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when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide
hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence
AK Bright May 2015
She looks in the mirror
At the age on her face
"I wonder what he thinks
of me this way?"

She considers her weight
and the pores on her skin
She thinks out loud
"I don't deserve him."

She picks apart
the woman he loves
Separating her worth
from all that she does
              
He looks in her eyes
and caresses her face
He sees it glowing with love
and full of grace

 The lines on her face
  he views with pride
  Recounting the victories
  each time they've been tried

The weight that she carries
 is that of a mom
 Nothing's too heavy
 She just marches on

These bodies will perish
 and mirrors offer no truth
True love abides
 beyond the corridors of youth

  No, she doesn't deserve me
  Perhaps God can see
  Conceivably, one day
  I'll be as worthy as she
to the mother of my children. Happy Mother's Day!
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
on Valentine’s Day he is working on black painting hears knocking at door with rag brushes in hand he asks “who is it?” “it’s Reiko! come on mr. birdfishdog open up” he has grown afraid of her nervously shuffles brushes rag in hand guardedly opens door there stands Reiko Lee Furshe shoulders pulled back arms akimbo black leather jacket black tight jeans black pointed toe boots hair cut extremely short looks like handsome young boy grinning “hi aren’t you going to invite me in? want to **** and ****?” Reiko’s altered appearance suddenness alarm Odysseus "why did you cut your hair Reiko Lee?" she says "it’s my hair and I can do what I want with it i shaved my legs armpits and ***** too want to have a look?" he replies "no no way why? why did you cut your hair?" she says "because i felt like it and because i know how much you love my hairiness Odys i wanted to displease you i’m female again!" she defiantly glares at him he looks away slowly closes door hears her holler “*******!” listens as footsteps race down stairs out building he drops paintbrushes rag rushes to front window looks out watches her saunter away down street until she is gone writes Reiko Valentine poem he will never send

love listens when you speak understands what you think love watches while you sleep love holds back as you leap love lounges while you run frantic love picks your pocket puts you in checkmate love builds nest hatches egg love rips open your chest plucks heart away love is racehorse love is rattlesnake love pretends not to notice while you ******* love swings on gate love visits your grave love impersonates a poet love slits your throat love devours everything leaves crumbs for hate

he receives Valentine card in mail from Mom wonders if ultimately his fate is somehow sorely connected to her what if Mom stands in way of every woman? what if stars lead away from recognition as painter instead steer straight back to Mom? what if each is trial to other as if their souls are entangled in insolvable riddle ancient curse? he drinks himself to sleep

Laius and Jocasta are king and queen of Thebes in ancient Greece they have baby boy oracle prophesies boy will grow up **** father marry mother to nullify prophecy Laius Jocasta decide to **** their son back then it is common to abandon unwanted or damaged baby on mountain for vultures child survives grows to be man he travels gets into fight on road kills stranger who unaware to him is his father King Laius traveler Oedipus goes to Thebes solves Riddle of Sphinx saves city he is made king unknowingly marries his own mother King Laius's widow Queen Jocasta Oedipus rules wisely he and Jocasta have four children eventually Oedipus and Jocasta realize what ******* Oedipus is Jocasta commits suicide Oedipus pokes out his own eyes becomes wandering beggar assisted by daughter Antigone at time of their marriage Oedipus is young naive but Jocasta is middle-aged woman maybe deep down Jocasta knows she is marrying her handsome son it is thrill to sleep with him maybe it is only after Oedipus realizes truth in disgust confronts Jocasta that she is driven to suicide Jocasta cannot live with herself because she has known truth all along and now she is found out Oedipus can live with himself yet he plucks out eyes because he never wants to see truth again

Odysseus continues to work on black painting many weeks pass slowly snowdrifts begin to melt on occasion sun appears in sky Penelope calls to catch up with him says she is in hurry has met really cool guy is falling in love again their conversation is brief he hangs up receiver considers how resilient Penelope’s heart is she seems so much more capable of getting over heartbreaks
Mike Essig Apr 2015
The man of deeds who lacks the word
is simple, stupid and absurd.
He works and struggles all the day
for nothing more than mindless pay.
He loves the rich and thinks them smart
for gaining through their lack of heart.
He loves his boundaries; worships rules;
considers those who break them fools.
His mind is closed; his world is small;
he has no words to think at all.
His conversation tends to stink
because he never learned to think.
His only drive is buying more;
he's little but a Hoople *****.
He does and does and that's enough,
if he can just keep buying stuff.
He never questions what he's told;
he's just a thing that's bought and sold.
And when it is his time to die;
he'll lack the words to wonder why.
- mce
Hoople - an unthinking person, from the series Deadwood. I love the sound of it.
Tell me about the Ace of Wands!
Tell me about the Ace of Wands!

This has been poorly imagined I admit:
The sunny penthouse
Open to the breeze
which presses and sways
through the sliding glass doors

Upturned champagne bottles
set in buckets of melting ice
A crystalline view of the Pacific
Or dusky Vegas lights

Strewn silken sheets
A **** carpet you can grab on to
The myriad of variations under a rising Moon

Yet Leather and Ecstasy are no where to be seen.
And though I wasn’t thinking of Sardinia
or of the Amalfi
That is a great idea

ROMP
noun
1. a spell of rough, energetic play.
2. a farce.

Eventually
(An earth-sign cusp is slow no matter how much air)
Eventually
creeping into my mind’s eye
(Thank you Time)
was my dodging of the slow-moving bullet
Alas, the lumpy bed in Hollywood awaits
with serviceable sheets
Encased in variations on a theme of
brown everything
A soul death in faux wood paneling
Someone else’s earring on a
grubby carpet floor
that offers you
burns for your back that won’t heal so fast
if that’s what you want
There’s the opening of the door
on the purring refrigerator
to look at cold nothing
And think nothing
Cystitis is on its way
And yes,
Too much dust

Don’t get me wrong
I have no real issues with dust
I have stood
Alone in the semi darkness before
In such a living room
Staring at this luminous particulate
On album covers
and in the glare of backlit windows
Floating in a beam from
a ceramic thrift store table-lamp

I was on my way to find the bathroom
Where a pair of pink ******* lay
drying
in wait for
me

Bachelor dust
Is old
I can write my name with my finger
in that which rests
upon the turntable’s hinged cover
In case you don’t remember
What they call me

As I’ve said
I’ve got nothing against it
Ask the dust
Go ahead
Ask it
Resting quite comfortably
on the bookshelves
If there are bookshelves
As if it had
something to do.
I ask it why?

my invading molecules subdivide
and grow more comfortable

Dust?
Why do I smell the stench of
chaste virgins and ***?
The intoxicating odor of foxed letters from an epistolary exchange regarding:
One Fair Maiden and the Devilish Pursuits to  Compromise Her Virtue?
The Opinions and Observations of Fallen Fruit
Here: The woman and her only true
possession
And Here: The sticky absconder who smells of fish.
They meet.
She blinks.

The dust replies
It’s a simple plan:
The Dear Lady is to be led
Astray
by pretty words and unspoken indiscretions
her dowry in the end, useless
She’ll be banished to the counties
To be a governess
or the
Bored companion
of the only living relative who will
Admit her services
Unpaid in silver coins
He is Blind and his Cook has left
Dyspeptic
Disagreeable
Cheap
and Mean.

She is Ruined.
Perhaps she will escape
to Italy
and die
Alone
in the sunshine.

The dust tells me another story
The same century still
This time, a miscreant princeling
surrounded by Trifles
Picking up one bob and then another
Preoccupied by uselessness
Perhaps a strawberry
Perhaps more claret and his mistress’s left breast
Tonight will be the scullery maid
Who will lose more in the end
Than she could ever possibly imagine
Tossed out of the kitchens
to Providence.
God bless Her.

The dust tells me
It’s mercantile, my dear
It’s all transactional
But look at me
I’m here for a time but am easily
Agitated and
Airborne
Aeolian driven
Ever blossoming fugitive clouds of swirling devils
Interstellar Reflection Nebulae
As you can see
I’m never in one place
So I say keep it movin’.
Michael R Burch Feb 2020
Ech day me comëth tydinges thre
Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because there’s no way to know where the hell I will go!

Ech day me comëth tydinges thre,
For wel swithë sore ben he:
The on is that Ich shal hennë,
That other that Ich not whennë,
The thriddë is my mestë carë,
That Ich not whider Ich shal farë.



These are Medieval poetry translations of poems written in Old English (i.e., Anglo-Saxon English) and Middle English.



Wulf and Eadwacer
(Old English poem circa 960-990 AD)      
loose translation by Michael R. Burch

To my people, he's prey, a pariah.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, surrounded by fens.
Here, bloodthirsty men roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, while I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but the end was loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? A wolf has borne
our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn
(Old English poem circa 658-680 AD)          
loose translation by Michael R. Burch

Now let us honour heaven-kingdom's Guardian,
the might of the Architect and his mind-plans,
the work of the Glory-Father.
First he, the Eternal Lord,
established the foundation of wonders.
Then he, the First Poet,
created heaven as a roof
for the sons of men, Holy Creator,
Maker of mankind.
Then he, the eternal Lord,
afterwards made men middle-earth: Master almighty!



How Long the Night
Middle English poem circa 13th century AD      
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Pity Mary
Middle English Lyric, circa early 13th century AD    
loose translation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
Medieval English Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
Medieval Irish Lyric, circa 13th-14th century AD
loose translation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of holy charity,
come dance with me
in Ireland.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
Medieval English Lyric, circa 11th century AD
loose translation by Michael R. Burch

Now skyward the rose and the lily flower,
That will bear for awhile that sweet savor:
In summer, that sweet tide;
There is no queen so stark in her power
Nor no lady so bright in her bower
That dead shall not glide by:
Whoever will forgo lust,
in heavenly bliss will abide
With his thoughts on Jesus anon,
thralled at his side.



IN LIBRARIOS
by Thomas Campion

Impressionum plurium librum laudat
Librarius; scortum nec non minus leno.

Novelties
loose translation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut
(circa 1100 AD, written by Layamon, an excerpt)          
loose translation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English.



The Maiden's Song aka The Bridal Morn
anonymous Medieval lyric
loose translation/interpretation by Michael R. Burch

The maidens came to my mother's bower.
I had all I would, that hour.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Now silver is white, red is the gold;
The robes they lay in fold.

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.

Still through the window shines the sun.
How should I love, yet be so young?

  The bailey beareth the bell away;
  The lily, the rose, the rose I lay.



Westron Wynde
Middle English lyric, circa 1530 AD
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

The original poem has 'the smalle rayne down can rayne' which suggests a drizzle or mist.



This World's Joy
(Middle English lyric, circa early 14th century AD)  
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



I Have Labored Sore
(anonymous medieval lyric circa the fifteenth century)  
loose translation/interpretation by Michael R. Burch

I have labored sore          and suffered death,
so now I rest           and catch my breath.
But I shall come      and call right soon
heaven and earth          and hell to doom.
Then all shall know           both devil and man
just who I was               and what I am.



A Lyke-Wake Dirge
(anonymous medieval lyric circa the 16th century AD)  
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is 'the night watch kept over a corpse.'

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and slip yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



Excerpt from 'Ubi Sunt Qui Ante Nos Fuerunt? '
(anonymous Middle English poem, circa 1275)  
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking gladdened their hearts;
they enjoyed their games;
men bowed before them;
they bore themselves loftily …
But then, in an eye's twinkling,
they were gone.

Where now are their songs and their laughter,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy has vanished;
their 'well' has come to 'oh, well'
and to many dark days …



Is this the oldest carpe diem poem in the English language?

Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms' to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within …
what hope of my help then?

The second translation leans more to the 'lover's complaint' and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's 'To His Coy Mistress.'



Ich have y-don al myn youth
(Middle English lyric, circa the 13th century AD)  
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously …
And oh what grief it has brought me!

Ich have y-don al myn youth,
Oftë, ofte, and ofte;
Longe y-loved and yerne y-beden -
Ful dere it is y-bought!



GEOFFREY CHAUCER

Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ('Merciless Beauty')  
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign, —
Your beauty from your heart has so erased
Pity, that it's useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it's useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I'm escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Welcome, Summer
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.
Saint Valentine, in the heavens aloft,
the songbirds sing your praises together!

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather.

We have good cause to rejoice, not scoff,
since love's in the air, and also in the heather,
whenever we find such blissful warmth, together.

Now welcome, Summer, with your sun so soft,
since you've banished Winter with her icy weather
and driven away her long nights' frosts.



CHARLES D'ORLEANS

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



Spring
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)  
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
'Winter has cast his cloak away! '
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d'Orleans (1394-1465)  
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
'The year lays down his mantle cold! '
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



SIR THOMAS WYATT

Whoso List to Hunt ('Whoever Longs to Hunt')  
by Sir Thomas Wyatt
loose translation/interpretation/modernization by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas! , I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                               Thus, as she flees before
me, fainting I follow.
                                I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                     I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



In the next poem the Welsh 'dd' is pronounced 'th.'
Cynddylan is pronounced KahN-THIHL-aeN.

Stafell Gynddylan ('The Hall of Cynddylan')  
Welsh englynion circa 1382-1410
translation/interpretation by Michael R. Burch

The hall of Cynddylan lies dark tonight.
Lacking fire and a bed,
I will weep awhile then lapse into silence.

The hall of Cynddylan lies dark tonight.
Lacking fire or a candle,
save God, who will preserve my sanity?

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking light,
grief for you overwhelms me!

The hall of Cynddylan's roof is dark.
After the blessed assembly,
still little the good that comes of it.

Hall of Cynddylan, you have become shapeless, amorphous.
Your shield lies in the grave.
While he lived, no one breached these gates.

The hall of Cynddylan mourns tonight,
mourns for its lost protector.
Alas death, why did you spare me?

The hall of Cynddylan trembles tonight,
atop the shivering rock,
lacking lord, lacking liege, lacking protector.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking mirth, lacking songs.
My cheeks are eroded by tears.

The hall of Cynddylan lies dark tonight.
Lacking fire, lacking heroes, lacking a warband.
Abundant, my tears' rains.

The hall of Cynddylan offends my eyes,
lacking roof, lacking fire.
My lord lies dead, and yet I still live?

The hall of Cynddylan lies shattered tonight,
without her steadfast warriors,
Elfan, and gold-torqued Cynddylan.

The hall of Cynddylan lies desolate tonight,
no longer respected
without the men and women who maintained it.

The hall of Cynddylan lies quiet tonight,
stunned to silence by losing its lord.
Merciful God, what must I do?

The hall of Cynddylan's roof is dark,
after the Saxons destroyed
shining Cynddylan and Elfan of Powys.

The hall of Cynddylan lies dark tonight:
lost, the race of the Cyndrwyn,
of Cynon and Gwion and Gwyn.

Hall of Cynddylan, you wound me, hourly,
having lost that great company
who once warmed hands at your hearth.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786 AD
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, dies dead alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, dies dead alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, dies dead alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675-754 AD). This may be the second-oldest English poem, after 'Caedmon's Hymn.'



Franks Casket Runes
anonymous Old English poems, circa 700 AD
loose translation/interpretation by Michael R. Burch

The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



'The Leiden Riddle' is an Old English translation of Aldhelm's Latin riddle Lorica ('Corselet') .

The Leiden Riddle
anonymous Old English riddle poem, circa 700 AD
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



If you see a busker singing for tips, you're seeing someone carrying on an Anglo-Saxon tradition that goes back to the days of Beowulf …

He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—'Fortunes of Men' loose translation by Michael R. Burch



Here's one of the first Old English/Anglo-Saxon poems to employ a refrain:

Deor's Lament
(Anglo Saxon poem, circa 10th century AD)  
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



'The Wife's Lament' or 'The Wife's Complaint' is an Old English/Anglo Saxon poem found in the Exeter Book. It's generally considered to be an elegy in the manner of the German frauenlied, or 'woman's song, ' although there are other interpretations of the poem's genre and purpose. The Exeter Book has been dated to 960-990 AD, making it the oldest English poetry anthology, but of course the poem may have been written earlier.

The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings … oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
'Take up residence here.'
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man -
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever -
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, 'Go, live in the grove,
beneath the great oaks, in an earth-cave, alone.'
In this ancient cave-dwelling I am lost and oppressed -
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



'The Husband's Message' is another poem from the Exeter Book. It may or may not be a reply to 'The Wife's Lament.' The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution) , but its primary focus is on persuading a wife or pledged fiancée to join her husband or betrothed and fulfill her promises to him.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                           was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
                   I honored my manly Lord.

Now I stand here on this ship's deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                          over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord …
                                             He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot's tread!

In the second poem, Godric puns on his name: godes riche means 'God's kingdom' and sounds like 'God is rich' …

A Cry to Mary
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God's kingdom rich!

II.
Saintë Marië, Christ's bower,
****** among Maidens, Motherhood's flower,
Blot out my sin, fix where I'm flawed,
Elevate me to Bliss with God!

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)  
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that's bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!



Another candidate for the first rhyming English poem is actually called 'The Rhyming Poem' as well as 'The Riming Poem' and 'The Rhymed Poem.'

The Rhymed Poem aka The Rhyming Poem and The Riming Poem
anonymous Old English/Anglo-Saxon poem circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy's blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth's fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane …

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers' sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated …
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil's curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
the summer heat cools;
earthly wealth fails;
enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men's bones become one,
and then finally, none,
till there's nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he'll experience the mercies of God for his saints,
freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



aaa

Exeter Book Gnomic Verses or Maxims
loose translation/interpretation by Michael R. Burch

The dragon dwells under the dolmen,
wizened-wise, hoarding his treasure;
the fishes bring forth their finned kind;
the king in his halls distributes rings;
the bear stalks the heath, shaggy and malevolent.

Frost shall freeze,
fire feast on firs;
earth breed blizzards;
brazen ice bridge waters;
waters spawn shields;
oxen axe
frost's firm fetters,
freeing golden grain
from ice's imprisonment.

Winter shall wane,
warm weather return
as sun-warmed summer!

Kings shall win
wise queens with largesse,
with beakers and bracelets;
both must be
generous with their gifts.

Courage must create
war-lust in a lord
while his woman shows
kindness to her people,
delightful in dress,
interpreter of rune-words,
roomy-hearted
at hearth-sharing and horse-giving.

The deepest depths
hold seas' secrets the longest.

The ship must be neatly nailed,
the hull framed
from light linden.
But how loving
the Frisian wife's welcome
when, floating offshore,
the keel turns homeward!
She hymns homeward
her own husband,
till his hull lies at anchor!
Then she washes salt-stains
from his stiff shirt,
lays out new clothes
clean and fresh
for her exhausted sailor,
her beloved bread-winner,
love's needs well-met.



THE WANDERER

Please keep in mind that in ancient Anglo-Saxon poems like "The Ruin" and "The Wanderer" the Wyrdes function like the Fates of ancient Greek mythology, controlling men's destinies.

The Wanderer
ancient Anglo-Saxon poem, circa 990 AD
loose translation/interpretation by Michael R. Burch

"The one who wanders alone
longs for mercy, longs for grace,
knowing he must yet traverse
the whale-path's rime-cold waters,
stirring the waves with his hands & oars,
heartsick & troubled in spirit,
always bending his back to his exile-ways."

"Fate is inexorable."

Thus spoke the wanderer, the ancient earth-roamer
mindful of life's hardships,
of its cruel slaughters & deaths of dear kinsmen.

"Often I am driven, departing alone at daybreak,
to give my griefs utterance,
the muffled songs of a sick heart
sung to no listeners, to no living lord,
for now there are none left alive
to debate my innermost doubts.

Custom considers it noble indeed for a man
to harbor his thought-hoard,
keep it close to his chest,
slam the doors of his doubts shut,
bind sorrow to silence & be still.

But the weary-minded man cannot withstand Wyrdes,
nor may his shipwrecked heart welcome solace, nor any hope of healing.
Therefore those eager for fame often bind dark thoughts
& unwailed woes in their breast-coffers.

Thus, miserably sad, overcome by cares & separated from my homeland,
far from my noble kinsmen, I was forced to bind my thoughts with iron fetters,
to confine my breast-hoard to its cage of bone.

Long ago the dark earth covered my gold-lord & I was left alone,
winter-weary & wretched, to cross these winding waves friendless.

Saddened, I sought the hall of some new gold-giver,
someone who might take heed of me, welcome me,
hoping to find some friendly mead-hall
offering comfort to men left friendless by Fate.

Anyone left lordless, kinless & friendless
knows how bitter-cruel life becomes
to one bereft of protectors,
pale sorrows his only companions.

No one waits to welcome the wanderer!

His only rewards, cold nights & the frigid sea.

Only exile-paths await him,
not torques of twisted gold,
warm hearths & his lord's trust.

Only cold hearts' frozen feelings, not earthly glory.

Then he longingly remembers retainers, feasts & the receiving of treasure,
how in his youth his gold-friend recognized him at the table.

But now all pleasure has vanished & his dreams taste like dust!

The wanderer knows what it means to do without:
without the wise counsels of his beloved lord, kinsmen & friends.

The lone outcast, wandering the headlands alone,
where solitariness & sorrow sleep together!

Then the wretched solitary vagabond
remembers in his heart how he embraced & kissed his lord
& laid his hands & head upon his knee,
in those former days of grace at the gift-stool.

But the wanderer always awakes without friends.

Awakening, the friendless man confronts the murky waves,
the seabirds bathing, broadening out their feathers,
the ****-frost, harrowing hail & snow eternally falling…

Then his heart's wounds seem all the heavier for the loss of his beloved lord.

Thus his sorrow is renewed,
remembrance of his lost kinsmen troubles his mind,
& he greets their ghosts with exclamations of joy, but they merely swim away.

The floating ones never tarry.

Thus care is renewed for the one whose weary spirit rides the waves.

Therefore I cannot think why, surveying this world,
my mind should not contemplate its darkness.

When I consider the lives of earls & their retainers,
how at a stroke they departed their halls, those mood-proud thanes! ,
then I see how this middle-earth fails & falls, day after day…

Therefore no man becomes wise without his share of winters.

A wise man must be patient,
not hot-hearted, nor over-eager to speak,
nor weak-willed in battles & yet not reckless,
not unwitting nor wanting in forethought,
nor too greedy for gold & goods,
nor too fearful, nor too cheerful,
nor too hot, nor too mild,
nor too eager to boast before he's thought things through.

A wise man forbears boastmaking
until, stout-hearted, his mind sure & his will strong,
he can read the road where his travels & travails take him.

The wise man grasps how ghastly life will be
when all the world's wealth becomes waste,
even as middle-earth already is, in so many places
where walls stand weather-beaten by the wind,
crusted with cold rime, ruined dwellings snowbound,
wine-halls crumbling, their dead lords deprived of joy,
the once-hale host all perished beyond the walls.

Some war took, carried them off from their courses;
a bird bore one across the salt sea;
another the gray wolf delivered to Death;
one a sallow-cheeked earl buried in a bleak barrow.

Thus mankind's Maker laid waste to Middle Earth,
until the works of the giants stood idle,
all eerily silenced, the former joys of their halls."

The wise man contemplates these ruins,
considers this dark life soberly,
remembers the blood spilled here
in multitudes of battles,
then says:

"Where is the horse now? Where, its riders?
Where, the givers of gifts & treasure, the gold-friend?
Where, the banquet-seats? Where, the mead-halls' friendly uproars?

Gone, the bright cup! Gone, the mailed warrior!
Gone, the glory of princes! Time has slipped down
the night-dome, as if it never were!

Now all that remains is this wall, wondrous-high,
decorated with strange serpentine shapes,
these unreadable wormlike runes!

The strength of spears defeated the earls,
lances lusting for slaughter, some glorious victory!

Now storms rage against these rock-cliffs,
as swirling snows & sleet entomb the earth,
while wild winter howls its wrath
as the pale night-shadow descends.

The frigid north sends hailstones to harry warriors.

Hardships & struggles beset the children of men.

The shape of fate is twisted under the heavens
as the Wyrdes decree.

Life is on loan, wealth transitory, friendships fleeting,
man himself fleeting, everything transitory,
& earth's entire foundation stands empty."

Thus spoke the wanderer, wise-hearted, as he sat apart in thought.

Good is the man who keeps his word to the end.
Nor should a man manifest his breast-pangs before he knows their cure,
how to accomplish the remedy with courage.



The Dream of the Rood
anonymous Anglo-Saxon poem, circa the tenth century
loose translation/interpretation by Michael R. Burch

Listen! A dream descended upon me at deep midnight
when sleepers have sought their beds and sweet rest:
the dream of dreams, I declare it!

It seemed I saw the most wondrous tree,
raised heaven-high, wound 'round with light,
with beams of the brightest wood. A beacon
covered in overlapping gold and precious gems,
it stood fair at the earth's foot, with five gemstones
brightening its cross-beam. All heaven's angels
beheld it with wonder, for it was no felon's gallows…



Beowulf
Old English/Anglo-Saxon poem, circa 8th-10th century AD
loose translation/interpretation by Michael R. Burch

LO, praise the prowess of the Spear-Danes
whose clan-thanes ruled in days bygone,
possessed of dauntless courage and valor.

All have heard the honors the athelings won,
of Scyld Scefing, scourge of rebellious tribes,
wrecker of mead-benches, harrier of warriors,
awer of earls. He had come from afar,
first friendless, a foundling, till Fate intervened:
for he waxed under the welkin and persevered,
until folk, far and wide, on all coasts of the whale-path,
were forced to yield to him, bring him tribute.
A good king!

To him an heir was afterwards born,
a lad in his yards, a son in his halls,
sent by heaven to comfort the folk.
Knowing they'd lacked an earl a long while,
the Lord of Life, the Almighty, made him far-renowned.

Beowulf's fame flew far throughout the north,
the boast of him, this son of Scyld,
through Scandian lands.



Grendel was known of in Geatland, far-asea,
the horror of him.



Beowulf bade a seaworthy wave-cutter
be readied to bear him to Heorot,
over the swan's riding,
to defense of that good king, Hrothgar.

Wise men tried to dissuade him
because they held Beowulf dear,
but their warnings only whetted his war-lust.

Yet still he pondered the omens.

The resolute prince handpicked his men,
the fiercest of his folk, to assist him:
fourteen men sea-wise, stout-hearted,
battle-tested. Led them to the land's edge.

Hardened warriors hauled bright mail-coats,
well-wrought war gear, to the foot of her mast.
At high tide she rode the waves, hard in by headland,
as they waved their last farewells, then departed.

Away she broke like a sea-bird, skimming the waves,
wind-borne, her curved prow plowing the ocean,
till on the second day the skyline of Geatland loomed.





In the following poem Finnsburuh means 'Finn's stronghold' and Finn was a Frisian king. This battle between Danes and Frisians is also mentioned in the epic Anglo-Saxon poem Beowulf. Hnaef and his 60 retainers were house-guests of Finn at the time of the battle.

The Finnesburg Fragment or The Fight at Finnsburg
Old English/Anglo-Saxon poem, circa 10th century AD
loose translation/interpretation by Michael R. Burch

Battle-bred Hnaef broke the silence:
'Are the eaves aflame, is there dawn in the east,
are there dragons aloft? No, only the flares of torches
borne on the night breeze. Evil is afoot. Soon the hoots of owls,
the weird wolf's howls, cries of the carrion crows, the arrow's screams,
and the shield's reply to the lance's shaft, shall be heard.
Heed the omens of the moon, that welkin-wanderer.
We shall soon feel in full this folk's fury for us.
Shake yourselves awake, soldiers! On your feet!
Who's with me? Grab your swords and shields. Loft your linden! '



'The Battle of Brunanburh' is the first poem to appear in the Anglo-Saxon Chronicle. Aethelstan and Edmund were the grandsons of King Alfred the Great.

The Battle of Brunanburh or The Battle of Brunanburgh
anonymous Old English/Anglo-Saxon poem, circa 937 AD
loose translation/interpretation by Michael R. Burch

Her Aethelstan cyning, / Aethelstan the King,
eorla dryhten, / Lord over earls,
beorna beag-giefa, / bracelet-bestower,
and his brothor eac, / and with him his brother,
Eadmund aetheling, / Edmund the Atheling,
ealdor-lange tir / earned unending glory:
geslogon aet saecce / glory they gained in battle
sweorda ecgum / as they slew with the sword's edge
ymbe Brunanburh. / many near Brunanburgh…



The Battle of Maldon
anonymous Old English/Anglo-Saxon poem, circa 991 AD or later
loose translation/interpretation by Michael R. Burch

…would be broken.

Then he bade each warrior unbridle his horse,
set it free, drive it away and advance onward afoot,
intent on deeds of arms and dauntless courage.

It was then that Offa's kinsman kenned
their Earl would not accept cowardice,
for he set his beloved falcon free, let it fly woods-ward,
then stepped forward to battle himself, nothing withheld.

By this his men understood their young Earl's will full well,
that he would not weaken when taking up weapons.

Eadric desired to serve his Earl,
his Captain in the battle to come; thus he also advanced forward,
his spear raised, his spirit strong,
boldly grasping buckler and broadsword,
ready to keep his vow to stand fast in the fight.

Byrhtnoth marshalled his men,
teaching each warrior his task:
how to stand, where to be stationed…



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, 'God is gracious! '

The poem has also been rendered as 'Adam lay i-bounden' and 'Adam lay i-bowndyn.'




I Sing of a Maiden
(anonymous Medieval English Lyric, circa early 15th century AD)  
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.

He came also as still
To his mother's breast
As April dew
Falling on the grass.

He came also as still
To his mother's bower
As April dew
Falling on the flower.

He came also as still
To where his mother lay
As April dew
Falling on the spray.

Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



WIDSITH

Widsith, the 'wide-wanderer' or 'far-traveler, ' was a fictional poet and harper who claimed to have sung for everyone from Alexander the Great, Caesar and Attila, to the various kings of the Angles, Saxons and Vikings! The poem that bears his name is a thula, or recited list of historical and legendary figures, and an ancient version of, 'I've Been Everywhere, Man.'

Widsith, the Far-Traveler
anonymous Old English/Anglo-Saxon poem, circa 680-950 AD
loose translation/interpretation by Michael R. Burch

Widsith the wide-wanderer began to speak,
unlocked his word-hoard, manifested his memories,
he who had travelled earth's roads furthest
among the races of men—their tribes, peoples and lands.
He had often prospered in the mead-halls,
competing for precious stones with his tale-trove.
His ancestors hailed from among the Myrgings,
whence his lineage sprung, a scion of Ealhhild,
the fair peace-weaver. On his first journey, east of the Angles,
he had sought out the home of Eormanric,
the angry oath-breaker and betrayer of men.

Widsith, rich in recollections, began to share his wisdom thus:

I have learned much from mighty men, their tribes' mages,
and every prince must live according to his people's customs,
acting honorably, if he wishes to prosper upon his throne.

Hwala was the best, for awhile,
Alexander the mightiest, beyond compare,
his empire the most prosperous and powerful of all,
among all the races of men, as far as I have heard tell.

Attila ruled the Huns, Eormanric the Goths,
Becca the Banings, Gifica the Burgundians,
Caesar the Greeks, Caelic the Finns,
Hagena the Holmrigs, Heoden the Glomms,
Witta the Swæfings, Wada the Hælsings,
Meaca the Myrgings, Mearchealf the Hundings,
Theodric the Franks, Thyle the Rondings,
Breoca the Brondings, Billing the Wærns,
Oswine the Eowan, Gefwulf the Jutes,
Finn Folcwalding the Frisians,
Sigehere ruled the Sea-Danes for decades,
Hnæf the Hockings, Helm the Wulfings,
Wald the Woings, Wod the Thuringians,
Sæferth the Secgan, Ongendtheow the Swedes,
Sceafthere the Ymbers, Sceafa the Lombards,
*** the Hætwera, Holen the Wrosnas,
Hringweald was king of the Herefara.

Offa ruled the Angles, Alewih the Danes,
the bravest and boldest of men,
yet he never outdid Offa.
For Offa, while still a boy, won in battle the broadest of kingdoms.
No one as young was ever a worthier Earl!
With his stout sword he struck the boundary of the Myrgings,
fixed it at Fifeldor, where afterwards the Angles and Swæfings held it.

Hrothulf and Hrothgar, uncle and nephew,
for a long time kept a careful peace together
after they had driven away the Vikings' kinsmen,
vanquished Ingeld's spear-hordes,
and hewed down at Heorot the host of the Heathobards.

Thus I have traveled among many foreign lands,
crossing the earth's breadth,
experiencing both goodness and wickedness,
cut off from my kinsfolk, far from my family.

Thus I can speak and sing these tidings in the mead-halls,
of how how I was received by the most excellent kings.
Many were magnanimous to me!

I was among the Huns and the glorious Ostrogoths,
among the Swedes, the Geats, and the South-Danes,
among the Vandals, the Wærnas, and the Vikings,
among the Gefthas, the Wends, and the Gefflas,
among the Angles, the Swabians, and the Ænenas,
among the Saxons, the Secgan, and the Swordsmen,
among the Hronas, the Danes, and the Heathoreams,
among the Thuringians and the Throndheims,
also among the Burgundians, where I received an arm-ring;
Guthhere gave me a gleaming gem in return for my song.
He was no gem-hoarding king, slow to give!

I was among the Franks, the Frisians, and the Frumtings,
among the Rugas, the Glomms, and the Romans.

I was likewise in Italy with Ælfwine,
who had, as I'd heard, commendable hands,
fast to reward fame-winning deeds,
a generous sharer of rings and torques,
the noble son of Eadwine.

I was among the Saracens and also the Serings,
among the Greeks, the Finns, and also with Caesar,
the ruler of wine-rich cities and formidable fortresses,
of riches and rings and Roman domains.
He also controlled the kingdom of Wales.

I was among the Scots, the Picts and the Scrid-Finns,
among the Leons and Bretons and Lombards,
among the heathens and heroes and Huns,
among the Israelites and Assyrians,
among the Hebrews and Jews and Egyptians,
among the Medes and Persians and Myrgings,
and with the Mofdings against the Myrgings,
among the Amothings and the East-Thuringians,
among the Eolas, the Ista and the Idumings.

I was also with Eormanric for many years,
as long as the Goth-King availed me well,
that ruler of cities, who gave me gifts:
six hundred shillings of pure gold
beaten into a beautiful neck-ring!
This I gave to Eadgils, overlord of the Myrgings
and my keeper-protector, when I returned home,
a precious adornment for my beloved prince,
after which he awarded me my father's estates.

Ealhhild gave me another gift,
that shining lady, that majestic queen,
the glorious daughter of Eadwine.
I sang her praises in many lands,
lauded her name, increased her fame,
the fairest of all beneath the heavens,
that gold-adorned queen, glad gift-sharer!

Later, Scilling and I created a song for our war-lord,
my shining speech swelling to the sound of his harp,
our voices in unison, so that many hardened men, too proud for tears,
called it the most moving song they'd ever heard.

Afterwards I wandered the Goths' homelands,
always seeking the halest and heartiest companions,
such as could be found within Eormanric's horde.
I sought Hethca, Beadeca and the Herelings,
Emerca, Fridlal and the Ostrogoths,
even the wise father of Unwen.
I sought Secca and Becca, Seafola and Theodric,
Heathoric and Sifeca, Hlithe and Ongentheow,
Eadwine and Elsa, Ægelmund and Hungar,
even the brave band of the Broad-Myrgings.
I sought Wulfhere and Wyrmhere where war seldom slackened,
when the forces of Hræda with hard-striking swords
had to defend their imperiled homestead
in the Wistla woods against Attila's hordes.

I sought Rædhere, Rondhere, Rumstan and Gislhere,
Withergield and Freotheric, Wudga and Hama,
never the worst companions although I named them last.
Often from this band flew shrill-whistling wooden shafts,
shrieking spears from this ferocious nation,
felling enemies because they wielded the wound gold,
those good leaders, Wudga and Hama.

I have always found this to be true in my far-venturing:
that the dearest man among earth-dwellers
is the one God gives to rule ably over others.

But the makar's weird is to be a wanderer. [maker's/minstrel's fate]

The minstrel travels far, from land to land,
singing his needs, speaking his grateful thanks,
whether in the sunny southlands or the frigid northlands,
measuring out his word-hoard to those unstingy of gifts,
to those rare elect rulers who understand art's effect on the multitudes,
to those open-handed lords who would have their fame spread,
via a new praise-verse, thus earning enduring reputations
under the heavens.



Lent is Come with Love to Town
anonymous Middle English poem, circa 1330
loose translation/interpretation by Michael R. Burch

Springtime comes with love to town,
With blossoms and with birdsong 'round,
Bringing all this bliss:
Daisies in the dales,
Sweet notes of nightingales.
Each bird contributes songs;
The thrush chides ancient wrongs.
Departed, winter's glowers;
The woodruff gayly flowers;
The birds create great noise
And warble of their joys,
Making all the woodlands ring!



'Cantus Troili' from Troilus and Criseide
by Petrarch
'If no love is, O God, what fele I so? ' translation by Geoffrey Chaucer
modernization by Michael R. Burch

If there's no love, O God, why then, so low?
And if love is, what thing, and which, is he?
If love is good, whence comes my dismal woe?
If wicked, love's a wonder unto me,
When every torment and adversity
That comes from him, persuades me not to think,
For the more I thirst, the more I itch to drink!

And if in my own lust I choose to burn,
From whence comes all my wailing and complaint?
If harm agrees with me, where can I turn?
I know not, all I do is feint and faint!
O quick death and sweet harm so pale and quaint,
How may there be in me such quantity
Of you, 'cept I consent to make us three?

And if I so consent, I wrongfully
Complain, I know. Thus pummeled to and fro,
All starless, lost and compassless, am I
Amidst the sea, between two rending winds,
That in diverse directions bid me, 'Go! '
Alas! What is this wondrous malady?
For heat of cold, for cold of heat, I die.



'Blow, northerne wind'
anonymous Middle English poem, circa late 13th century
loose translation/interpretation by Michael R. Burch

Blow, northern wind,
Send my love, my sweeting,
Blow, northern wind,
Blow, blow, blow,
Our love completing!



'What is he, this lordling, that cometh from the fight? '
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Who is he, this lordling, who staggers from the fight,
with blood-red garb so grisly arrayed,
once appareled in lineaments white?
Once so seemly in sight?
Once so valiant a knight?

'It is I, it is I, who alone speaks right,
a champion to heal mankind in this fight.'

Why then are your clothes a ****** mess,
like one who has trod a winepress?

'I trod the winepress alone,
else mankind was done.'



'Thou wommon boute fere'
by William Herebert, circa early 14th century
loose translation/interpretation by Michael R. Burch

Woman without compare,
you bore your own father:
great the wonder
that one woman was mother
to her father and brother,
as no one else ever was.



'Marye, maide, milde and fre'
by William of Shoreham, circa early 14th century
loose translation/interpretation by Michael R. Burch

Mary, maid, mild and free,
Chamber of the Trinity,
This while, listen to me,
As I greet you with a song...



'My sang es in sihting'
by Richard Rolle, circa 14th century
loose translation/interpretation by Michael R. Burch

My song is in sighing,
My life is in longing,
Till I see thee, my King,
So fair in thy shining,
So fair in thy beauty,
Leading me into your light...



To Rosemounde: A Ballade
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Madame, you're a shrine to loveliness
And as world-encircling as trade's duties.
For your eyes shine like glorious crystals
And your round cheeks like rubies.
Therefore you're so merry and so jocund
That at a revel, when that I see you dance,
You become an ointment to my wound,
Though you offer me no dalliance.

For though I weep huge buckets of warm tears,
Still woe cannot confound my heart.
For your seemly voice, so delicately pronounced,
Make my thoughts abound with bliss, even apart.
So courteously I go, by your love bound,
So that I say to myself, in true penance,
'Suffer me to love you Rosemounde;
Though you offer me no dalliance.'

Never was a pike so sauce-immersed
As I, in love, am now emeshed and wounded.
For which I often, of myself, divine
That I am truly Tristam the Second.
My love may not grow cold, nor numb,
I burn in an amorous pleasance.
Do as you will, and I will be your thrall,
Though you offer me no dalliance.



A Lady without Paragon
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Hide, Absalom, your shining tresses;
Esther, veil your meekness;
Retract, Jonathan, your friendly caresses;
Penelope and Marcia Catoun?
Other wives hold no comparison;
Hide your beauties, Isolde and Helen;
My lady comes, all stars to outshine.

Thy body fair? Let it not appear,
Lavinia and Lucretia of Rome;
Nor Polyxena, who found love's cost so dear;
Nor Cleopatra, with all her passion.
Hide the truth of love and your renown;
And thou, Thisbe, who felt such pain;
My lady comes, all stars to outshine.

Hero, Dido, Laodamia, all fair,
And Phyllis, hanging for Demophon;
And Canace, dead by love's cruel spear;
And Hypsipyle, betrayed along with Jason;
Make of your truth neither boast nor swoon,
Nor Hypermnestra nor Adriane, ye twain;
My lady comes, all stars to outshine.



A hymn to Jesus
by Richard of Caistre, circa 1400
loose translation/interpretation by Michael R. Burch

Jesu, Lord that madest me
and with thy blessed blood hath bought,
forgive that I have grieved thee,
in word, work, will and thought.

Jesu, for thy wounds' hurt
of body, feet and hands too,
make me meek and low in heart,
and thee to love, as I should do...



In Praise of his Ugly Lady
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Of my lady? Well rejoice, I may!
Her golden forehead is full narrow and small;
Her brows are like dim, reed coral;
And her jet-black eyes glisten, aye.

Her bulging cheeks are soft as clay
with large jowls and substantial.

Her nose, an overhanging shady wall:
no rain in that mouth on a stormy day!

Her mouth is nothing scant with lips gray;
Her chin can scarcely be seen at all.

Her comely body is shaped like a football,
and she sings like a cawing jay.



Lament for Chaucer
by Thomas Hoccleve, early 15th century
loose translation/interpretation by Michael R. Burch

Alas, my worthy master, honorable,
The very treasure and riches of this land!
Death, by your death, has done irreparable
harm to us: her cruel and vengeful hand
has robbed our country of sweet rhetoric...



Holly and Ivy
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Nay! Ivy, nay!
It shall not be, like this:
Let Holy have the mastery,
As the manner is.

Holy stood in the hall
Fair to behold;
Ivy stood outside the door,
Lonely and cold.

Holy and his merry men
Commenced to dance and sing;
Ivy and her maidens
Were left outside to weep and wring.

Ivy has a chilblain,
She caght it with the cold.
So must they all have, aye,
Whom with Ivy hold.

Holly has berries
As red as any rose:
The foresters and hunters
Keep them from the does.

Ivy has berries
As black as any ill:
There comes the owl
To eat them as she will.

Holly has birds,
A full fair flock:
The nightingale, the poppyinjay,
The gentle lark.

Good Ivy, good Ivy,
What birds cling to you?
None but the owl
Who cries, 'Who? Who? '



Unkindness Has Killed Me
anonymous Middle English poem,15th century
loose translation/interpretation by Michael R. Burch

Grievous is my sorrow:
Both evening and morow;
Unto myself alone
Thus do I moan,
That unkindness has killed me
And put me to this pain.
Alas! what remedy
That I cannot refrain?



from The Testament of John Lydgate
15th century
loose translation/interpretation by Michael R. Burch

Behold, o man! lift up your eyes and see
What mortal pain I suffer for your trespass.
With piteous voice I cry and say to thee:
Behold my wounds, behold my ****** face,
Behold the rebukes that do me such menace,
Behold my enemies that do me so despise,
And how that I, to reform thee to grace,
Was like a lamb offred in sacrifice.



Vox ultima Crucis
from The Testament of John Lydgate,15th century
loose translation/interpretation by Michael R. Burch

TARRY no longer; toward thine heritage
Haste on thy way, and be of right good cheer.
Go each day onward on thy pilgrimage;
Think how short a time thou hast abided here.
Thy place is built above the stars clear,
No earthly palace wrought in such stately wise.
Come on, my friend, my brother must enter!
For thee I offered my blood in sacrifice.



Inordinate Love
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

I shall say what inordinate love is:
The ferocity and singleness of mind,
An inextinguishable burning devoid of bliss,
A great hunger, too insatiable to decline,
A dulcet ill, an evil sweetness, blind,
A right wonderful, sugared, sweet error,
Without any rest, contrary to kind,
Without quiet, a riot of useless labor.



Besse Bunting
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

In April and May
When hearts be all a-merry,
Bessie Bunting, the miller's girl,
With lips as red as cherries,
Cast aside remembrance
To pass her time in dalliance
And leave her misery to chance.
Right womanly arrayed
In petticoats of white,
She was undismayed
And her countenance was light.



The spring under a thorn
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

At a wellspring, under a thorn,
the remedy for an ill was born.
There stood beside a maid
Full of love bound,
And whoso seeks true love,
In her it will be found.



The Complaint of Cresseid against Fate
Robert Henryson,15th century
loose translation/interpretation by Michael R. Burch

O sop of sorrow, sunken into care,
O wretched Cresseid, now and evermore
Gone is thy joy and all thy mirth on earth!
Stripped bare of blitheness and happiness,
No salve can save you from your sickness.
Fell is thy fortune, wicked thy fate.
All bliss banished and sorrow in bloom.
Would that I were buried under the earth
Where no one in Greece or Troy might hear it!



A lover left alone with his thoughts
anonymous Middle English poem, circa later 15th century
loose translation/interpretation by Michael R. Burch

Continuance
of remembrance,
without ending,
causes me penance
and great grievance,
for your parting.

You are so deeply
engraved in my heart,
God only knows
that always before me
I ever see you
in thoughts covert.

Though I do not explain
my woeful pain,
I bear it still,
although it seems vain
to speak against
Fortune's will.



Go, hert, hurt with adversity
anonymous Middle English poem, circa 15th century
loose translation/interpretation by Michael R. Burch

Go, heart, hurt with adversity,
and let my lady see thy wounds,
then say to her, as I say to thee:
'Farewell, my joy, and welcome pain,
till I see my lady again.'



I love a flower
by Thomas Phillipps, circa 1500
loose translation/interpretation by Michael R. Burch

'I love, I love, and whom love ye? '
'I love a flower of fresh beauty.'
'I love another as well as ye.'
'That shall be proved here, anon,
If we three
together can agree
thereon.'

'I love a flower of sweet odour.'
'Marigolds or lavender? '
'Columbine, golds of sweet flavor? '
'Nay! Nay! Let be:
It is none of them
that liketh me.'

(The argument continues...)  

'I love the rose, both red and white.'
'Is that your perfect appetite? '
'To talk of them is my delight.'
'Joyed may we be,
our Prince to see
and roses three.'

'Now we have loved and love will we,
this fair, fresh flower, full of beauty.'
'Most worthy it is, so thinketh me.'
'Then may it be proved here, anon,
that we three
did agree
as one.'



The sleeper hood-winked
by John Skelton, circa late 15th century
loose translation/interpretation by Michael R. Burch

With 'Lullay! Lullay! ' like a child,
Thou sleepest too long, thou art beguiled.

'My darling dear, my daisy flower,
let me, quoth he, 'lie in your lap.'
'Lie still, ' quoth she, 'my paramour, '
'Lie still, of course, and take a nap.'
His head was heavy, such was his hap!
All drowsy, dreaming, drowned in sleep,
That of his love he took no keep. [paid no notice]



The Corpus Christi Carol
anonymous Middle English poem, circa early 16th century
loose translation/interpretation by Michael R. Burch

He bore him up, he bore him down,
He bore him into an orchard brown.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

In that orchard there stood a hall
Hanged all over with purple and pall.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that hall there stood a bed
hanged all over with gold so red.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And in that bed there lies a knight,
His wounds all bleeding both day and night.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

By that bed's side there kneels a maid,
And she weeps both night and day.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.

And by that bedside stands a stone,
'Corpus Christi' written thereon.
Lully, lullay, lully, lullay!
The falcon has borne my mate away.



Love ever green
attributed to King Henry VIII, circa 1515
loose translation/interpretation by Michael R. Burch

If Henry VIII wrote the poem, he didn't quite live up to it! - MRB

Green groweth the holly,
so doth the ivy.
Though winter's blasts blow never so high,
green groweth the holly.

As the holly groweth green
and never changeth hue,
so am I, and ever have been,
unto my lady true.

Adew! Mine own lady.
Adew! My special.
Who hath my heart truly,
Be sure, and ever shall.



Pleasure it is
by William Cornish, early 16th century
loose translation/interpretation by Michael R. Burch

Pleasure it is,
to her, indeed.
The birds sing;
the deer in the dale,
the sheep in the vale,
the new corn springing.
God's allowance
for sustenance,
his gifts to man.
Thus we always give him praise
and thank him, then.
And thank him, then.



My lute and I
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

At most mischief
I suffer grief
Without relief
Since I have none;
My lute and I
Continually
Shall both apply
To sigh and moan.

Nought may prevail
To weep or wail;
Pity doth fail
In you, alas!
Mourning or moan,
Complaint, or none,
It is all one,
As in this case.

For cruelty,
Most that can be,
Hath sovereignty
Within your heart;
Which maketh bare
All my welfare:
Nought do you care
How sore I smart.

No tiger's heart
Is so perverse
Without desert
To wreak his ire;
And me? You ****
For my goodwill;
Lo, how I spill
For my desire!

There is no love
Your heart to move,
And I can prove
No other way;
Therefore I must
Restrain my lust,
Banish my trust
And wealth away.

Thus in mischief
I suffer grief,
Without relief
Since I have none,
My lute and I
Continually
Shall both apply
To sigh and moan.



What menethe this?
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

WHAT meaneth this! when I lie alone
I toss, I turn, I sigh, I groan;
My bed seems near as hard as stone:
What means this?

I sigh, I plain continually;
The clothes that on my bed do lie,
Always, methinks, they lie awry;
What means this?

In slumbers oft for fear I quake;
For heat and cold I burn and shake;
For lack of sleep my head doth ache;
What means this?

At mornings then when I do rise,
I turn unto my wonted guise,
All day thereafter, muse and devise;
What means this?

And if perchance by me there pass,
She, unto whom I sue for grace,
The cold blood forsaketh my face;
What means this?

But if I sit with her nearby,
With a loud voice my heart doth cry,
And yet my mouth is dumb and dry;
What means this?

To ask for help, no heart I have;
My tongue doth fail what I should crave;
Yet inwardly I rage and rave;
What means this?

Thus I have passed many a year,
And many a day, though nought appear,
But most of that which I most I fear;
What means this?



Yet ons I was
by Sir Thomas Wyatt, circa early 16th century
loose translation/interpretation by Michael R. Burch

Once in your grace I know I was,
Even as well as now is he;
Though Fortune hath so turned my case
That I am down and he full high;
Yet once I was.

Once I was he that did you please
So well that nothing did I doubt,
And though today ye think it ease
To take him in and throw me out;
Yet once I was.

Once I was he, in times past.
That as your own ye did retain:
And though ye have me now out-cast,
Showing untruth in you to reign;
Yet once I was.

Once I was he that knit the knot
The which ye swore not to unknit,
And though ye feign it now forgot,
In using your newfangled wit;
Yet once I was.

Once I was he to whom ye said,
'Welcome, my joy, my whole delight! '
And though ye are now well repaid
Of me, your own, your claim seems slight;
Yet once I was.

Once I was he to whom ye spake,
'Have here my heart! It is thy own.'
And though these words ye now forsake,
Saying thereof my part is none;
Yet once I was.

Once I was he that led the cast,
But now am he that must needs die.
And though I die, yet, at the last,
In your remembrance let it lie,
That once I was.



The Vision of Piers Plowman
by William Langland, circa 1330-1400
loose translation/interpretation by Michael R. Burch

Incipit liber de Petro Plowman prologus

In a summer season when the sun shone soft,
I clothed myself in a cloak like a shepherd's,
In a habit like a hermit's unholy in works,
And went out into the wide world, wonders to hear.
Then on a May morning on Malvern hills,
A marvel befell me, of fairies, methought.
I was weary with wandering and went to rest
Under a broad bank, by a brook's side,
And as I lay, leaned over and looked on the waters,
I fell into a slumber, for it sounded so merry.
Soon I began to dream a marvellous dream:
That I was in a wilderness, I wist not where.
As I looked to the east, right into the sun,
I saw a tower on a knoll, worthily built,
With a deep dale beneath and a dungeon therein,
Full of deep, dark ditches and and dreadful to behold.
Then a fair field full of fond folk, I espied between,
Of all manner of men, both rich and poor,
Working and wandering, as the world demands.
Some put themselves to the plow, seldom playing,
But setting and sowing they sweated copiously
And won that which wasters destroyed by gluttony...



Pearl
anonymous Middle English poem, circa 1400
loose translation/interpretation by Michael R. Burch

Pearl, the pleasant prize of princes,
Chastely set in clear gold and cherished,
Out of the Orient, unequaled,
Precious jewel without peer,
So round, so rare, so radiant,
So small, so smooth, so seductive,
That whenever I judged glimmering gems,
I set her apart, unimpeachable, priceless.
Alas, I lost her in earth's green grass!
Long I searched for her in vain!
Now I languish alone, my heart gone cold.
For I lost my precious pearl without stain.



Johann Scheffler (1624-1677) , also known as Johann Angelus Silesius, was a German Catholic priest, physician, mystic and religious poet. He's a bit later than most of the other poets on this page, but seems to fit in …

Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack 'reasons'
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to 'see.'

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



The original poem below is based on my teenage misinterpretation of a Latin prayer …

Elegy for a little girl, lost
by Michael R. Burch

… qui laetificat juventutem meam …
She was the joy of my youth,
and now she is gone.
… requiescat in pace …
May she rest in peace.
… amen …
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, 'ad deum qui laetificat juventutem meam' means 'to the God who gives joy to my youth, ' but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD) .

Keywords/Tags: Middle English, rhyme, medieval, epigram, lament, complaint, weight, soul, burden, burdened, heaviness, plague, plagued, exit, death, manner, fen, torment, hell, when, where, how, why
These are Medieval poetry translations of poems written in Old English (i.e., Anglo-Saxon English) and Middle English.
Mark Addison May 2016
After taking a gulp of water, M. opens a new Word document, inhaling deeply. He begins to write a sort of Introduction or Author’s Note:

‘This is to be my first real poem. No *******, cheesy rhyming or painfully forced verbiage. I am now only a seeker of truth…’

M., having just crushed two Focalin pressed pills, rolls a five-dollar bill and proceeds to insufflate, pausing momentarily when the line is halfway finished; he exhales before immediately finishing it off. His sinus burns fiercely. There is something masochistic about his preferred method of ingestion w/r/t pills. And but with a sudden albeit expected (in fact, M. was utterly beholden to it) rush of vitality, M. spends the next ten minutes finishing his half-page poetic manifesto [sic] (which term he actually wrote as a heading. “Poetic Manifesto”, that is), before beginning what he considers to be the first stanza. He likes that the location of the beginning of his poem is ambiguous. And so he begins thusly, consciously avoiding conventional rhyme scheme, instead opting for what he considers to be abstract.

‘My first poem, ostensibly an attempt at catharsis, was in fact a failed expression of my latent desire to be accepted. For today it’s a poem and last week a novel; tomorrow I’ll ferociously ******* some fashionably obscure, formidably pretentious prose [sic]. Consuming all but absorbing nothing…’

If he is to discover vicious truths [sic] in his writing, he cannot hold anything back. He thinks of a double-entendre using the word ‘blunt’, but decides not to employ it. Perhaps yesterday. Suddenly, M. begins to ruminate on his poem from the day before, which had earned him the opposite of acclaim from his peers. He must simply do the opposite of what he had done before! When he resumes writing, M. eventually begins to subconsciously fall back into the 12-syllable AABB rhyme scheme of his yesterday’s poem.

‘…Perhaps the following phase will stick for more than a wretched week.
Why have I wasted words on wan, vapid, wheezing lines
Of sickeningly phony, sophomoric, pseudo-sentimental ****?
Surely you see the salient theme,
That from which I hide,
Refusing to acknowledge life’s flaccid, tan **** as it floats in front of me,
Beckoning me forth,
A one-eyed, furiously fetid viper...’

M. chortles at his alliterative stanza’s ending. ‘This is how I write,’ he mutters to himself, maintaining a straight face. He writes without pause for nearly an hour. He is pleased.

‘…A generalist—that’s what I tell myself I am,
Because simply knowing a few facts,
Even for forty or fifty fields,
Is surely worthy of that
Respect which is given to those men and women
Who earn it by grinding away
At that which determine the sycophant vermin
Is worthy of lifting a lash…’

Hours pass. The poem approaches two thousand words in length. After taking a truncated cigarette break (the break, not the cigarette, was truncated), M. continues where he left off.*

‘…Believe you not for a second the frost-bitten-phallus,
That Freudian façade [sic],
The false faces I display to fake friends
Whose frequent fornication
Fills my mind with fossilized fleas,
******-spiritual formication [sic]
For which there’s no vaccine…

…Once I’ve come down from the mountainous apogee atop which I sit,
Calmly surveying the ever-receding landscape through the lens of fleeting euphoria
Which, fading faster always, gives way to—no, I will not say it—I refuse to legitimate her lies.
As I descend with increasing speed,
specters of judgment torment me into insanity…
    
B  r  e
a   t  h
     e  ;

...this feeling I simply cannot bear—
their sirens threaten to burst my eardrums.
Although it’s undoubtedly pathetic,
I can no longer lie to myself;
I desire the approval
of those specters
who haunt
m-
e
...’

M. begins to hyperventilate, panicking at his embarrassment at publishing such a bad poem the day before. He grasps his heart, which is beating out of his chest. The fear of cardiac arrest simply increases his anxiety. Laying down on the ****-carpeted floor, M. attempts to meditate, imagining this to be how it might feel to do TM on *******. Minutes then an hour pass.
Suddenly, a much-welcomed epiphany presents itself to M.; as if it fluttered through his window and hovered, eerily still in the way that only hummingbirds can be, just in front of his face. So obvious does it seem (the epiphany) that he begins to laugh maniacally in the pitch of a female voice either pre-pubescent or near-dead; a kind of


YEE!    

YEE!      

YEE!    

HEEEE!

HE!

HEE!                      

HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!


sound.
After minutes of uncontrollable mirth, M. holds his abdomen and makes the lugubrious [sic], delirious noises of tired suffering. After a few more YEE’s and HEEEE’s escape, he begins to regain control, trying not to focus on what he’d realized w/r/t futility as it relates to shame, but certainly ensuring that he won’t forget. M. sits in his chair with a old-man grunt, the sort of noise over which wives divorce their husbands.
He sips water.
M. opens a new document and begins to type:


For what do we write, we talentless wretches?
To publish some
gooey garbage
in hopes
that some fleet of demonic tween-age sociopaths
adopts our work as part of the canon of cuntiness?  

Not we, the veritable “un-poets”,
Our haphazardly-conceived writing stinks,
No, it reeks of fetid, smegmatic phalluses;
Of a ****** of maniacal madmen,
Blue-balled after an abysmal night/morning
Tossing crumpled ***** of money
At Patti’s plump-lipped, positively putrid-looking

&&&&               *****               &&&&

In an I-95 truck stop;
“Taste **** and *****
At Trucker Tom’s ***** Taphouse
                                        Where friends meet
                                            and literally throw money
                                              into syphilitic snatches.”

We write for the duty of identity,
We who might be found with a serious face on,
Writing rhyming, rhythmic,
quasi-**** lines of lead-heavy, snobbish lifeforce-larcen.
The sort of **** that keeps you from getting up in the morning.

But of course we are writers, as sure as the sea
Is blue, the day is long, who daresay that I am wrong?
And he who
doth [sic] dare,
I point to that long
******* I posted
ere the day began.
There lies his evidence though it belongs in the can.
Sometimes when you get drunk and write you're able to reach levels of truth and realness that are elusive to the sober mind. This was obviously not one of those times, but I think the result is sort of interesting. The poem sort of depended on a weird format which is not possible on HelloPoetry, but it was intended to have the same effect as the 'B  r   e
           a  t
           h  e   '
or whatever in the middle.
teaching a wild creature to feed from your hand is a feat maybe maybe not Mom taught me from a young age then never let go in June 2013 the estate will cease all the coats hats shoes scarves skirts dresses blouses belts purses from Ultimo Saks Neimans wherever steaks from Gene and Georgetti’s Gibsons whatever will be consumed and she will be forced by the bank to resign her condo on lake shore drive and go live with her sister and i will be left with nothing

nothing feels better than fighting back gathering the strength courage to do that to fight until there is no daylight

the world is a mysterious place it is Sunday December 26th 2010 6AM pitch dark outside in several months daybreak will come earlier a remarkable surprise yet always been this way in several minutes firmament turns light i open eyes stretch legs look out window pink blue gray blue morning skies tree tops mountains watch flock of birds maybe 30 or 40 flying back and forth east west why do they do that how would you like to be one of those birds flapping around searching from above at the earth hmmm what if everyone had a ***** and ****** feathered wings fin distinctive tail floppy or pointed ears what if you could share breakfast or lunch with Kim Gordon Patti Smith work on poem with e. e. cummings James Joyce William Faulkner paint with Mark Rothko Anselm Kiefer play football with Payton Manning Drew Breeze jam with Jimi Hendrix Keith Richards race with Secretariat sniff with Lassie mix with Max Ernst Georgia O'Keefe Donald Judd meet with Gandhi and J.F.K. make love with Charlotte Gainsbourg Kate Moss dinner with John Lennon Friedrich Nietzsche dance with Albert Einstein Isadora Duncan share a smoke with Sam Clemens (Mark Twain) Sam Shepard last drink with Sylvia Plath Virginia Woolf then go to sleep next to Sphinx Pyramids wake with Cleopatra Mata Hari on Bali beach look up at tiny puffy clouds that resemble strange script do you understand the possibilities mysteries of everything

old is lecherous but i’m still trapped in childhood hurting wanting to be grown-up

i think i said i don’t know how to talk i was speaking to this **** greedy landlord trying to negotiate between 2 different spaces long distance and i meant to say i can’t talk right now i’m in a restaurant or shop but instead what came out was i don’t know how to talk he was insulting me bullying hollering at me on cell phone accusing me of dickering about price lease and it slipped out my terror from Dad my childhood fears repression inability to negotiate i froze fumbled finally uttering i don’t know how to talk then disconnected

i’m running scared gasping for breath heart pounding yearning praying crying for love beauty happiness success i’m smart creative powerful yet inept too shy or fearful to know how to properly spontaneously speak in person

what if consumerism is realized as a mental disorder a method to suppress genuine hunger with fetish products

what if money is identified as disease actual legal tender found to source fatal viruses

what if humanity is discovered to belong to an alien predatory race independent from Adam and Eve or monkeys

what if all knowledge is found to be deceptive invention concealing real world truth

what if existence is a chess game or trial enacted by higher forces and your every thought feeling recorded in eternity

what if progress is the enemy and primitivism the remedy

my whole life i’ve learned about infidelity my mom sister dad uncle i don’t understand i’ve never been unfaithful to a girlfriend (one is enough one is more than i can handle) why do people speak those vows then get married only to violate themselves their mates maybe that’s why i am afraid to ever get married infidelity is the most painful betrayal to find out your partner with all your shared secrets compromises them with someone else oh god

April 19th 1995 a bomb explodes in Federal building in Oklahoma City killing 168 people injuring 759 what are Timothy McVeigh and Terry Nichols thinking did they act alone there are so many lunatics running around out there so much misunderstanding disenfranchisement in America

Arlington Street Asheville North Carolina June 1995 Odysseus and his dog Farina keep mostly to themselves something is wrong with his voice he sounds hoarse when he speaks it is uncomfortable to talk he goes to free clinic and waits half a day elderly doctor attempts to stick long metal instrument down Odysseus’s throat Odysseus gags coughs elderly doctor becomes irritable he warns Odysseus to quit smoking Odysseus wonders what it would be like to be loved possibly married in loving positive relationship to know all the endearing enduring connections between caring couples other people manage it why can’t he? he thinks i’ve never been a good provider nor placed enough value in money i believe in freedom and love i chose to make art and pursue a life of self-discovery experiment dang i am wrong from the moment one’s work hangs in a gallery the artist’s integrity is compromised individuality becomes commodity typically people who buy paintings have so much money they scatter a trifle on art the artwork provides the consumer with a look of ‘soul’ to be shown off to their envious friends the artist becomes needy pet of dealer and client maybe converting one’s spirituality into commercial merchandise is like making deals with the devil he thinks about Native American artists whose work is immediately esteemed and utilized in their culture he has spent his whole life seeking validation in art world he wonders how many other unknown artists feel similarly useless discarded he considers i’m forty-five years old now and i don’t have a penny to show for all my troubles i still believe i have much to give insights to reveal but no practical plan for survival i don’t know how i’m going to get through this existence the world wants young promising talent not some older painter striving for another chance women want nothing to do with an impoverished aging dreamer my dog loves me she knows who feeds her i’ve got academic degrees a long resume of legitimate shows i know how to use a computer solve problems fix toilets sinks strip and paint serve food and liquor but i can’t land a decent job i never learned how to properly market or barter my work and i’m not interested in the position of sacrificial lamb i want a home and female partner like other men have i want to be needed respected loved a creative member of a community instead of an expendable outsider working menial jobs for minimum wage what good are paintings if no one looks at them what good are noble values in a corrupt society the world runs on money and greed not freedom and love
ms reluctance Apr 2015
People find it strange
that someone like me
who gets out of breath,
wheezing,
after two flights of stairs
considers the horse
to be her spirit animal.

Ironic though it may be,
isn't it natural
for the somatically lazy
to have a wild soul
that runs free?
NaPoWriMo Day #30
Poetry form: Free Verse
Silence is a hard thing to understand. It has a wide vocabulary, and sometimes rings out so loudly, as if a choir of confusion, that it is nearly impossible to translate. Sometimes it is so void of life that one cannot even hear one’s own heart beating. Silence is never the same twice, for it comes with different emotions and circumstances each time, even if seemingly the same, and it always has something new to unravel, whether it is what we need to hear, what we refuse to hear, or what we’ve been waiting to show, or trying not to show, ourselves or another, all along. Silence can be an ever changing friend, or an unrelenting enemy. No matter the form or fashion, silence is, and will forever remain, the most welcome and unwanted part of our lives.

It is an often overlooked truth that silence can be anything but. The voices echoing within the vastness between one ear and the next are still far more audible than anything exhaled amidst a mixture of lips, teeth, and tongue, so that even when we are not speaking our mind, the mind is speaking, even if only to the soul attached to it, speaking volumes silently as they translate into emotion and action, or the lack thereof, creating a vocabulary of gesture and expression, but also of stillness and blankness, woven together in both intricacy and complication, losing nothing in translation of language, but sometimes losing much in the heart’s translation of emotion to and from a soul other than its own.

Emotions are each a different language in themselves, for each has their own gestures, expressions, and blank stillness. The mind learns new languages by hearing and reading and teaches the mouth and fingers to translate from thought to spoken or written word, and it depends upon the exposure and the depth of study and experience in any given language as to which we become more or less fluent in, both in speaking and in understanding. It is much the same with the heart. It learns each new language of emotion by the experience of feeling, and depending on the depth and experience with each, the heart becomes more fluent in some over others, and sometimes one over any other. But, it is the relationship between the mind and the heart that truly allows us to understand these feelings, in others as well as in ourselves.

We say that it is the heart that guides us. We say to follow our heart. We say that our heart has been broken, or that it has been made whole. We say that our heart hurts, our heart leaps, skips a beat, races, that is swells and that it grows cold, or one of any other descriptive analogies. It is often what we feel inside our chest that dictates what we decide upon in our minds in any given thing of emotional importance. Poetry, literature, art, everyday speak, and even actions and expressions project and profess what it is that we feel in our hearts at any given instance or in any given circumstance. But, this is merely the hearts reaction to what our minds perceive in any given emotion of circumstance.

It is the depth of the understanding of any given thought or idea, fact or fiction, that ties into the emotional in any way or on any level for each of us individually. Depending upon what we think and believe about any given thing, it will have a different reaction in each of us depending on how important or unimportant it may be to each of us based on our individual way of thinking. The differences between what each of us considers important or unimportant has an influence on how each of us feels about any given thing or circumstance. It is our feelings about what and how we think and what we understand (or sometimes believe we understand) that are the basis, the origins, and the essence of our emotions.

The mind could not function if not for the heart performing its own function. In turn, the heart could not function if not for the mind. They are dependent upon one another. They are slave to one another. As long as the two continue to function together in any conscious state of awareness (or in some unconscious states), the mind literally controls the heart and the heart literally sustains and obeys the mind. The mind may decipher and understand what the heart feels in reaction to its thoughts, but it is the heart that feels it. This is why we speak of the heart and not the mind in almost every instance of emotion. This, however, does not mean that everyone’s mind understands the heart's obedience to the emotions created by the thoughts it produces, just as most do not realize it is the heart’s physical reaction in emotion that the mind relates its thoughts and feelings to unknowingly and descriptively. This lack of understanding applies more to the emotions emanating from others, be they audible or silent, than they do to the emotions we feel ourselves the greater percentage of the time.

How can this be so? How is it that the majority of the time, we misread, ignore, or completely overlook the emotions emanating from others when we feel those same emotions ourselves, and often express them in the same ways, whether more or less often, and whether we show our emotions deliberately, or they show despite our failed attempts at masking or hiding them? How is it that we fail to understand, or understand more fully, the torment or elation anyone other than ourselves can be going through at any given moment when we, ourselves, have been through the same or similar circumstances? Even when we have not been through the same circumstances bringing about such emotions in others, how is it that we have such a hard time understanding that the same emotions we experience can be brought about in others by completely different circumstances?

Maybe it is the amount of people who fake emotions to gain for themselves something from another in ill begotten ways so often that it becomes hard to believe what so many try to show or hide from us emotionally. Maybe it is that we are so often trying to understand those things in and for ourselves that we fail to see how those emotions affect others in their interactions with us and in their own lives. Maybe it is where some of the circumstances that bring about the same emotions for others are not quite the same circumstances that bring them about for us at times. Maybe it is where we are in a different state of emotion at times than the person or people we are interacting with, and our absorption in our own emotions takes our sight and understanding away from theirs at any given moment. It could be any one or more of these reasons, or even that we have had our own emotions misread and disregarded so many times that our own emotions have become so deep and ominous at times that we cannot see through the shadows that surround us or the elation we feel for ourselves in those moments. There are so many reasons that could be factors.

Even if we don’t feel the same emotions at the same exact time as someone else, or for the same exact reasons, we still feel the same emotions as everyone else, for despite each emotion being a different language, what we feel is universal. Despite the false witnesses of emotion who seek to deceive for whatever gain or manipulation they so choose, there are still so many good people trying to understand themselves, as well as others. In emotion, regardless of race or nationality or origin, we all speak the same emotional languages, even if some of us are more fluent in some emotions over others due to our personal experiences. If more of us would try, and some of us would try harder, to understand the emotions of others, not only from the circumstances bringing them to life, but in the effect each emotion has on each person in their moments of emotion, just as we so try to understand our own, then maybe, just maybe, there would not be so much confusion, misunderstanding, and in some cases, judgment, at the differences in what others feel and experience in any moment, whether similar or the same to our own, and hearts would heal more so than being broken, and we would see similarities over differences.

Despite how we live, where we come from, and who each of us are personally, we are all the same in what we feel in our hearts and through our minds, and even in our differences, we are still one in the same. Our minds control our hearts, and our hearts control our minds. We all feel, and we all feel the same, even if at different times than one another. Even when there are no words to say, and even when our words won’t bleed upon page or screen, or our emotions will not translate to whatever medium of expression we choose, our silence still speaks just as loudly as our words, for our every thought and action is based upon the language of emotion, and in that, we all speak the same language, even in silence.

Where it is so often that silence from another, or reflected upon another, determines our own understanding and emotion in interaction with the emotions of others, we should listen and try to understand more than just cursory what those silences reflect emotionally.  Sometimes, our silences speak just as much, if not more, than words or other mediums can allow, if we would but listen as closely in others as we do in ourselves in the languages of emotion, with our hearts and minds in equal measure, instead of letting our own emotions in our own circumstances at any given time impede or disrupt how we see or hear these emotions effecting others in their own circumstances, similar or differing, for they are something we should try to relate to, not self-sidedly compare to our own in trying to self-deceptively prove that no one understands how we feel.
It is one thing to write about such things in poetry or other forms, for we are describing our own personal experiences. It is quite another thing to allow ourselves to misunderstand, misinterpret, or ignore the emotions of others for any reason, especially because we have convinced ourselves that no one can hurt like we do or suffer as we have or are suffering, and it is often the silences that have the most impact on how we understand or misunderstand others. This is a thought that rambled on in the best of my understanding.
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
she feels disappointment in her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writing too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to club congress for a ****** mary or margarita but club congress is haunted with small town cretins losers wannabes she considers maynard’s decides maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at plush next comes what to wear jeans in late july desert heat is unacceptable perhaps a loose fitting thin cotton white summer dress leather sandals hair in ponytail no pigtail braids no ponytail no makeup maybe a little mascara not she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable a voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming a stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at the air-conditioned bar at plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk a moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers a lesbian affair from 5 different perspectives 5 woman’s voices each describing the same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing the border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trails they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself
PNasarudheen Sep 2012
Onam Reminds



Onam reminds me of the venomous mind

That overthrew  a just ,kind king ,unkind

Aryan imperialism subjugating the Dravid

The white over the black , dark apartheid



Justice of the black is unjust for the white

A matter of jealousy, dissatisfaction and fight.

For the British, Indians were raw to be refined

As Allopaths frown upon Ayurvedics  as bad.



But, what is the truth? think of the covered past

Weigh evidences: from history, literature and art

Of all non-whites; really, they were and are super

In many respects, hence, awake from your stupor.



India shall not be a kite of any ruler outside

No race is Blessed to override anyone beside;

Almighty considers all equals - by their deeds

It is That, that fosters all by weighing our deeds.



When greed of man rudely jeopardizes the Nature

Nature jeopardizes human life, making a fracture.

Torrential rain or draught is a positive measure

Applied by It on earth (as earth-quake) to treasure.



Man like Vamana  tries to grow and measure the earth

Other planets ,heaven or hell to exploit Nature’s wealth

As Jehovah ,the Almighty, Brahma, or Allah, the Cause

Of that Pulsation is everywhere, beware man! and pause!
he stands paces searches out windows feeling headache considers no matter who you are where you live we all come from same place a ****** he scribbles all i hear is *****, ***** ***** ***** new york ***** california ***** nordic ***** parisian italian spanish british irish japanese polynesian ***** ***** from all over the world ***** next door new ***** at work all the foxy ******* running around town ***** whipped pussyfooting ***** juice ***** lips colors flavors aromas squirters gushers hairy ***** ******* pierced ***** droopy swollen wet dry irritated itchy incontinent stinky ***** we are a nation of ***** obsessives he imagines Federal Bureau of ***** as an FBP agent he can show badge civilly detain any female especially those with thick dark eyebrows or difficult to decipher yet trained eye can discern fat lips within his authority to direct her to expose ***** excuse me ma’am but your eyebrows warrant examination of your bush please assume position this won’t take any longer than is necessary sometimes certain detainee’s inspections require unrestricted scrutinyhe thinks why don’t governments militaries realize power of *****? instead of inventing employing weapons of mass destruction why not use ******* to distract ****** young male soldiers? imagine furry rabbit rockets with pink twitchy noses floppy wet lips darting through air shooting everywhere distinctly resembling smell taste warm ***** yet fatal mechanisms that could attach **** **** consume who could resist? probably someone would come up with ***** defense system (PDS) which would intercept scudding ******* before they reached intended targetshe wakes up early disorientated turns on tv commercial TUMS blares in groggy dyslexic state by mistake he reads backwards sees **** on tv questions what is this place i lived in? america fat turkey on map with brains in new york city *** in d.c. paw in miami stomach in midwest ******* in california nested on egg over mexico he writes i envision statue of liberty alive real beautiful woman little children tumble run around her giggling laughing innocently playing hide and seek with her gown then some bigger older men approach offer her gifts to pull up her dress do other things she appears startled at them refusing to accept their crass proposals men continue to bring more gifts promise her things despite her cold-shoulder suddenly she appears worried perhaps she is thinking about someone special maybe her family men’s offers keep piling higher eventually she breaks down accepts their proposals men gather around her very close i cannot see what they are doing but can hear whispering conspiring heavy breathing then i see her hand reach out all at once she spills burning torch catching fire to gown
Randy Johnson Jan 2016
You think you're not good enough for a girl because she's popular and you're not.
She thinks she's too good for you so she belittles you and it sure hurts you a lot.
She thinks she's too good for you because she considers you to be a nerd.
But you are good enough and when you say you're not, it's absolutely absurd.
You're a great person, you volunteer at a homeless shelter and donate to charities.
She knows about this but she still thinks she's too good when she should be pleased.
Please listen to what I have to say because it's true.
You should find another girl who will appreciate you.

A new poetry posting site from God's own country, Kerala in India

Poetry dates all the way back to the beginnings of Humanity. People have always been questioning nature, and the day-to-day existence of themselves and other humans love, death, survival, war, injustice, and the universe are all examples of things that have been questioned by men and woman since the roots of human existence. Whether in nursery rhyme, ballad, jingle, rhyme, anthem, or music, people have found poetry to be an outlet for expressing these questions, sensations, and experiences

People often associate it with strict rhyming patterns, complicated vocabulary, hidden iconic meanings, and difficult rhythmical conventions. Poetry is even taught in school to be an intricate, complicated, inexplicable puzzle. True, poetry is difficult. Sure, it can be harder to understand than prose. However, that is only because sometimes it is involved with your inescapable complexities
and uncertainties of your existence.

In this era when the soul wants to go on a spree, imagination and creativity are all merged to serve and let you fulfill your wish to express. The pen, mightier than the sword, is free and can conquer hearts all over the world. So here is a site which allows unity in diversity and considers not cultural and racial barriers. It welcomes professionals and amateurs equally as poetry believe not in prejudice. Human beings are free to write their feelings and emotions. We therefore invite here people from all over the world to celebrate under the ipoetree. Feel at home here under the shade of this tree which
pines to have as fruits your poems.

Williamsji Maveli (Williams George Maveli) is an enthusiastic and solid writer. He is a sincere, resourceful and diligent in his poetic work. He is very well connected and networked within the literary community and is willing to take up projects even in his tight schedules. His writings reflect the amount of research on the current events that has gone into it along with his knowledge and expertise in the field. However, Williamsji’s many poems are simple to read, interpret, and understand. His latest book, titled “ARAMVIRALTHUMBATHU…” (On the tip of the sixth finger), is now published and released by H & C Books,Trichur, Kerala in India, which is a collection of lyrics.

If anyone is interested, please email to williamsji@yahoo.com or write to

WILLIAMSJI MAVELI
PO BOX 3
ANGAMALY
ERNAKULAM DISTRICT,
KERALA - INDIA

www.ipoetree.in
Where Poets grow and glow !
If anyone is interest in the above poetry site, Please write to williamsji@yahoo.com
Lloyd Aug 2018
It was probably that smile that caught me,
And your bubbly personality,
It was just the perfect mixture,
And that’s why I fell, I’m sure,

But you weren’t someone that moves gracefully,
Everyone actually considers you downright clumsy,
Reaching class late, still having a smile on your face,
Just entering and any existing shame, I see no trace

I could write something that overpraises you,
Like comparing you to the radiant Sun and how I think it’s true,
Or a flower in some garden, where you shine the brightest,
Very cringey stuff are what I often write, cheesy at best,

Excuse me for being the creepy type of man,
You probably won’t like this, since poems and other stuff you’re not much of a fan,
Often making this poems for you is hard, although I like It,
Understand I’m trying to remove how I feel, but constantly failing to do it,

And even when I fail, know I’m trying my best to,
Not fall completely and irrationally fall for you,
Despite that sudden burst of happiness being the reason I feel the way I do,
Somehow I will try slowly becoming distant from you

Okay, finally going back to what I was saying,
Recently though I was just trying to figure out something,
Reasons to why you really look bright through my eye,
Yet I still can’t think of proper answer no matter how hard I try,

To be completely true it’s just how you are overall,
Honestly I think everything about you is what made me fall,
And now I think I’m at the height of what I’m feeling,
Now I’m probably close to its ceiling,

Keeping up with the status quo is the only thing I can do,
You probably will become a distant memory after college is through,
Or someone I can still casually see every once in a blue moon,
Unless I do something about how I feel, I think I should say goodbye soon,

Getting to know someone lie you who can face life with a smile so bright,
Oh how great it is that you can still shine in life’s uphill fight,
Over that smile though is still someone that feels depression,
Despite how bright you smile, I think you still feel this crippling sensation,

Because everyone of us is victim to failure’s hold,
Yet I still believe despite the ton of pressure you experience you wouldn’t fold,
Even if the wind feels a little colder, and you feel breathing the air is becoming harder,
I know you won’t suffocate under the stress, you’ll probably even become better,

This poem is getting a bit long so I’ll wrap this up quick,
I have no idea if you have some kind of trick,
That you can just glow like the way you do,
Again it’s cheesy but I wholeheartedly believe it is true,




You may not feel even the slightest of how I feel for you,
And you probably be even annoyed about the things I do,
But for you to change is something I do not wish,
The imperfect you is the prefect you as crazy as the sound of it is,
First poem published here
Jordan Frances Jan 2014
It started with a game.
She was innocent, but she wanted to be older.
Grow up too fast.
Be a "big kid".
After all, they have all the fun, don't they?
All her cousins were older, and she was always the one tagging along.

She hung out with an older cousin.
About seven years older than her.
Alone, in a room
A bedroom.
Just them two, and so he says
"Let's play a game."

This sounded intriguing to her seven year-old ears.
So she responds:
"Game?"

"Yes, truth or dare."
Is his reply.
They play.
Several questions in, he says:
"Crawl on top of me and kiss me."
He motions to his crotch.

The girl is horrified.
"No!  That's icky!"
She says.
He lies, tells her it is what all the big kids do.
Her seven year-old brain is confused.
"Really?"

"Yes, don't you want to be a big kid?  Oh come on."
She considers.  Considers.  Considers.
He taps into her emotions one more time.
"Fine, I'll get someone else to play then."

This child does not want to be seen as a coward.  A loser.  A little kid.
The rest is a blur.

The factors:
A bed
Asperger's Syndrome
A teen on his back
A terrified child climbing on top of him

The actions:
Hands, his on her torso
Kissing, her on his crotch
Touching, him.  Her.  Both players find fault.

The results:
Molestation.
Guilt.
Fear.
Promiscuity.
Shame.
Silence.

­Suddenly this game isn't fun anymore.
He doesn't do it again, never even threatens her.
They see each other plenty and act perfectly fine.
It accumulates in her for seven years, until she tells a guidance counselor.
Freshman year, fourteen, tender age.
She lets go of her secret, and by the end of sophomore year has become very confident.
Junior year she is flying, and that is where the story leaves off

My story, my (somewhat) happy ending.
I still struggle every day.
When society teaches girls not to be abused instead of boys not to abuse,
I cringe.
How was I supposed to know what was right and what was not at age seven?
I was not at fault.

What I would like to know is
When men are going to step up and take accountability
When men are going to say enough is enough
When men are going to stand up with their *****, molested and assaulted
Sisters, girlfriends, mothers, and friends

Guys, most likely a female you are in close accordance with has been abused
Whether you know it or not
According to some insane one in three statistic
I am asking you, begging you, pleading with you
Stand up and speak out

Educate each other
Create a new definition of "manliness"
Not just who can get laid the most
But who is the most respectful

Considering most ****** assaulters are men
Please stand up for me.
From every sexually abused woman, child and man on this planet
Wrote this a while ago. I'm not exactly still flying, I've been dug into a hole over the course of this year. Hopefully, I can get out of it.
brandon nagley Mar 2016
Note; this is for all to read everyone .... Everyone involved in HP war of words with another, , everyone on this site... This isn't singling out anyone, this is truth, that no one will say. Though I choose no sides, I stand for god, and god told us to love one another.... So here's a message for all to read. Note; this message isn't to boost wolf by any means, this message isn't to boost me. This message isn't to cut down anyone, or hurt anyone. I support all of you equally. And love wolf just as much as all involved in war with wolf,as wolf wars with you!!!...,read first, and see truth. As there's a war here over words between all. So this goes for all... I'll tell you before you read this, after I found out Gary originally unblocked wolf first. Mine heart spoke to me to unblock wolf and write him. And wolf was humble enough to write me kind message, and the message is from a hurting but real and open heart... As everyone knows me and wolf had throughout the time I've been here been dealing with our own conflict. Though who am I to scorn this man? And judge him? Being a sinner mine self, and a man whose done wrong a lot in life... Please read, if I loose support from even those I support, so be it, but truth is, I stand with god, and the reason why were here is to love one another, and forgive. No matter what the actions or words said. Please read,this goes for wolf,and all in a battle with wolf, and wolf in battle with these others who I love just the same as wolf, no partisan ways meaning not choosing sides, just speaking truth to each of you so please listen and read.

(Wolf Spirit  5 days ago)
thanks for the unblock and friendliness, B..i know you have seen some viscera from me....i apologize for that...seems some folks have ways of making all look bad in the wrong light. i wont use names...please accept my whole hearted apologies for any misdirections.....and indiscretions....if you prefer, i will post a public apology. HP is no longer a viable option for my poetry, and i am sorry that this came at this time......you really are, and have turned out to be, a stand up guy. may your travels be fruitful and your days be many and most jubilant. bless you, good sir poet.

(brandon cory nagley  4 days ago)
Hey thank you friend wolf!!! Glad you wrote friend , I wanted to yet didn't feel the time was yet right , not knowing all to say right asap, lol. Glad to see you hanging in their Wolfie. As you see I try to stay away from others who still cut you down so on and don't like poems that cut you down.. I have no hard feelings against you like so many others do, though I respect the ones who don't like you much , though I respect you a lot to, and stand like you just to write poetry. Not here to hate or **** with words another,.. But to learn from each other, show love to another, as I have seen you do give love to so many despite many fights on here with others.,,I've seen and see your beautiful soul wolf... You are a man whose humble, and has much influence!!! Use thy influence to the good brother, when others attack you like I've been attacked.. forgive them no matter if they keep attacking, forgive them. When one cheeks slapped, let them slap the other,,, the fact is you win with love wolf..hatred and anger as you well know, as any human knows burdens our souls, not just in this living physical world. But the next spiritual world. The next reality that's more real as you know then this one. So while here we need most to love another... Forgive always! Even when people keep attacking you and backstabbing you and all other hating speeches, or defaming, and ones murdering us with words, or physically, however the case, yes as you know we must stand up against it. Though while doing it, showing the one killing us love, forgiveness, maybe just maybe to change their hearts in the process of that love, friend wolf I don't expect no apology to the public lol you are a good soul, yet with burdens like me and everyone else...I've seen you wrote you had a stroke? Many say that's quote ( a lie) though I don't know whether you have had stroke or not? I can't judge you and I also can't assume you didn't... If you did friend I pray you will heal wolf... You want to know something? Since I first joined hp I've always respected you as a soul... The one behind the flesh and bones....... I've always respected your soul is bright, many as you know hate bright lights.,. And like me friend. You have many spiritual demons you are battiling as I have ( literally) battled them with proof, not just in the head lol... As I see you battle very real ones, though wolf you can and we can overcome them, and part of that is trading love from your heart, to those of hatred, and when darkness comes... Light it up with light... Your a true light wolf not just a poetic one, but a true spirit of light and yes everyone deals with struggles, depression at times! And literally demons that attack us on a regular basis, attacking both me and you, not speaking of people actually speaking ( demons forces) and real demons, we can overcome them. Though you must have faith to do so, it took a lot for you to write me I know, and its taking me some courage,,, I have no hard feelings for you friend!!! As I said, I respect your real soul wolf. I take no sides with no one.., as I friend I tell you this, I love all people, you, everyone including others who have all written bad about one another,,, I love each and every one of you equally, not just because your all flesh blood and bone like me. But because god put us here to love another, not judge another's skin. Or look, or life... But to help one another... And as you know in poetry especially a site like this, we can learn from another, if we choose not to learn from another and hate another, what help does that give another soul? And our soul? NONE help... So friend, I take no sides,., I stand for gods love to others, what we were sent here to do, love another.., and wolf I see you have love in you. I don't hate you nor any others, the fact is I'll say this as a friend ( I've seen you attack others, though the other truth, I've seen others attack you) and a person who wants to show love, and not give into hatred I step out of the bounds beyond the hatred that was spewed out on this site..,, but I love each and every one of you all equally... Now you all must do the same.., mine Christ I believe in spoke this... As a christian this is what I do, even if I didn't believe in jesus I'd still do it,,,
John 13:34-35

34 “A new command I give you: Love one another. As I have loved you, so you must love one another. 35 By this everyone will know that you are my disciples, if you love one another.”

1 john chapter 3-
13Marvel not, my brethren, if the world hate you. 14We know that we have passed from death unto life, because we love the brethren. He that loveth not his brother abideth in death. 15Whosoever hateth his brother is a murderer: and ye know that no murderer hath eternal life abiding in him.

One who hates another god considers same as being a murderer, and no life will abide in him, and he won't have life, our goal here is to love and forgive always friend..
Verse 23-same chapter and john...
23And this is his commandment, That we should believe on the name of his Son Jesus Christ, and love one another, as he gave us commandment.



Just as peter the disciple of christ spoke and asked jesus he said ( lord how many times shall I forgive a man? 7 times lord,).....
Jesus replied to him( I tell you forgive him 77 times) he was trying to teach peter,, there is no limit on how many times you forgive, you always
ALWAYS forgive, no matter what friend wolf. always,
As I forgive you Wolfie... As I hope as well if there was anything in the past I don't remember saying if maybe I did wrong to, you may forgive me.,, thank you for your letter wolf, you ever need a friend... Please write ok(:: anytime wolf...

Your friend, Brandon Cory Nagley

(Wolf Spirit  4 days ago)
thank you for that....hang in there

brandon cory nagley  4 days ago
No thank you friend wolf like I said friend write anytime you want, and you ever need anything just write (:::

Wolf Spirit  4 days ago
thanks, B
I wrote as you noticed, I stay away from any writing cutting another down, defaming another, and hateful angry words, whether they be from wolf, others, all involved with war!!!!so on. YES wolf has attacked many, though fact is how is this war on HP ( poetic site) going to end. If no one ends it? The fact is wolf will keep attacking back if being attacked, even his name, wolf you know what a wolf does? They will keep fighting when you attack them. Christ spoke to you when someone smacks your cheek, you turn the other and let them smack that also, This goes for wolf and everyone involved in this nonending war!!!! Peace doesn't come by continuing in attacking... This goes for each of you involved... Peace comes from being humble, forgiving another ( as Christ also forgave you by suffering on a cross,) the Christ you deny by actions and words,.,, as Christians there is a verse we go by. ( love god, because he FIRST LOVED US) yet I love you wolf, though friend if you keep attacking Vicki Gary, r, James, woody, so so. Whoever. Wolf this is for you, if you keep attacking. You will be attacked back. Though fact is, same goes the other way around. If others keep attacking wolf. The WAR WONT END!!! Why? Because neither of you are doing the simple task of just stopping the warring words... Instead every one of you! Everyone!!! Continue to attack another, cussing at one another.... Though in reality, you could all ALL stop the hateful things toward another, and instead attacking another, learning from each other... Sharing a poem that's beautiful as all of you I look up to as some of the most amazing poets I've ever met!!! And most amazing poets in today's era!!! Though you know what saddens me? Not just seeing poets attack poets, but you not realizing there are real demons tempting each and every one of you... The ones others deny that I deal with spiritually, physically, mentally, emotionally. Real ones !!! With real proof as I said already. Not ( ones in head for you skeptics..) Real demons that scratch me leaving physical marks. As old testament spoke of the fallen angels ( demons) and Satan being kicked out of heaven. By god, because they followed Satan, and turned from god. And those fallen angels run the first and second heavens. Air we breathe and sky are first heaven. Second heaven universe planets, stars moon sun, third heaven Paul spoke of where Christians will be raptured ( or caught up, taken away) as spoken in new testament, where real heaven is ( gods throne)... These demons are swaying you all, because Satan's goal to humanity, is to ruin them. Why? Because it goes against god. To pin another against his own flesh. To have one **** another ( mentally, spiritually, emotionally, physically) this is reality happening before thy own eyes. And no ones paying ATTN!!!!! This is reality, what's happening on your planet... Take a look around you can see there's not just a warring already between humanity, but between good angels and bad. Gods angels and the fallen ones... Yet the world isn't waking only few are compared to over 6 billion plus people on the planet...so I ask each and every one of you a personal ? This goes for wolf, and all involved with wolf... And war... everyone of you plus more names I can't think of. I ask you this. Do you think a continuance of hateful words toward another will make peace? Or continue to hurt another? I ask you this? Do you forgive? Can you? Is it in you heart if ones hates you and continues to do so, can't you forgive them as Christ said to peter do 77 times? ( meaning no end to forgiving) or continue to be hurt and respond back to another in verbal violence,.. Not helping any one of your souls...I also ask you this? You realize one day, every one of you shall pass away. When you pass away ( die) give last breathe, what you did in this life, you get to see played back for you, told by thousands in near death accounts ( real dying experience) people brain heart dead... You will see all you've done whether good or bad by god, or Christ (gods son) showing you as they'll all tell you. And I ask you this? When god shows you your life before your eyes. What will each and every one of you see? How you didint do as god wanted? ( love another, forgive another if even others mock hurt you **** you) what would you see in your life being played out before you? Hating others? Continuing to write hatred? Or will he show you your self forgiving and loving another as he asked? And will you see yourself giving unconditional love, as christ gave you on that cross, I ask you that ? And I will leave it at all....
Thanks
Your friend Brandon Cory Nagley... With this I'll leave you from Luke 6;27-49 king James bible.
(Jesus speaking)
27 But I say unto you which hear, Love your enemies, do good to them which hate you,

28 Bless them that curse you, and pray for them which despitefully use you.

29 And unto him that smiteth thee on the one cheek offer also the other; and him that taketh away thy cloke forbid not to take thy coat also.

30 Give to every man that asketh of thee; and of him that taketh away thy goods ask them not again.

31 And as ye would that men should do to you, do ye also to them likewise.

32 For if ye love them which love you, what thank have ye? for sinners also love those that love them.

33 And if ye do good to them which do good to you, what thank have ye? for sinners also do even the same.

34 And if ye lend to them of whom ye hope to receive, what thank have ye? for sinners also lend to sinners, to receive as much again.

35 But love ye your enemies, and do good, and lend, hoping for nothing again; and your reward shall be great, and ye shall be the children of the Highest: for he is kind unto the unthankful and to the evil.

36 Be ye therefore merciful, as your Father also is merciful.

37 Judge not, and ye shall not be judged: condemn not, and ye shall not be condemned: forgive, and ye shall be forgiven:

38 Give, and it shall be given unto you; good measure, pressed down, and shaken together, and running over, shall men give into your *****. For with the same measure that ye mete withal it shall be measured to you again.

39 And he spake a parable unto them, Can the blind lead the blind? shall they not both fall into the ditch?

40 The disciple is not above his master: but every one that is perfect shall be as his master.

41 And why beholdest thou the mote that is in thy brother's eye, but perceivest not the beam that is in thine own eye?

42 Either how canst thou say to thy brother, Brother, let me pull out the mote that is in thine eye, when thou thyself beholdest not the beam that is in thine own eye? Thou hypocrite, cast out first the beam out of thine own eye, and then shalt thou see clearly to pull out the mote that is in thy brother's eye.

43 For a good tree bringeth not forth corrupt fruit; neither doth a corrupt tree bring forth good fruit.

44 For every tree is known by his own fruit. For of thorns men do not gather figs, nor of a bramble bush gather they grapes.

45 A good man out of the good treasure of his heart bringeth forth that which is good; and an evil man out of the evil treasure of his heart bringeth forth that which is evil: for of the abundance of the heart his mouth speaketh.

46 And why call ye me, Lord, Lord, and do not the things which I say?

47 Whosoever cometh to me, and heareth my sayings, and doeth them, I will shew you to whom he is like:

48 He is like a man which built an house, and digged deep, and laid the foundation on a rock: and when the flood arose, the stream beat vehemently upon that house, and could not shake it: for it was founded upon a rock.

49 But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.

Also good one for all
The Parable of the Unforgiving Servant-
21 Then Peter came to Him and said, “Lord, how often shall my brother sin against me, and I forgive him? Up to seven times?
22 Jesus said to him, “I do not say to you, up to seven times, but up to seventy times seven.
Jess Bull Dec 2015
Vague and curiosity strike the audience
Of the author of such a cryptic message
The writer has everything to say but doesn't choose to say it
You will stop and consider the message's possible true meaning
Like one needing "to cut off her dead ends" when one posts a picture
Of a haircut
Or one saying "she now knows how it feels"
And her reading it, she does.
But these cryptic messages bring out the creativity in all our hearts
How can we contort or twist those messages to get its true meaning
We wonder and consider and wonder that one says something so poetic, so beautiful
Yet poetry and a cryptic messages share something
Poetry breaks a heart of the reader and leaves them wondering how
A cryptic message does the same
Except the reader wonders and considers if it really is meant for them...
Or someone else
A cryptic message holds so much power
And the truth that the author refuses to share
A poem takes an idea and allows its roots to grow in an infinite way that creates a stir in the readers mind

So really, a poem is just like a cryptic message.
TheRisingStar Oct 2014
I notice the tiny pulse of frustration in the back of his neck
I notice the way that he sighs and slumps over
I notice how his elbows splay out so his face bobs lightly over his desk
A buoy dancing over a wave
I notice the way he glances at his friends before he answers
I notice the way he shapes his mouth into a grin before he speaks
I notice how his eyes squint a little when he laughs
I notice how they dull when he doesn’t want to listen
I notice how his shoulders hunch when refuses to hear
I notice the boredom in the lines of his back as he considers
I notice the way his leg jiggles as he bounces his foot lightly
The ever-present dichotomy of professionalism fighting immaturity
Of a thirst to learn, fighting against ignorance, justice calling
I notice this inner battle of boyish nonchalance and masculine defensiveness
I notice how his eyes dart lightly over his chosen comrades before he writes again
I notice the way he presses his forehead into his hand
As though he could pull ideas out
And read his thoughts printed back on his palm
I notice the consistent rubbing against his face with his fingers
Phalanges to stimulate the thought process
I notice the hesitation before his pen scratches the page
Piercing the paper with words he must call his own
I notice the claim of responsibility and the toll it takes on his physique
I notice the fatigue of struggling to create
To feel, to create, to feel, to feel
I notice, throughout all the time I’ve been noticing him
He has not noticed me once
Response: On Cremation of Chogyam Trungpa, Vidyadhara. Allen Ginsberg.
Lloyd Aug 2018
It was probably that smile that caught me,
And your bubbly personality,
It was just the perfect mixture,
And that’s why I fell, I’m sure,

But you weren’t someone that moves gracefully,
Everyone actually considers you downright clumsy,
Reaching class late, still having a smile on your face,
Just entering and any existing shame, I see no trace

I could write something that overpraises you,
Like comparing you to the radiant Sun and how I think it’s true,
Or a flower in some garden, where you shine the brightest,
Very cringy stuff are what I often write, cheesy at best,

Excuse me for being the creepy type of man,
You probably won’t like this, since poems and other stuff you’re not much of a fan,
Often making this poems for you is hard, although I like It,
Understand I’m trying to remove how I feel, but constantly failing to do it,

And even when I fail, know I’m trying my best to,
Not to completely and irrationally fall for you,
Despite that sudden burst of happiness being the reason I feel the way I do,
Somehow I will try slowly becoming distant from you

Okay, finally going back to what I was saying,
Recently though I was just trying to figure out something,
Reasons to why you really look bright through my eye,
Yet I still can’t think of proper answer no matter how hard I try,

To be completely true it’s just how you are overall,
Honestly I think everything about you is what made me fall,
And now I think I’m at the height of what I’m feeling,
Now I’m probably close to its ceiling,

Keeping up with the status quo is the only thing I can do,
You probably will become a distant memory after college is through,
Or someone I can still casually see every once in a blue moon,
Unless I do something about how I feel, I think I should say goodbye soon,

Getting to know someone like you who can face life with a smile so bright,
Oh how great it is that you can still shine in life’s uphill fight,
Over that smile though is still someone that feels depression,
Despite how bright you smile, I think you still feel this crippling sensation,

Because everyone of us is victim to failure’s hold,
Yet I still believe despite the ton of pressure you experience you wouldn’t fold,
Even if the wind feels a little colder, and you feel breathing the air is becoming harder,
I know you won’t suffocate under the stress, you’ll probably even become better,

This poem is getting a bit long so I’ll wrap this up quick,
I have no idea if you have some kind of trick,
That you can just glow like the way you do,
Again it’s cheesy but I wholeheartedly believe it is true,


You may not feel even the slightest of how I feel for you,
And you probably be even annoyed about the things I do,
But for you to change is something I don’t wish,
The imperfect you is the prefect you as crazy as the sound of it is,
lunarr Apr 2015
brain is lonely
wanting to just burst out of its shell
and show the world its potential  

brain is scared
what if world denies brains offer
because brain is so confidential

brain wants peace
inside its world wars never end
and words are as powerful as bombs

brain is now numb
all the explosions dull the physical pain
yet brain has forgotten how to feel calm

brain is a convincing actor
always knowing how to play its part
in every passing situation

brain does not like acting
instead brain wants to be fluffy cotton ball
not moist squishy thought deformation

brain wants sleep
to be able to shut off at appropriate times
and have enough energy to even try

brain is sad
never getting enough of anything
and sometimes brain considers to die
RebelJohnny May 2014
True love, the kind in fairy tales - ya know the ones with witches and knights, strapping princes and tarot-reading witches - is unexpected.

Don't listen to your mother and her love stories, or those cheap dime store romances. Love is not a teenage dream, or the flings on the soap operas (winning your Lucas back from that ***** Sammie, always my grandma's favorite villain in Days of Our Lives). Grandma, the life, love and days i want are different.

Love is fluttering butterflies. The uncertainty of knowing if this moment lasts, seeing a rainbow. The feeling always has an unspoken expiration date. It is rare. So rare that we pay psychics to find it, and whole forests have been lost amidst writing out our collective fantasies.

I guess it's a good thing my ideal love isn't grown on trees then. Supernovas can't be purchased. Trading hearts isn't easy. In fact, it hurts so much that Shakespeare's ghost considers revising Romeo and Juliet any time he thinks of what love has shown me. My love burns like a broken heart might sting if you shoved it full of stardust.

The ancestors knew love is a mystery. The sphinx doesn't know our riddle, and if spells worked I wouldn't be reading this poem. I can't waste anymore hope on tarot cards which have become worn out, bent, and far too familiar since I met you, love. Here let me explain:

The smell of you is a kind of mystic vapor. The oracles at Delphi would trade in their visions for one of yesterday's t-shirts. Don't be embarrassed or confused, I'm not here to play The Fool. I've already proven that we both can be The Magician, High Priestess and The Emperor. The magic of love is bigger than either of us.

My love comes with keys to my kingdom, sit on my throne, direct my armies, and borrow The Chariot. Hell, you can have the castle! You know that's what fairy tale sweethearts do.

This kingdom has known no Empress. That seat sits empty. Think you're man enough for the position? In a future fantasy, you'd inspire the nation, just the way you'll inspire me. We'd leave a legacy. Pyramids, empires, new eras, and new faiths would rise in our names. Pharaohs would envy how the Hierophant pronounces us inseparable. In my fairy-tale, letting down walls is easy. Love knows no labels, no limits, no bounds. Love is fairy dust.

In my 3 part epic, love and romance are no burden. See, this fantasy is one we read through time-to-time and I'm only just learning how to trust wishes made on shooting stars and genies in bottles. No one before has ever made it past the dragons, soldiers and that Minotaur. Believe me when I say, you appeared out of thin air and I trust in fate now. Thank you. I know you aren't the one. I'm learning to let you go.
I hope I do you justice. When you showed up, I prayed to my fairy godmothers for the first time I can recall. The last ******* ran off with Excalibur, the unicorns, and my scepter. "Oh well," you said. "That isn't what counts."

I've been a hermit so long, I forgot how to smile. But when I wake up in this new fairy-tale called life, I don't notice the treasurer, my wars, and problems in the kingdom or even that all my favorite princes still dream of finding their princesses most nights. Even that doesn't scare me. This is all too authentic and the heart gets used to being rejected. Stamped return to sender so many times, I can't count.

My happily-ever-after doesn't have to be perfect. I'm a realist, and besides, we've both gained so much that it feels like we finally landed a spin on the jester's wheel of fortune. Writing poems is something I gave up when I put aside these stories I grew tired of envying. Now I am writing my own. You currently don't fit the part of Prince Charming. Ironic since you inspired him.

Ya see my physical wants are just side effect of the real bliss that I find when I am myself beside you. I don't need ruby rings, or magic slippers to feel at home here. You give me the Strength to fight my own nightmares off. That’s a gift no elves could forge into gold.

It's the way you make the world explode into color that is worth any cost. It’s your honest caring that neutralizes the occasional tragedy. Besides, the drama, which is less dramatic than any of the past “once-upon-a-times” I've fallen into, only makes the story more exciting.

You broke the spell that a Black sorceress and her 3 sister put on you. I first felt like a hero that day at your side. Hearing you renounce your former desire to be the Hanged Man, or to desire Death, is still one of my favorite chapters of the story we wrote.

The love I dream of isn't easy, as I've said. It isn't always epic or fantastical. Sometimes it’s about finding the Temperance not to push potential princes off the balcony too often. There just aren't enough magic carpets these days. I've discovered that learning not to expect change is its own school of challenging wizardry. Luckily, I'm not bad with rare wands.

My love has its risks. I get it, love is usually a surprise! Love like this is easy to deny, fear or resist. I don't want a proposal or their parent's permission for a hand! I just want my prince to be the first person willing to face down The Devil for me, the only one who climbs my Tower and really ruffles the sheets, the one who outshines The Moon.

I don't want to be "that prince." I'm no former-frog; I'm no good with a sword. Honestly, I had given up on magic until you asked me to eclipse the moon. It wasn't hard. If I have to extinguish the Sun, my tears would swell and blacken the sky. I am glad I don't need to shed them anymore.

This love, rare and mystical, is like a leprechaun. Everyone wants it, nobody seems to find it. I got to the end of the rainbow though. It will go something like this, "once upon a drunken, Vegas night..." an Urban fantasy at its finest, if I do say so myself. I just don't want the *** of gold. Give me the dark, mysterious knight. **** the prince. I know it sounds crazy. He and the princess can take the *** of gold, the baby unicorn, and my Judgment too!

My love is risky. It has no chains, guarantees, or Geico lizard to vouch for it. No time-turner to fix it when I **** up, no love potion to make you stay. In my fairy tales, the dragons are our wounded personalities. His shining armor is a defense mechanism, and my damsel-in-distress routine won't work if we let the spark go out.

In my timeless romance, The Lovers learn to enjoy the moment. **** castles, I'd be happy to get a studio. I don't have a unicorn. My chariot looks the same after midnight. I can't promise riches, fame or immortality. And yeap, compared to the princesses, I'd better resemble a toad some mornings.

But I have a love that can put Shakespeare to shame. I'm more complex than Tolkien's Middle Earth, braver than Harry and just as scarred, smarter than Gandalf though I lack his beard, more patient than any of those damsels, and I bet I cook better. No, I know I do. Somehow, this quest has taught me self-confidence.

Unlike those fairy tales, I'm no finished masterpiece. This work in progress has a heart of gold, is on a quest, growing up daily and aims for future royalty. I'm looking for love, ready to leave Neverland, and all i have to offer you are my best effort, this worn deck of cards, myself, and all The World I can bewitch for us.

WANTED: one prince charming who can see themselves in this real-life fairytale.
Considers protest at disrespect,
To be the sigil
Of a *****.
In reality
He who chokes down ****
And smiles through it,
Is in actuality.
But what is it,
To remit?
Ah, Coventry, thou art but dead now-to me;
Thy life is not alive, and thy winds are too cold
Thou art as filthy as dust can be, and eyes might see;
Thy hearts are too bold, and to greed-your soul hath been sold.
And I want not, to be pictured by thy odd art;
For than oddness itself, 'tis even paler, and more odd;
And 'tis not honest, and full of disputing fragments;
Gratuitous in its earnest, talkative in each of its sort.
Ah, Coventry, I shall go, and catch up-with the strings of my story,
Which thou hath destroyed for the sake of thy fake harmony;
And in my tears lie thy most fragrant joys, and delightful sleep,
Which thou findeth tantalising, but idyllic-and satisfactory.
Ah, Coventry, go away-from my sight, as I solve my misery;
T'is misery thou hath assigned to, and dissolved over me,
I bid thee now fluently blow away from my face;
With a spitefulness so rare, and not to anyone's care nor taste;
And doth not thou question me, no more, about my tasks-or simply, my serenity;
For thou hath fooled me, and testified not-to my littlest serendipity,
You who claimed then, to be one of my dearest friends;
And now whom I detest-cannot believe I trusted thee back then.
And my soul! My soul-hath been a tangled ball-in thy feeble hands;
Colourless like a stultified falsehood, blundering like a normal fiend.

For on thy stilted dreadfulness at night, I hath stepped;
For in front of thy heterogeneous eves, I hath bluntly slept.
I had tasted thy water, and still my tongue is not satisfied;
I had swum in thy pages, but still my blood is not glorified.
Among thy boughs-then I dared, to solidify my fingers;
But still I couldst not bring thee alive, nor comprehend thy winters.
Instead I was left teased, and as confused as I had used to be;
I couldst find not peace, nor any saluted vehemence, in thee.
Ah, I am exhausted; I am brilliantly, and sufficiently, exhausted!
I am like torture itself-and if I was a plant, I wouldst have no bough,
For my branches wouldst be sore and demented,
For my foliage wouldst be tentative and rough.
I hath been ratified only by thy rage and dishonour;
I hath been flirted only, with thy rude hours.
And my poems thou hath insolently rejected,
And my honest lies thou hath instantaneously abused.
Thou consoled me not, and instead went furtive by my wishes;
Thou returned not my casual affection, and crushed my hope for sincere kisses.
I hath solemnly ratified thee, and praised thy music by my ears,
Yet still I twitch-as my sober heart then grows filled with tears.
Ah, thou hath betrayed, betrayed me!
Thy grief is even enhanced now-look at the way thou glareth by my knee!
O, Coventry, how couldst thou betray me-just whenst my time shivered and stopped in thine,
Thou defiled me so firmly; and disgraced the ****** poetry bitterly in thy mind,
As though it wouldst be the sole nightmare thou couldst 'ver find!
Ah, Coventry! Thou art cruel, cruel, and forever cruel!
Thou hath disliked me-like I am a whole scoundrel;
Whenst I but wanted to show thee t'at my poetry was safe, and kept no fever at all;
But no other than an endorsement of thy merriment, and funny disguises for thy reposes.
Ah, how couldst be thou be so remorseful-how couldst thou cheat me, and pray fervently-for my fall!
And to thee, only greed is true-and its satisfaction is thy due virtue,
For in my subsequent poetry, still thou shalt turn away-and scorn me once more;
With menace and retorts simply too immune, and perhaps irksome loath-like never before.

Ah, but how far shall thy distaste for me ever go?
Thou who hath blurred me-'fore even seeing my dawn,
'Fore even lurching forward, to merely glance at my town.
Thou art but afar, and now shall never enter my heaven,
For victory is no longer my shadow, 'tis to which I shall return.
I am like a shame behind thy glossy red curtain,
I am a pit whom thou couldst only befall, and joylessly spurn.
But ah! Still I am blessed, within my imperfection-thou knoweth it not?
I am blessed by the airs-and wealthy Edens of the Almighty, thou seeth t'is not?
He who hath the care, and pride anew-to cut thy story short,
He who hath listened to my cores, and shall deliver me from thy resort.
T'us I shall be afraid not, of thy wobbly tunes-and thy greedy notes!
For humility is in my heart, though probably thou hath cursed me;
And bidden me to let my soul detach, and run astray,
Still I shall find my fertile love, and go away;
I shall bring him away-away from thy abrupt coldness-and headless dismay;
I shall nurse and love him again-like I hath done yesterday, and even today;
And in t'is, I shall carest not for what thou might say to me later-day after day.
For as far as I shall go, my poetry t'an shall entail me;
And thus follow the liveliness, and scrutiny-of my merritorious paths only,
And in the name of Him, shall love thee and rejoice in thee not;
But within my soul, it shall recklessly, but patiently-do them both;
'Tis my very goal it shall accomplish,
And for my very romance, shall it sketch up altogether-such a mature bliss.
I should dance, thereof-just like a reborn female swan;
And forget everything life might contain-including my birth, as though life wouldst just be a lot of fun.

But I shall be alive like my tenderness,
So is my love-he t'at hath brought forth my happiness,
I shall be dressed only in the finest clothes-and he my prince,
As the gem of my soul hath desired our holiness to be, ever since.
Yet still I hope thou wouldst be freed, and granted my virtue,
Though still I doubt about which-for thy fruits are weightless, and to forever remain untrue.
Such be the case, art thou entitled to my current screams,
And blanketed only by my most fearful dreams.
T'is is my curse-in which thou shalt be in danger, but must be obedient,
For curses canst be real-and mine considers thee not, as a faithful friend.
And obedience be not in thee-then thou shalt all be death,
Just like thou hath imprisoned my love, and deceived my breath!
Still-my honesty leads me away, and shall let me receive my triumph;
As so cravingly I hath endured-and tried to reach, in my poems!
Ah, Coventry, unlike the stars-indulged in their tasteful domes,
Even when I am free, in thee I shall never be as joyful-and thus thou, shalt never be my home.
Kewayne Wadley May 2018
In the morning her eyes paint the cities horizon.
Stretching and yawning.
Getting dressed; Her blue tapestry.
Opening the door to her apartment
She climbs down broken stairs.
It's payday Friday.
The mail man is late again.
Opening her box closing it right back.
She considers direct deposit,
Climbing back up those old creaks in the stairs.
To a notice on the door.
Excessive noise complaint
Rent past due
Michael R Burch Apr 2020
These are couplets written by Donald Trump and limericks and other Donald Trump poems "care of" Michael R. Burch (please note that these are parodies) ...

Not-So-Heroic Couplets
by Donald Trump
care of Michael R. Burch

To outfox the pox:
off yourself first, with Clorox!

And since death is the goal,
mainline Lysol!

No vaccine?
Just chug Mr. Clean!

Is a cure out of reach?
Fumigate your lungs, with bleach!

To immunize your thorax,
destroy it with Borax!

To immunize your bride,
drown her in Opti-cide!

To end all future gridlocks,
gargle with Vaprox!

Now, quick, down the Drain-o
with old Insane-o NoBrain-o!

Keywords/Tags: Donald Trump, coronavirus, president, poet, poems, poetry, heroic couplets, humor, Clorox, disinfectants, light verse, parody, satire, mrbtrump, mrbcouplets



What REALLY Happened
by Michael R. Burch aka "The Loyal Opposition"

Trump lied and lied and lied.
Americans died and died and died.



Grime Wave
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is ******* crime ...
unless it's his own grime.



Trump Love
by Michael R. Burch aka "The Loyal Opposition"

Trump "love" is truly a curious thing ...
does he care for our kids half as much as his bling?



Tangled Webs
by Michael R. Burch aka "The Loyal Opposition"

Oh, what tangled webs they weave
when Trump and his toupée seek to deceive!



No Star
by Michael R. Burch aka "The Loyal Opposition"

Trump, you're no "star."
Putin made you an American Czar.

Now, if we continue down this dark path you've chosen,
pretty soon we'll all be wearing lederhosen.



Raw Spewage (I)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a political sump pump!



Green Eggs and Spam
by Michael R. Burch aka "The Loyal Opposition"

I do not like your racist ways!
I do not like your hate for gays!

I do not like your gaseous ****!
I do not like you, Crotch-Grabber Trump!

I do not like you here or there!
I do not like you anywhere!

Your brain's been trapped in a lifelong slump
And I do not like you, Hate-Baiter Trump!



Apologies to España
by Michael R. Burch aka "The Loyal Opposition"

the reign
in Trump’s brain
falls mainly as mansplain



Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"



Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.



The Hair Flap
by Michael R. Burch aka "The Loyal Opposition"

The hair flap was truly a scare:
Trump’s bald as a billiard back there!
The whole nation laughed
At the state of his graft;
Now the man’s wigging out, so beware!



Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!
―Michael R. Burch



Trump’s real goals are obvious
and yet millions of Americans remain oblivious.
—Michael R. Burch



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



The Ex-Prez Sez

The prez should be above the law, he sez,
even though he’s no longer prez.
—Michael R. Burch



Quite Con-trary
by Michael R. Burch aka "The Loyal Opposition"

Trumpy, Trumpy,
fat, balding and lumpy,
how does your Rose Garden grow?
“With venom and spleen
and everything mean,
and my gasket about to blow!”

Trumpy, Trumpy,
obese and dumpy,
why are your polls so low?
“I claimed I was Cyrus
at war with a virus
but lost every time to the minuscule foe!”



Piecemeal, a Coronavirus poem
by Michael R. Burch aka "The Loyal Opposition"

And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(Soon a portly & pale Piggy-Wiggy
will discount your death as "no biggie.")



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
That pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!



Red State Reject
by Michael R. Burch aka "The Loyal Opposition"

I once was a pessimist
but now I’m more optimistic,
ever since I discovered my fears
were unsupported by any statistic.



The Red State Reaction
by Michael R. Burch aka "The Loyal Opposition"

Where the hell are they hidin’
Sleepy Joe Biden?

And how the hell can the bleep
Do so much, IN HIS SLEEP?



The Final Episode of Celebrity Apprentice President
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald
said to The Donald,
"Just between us clowns, your polls are too low!"
So The Donald thought hard
then said to his pard,
"It's because I'm a martyr. The world must know!"
Thus Eric Trump jumped
from his obese Trump ****
to declare the virus a "hoax." (End of show.)



modern Midas
by michael r. burch

they say nothing human's alive
yet the Hermit survived:

the last of His kind,
clean out of His mind.

they say He relentlessly washes His fingers,
as dainty as ever, yet the smell of death lingers.

they say it sets off His corona of hair
when He blanches with fear in his Mansion Faire.

they say He still spritzes each strand into place
though there’s no one to see in that hellish place.

they say there’s a moral in what He’s become
as He fondles gold trinkets and cradles His john.



Mother of Cowards
by Michael R. Burch aka "The Loyal Opposition"

So unlike the brazen giant of Greek fame
With conquering limbs astride from land to land,
Spread-eagled, showering gold, a strumpet stands:
A much-used trollop with a torch, whose flame
Has long since been extinguished. And her name?
"Mother of Cowards!" From her enervate hand
Soft ash descends. Her furtive eyes demand
Allegiance to her ****'s repulsive game.

"Keep, ancient lands, your wretched poor!" cries she
With scarlet lips. "Give me your hale, your whole,
Your huddled tycoons, yearning to be pleased!
The wretched refuse of your toilet hole?
Oh, never send one unwashed child to me!
I await Trump's pleasure by the gilded bowl!"




Toupée or Not Toupée, That is the Question
by Michael R. Burch aka "The Loyal Opposition"

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?



Toupée or Not Toupée, This is the Answer
by Michael R. Burch aka "The Loyal Opposition"

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



White as a Sheet
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”



Raw Spewage (II)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a garbage dump
in need of a sump pump!



we did not Dye in vain!
by Michael R. Burch

from “songs of the sea snails”

though i’m just a slimy crawler,
my lineage is proud:
my forebears gave their lives
(oh, let the trumps blare loud!)
so purple-mantled Royals
might stand out in a crowd.

i salute you, fellow loyals,
who labor without scruple
as your incomes fall
while deficits quadruple
to swaddle unjust Lords
in bright imperial purple!

Notes: In ancient times the purple dye produced from the secretions of purpura mollusks (sea snails) was known as “Tyrian purple,” “royal purple” and “imperial purple.” It was greatly prized in antiquity, and was very expensive according to the historian Theopompus: “Purple for dyes fetched its weight in silver at Colophon.” Thus, purple-dyed fabrics became status symbols, and laws often prevented commoners from possessing them. The production of Tyrian purple was tightly controlled in Byzantium, where the imperial court restricted its use to the coloring of imperial silks. A child born to the reigning emperor was literally porphyrogenitos ("born to the purple") because the imperial birthing apartment was walled in porphyry, a purple-hued rock, and draped with purple silks. Royal babies were swaddled in purple; we know this because the iconodules, who disagreed with the emperor Constantine about the veneration of images, accused him of defecating on his imperial purple swaddling clothes!



Twinkle Wrinkles
by Michael R. Burch aka "The Loyal Opposition"

Twinkle, twinkle, little "star" ...
Trump, how we wished you blazed                 afar!

Twinkle, twinkle, Groper-Cupid ...
How we've wished you weren't so stupid!

Twinkle, twinkle, Man-Baby "president" ...
In truth you're just the White House resident.



Americans have the opportunity
to greatly improve their community
with votes a-plenty
in 2020.
Dump
Trump!
—Michael R. Burch



Joe Biden, Joe Biden,
our future is ridin’
on you defeatin’
and hidin’
that cancerous lump
called Trump.
—Michael R. Burch



The Perfect Storm
by Michael R. Burch

Stormy Daniels
is Trump's worst nightmare—
a truthteller,
a woman without fear,
full of *****,
unimpressed by his junk,
that he can't debunk.



Aftermath
by Michael R. Burch aka "The Loyal Opposition"

Carmen Yulín Cruz is a hero.
Donald Trump is a zero.



15 Seconds
by Michael R. Burch aka "The Loyal Opposition"

Our president’s *** life—atrocious!
His "briefings"—bizarre hocus-pocus!
Politics—a shell game!
My brief moment of fame
flashed by before Oprah could notice!



March for Our Lives
by Michael R. Burch

It's not a moment,
it's a MOVEMENT
created to save
innocents from the grave.



Tweety and Pootie
sittin' in a tree
K-I-S-S-I-N-G!
First comes love,
second comes marriage,
third barechested weasels in a White House carriage!
—Michael R. Burch



Three Trump Valentine's Day Poems

1.

If you're tall, blonde and pretty,
I'll grab your kitty.
If you're dark-skinned and short,
It's time to deport!

2.

I'll secure your southern border tonight,
as long as you're wearing white!

3.

If you're not
as hot
as my daughter,
beware;
prepare
for the slaughter!



Why did Trump endorse Roy "Score" Moore when Nostradumbass claimed he "knew" the Sludge Judge couldn't win? ...

Predators of a feather
flock together.
—Michael R. Burch



Kneeling Verboten
by Michael R. Burch aka "The Loyal Opposition"

Colin Kaepernick took a stand by kneeling;
now Donald Trump is reeling
as the NFL owners he implored
lock hands with the players he deplored.



How the Fourth ***** Ramped Up
by Michael R. Burch aka "The Loyal Opposition"

Trump prepped his pale Deplorables:
"You're easy marks and scorables!
Now when I bray
click your heels, obey,
and I'll soon promote you to Horribles!"



Trump Trumps "We The People"
by Michael R. Burch aka "The Loyal Opposition"

Trump fired Comey
to appoint a *****:
some pawn in his Kamp
with a big rubber stamp.

Out the window flew freedom!
Rights? You don't need 'em!
Like Attilâ the ***,
Trump answers to no one!

Do you think you have worth?
Trump makes you his serf.
He's your Lord and your Master:
you elected DISASTER.



Pass the Hat for the Fat Cat
by Michael R. Burch aka "The Loyal Opposition"

If you're a Fat Cat,
vote for an Autocrat;
otherwise, stick with a Democrat ...
or get ready to pass the hat
for yourself,
doomed by that strange little pixie-fingered orange elf.



****** Assaulter-in-Chief
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald Trump Bozo
bopped Bill Clinton Clown on the nose: “Oh,
I’ll trump your cigar
with my groping, by far,
when I bounce interns on my Big Pogo!”



Trump's Donor Song
by Michael R. Burch aka "The Loyal Opposition"

(lines written after it became apparent that Trump is not
"draining the swamp" but stocking it with his crocodilian
donors and political piranha)

christmas is coming, the Trumpster's purse is flat:
please put a Billion in the Fat Cat's hat!
if you haven't got a Billion, a Hundred Mil will do.
if you haven't got a Hundred Mil, the yoke's on you!



Alt-Right White Christmas
by Michael R. Burch aka "The Loyal Opposition"

Trump's dreaming of a White Christmas,
just like the ones he used to know
when black renters groveled
or lived in hovels
while he laughed and shouted **-**-**!



*******
by Michael R. Burch aka "The Loyal Opposition"

Trump
Is a chump,
He’s an
Orange Heffalump.
His hair?
Made of batter.
His brain?
***** matter.
His “plans”?
A disaster.
His “position”?
Your Master!



Fool's Gold
by Michael R. Burch aka "The Loyal Opposition"

THE DONALD has won (so we're told).
If it's true, worthless swampland's been sold!
But who were the buyers?
Poor folks who trust liars
and pay through the nose for fool's gold.



Bunko
by Michael R. Burch aka "The Loyal Opposition"

Agent Orange is full of bunk:
Tiny-fingered, he claims a big "trunk."
And his "platform"? Oh my,
I think we'd all die!
And he can't even claim he was drunk!

NOTE: Donald Trump claims that he doesn't drink alcohol, except when he partakes of Holy Communion. However, Trump insulted the body and blood of Jesus Christ when he spoke dismissively of his "little *******" and "little wine." He claims to be a Christian, but also said that he never asks God for forgiveness! Is he punch drunk or just pulling our legs about being a Christian?



De-Bunko
by Michael R. Burch aka "The Loyal Opposition"

There's something I'd like to debunk:
the GOP's not in a "funk."
The Donald, by choice,
is its unfiltered voice.
Vote for someone who's sane, or we're sunk!



Fooling Around
by Michael R. Burch aka "The Loyal Opposition"

Ronald McDonald Trump-Bozo
cried, “Clinton Clown cheats with his yo-yo!
He plays fast and loose!
It’s clearly abuse!
Whereas broads love to bounce on my pogo!”

BTW, it's amusing that Rudy Giuliani is now Trump's surrogate, defending him from accusations of ****** assault and other improprieties by scores of women, when in a 2000 "Mayor's Inner Circle" video, Giuliani in drag had his "*******" schmoozed by The Donald, after which Giuliani slapped his face and called him a "***** boy." Obviously, Giuliani was well aware of Trump's reputation for grabbing and groping women without bothering to ask for their permission! Trump's outrageous behavior was a running joke among alpha males in his circle. In 1993, fellow bad boy Howard Stern asked Trump directly: “So you treat women with respect?” Trump answered honestly: “No, I can’t say that either.” And hundreds of chauvinistic public statements and tweets by Trump confirm that he doesn't treat women with respect, or minorities, or anyone that he considers "weak" or "overweight" or "unattractive."



Trumping Tots
by Michael R. Burch aka "The Loyal Opposition"

Things that go bump in the night
fill Herr Trump with irrational fright;
his brain hits the skids;
he shrieks, "Ban dark kids!"
Where's his self-lauded "courage" and "might"?
Is cowardice Trump's kryptonite?



Trump Explains Why His Hair Looks Like ****: It's Been Bleached By Drool
by Michael R. Burch aka "The Loyal Opposition"

"Although my hands are quite tiny,
I have an enormous hiney;
so I stick my head in,
predicting I’ll win,
while everyone kisses it shiny!"



The Name and Blame Game
by Michael R. Burch aka "The Loyal Opposition"

If you have a slightly offbeat name,
you'll be de-planed, detained, restrained, defamed.
Supremacists know pure white names are best,
so be prepared to prove you're among the Blessed.
(Woe unto those who fail Trump's Litmus Test!)



Trump the Game Plan
by Michael R. Burch aka "The Loyal Opposition"

There once was a huckster named Trump
who liked to be kissed on the ****.
He promised awed voters
if they'd be his promoters,
he'd magically fix up their dump.

Now the voters were dreaming of Ronald
and hoping they'd found him in Donald.
And so, lightly "thinking"
after much heavy drinking,
they put out, as if they'd been fondled.

But once he'd secured the election
Trump found his fans cause for dejection.
"I only love tens!"
he complained to his "friends,"
then deported them: black, white and Mexican.

Thus Donald fulfilled his sworn duties
by ridding the land of non-cuties.
Once the plain Janes were gone
he could smile on his throne
surrounded by imported beauties!



Egad,
what a cad;
the Orange Heffalump
scowls when he sees
a baby bump!
Like the Grinch who stole Christmas
(but every day of the year),
The Donald eyes happy
mothers with a leer!
―Michael R. Burch

NOTE: Donald Trump actually body-shamed Kim Kardashian for having a baby bump, saying that she was "large" and ought to watch the kind of clothes she wears in public!



Donald Trump Campaign Songs

Christmas is coming!
Tycoons are getting fat!
TRUMP says, "Take a ****
in some beggar's hat!
Beat him to a pulp
then run him out of town
if he dares object to
the MAN with the GOLDEN CROWN.
And if you're not a Christian,
nothing else will do!
But if you're just like TRUMP,
then may TRUMP bless you!
―Michael R. Burch



SANTA CLAWS is coming to town!
He sees Spics when they're sleeping
and Blacks when they're awake!
He knows that Whites are always good,
but dark skin is God's mistake.
So if you're some poor orphan
with slightly darker skin,
BIG BROTHER will be WATCHING
all blacks and Mexicans!
―Michael R. Burch



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Dark Shroud, Silver Lining
by Michael R. Burch

Trump cares so little for the silly pests
who rise to swarm his rallies that he jests:
“The silver lining of this dark corona
is that I’m not obliged to touch the fauna!”



Zip It
by Michael R. Burch

Trump pulled a cute stunt,
wore his pants back-to-front,
and now he’s the **** of bald jokes:
“Is he coming, or going?”
“Eeek! His diaper is showing!”
But it’s all much ado, says Snopes.



Mini-Ode to a Quickly Shrinking American Icon
by Michael R. Burch

Rudy, Rudy,
strange and colludy,
how does your pardon grow?
“With demons like hell’s
and progress like snails’
and criminals all in a row!”



Christmas is Coming
alternate lyrics by Michael R. Burch

Christmas is coming; Trump’s goose is getting plucked.
Please put the Ukraine in his pocketbook.
If you haven’t got the Ukraine, some bartered Kurds will do.
But if you’re short on blackmail, well, the yoke’s on you!

Christmas is coming and Rudy can’t make bail.
Please send LARGE donations, or the Cause may fail.
If you haven’t got a billion, five hundred mil will do.
But if you’re short on cash, the LASH will fall on you!

Keywords/Tags: Trump, Donald Trump, poems, epigrams, quotes, quotations, Rudy Giuliani, Ted Cruz, Cancun, Christmas, evil, democracy, coup, treason, treasonous, coronavirus, president, poet, poems, poetry, heroic couplets, couplet, humor, humorous, Clorox, Lysol, disinfectants, light verse, parody, satire, America



In My House
by Michael R. Burch

I was once the only caucasian in the software company I founded and managed. I had two fine young black programmers working for me, and they both had keys to my house. This poem looks back to the dark days of slavery and the Civil War it produced.

When you were in my house
you were not free—
in chains bound.

"Manifest Destiny?"

I was wrong;
my plantation burned to the ground.
I was wrong.

This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.

I feel the song
hurling itself back at me.

We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina

Keywords/Tags: Race, Racism, Black Lives Matter, Equality, Brotherhood, Fraternity, Sisterhood, Tolerance, Acceptance, Civil Rights



Instruction
by Michael R. Burch

Toss this poem aside
to the filigreed and the prettified tide
of sunset.

Strike my name,
and still it is all the same.
The onset

of night is in the despairing skies;
each hut shuts its bright bewildered eyes.
The wind sighs

and my heart sighs with her—
my only companion, O Lovely Drifter!
Still, men are not wise.

The moon appears; the arms of the wind lift her,
pooling the light of her silver portent,
while men, impatient,

are beings of hurried and harried despair.
Now willows entangle their fragrant hair.
Men sleep.

Cornsilk tassels the moonbright air.
Deep is the sea; the stars are fair.
I reap.

Originally published by Romantics Quarterly


Published as the collection "Not-So-Heroic Couplets"
Oculi Sep 2022
Falling
Sinking
Drowning
Redemption

Steel
Blood
Exhaustion
Black­ness

Suppose to me for a second that you ignore the cultural barrier between the man standing in front of you and yourself. This man was raised in a far away land, whose people are PECULIAR in many ways, not quite fitting into any group you have heard of. He has, in the past been referred to, sometimes affectionately and sometimes derogatorily, as an alien. He is PONDERING. You can see it on the blank, nearly expressionless face that he posits towards this unblinking world he considers void of redeeming qualities. In his land, there is a PECULIAR saying, that he keeps repeating to himself, as though it was a mantra that could somehow save him from what seems, at this point, impending. He is PONDERING this saying. The way he recites it, sometimes quietly within his mind's eye and sometimes out loud, much to the dismay of those hearing him, is "Acting with the peace of the dead." which is an approximation of the way he heard it once, when his father said it to him as a child. He is unsure what this PECULIAR phrase has been doing in his mind for the last week. He is in a tall building, on the top floor, and he considers jumping out of a window every free moment he allows himself. He has, on occasion, realized his consciousness left him during the day, only to be roused back from his PONDERINGS by the sounds of objects and people that no longer exist. He hears the voice of Him, the man who swam before him, despite not knowing how to swim. He fears that his knowledge of swimming forbids him from joining Him. He does on occasion realize that his fear of not being able to swim with Him is what some would call PECULIAR. Some would explain that he needs to let go of these foolish endeavors and let the 4514 swim along the coast, soundly. His father would have told him about the days he PONDERED the window of his tenth floor apartment as well.
He deems long enough has passed. He opens the window, and manifest before him is a bridge of RAINBOW. He steps onto the bridge and loses control of his conscious mind.

Swallowed by the dread
Swimming with the dead
The station is unmanned
The operator's ******

Let they who art one with the endless ocean
The black and glintingly specked sea of tar
Encroach you and grasp at what you hold

Let them hold you down, down under
Suffocating the life out of you
Holding your throat until you drown

Let ye, fettered traveler, join us
We are a merry lot down here
This void, this black space we inhabit
It really isn't as scary as it sounds
There is love and joy and celebration
There is camaraderie, feasts
There are memories, in many which ways
There are dreams, and no nightmares
Let ye, shackled traveler, join us
For we have sang of your exploits
For we have cried for your sorrows
For we so desire to meet with you (again)
Let ye, battered traveler, join us
We miss you.
Your hugs felt nice.
We miss seeing you grow up by our side.
Even when far apart, we would always think of you.
We love you, and we wish you were here with me.

Suppose to me for a second that you ignore the difference of corporeal worlds between the woman standing in front of you and yourself. She inhabits a world of very little LIGHT. (Though there is some.) It is the middle of the night, which she is able to infer because even though her eyesight is as SHARP as ever, there is still absolutely nothing visible in this world. Though her other senses are, for lack of a better expression, quite attuned to this world, and therefore she can easily sense her way through the room she usually wakes up in. This, however, is not that room. She stumbles immediately, and falls, to a floor that feels much different, courser to the touch. The feeling of her heart welling up the usual anxious thoughts is not as LIGHT as it was a moment ago. She is in a deep state of panic. Of paranoia. Of fright. Of terror. The darkness feels all the more encroaching, all the more terrifying, in this new, unexplored room. White specks begin to cloud her vision as she stumbles around, wounding herself constantly. Bruises, cuts, trauma. She stays down, this time. There is a distinct coldness to the floor where she lay. She gropes around, and yelps in pain. SHARP. It's a knife! She grabs the handle of it. Quite LIGHT. She decides to test out the SHARPness of this knife and stabs at the floor. Nothing happens. Her heightened feelings of panic bring back memories, unpleasant memories, similarly involving darkness, knives and unfamiliarity. She can only see one possible way out, and concurs she'd like to see LIGHT at least one more time. She falls into a deep sleep, clutching her knife at her chest and dreaming of those folks of merriment.
She wakes, still as panicked as before, but sees that specks of brightness now form around the horizon far outside her room. They don't bring any joy to her, she just wanted to see them one last time.
She deems long enough has passed. She cuts into the flesh of her body that, through the darkness, she has never seen before, and manifest before her is blood. It is a stark, crimson color, a shade she has never once beheld. Then, as her senses begin to faulter, she looks again and sees more shades, all those of a RAINBOW. She brought herself joy by managing to create color in a world with none before her. She lets herself lose control of her conscious mind.

The woman and the man meet
A clashing of two different worlds
Two different times, yet at once the same
They both open their mouths to each other
No sound comes, they stand silent

THEY PONDER THE RAINBOW, ITS PECULIAR, SHARP LIGHT.

They stand together in the space that the choir mentioned in passing previously. Waves crash against them both, yet they stand unflinching, trying and failing to scream, yell, shout, anything that would make the other one understand. Their duality frightens them both, as though they know something the other doesn't. Finally, a voice booms, it is both of theirs and yet it is not. It asks the question that they both mean to phrase:
"I'm very happy to finally be here, but... where is everyone?"

— The End —