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V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the
Cyprian, who stirs up sweet passion in the gods and subdues the
tribes of mortal men and birds that fly in air and all the many
creatures that the dry land rears, and all the sea: all these
love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor
yet ensnare.  First is the daughter of Zeus who holds the aegis,
bright-eyed Athene; for she has no pleasure in the deeds of
golden Aphrodite, but delights in wars and in the work of Ares,
in strifes and battles and in preparing famous crafts.  She first
taught earthly craftsmen to make chariots of war and cars
variously wrought with bronze, and she, too, teaches tender
maidens in the house and puts knowledge of goodly arts in each
one's mind.  Nor does laughter-loving Aphrodite ever tame in love
Artemis, the huntress with shafts of gold; for she loves archery
and the slaying of wild beasts in the mountains, the lyre also
and dancing and thrilling cries and shady woods and the cities of
upright men.  Nor yet does the pure maiden Hestia love
Aphrodite's works.  She was the first-born child of wily Cronos
and youngest too (24), by will of Zeus who holds the aegis, -- a
queenly maid whom both Poseidon and Apollo sought to wed.  But
she was wholly unwilling, nay, stubbornly refused; and touching
the head of father Zeus who holds the aegis, she, that fair
goddess, sware a great oath which has in truth been fulfilled,
that she would be a maiden all her days.  So Zeus the Father gave
her an high honour instead of marriage, and she has her place in
the midst of the house and has the richest portion.  In all the
temples of the gods she has a share of honour, and among all
mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the
hearts.  But of all others there is nothing among the blessed
gods or among mortal men that has escaped Aphrodite.  Even the
heart of Zeus, who delights in thunder, is led astray by her;
though he is greatest of all and has the lot of highest majesty,
she beguiles even his wise heart whensoever she pleases, and
mates him with mortal women, unknown to Hera, his sister and his
wife, the grandest far in beauty among the deathless goddesses --
most glorious is she whom wily Cronos with her mother Rhea did
beget: and Zeus, whose wisdom is everlasting, made her his chaste
and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to
be joined in love with a mortal man, to the end that, very soon,
not even she should be innocent of a mortal's love; lest
laughter-loving Aphrodite should one day softly smile and say
mockingly among all the gods that she had joined the gods in love
with mortal women who bare sons of death to the deathless gods,
and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises
who was tending cattle at that time among the steep hills of
many-fountained Ida, and in shape was like the immortal gods.
Therefore, when laughter-loving Aphrodite saw him, she loved him,
and terribly desire seized her in her heart.  She went to Cyprus,
to Paphos, where her precinct is and fragrant altar, and passed
into her sweet-smelling temple.  There she went in and put to the
glittering doors, and there the Graces bathed her with heavenly
oil such as blooms upon the bodies of the eternal gods -- oil
divinely sweet, which she had by her, filled with fragrance.  And
laughter-loving Aphrodite put on all her rich clothes, and when
she had decked herself with gold, she left sweet-smelling Cyprus
and went in haste towards Troy, swiftly travelling high up among
the clouds.  So she came to many-fountained Ida, the mother of
wild creatures and went straight to the homestead across the
mountains.  After her came grey wolves, fawning on her, and grim-
eyed lions, and bears, and fleet leopards, ravenous for deer: and
she was glad in heart to see them, and put desire in their
*******, so that they all mated, two together, about the shadowy
coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters,
and him she found left quite alone in the homestead -- the hero
Anchises who was comely as the gods.  All the others were
following the herds over the grassy pastures, and he, left quite
alone in the homestead, was roaming hither and thither and
playing thrillingly upon the lyre.  And Aphrodite, the daughter
of Zeus stood before him, being like a pure maiden in height and
mien, that he should not be frightened when he took heed of her
with his eyes.  Now when Anchises saw her, he marked her well and
wondered at her mien and height and shining garments.  For she
was clad in a robe out-shining the brightness of fire, a splendid
robe of gold, enriched with all manner of needlework, which
shimmered like the moon over her tender *******, a marvel to see.

Also she wore twisted brooches and shining earrings in the form
of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her:
'Hail, lady, whoever of the blessed ones you are that are come to
this house, whether Artemis, or Leto, or golden Aphrodite, or
high-born Themis, or bright-eyed Athene.  Or, maybe, you are one
of the Graces come hither, who bear the gods company and are
called immortal, or else one of those who inhabit this lovely
mountain and the springs of rivers and grassy meads.  I will make
you an altar upon a high peak in a far seen place, and will
sacrifice rich offerings to you at all seasons.  And do you feel
kindly towards me and grant that I may become a man very eminent
among the Trojans, and give me strong offspring for the time to
come.  As for my own self, let me live long and happily, seeing
the light of the sun, and come to the threshold of old age, a man
prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered
him: 'Anchises, most glorious of all men born on earth, know that
I am no goddess: why do you liken me to the deathless ones?  Nay,
I am but a mortal, and a woman was the mother that bare me.
Otreus of famous name is my father, if so be you have heard of
him, and he reigns over all Phrygia rich in fortresses.  But I
know your speech well beside my own, for a Trojan nurse brought
me up at home: she took me from my dear mother and reared me
thenceforth when I was a little child.  So comes it, then, that I
well know you tongue also.  And now the Slayer of Argus with the
golden wand has caught me up from the dance of huntress Artemis,
her with the golden arrows.  For there were many of us, nymphs
and marriageable (26) maidens, playing together; and an
innumerable company encircled us: from these the Slayer of Argus
with the golden wand rapt me away.  He carried me over many
fields of mortal men and over much land untilled and unpossessed,
where savage wild-beasts roam through shady coombes, until I
thought never again to touch the life-giving earth with my feet.
And he said that I should be called the wedded wife of Anchises,
and should bear you goodly children.  But when he had told and
advised me, he, the strong Slayer of Argos, went back to the
families of the deathless gods, while I am now come to you: for
unbending necessity is upon me.  But I beseech you by Zeus and by
your noble parents -- for no base folk could get such a son as
you -- take me now, stainless and unproved in love, and show me
to your father and careful mother and to your brothers sprung
from the same stock.  I shall be no ill-liking daughter for them,
but a likely.  Moreover, send a messenger quickly to the swift-
horsed Phrygians, to tell my father and my sorrowing mother; and
they will send you gold in plenty and woven stuffs, many splendid
gifts; take these as bride-piece.  So do, and then prepare the
sweet marriage that is honourable in the eyes of men and
deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet
desire in his heart.  And Anchises was seized with love, so that
he opened his mouth and said:

(ll. 145-154) 'If you are a mortal and a woman was the mother who
bare you, and Otreus of famous name is your father as you say,
and if you are come here by the will of Hermes the immortal
Guide, and are to be called my wife always, then neither god nor
mortal man shall here restrain me till I have lain with you in
love right now; no, not even if far-shooting Apollo himself
should launch grievous shafts from his silver bow.  Willingly
would I go down into the house of Hades, O lady, beautiful as the
goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand.  And
laughter-loving Aphrodite, with face turned away and lovely eyes
downcast, crept to the well-spread couch which was already laid
with soft coverings for the hero; and upon it lay skins of bears
and deep-roaring lions which he himself had slain in the high
mountains.  And when they had gone up upon the well-fitted bed,
first Anchises took off her bright jewelry of pins and twisted
brooches and earrings and necklaces, and loosed her girdle and
stripped off her bright garments and laid them down upon a
silver-studded seat.  Then by the will of the gods and destiny he
lay with her, a mortal man with an immortal goddess, not clearly
knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen
and hardy sheep back to the fold from the flowery pastures, even
then Aphrodite poured soft sleep upon Anchises, but herself put
on her rich raiment.  And when the bright goddess had fully
clothed herself, she stood by the couch, and her head reached to
the well-hewn roof-tree; from her cheeks shone unearthly beauty
such as belongs to rich-crowned Cytherea.  Then she aroused him
from sleep and opened her mouth and said:

(ll. 177-179) 'Up, son of Dardanus! -- why sleep you so heavily?
-- and consider whether I look as I did when first you saw me
with your eyes.'

(ll. 180-184) So she spake.  And he awoke in a moment and obeyed
her.  But when he saw the neck and lovely eyes of Aphrodite, he
was afraid and turned his eyes aside another way, hiding his
comely face with his cloak.  Then he uttered winged words and
entreated her:

(ll. 185-190) 'So soon as ever I saw you with my eyes, goddess, I
knew that you were divine; but you did not tell me truly.  Yet by
Zeus who holds the aegis I beseech you, leave me not to lead a
palsied life among men, but have pity on me; for he who lies with
a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him:
'Anchises, most glorious of mortal men, take courage and be not
too fearful in your heart.  You need fear no harm from me nor
from the other blessed ones, for you are dear to the gods: and
you shall have a dear son who shall reign among the Trojans, and
children's children after him, springing up continually.  His
name shall be Aeneas (27), because I felt awful grief in that I
laid me in the bed of mortal man: yet are those of your race
always the most like to gods of all mortal men in beauty and in
stature (28).

(ll. 202-217) 'Verily wise Zeus carried off golden-haired
Ganymedes because of his beauty, to be amongst the Deathless Ones
and pour drink for the gods in the house of Zeus -- a wonder to
see -- honoured by all the immortals as he draws the red nectar
from the golden bowl.  But grief that could not be soothed filled
the heart of Tros; for he knew not whither the heaven-sent
whirlwind had caught up his dear son, so that he mourned him
always, unceasingly, until Zeus pitied him and gave him high-
stepping horses such as carry the immortals as recompense for his
son.  These he gave him as a gift.  And at the command of Zeus,
the Guide, the slayer of Argus, told him all, and how his son
would be deathless and unageing, even as the gods.  So when Tros
heard these tidings from Zeus, he no longer kept mourning but
rejoiced in his heart and rode joyfully with his storm-footed
horses.

(ll. 218-238) 'So also golden-throned Eos rapt away Tithonus who
was of your race and like the deathless gods.  And she went to
ask the dark-clouded Son of Cronos that he should be deathless
and live eternally; and Zeus bowed his head to her prayer and
fulfilled her desire.  Too simply was queenly Eos: she thought
not in her heart to ask youth for him and to strip him of the
slough of deadly age.  So while he enjoyed the sweet flower of
life he lived rapturously with golden-throned Eos, the early-
born, by the streams of Ocean, at the ends of the earth; but when
the first grey hairs began to ripple from his comely head and
noble chin, queenly Eos kept away from his bed, though she
cherished him in her house and nourished him with food and
ambrosia and gave him rich clothing.  But when loathsome old age
pressed full upon him, and he could not move nor lift his limbs,
this seemed to her in her heart the best counsel: she laid him in
a room and put to the shining doors.  There he babbles endlessly,
and no more has strength at all, such as once he had in his
supple limbs.

(ll. 239-246) 'I would not have you be deathless among the
deathless gods and live continually after such sort.  Yet if you
could live on such as now you are in look and in form, and be
called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you --
ruthless age which stands someday at the side of every man,
deadly, wearying, dreaded even by the gods.

(ll. 247-290) 'And now because of you I shall have great shame
among the deathless gods henceforth, continually.  For until now
they feared my jibes and the wiles by which, or soon or late, I
mated all the immortals with mortal women, making them all
subject to my will.  But now my mouth shall no more have this
power among the gods; for very great has been my madness, my
miserable and dreadful madness, and I went astray out of my mind
who have gotten a child beneath my girdle, mating with a mortal
man.  As for the child, as soon as he sees the light of the sun,
the deep-breasted mountain Nymphs who inhabit this great and holy
mountain shall bring him up.  They rank neither with mortals nor
with immortals: long indeed do they live, eating heavenly food
and treading the lovely dance among the immortals, and with them
the Sileni and the sharp-eyed Slayer of Argus mate in the depths
of pleasant caves; but at their birth pines or high-topped oaks
spring up with them upon the fruitful earth, beautiful,
flourishing trees, towering high upon the lofty mountains (and
men call them holy places of the immortals, and never mortal lops
them with the axe); but when the fate of death is near at hand,
first those lovely trees wither where they stand, and the bark
shrivels away about them, and the twigs fall down, and at last
the life of the Nymph and of the tree leave the light of the sun
together.  These Nymphs shall keep my son with them and rear him,
and as soon as he is come to lovely boyhood, the goddesses will
bring him here to you and show you your child.  But, that I may
tell you all that I have in mind, I will come here again towards
the fifth year and bring you my son.  So soon as ever you have
seen him -- a scion to delight the eyes -- you will rejoice in
beholding him; for he shall be most godlike: then bring him at
once to windy Ilion.  And if any mortal man ask you who got your
dear son beneath her girdle, remember to tell him as I bid you:
say he is the offspring of one of the flower-like Nymphs who
inhabit this forest-clad hill.  But if you tell all and foolishly
boast that you lay with ric
CK Baker Jan 2017
they stained the back deck today (with a hard to match 7 periwinkle)
400 square feet of knotted pine (in a striking rivet sequence)
red ant drivers (who can forget those little ******)
caked fir needles & feather cone
bug hologram & cedar moss
graffiti crack & cut joist
wheel rut & pick
pike stain (s)
sow bugs
electric
blower
purple
fueled
washer
missing
foul bits
and two of
its former pins
somewhere near
the erratic 9th stroke the
side kick (and his sloppy dullard)
fell sadly in a cacophony of sick laughter
anxious peckers, poinsettias, grub box, rail stems
lacewings (ladylike in their task), third door down windows
old ergonomic chairs (so highly touted in the checkout isle at Lowes)
all for not, I guess ~ seems they never reviewed the Homestead Manual on Fine Deck Painting ~
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
The Terry Tree Dec 2014
Your thoughts are kept warm
And unwithered by the bedside
Of an old tree with branches
That I found growing
In the valley of
Our affection

As I
Plant 
Spirit
And vigor
The seeds of 
My smile
Become one 
With pure 
Existence
And the 
Soil

In our tree
Every branch
Finds a particular path
In which to show
An ancient age that 
Time has passed on
For us to share
As new stems 
Grow and
Evolve

A garden of light
What a beautiful sight
Pulsating and flourishing 
As healthy leaves might

Birds resting and nesting
Befriending sunlight
We are the story of life's
Uncharted mystery
Planted in the memory
Of tomorrow's history
And the plantation
Of our heart's
Crop 

As we graze for days and days
For many years to come
We will harvest this
Homestead in the
Never ending
Landscape
Of our
Love

© tHE tERRY tREE
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
IF Michael, leader of God's host
When Heaven and Hell are met,
Looked down on you from Heaven's door-post
He would his deeds forget.
Brooding no more upon God's wars
In his divine homestead,
He would go weave out of the stars
A chaplet for your head.
And all folk seeing him bow down,
And white stars tell your praise,
Would come at last to God's great town,
Led on by gentle ways;
And God would bid His warfare cease,
Saying all things were well;
And softly make a rosy peace,
A peace of Heaven with Hell.
649

Her Sweet turn to leave the Homestead
Came the Darker Way—
Carriages—Be Sure—and Guests—too—
But for Holiday

’Tis more pitiful Endeavor
Than did Loaded Sea
O’er the Curls attempt to caper
It had cast away—

Never Bride had such Assembling—
Never kinsmen kneeled
To salute so fair a Forehead—
Garland be indeed—

Fitter Feet—of Her before us—
Than whatever Brow
Art of Snow—or Trick of Lily
Possibly bestow

Of Her Father—Whoso ask Her—
He shall seek as high
As the Palm—that serve the Desert—
To obtain the Sky—

Distance—be Her only Motion—
If ’tis Nay—or Yes—
Acquiescence—or Demurral—
Whosoever guess—

He—must pass the Crystal Angle
That obscure Her face—
He—must have achieved in person
Equal Paradise—
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Anthony Mayfield Jul 2018
Marching ahead
Broken paths we trek
Dare we try again?
Onward, Homestead

Let us trudge ahead
And never bow our heads
Even in death
We’ll make it to the Homestead
The journey to where we ultimately belong is perilous, but one way or another we will make it.
BB Tyler Dec 2015
early morning
enough to catch the sunrise color
on a snag of wool
in a leafless tree
in the wind

seed to the chickens
hay the goats and the sheep
their turds on the frozen ground
like coffee beans
in the early morning
William A Poppen Jul 2015
He stands before her
as surveying a Renoir, overwhelmed
by red splashes from her nails, her lips
Entranced by her sparkling blue eyes
and hair swept across her shoulders
its crackle, as wind blown fields of barley
Her words cool him as though
dipped in Box Elder Creek
Her moves have the grace of cirrus skies

He thinks this is a settling place
fit to build a homestead
slightly edited from West Texas Homestead, page 13 in Honey & Darkness, iUniverse, 2009
Josh Koepp Oct 2012
Every morning i greet the sun smelling like jasmine and spice
the rays roll through my window
bend nicely and tip their hats only to figure out
that i am a man
and they switch between reaching down to kiss my hand
something they subconsciously planned
ever since that smell of sensual perfume heated up
even the hottest, and the coolest
made them too woozy to stand
they switch to an improvised hand shake
their mother told them not to judge on every
first impression that they make
but they smell my personality
my mannerisms and the way i walk and talk
WAFTED into their nostrils
like some woman dolled up before a date
with no one
to sit alone and say
"** hum"
and wait for the casual wreck of a man to walk in
to punch his time card and clock in
to commit sin upon this woman

but no

their nostrils and their eyes
seem to not agree
on what is
me

i wake up smelling like jasmine and spices
like a woman who spent all night in sin
taking pleasure from her vices
and i waft into every man and womans nostrils

and their eyes say man

their nose says woman so it seems
so they think i must be something in between

when in reality i smell like this because
i spent an entire night in love
with someone i lost the next day
and in our own way she brought her oils
for me to serve and slave her body with
and i wasn't ashamed of it

i spilt the oils all over our bodys they caressed us
and gave every motion an unstoppable velocity
every situation was slippery
and things that shouldnt have been
almost came to be

as we slept the oils clocked out
and slid down our still interlocked bodies and into the bedspread
it opened up its homestead
and buried its dead, started families and grew in number
until the population of the smell was too strong
too strong and the one i shared the smell with
was gone

but i hold that night fondly
i hold it above my head in all its glory
and when i am judged by my scent and called
gay
***
or questioned of my sexuality
i just tell them
i'm being the scent i smelled when i discovered my masculinity
when i tried gender fusion and it didn't quite work
but i covered every other base
i swear my good sir

so ill tell you one thing
i am not an inbetween because i have never joined in the sweet final base
into sweet sexuality
with the opposite *** making man and woman
into man-woman
the in between

what i really mean is i am not what you think of me
i am 100% man until i find the right woman
a beautiful sight in the sunlight
and when night falls and i cant see her at all
i can find even more things i like
to take that from me
and i will give it up gladly

i am a man
as much as any man woman
or man man is
and stereotypes are for those who dont understand
that there IS no difference.
Douglas Scheurn Jun 2014
I am a torso,
With the heart exposed.
Given a single morsel,
That shrieks and floats.

"This place is dark, "
Says my flying eye.
"Did My head go to the park? "
Responded I.

The woodgrain tables,
Coated in dust.
Homestead cables,
Plagued in rust.

The ghosts are sick,
And cannot move.
The air is thick,
Within each room.

No one lived here for years,
No windows in it's place.
The home sat empty with fear,
As apparitions pace.

Screams echo through the night,
As the front sorry creaks.
The brave cry with fright,
As the walls speak.

The boards rot away,
The clocks all stopped.
The curtains away,
Occasionally a head pops.

I roll into my place of death,
In hopes yo find my skull.
I got myself into this mess,
As I couldn't pay the toll.

Carpet Diem.
But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.
Dookie Feb 2014
welcome to Earth on which we live,
why here? no one can say.
one thing is certain 'bout this planet's burdens;
they never will ever go away.

why not on Mercury? Neighbor the sun?
it's too close, the heat is unreal.
its surface is hot, a place we go not,
for we are too fragile to heal.

how about Venus, our sisterly planet?
she's gross and unhealthy too.
her surface corroded and it's duly noted
that this one will just never do.

we could try Mars, our redheaded friend
but alas! that simply won't work.
too much pollution for any solution
we'd most likely just end up hurt.

what say Jupiter that big cloudy mess?
good luck you dreamer and fool.
impossible dagnabbit! don't try to inhabit
for us that place is too cruel.

now you say Saturn, the world of infinity
well infinite is just a bad joke.
the rings may be nice, but take my advice,
there's too great a chance we'd all choke.

then perhaps Neptune, one more chance at home
your hopes once again are kaput.
she's not only distant, but far too resistant
to ever once let us set foot.

now our last chance Pluto, the farthest
but she's been sadly forgotten.
why dream of this? she's clearly not missed
by now she's dead and rotten.

my friends you have realized the greatest of truths
that anywhere else we'd be dead.
our life here on Earth is more than it's worth
as we dwell on our cosmic homestead.
I left this town in 75
a dumb drunk ****

or as a friend once
poetically observed
"a beer quaffing linebacker"

but tonight I return
an enlightened poet
ready to recite
a stack of poems
eight years and two days
removed from my last drink

now relishing
the sweet intoxication
of drinking in
seas of words and letters,
brading a life's narrative with
solitary lifelines of truth

This town knew me

I know this town

The pomp and circumstance
of my high school commencement
occurred in this very place

I know the exact spot
near St. Mary
where Moose was killed
that awful
Good Friday evening.

After enjoying
the team revelry
at a Saturday Night
victory party;
I ran my hand across
the scarred Poplar
on West Passaic Avenue
that abruptly ended
Fic's life.

I slink past the house
filled with heinous memories
of my youth, cringing
through relived nightmares
of my father brutalizing
my naked mother in
an alcoholic rage;
and remain busy
trying to lick the still
raw sting of running wounds
inflicted by a mother
consumed with a
raging bitterness of
self righteous resentments.

Beer, *****,
Strawberry
Boone's Farm
and lotsa rolled bones
destroyed my family home,
murdered childhood
friends and greased
the wheels of
getaway cars in
fruitless attempts
to escape emotional
nightmares.

From where I stand
I can throw a stone
in any direction to mark
the scenes of
a hundred stories
that authored
the constitution
of me.

Across
the street
I can see
the lights burning
in the apartment where
Weehawken Joe
once lived.

Take a look.

He was crazier than
Tony Montana and
like Scarface not a
single lie could
be found in him;
he also possessed
the gift of
the best jump-shot
the Bulldogs ever had.

Years after I left town
I burst into tears
when Buns Hines
broke the news that
Weehawken  Joe
died of throat cancer.

Mortality is a
bitter truth
to swallow.

All along
Park Avenue
old commercial haunts,
save Varrelmann's Bakery
long gone.

Further up the street
my pilgrimage ends at the
WCW homestead.

In the fading light
of a glorious
autumn afternoon
the house appears
rundown, empty,
mournfully shabby.

On an upper floor
a lace curtain gently
flits and darts out an
open window.

I ponder
the words
still dwelling in
the dark closets
haunting the rooms
of this distressed edifice.

I wonder
how they now
sound?

The faint noises
hidden in
dusty corners
moaning a
ghostly presence,
creeping the halls,
clattering about
the kitchen,
bounding through
the living room
in an old beat-up
Red Wheelbarrow;
rolling along
moving to manifest
faintly whispered echos
into fully formed phrases;
liberating expressive sentiments
of a very blue house...

Eight years, two days
removed from a drink,
I'm grasping for letters
fumbling for the words
listening for sounds
churning within me
seeking to release
the revelations
of my truth.

Crosby, Stills Nash & Young
On the Way Home

William Carlos Williams Center
Rutherford NJ
10/02/13
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
There was movement at the station, for the word had passed around
That the colt from old Regret had got away,
And had joined the wild bush horses -  he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.

There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up —
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand,
No better horseman ever held the reins;
For never horse could throw him while the saddle girths would stand,
He learnt to ride while droving on the plains.

And one was there, a stripling on a small and weedy beast;
He was something like a racehorse undersized,
With a touch of Timor pony — three parts thoroughbred at least —
And such as are by mountain horsemen prized.
He was hard and tough and wiry — just the sort that won't say die —
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye,
And the proud and lofty carriage of his head.

But still so slight and weedy, one would doubt his power to stay,
And the old man said, "That horse will never do
For a long and tiring gallop  - lad, you'd better stop away,
Those hills are far too rough for such as you."
So he waited sad and wistful — only Clancy stood his friend —
"I think we ought to let him come," he said;
"I warrant he'll be with us when he's wanted at the end,
For both his horse and he are mountain bred."

"He hails from Snowy River, up by Kosciusko's side,
Where the hills are twice as steep and twice as rough,
Where a horse's hoofs strike firelight from the flint stones every stride,
The man that holds his own is good enough.
And the Snowy River riders on the mountains make their home,
Where the river runs those giant hills between;
I have seen full many horsemen since I first commenced to roam,
But nowhere yet such horsemen have I seen."

So he went; they found the horses by the big mimosa clump,
They raced away towards the mountain's brow,
And the old man gave his orders, "Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills."

So Clancy rode to wheel them — he was racing on the wing
Where the best and boldest riders take their place,
And he raced his stockhorse past them, and he made the ranges ring
With the stockwhip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stockwhip with a sharp and sudden dash,
And off into the mountain scrub they flew.

Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And the stockwhips woke the echoes, and they fiercely answered back
From cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Were mountain ash and kurrajong grew wide;
And the old man muttered fiercely, "We may bid the mob good day,
No man can hold them down the other side."

When they reached the mountain's summit, even Clancy took a pull  -
It well might make the boldest hold their breath;
The wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip was death.
But the man from Snowy River let the pony have his head,
And he swung his stockwhip round and gave a cheer,
And he raced him down the mountain like a torrent down its bed,
While the others stood and watched in very fear.

He sent the flint-stones flying, but the pony kept his feet,
He cleared the fallen timbers in his stride,
And the man from Snowy River never shifted in his seat —
It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, on the rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound,
At the bottom of that terrible descent.

He was right among the horses as they climbed the farther hill
And the watchers on the mountain standing mute,
Saw him ply the stockwhip fiercely; he was right among them still,
As he raced across the clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges - but a final glimpse reveals
On a dim and distant hillside the wild horses racing yet,
With the man from Snowy River at their heels.

And he ran them single-handed till their sides were white with foam.
He followed like a bloodhound on their track,
Till they halted cowed and beaten, then he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.

And down by Kosciusko, where the pine-clad ridges raise
Their torn and rugged battlements on high,
Where the air is clear as crystal, and the white stars fairly blaze
At midnight in the cold and frosty sky,
And where around the Overflow the reed -beds sweep and sway
To the breezes, and the rolling plains are wide,
The man from Snowy River is a household word today,
And the stockmen tell the story of his ride.
brandon nagley Jan 2016
i.

Queen O' queen, this is thy king
Queen O' queen, this is thy king;
Put thine amulet, around thy neck-
For me.

ii.

Queen O' queen, this is thy king(10,9,8,7,6)
Upon saturns ring's, a beloved dream; (5,4,3)
Taketh mine hand, glideth the moon's with me. ( 2,1,liftoff)

iii.

This is thine king mine dearest queen
Thou hath taken me far away,
To the places only known
By saint's and those whom pray.

This is thy king mine dearest Queen
Erelong love, tis thine hope I cling;
And I'm higher in the most
Ravishing way. Erelong dove,
We'll maketh love in a holy way.

iv.

For here, am I dancing on the cosmos,
Beyond angelic tunes,
Thine eye's of cocoa tides,
Blend's inside me
As I rise.

v.

Though we've passed the universal edge
I'm peaceful in thine presence
Alive or dead; I feeleth the dark matter-
Bubble around in mine head, as Nirvana's
In ourn sight's, Zion's breath.

Queen O' queen, looketh ahead
The stream's; their flowing as
Milk and honey tree's
Touch ourn feet,
A tranquil homestead.

vi.

For here, am I dancing on the cosmos,
Beyond angelic tunes,
Thine eye's of cocoa tides,
Blend's inside me
As I rise.......


©Brandon Nagley
©Lonesome poets poetry
©Earl Jane Nagley(Filipino rose) dedicated
After listening to David Bowie's song space oddity today. The song got stuck in mine head! So decided to dedicate a poem to mine queen based off of the tune space oddity by David Bowie. This is a dedicated poem to Bowie's remembrance as well not just a poem to Jane! Rip me Bowie, lovely old soul. everyone has been speaking of Bowie's older music which I Love and always have.. Though if noone has heard his last song I put out two days before his death called ( Lazarus) you should listen to it. Really his last words. So hauntingly beautiful though so depressing as you could see him being eaten away by his cancer fighting.. And video shows how deathly he was. Though his last song Lazarus was amazing!!!!

And btw erelong means- soon.. Or shortly
Logan Robertson Oct 2018
So he threw all his chips on red
Thought only of what was in his head
Which turned out to be shots of dread
For his seeds planted in young women's garden bed
Without nary water or breaking bread
Or nary knowing the breaches of his and her homestead
So he rushed down stranger's alley shed
On a runaway, wrongheaded cocky sled
Through her banks, he crashed her spread
Like a raging, raging thoroughbred
Nary was a thought of a rubber glove on his dragonhead
For the buried absence of love was in his heart of lead
There's his wife at home tucking their kids in their bunkbed
While he flirted with the forbidden apple instead
It was this night that lives in infamy for others to read this dread
For the news broke of a married man impregnating a young coed
Accosting such teen to what now proves to be his deathbed
Yet if he unwinds his c(l)ock and placed his chips on black he wouldn't have bled
Petering out the ills in his marriage he would have been freed
Now he shrivels in a shameful battle of what went through his head

Logan Robertson

10/05/2018
I came back to read this. What a maze. I see a little lab mice running through the corriders of temptation, going this way or that, looking for that sugar cube. I see it racing, like its addicted. Then I look back at this poem and see a correlation.
I.

I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee's swinging chime,
Because the one so near the other is.

He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother's larger tread.

I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary
Where men grew blind, though angels knew the rest.

If he said 'Hush!' I tried to hold my breath;
Wherever he said 'Come!' I stepped in faith.

II.

Long years have left their writing on my brow,
But yet the freshness and the dew-fed beam
Of those young mornings are about me now,
When we two wandered toward the far-off stream

With rod and line. Our basket held a store
Baked for us only, and I thought with joy
That I should have my share, though he had more,
Because he was the elder and a boy.

The firmaments of daisies since to me
Have had those mornings in their opening eyes,
The bunchèd cowslip's pale transparency
Carries that sunshine of sweet memories,

And wild-rose branches take their finest scent
From those blest hours of infantine content.

III.

Our mother bade us keep the trodden ways,
Stroked down my tippet, set my brother's frill,
Then with the benediction of her gaze
Clung to us lessening, and pursued us still

Across the homestead to the rookery elms,
Whose tall old trunks had each a grassy mound,
So rich for us, we counted them as realms
With varied products: here were earth-nuts found,

And here the Lady-fingers in deep shade;
Here sloping toward the Moat the rushes grew,
The large to split for pith, the small to braid;
While over all the dark rooks cawing flew,

And made a happy strange solemnity,
A deep-toned chant from life unknown to me.

IV.

Our meadow-path had memorable spots:
One where it bridged a tiny rivulet,
Deep hid by tangled blue Forget-me-nots;
And all along the waving grasses met

My little palm, or nodded to my cheek,
When flowers with upturned faces gazing drew
My wonder downward, seeming all to speak
With eyes of souls that dumbly heard and knew.

Then came the copse, where wild things rushed unseen,
And black-scathed grass betrayed the past abode
Of mystic gypsies, who still lurked between
Me and each hidden distance of the road.

A gypsy once had startled me at play,
Blotting with her dark smile my sunny day.

V.

Thus rambling we were schooled in deepest lore,
And learned the meanings that give words a soul,
The fear, the love, the primal passionate store,
Whose shaping impulses make manhood whole.

Those hours were seed to all my after good;
My infant gladness, through eye, ear, and touch,
Took easily as warmth a various food
To nourish the sweet skill of loving much.

For who in age shall roam the earth and find
Reasons for loving that will strike out love
With sudden rod from the hard year-pressed mind?
Were reasons sown as thick as stars above,

'Tis love must see them, as the eye sees light:
Day is but Number to the darkened sight.

VI.

Our brown canal was endless to my thought;
And on its banks I sat in dreamy peace,
Unknowing how the good I loved was wrought,
Untroubled by the fear that it would cease.

Slowly the barges floated into view
Rounding a grassy hill to me sublime
With some Unknown beyond it, whither flew
The parting cuckoo toward a fresh spring time.

The wide-arched bridge, the scented elder-flowers,
The wondrous watery rings that died too soon,
The echoes of the quarry, the still hours
With white robe sweeping-on the shadeless noon,

Were but my growing self, are part of me,
My present Past, my root of piety.

VII.

Those long days measured by my little feet
Had chronicles which yield me many a text;
Where irony still finds an image meet
Of full-grown judgments in this world perplext.

One day my brother left me in high charge,
To mind the rod, while he went seeking bait,
And bade me, when I saw a nearing barge,
****** out the line lest he should come too late.

Proud of the task, I watched with all my might
For one whole minute, till my eyes grew wide,
Till sky and earth took on a strange new light
And seemed a dream-world floating on some tide -

A fair pavilioned boat for me alone
Bearing me onward through the vast unknown.

VIII.

But sudden came the barge's pitch-black prow,
Nearer and angrier came my brother's cry,
And all my soul was quivering fear, when lo!
Upon the imperilled line, suspended high,

A silver perch! My guilt that won the prey,
Now turned to merit, had a guerdon rich
Of songs and praises, and made merry play,
Until my triumph reached its highest pitch

When all at home were told the wondrous feat,
And how the little sister had fished well.
In secret, though my fortune tasted sweet,
I wondered why this happiness befell.

'The little lass had luck,' the gardener said:
And so I learned, luck was with glory wed.

IX.

We had the self-same world enlarged for each
By loving difference of girl and boy:
The fruit that hung on high beyond my reach
He plucked for me, and oft he must employ

A measuring glance to guide my tiny shoe
Where lay firm stepping-stones, or call to mind
'This thing I like my sister may not do,
For she is little, and I must be kind.'

Thus boyish Will the nobler mastery learned
Where inward vision over impulse reigns,
Widening its life with separate life discerned,
A Like unlike, a Self that self restrains.

His years with others must the sweeter be
For those brief days he spent in loving me.

X.

His sorrow was my sorrow, and his joy
Sent little leaps and laughs through all my frame;
My doll seemed lifeless and no girlish toy
Had any reason when my brother came.

I knelt with him at marbles, marked his fling
Cut the ringed stem and make the apple drop,
Or watched him winding close the spiral string
That looped the orbits of the humming top.

Grasped by such fellowship my vagrant thought
Ceased with dream-fruit dream-wishes to fulfil;
My aëry-picturing fantasy was taught
Subjection to the harder, truer skill

That seeks with deeds to grave a thought-tracked line,
And by 'What is,' 'What will be' to define.

XI.

School parted us; we never found again
That childish world where our two spirits mingled
Like scents from varying roses that remain
One sweetness, nor can evermore be singled.

Yet the twin habit of that early time
Lingered for long about the heart and tongue:
We had been natives of one happy clime
And its dear accent to our utterance clung.

Till the dire years whose awful name is Change
Had grasped our souls still yearning in divorce,
And pitiless shaped them in two forms that range
Two elements which sever their life's course.

But were another childhood-world my share,
I would be born a little sister there.
Jayanta Apr 2014
We had well-heeled days
With sprawling village,
Glowing crop field, homestead,
and flock of cattle !
We worked day and night
Made our life accomplish with fruits of toil!
Those were the days of amiable knot with everyone,
Spring was echoed with the   sound of ‘Dhol’ and ‘Bihu’!
Summer was fragrance with wet soil and mud of crop field!
Autumn was resonance with ‘Aoi-ni-tom’!
Winter was mirrored with golden Paddy!
Now, we are like a vagrant!
We work in other’s field
We are living on our landowner’s marshy!
“Have you seen that boat on the river?
  Our village was there!
Mighty Brahmaputra had carried away
Our home and glee!”
Now, we depend on our land owner’s marshy!
The river Brhamaputra flowing through Assam (a state of India), there are many places in the region where bank erosion takes place along with shifting of river course  and people lost their villages, home and livelihood. It is a great tragedy of the region.
When I visited one of the affected areas, a la-di-dah person belongs to Mising tribal community of Majuli River Island, shared this with me. Still, the drops of tears coming out of his eyes disturb me!

Meaning of the specific word used in the poem –
Dhol- a traditional drum (musical instrument), Bihu- it is a festival of the region and folk song sing in the spring season are also known as Bihu or Bihu Nam /Song, Aoi-ni-tom – a traditional folk song of Mising tribal community
Philipp K J Dec 2018
Sweeping past the lineroom yards
With a long hand held broomstick
Malayandi was a daily sight,
A hard and indelible insight

His quiet mouth a taco
Betel leaf and tobacco
The sweet red rose scent
Animate his hands to accent
Rhythms in the dirt puddle
strokes of savage broom
Frolic along sewage groom
Gargle alongside marbles
Rake up ripple giggles
Babbling bubbles fling
Driving mild stink flakes
To spread morning
Knit into a dead neat serenity.

On festival seasons vacations
Instead of grooming the vassal
comes blooming with big vessels
Collects cooked food in measures
From each and every homestead
People pour in quiet leisure
Rice in a *** of metal
Curry in another kettle
Filled with reverence and pleasure
His heart is brimming sure

All different kitchen meals
In a single container appeals
All children of the same ranch
With many a range
of community
A bonehomie of unity

The children heard
from their friend his daughter
They'd preserved
All those food in cold water
And all the while
They'd eat from it too
This collected meal
for a week or two

This made the children to
look up at them
With same respect due to
a national anthem

Are they more advanced?
With knowledge enhanced
In matters of life and cleanliness?

Malayandi was unaware
That his humble duty covered
Sweeping as well grooming
The children's hearts
With arts of rare sensibility.
1545

The Bible is an antique Volume—
Written by faded men
At the suggestion of Holy Spectres—
Subjects—Bethlehem—
Eden—the ancient Homestead—
Satan—the Brigadier—
Judas—the Great Defaulter—
David—the Troubador—
Sin—a distinguished Precipice
Others must resist—
Boys that “believe” are very lonesome—
Other Boys are “lost”—
Had but the Tale a warbling Teller—
All the Boys would come—
Orpheus’ Sermon captivated—
It did not condemn—
Alexander  K OPICHO
(Eldoret, Kenya;aopicho@yahoo.com)

from north in Kaduna  of Okigbo to south in the Rhoben Island
of Mazizi Kunene and D M Zwelonke who sang the song of Shaka;
in Zulu Heroism that beautified our face in the armpit of Ezkia Mphalele,
the sons of Africa in the knighthood of poetry,chantery and incantations
you are hailed with with glory and dignity for your service to humanity
your service to literature and gods of poetry in the spirit of the song
that we chant in the spirit of love and peace the glory of hour heritage
is an eyesore to the lazy ; who though ill will can stop the flow of African river,

Sing our songs and chant our spirituals as you write our poems
open your poetic ***** for the world is a ******
in which the seed of African poetry will plummet and flower
to glory of man the essence of Godliness,

Let Soyinka and Achebe sing our songs without fear of home
As Okot P' Btek  revamps from the ashes like a phoenix
to re-plant the bumpkin in the old homestead of Taban Lo Liyong
Who sang the cacotpic song in the dystopia of black diaspora
when he saw another ****** dead in the guest for Nocturnes of Senghor
who feared  Marxist poetry and African songs which Aime Cesaire chanted
in the mayoralty of Paris.
Stanley Mungai Jun 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modeling salivates
Wolves in men
Who’s been exposed to the virus
Emerging from the bush land of their desires
To seek their vengeance in a fanatical hatred
And poor me the princess
With the *** lunacy roaming the streets,
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation
The two hundred shillings does the trick
She trades out her innocence
And virginity too; a girls pride
And alongside the legal tender
Comes the virus
The minute monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed.
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy for our girls.
*AIDS! The parasite feeding on the rotten end of our Morality.*
D Aug 2019
he is his own homestead
his heart on a string
he leaves it at home when
he goes out wandering
so he can follow it back
at the end of the day
he says his heart belongs
to me, yet it leads him astray

so he leaves traces behind
and collects as he goes
all the while waiting
is me and he knows
i wont wait forever
at the theshold of his abode
right now hes with me
for how long? unknown
edit; i like this more now, feels more worthy of the attention it first got.
mark john junor Sep 2013
but you are smooth in full regalia
reptilian in your lounge suit
your westchester upbringing
shows in your brooks brothers snake skin boots
so she knows your from old school money
and plants a perfumed eye on your rear end
it sticks there like sweaty glue
every inch of her polished skin
fermented at great expense
and you thought suntans were hard to pay off
try having the ***** pickled in whiskey
but the divorce would leave you
a destitute sideshow on rodeo drive
with nothing but your mansion and your jag
standing between you and the unwashed masses
so you make her slap on another layer of makeup
you drop another crotch rocket happy hardness pill
and slip a few more bucks over the border to Switzerland
and drop a quick prayer to the twin god of Morgan and Stanley
that the market holds for one more day
lounge lizard
pushing seventy
with a twenty two year old ******
on one arm
and the keys to the rolls clutched in your liver spotted hand
your ready for anything
you may be king of the florida keys
but
gotta respect the cash flow
if what your pointless poison
bites off your **** more than goes into your mouth
then ya gotta wonder kiddo
if moving back to the homestead
in Spuyten Duyvil
might be better than lettin lifestyle carjack your life
that twenty two year old ***** you got poured all over your lap
has more spider in her than girlish charm
shes a train wreck waiting to happen
ill get ya to the border safe and sound
don't 'cha worry bout that
have you headed north
fore they even know your gone
may be the king of the florida keys
but it high time we get ya
back to brooklyn fore they bury you down here
for a friend.
Grahame Jun 2014
THE BANSHEE*

Late at night, whilst lying in bed,
two sisters hear a sound of dread.
Mixed in with the beating hail,
is the dreaded Banshee’s wail.

The storm is directly overhead,
and the thunder so loud, no word is said
Because the sisters cannot hear
anything spoken, even shouted in ear.

However, over the storm’s great row,
they hear the Banshee even now,
Howling around the chimney top,
Oh, will that screaming never stop?

Fiona and Caitlín look at each other,
with fingers in ears, the noise to smother.
The Banshee, a dire harbinger of death,
is wailing louder with every breath.

Who will die in that house tonight?
It really doesn’t seem to be right.
Only the two girls live there now,
for either to die would be a blow.

Eventually, after a couple of hours,
the storm decreases to merely showers.
Quieter now calls the Banshee,
it seems to pleading, “Please help me!”

Fiona and Caitlín become afraid.
Why is the Banshee begging for aid?
It only cries, a death to foretell,
is it predicting its own death as well?

Finally the storm blows out,
and Fiona and Caitlín think about
The Banshee, is it still around?
Then they hear a moaning sound.

It abates, then rises again,
like some creature suffering pain.
The two sisters decide they should
try to help if they could.

With dawn’s approach it is getting light,
and so the sisters think they might
Go outside and try to see
if they can find the groaning Banshee.

The sisters live on a little croft,
in a cottage that’s got a goodly loft
With a sloping ceiling overhead,
in which they’d placed a double bed.

A few outbuildings dotted around,
a meagre crop grows in the ground.
A pig, some sheep and one milk-cow.
that has sustained them both ere now.

A donkey, more a pet than use,
and fattening for Christmas, one grey goose.
A flock of hens and one old duck,
the sisters haven’t had much luck.

The cottage, a mere but-and-ben,
the but, a parlour, the ben, a kitchen.
This hovel is heated by one hearth,
and chinks in the walls are stopped with earth.

The roof is only thatched with turf,
there’s a constant background noise of surf,
And though their homestead looks forlorn,
they have lived there since they were born.

The croft is quite close to the sea,
and seaweed, obtainable for free,
Is often collected by the sisters,
carried in buckets which gives them blisters.

They use it to fertilise their crop,
and work all day until ready to drop.
Their father had been lost at sea,
their mother, heartbroken, soon after died she.

The sisters dress and go outside,
to find the Banshee where’er it may hide.
They can no longer hear its moan,
and wonder if by now it’s flown.

They slowly walk around to try,
the importunate Banshee to spy.
It isn’t now on the roof at all,
it is lying huddled by the wall.

No longer seeming a creature of dread,
only a shivering person, nearly dead.
The sisters kneel down by her side,
they cannot just let her there bide.

“What can we to to help?” asks Fi.
“Nothing, please just let me die.”
“Not an option,” then declares Cait,
“I’ll fetch a blanket, you two wait.”

The Banshee turns her face away,
“I thought to be gone ere break of day.
I was flying across your croft
when the lightning struck down from aloft.”

“I’ve never been hit like that before,
I couldn’t then fly any more.
I tumbled down from out of the sky
in terrible pain. I thought I’d die.”

“And in my agony I screamed out,
not knowing you would hear me shout.
I am not here, your deaths to foretell,
I would for you that fear dispel.”

Then Caitlín does soon return,
Fiona says, “Our help she’d spurn.”
“Oh no she shan't,” Caitlín said,
“we’ll just to carry her to bed.”

To the girls the Banshee appears light,
extremely pale, albino white.
She hardly seems to have any weight,
and looks as though she rarely ate.

On her shoulders two white wings,
tiny little vestigial things.
Her only clothes, a vestment white,
ripped to shreds by the storm in the night.

Cait carefully lays the blanket down flat,
and they place the Banshee onto that.
Then lifting the blanket between them both,
they carry her in, though the Banshee’s loath.

They go into the but, through the ben,
noticing as they do so, when
The Banshee is shaken around,
she bites her lip hard to prevent any sound.

They lay the Banshee down on their settle,
realising she is full of mettle.
She obviously is still in great pain,
though will not show it, that is plain.

Fiona back into the kitchen goes,
intending to heat up some brose.
Caitlín with the Banshee does stay,
determined to help as best she may.

Beneath the Banshee’s head she lays
a pillow then to the Banshee says,
“You should get out of your wet clothes,
you could catch you death from wearing those.”

Caitlín realised as soon as she spoke,
to the Banshee that would be no joke.
“I’m sorry if I’ve offended you,
that’s the last thing I would want to do.”

“It is just that when *we
were wet,
these words from our mother we would get.”
The Banshee replies, “I don’t mind,
I know you’re trying to be kind.”

“And there’s something you should know,
no-one’s seen my body ere now.
However, although shy I may be,
I will try to let you undress me.”

Fiona at that moment comes in,
carrying on a tray of tin,
A bowl of brose with slices of bread,
then seeming surprised, to her sister said,

“Haven’t you yet the wight undressed
and warmed her up to help her rest?
If she stays in that dress, cold and wet,
she might catch her death from cold, yet!”

The Banshee and Caitlín glance at each other,
and then both snirt, which they try to smother
By each pretending to need to cough
while Fiona snaps, “Let’s get them off.”

Fiona places the tray on a table,
then kindly says, “I think I’ll be able,
If you sit up, to remove your gown,”
then worries, hearing the Banshee groan.

“I’m sorry, I am still in pain,
it came on when I moved again
As the result of having to cough.
Please do your best to get my robe off.”

Caitlín sits by the Banshee’s side,
and across her back her arm does slide.
She helps the Banshee to sit up straight,
who winces and then smiles at Cait.

Fiona manages to ease the robe down
to the Banshee’s waist then gives a frown.
“No wonder so much pain you’ve had,
the lightning seems to have burnt you bad.”

The Banshee’s skin is bleeding and raw,
the robe stuck in places making it sore.
Caitlín asks, “Why didn’t you say?
You don’t need to suffer this way.”

The Banshee begs, “Please don’t be mad,
until now my life’s been bad.
You’re the first mortals I have known,
until now I’ve been alone.”

Overcome with emotion, she cries,
the tears, in rivulets, fall from her eyes.
Caitlín hugs her close to her breast,
saying, “Soon you will be able to rest.”

“Fi, get some scissors and cut her robe free,
then bring some Aloe Vera to me.
I’ll use the sap to coat each wound,
and with strips of cloth they can be bound.”

So Fiona with scissors cuts the cloth,
while the Banshee closes her eyes, both
To avoid watching the scissors being used,
and not see the cloth to her body fused.

After cutting through as much cloth as she may,
Fiona picks the pieces away.
And then Caitlín does tenderly use,
to soothe the wounds, Aloe juice.

Fiona cuts the Banshee’s dress
into strips, which, more or less,
Provide enough cloth, the wounds to cover,
which they hope will soon heal over.

Fiona then goes to the bedroom to get,
to cover the Banshee, a dry blanket.
Caitlín stays sitting with her on the settle,
hoping the Banshee’ll soon be in fine fettle.

The blanket warms her up a treat,
then the sisters help the Banshee to eat.
Caitlín supports the Banshee’s head,
while Fiona feeds her brose and bread.

They leave her sleeping on the settee,
and go to the kitchen to brew some tea,
Then sitting down, they discuss what to do,
it’s new to them, they haven’t a clue.

Cait says, “I thought her a creature of myth,
a fable, though mentioned long sith.”
Fiona remarks, “And I thought as well,
she only appeared, a death to foretell.”

“This, she has said, is not why she’s here,
and also her life’s bad, so I fear
If we don’t help her to try to mend,
she might think her own life to end.”

At that the sisters feel so sad,
how can the Banshee’s life be so bad?
Since she’s a poor creature in so much need,
they’ll try to help and not ask for meed.

Into the parlour they quietly peep,
the Banshee still seems to be asleep.
So Fiona and Caitlín each start on a chore,
Fi feeds the hens, Cait goes to the shore.

On the beach Cait harvests seaweed,
collecting only as much as they need,
Then carries it back to the croft, up the lane,
trying to ignore, caused by blisters, the pain.

Cait leaves the buckets and enters the ben,
and sees the Banshee is awake, then
She goes to her and sitting down,
asks, “Why’ve you always been on your own?”

The Banshee replies, “That’s just how it is.
There’s never been a time ywis,
That I’ve ever met another like me.
Mayhap I’m the only one to be.”

At that the Banshee seems so sad,
and continues, “And what else is bad
Is that I feel Death draw near
to mortals. That’s the time I fear.”

“I cannot stop that ‘sergeant fell,’
however, I feel his pull too well.
I feel so sad at what he does,
and try to help by being close.”

“That is why when he is present,
I always try not to be absent.
I give warning as best I might,
by screaming loudly in the night.”

“People hear me and suppose,
I am there, a life to foreclose.
Then I feel the awful hate,
which from the mortals does emanate.”

Caitlín then goes back outside,
leaving the Banshee safe inside.
Fiona and Cait continue the work
that they must do and should not shirk.

Fiona finally milks the cow,
and hoping the Banshee’s feeling less low,
Pours some warm milk into a cup,
and carries it in for the Banshee to sup.

The Banshee wakes as Fiona comes in,
Fi says to her, giving a grin,
“I can’t believe you’re really here,
I must say, you are quite a dear!”

The Banshee gratefully takes the cup,
and with Fi’s help drinks the milk up.
Then back down on the couch she does lie,
and Fiona, embarrassed, again sees her cry.

Fiona sits down by her side,
while the Banshee tries, her face to hide.
Fiona, silent, her hand does hold,
noticing it’s very cold.

She strokes the Banshee’s silvery hair,
and waits for the tears to disappear.
The Banshee, eventually, does her eyes dry,
and then gives out a heartfelt sigh.

“I am so happy here with you,
without you I’d not know what to do.
Please forgive my moody tears,
I haven’t cried like this for years.”

“The first time was when I experienced Death.
I was drawn to a blasted heath,
Where a woman had a babe, stillborn,
and was gazing at it so forlorn.”

“She’d been constuprated in a wood,
by a man who’d left as soon as he could.
She was overcome with shame,
she hadn’t even known his name.”

“The babe was born before its time,
the ground was cold and hard with rime.
The woman did not even have
a ***** to dig the baby’s grave.”

“She opened the clothes across her chest,
and wrapped it tightly to her breast,
Then untied the cincture from her waist,
moving slowly not in haste.”

“When, going to a nearby tree,
not knowing I was there to see,
Around a branch she did it thread,
and hanged herself. She soon was dead.”

“Death knew what there would occur,
and therefore, to lay claim to her,
Had gone to the heath to watch her die,
and I’d been drawn, by Death, nearby.”

“I could feel the woman’s pain.
It came in waves again and again.
I didn’t know what it did mean,
and in my anguish I did keen.”

“My voice grew louder, I did scream,
Death looked at me and it did seem
At that moment, in pity, said,
‘She really is now better off dead.’”

They then hear the back door open
as Caitlín enters into the ben.
She shuts it close and locks it tight,
as she comes inside for the night.

“The animals are safely put away,
and now it’s time to hit the hay.
I’ll make supper and a *** of tea,
then it’s off to bed for me.”

Fiona says, “I’ll give you a hand.”
Then slowly stretches and up does stand.
She goes with Cait to make the tea,
leaving behind the poor Banshee.

Fiona tells Cait of the Banshee’s plight,
though they cannot think how to make it right.
They place three bowls and cups on a tray,
and back to the parlour make their way.

The Banshee sits up, with her feet on the ground,
it seems as though some strength she’s found.
She takes a bowl and says, “I suppose
it’s another delicious helping of brose.”

She beams at the sisters, who feel a glow
deep inside them slowly grow.
They realise that perhaps this is how
the Banshee is able, her feelings to show.

The Banshee asks, “Will it be all right
if I go outside for a stroll tonight?
I’ll only take a turn round the croft,
I will not try to fly aloft.”

“I am a denizen of the night,
which is why I thought I might
Have a walk by the light of the moon.
I promise I will be back soon.”
  
Round the Banshee’s waist Cait ties some rope
so that the blanket will not ope,
Then walks with her across the floor,
to help her get to the back door.
  
Caitlín unlocks it and opens it out,
though, for the Banshee, has some doubt.
Suppose the effort is too great?
She can only watch and wait.

Meanwhile Fi does the washing up,
and then she shouts, “I’m going up
To make our bed, don’t be late!”
Caitlín replies, “All right, don’t wait.”

Fiona goes to the top of the stair,
she makes up the bed then brushes her hair.
She quickly undresses and gets into bed,
and on the pillow rests her head.

Caitlín’s still standing at the door,
she’s not anxious any more.
The Banshee seems to be doing fine,
walking slowly in the bright moonshine.

As she walks she seems to get stronger,
so Caitlín, waiting for her for longer
Than she’d thought that she might do,
steps outside to have a walk too.

She takes the Banshee by the hand,
For a time they slowly walk round and
Then the Banshee asks to stop,
to rest before she’s likely to drop.

Still on her feet the Banshee sways,
and seems to be in a sort of daze.
So Caitlín holds her in her arms tight,
and thus they stand in the bright moonlight.

Hugging the Banshee close to her breast,
she’s aware of her nearness to their guest.
Caitlín feels her heart start to pound,
and in some confusion stands stilly and stound.

Then she pulls herself together,
at the same time wondering whether
She has experienced her first love,
or if this feeling false will prove.

So fragile and helpless the Banshee appears,
Caitlín can’t help but be moved to tears.
She lifts her up, and carries her inside,
and places her onto the sofa to bide.

Caitlín then stumbles up the stairs,
Fiona is shocked to see her in tears,
And asks her if she is all right,
and if anything’s happened out there in the night.

Caitlín, crying, lies down on the bed,
then Fiona, on her *****, pillows Caits head.
She gently wipes Caitlín’s tears away,
and waits to hear what she might say.

Caitlín then cuddles up to Fi,
saying, “Thank you for looking after me.
Really, I am quite all right,
nothing bad happened out there in the night.”

“It’s just that the Banshee is still frail,
she appeared to be getting a little more hale,
And then she seemed to become weak again,
so I carried her in, on the sofa she’s lain.”

Cait then stands and doffs her dress,
and gets into bed, still feeling a mess.
Fiona holds Cait as to sleep they go,
and they stay like that the whole night through.

Fiona and Caitlín wake up together,
and happily smile at one another.
It’s the start of a brand new day
which they’ll face together, come what may.

Fiona dresses and downstairs goes she,
into the kitchen to make some tea.
Caitlín shortly comes down too,
entering the parlour, the Banshee to view.

The Banshee wakes as Caitlín goes in,
still looking pale and painfully thin.
Caitlín sits on the sofa with care,
saying, “Last night you gave me quite a scare.”

“You seemed to get stronger in the moonlight,
so I thought everything was going all right.
Then I feared that you might fall down,
and so I carried you back here on my own.”

The Banshee responded, “I’m ever so sorry.
I didn’t mean to cause you worry.
I also felt I was getting str
Ma Cherie Oct 2016
Somewhere,
out in the middle of nowhere,
there is a space,
where bare bones performance's
are nightly taking place,
like theatre at its best,
thrilling energy
a chill in the air,
you are creating
unique worlds on a stage
& I hear it's all the rage
a modest audience,
captivating you are
so utterly charming and memorable,
I can get lost in your woods
in that beautifully familiar rural spot,
harvesting &
catching hay fever,
running through the barns
in empty old bays
of long vacant farms,
while the cattle graze placidly,
my usung heroes beckon,
along split rail fences,
haunting..
along the old railroad beds,
down unknown highways
& on little know by ways
& drifting in skyways
through the years & the tears
as the last of the Summer flowers,
bloom and bow their head,
in the rain & the pain,
and the words you gently hear
whispered softly in your ear,
spoke clearly to the sky
as they sadly say goodbye
& promised I wouldn't cry,
I listen to exactly what they said
as they are applauded for their stamina,
& bravery, as the chlorophyll,
chokes out the beauty
in everything else,
a way to take in the natural beauty,
**** a big breath in
& waiting to exhale,
I'm hiking home, ...
to my poetic theater,
with tables scattered  about,
& mushroom stools,
a wonderland of  creatures
around weaving arts,
threads spun in gold,
of my everyday life
again it  is told,
like in a romantic candlelit
dinner date,
we sit beneath an glowing
incandescent Moon,
we are a rare & lucid,
sighting, two stars
two colors merged
from a Gods crayon box,
or a well thought out picnic
with a very special friend
farm to table wonders
delicious in every way,
you close your eyes to dream,
& all you ever need,
is an element of trust,
a sense of adventure,
appreciating the sacrifices
the pleasure fills the air
I'm traveling past,
as is if without a care
swimming in the frigid clean
& cold waters,
rolling mountains protect me on every side
come along for the ride,
down grey gravel roads,
with the heaviest load,
where trees still have some color,
as the pines & ever-greens brag,  
& envious poison ivy,
climbs the silo
in burning fiery furnace red,
golden amber browns
& deep golden mustards
crunch beneath tires
as wood is drying out
& is readied for the fires,
beyond ****** meadows
& the bog where the Moose hide
that mysterious house,
perched pretty on the hill
weathered perfectly,
seasoned & mature,
looking wise & reminiscent,
of a different era,
and a show like this
would only cost 55 cents...
World War 2
in the Pacific just after it...
you moved to Vermont
and live like a hippie,
smoking our chimney
sitting silently
in classic melodious splendor,
a tune is playing
as wheat is swaying,
a fiddle, out in the middle
of my favorite fields
counting the bounty yield,
admiring the tractors parked
for the year
some think,
your just a farce
though I know the fear,
you're not a a travesty,
in shambles
your multi tone shingles
craving a dose of stain,
your old rocking chair
never earning the critical acclaim
you deserve & desire,
  so lovely in your period costume,
as you sit there,
with ease and comfort,
awaiting patrons,
with your zany characters,
with open doors & cracking windows,
a sadness radiating,
from a broken style,
looking out at everything
glad with a frozen smile,
waving at yesterday's poets,

Getting ready for another show
and time is now, for another snow,
your solid pane's,
cheering others on saying
"way to go"...
and if...

If you ever find this place,
you don't know exactly,
what all the fuss is about,

ignoring the change of weather
pulling out that old red sweater
coming to this wonderful,
magical time
a little homestead theater
generationally strong
and melodramatic
with perfect comic timing
a delight
in the night,
I'll happily play the housemaid
delivering a tray of tea
with honey and cream
answering the doorbell
inviting you in
have a seat
giving you something to eat
and this is my treat,
I'll gladly greet the guests
make them comfortable
at our beautiful little venue
our ***** little nest
as the curtains open and close
for the shows,
730 it comes and goes
in the center of my universe
caught in a time warp,
so much good fun and laughter
inspired moments in a perfect ensemble
cast by my ancestors,

I had no idea it would taste,
so amazing,
this bittersweetness,
and so very delicious
my feet ache...
worn,
tired, relieved at last
I am,
coming home to you,
at last I hear,
you say,
welcome back.

Cherie Nolan© 2016
Wow, idk inspired....
So beautiful love & life...could be... ; ):
Todd R Standard Mar 2014
evil homestead with wicked doors creak
a sound developed to make strong weak
incites adrenaline,
a sprint, a leap
fluid unto your place of sleep
nothing to be afraid of, of course.
except for the biting coldness, the source
unknown...
bed as your safehaven you lay and turn
and with silken walls you let down your guard
eyes drift shut but thoughts sporadic
you dream a dream, a dream of habit

in this dream you have no voice

and where you stay is not your choice.

pushed and moved throughout your lifetime

a little creak; your angry punchline.
by: Todd Standard
Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master’s absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman’s four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
  When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, “Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes.”
  On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin—a great thick one—on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said “May Jove, sir, and the rest of the gods
grant you your heart’s desire in return for the kind way in which
you have received me.”
  To this you answered, O swineherd Eumaeus, “Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always
good to me and given me something of my own—a house, a piece of land,
a good looking wife, and all else that a liberal master allows a
servant who has worked hard for him, and whose labour the gods have
prospered as they have mine in the situation which I hold. If my
master had grown old here he would have done great things by me, but
he is gone, and I wish that Helen’s whole race were utterly destroyed,
for she has been the death of many a good man. It was this matter that
took my master to Ilius, the land of noble steeds, to fight the
Trojans in the cause of kin Agamemnon.”
  As he spoke he bound his girdle round him and went to the sties
where the young ******* pigs were penned. He picked out two which he
brought back with him and sacrificed. He singed them, cut them up, and
spitted on them; when the meat was cooked he brought it all in and set
it before Ulysses, hot and still on the spit, whereon Ulysses
sprinkled it over with white barley meal. The swineherd then mixed
wine in a bowl of ivy-wood, and taking a seat opposite Ulysses told
him to begin.
  “Fall to, stranger,” said he, “on a dish of servant’s pork. The
fat pigs have to go to the suitors, who eat them up without shame or
scruple; but the blessed gods love not such shameful doings, and
respect those who do what is lawful and right. Even the fierce
free-booters who go raiding on other people’s land, and Jove gives
them their spoil—even they, when they have filled their ships and got
home again live conscience-stricken, and look fearfully for judgement;
but some god seems to have told these people that Ulysses is dead
and gone; they will not, therefore, go back to their own homes and
make their offers of marriage in the usual way, but waste his estate
by force, without fear or stint. Not a day or night comes out of
heaven, but they sacrifice not one victim nor two only, and they
take the run of his wine, for he was exceedingly rich. No other
great man either in Ithaca or on the mainland is as rich as he was; he
had as much as twenty men put together. I will tell you what he had.
There are twelve herds of cattle upon the mainland, and as many flocks
of sheep, there are also twelve droves of pigs, while his own men
and hired strangers feed him twelve widely spreading herds of goats.
Here in Ithaca he runs even large flocks of goats on the far end of
the island, and they are in the charge of excellent goatherds. Each
one of these sends the suitors the best goat in the flock every day.
As for myself, I am in charge of the pigs that you see here, and I
have to keep picking out the best I have and sending it to them.”
  This was his story, but Ulysses went on eating and drinking
ravenously without a word, brooding his revenge. When he had eaten
enough and was satisfied, the swineherd took the bowl from which he
usually drank, filled it with wine, and gave it to Ulysses, who was
pleased, and said as he took it in his hands, “My friend, who was this
master of yours that bought you and paid for you, so rich and so
powerful as you tell me? You say he perished in the cause of King
Agamemnon; tell me who he was, in case I may have met with such a
person. Jove and the other gods know, but I may be able to give you
news of him, for I have travelled much.”
  Eumaeus answered, “Old man, no traveller who comes here with news
will get Ulysses’ wife and son to believe his story. Nevertheless,
tramps in want of a lodging keep coming with their mouths full of
lies, and not a word of truth; every one who finds his way to Ithaca
goes to my mistress and tells her falsehoods, whereon she takes them
in, makes much of them, and asks them all manner of questions,
crying all the time as women will when they have lost their
husbands. And you too, old man, for a shirt and a cloak would
doubtless make up a very pretty story. But the wolves and birds of
prey have long since torn Ulysses to pieces, or the fishes of the
sea have eaten him, and his bones are lying buried deep in sand upon
some foreign shore; he is dead and gone, and a bad business it is
for all his friends—for me especially; go where I may I shall never
find so good a master, not even if I were to go home to my mother
and father where I was bred and born. I do not so much care,
however, about my parents now, though I should dearly like to see them
again in my own country; it is the loss of Ulysses that grieves me
most; I cannot speak of him without reverence though he is here no
longer, for he was very fond of me, and took such care of me that
whereever he may be I shall always honour his memory.”
  “My friend,” replied Ulysses, “you are very positive, and very
hard of belief about your master’s coming home again, nevertheless I
will not merely say, but will swear, that he is coming. Do not give me
anything for my news till he has actually come, you may then give me a
shirt and cloak of good wear if you will. I am in great want, but I
will not take anything at all till then, for I hate a man, even as I
hate hell fire, who lets his poverty tempt him into lying. I swear
by king Jove, by the rites of hospitality, and by that hearth of
Ulysses to which I have now come, that all will surely happen as I
have said it will. Ulysses will return in this self same year; with
the end of this moon and the beginning of the next he will be here
to do vengeance on all those who are ill treating his wife and son.”
  To this you answered, O swineherd Eumaeus, “Old man, you will
neither get paid for bringing good news, nor will Ulysses ever come
home; drink you wine in peace, and let us talk about something else.
Do not keep on reminding me of all this; it always pains me when any
one speaks about my honoured master. As for your oath we will let it
alone, but I only wish he may come, as do Penelope, his old father
Laertes, and his son Telemachus. I am terribly unhappy too about
this same boy of his; he was running up fast into manhood, and bade
fare to be no worse man, face and figure, than his father, but some
one, either god or man, has been unsettling his mind, so he has gone
off to Pylos to try and get news of his father, and the suitors are
lying in wait for him as he is coming home, in the hope of leaving the
house of Arceisius without a name in Ithaca. But let us say no more
about him, and leave him to be taken, or else to escape if the son
of Saturn holds his hand over him to protect him. And now, old man,
tell me your own story; tell me also, for I want to know, who you
are and where you come from. Tell me of your town and parents, what
manner of ship you came in, how crew brought you to Ithaca, and from
what country they professed to come—for you cannot have come by
land.”
  And Ulysses answered, “I will tell you all about it. If there were
meat and wine enough, and we could stay here in the hut with nothing
to do but to eat and drink while the others go to their work, I
could easily talk on for a whole twelve months without ever
finishing the story of the sorrows with which it has pleased heaven to
visit me.
  “I am by birth a Cretan; my father was a well-to-do man, who had
many sons born in marriage, whereas I was the son of a slave whom he
had purchased for a concubine; nevertheless, my father Castor son of
Hylax (whose lineage I claim, and who was held in the highest honour
among the Cretans for his wealth, prosperity, and the valour of his
sons) put me on the same level with my brothers who had been born in
wedlock. When, however, death took him to the house of Hades, his sons
divided his estate and cast lots for their shares, but to me they gave
a holding and little else; nevertheless, my valour enabled me to marry
into a rich family, for I was not given to bragging, or shirking on
the field of battle. It is all over now; still, if you look at the
straw you can see what the ear was, for I have had trouble enough
and to spare. Mars and Minerva made me doughty in war; when I had
picked my men to surprise the enemy with an ambuscade I never gave
death so much as a thought, but was the first to leap forward and
spear all whom I could overtake. Such was I in battle, but I did not
care about farm work, nor the frugal home life of those who would
bring up children. My delight was in ships, fighting, javelins, and
arrows—things that most men shudder to think of; but one man likes
one thing and another another, and this was what I was most
naturally inclined to. Before the Achaeans went to Troy, nine times
was I in command of men and ships on foreign service, and I amassed
much wealth. I had my pick of the spoil in the first instance, and
much more was allotted to me later on.
  “My house grew apace and I became a great man among the Cretans, but
when Jove counselled that terrible expedition, in which so many
perished, the people required me and Idomeneus to lead their ships
to Troy, and there was no way out of it, for they insisted on our
doing so. There we fought for nine whole years, but in the tenth we
sacked the city of Priam and sailed home again as heaven dispersed us.
Then it was that Jove devised evil against me. I spent but one month
happily with my children, wife, and property, and then I conceived the
idea of making a descent on Egypt, so I fitted out a fine fleet and
manned it. I had nine ships, and the people flocked to fill them.
For six days I and my men made feast, and I found them many victims
both for sacrifice to the gods and for themselves, but on the
seventh day we went on board and set sail from Crete with a fair North
wind behind us though we were going down a river. Nothing went ill
with any of our ships, and we had no sickness on board, but sat
where we were and let the ships go as the wind and steersmen took
them. On the fifth day we reached the river Aegyptus; there I
stationed my ships in the river, bidding my men stay by them and
keep guard over them while I sent out scouts to reconnoitre from every
point of vantage.
  “But the men disobeyed my orders, took to their own devices, and
ravaged the land of the Egyptians, killing the men, and taking their
wives and children captive. The alarm was soon carried to the city,
and when they heard the war cry, the people came out at daybreak
till the plain was filled with horsemen and foot soldiers and with the
gleam of armour. Then Jove spread panic among my men, and they would
no longer face the enemy, for they found themselves surrounded. The
Egyptians killed many of us, and took the rest alive to do forced
labour for them. Jove, however, put it in my mind to do thus—and I
wish I had died then and there in Egypt instead, for there was much
sorrow in store for me—I took off my helmet and shield and dropped my
spear from my hand; then I went straight up to the king’s chariot,
clasped his knees and kissed them, whereon he spared my life, bade
me get into his chariot, and took me weeping to his own home. Many
made at me with their ashen spears and tried to kil me in their
fury, but the king protected me, for he feared the wrath of Jove the
protector of strangers, who punishes those who do evil.
  “I stayed there for seven years and got together much money among
the Egyptians, for they all gave me something; but when it was now
going on for eight years there came a certain Phoenician, a cunning
rascal, who had already committed all sorts of villainy, and this
man talked me over into going with him to Phoenicia, where his house
and his possessions lay. I stayed there for a whole twelve months, but
at the end of that time when months and days had gone by till the same
season had come round again, he set me on board a ship bound for
Libya, on a pretence that I was to take a cargo along with him to that
place, but really that he might sell me as a slave and take the
money I fetched. I suspected his intention, but went on board with
him, for I could not help it.
  “The ship ran before a fresh North wind till we had reached the
sea that lies between Crete and Libya; there, however, Jove counselled
their destruction, for as soon as we were well out from Crete and
could see nothing but sea and sky, he raised a black cloud over our
ship and the sea grew dark beneath it. Then Jove let fly with his
thunderbolts and the ship went round and round and was filled with
fire and brimstone as the lightning struck it. The men fell all into
the sea; they were carried about in the water round the ship looking
like so many sea-gulls, but the god presently deprived them of all
chance of getting home again. I was all dismayed; Jove, however,
sent the ship’s mast within my reach, which saved my life, for I clung
to it, and drifted before the fury of the gale. Nine days did I
drift but in the darkness of the tenth night a great wave bore me on
to the Thesprotian coast. There Pheidon king of the Thesprotians
entertained me hospitably without charging me anything at all for
his son found me when I was nearly dead with cold and fatigue, whereon
he raised me by the hand, took me to his father’s house and gave
Stanley Mungai Feb 2012
I see a flash
A sight to behold
The work of an immortal sculptor
Walking straight in elegant pride
Worth of a princess of the sun
Firmly transfixed in her twelve
Moving into the emptiness of an Invalid society
Her innocence screaming
In an unchallenged clarity

And only twelve moons
The framework of her modelling salivates
Wolves in men
Who's been exposed to the virus
Emerging from the bushland of their desires
To seek their vengeance in a fanatical hatred
And poor me the Princess
With the *** Lunacy roaming the streets
Sanity of abstinence is the greatest challenge.

Swung from poverty to adolescence
A pendulum of fates
Hunger at home for the family
And her homestead a moonscape of desolation.
The two Hundred shillings does the trick
She trades out her innocence
And virginity too- a girl's pride
And alongside the legal tender comes the virus
The minute Monster
Savoring a society of huge minds.

There is the tuberculosis
In a hospital ward
Full of undug graves and shrines unnamed
Drawn into the vacuum of her fate
Eyes wide open in dismal finality
The princess
Lie in freeze frame of death
A pyramid of events
Molded out of her last several terrible seconds
Lamentation for the society
A dull eulogy
For our girls.
In the shambles of the homestead,
broken light fights through the snowfall.
There's a fire burning so strong,
you can feel it from beneath the rubble.

Black sunlight shrouds the corpse of the Son,
a catalyst of things to come,
he lay like a silhouette against a blanket of snow,
breath comes out like plumes of smoke.

The tears freeze in his bloodshot eyes,
blood outlines his body,
as he watches for the stars,
twinkling in his frozen eyes.

And it's up in flames,
a catalyst of things to come,
a fire burning out of control,
is it in the rubble or in his heart?
Copyright Barry Pietrantonio
Lancaster bore him—such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer—a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

“No room,” the night clerk said. “Unless——”
Woodsville’s a place of shrieks and wandering lamps
And cars that shook and rattle—and one hotel.

“You say ‘unless.’”

“Unless you wouldn’t mind
Sharing a room with someone else.”

“Who is it?”

“A man.”

“So I should hope. What kind of man?”

“I know him: he’s all right. A man’s a man.
Separate beds of course you understand.”
The night clerk blinked his eyes and dared him on.

“Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?”

“He was afraid of being robbed or murdered.
What do you say?”

“I’ll have to have a bed.”

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
“Lafe, here’s a fellow wants to share your room.”

“Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.”

The night clerk clapped a bedstead on the foot.
“This will be yours. Good-night,” he said, and went.

“Lafe was the name, I think?”

“Yes, Layfayette.
You got it the first time. And yours?”

“Magoon.

Doctor Magoon.”

“A Doctor?”

“Well, a teacher.”

“Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later—don’t let me forget it.”

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
“I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?”

The Doctor caught his throat convulsively.
“Oh—ah—fourteen—fourteen.”

“Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where **** left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.”

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

“Not that way, with your shoes on ****’s white bed.
You can’t rest that way. Let me pull your shoes off.”

“Don’t touch me, please—I say, don’t touch me, please.
I’ll not be put to bed by you, my man.”

“Just as you say. Have it your own way then.
‘My man’ is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.”

“I‘m not afraid.
There’s five: that’s all I carry.”

“I can search you?
Where are you moving over to? Stay still.
You’d better tuck your money under you
And sleep on it the way I always do
When I’m with people I don’t trust at night.”

“Will you believe me if I put it there
Right on the counterpane—that I do trust you?”

“You’d say so, Mister Man.—I’m a collector.
My ninety isn’t mine—you won’t think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?”

“Known it since I was young.”

“Then you know me.
Now we are getting on together—talking.
I’m sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me—he’s editor—
Feel out the public sentiment—he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I’m Vermont Democrat—
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, ‘Help us this year,’
Meaning by us their ticket. ‘No,’ I says,
‘I can’t and won’t. You’ve been in long enough:
It’s time you turned around and boosted us.
You’ll have to pay me more than ten a week
If I’m expected to elect Bill Taft.
I doubt if I could do it anyway.’”

“You seem to shape the paper’s policy.”

“You see I’m in with everybody, know ’em all.
I almost know their farms as well as they do.”

“You drive around? It must be pleasant work.”

“It’s business, but I can’t say it’s not fun.
What I like best’s the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything’s shut sometimes except the barn;
The family’s all away in some back meadow.
There’s a hay load a-coming—when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There’s nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone’s coming, and the mare
Stops when she likes: I tell her when to go.
I’ve spoiled Jemima in more ways than one.
She’s got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I’m sociable. I maybe am.
It’s seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest.”

“One would suppose they might not be as glad
To see you as you are to see them.”

“Oh,
Because I want their dollar. I don’t want
Anything they’ve not got. I never dun.
I’m there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle—not your style.
Mayn’t I offer you——?”

“No, no, no, thank you.”

“Just as you say. Here’s looking at you then.—
And now I’m leaving you a little while.
You’ll rest easier when I’m gone, perhaps—
Lie down—let yourself go and get some sleep.
But first—let’s see—what was I going to ask you?
Those collars—who shall I address them to,
Suppose you aren’t awake when I come back?”

“Really, friend, I can’t let you. You—may need them.”

“Not till I shrink, when they’ll be out of style.”

“But really I—I have so many collars.”

“I don’t know who I rather would have have them.
They’re only turning yellow where they are.
But you’re the doctor as the saying is.
I’ll put the light out. Don’t you wait for me:
I’ve just begun the night. You get some sleep.
I’ll knock so-fashion and peep round the door
When I come back so you’ll know who it is.
There’s nothing I’m afraid of like scared people.
I don’t want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep.”

He shut the door.
The Doctor slid a little down the pillow.
Joanne Heraghty Mar 2015
I can't pretend I know what happened,
I think it's what others call fate.
But everyone around me changed when you left,
And any liking they had for you turned into hate.
You became the outcast,
No longer part of our clann.
You were no longer welcome in our homestead,
When we met you on the street, you were just another man.
I'm sorry it turned out like it has,
I wanted to have you there till the end.
Because, although there was a major age gap,
I still seen you as our friend.
People begrudge change because it reshapes our lives,
But maybe they're just jealous they settled too quick.
Just know that I wish you all of life's successes,
And remember they are only words, they are not sticks.
6th February 2015

© All Rights Reserved Joanne Heraghty
So here Ulysses slept, overcome by sleep and toil; but Minerva
went off to the country and city of the Phaecians—a people who used
to live in the fair town of Hypereia, near the lawless Cyclopes. Now
the Cyclopes were stronger than they and plundered them, so their king
Nausithous moved them thence and settled them in Scheria, far from all
other people. He surrounded the city with a wall, built houses and
temples, and divided the lands among his people; but he was dead and
gone to the house of Hades, and King Alcinous, whose counsels were
inspired of heaven, was now reigning. To his house, then, did
Minerva hie in furtherance of the return of Ulysses.
  She went straight to the beautifully decorated bedroom in which
there slept a girl who was as lovely as a goddess, Nausicaa,
daughter to King Alcinous. Two maid servants were sleeping near her,
both very pretty, one on either side of the doorway, which was
closed with well-made folding doors. Minerva took the form of the
famous sea captain Dymas’s daughter, who was a ***** friend of
Nausicaa and just her own age; then, coming up to the girl’s bedside
like a breath of wind, she hovered over her head and said:
  “Nausicaa, what can your mother have been about, to have such a lazy
daughter? Here are your clothes all lying in disorder, yet you are
going to be married almost immediately, and should not only be well
dressed yourself, but should find good clothes for those who attend
you. This is the way to get yourself a good name, and to make your
father and mother proud of you. Suppose, then, that we make tomorrow a
washing day, and start at daybreak. I will come and help you so that
you may have everything ready as soon as possible, for all the best
young men among your own people are courting you, and you are not
going to remain a maid much longer. Ask your father, therefore, to
have a waggon and mules ready for us at daybreak, to take the rugs,
robes, and girdles; and you can ride, too, which will be much
pleasanter for you than walking, for the washing-cisterns are some way
from the town.”
  When she had said this Minerva went away to Olympus, which they
say is the everlasting home of the gods. Here no wind beats roughly,
and neither rain nor snow can fall; but it abides in everlasting
sunshine and in a great peacefulness of light, wherein the blessed
gods are illumined for ever and ever. This was the place to which
the goddess went when she had given instructions to the girl.
  By and by morning came and woke Nausicaa, who began wondering
about her dream; she therefore went to the other end of the house to
tell her father and mother all about it, and found them in their own
room. Her mother was sitting by the fireside spinning her purple
yarn with her maids around her, and she happened to catch her father
just as he was going out to attend a meeting of the town council,
which the Phaeacian aldermen had convened. She stopped him and said:
  “Papa dear, could you manage to let me have a good big waggon? I
want to take all our ***** clothes to the river and wash them. You are
the chief man here, so it is only right that you should have a clean
shirt when you attend meetings of the council. Moreover, you have five
sons at home, two of them married, while the other three are
good-looking bachelors; you know they always like to have clean
linen when they go to a dance, and I have been thinking about all
this.”
  She did not say a word about her own wedding, for she did not like
to, but her father knew and said, “You shall have the mules, my
love, and whatever else you have a mind for. Be off with you, and
the men shall get you a good strong waggon with a body to it that will
hold all your clothes.”
  On this he gave his orders to the servants, who got the waggon
out, harnessed the mules, and put them to, while the girl brought
the clothes down from the linen room and placed them on the waggon.
Her mother prepared her a basket of provisions with all sorts of
good things, and a goat skin full of wine; the girl now got into the
waggon, and her mother gave her also a golden cruse of oil, that she
and her women might anoint themselves. Then she took the whip and
reins and lashed the mules on, whereon they set off, and their hoofs
clattered on the road. They pulled without flagging, and carried not
only Nausicaa and her wash of clothes, but the maids also who were
with her.
  When they reached the water side they went to the
washing-cisterns, through which there ran at all times enough pure
water to wash any quantity of linen, no matter how *****. Here they
unharnessed the mules and turned them out to feed on the sweet juicy
herbage that grew by the water side. They took the clothes out of
the waggon, put them in the water, and vied with one another in
treading them in the pits to get the dirt out. After they had washed
them and got them quite clean, they laid them out by the sea side,
where the waves had raised a high beach of shingle, and set about
washing themselves and anointing themselves with olive oil. Then
they got their dinner by the side of the stream, and waited for the
sun to finish drying the clothes. When they had done dinner they threw
off the veils that covered their heads and began to play at ball,
while Nausicaa sang for them. As the huntress Diana goes forth upon
the mountains of Taygetus or Erymanthus to hunt wild boars or deer,
and the wood-nymphs, daughters of Aegis-bearing Jove, take their sport
along with her (then is Leto proud at seeing her daughter stand a full
head taller than the others, and eclipse the loveliest amid a whole
bevy of beauties), even so did the girl outshine her handmaids.
  When it was time for them to start home, and they were folding the
clothes and putting them into the waggon, Minerva began to consider
how Ulysses should wake up and see the handsome girl who was to
conduct him to the city of the Phaeacians. The girl, therefore,
threw a ball at one of the maids, which missed her and fell into
deep water. On this they all shouted, and the noise they made woke
Ulysses, who sat up in his bed of leaves and began to wonder what it
might all be.
  “Alas,” said he to himself, “what kind of people have I come
amongst? Are they cruel, savage, and uncivilized, or hospitable and
humane? I seem to hear the voices of young women, and they sound
like those of the nymphs that haunt mountain tops, or springs of
rivers and meadows of green grass. At any rate I am among a race of
men and women. Let me try if I cannot manage to get a look at them.”
  As he said this he crept from under his bush, and broke off a
bough covered with thick leaves to hide his nakedness. He looked
like some lion of the wilderness that stalks about exulting in his
strength and defying both wind and rain; his eyes glare as he prowls
in quest of oxen, sheep, or deer, for he is famished, and will dare
break even into a well-fenced homestead, trying to get at the sheep-
even such did Ulysses seem to the young women, as he drew near to them
all naked as he was, for he was in great want. On seeing one so
unkempt and so begrimed with salt water, the others scampered off
along the spits that jutted out into the sea, but the daughter of
Alcinous stood firm, for Minerva put courage into her heart and took
away all fear from her. She stood right in front of Ulysses, and he
doubted whether he should go up to her, throw himself at her feet, and
embrace her knees as a suppliant, or stay where he was and entreat her
to give him some clothes and show him the way to the town. In the
end he deemed it best to entreat her from a distance in case the
girl should take offence at his coming near enough to clasp her knees,
so he addressed her in honeyed and persuasive language.
  “O queen,” he said, “I implore your aid—but tell me, are you a
goddess or are you a mortal woman? If you are a goddess and dwell in
heaven, I can only conjecture that you are Jove’s daughter Diana,
for your face and figure resemble none but hers; if on the other
hand you are a mortal and live on earth, thrice happy are your
father and mother—thrice happy, too, are your brothers and sisters;
how proud and delighted they must feel when they see so fair a scion
as yourself going out to a dance; most happy, however, of all will
he be whose wedding gifts have been the richest, and who takes you
to his own home. I never yet saw any one so beautiful, neither man nor
woman, and am lost in admiration as I behold you. I can only compare
you to a young palm tree which I saw when I was at Delos growing
near the altar of Apollo—for I was there, too, with much people after
me, when I was on that journey which has been the source of all my
troubles. Never yet did such a young plant shoot out of the ground
as that was, and I admired and wondered at it exactly as I now
admire and wonder at yourself. I dare not clasp your knees, but I am
in great distress; yesterday made the twentieth day that I had been
tossing about upon the sea. The winds and waves have taken me all
the way from the Ogygian island, and now fate has flung me upon this
coast that I may endure still further suffering; for I do not think
that I have yet come to the end of it, but rather that heaven has
still much evil in store for me.
  “And now, O queen, have pity upon me, for you are the first person I
have met, and I know no one else in this country. Show me the way to
your town, and let me have anything that you may have brought hither
to wrap your clothes in. May heaven grant you in all things your
heart’s desire—husband, house, and a happy, peaceful home; for
there is nothing better in this world than that man and wife should be
of one mind in a house. It discomfits their enemies, makes the
hearts of their friends glad, and they themselves know more about it
than any one.”
  To this Nausicaa answered, “Stranger, you appear to be a sensible,
well-disposed person. There is no accounting for luck; Jove gives
prosperity to rich and poor just as he chooses, so you must take
what he has seen fit to send you, and make the best of it. Now,
however, that you have come to this our country, you shall not want
for clothes nor for anything else that a foreigner in distress may
reasonably look for. I will show you the way to the town, and will
tell you the name of our people; we are called Phaeacians, and I am
daughter to Alcinous, in whom the whole power of the state is vested.”
  Then she called her maids and said, “Stay where you are, you
girls. Can you not see a man without running away from him? Do you
take him for a robber or a murderer? Neither he nor any one else can
come here to do us Phaeacians any harm, for we are dear to the gods,
and live apart on a land’s end that juts into the sounding sea, and
have nothing to do with any other people. This is only some poor man
who has lost his way, and we must be kind to him, for strangers and
foreigners in distress are under Jove’s protection, and will take what
they can get and be thankful; so, girls, give the poor fellow
something to eat and drink, and wash him in the stream at some place
that is sheltered from the wind.”
  On this the maids left off running away and began calling one
another back. They made Ulysses sit down in the shelter as Nausicaa
had told them, and brought him a shirt and cloak. They also brought
him the little golden cruse of oil, and told him to go wash in the
stream. But Ulysses said, “Young women, please to stand a little on
one side that I may wash the brine from my shoulders and anoint myself
with oil, for it is long enough since my skin has had a drop of oil
upon it. I cannot wash as long as you all keep standing there. I am
ashamed to strip before a number of good-looking young women.”
  Then they stood on one side and went to tell the girl, while Ulysses
washed himself in the stream and scrubbed the brine from his back
and from his broad shoulders. When he had thoroughly washed himself,
and had got the brine out of his hair, he anointed himself with oil,
and put on the clothes which the girl had given him; Minerva then made
him look taller and stronger than before, she also made the hair
grow thick on the top of his head, and flow down in curls like
hyacinth blossoms; she glorified him about the head and shoulders as a
skilful workman who has studied art of all kinds under Vulcan and
Minerva enriches a piece of silver plate by gilding it—and his work
is full of beauty. Then he went and sat down a little way off upon the
beach, looking quite young and handsome, and the girl gazed on him
with admiration; then she said to her maids:
  “Hush, my dears, for I want to say something. I believe the gods who
live in heaven have sent this man to the Phaeacians. When I first
saw him I thought him plain, but now his appearance is like that of
the gods who dwell in heaven. I should like my future husband to be
just such another as he is, if he would only stay here and not want to
go away. However, give him something to eat and drink.”
  They did as they were told, and set food before Ulysses, who ate and
drank ravenously, for it was long since he had had food of any kind.
Meanwhile, Nausicaa bethought her of another matter. She got the linen
folded and placed in the waggon, she then yoked the mules, and, as she
took her seat, she called Ulysses:
  “Stranger,” said she, “rise and let us be going back to the town;
I will introduce you at the house of my excellent father, where I
can tell you that you will meet all the best people among the
Phaecians. But be sure and do as I bid you, for you seem to be a
sensible person. As long as we are going past the fields—and farm
lands, follow briskly behind the waggon along with the maids and I
will lead the way myself. Presently, however, we shall come to the
town, where you will find a high wall running all round it, and a good
harbour on either side with a narrow entrance into the city, and the
ships will be drawn up by the road side, for every one has a place
where his own ship can lie. You will see the market place with a
temple of Neptune in the middle of it, and paved with large stones
bedded in the earth. Here people deal in ship’s gear of all kinds,
such as cables and sails, and here, too, are the places where oars are
made, for the Phaeacians are not a nation of archers; they know
nothing about bows and arrows, but are a sea-faring folk, and pride
themselves on their masts, oars, and ships, with which they travel far
over the sea.
  “I am afraid of the gossip and scandal that may be set on foot
against me later on; for the people here are very ill-natured, and
some low fellow, if he met us, might say, ‘Who is this fine-looking
stranger that is going about with Nausicaa? Where did she End him? I
suppose she is going to marry him. Perhaps he is a vagabond sailor
whom she has taken from some foreign vessel, for we have no
neighbours; or some god has at last come down from heaven in answer to
her prayers, and she is going to live with him all the rest of her
life. It would be a good thing if she would take herself of I for sh
and find a husband somewhere else, for she will not look at one of the
many excellent young Phaeacians who are in with her.’ This is the kind
of disparaging remark that would be made about me, and I could not
complain, for I should myself be scandalized at seeing any other
girl do the like, and go about with men in spite of everybody, while
her father and mother were still alive, and without having been
married in the face of all the world.
  “If, therefore, you want my father to give you an escort and to help
you home, do as I bid you; you will see a beautiful grove of poplars
by the road side dedicated to Minerva; it has a well in it and a
meadow all round it. Here my father has a field of rich garden ground,
about as far from the town as a man’ voice will carry. Sit down
there and wait for a while till the rest of us can get into the town
and reach my father’s house. Then, when you think we must have done
this, come into the town and ask the way to the house of my father
Alcinous. You will have no difficulty in finding it; any child will
point it out to you, for no one else in
A story of Australian terms plants and wildlife. Ref 022
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An “Acrostic “poetic tribute to my darling girl
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Written by Philip 4th October 2018.
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A story of Australian terms plants and wildlife.

Six years in the making , it ended all too soon
Two oldies ,lost your husband I lost my wife
Oh you were so Australian n I a winging Pom
Reaching three score years and ten in life
You ‘d have to say “What were these guys on”

Oh it’s chemistry yes the chemistry was right
For t’was a no brainer , I knew I wasn’t wrong

A story of Australian terms plants and wild life
Under this Oz Angel,who tried to get me gone
Something clicked, I had to make her my wife.
That took a good six months to bring together
Racing up n down from Sydney to Melbourne
And we did the road trip up to Sydney to live
Loving the old Aussie towns on the route
In fact we had a year renting in Manley NSW
A story of Australian terms plants and wildlife
New words and phrases and broad humour

Terms like tucker and strine and wowser
Echidna ? that burrowing egg laying mammal
Ringtail possums sitting on the garden fences
Many ,varied and colourful birds in life abound
Some so vocal with a cacophony of sound.

Phil and Barbara born on different continents
Living seventy years on different continents.
And now coming together in a beautiful bond
Nothing to compare in a hundred n fifty years.
That’s the extent of our joint living years.
Segregated on two separate continents

An “ Acrostic” tribute to my darling girl.
Now having met by chance at a family party
Drawn together to form the ultimate affair

Would you not like to hear more about us?
I was scared to venture off the beaten track.
Like I am supposed to be talking nature
Dinkum is something genuinely honest
Love is honest , love is unconditional
I want to make this poem so very honest
Furphy gave rise to an unfounded rumour
Exactly ! Furphy was the early water carrier

An  “Acrostic “ tribute to my darling girl.
Now I know she deserves another tribute.

And I for sure will give it to my dearest one
Coolgardie safe for keeping food cool
Roo meat is tender if you keep it out the sun.
Ockers abound those matey unpolished males
Smoking away their lives in designated areas
These men are the salt of the earth,sociable
I would oft sit in the smoking area and blah
Conversations diverse But I don’t smoke.

Pavlova graces many a table covered in fruit
On the occasional meal out we may partake
Especially at our birthday anniversary treats
Those dates so special in our calendar
I remember June before last we made a trip
Coming over the beautiful Blue Mountains

The trip we made was to Bathurst in NSW
Reminiscing in the town of Barbara’s birth
I was enchanted by the fertile landscapes
Backblocks n outback. Remote country areas
Urgent that we found the ancient homestead
Then met Barbs cousin who still farms there
Even though  Seventy years had passed since

Turned out that he was orphaned as a child
Orphaned when his mother died in childbirth

My God, times were tough in those days.
Yet how I ramble? I should be teaching nature

Diligently I shall try to stick to the point.
A story of Australian terms plants and wildlife.
Ringtail possums possesses essential stoicism
Larrikin ? beware of that grog filled hooligan
It looks like a possum especially when drunk.
Now we were sometimes awakened by them.
Grog is the devils brew if VB is consumed

Grant me a moment of reflection to the finale
I got little to show for my poem of Nature
Rightly this is a tribute to my Darling girl
Let no man think I fantasise. This grief is real.
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Written by Philip. 4th. October 2018.
An Acrostic exercise

— The End —