Hello Poetry
Submit your work and get some sparkles! Create free account
"autobiographies" poems
as an astronaut, I spun on a rotary around the core of your existence like you were the gravity that held me to the ground but kept me on my toes if home is where the heart is, i'm coping with this unbearable homesickness and I know my heart has an anarchy government, living a steel toed rebellion but these relentless thoughts about you have gotten bad again, i don't sleep my reckless behavior let loose, like a dog off his chain and collar and i revisited the places you always talked about, how i dreamed to be there with you recovering those lost feelings, and rebellion was assisting me in the mind of my teenage angst, no autobiographies could be more authentic than the hatred for this unrequited swelling i held in my heart without a doubt, you're featured in my dreams more than nightmares you couldn't be more real than the books that I hold in my hands i'm sleeping in water filled with sharks calling me a tedious terrorist entering their territory, leaving me with absolutely nothing just build a bridge, get over it, if you have to, revisit my mind maybe you'll see everyone is the enemy, not everyone is perfect -kra
0
Nov 11, 2013
Nov 11, 2013 at 10:16 PM UTC
re- prefixes
No men. But when the conversation starts, they dominate. Worm their way into every sentence, every silence. Every caught breath, exhaled pause. Names, nice-to-meet-yous, passed round with sandwiches and tea. Hole-riddled autobiographies, wadded out with circumstance and need. Explaining themselves, defending their actions. In turn. And I? Have never felt so young. To my left, and working clockwise: Affair-with-the-boss, Heart-condition, High-risk-of-genetic-defects, In-the-middle-of-a-divorce-not-sure-why-she-slept-with-him, Grown-up-children-can’t-bear-to-go-through-that-again, and back to me. (Boyfriend-has-two-kids-wants-no-more) He noticed that I’m pregnant. Was pregnant. Was. We chew our way through sandwiches. Different coloured fillings, no flavour- choked down with lukewarm tea. We know it’s a test. We have to talk, smile, eat, drink, laugh (not manically) if we're to go home. I can’t do it. I want to cry. But I’ve been told off for that already (curled up on a trolley, examining bloodied fingers) I drift, I think. Jump out of my skin when she speaks to me. "You must eat" she says. "You must eat." I search for myself in their eyes, re-make myself from fragments and reflections I find there (Four parts child, one part b-tch) "It’s OK" I tell her, "It’s OK. On my way home I’ll get a Happy Meal. I’m collecting the toys."
0
Jan 7, 2012
Jan 7, 2012 at 4:11 PM UTC
afternoon tea
In Waterstones Sighing at the bestsellers opaque at the corner of my right eye two ladies late in life are centre stage amid the table paperbacks. “Are you following me?” the taller bellows brimmed headscarf towering over her NHS bespectacled sister of afternoons and shopping mornings continuing a conversation that has obviously followed them their entire friendship seeming the matriarch of the pair, she is circumspect in her contrariness. Whatever entitles her to this Guardianship of self-importance Her being a lighthouse rising above the mists condensing off beaten shards of rock is subdued by her companions’ pithy response “no-you know I have no interest in Autobiographies.”
0
Jan 9, 2019
Jan 9, 2019 at 7:18 AM UTC
Acting Up
I mourn not for the silent voices whom hide behind practiced smiles, but rather for the weeping authors of anonymous autobiographies where pages smudge and smear by worn, overused erasers.
0
Apr 7, 2016
Apr 7, 2016 at 1:40 AM UTC
"I Mourn Not For The Silent Voice"
you write poems about lost love, broken hearts, and failed redemption. you write tragedies about lonely nights, crying minds, and bleeding gashes of regret. you write monologues about voiceless mouths, venomous words, and inevitable decay. you write autobiographies about faded dreams, unheard whispers, and vanishing memories. you write about what once was. and i do, too. *though i doubt your poems are about me like mine are about you.* (a.m.)
0
Jul 21, 2014
Jul 21, 2014 at 10:59 PM UTC
parallels
Sometimes I fear I have become too good at being alone. I basque in the hours spent locked by my lonesome in the confines of my apartment, surrounded by nothing but brick and cement and the sounds of the television or my iPod speaker. Tranquility seeping in through my isolation, I yearn for the moments I am privileged to spend without the duty to perpetuate conversations or offer advice to someone I consider merely an acquaintance. Sometimes I worry I am too comfortable with solitude. I get a thrill off of being needed without needing, being sought out without seeking. I let others let me in without having to give a shred of myself in return, for people love to go on about themselves without inquiring about the person to whom they narrate their autobiographies. Sometimes I am scared of the ease with which I can let someone go. So often have people come and gone that now I comprehend, perhaps too deeply, that nothing in life is guaranteed and most people are meant to be lessons rather than permanent. There was a time where I wept with sordid frequency for the people I was forced relinquish, clinging tightly to the empty void, wallowing in a glass half full of skewed memories. Sometimes I am terrified that I only really know how to be alone. It is almost impossible for me to recall a love not unrequited. I stare up at screens and strangers all screaming that love exists, and there I am fighting insane laughter because I just can't see it, as if my eyes have become colorblind, for it is black and white that all I've ever had is gray. Sometimes I am afraid that this is Always how it will be.
0
Mar 6, 2015
Mar 6, 2015 at 12:40 AM UTC
Eyesolation
Sometimes I fear I have become too good at being alone. I basque in the hours spent locked by my lonesome in the confines of my apartment, surrounded by nothing but brick and cement and the sounds of the television or my iPod speaker. Tranquility seeping in through my isolation, I yearn for the moments I am privileged to spend without the duty to perpetuate conversations or offer advice to someone I consider merely an acquaintance. Sometimes I worry I am too comfortable with solitude. I get a thrill off of being needed without needing, being sought out without seeking. I let others let me in without having to give a shred of myself in return, for people love to go on about themselves without inquiring about the person to whom they narrate their autobiographies. Sometimes I am scared of the ease with which I can let someone go. So often have people come and gone that now I comprehend, perhaps too deeply, that nothing in life is guaranteed and most people are meant to be lessons rather than permanent. There was a time where I wept with sordid frequency for the people I was forced relinquish, clinging tightly to the empty void, wallowing in a glass half full of skewed memories. Sometimes I am terrified that I only really know how to be alone. It is almost impossible for me to recall a love not unrequited. I stare up at screens and strangers all screaming that love exists, and there I am fighting insane laughter because I just can't see it, as if my eyes have become colorblind, for it is black and white that all I've ever had is gray. Sometimes I am afraid that this is Always how it will be.
Continue reading...
66
Every book has one, The evidence--printed on its spine. Even so, it attempts to move around the library, Unable to, for it has no legs to stand on. Claiming false categorization, Longing to be shelved alongside memoirs, autobiographies. Mutating entirely to a chapter of loathing When separated from its One.
0
Aug 15, 2011
Aug 15, 2011 at 7:33 PM UTC
Anonymous.
I find myself reading more and more Autobiographies In a desperate attempt to find Someone who feels the same pain as I do.
0
May 3, 2015
May 3, 2015 at 3:12 PM UTC
5/3/15
Startling set of subtleties laced between the shadows of common things The shred of darling darkness you've disgraced by denying it the light Admire the simple songs, ignore the undertones hiding between the notes Versing the sunrise, ignoring the dewy tears in Apollo's eyes A masterpiece can't be complete without the sum of invisible brush strokes Secondary shadows playing with our perceptions, slip through the seams They are quietly quintessential, unnoticeably indispensable Writing anonymous autographs in photographs & autobiographies in poetry
0
Oct 17, 2017
Oct 17, 2017 at 5:28 AM UTC
Subtleties
in england the maxim is said to be: i pathologize, therefore i am (pathological) - hence i write intellectual comedy, satire, yet still utilise canned laughter when necessary, i never understood humour as not so much what's said, but how body language primarily eases out the longest, simplest of laughters - i am the one who decided comedy had to be intelligent, and tragedy apathetic, because i didn't think, i simply pathologized: look at my grand psychiatric rainbow of an array of names to look at a shadow of the hand move behind a candle-flame! even a mongol horde could not invade england carrying thought as the explorer, the intention for pause. cheeks raised do not give straight rivers of tears flowing down through to the periphery of the face via jaw through to the neck, and indeed when not acting, both curvatures of mouth and eyes are the same down-turned, such parabolas of union, the third eye like an opening of an oyster soft pouched thought of the lowest union, neither intellectual union nor heartfelt union - but as oyster shell to that pseudo-muscle of the enclosed pearl; tears flow with curvatures of raised cheeks half ellipse river shapes - till the salty cool of the content heats up the skin - indeed the powerful avatars of asia who enrich the gods, and the begging actors of the western world who would be but beggars had they not the chance to thieve from their fellow men and live out a shortening of autobiographies, or perhaps simply weave a myth from history - deity actors (avatars) are hardly what has become understood as twin-human actors - so to enrich an eternity for the passing memory readied with body to be given a grave and forgetting - long ago the body was engaged and was allowed to be given the womb of inscription, yet a ghost of that body remained as a second life for the lives of others, a memory, until that memory be buried no furtherance of life equipped with imagining otherwise can be staged for the re cycling of an ordained body to enter and inscribe a rekindling of the memory for the camp fire of talk, hence the extinction of memory in almost each man with the widespread talk of dementia: seek fame in mythology rather than like a **** attracting the swarm of flies that the paparazzi are.
0
Mar 9, 2016
Mar 9, 2016 at 6:29 PM UTC
suddenly everything you thought becomes pathological
in england the maxim is said to be: i pathologize, therefore i am (pathological) - hence i write intellectual comedy, satire, yet still utilise canned laughter when necessary, i never understood humour as not so much what's said, but how body language primarily eases out the longest, simplest of laughters - i am the one who decided comedy had to be intelligent, and tragedy apathetic, because i didn't think, i simply pathologized: look at my grand psychiatric rainbow of an array of names to look at a shadow of the hand move behind a candle-flame! even a mongol horde could not invade england carrying thought as the explorer, the intention for pause. cheeks raised do not give straight rivers of tears flowing down through to the periphery of the face via jaw through to the neck, and indeed when not acting, both curvatures of mouth and eyes are the same down-turned, such parabolas of union, the third eye like an opening of an oyster soft pouched thought of the lowest union, neither intellectual union nor heartfelt union - but as oyster shell to that pseudo-muscle of the enclosed pearl; tears flow with curvatures of raised cheeks half ellipse river shapes - till the salty cool of the content heats up the skin - indeed the powerful avatars of asia who enrich the gods, and the begging actors of the western world who would be but beggars had they not the chance to thieve from their fellow men and live out a shortening of autobiographies, or perhaps simply weave a myth from history - deity actors (avatars) are hardly what has become understood as twin-human actors - so to enrich an eternity for the passing memory readied with body to be given a grave and forgetting - long ago the body was engaged and was allowed to be given the womb of inscription, yet a ghost of that body remained as a second life for the lives of others, a memory, until that memory be buried no furtherance of life equipped with imagining otherwise can be staged for the re cycling of an ordained body to enter and inscribe a rekindling of the memory for the camp fire of talk, hence the extinction of memory in almost each man with the widespread talk of dementia: seek fame in mythology rather than like a **** attracting the swarm of flies that the paparazzi are.
Continue reading...
37
Autobiographies and 1 hour specials give me so much insight to life when watching people I admire. I've always felt that I had pretty good morals...thanks mom, grandma, and grandpa... but still I'm learning so much. Revising the character in this storybook, because I'm still uncomfortable with the conductor. Just watched a segment on one of the most humble human beings to ever grace this planet, and it nearly brought me to tears. I'm very thankful for this life, because at any moment, as long as we're here, we can change. Sometimes retrospect is the best reality check, but be grateful. Constantly remind yourself who you are, and what it is that you really want to be. Remember to be patient, because any of the following moments could be yours. And lastly, try not to be so quick to pass judgement on those that surround you, because if love is the real connection...despite interpretations, they only wish you well. One love.
0
Dec 5, 2012
Dec 5, 2012 at 9:19 PM UTC
Nearly breaking down helped me build. (never too old to learn)
Calm these rabbits around the spirals the *** is still in my wind pipe and the morning will be late till spring. Screeching lightbulbs rewind impatience ------The naked nuisance is scrubbing into your nebula. Hands that helped us into the pit Beware them again Popping trophies and other autobiographies coil into soda cans like strange theories. objects objects everywhere you go faster. slower. pause. revival. tow. exhaust.
0
Feb 20, 2013
Feb 20, 2013 at 1:07 AM UTC
Bird-eating pleasures
I've grown wary of time; its immutable intervals of incessant hours. The warmth of now, the grey of then. Is now not just an analysis of when this happened and that was felt? Scars, of mind and flesh, act as bookmarks in secret autobiographies. Was it even dark then? Will the present etch in me a reference point; a bench to sit and reminisce. Or will this all be lost from the narrative; omitted casually from the now of days to come.
0
Nov 28, 2014
Nov 28, 2014 at 7:03 AM UTC
-Now and Then-
i can still look into the velvet depths of the night, whether in forest or perched on a windowsill grazing my eyes into the night, and still see nothing except myself; or you should see me walking down for a refill of ice-cubes listening to ***** & the maytals'* 54-46 that's my number - i know whitey boy albino given an injection of rhythm, well at least you were given a creative outlet under the stiff-upper lips of the redcoats, the jews weren't even told to build the pyramids under ****** you gave us the blues, jazz, and pirate reggae, what could the ******* jews offer us to compensate the atrocities? **** all apart from memorable guilt and autobiographies! oh yeah, and german industrial music, what fun! ha ha... robo- -boy with alias Kraftwerk. in my long gone list of artists i forgot to mention Alpha Blondy & Barrington Levy - high fidelity poetry by someone not called nick hornby.
0
May 17, 2016
May 17, 2016 at 7:21 PM UTC
54-46
and how they sound eerily similar when broken and I never really figured out why people think time apart could in any way heal things that can only ever be overcome together distance is not a remedy for brokenness I know this because for weeks I did not hold your hand or kiss your lips or hear your voice or feel your warmth and for weeks I tried to convince myself that happiness was universal and did not only soley exist in the folds of your arms and the spaces between your fingers I have spent far too many nights revisiting old photographs and looking at them as if they were sheet music beautiful and misunderstood and now I look at maps like autobiographies because I would always be searching for some distant place to call home I always just assumed it would be among your heart and between your bones
0
May 20, 2014
May 20, 2014 at 11:05 PM UTC
don't romanticize fractured glass and aching hearts
You may see something in me That's captivated your heart, But don't attempt to mold me Into something you're desiring I'm not I don't long for a sculptor Instead, a friend I can trust I'm complete on my own And believe in Love unrushed I'm unabashedly me Proud of the stories I've lived For I molded myself through heartache and laughter And the love I continually give I won't judge your honesty I'm magnetized by authenticity Our pasts shape our present Autobiographies lacking simplicity So, tell me your story I'll stay awake with the stars Share what has shaped your heart Individual pasts may form a shared future that's ours © JL Smith
0
Jul 29, 2018
Jul 29, 2018 at 1:53 PM UTC
A Future That's Ours
Let my self esteem not be governed by how many of my memories you can recognize, Let loose these bonds of achievements, these stocks of degrees, names you call me that don't represent me and my soul, we don't quite agree with that. We are the free spirits We are them who you don't remember Don't know, don't care, We are not recorded in autobiographies Nor looked up to as models of inspiration, we Are not known. And they can never capture, What they don't know, they Can never judge, What they don't understand, We are the outsiders.
0
Dec 12, 2016
Dec 12, 2016 at 4:05 PM UTC
Note to Self
Silence roars. Your tongue races autobiographies in minutes. Spitting syllables of stress until a downpour falls across the kitchen counter and streams to the floor. I sit there. Silent. I find release in touch. A squeeze of the hand. Arms wrapped around a waist. Yet this is not acceptable. I cannot speak, but you urge me so. Forced sentences mean nothing. I don't want the world that accompanies us to know my secrets, So you wonder why I'm so down. As if gravity hasn't thrown me off a cliff promising to catch me from my death yet changed its mind at the last minute. So you keep quiet.
0
Dec 2, 2014
Dec 2, 2014 at 10:07 AM UTC
Greetings
Are like books. Some are autobiographies... ... some pure fiction! 10W Soul Survivor
0
Mar 25, 2014
Mar 25, 2014 at 12:43 PM UTC
Memories
now i'm going to to finish a bottle of 70cl whiskey, catch a mosquito in the bathroom while taking a **** trying to feed it to that ****** reptile in furry disguise (cats, of all felines have   reptilian pupils - slits instead of spheres) - who'll disagree and i'll feed him the usual crunchy snacks, when i'll go downstairs and eat a packet of sushi -                 then i'll go to sleep; if this isn't an autobiographic millimetre, when compared to all other, previous autobiographies, then i don't know what is: meaning? as life in the moment, and written about, but not as life lived to a moment equated with scholastic precision listed according to: the speed of light, pi, gravity... sure, those facts are important, and i'd love to write an autobiography that's merely a postscript to these facts... but i've written mine according to what's also universal and equipped with the stated scholastic facts: now; or being oblivious to the power of images... writing a word softens the blow where an image would otherwise be equal to a k.o.
0
Sep 15, 2016
Sep 15, 2016 at 9:51 PM UTC
autobiographic millimetre