tears in his eyes, Frederick embraced his junior who looked exactly like him. The child smiled and touched his father’s face with his little hand. Geraldine embraced Frederick and kissed him while crying.)


The governor had built frigates and galliots to maintain
Safety on the coast and to guard them against the invasions.
Then, he sent them to capture the pirate ships hoping to gain
Peace, wealth and a good fortune for the future generations.
(To be continued…)

Poem by Marieta Maglas

“Clear the way, boys, clear the way” said Meagher astride his steed.
The fighting sixty- ninth stepped forth, they were not afraid to bleed.
Upon St Marye’s heights Cobb’s Georgians waited, behind a low stone wall.
The lads attacked that stout defense – how senseless was it all.
There were Irish too up on the hill and they saw the Emerald flag.
“Oh God, what a pity! Here come Meagher’s fellows” one Irish rebel said,
But all obeyed the order given; to fill the air with lead.
The sixty-ninth could not reply, they all carried antique stock.
Muskets are no match for rifles at the distance they attacked.
They climbed that rise into a storm of canister and shot
They got as close as 40 yards before their surge was stopped.
Sixteen hundred had started out from the little town below,
They took the fight as far as any of mortal flesh could go.
As darkness fell upon the field there were wounded men and dying.
Some muttered prayers in their foreign tongue, how pitiful their crying.
It was a dark December for the army Burnside led.
Fourteen assaults in all repulsed with eight Thousand Union dead.
With eighty percent casualties Meagher’s boys had it worst of all:
Fewer than three hundred  were left to answer the roll call.

Hissing hydraulic brakes
your face
          was hiding.
April wind was howling.
Empty streets at 6 a.m.
A song of dust in squinting eyes.
You hunched your shoulders,
pulled your hood back,
smiled sunrise. Bus doors closed.

We'd always leak away
and trace these city limit lines
'til the night bled into day.
Bend footsteps back t'ward sunburnt lines
          that cross the map
          of the town we lived in
for all these sun-seared years.
Sat South of love and East of friendship,
but we feared nothin'!
Yeah, we were pirates,
          with smoke mouthed muskets
in hand. With full sails. And bold grins
          inscribed across each face.

And, back here, I still roll
through days
          on waves of
Autumn wind and memory.
Empty streets at 3 a.m.
Walk with our ghosts; still haunt this town.
You took your chances,
and a Greyhound
just past sunset--headed West.

We'd always leak away,
drive out past city limit lines.
And we'd drive until the day-
light bent rays back to eyes' red lines
          that crossed the map
          of the talks we'd lived in
for all those wondering years,
West of white lies and North of silence.
Guess we feared something.
But, now, what was it?
          And, now, where are you?
Out West with full sails and clear eyes
          inside a sunset face?

There’s an old saying that Texas just might swallow the whole ****** world someday. Well it’s an old saying of mine but I can hardly believe the world ending without Texas swallowing a great deal of it considering these canyons, mountain-eaters, big enough to hide every cowboy snake and buzzard that don’t know any better.

The thing about Texas is you can’t see the end of things here and people call it big. The thing about Texas is everybody calls it something big when it’s really something stretched. Texas took a turn for the worse, warred with Mexicans in 1836 and never recovered. All that revolution, rusted muskets, wormwood, spilled into and on golden-brown cattle land, turned it dry-blood red. All that red, and Texas, she blushes. Texas, shy, ravaged, stretched. 1836 and she’s reaching for the Gulf and the East and West coasts and Montana and if we don’t fix it someday Texas just might swallow the whole ****** world.

One Spring I myself kicked around a little dry-blood dirt. By Summer I had my fill. There’s an old saying the only way to leave Texas is dry-throated and drenched, brokenhearted and better if you swing it the right way . 4 O’Clock Texan Suns scream thirsty yet we leave the place drowning if we make it at all. That’s the thing about Texas, though, it sneaks up, an axe and a smile and you can’t trust anything about it and you fall in love too easily and the thing is the axe doesn’t bite so much as knowing the handle came from the same forest you never questioned, where step 1 is breathing and you actually did it; the thing about axes though is that breath might still be inside the handle and it’s just sitting in there dead dead dead and heavy Pine.

Austin at night becomes a family of burning eyes in the desert.

Sun and trees, and it’s green.
I do not think these trees grew naturally.
I think these trees were put there.

Let my past be published now,
I care for it no longer;
Look between my righteous things
To see I was the wronger.
Gather all the worries
I'd fret about in winter;
Shove them off the highest cliff,
Make them crack and splinter.

Traipsing in the gardenside,
Dancing in the hollow;
Feeling for a mason's nook,
Sweet Amontillado.
Down within the castle walls,
Down among the relics;
Bearded faces line the halls,
Lilting in Goidelic.

Slowing pace to stop and smell
Of a strange antiquity;
Thinking on a silver day
That happened once in Brittany.
Countrymen with muskets bared,
Bent on fiery shot,
Pounced upon the zealous rogues
Of Napoleonic lot.

Wand'ring mind, drop your guard,
Stop your nagging ways;
Hark! the drap'ry's bold aura
Welcomes warmer days.
Happiness is fleeting,
Sadness is extinct,
So let my every passing thought
Be mindful and succinct.

i don't live outside my poetry,
                                                             i live me poetry,
i have five cigarettes in a packet
and about 3/4 of a bottle
of whiskey left: i haven't had a natural
falling asleep pattern to mind
with a 9-to-5 of tomorrow to mind
for, over, 9, years! i synthesise sleep!
not out of laziness - mind you, if i was in a wheelchair
i wouldn't be eager to fake-dance
or embrace swimming - limb or limbless
there's still Pistorius to mind,
doesn't mind a moth-on-fire to
apply Einstein's relativity to what
Socrates already said: apply
relativity to dichotomy and it all just
becomes an undecipherable monism
without a beyond to justify good and evil...
a... **** it... whatever! let's admire
Louis the XIV fireworks and wine!
but his brother, ooh! what a firecracker!
Chevalier de Lorraine was my hair too curly
they almost might - the intrigue decipher -er,
additions to a false spelling mishap -
or the proof of nobility, had the mother
begged otherwise and the daughter not
endangered the quest by seeking out
a scaffold -er's errand to guillotine the tulips
for a fragrant bouquet - here the admiration
for the stern heart of the east replaced
with the jealous heart of the west...
but Philippe! **** two horses and a cow!
i.e. *******! what a reworking of puppets...
in the hall of the crimson king... e -ing,
-ah ah-ah... the rōnin purity, the pride,
a poet's wet-dream of fancy, best luck drunk,
bad luck sober - i wondered quiet a many times
whether i had ***** or just a ticklish farce of
fancy to roller-pin the protruding genitalia
into the constituency / obligation / necessity of marriage...
the same as Narcissus spoke without an **** partner -
the ****** rap of Louis the XIV courtroom
imitating behind curtain the head of Charles I
in clone chandelier the fate of John the Baptist and
the ****** of hate of Salome...
how the two combined, the export of Iraq met
in Egypt with likewise revision of the genital parts,
Iraq translated into Israel, the two combined...
why f.g.m. rose from yawned over m.g.m. because
of the harem of kings! Philippe though! what a king!
that standards shook, the banners quaked,
the muskets shot blanks for a deadly purpose,
and there was poor Louis with the armour of quote
and a ***** of power inherited: appearance is power -
likewise today, what appears powerful is indeed
powerful, but only in deception,
beside the deception there's is no power
except the innate purpose for symbolic hierarchies,
and look where that ends up, Sinatra singing a song
about pennies raining from heaven,
indeed pennies among the streets of paupers,
the crown easily *******-on from a pavement's perspective...
i'd ask you to sit on your laurels were you
emperors, but you are kings...
so why not sit on that thorny crown of yours?!
hey! pristine gold is worth more than a poet's anatomy!
that's the casual expression, if you sit on laurels you're being
lazy... a poet's Welsh longbow man's V salute against
the French emperors - but i'd like to see them sit on
that famous crown of thorns, or the seven gilded
pikes of Rome resurrecting Vlad and the villainous Turk;
sarcasm disarms all seriousness in attitude
toward rank, and in turn disarming itself as
placed in hierarchic demands of humour -
sarcasm competes outside of the hierarchy of humours,
outside of comedy, it's there to be a buckling
when authority becomes all too... ridiculous.

Things that turn purple:
Feet, when exposed to the cold
Food, when exposed to oxygen
My face, when exposed to fear
To my habits
To my past.
The mention of tying a noose brings pictures to my mind
Of how I used to plan my own death
While paging through a magazine in a waiting room
Ready for the doctors to see me
To tell me I wasn't that sick
Because they didn't know the things I did to myself
I covered up the sliced layers of my skin quite nicely
With different grades of fabric
The belts tied in the shape of my neck
Hung like skeletons in my closet
People kept telling me it was his fault I was so distraught
But that did not make me feel any better
They would constantly tell me there were support groups for the molested
That I was not alone
But there is never any solace in being a statistic
Numbers burn across my skin like matches
Each additional time I heard them
The skin would bubble and blister
Forming a new wound for me to later pick the scab off
If the world did not do that first.
Through therapy, I learned that
When I try to carry the pieces of me
That are bigger than my hands can hold
That are sharper than my flesh can take
That are wider than my unwieldy body
Even though I didn't think that was possible
I crumble like the walls of Jericho
When an army came rushing the city limits.
My past is an armada that rushes full speed through my chest
Piercing me with swords and muskets and bullets
Causing me to bleed and rot from the inside out
Causing me to fall away like petal from stem
Causing me to implode silently
And maybe a sign of this disaster
A symptom of this sickness
Is discoloration.
Things turn purple
As a result of prolonged exposure
To their personal kryptonite.

It started when he had brought a box
He’d bought, back home from the fair,
The size of an average tinder box
In brass, and embossed with care,
The scene was the site of a battlefield
Where the redcoats marched as one,
In the face of the French artillery
Looking down the mouth of a gun.

And on the right was a drummer boy
Who drummed to the marching feet,
He gazed ahead but his eyes were dead
As he kept up a steady beat,
A moment of peril embossed in time
When nations ruled by the gun,
The redcoats all in a staggered line
With the battle not yet won.

‘And how did you come by that,’ she said,
His wife, when he brought it home,
‘I should know better than let you out
With a pound, when you’re on your own.
The gypsies see you abroad, my lad
And they say, ‘Now there’s our mark!
They’d pick you out of a thousand folk
Out there, a-stroll in the park.’

‘It wasn’t a gypsy, Jen,’ he said,
‘But an old, sad military man,
Struggling on a pension for
His bread, as best he can.’
‘You’re just as soft as the next one, Bill,
They’d steal a beggar’s cup,
But now that you’ve got your tinder box
Let’s see, just open it up.’

‘I can’t, it’s locked with a type of lock
That I’ve never seen before,
It’s rusted on, and there is no key,
It’s a work of art for sure.’
He set it down by their rustic hearth
Where it looked so very fine,
A piece from their ancient history
Where the soldiers stood in line.

That night they woke to the distant sound
Of a battle, lost and won,
The sound of cheers, of clashes, tears
To the beat of a distant drum,
And Jen was lying there frozen as
She clung to her husband’s arm,
‘What have you brought on home to us?’
She cried, in her alarm.

The morning saw her attack the lock
With a hammer to no avail,
The lock, it might have been rusty but
Was solid, strong and hale,
And Bill said ‘Stop! You will ruin it,
There’s nothing there to hide,
I bought it more for the picture than
What might there be inside.’

Each night the sound of a battle filtered
Out of that tinder box,
The sounds of the muskets firing, of
Whizz-bangs and battle shocks,
And through it all was the steady sound
Of the little drummer’s beat,
It rose up out of the battleground
With the sound of marching feet.

They finally cut the lock away
With a coarse old hacksaw blade,
It took a couple of hours that day
So sturdy was it made.
Then Bill said ‘Your curiosity
Has made me wreck the lock,
So now, there’s nothing to stop you, Jen,
Just open up the box.’

The lid flew up and the sight she saw
Was enough to make her faint,
For there, the skull of the drummer boy
Lay with its coat of paint,
And blood, red blood was the skull in there
Though the teeth were pearly white,
A bullet hole in the frontal lobe
That had kissed the boy goodnight.

And folded there, but beneath the skull
Was the skin of the drummer’s drum,
Blackened, torn and beyond repair
It had sounded for everyone.
It’s buried now with the drummer’s skull,
It’s resting beneath a tree,
And never sounds, for its war is won,
It’s where it was meant to be.

David Lewis Paget

Buzzing
cries are muffled
under forests of
crimson flags
that march towards
the city square,
rippling with intent.

Banners are crude
in attacking today
but naive
when dreaming
what could be:

‘Poetry is in the streets’
they cry,
‘Tis forbidden to forbid!'

Granite towers high above
protruding into nothingness,
sheathed in angry cloud as

rulers sit inside,
poker-faced,
pondering
Inevitability?

...

Well-placed muskets
spew forth shrapnel
as white-hot death
enters bodies
that fall to the ground,
their fists still clenched
in unyielding rocks.

Out leak scarlet legacies;
The blood is striking
against the snow.

...

A forgotten placard sits,
buried half in mud.

Red letters still visible
it reassures

that two and two
no longer
make four.

In mettle, in pure gallantry
They storm by foot to war
Muskets set, blades sharp and strong
To fight in blood and gore

The tyrant entices them with gold
Chance anew at life
But those poor souls, they never knew
They’re in for woe and strife

With pride inlaid within their hearts
They bid their wives goodbye.
In agony, in shadow black
They’ll soon fall and they’ll die

And ask themselves on verge of death
What was it worth it for?
To march away and give their lives
Away to death at war

The 19 murdered and martyred children and the 2 murdered and martyred teachers who taught them in Ulvade, Texas were a collective  Christ. They, like, Christ, were crucified, but by an endless stream of raging bullets that pierced their hearts and souls, killing all of them. **** Trump, Cowards Cruz and Abbott, and other members of the American Fascistist Party (formerly the Republican Party) also used the same trigger that has now murdered and martyred thousands and thousands and thousands of Americans. Indeed, all other members of the American Fascist Party have implicitly  been pulling the same trigger. The Second Amendment was drafted and ratified to protect the right of all citizens of the United States of America to possess legally muskets, not AR 15s. America is now apparently not only dumb, but also, and most egregiously, numb.

TOD HOWARD HAWKS

The telex caster flickers on
and the chap from the BBC, states
the last of the balloons are erected
we are ready for lift off

Slowly the land pulls away from the earth
time to rule Britannica most glorious
going where the winds takes us
and where we land, we will take as ours

Using only sound weapons
and the whispers of cold winds
we are so ready to take seizers
for this is airship Britain, full of lunatics

All don their red jackets
men, women and even children
no more muskets or marching
for this land is made for fighting

We are the now the Kunstprodukt
so ready for war, and so wanting
ready to take back what we have lost
this is battle of airship Britain

Only the elite will attire in black
for they are the ******* warriors
and they will jump into action
before we land, and play dangerously

We will rule where the wind takes us
for Britain is not on the map
and soon we float over to you
and land on your ****** lap


By Christos Andreas Kourtis aka NeonSolaris

By NeonSolaris
© 2012 NeonSolaris (All rights reserved)

My armies are in full retreat:
the cannons cold,
boots worn down,
muskets jammed and rusted --
Well fought and ready for rest.
My men seek shelter deep,
deep enough that hands cannot reach,
and they shall stay there for, perhaps, ever.
I was always told "no,"
that money ran the world
and a passion for words will not be enough,
that I will fail...
So my army is in retreat,
tired of fighting a constant defense,
using our last resources to build a keep
to lock away every imaginative flutter of golden butterflies,
and hide away any stray flicker of a thoughtful flame.
The oak trees of my mind's forest have been cut down,
nothing but stumps and leaves
and the smell of industrial smoke
from the bark of my oaks.
This time next year,
I hope not to be completely dead inside
that, somehow, deep in the keep of my soul,
a willow will weep beautiful tears
for lost soldiers and fallen oaks.
Perhaps the keep will thrive,
fighting off the countless sieges
and housing pilgrim dreams.
Perhaps the conquerers will be kind,
offering mercy to the innocent
and a quick death to the ones who deny "no."
It breaks my heart to call retreat,
but a small, crumbling, wounded dream
is better than no dream at all.

(This poem is dedicated to the hundreds of thousands of men and women who have struggled across generations in pursuit of the timeless ideals of freedom, justice, and equality)

When they try to tell you that the act of protest is un-American,
Dig in your heels, square your shoulders, spit in their face, and remind them where you come from
You come from Samuel Adams, spilled tea and muskets over Massachusetts, people who believed a revolution could not be honest if it did believe in its own declarations,
From John Brown and Nat Turner, broken chains and dead masters, people who believed slavery could not be destroyed without taking up the gun,
From Sojourner Truth and Susan B Anthony, ballots cast in handcuffs, people who refused to back down until democracy lived up to its promises,
From Eugene Victor Debs, shut down railroads and prison sentences, people who would risk everything so that every worker had the right to a fair wage and a livable condition,
From Mother Jones and Big Bill Haywood, general strikes and marching mill children, people who believed we could never be free unless we owned what we produced,
From Emma Goldman, anarchy and cries for liberty, people who believed that every institution which dominated the human spirit had to smashed by force,
From Malcolm X and Huey Newton, shotguns and free breakfasts, people who believed the government would not protect us so we must protect ourselves,
From Angela Davis and Assata Shakur, shootouts on the turnpike and crumbling prison walls, people who believed true emancipation was a struggle that would last forever,
From The Weather Underground and Students for a Democratic Society, midnight break ins and burning draft cards, people who believed the true enemy was not on foreign soil but in Washington
From Chief Seattle and Black Elk, wounded knee and fast receding tides, people who fought to carve their ancestors legacy out from the rubble of a stolen nation,
From Cesar Chavez and Robert Bullard, people who believed to save ourselves we must also save the Earth we live on,
From the Gay Liberation Front, police raids resisted and throwing bricks in dresses, people who fought like hell so that in the future people wouldn't have to fight like hell to love who they wished

Yours is but the next stage in evolution in a line centuries in the making,
You will carry that brilliant torch, and you will burn everything down with it
You will stand on the shoulders of giants climbing to a utopia that was promised,
They will try to break you down, they will try to **** your dream in its cradle,
But you will always have strength they do not,
History will remember you and them alike,
You as the hero, and them as the villain,
Remember this, keep this close to you,
For it will always be your greatest weapon

There's a sizzling giant that skips through the sky
While she nods at the people below
Now, a nod and a wink would be kinder, you'd think
But a nod is as far as she'll go

As she prances and bounds over sun-smothered grounds
She's the cause of a squall and a bluster
But no smile for the sodden, most recently trodden
A nod is the best she can muster

No weapon she fears, not the muskets or spears
Nor the arrow set loose by the archer
She dances her dance, an unyielding advance
Then a nod and a lazy departure

Postmortem thoughts raced in his head
The wet-blanketed machinery post war over-head
Tassels in the stream wave lengthened and abated
Left under wrought iron, muted and latent  

Grave-full the wondering over hills
Smoke ridden skies play fiddles for thrills
Marked a deserter a coward to-be
Stave joins the uniform woe is the helmet free

Consumption as the assault forum
Malaria under tent field wounds
Strategically sound mortals woven and bound
Orders on muskets, send out the hounds!

Bought for the trade ore a plantation plow
Burned to rubble soot and sow
Family mantle abandon its urn
No food for the season now is their turn