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Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
I was in love
with Denise,
(She sat behind me in the third grade and
moved away in the first few weeks of the fourth),
but it was Tasha,
(who sat next to me and was the
best friend of Denise),
that I would fantasize about.
I would wait in some bush
for her to pass by and then
leap out
wearing a black ski mask and
armed with a rag drenched in chloroform.

The part of the fantasy that would
constantly change was
the way I would drag her back to my trailer.
Sometimes
I would have a Tasha-size duffle bag and
other times
I just dragged her by her feet
or grabbed her by her arm pits.
I often thought it would be smart
to bring my little red wagon.
except that I didn’t have one

In my fantasy it was always late morning
because that’s when my mom wasn’t home.

Once I had Tasha naked in my room
I would tie her hands with a rope secured
to the ceiling
I would pinch and poke and rub Tasha’s body
everywhere.
And stare
She would be blindfolded but
I would leave my ski-mask on
just to be safe,
in case Tasha’s blindfold fell off,
you know?

it’s hard to find chloroform when you’re
only eight.  

Anyway,
she would squirm and writhe and
wiggle
but soon she would change a little
and she would start to moan
she would gasp
and eventually
she would beg for more.

And then more Chloroform
I would drag her back
so that when she woke up
she would maybe think it was
just some fantasy SHE had.

But Denise,
when I dreamed of her
we just rode bikes and stuff.

I was in love with her.
dj Nov 2012
the glass jar
full to the brim; steaming
teaming with drowsiness

he left it
out
lid-less
7 pages ,
front & back
he said he had so much to say
he could've gone on for
biblical lengths
he drove 45 minutes out of his way
just to say
nothing
Only glare

he said he thought about me
for the last 3 days
even more at nighttime
in the dark room
unhinged; TV on
I unfriended him nervously
phonecall
phonecall
phonecall
phonecall
phonecall


voi­cemail
χoχo true story
Àŧùl Feb 2017
A drop-dead gorgeous young lady,
With the eyes of an angel she looks,
Her gaze met mine in dark of day,
My thoughts are just like clay,
Getting molded as whatever she may say,
I feel my senses waning off,
For she is My Chloroform.
My HP Poem #1450
©Atul Kaushal
Cunning Linguist Dec 2013
Immerse yourself until wholly submerged
in my unholy divergence;
Poor form tormented soul - 
Roll your pain in a J
then dip it in chloroform
Embrace my urges to purge
the remnants of sanity,
Spilling and screaming
all these profanities at humanity

Confuddling all posers
with my bastardized prose ~
Please, continue badgering
and nagging me
with your ****-******* menagerie
of trivial drudgery
I’m in misery so
go ahead and bludgeon me
Square in the noggin’
So that I can jog it,
whilst juggling all these nails
from my coffin

I’m awfully harmful and cruel
got these scoffing jealous skeptics
Acting a fool,
coughing up a lung-full of fuel
for all of the putrid mind puke I spew
My mixing *** skull’s
where the ingredients accrue
Just stew with me for a little
while longer though won’t you

I’m a cancer-ridden addler
babbling mad adages,
ravishingly tenderizing my meat
Laced with some dust from space, yes, no lackage/absence of it lining
within my nasal passages see
spun off some of that absinthe
In a cloud of burning trees
Please tell me you feel me

It’s staggering how I’m both crazy batshit,
**** smooth as rotten laxative cheese
Brain’s melting acidic beef
I’m like Randy Savage I got
Bombastic fat ******* in heat
Straight making my **** go flaccid post-weep

Don’t get offended women
just imagine
How painfully average the package
is within my lap that I’m packin
But now it’s wrapped
and I’m ready to fucken
fully send it no cap
My turnaround is lightning fast
In and out of your *** quick as a wink like The Flash

Faces contort in ghastly panic, actually
Dastardly antics unleashed in vast swarms
Plague the masses in pandemic proportions with them massive casualties factually once more
Give ya some relaxing action 
And skull-**** y’all
with such a passion *******
Your corpse falls to the floor
and right through the trapdoor

Candid, my pen-chance enchants
Heavy-handedly inanimate
in suspended animation
Supplant reality augmentation
Machinations of my imagination;
Implicating **** ransacking  
and seafaring through crab infestations 
Wreaking havoc and bequeathing vengeance
I’m a fire breathing grim reaper reeking of ****** ~

- Off is the nearest direction in which to ****
Dissect my ******* with your tongue
Turnt up ******* plumpies in the rumpus 
Just for the fun of it until I erupt
Remember, I’m avid for dismembering appendages
I expect you’re exceptional at accepting
a barrage of septic bombardment
Chance of success: logistics analysis zero percentage
(Cos I done ******* on all those *******.)

Superbly superlative and speculative
So fast on Adderall
I make Mad Hatter’s head spin
Quicker than you can snap: 
Giving your family heart attacks
Smack you in the face, 
While fapping my fabulous lap rocket

Thunderously plundering under covers
Spring-loaded with faux pas’ so hot
Make your mother’s ***** pop out
and say “hello”
like a Jack-in-the-Box

& U kno Those foxy grandmas
be jaxing off my **** -
Bingo wings beckoning me to flock
Choppin’ up rocks round the clock
with the glock in my pocket til I rot 
Undoubtedly
Caught em wit the molly-whop eyeballs pop out they sockets all dramatically
Whole squad **** swap the rod, on God
Blow my whole *** when I start spitting them double entendre fatality snowballs
Zippity-zop like Cosby’s special BBQ sauce
Bet I’ll dip my puddin’ pop and stay fresh with the drip til I drop
Y’all just holler when you want me to stop

Palpable, these **** butts malleable as putty
Barbarically barrel rolling into dat ***
rip it to shreds like confetti
Power Pole extend
Face pressed into your *******
Inhaling the wafting aromatic stenches
of distant French fish factories

Clearly getting dome from your dearly betrothed violently
Now she bridal and my seeds spiraling virally
Vital signs finalizing
Bounce that *** like jello
Swell; I’m in your hair like gel
Now swallow my jollies and don’t bother
Unless you hollerin’ and giving me dollars
Zealots idol my harlotry

If nose goes go slow grow low
Throwing those yoloing hoes out windows
This ***** simply bonkers
I conquer fear me

***** DON’T HARSH MY MELLOW
SWEAR I’LL MARSH YOUR MALLOWS
Vanished are the veils of light and shade,

Lifted the vapors of sorrow,

Sailed away the dawn of fleeting joy,

Gone the mirage of the senses.

Love, hate, health, disease, life and death

Departed, these false shadows on the screen
    of duality.

Waves of laughter, scyllas of sarcasm, whirlpools
    of melancholy,

Melting in the vast sea of bliss.

Bestilled is the storm of maya

By the magic wand of intuition deep.

The universe, a forgotten dream, lurks
   subconsciously,

Ready to invade my newly wakened memory divine.

I exist without the cosmic shadow,

But it could not live bereft of me;

As the sea exists without the waves,

But they breathe not without the sea.

Dreams, wakings, states of deep turiya sleep,

Present, past, future, no more for me,

But the ever-present, all-flowing, I, I everywhere.

Consciously enjoyable,

Beyond the imagination of all expectancy,

Is this, my samadhi state.

Planets, stars, stardust, earth,

Volcanic bursts of doomsday cataclysms,

Creation’s moulding furnace,

Glaciers of silent X-rays,

Burning floods of electrons,

Thoughts of all men, past, present, future,

Every blade of grass, myself and all,

Each particle of creation’s dust,

Anger, greed, good, bad, salvation, lust,

I swallowed up – transmuted them

Into one vast ocean of blood of my own one Being!

Smoldering joy, oft-puffed by unceasing meditation,

Which blinded my tearful eyes,

Burst into eternal flames of bliss,

And consumed my tears, my peace, my frame,
  my all.

Thou art I, I am Thou,

Knowing, Knower, Known, as One!

One tranquilled, unbroken thrill of eternal, living, ever-new peace!



Not an unconscious state
Or mental chloroform without wilful return,

Samadhi but extends my realm of consciousness

Beyond the limits of my mortal frame

To the boundaries of eternity,

Where I, the Cosmic Sea,

Watch the little ego floating in Me.

Not a sparrow, nor a grain of sand, falls

    without my sight

All space floats like an iceberg in my mental sea.

I am the Colossal Container of all things made!

By deeper, longer, continuous, thirsty,
  guru – given meditation,

This celestial samadhi is attained.

All the mobile murmurs of atoms are heard;

The dark earth, mountains, seas are molten liquid!

This flowing sea changes into vapors of nebulae!

Aum blows o’er the vapors; they open their veils,

Revealing a sea of shining electrons,

Till, at the last sound of the cosmic drum,

Grosser light vanishes into eternal rays

Of all-pervading Cosmic Joy.

From Joy we come,

For Joy we live,

In the sacred Joy we melt.

I, the ocean of mind, drink all creation’s waves.

The four veils of solid, liquid, vapor, light,

Lift aright.

Myself, in everything,

Enters the Great Myself.

Gone forever,

The fitful, flickering shadows of a mortal memory.

Spotless is my mental sky,

Below, ahead, and high above.

Eternity and I, one united ray.

I, a tiny bubble of laughter,

Have become the Sea of Mirth Itself.
Emanuel Wolfe Sep 2013
Dreaming has never felt like such a horror.
I wake up in the morning,
kiss my lonely cigarette.
peach fuzz is desperation for such ripe fruit
it is only sin that will lead into temptation
holding back my grudges
puffing on the words that seem to escape
as though i cannot be free of a feeling
non-exsitent
the tones, the strings
pitiful my voice
careless her actions
is there no thought to my grievances?
my well-being cursed, relinquished sanity
nothing feels real
as the breath of a soul.
The tractor stands frozen - an agony
To think of. All night
Snow packed its open entrails. Now a head-pincering gale,
A spill of molten ice, smoking snow,
Pours into its steel.
At white heat of numbness it stands
In the aimed hosing of ground-level fieriness.

It defied flesh and won't start.
Hands are like wounds already
Inside armour gloves, and feet are unbelievable
As if the toe-nails were all just torn off.
I stare at it in hatred. Beyond it
The copse hisses - capitulates miserably
In the fleeing, failing light. Starlings,
A dirtier sleetier snow, blow smokily, unendingly, over
Towards plantations Eastward.
All the time the tractor is sinking
Through the degrees, deepening
Into its hell of ice.

The starting lever
Cracks its action, like a snapping knuckle.
The battery is alive - but like a lamb
Trying to nudge its solid-frozen mother -
While the seat claims my buttock-bones, bites
With the space-cold of earth, which it has joined
In one solid lump.

I squirt commercial sure-fire
Down the black throat - it just coughs.
It ridicules me - a trap of iron stupidity
I've stepped into. I drive the battery
As if I were hammering and hammering
The frozen arrangement to pieces with a hammer
And it jabbers laughing pain-crying mockingly
Into happy life.

And stands
Shuddering itself full of heat, seeming to enlarge slowly
Like a demon demonstrating
A more-than-usually-complete materialization -
Suddenly it jerks from its solidarity
With the concrete, and lurches towards a stanchion
Bursting with superhuman well-being and abandon
Shouting Where Where?

Worse iron is waiting. Power-lift kneels
Levers awake imprisoned deadweight,
Shackle-pins bedded in cast-iron cow-****.
The blind and vibrating condemned obedience
Of iron to the cruelty of iron,
Wheels screeched out of their night-locks -

Fingers
Among the tormented
Tonnage and burning of iron

Eyes
Weeping in the wind of chloroform

And the tractor, streaming with sweat,
Raging and trembling and rejoicing.
Claire Elizabeth Oct 2013
With weekends spent hittin' the ***** bars all across town
That broken smile matches her broken shoes and her broken soul
People always wonda' why she puts herself in the position she's in
She hardly knows any more than they do
All there was were long days and short nights
An' I guess that became too much for her
'Cause she lost herself inside, where her heart was kept
After that one guy broke her heart so many months ago
She's tryin' to recover
Hardly working dontcha think
To try and fix yourself when there ain't nothin' left to fix
The gears inside are rusted stop and no amount of oil could change that
But does it really matter?
When nothin' is right anymore
And nothin' is worth anythin' more than a lonely night spent in a hotel room
Somewhere off the in'erstate
An' all the tears wasted on somethin' long gone go to waste
Dontcha think?
'Cause he ain't gonna hear 'em anyway
Hardly even gonna feel 'em 'cause he doesn't even care
The bouncers at the bars don't either
But at least they let her in
Decided to put a little description into a poem for once. That didn't work very well. I am very flummoxed and confused these days it seems. And so I just wrote down things in my head.
Marium Iqbal Sep 2016
You are a tornado.
You spin anyone too close to you, leaving them in a dizzy fit.
You break them before they break you.

No wonder I thought I loved you.
A tornado like me.
Promising trouble at every turn.

You whispered, "I love you".
Presenting it with secrecy.
Holding me hostage with twisted logic.

I am a tornado, I admit it.  
And two tornados only bring more chaos.
I'm self-destructive but, you're too much for me.

Your lips were drowned in chloroform.
And I kissed you for the burn.
The same way I smoke cigarettes to pollute my lungs.

We drag each other to hell.
Shoot each other's hearts.
Naming it love, so we don't have to call it "just ***".

You were always too much for me.
Too much chaos.
In return, I was presented with such little love.

We wrapped up each other's hearts.
Hid them in the shelves.
And danced away our summer days in my sheets.
Sara L Russell Mar 2012
12/3/12 16:15pm

The painted lady waiting in the wings
Now parts her lips to sing her lover's name;
She enters, arms spread outwards as she sings
Like some fantastic orchid made of flame.

She scatters fragrant petals in the hall
And yet more petals round the master bed
Her sweet song echoes like a linnet's call
Her swirling silks are edged with golden thread.

Then comes a telegram from overseas
To say her love will not return again
The lady falls, still singing, to her knees;
Her heartbeat speeds, like wings beating in vain.

Such is the way of love made through a lie;
Like chloroform, to **** a butterfly.
the Sandman Jul 2016
I hold glass bottles to the sky
In thunderstorms,
I go home and shelf them for light.
I crawl up and back into you
In thunderstorms
and wrap in warmth till I can't breathe.
Drown me
In thunderstorms;
Hold my head down inside your veins.
Your goosebumps hug me to you, snug,
In thunderstorms
When I find asylum under
Your thumb.
In thunderstorms,
I love you again. Just for a while,
While my mind pours columns of cold,
In thunderstorms
That hang over my head and haunt
Me with self-doubt till I stress out.
In thunderstorms,
I watch the rain drip down my brain
And cut through ice and chloroform.
Ben Jones Nov 2013
A legendary sweet tooth, had Lady Felicity Barratt
So swift towards the sugar bowl, so wary of the carrot
She dined on only trifle from a honey coated spoon
But tooth decay accosted her and left her in a swoon

By the time she turned just twenty, her two front teeth were gone
By thirty she was running short and on her final one
When that fell out, she sought a dentist, promptly one arrived
She opened up her grizzly mouth and in the fella dived

He took a cast and took his leave with dentures to be hewn
With satisfaction guaranteed by Friday afternoon
And never did the lady have a reason to suspect
The secret intervention of an evil dental sect

By bribing several bakeries and sweetie shops and stalls
A dossier had been compiled within their sacred halls
For crimes against good dentistry were nothing short of sin
Their retribution must be swift or people might join in

Upon that self same Friday, at the very cusp of noon
One Doctor Bingo Rogers and his burly hired goon
Came knocking at her premises with dental kit and drills
With a mission to sedate her and to exercise their skills

They knocked her out with ethanol and chloroform and air
And strapped her to a hastily erected dentist's chair
The evil teeth were lodged in place and ******* into her gums
The bill was quite extortionate, for monumental sums

The shamanic orthodontist, with his henchman in his wake
A martyr to the vegetable and nemesis of cake
Was keen to see his handiwork and kept a watchful eye
For curious occurrences as days went quickly by

By Christmas there was nothing, until on New Year's Eve
Her teeth got uncooperative and forced the girl to leave
They dragged her by her dainty face and led her to the shops
She stood and munched on sugar canes and giant lollipops

They stuffed her face with chocolates, still nestled in their packets
And then a rack of nylon shirts and seven leather jackets
On every size of shoe, she munched; from sixes up to twelves
She nibbled through the party food and gnawed upon the shelves

Then off she sped, into the street, to pursue a passing horse
Dragged along by wicked teeth and supernatural force
But dentures lack in vision, and especially at pace
So when she caught it by the foot she caught it in the face

She skidded to a grizzly halt with arms and legs all twisted
And next to her, a note with all her dental errors listed
So beware the wrath of dentists and obey when they command
And sleep with one eye open and a carrot close to hand

For though our poor Felicity was buried good and hard
Despite floral cupcake with the Dental Cult's regard
And though her body, to this day, lies safely in the ground
The horse escaped that evening and the teeth were never found...
Mary Holz Dec 2012
Sparks from the fire float into the night, pretending to be fireflies
Ashes from the fire reminds me of lost souls, searching for a way back into life
Smoke from the fire surrounds and blinds me, like bad memories
Flames from the fire reach out to me, beckoning me to embrace them
Smells from the fire consume me, acting like chloroform
Crackling from the fire puts me in reality, sounding like guns in the distance
Color from the fire convinces me of anger, but also of beauty
Heat from the fire warms me, so much like my hatred
Embers from the fire glow with motivation to prove something

The fire in me is what makes me alive
Aquinas Jan 2015
Do you get that itch under your skin
That makes you twist and twitch?
In the bedroom the fairies play tricks on our
Heads and then we become bewitched

Did it take you long enough
To rip off the tissue,
The skin over bone,
The body I call home?

Does it take your breath away
The way I write about you to this day,
The frame I made to cover your play,
The way you said "I'll stimulate your brain"?
Sarina Nov 2012
Oh daffodil, you are not what I had hoped for
but you are alright now. Do not weep,
and please, do not wilt on me,
this fertilizer is a necessary evil, to devour
your bad things

in a basin, or howling at the moon –
dogs you left empty-bowelled,
sunken as a level cloth in the rain, still fat
but darker than smoke haze at dusk
not better of what mothers feed the precious

stuck, and stinking sons. I love men, I do,
just not the boys I have been handed
in their snotty noses, copepod backpacks &
bandanas for the laboratory. Promise, though
to make chloroform for your head

as if the sun could slap your eardrums,
what wonder would it be! A yellow plague,
bit the toenails of your baby’s feet,
said to injure petals among tall, lusting slopes,
hope you will die as a blonde woman,
and dye, daffodil, goodbye.
Arcassin B Oct 2016
By Arcassin Burnham


Seeing things in my past behind me, Know you couldn't
Find me,
haven't slept good for many days due to finding timing,
It's never perfect , it's never worth it just to get in trouble,
I stay inside and I humble myself in the matrix struggle,
Until I see , external life then I'll remain distant,
Inside a game , I know I'm not playing to feel his presence,
It's not okay , the eagles will fly but the vultures listen,
I spoke too soon , the flowers still bloom in this perfect sentence,
Numb my Body Lord , numb my Body.

/

Beauty in so many words......
To say,
Life that can be expressed without meaning,
But Has to pay,
Cant stay up for the rest your life wondering when something will come ,
You gotta get even with life,
it can't be any more unusual that life treats you
So unfair when there are 5 thousand other people
with the same problem,
See! You never get any sleep when
You talk to yourself,
Drying out the wounds of a broken past,
And killing yourself ,
Look what you've become......
Your years of being unforsaken has been passed,
Please leave me as a boy and let me die a man.

/

A child's laughter spreading love
And joy,
This wicked world likes to play us
Like used toys,
All the little girls and boys see the new days of this
Pollution,
Don't like institutions,
What was your resolution?
Everybody wants to have the jewels and the
Money but not stable to put in work,
When times get rough and you feel you have to
End it, you gotta know your worth,

Your heart lays sick in the birth of a flower blooming
Life into all of the people that feel weary in the mist Of
Being born into a wicked twisted world run by people
That don't really give a care about the less fortunate
That struggle for the simple things,
What will this bring?
Lead me through a dream filled with roses and chaos.
©ABPoetry2016
http://arcassin.blogspot.com/2016/10/chloroform-novacaine-pass-due-lead-me.html
Edna Sweetlove Dec 2014
Edna's Special Recipes No. 4:

"Le pit bull à la français"

By Edna

At this festive time of year, why be boring and choose a turkey? Especially since the poor creatures have been reared intensively, overfed and fattened artificially, kept in a cage or in a filthy shed, never having seen the sunshine.

So Edna says: offer your family something rather different this Christmas, something a little unusual.  Had you ever considered an American Pit Bull Terrier?  A Pittie may not be the first thing which springs to mind for Christmas dinner and I admit there are some drawbacks: they are difficult to get hold of: neighbours' pets are a dangerous option and modern intensive Pittie-farming methods don't work as the brutes are far too savage for most farmhands; also they have relatively little meat on them, being mainly muscle and hatred. However, these negatives are offset by the joy any fun-loving chef will gain from killing the ******* and you, as hostess, will bask in the happiness of your family as they contemplate what they are about to receive.

First, it is important only to use a FRESHLY killed mutt as Pit Bulls do not freeze well (they struggle and bark for what seems ages once shoved into the freezer) and the pre-packed, pre-gutted ones you will find in your local supermarket are likely to have been battery-reared and force-fed in order to put a bit of extra flesh on. Believe me, nothing quite matches the texture of a freshly killed Pittie. And of course, you get the head as a bonus for your pet cats to play with.

A stranger's pet is my own preferred animal as a neighbour might see you skulking round their back garden with a pick axe and twig what you were up to. So, off you go in the car and seek out your dinner. Once you have found a suitable four-legged meal, follow the owner home, wait for the right moment and then get the chloroform pads in action. One for the owner and one for the dog. Pop the zonked-out mutt into the strong black canvas bag you brought with you, shove it into the back of the car and off you go!

So now you've got your hound: what's the best way to **** it?  We gourmets have argued over this for years: decapitation, drowning, hanging, electrocution or beating to death with a sledgehammer? My own favourite method is to drop the drugged brute into a large tin bathtub of warm water and then add the 240v power cable. The expression on the dog's face when the volts kick in is fabulous but you need to be careful in case it leaps out of the bath and goes for your jugular. Hanging from a high tree, accompanied by extensive tenderizing with a baseball bat is a safer but equally enjoyable option. Two further benefits are that hanging is not so messy as the drowning/electrocution route and the whole family can watch a hanging in safety instead of having to risk the dog leaping out of the tub.

Once you are sure the dog is dead (about five minutes after it's stopped kicking and moaning), take it down and cut the head off with a cleaver.  Carefully remove the ears for use as decoration. If you have no cats to give the skull to, shove it on the top of your Christmas tree to provide a family talking point.

Next, skin the dog and discard, bearing in mind that it would be unwise to leave the telltale evidence for the binmen. My flaying advice is to use a sharp knife starting at the **** and working my way up to the neck. Be sure to remove all the ****** parts, as these do NOT taste good. It's nice to roast a Pittie whole, but few people have an oven big enough (unless you scored for a puppy that is). So, carefully cut up the cadaver into two or three separate joints. The following recipe is suitable for a nice shoulder or leg.

Rub all over with freshly ground sea salt and black pepper; make a series of deep incisions in the flesh at two-inch intervals and carefully insert slivers of fresh garlic. Place in your largest Le Creuset ***, with two pints of Evian water, a half-bottle of a full-bodied red wine, half a dozen French oignons and bring to the boil. Then reduce the heat and simmer for two to three hours, depending on weight. Be sure to check every 20 minutes that the liquid hasn't boiled away! Add extra wine and olive oil as necessary. Once the meat is tender, your dog is ready!

Serve your Pit Bull with mashed potatoes and a nice salad. I find a fruity Beaujolais drinks very well with stewed Pittie à la français but my paddy friends swear by Guinness. Whatever your tipple, enjoy our meal! And think: because of your caring approach to Christmas, one more turkey will live to see New Year and the world is rid of another Pit Bull horror.
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
MV Blake Apr 2015
Banality reins supreme

In our children’s dreams.

What do you expect

When principles defect

And brand names

Mark the scene,

When rock stars sell their souls

To executives in suits,

Make perfumes

From their dance room sweat

And wear expensive boots,

Then slap their name

On random ****

And sell how nice and cute

Their clothes look on baby girls

They know we can’t refute.

As if they write their music,

Or pen their awful hits,

******* souls for millions;

Tear integrity to bits.

When art is lost for money,

And the formula is the norm,

When thousands gyrate madly

To aural chloroform,

When children posture wildly

In photos with no shame

And send them to their idols

Who don’t care to carry blame,

When all we know is taken,

Corrupted and perverse,

And all our keen philanthropy

Is squeezed into a hearse,

When there’s nothing left

But adverts on our doors,

And mindless dancing robots

Falling to the floor,

Then we might just notice

How much we had to lose

When we turned our children loose

To tie up their own noose.

No matter how steep the cost,

There’s always room to climb

As soul-less music moguls

Wrangle for a dime.
Carlo C Gomez Aug 2022
~
I work in the clouds
Building a world out of hype
I could be a beekeeper
A prison guard
Reverse pop idol
Extinguishers, all

Hackers ferry contemporaries
Around the diseased city
Merchants of transference
Polymorphing
Paths and angles
Pieces of eight

They could be brutal war fantasies
White noise translations of the snow
Cathedral nights in the deli
Ghost recordings from an opera house
Each with its own price tag

All the pretty girls
Thick with mascara
Go to plasticity
Drink chloroform
100 aspects of subterranea
So long as they come home
With a credit problem

Money devotion
It's what transferred us
Into numbered silhouettes
Slavishly pouring our blood into the sea

~
Ray Oct 2015
So, lie with me, sweet lover,
again under the present sense of love.
Wrap your soul around me
like a creeping vine
climbing for
life.

Smooth me over as one
would when laying cement;
solidify me in you before
I'm drained, washed
by the rains
to the
sea.

Encompass me with your
presence like light departed.
Hold on to me tight,
lest I wholly
abdicate
as yours.

We connect, chest to chest,
legs intertwined like the same
life seeking vines,
but, alas, when
all is through,
I lie still,
bereft.

When the last gasps escape
our lips, when our pounding hearts
repose, when you hold me
and impart how much
you love me, until
I drift into my
dreams,
I feel nothing.
C S Cizek May 2014
Dizzied by a porch swing's varnish Chloroform,
I shared a silver hook with a knotted rope
snake for stability. Although my finger
constricted the viper against the cold metal,
it did not hiss or spit psychedelic venom.
I braced my bare foot against the truck's
wheel cover around a twisted corner
by an empty church, tolling
my heartbeat. Cardboard acted
as the bed liner, I played the liability
if the swing should slide past the flush tailgate
and take me along with it. If it did,
shifting gravel guitar solos and cherry pie blood
would swing my pain away.
Roberta Day Mar 2012
What is this hold upon me?
It constricts and stifles every thought that appears,
with a chloroform rag drenched in discontent
Mild perfectionism, if such a thing, and procrastination leave me
frequently wondering where the time went

The questions I ask myself repeatedly
never receive answers with credibility
A rhythm with no rhyme; a melody in offset time
A misty meaning behind glossy eyes
that I’ve tied together with endless lines
of verbose attempts to explain my mind

No feeling is palpable, no imagery fabricated
Only an idea of what could be,
of what I cannot grasp,
and what I cannot convey

So I’m left with this clouded mind
jostled by ambivalence
(this word ceases to elude me)
on a maladjusted playground,
teetering and tottering on the fine edge
of sanity in this bleak reality
Holly Salvatore Jul 2013
Lulu pulls me down the
Sidewalks, keeping me
Dangling a leash length away
She's in training for the
Iditarod and she's
Breathing hard with her valentine tongue
Lolling about
Across the street she
Spots a squirrel and
Climbing the tree after it
She bends the trunk
Arched like a trebuchet
"Should I?" she
Asks me with her chloroform
Eyes "sure, " I say
"Why not give the neighborhood
A new sport,"
Lulu's snowshoes flex and
Let go and
Before we know it
The whole district is
Placing bets on how far the
Coconuts will coast
Before falling back to earth
In flames like
Vacation-scented rockets
Look at me! Bending reality! No hands!
Noname Jun 2013
With Sweet words that capture my essence
I'll believe in you within your presence
clouds fill the depths of my mind
Best regaurds to the fact that im now blind
But I don't care, not right now
Surely I'll be regretful tomorrow?
Just hold me till it's too late if you're willing
Say the tings that make me smile
Even if its for a short while
Make me forget that this was a mistake
Let me think that its me that you want
Just me
Forgive me, i'm in to deep
Though i've tried treading in shallow waters
You've sadly almost caught me, was it easy?
I struggle to get loose
Your grip intoxicating
Breath like chloroform
Those soft touches burn, please don't stop
my insides crawl with amusement and fear captivates my soul
Though I know nothing good lasts an eternity
I cling to this moment ; never letting it fade
Forever burned into the side of my brain
When you kissed me with velevet
Mikaila Nov 2018
I know weariness.
I can see it at the edges of me, always
Waiting to seep back in like
Chloroform for the soul.
I’m young
And passionate
But I am not stupid.
I know it will return.
I know my days are numbered
And that when my time here is up
I will have to make the exhausting choice again
To go on
Purposelessly
To continue
In a gray, flat world
And blindly wait for something to spark interest in me once more.
It is not faith that keeps me alive in those times.
It is not love.
It is not a feeling, at all-
It is a dull, stolid persistence,
An instinct from an older time
That I am simply too tired to fight against.
I crawl forward,
Blank.
I am
A machine which has run this long
And continues on with no driver and no destination
And will
Until such time as the fuel runs out.
It is not a youthful thing to know
So intimately.
That gray quiet has touched me in places no lover ever will.
It has permeated my very flesh.
It lives in me like smoke,
Always,
And it will,
Always-
The knowledge that the one thing to which I will constantly return
Is that bland, cold, mechanical existence.
I tend myself
During those times
And I feel like a farmer who has planted
Stones in the ground
Foolishly watering and weeding,
But I
Do it anyway
A habit that won’t break.
I survive
And I am too weary even to search for a reason
And that, I suppose, is a blessing
Because I would not find one if I did.
I go on, always,
And in the mirror during those times
I see the blue-white blindness of the eyes of an old dog
Who has felt the steel tipped toes of too many boots
To care if one more swings at his ribs-
He is too tired to move from his spot on the porch
And would rather endure the pain than endure the
Fear.
I am like him, and I remain like him
Even when I am full of joy
(I am full of joy in that surprised, flinching way
In the way of something that has been around too long
Not to know that eventually
Something has to give.)
You call me young.
Everybody does, here.
And I suppose they should-
They have never seen that in me.
I hide it well, even when it swallows me
And anyhow they’ve only seen me in love,
The full and complete opposite.
They see my thankfulness
For a reprieve
And mistake it for energy,
Mistake it, even, for innocence
When really it is the stark, clear memory
Of months and years of colorlessness
Of waiting around for something inside to grow
When there are never any seeds nor any sunlight
Of deciding every day to go on,
Even when there is no reason.
It is far away now, that feeling
That awful cold emptiness.
It has rushed from me like the tide receding
And while it’s gone,
I’m not wasting a second
Not me.
I’ll look stupid,
I’ll look naive,
I’ll look reckless,
But I’ll swallow my pride
And open myself to every feeling that comes my way:

To be anything less than as passionate as I can would be the deepest blasphemy
When I have known hell
Not as torment but as blankness
And will
Again.
Joanna Oz May 2015
projection of disemboweled guts oozing blood
dripping entrails onto starched white linens
hung in pristine precision, poisoned into submission
my demonic parole officer has come out to play
from the dungeon of hell's seventh circle
i swallowed a hive of maggots with my lunch today
forked serpent tongue slurping slime and slugs
unholy satisfaction from magicking fantasy into
ghoulish, gory realities and ******* tears from deserted lungs
the lion's dinner watches his stomach being eaten
dull but forceful rock formations cracking and crunching
disembodied hallucinations, presupposing predilection
i am the grim reaper's prom date, predisposition
gussied up in cobweb tulle and glittering larvae
with a chloroform corsage, what generous perfume
the skeletal dance floor creaks under my spinning,
groaning of lives sped through on tranquilizers
dancing a tango with Death, i smirk in dizzy abandon
the band is beating their bones to chalky pulp
music made from desperate self-destruction
projectile ***** onto my pedestaled ideas
chunks of last week's insights stink the room
the bile which processed them to rejection
is sticking dripping off the untethered chandelier
i watch them both fall towards me
first, in slow-motion glimmering
and then,
all at once,
i am below them
and we are below the skeleton floor
in the cellar of the scorpion's dungeon
that i escaped from this eery morn
Behold me waiting--waiting for the knife.
A little while, and at a leap I storm
The thick, sweet mystery of chloroform,
The drunken dark, the little death-in-life.
The gods are good to me:  I have no wife,
No innocent child, to think of as I near
The fateful minute; nothing all-too dear
Unmans me for my bout of passive strife.
Yet am I tremulous and a trifle sick,
And, face to face with chance, I shrink a little:
My hopes are strong, my will is something weak.
Here comes the basket?  Thank you.  I am ready.
But, gentlemen my porters, life is brittle:
You carry Caesar and his fortunes--steady!
Kagami Nov 2013
Two. Two things that I keep forgetting, they are robbed
Out of my bank vault.
It is full of chlorine, my body reeks of it,
Taste the beautiful chemicals that are my mind.
My history.
The organization is horrible, no constellations made in my skies because
The sun is always out, masking stars and burning holes in my sockets.
I need to fix this.
Pull the beaded string dangling in this dismal room, cement walls crumbling as I dig myself
Out of this well, bricks are chucked down by laughing children.

They don't know that my ghost resides here.

I live in this dark room, where the sun never shines through the heavy velvet curtains.
Paper butterflies catching the heat from candles, singed at the edges, blue turning black,
Bruises deep, ****** knuckles wiped on your dress. Silk ruined, intimate apparel
Discarded by blood. Burn the evidence, escape the nightmare and awaken from this
Sea of chloroform.
You've been sleeping all of these years; the war, you know which one, is still being
Fought, redcoats stained with more.
That was long ago. Just sit and listen to the lecture of stories that we will never
Need to know, take notes in a screen that the pencil will scratch.
Scratches tangle, knot in my hair, so I cut it off.
Collections on the floor. Sweep the water out of the room because the flood has passed.
The house is not worth saving now.
Demolish it, destroy the silence that resonates with shadow.
Bring as one the silly waves that crash on your shores.
Correct what was always wrong.
Nikola Kaberline Jun 2014
They hang limply from the walls as
Old friend DECAY settles
Suburbia Mexicana neons and
Obscene jabs in raspberry
Demonizing the scalp of an 18th cake
The lipstick is not dark enough to
Carry a meaning here

No scent lingers as the calendar turns
Another year burnt to death as
We move further away from coincidence
And desperately memorize the lines of a
Modern work, every brushstroke an intellectual
Marvel so if we stare enough it will enfold on
Itself to glass

Guten morgen, Herr Schicksal!
Would you be so kind as to
Dissolve the peppermint stench
And leave the shower on?
I may see a reflection through the
Steam and like it more than yours
I never much liked chloroform or
Frosted roses

Settle on with
Delusions of Poland
And lazy eye tangos
With naked melodies re-vamped
By a 21st century greaser
Please don’t leave
Hail to Canon, brute of mine!
Guss Feb 2014
Calico drones line fences and gates
resurrected from old motherboards.
Iron and silicone in contrast with
the decrypted analog sound bites
made from mothers tears.
The lucky village idiots
smoke chloroform cigarettes.
And they all miss the carnage.
The unlucky idiots smoked anything
they could get their grubby lips on.
To be wakeful in the womb of schism
seems far more terrifying than parachuting.
But jump away little one,
for fear will make you mad
or it will make you stronger.
I had to take it down for a second to see if it would erase from google search. but it wont.
Helen Sep 2013
I light the gas
put on the kettle
You like tea, don't you?
I'm a coffe person actually
But you like tea
and I'm hopelessly lost
I'm grabbing things
from the refrigerator
left right and centre
What do you eat for breakfast?
I'm inhaling memories
drinking sensation
dining on your touch
not remembering much
Your form of sensual chloroform
is sensational
The kettles boiled
the cups are still empty
your touch on my lower back
is heavenly
I'm not sure
I'm where I need to be
the kitchen you say?
*Shall we?
Paul Glottaman Jan 2010
With ease, with grace you slithered
into my air.
You breathed your chloroform,
noxious and stale
through the uneasy silence of this tiresome song.
The very word of your presence
chill and forgotten.
Quomodo Ego diligo vos.

The sheets are so cold,
I reach to feel you there.
Books and papers,
a cigarette case,
some silly stuffed **** thing,
left over one night.

Pulling pieces from a mason jar,
words and phrases.
The missive unclear.
Stashed away, here it can harm no one.
The letters familiar in hand.
Irgendwie Ich Liebe Sie , einmal nun jetzt

Oh that elegant flow.
The loops of a madman,
crazed and alone.
You taught him so many heartbeats.
Your long prattling song.

The painting rests by the end.
Short fevered work,
on one of the seldom afternoons alone.
I recall white walls,
toast with strawberry jam.
Loud, obnoxious music.
Brushes in water sticking out of an old can.

Who but I would remember?
Quomodo Ego diligo vos.
Now, perhaps more than ever.
Irgendwie Ich Liebe Sie , einmal nun jetzt


I feel you, wrapped in my skin.
A guest in my most earthly of homes.
Do you know how you intrude?
Even now, as the din has died down,
The curtains have closed.

A pen and the car keys,
insignificant things with no night table on which to rest.
Here, next to me have found a home.
Once there was you,
vile and lovely
warm on that side,
now abandoned.
Forgotten and cold.
Aborted as always.
Irgendwie Ich Liebe Sie , einmal nun jetzt
Nick Kroger May 2014
Panic set in as he woke up naked on the table.
He looked down his slender leg
to find a stump of yellow and green projections.
His stump was sewn together like a Christmas ham.
Chloroform callbacks reeled into his mind.
Naked, he felt as though a free man.
Here on this table in the dying days
Lay the last breaths of hope in humanity.

— The End —