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if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah
Brianna Sep 2014
Tell me about your lavender eyes and your vanilla hair.
Tell me about you sandalwood smile and coal black stare.
How does the rain wash away your hatred for other so easily?
But the soft breeze in the summer fuels your fire?

Tell me about your wandering mind and your benevolent heart.
Tell me about your gypsy spirit and harnessed passion.
How does the ocean calm sadness so easily?
But the autumn smell makes you cry in the night?

Can you tell me why it's so easy to fall for you but so hard to make you stay?
Courier Pigeon Feb 2012
White spots on the bathroom floor
Remind me of you
They make me feel empty
Like a glass without water
Like the remnants of a burned out fire

I remember it so vividly
The cold city air smelled of metal foundry
And cut like a razor through my sweater
I thought it would never get better
Until you wrapped your arms around me
(remember how I kicked you in the shin?)
You found me
A broken little girl
Alone in a big scary world


Running the dark, damp streets
We never thought twice
Never planned for a future
No need
We weren't going to live that long
I was weak and you were strong
But now you're gone
And all that's left
Is a box of matches and an empty desk
And me
A lonely insomniac

Vanilla and sandalwood incense
Remind me of you
Of the only home I've ever had
A haven in the whirlwind of my youth

Goodnight Red Balloon
skyblueandblack Jan 2015
Outside,
the snow is serenely falling
its illuminated resplendence
vying with that of the full moon
suspended in the silent night sky.

Inside,
it is just as silent
the only sounds the occasional spark and crackle
of the logs in the fireplace.
And two hearts harmoniously beating.
Wisps of smoke coyly rise from the sandalwood incense
gracefully whirling in the air like dervishes,
the room redolent with the fragrance of serenity

As I repose on the couch,
your head upon my lap,
you hold one hand against your rhythmically beating heart;
while with the other
I absently play with your hair.

There are no thoughts,
only heart thinking.
There is no speech,
only heart speaking.
There are no words,
only heart spilling.
~
You slowly rise from my lap and look through my eyes
and into my soul.
When I come to speak,
you gently place a loving finger against my lips,
whispering
“shhh“

Time revolves all around us,
yet within us — stillness;
the silence palpable.
Our souls become one
with the other,
with the tranquility of the night,
with the gently falling snow.

Our breathing falls in sync to a rhythm known only to the cosmos.
At the end of our inhales,
there you are.
there I am.

And then you speak..
three words..
Three words that contain the universe within them:
“This is bliss“
http://skyblueandblack.com/2014/03/21/inaudible-seduction/
I am the eclectic witch
There are no gods to tell me how to live
But the wind howls my fate
Where the rain falls I will dance
Because I prefer sandalwood to perfume
I am the eclectic witch I have no coven
Only the flora and fauna
And the tip of a blade
Where grass grows I will prance
Because I prefer metaphysics to religion
Sara L Russell Sep 2009
Ch. 1.

1.

Behold, thou art dark and comely, my love;
richly hath the sun favoured thee,
delighting in thy presence.
Let me savour thy kisses of wine;
for in the gardens of the temple
the lotus furls open,
wild bees fall asleep on her face.


2.

Lilies and jasmine bloom
in the garden of my love;
falls of wisteria,
carpets of thyme.
Let us lie in the shade of the olives
to gaze on the sky.


3.

For many hours my love slept
  beneath the cedars,
couched on cool swathes of linen,
like the Lord of Midnight enthroned on a cloud.
Long tresses of willows shivered to cool his face.
I called his name but he heard me not,
being entranced in slumber,
deep in the thrall of dreams;
therefore I shall let him awaken when he please.




Ch. 2.

4.

A warm breath of nard is my master, my king,
A great golden deity haloed with stars.
Behold, the noble bearing of a king,
the finely-wrought body of a man.
In my dearest dreams he standeth before me
out of my reach, gesturing for me to follow,
calling unto me like the very embodiment of love.


5.

Night comes softly, o daughters of Jerusalem,
My king's desirous eyes have grown heavy with sleep.
His black hair ripples about his face
  like curtains of smoke,
gold bracelets entice my gaze to
the sinews of his arms.
Like roses unfurling, so open the lips of my love,
  I burn for their flavour,
yet awaken him not till he please.





Ch. 3.

6.

Out of the forest I came, with my
maidens and minions;
with carpets of hibiscus strewn at my feet.
Columns of frankincense curved into the air,
burning from lamps of copper and gold.
From the broad slopes of Edom
my soul's love stopped to observe us.
I felt his warm gaze upon me,
so soft a look as touched like caresses of hands.
I am weary with desire, my lord and king,
Bring me the looks of thine eyes, dark as midnight,
That regard me with touches of silk.


7.

Though I may stand with my legion before thee,
an army behind me,
The west wind roars to my left,
the east to my right,
a million strong with all my banners, warriors
and standard-bearers,
still my delight were only to serve thee,
see how I tremble with awe by thy side.


8.

Behold, my ladies, the noble bearing of a king,
the finely-wrought body of a man.
My king is a custodian of the sanctity of love,
see those arms with the strength to smite
yet full of the will to embrace.
Nightly cometh he to my chambers,
whispering of love,
with the stealth of a lion,
as meek as a lamb.




Ch. 4.

9.

Preparing for my beloved,
I have put on my mantle of midnight sky
garlanded with stars.
My black locks are hung with beads of gold,
my neck is anointed with sandalwood and rose.
Come, my ladies,
Bring me my white chargers,
my sedan lined with silks from Lebanon,
my heralds and cavalcades of guards;
My beloved king awaits my pleasure.






10.

When I am in the embrace of my beloved,
He is worlds of landscapes of desire,
he is all the earth, air and sky to me.
His eyes shineth as my sun and moon,
his broad chest becometh as the
cool desert dunes by night,
where I may rest my head.
Go safely in thy dreams, beloved king,
with sentinel angels, to roost with the doves.




Ch. 5.

11.

Such a turmoil of a dream
hath troubled me, my sisters,
I dreamed that my love approached my window,
Calling unto me through the
rosewood trefoils of the lattice.
Forgetful of our tryst I answered him not,
all oils and fine trappings were put away,
mine eyes were full of slumber.
When finally I rose from my bed
   he had gone.


12.

Overwrought and afraid,
I went out in the streets,
  calling unto my beloved,
receiving no answer and calling again.
  The night watchmen came and found me,
they smote me and denounced me as pagan,
calling me harlot and worshipper of false idols,
harshly they beat me with flails
and threw me into the darkest cellars
of the palace of Solomon.


13.

Awakening at last,
I felt a warm breeze,
It was my love's breath upon my face.
Let all the world suspend in time,
let hate, rage and darkness flee as a shadow,
otherwise let me die here in the arms of my king.
There is but this one hour, one place,
in one lingering moment,
When my soul's love and I are conjoined
in the petals of love.




Ch. 6.

14.

Midnight has fallen in the gardens
  of the temple of Solomon.
The moon communes with her sister in the lake,
painting the magnolias with mother-of-pearl,
turning her buds into silver doves.
Passion and beauty intertwine in my love's garden,
Like the twisted trunks of the fig trees of Judea.
Behold, my beloved,
thou art more comely even than the moon.
Come and walk with me
in the balmy air of night.


15.

Only through the love of another may
a soul come to know of itself.
My king is mine and I am his;
The sun and moon each taketh their
turn in the sky,
the shepherds go sure-footed
over their hills and valleys,
the merchants go their ways in the
spice markets of Lebanon,
while he and I are lost in one another's eyes.




Ch. 7.

16.

Love's weariness hath overcome me,
beloved lord and king.
Bring me thy pleasant fruits, thy tender words,
Lie betwixt my *******; my hair shall
be thy curtain,
these arms shall be as thy cocoon.
Let the tides cease their turning
and the winds give pause to hold their breath.
Awaken not my dearest love, until he please.


17.

Even in sleep,
such beautiful eyes hath my beloved;
his eyelashes rest upon his cheek
like the feet of a butterfly on a lily.
Come, my sisters, we shall make him
a bed of hemp and poppies,
with fruit of the lotus,
that he may languish beside me
for many days and nights.




Ch. 8.

18.

Filling my days and dreams,
here is a man with the grace of a young hart,
whose honeyed voice speaketh mantras of desire.
Arise and follow me, beloved, for my vineyards
are ripe with luscious fruits,
the doves beat their wings and fly from the cots.
Emerging from the amber of sunrise,
with a swirling of veils,
summer dances into the season of our love.


19.

Lying amid the twisting vines
My love and I are deep in each other's embrace
and his lips taste of roses heavy with dew.
I am a queen of the Red Sea,
an orchid from a sacred garden,
and my kingdom reacheth to the farthest hills.
None but my love shall pass the boundary
where my vines bear the sweetest fruit,
nor taste their heady wine.


20.

The gates of my vineyard are wrought of
iron clad with gold,
taller than cedars, decorated with
the royal insignia,
guarded by three score watchmen,
by day and night.
While other men are kept without
and the foxes are driven back by dogs,
see how swiftly they open for thee.




Ch. 9.

21.

Behold, the noble stature of a king,
the finely-wrought body of a man.
In the sanctity of love
we may walk in the realm of paradise,
undisturbed by the foibles of men.
Come beloved, awaken,
the new dawn opens as wide and fresh
as infant eyes.
Come run with me through the spice hills
  and gardens of Lebanon.
Miranda Renea Mar 2015
It's a cloudy, sunny day.
The kind in between light
And dark, gently swaying
In grey. I'm here watching
Smoke dance with the wind,
On time with the tiny band
That plays just beyond my
Gentle understanding.
mark john junor May 2013
there is a quickness to the light in her eyes
there is a memory to the sandalwood scents
and the steam train of her thoughts

captures the soul
in the soft tangle of her hopes
in the the gentle web of her bright dreams
and you can loose so much and still
find a home here in her embrace

she meets you in a pizza shop
and sips wine and smiles at your advances
she will take you
and she will be wild all over you
when shes ready
but for now she just wants to enjoy the day
she wants to enjoy holding your hand


captures the soul
in the soft tangle of her hopes
in the the gentle web of her bright dreams
and you can loose so much and still
find a home here in her embrace
find comfort in her safe haven

you told me that if i tried
that if i followed
we could be
we would be
you told me that nothing
would stand in our way
we would be lovers forever and forever
and you would never let go of my hand
edit: removed 5 lines refering to making "candles and...."
Seán Mac Falls Jun 2014
If you date a poet, you will know the true meaning of 'swoon' and you will do it often. They know the power of a stunning phrase and it's way hotter than the Hallmark lines a non-poet will default to.

2.  They see the raw beauty in things that others take for granted.

3.  You will never ever need to worry that they aren't telling you something. Poets are ALWAYS trying to tell you something.

4. They're quite handy if you need a graceful way to tell someone off. They can tell em where to go and how far to stick it without using a single foul word.

5. Roses are pretty sub-standard and typical. Instead, you will get hand written love letters and sticky notes with one line *****-wetters. (Yes, I said *****-wetters. You know what it is.)

6. You will never not know the deeper meaning of something. Anything. There is nothing at all that a poet cannot analyze the hell out of. There's an underlying meaning behind EVERY single thing and if you ask a poet, they'll be elated to share it with you.

7. Poets tend to be minimalists. They don't always need a lot to set the butterflies a flutter. If you can come up with a couple of your own expressively charming lines, that will pretty much substitute a $125 dinner date.

8. Poets make curiously good alcoholic beverages. Because poets drink a lot of alcoholic beverages.

9. You'll never be without somewhere to go at any given moment. There's bound to be an open mic night, a poetry slam, a house party centered around poetry, a poetry in the park event, etc. There will always be something poetic going on. And they will know about it.

10. You will know what a true apology sounds like. Poets can apologize like NONE other when they know they have done something wrong.

11.Making love to a poet feels like syllables being whispered along the curve of your spine as you unravel into a million pieces.

12. Poets like smell good stuff. But not obnoxious fruity scents. Poets don't like to smell like fruit baskets. Poets like sandalwood, and amber, and lavender, and patchouli oils. You know...the **** stuff.

13. Poets cherish quiet time. Meanwhile, most non-poets you date will probably have the television blasting, music playing, friends climbing over one another and a cell phone conversation on speaker phone...all at the same time...every day.

14. You will always have a crowd-pleaser on your arm. Not all poets are attention ****** at parties BUT all poets know how to say at least one extra deep/witty thing that will have everyone else envious that you are the one dating the poet and not them.

15. Poets can wear the color black during all seasons, during thunderstorms or sunny spring days and make it look extra sophisticated and intentional.

16. Poets break rules...but also enjoy the process of making them. Keeps things interesting.

17. Poets shun conformity. So you know that if your poet bought it for you, said it to you, wrote it for you, etc...it's gonna be something edgy and unique and outside of the normal (boring) box.

18. Poets are great with their hands and even better with their mouths. Enough said.

19. Poets are the gatekeepers AND the rallyers (is that a real word?) of the community. If you don't know what a gatekeeper is...you aren't dating a poet. If you don't know what a rallyer is, it's because there's a possibility that it's not a real word. But you get it.

20. Poets like to make up their own words.

21. Poets don't like to be told that they can't do something. Maybe it's the whole submit and rejection process of writing. Who knows? But tell a poet NO and they'll keep trying until they get a yes. Persistence is way more handy than what can be explained here.

22. Poets read books. Book readers tend to have better vocabularies. A broad vocabulary is usually a trait of a good conversationalist which means no lame dinner convos.

23. Poets can write ugly things beautiful and can ***** up a pristine scene like nobodies business. In other words, when you need a different perspective on something...your poet can provide that for you.

24. A well-written poem can be the most powerful and therapeutic dose of truth and self-realization. Poets write poems. Therefore, dating a poet is like getting free therapy.  

25. Poets don't need a list of 50 things to prove why dating them is the best thing you will ever do.
Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them as poetry by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning. The resulting poem can be defined as either treated: changed in a profound and systematic manner; or untreated: virtually unchanged from the order, syntax and meaning of the original.
Incense mists rise from
the beautifully decorated altar
bowls of prasadam
bananas, apples, bright oranges
offered at Your Lotus Feet
Vedic hymns
hypnotic, chants
flood the prayer room
I gaze through the smoke and fog
my eyes tightly shut
sound asleep
feels like aeons
how I pray to awaken
at long last
Seán Mac Falls Jul 2015
( found poem )*

1.  If you date a poet, you will know the true meaning of 'swoon' and you will do it often. They know the power of a stunning phrase and it's way hotter than the Hallmark lines a non-poet will default to.

2.  They see the raw beauty in things that others take for granted.

3.  You will never ever need to worry that they aren't telling you something. Poets are ALWAYS trying to tell you something.

4. They're quite handy if you need a graceful way to tell someone off. They can tell em where to go and how far to stick it without using a single foul word.

5. Roses are pretty sub-standard and typical. Instead, you will get hand written love letters and sticky notes with one line *****-wetters. (Yes, I said *****-wetters. You know what it is.)

6. You will never not know the deeper meaning of something. Anything. There is nothing at all that a poet cannot analyze the hell out of. There's an underlying meaning behind EVERY single thing and if you ask a poet, they'll be elated to share it with you.

7. Poets tend to be minimalists. They don't always need a lot to set the butterflies a flutter. If you can come up with a couple of your own expressively charming lines, that will pretty much substitute a $125 dinner date.

8. Poets make curiously good alcoholic beverages. Because poets drink a lot of alcoholic beverages.

9. You'll never be without somewhere to go at any given moment. There's bound to be an open mic night, a poetry slam, a house party centered around poetry, a poetry in the park event, etc. There will always be something poetic going on. And they will know about it.

10. You will know what a true apology sounds like. Poets can apologize like NONE other when they know they have done something wrong.

11.Making love to a poet feels like syllables being whispered along the curve of your spine as you unravel into a million pieces.

12. Poets like smell good stuff. But not obnoxious fruity scents. Poets don't like to smell like fruit baskets. Poets like sandalwood, and amber, and lavender, and patchouli oils. You know...the **** stuff.

13. Poets cherish quiet time. Meanwhile, most non-poets you date will probably have the television blasting, music playing, friends climbing over one another and a cell phone conversation on speaker phone...all at the same time...every day.

14. You will always have a crowd-pleaser on your arm. Not all poets are attention ****** at parties BUT all poets know how to say at least one extra deep/witty thing that will have everyone else envious that you are the one dating the poet and not them.

15. Poets can wear the color black during all seasons, during thunderstorms or sunny spring days and make it look extra sophisticated and intentional.

16. Poets break rules...but also enjoy the process of making them. Keeps things interesting.

17. Poets shun conformity. So you know that if your poet bought it for you, said it to you, wrote it for you, etc...it's gonna be something edgy and unique and outside of the normal (boring) box.

18. Poets are great with their hands and even better with their mouths. Enough said.

19. Poets are the gatekeepers AND the rallyers (is that a real word?) of the community. If you don't know what a gatekeeper is...you aren't dating a poet. If you don't know what a rallyer is, it's because there's a possibility that it's not a real word. But you get it.

20. Poets like to make up their own words.

21. Poets don't like to be told that they can't do something. Maybe it's the whole submit and rejection process of writing. Who knows? But tell a poet NO and they'll keep trying until they get a yes. Persistence is way more handy than what can be explained here.

22. Poets read books. Book readers tend to have better vocabularies. A broad vocabulary is usually a trait of a good conversationalist which means no lame dinner convos.

23. Poets can write ugly things beautiful and can ***** up a pristine scene like nobodies business. In other words, when you need a different perspective on something...your poet can provide that for you.

24. A well-written poem can be the most powerful and therapeutic dose of truth and self-realization. Poets write poems. Therefore, dating a poet is like getting free therapy.  

25. Poets don't need a list of 50 things to prove why dating them is the best thing you will ever do.
Note:
Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them as poetry by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning. The resulting poem can be defined as either treated: changed in a profound and systematic manner; or untreated: virtually unchanged from the order, syntax and meaning of the original.
.
Rich Hues Feb 2019
There is a bookshop in town,
That smells of coffee and sandalwood and leather
Where millennials gather together,
Pink haired and proud,
Illiterate, opinionated and loud,
Owners of cats, vibrators and at least one sexually transmitted disease,
The feminist alternative to a family, they seem happy with these
...For now...
Not yet ready to play wife and ruin a sorry incel's life.

Why should they spare me a second look?
As I deface a poetry book,
Looking for the poem that annoys me most,
In the hope of upsetting the poet's passing ghost.

The summoned sales assistant asks me to stop - so -
I ask her what it's like to work in a shop.
She goes for help and while she calls, I decorate the margin with a **** and *****.
In the real world, posting bane,
A pencil meme, the mark of Cain.

Banned, I'm thrown out on my ear,
And so
...For now...
I'm here.
Vipul Mehra Apr 2015
Thrown away carrom men
Hunting for the queen
Grey white turqoise marbles
a spinning top on the table
an electric motor a gadget then
bifid nibbed fountain pen
Cassette wheels and a chip of steel
ran faster than ritzy hotwheels
tazos and trumps spurred triumphant jumps
peacock clay in redolent sandalwood
I collected and carry in the treasure of childhood
Janette Aug 2012
Born to the night in the cry of wolves,
We are….inked lovers spilling secrets, under velvet skies,
Shrouding the night in silver spools;
The season of silver silence, hangs upon shades of silken soul,
This midnight offering, a white entice;
My hair shimmers brightly, a wet fleece of gold, of shadow and starlight,
And shimmering hues, emerald and sapphire breathe kindred embers into the bellows of passion;
Challenging the flame that burns; entwined....






Whispered intrigue lays in the crescent of moon,
In an eminent blaze of sweetest surrender
Unborn whispers lie entwined with heated petals, silken;
We shiver....I shiver,
I am warm arms embraced;
Your lips hard yet soft against my side,
The feel of flesh warmed to a rising flame...










The long moon steps into midnight;
My *******, full of your hands as candles, pour hard against the ebon fall,

Luscious to the hush of soft smiles
Steeled eloquence flows in ribbon ripples;
Winter sown, blood quilled, in midnights cast;
Cloaked in beautiful, shadow's bed a bouquet of lacy foxglove...














Eyes closed and deep of breath,
Moistness seeps the sugared flower,  and longing surges deep;
Shudder me wicked, drench me quick;
The wildness swirls inside as he moves like a shadow over my heart
His tongue eager to swim the gushing urge;
Touching, slick-slide, the soothe of smooth fingers slip past softness;
Lips cross, moist to moan me quick, sliding to quivers.
Thigh's whispering and heart pounding ,
Soft, the wind blows, tapping walls, fingers dancing
And shadow sways to moonlight...

Velvet-soft, the  sweet of tongue's mesh,
Fire burning,
The tips of breast's aroused by the touch of a slow hand lover;
Your tongue gently rolls, wet and burning hot,
Hungrily, it feeds diving deep, and sandalwood spires upon the malachite air,
And burning murmurs the silent song, pleasures
Your flame to touch me hot, softly hard,
Against the darting quivering rose, stokes sweet, the flame of conjure....















I weep as you strain to slay this huntress of indolent submission;
Descending into darkness, I squirm upon your touch, lifting my altar upon your hunger,
Eyes lost to ecstasy, the flow quickens from abyssal moans;
Overflowing with need, release bound by gold shattered stars
Suckling whispered thoughts;
With us, for us, in us, in dreams, in thoughts, in love
....And in....time my love..................
His rain, has become my decadent addiction.........where my thoughts manifest into tangible words, written slowly over his flesh........laced with twilights absolute surrender drowning, in the renewal of his liquid seduction....grasping, frantic starless wishes in hand....chasing shadows...I curl to myself, longing for your darkness...falling into a cradle of need finding myself ...rocked alone..... J
Dylan Sep 2014
I've heard that Love is a flower
with pink petals pealed back,
odoriferous in its display.

But from the flower follows fruit
which once pulled will rot and sour
if not consumed before it fades.

I'd prefer that Love be sandalwood:
slow to grow with grounding aroma
that after death remains.
Kripi Feb 2015
With the colour (ink) of flowers
And the pen of my heart, I find You written daily (in my thoughts)
In what way, should I describe to You
How You are constantly there in my memories
I sleep with dreams about You
And I wake up with Your memories
I remain entangled in Your thoughts
Just like a bead is tied in a string

Our love is as pure as clouds, lightning, sandalwood and water
We’ll have to take births, again and again for the sake of our love
Our love is so flawless & sweet
We’ll have to take births, again and again for the sake of our love


You're like the music of my breath, the strings of my heartbeats
And the songs of my
In the streets of my mind, which is constantly blossoming
You’re that flower bud with a refreshing fragrance
May it be a short journey or a long one
May it be a lonesome place or a crowded fair
Whenever I remember You, my heart becomes
Lonesome even if I’m in a crowd

Our love is as pure as clouds, lightning, sandalwood and water
We’ll have to take births, again and again for the sake of our love
Our love is so flawless & sweet
We’ll have to take births, again and again for the sake of our love


May it be East Or West, North Or South
I see Your smiling face everywhere
As much as I go far from
You seem that much closer to me
The storms stopped me, the waters bothered me
And the people mocked me
Despite all, keeping Your image in my mind
I kept going on in search for You

**Our love is as pure as clouds, lightning, sandalwood and water
We’ll have to take births, again and again for the sake of our love
Our love is so flawless & sweet
We’ll have to take births, again and again for the sake of our love
Over and over again
Over and over again
It's dedicated to Atul 'Drona' Kaushal...:-)
It's the translation of a bollywood song, one of my favourites
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.

First Sailor. Has he not led us into these waste seas
For long enough?

Second Sailor. Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
These dozen weeks.

Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn -
For I am getting on in life - to something
That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.

Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?

First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.

Second Sailor. I dare not do it.
Were't not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before one's eyes,
Or cry about one's ears.

First Sailor. Nothing to fear.

Second Sailor. Do you remember when we sank that galley
At the full moon?

First Sailor. He played all through the night.

Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
I've heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.

Second Sailor. But that's not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was playing,
And they were listening ther& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.

Second Sailor. You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from me.

Second Sailor. But were you not afraid?

First Sailor. Why should I fear?

Second Sailor. "Twas Aengus and Edain, the wandering lovers,
To whom all lovers pray.

First Sailor. But what of that?
A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a king's house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man that's not in love,
And has been dangerous to him.

First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,

First Sailor. Well, net or none,
I'd drown him while we have the chance to do it.

Second Sailor. It's certain I'd sleep easier o' nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?

First Sailor. I've thought of that. We must have Aibric with us,
For he can judge the stars as well as Forgael.

[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
There's not a man but will be glad of it
When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captain's share of everything
And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! **** Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
I'll give my answer.

First Sailor. You have awakened him.
[To Second Sailor.]
We'd better go, for we have lost this chance.
[They go out.]

Forgael. Have the birds passed us? I could hear your voice,
But there were others.

Aibric. I have seen nothing pass.

Forgael. You're certain of it? I never wake from sleep
But that I am afraid they may have passed,
For they're my only pilots. If I lost them
Straying too far into the north or south,
I'd never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.

Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.

Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing that's alive
Has ever come but those man-headed birds,
Knowing it for the world's end?

Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.

Aibric. Shadows before now
Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their plot?

Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
Being as doubtful?

Aibric. I have called you master
Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
You've never known, I'd lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a woman's kiss
Could not amend.

Aibric. I have good spirits enough.

Forgael. If you will give me all your mind awhile -
All, all, the very bottom of the bowl -
I'll show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of life - the events of the world -
What do you call it? - that old promise-breaker,
The cozening fortune-teller that comes whispering,
"You will have all you have wished for when you have earned
Land for your children or money in a ***.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hand's turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.

Aibric. If you had loved some woman -

Forgael. You say that also? You have heard the voices,
For that is what they say - all, all the shadows -
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secret's out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.

Aibric. And yet the world
Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
"Loves in brief longing and deceiving hope
And ****** tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.

Aibric. All that ever loved
Have loved that way - there is no other way.

Forgael. Yet never have two lovers kissed but they believed there was some other near at hand,
And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.

Forgael. It's not a dream,
But the reality that makes our passion
As a lamp shadow - no - no lamp, the sun.
What the world's million lips are thirsting for
Must be substantial somewhere.

Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it -
No mortal can.

Forgael. Yes; if they give us help.

Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.

Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?

Aibric. His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.

Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!

Aibric. While
We're in the body that's impossible.

Forgael. And yet I cannot think they're leading me
To death; for they that promised to me love
As those that can outlive the moon have known it, '
Had the world's total life gathered up, it seemed,
Into their shining limbs - I've had great teachers.
Aengus and Edain ran up out of the wave -
You'd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.

Aibric. It's certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.

Forgael. What matter
If I am going to my death? - for there,
Or somewhere, I shall find the love they have promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think -
One of the Laughing People - and she and I
Shall light upon a place in the world's core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.

[A number of Sailors enter hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!

Second Sailor. We had not known
But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric].
The Ever-living have kept my bargain for me,
And paid you on the nail.

Aibric. Take up that rope
To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
And where there is one woman there'll be others.

Aibric. Speak lower, or they'll hear.

First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men aboard
She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.

Second Sailor. There's nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.

Aibric. Run at them now,
And overpower the crew while yet asleep!

[The Sailors go out.]

[Voices and thc clashing of swords are heard from the other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice. Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am slain!

Forgael [who has remained at the tiller].
There! there they come! Gull, gannet, or diver,
But with a man's head, or a fair woman's,
They hover over the masthead awhile
To wait their Fiends; but when their friends have come
They'll fly upon that secret way of theirs.
One - and one - a couple - five together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. There's one of them that says,
"How light we are, now we are changed to birds!'
Another answers, "Maybe we shall find
Our heart's desire now that we are so light.'
And then one asks another how he died,
And says, "A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a woman's head down crying, "I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.'
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But what's the meaning?

[He cries out.] Why do you linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?

[His voice sinks again.]

Being too busy in the air and the high air,
They cannot hear my voice; but what's the meaning?

[The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the world's core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.

Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!

Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this place?
They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.

Forgael. There are some
That weigh and measure all in these waste seas -
They that have all the wisdom that's in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tears - laughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.

Dectora. You've nothing but wild words,
And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go -
When she knows that.

Dectora. What is it that you are muttering -
That you'll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck -
As now.

Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?

Forgael. Queen, I am not mad.

Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.

Forgael. No, I am not mad -
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
captive?

Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouth
I want a poet
between my thighs,
wicked tongue wrapped
in verse,
drive and provoke,
serenade
this dancing knot
of prose hidden here,
a hungry mound
saturated beneath a soft
cocoon of sweltering flesh,
suspended in expectation
inspired to spill forth
steaming compositions
sticky on his epic lips,
grinning.

And he’ll rise then
breathing a new stanza
onto my fragrant neck
“Sandalwood,” he’ll whisper
as he fills me with a new
refrain
emphatically taunts
my music
to sing down onto
his tightened fuse,
running rivulets spiraling
along his determined thighs,
crying out into his
listening ear,
a requiem so potent it
drips off the page
and becomes some reality.
This poem can be found in Venus Laughs, a collection of poetry from Harmoni McGlothlin, available at GraceNotesBooks.com.
She is essence of la bella donna,
    herein lies the paradigm mid
       ***** pearls & nightshade's poison,
exhales echoes of dark crescent moons &
        sandalwood's perfumed incense
burning sentience of duality's seasonings
   'tween contradiction 'neath her own breath,
  born to gypsy souls 'twixt a solar eclipse
    she worried naught what society thought,
her poetry was incalculably beyond measure
     neither less than or more than incurable,
   rendered nuances as a badge of significant honor
      gaily whirling beyond distinctive contrasts,
            'neath importance of individuality's calling
      amidst her own unique indulgent nature,
                  dazzling sensuality's intrinsic whimsy
La Bella Donna is 'the beautiful woman' in Italian. Belladonna is also
a drug prepared from the leaves and root of deadly nightshade plants.
Nora R Feb 2015
With an azure drinking cup studded with lapis, wait for her
In the evening at the spring, among perfumed roses, wait for her
With the patience of a horse trained for mountains, wait for her
With the distinctive, aesthetic taste of a prince, wait for her
With seven pillows stuffed with light clouds, wait for her
With strands of womanly incense wafting, wait for her
With the manly scent of sandalwood on horseback, wait for her
Wait for her and do not rush.

If she arrives late, wait for her.
If she arrives early, wait for her.
Do not frighten the birds in her braided hair.
Wait for her to sit in a garden at the peak of its flowering.
Wait for her so that she may breathe this air, so strange to her heart.
Wait for her to lift her garment from her calf, cloud by cloud.
And wait for her.

Take her to the balcony to watch the moon drowning in milk.
Wait for her and offer her water before wine.
Do not glance at the twin partridges sleeping on her chest.
Wait and gently touch her hand as she sets a cup on marble.
As if you are carrying the dew for her, wait.
Speak to her as a flute would to a frightened violin string,
as if you knew what tomorrow would bring.
Wait, and polish the night for her ring by ring.
Wait for her until Night speaks to you thus:
There is no one alive but the two of you.
So take her gently to the death you so desire,
and wait.
Poem by Palestinian Poet Mahmoud Darwish. My favorite poet of all time and sadly does not have a profile I am aware of on HP.
but finality in all series of things
seriousness, or was it
lackadaisical thought offspring
blooms walls of drooping eye?

air-tight space, its coalition
with inward breaking penumbra
of shadow,

i write a poem so as not a poem
but an antagonism of sorts
to the end that does not smell of sandalwood but

the fixation of the word
as scent plays with memory,
a fragrance of spring in all that is winter
casting

a shadow upon me, you,
if not all.
My response to his challenge of looking for the shadow.
it was like waking up to all white fume
or a long washline — masturbatory, feeling something stiff like a hand gliding
over a monsoon of emotions, the affect
   jazz and the crunch of fragrance
forever like sandalwood;

on my way to Dumandan, i conjure an inward miasma of thrill, unfurled yesterday, today, or was it before when our eyes were fixated on the passing of things in myriad ways without any relevance to what has died, say wilted,

like a flower going away in closing seasons,
children in hurtling speeds at twilight,
gates welcoming a resounding sound of
rusting hinges,
slow rise of night, its vertical climb,
  shadows collapsing on the Hibiscus
and the Poinsettia from the Cordillera,

   dreary men taking out *******, throwing
them into metalloid beasts, verdigris
   painted, grisly caravan of steel and
      worthless scraps —

past neighborhoods thinking about
the simmer of onion and the hustle of
the feral over rooftops, clinking wine bottles undulating full to empty — both
unaware of acumen and only dizzying
ourselves mirroring each other eye
  to eye and bridging this unclose-enough
    a gap in between,

    because you need it,
    and i want it, or simply in reverse,
a sidewinding thought through dunes
    of afterthought.

   because you have to walk my side
    of the Earth and I have to meet you
somewhere halfway where we can both
   lounge at each other's steady presence
while the flyblown dry air ravishes
      the piquant morning, all-telling what
this distance meant from its
                peak up to the very last
   traceable steps where i found you
      and you found me, trilling in the neighborhood like how void
    stills itself into all the mood of the     Earth:

    all moony and
                 fretting in the disquiet.
Last year with a heavy heart...
We moved in to this new house..

Human emotions are so confusing..
I am in a country far away from my own,
I don't connect here though,
Still when it comes to moving
First old temporary house seems more mine than the other new one..

Strange..

When we came here,
The house was full of trees..
But strange things happened...
Each day my daughter came back with tiny red beads with no holes in it...
They were perfect red beads
Triangle in shape, slight elevated in the middle..
Each time she came with one my curiosity grew many fold...

After few months. . We got the surprise of our life..
The trees with tiny leaves had brown dried beans..
The fully dried beans had split open and stuck out from it
Were the same red 'beads'.... Today was found they were 'RED BEANS'..

After searching the web.. And settle the curiosity
After breaking each dried beans from the tree..
After storing each red bean..
I found out they are beans of RED SANDALWOOD..
The strange fact too..
In The old times..
Due to uniqueness and perfection of shape
Jewellers used it to measure gold!!
In my quest I found
The seeds are valuable even today..!!

But for me and my daughter it was a treasure of our new house
Memories building for a 'new temporary house'
To make it a loving old house,
The new house which was call "forest"
For it's various insects, bees, & multipedes.. Both brown and albino,
We finally forgot our old house..
We started loving our new house..
Almost after a year we moved in..
We love it equally if not more..

Sparkle In Wisdom'
#new house #curious daughter.
steel tulips Nov 2014
I miss
being one with you
I miss
intimacy,
and
being held
I miss
making love,
I miss
your smell
david badgerow Dec 2014
i've spent months like moths between poems
sacrificing gods for endless answers
but always losing the light or dying on a too-hot bulb
unable to comprehend infinity as a spiritual fly-swatter
but i'm learning how to surrender to silence
diminish into campfires
wash in busted fire hydrants
meditate inside the figurative dumpster of solitude
perhaps forever this time

but my attraction to her is raw
like the sun today at 3pm
burning away my anxiety and shadows
not fueled by selfish lust or vanity
but by surprising vacuum
she is frightening in her beauty
her mind filled with incandescent chaos
her voice a softly spoken flute singing in a canyon
her hair a delightfully suffocating gas
her belly, her smell, everything from
her nostrils to her feet marching
through my tingling limbs

she was from the far end of the universe
a dream of the temporal lobe
polluted by the spike-and-wave blips of computer music
halos around mouths chewing ecstasy pills
her mystic lips curled and eyes lightly fluttering
over a simmering can of cherry coke
my hands an unsteady inch away from
her heated and heaving rib-cage
my lips whispering breaths onto her ivory throat
after a 4am romp donald duck explains
childhood memories from a buzzing television box
the smell of man-musk and sandalwood
spilled whisky and patchouli thicken the air of the room
as weak dawn light streams in through philodendron stalks and fingered leaves arrested by the wind
She's an enchanting little Israelite,
A world of hidden dimples!--Dusky-eyed,
A starry-glancing daughter of the Bride,
With hair escaped from some Arabian Night,
Her lip is red, her cheek is golden-white,
Her nose a scimitar; and, set aside
The bamboo hat she ***** with so much pride,
Her dress a dream of daintiness and delight.
And when she passes with the dreadful boys
And romping girls, the cockneys loud and crude,
My thought, to the Minories tied yet moved to range
The Land o' the Sun, commingles with the noise
Of magian drums and scents of sandalwood
A touch Sidonian--modern--taking--strange!
Serenity Elliot Sep 2014
A frangipani candle,
Sandalwood perfume
The shimmer of the shadows,
That light up the room

A hard covered book
With a silver inscription,
Warm jasmine tea,
Baklava from the kitchen

Soft red lipstick
And a robe of white silk
Dark lash rimmed eyes,
A bath of rose petals, floating in milk

Sweet drifting music
From the balmy outside,
The chirping of cicadas
And the whisper of the tide

Gentle gold jewellery
Which can carry you away
A feather pillow on the wooden floor,
The start
                          To the end
                                                       Of the day
Onoma Aug 2018
i'm tracing your sensitivity,

your secrecy with my finger...

the folds of a flower that continually

spread new color.

your duplicitous flare.

the buzzing ghosts of bees,

dying mid-nectar.

your super intelligent eyes

following my mind till i lose it...

only to grow another one.

deeper than your walls, deeper

than your layers...to the chamber

of your repose.

burning sandalwood and a flood

of moon, settling down on

your bed.

as with the weight of strong hands

slowly working their way toward you.

you're choking back the tears, you feel

fully exposed.

you can't and won't gather yourself

for the oncoming ecstasy.
*This Empty Flow: "Useless" on replay.
Sara L Russell Sep 2013
Sara L Russell*
(inspired by painting "She's Leaving Home" by Mike Kaluta)

High-rolling dunes; the landscape where I fly
With wingbeats of an eagle overhead
While to the east, the ocean's waves roll high
My astral body's light years from my bed.

My magic carpet's hung with golden bells
Festooned with lanterns, steeped in sandalwood;
Carries me higher; as the ocean swells
The sighing of the sea is understood.

A warm wind runs its whispers through my hair
The azure sky is darkening to grey
A stormy ozone crackles in the air
Like laughter, as the eagle soars away.

I cross dimensions, cheat the hand of fate,
As easily as opening a gate.


(To be continued...)
N Paul Jun 2015
Introduction
I stroll through green fields and realise I am home.
I bump against soft sandalwood: a fence –
And hang my head and weep

For Ginsberg, Whitman, and all the other cats clawing for tender acceptance
Strolling through ashen fields in rainbow night
Tugging on tender trestles of old mother crop of hair south
Casting to sky thine eye as black and white lights
Of rainbow night do fizzle and pop and – Oops!
Great incomparable fusion atom generator on the fritz
Once more the Centre of Cosmos choking and clouded with splutter.
As thine eye doth dissolve and revolve and resolve and see, from vantage point on high:
O Hell! O Eternal abyss of Chiaro-night, I am surrounded!
Thy Holy field lies cut and sliced by old tree corpses – lined up in terrible order by tender hand imbued
Thou might turn and run and screech impaled or *whisp
inhaled by gasping trees, by dying trees, by dead trees who breathe.
And spat upon the lawn whence thou were born,
No matter the crop nor scenery.
Frieda P Jan 2014
I sip your essence, it rushes through me,

                   swells upon a quiver of my mind

blushing up against my burnish'd lips

                      boldly filling my ***** with warmth

reminiscing the surrender of our souls

                               traces of your lingering aromatics

musky scent of sandalwood and lust

                       my eyes drew you in of dire ecstasy

drinking in your sweet fragrant notes

                        surging high above memory's intoxication
Bella Isaacs Mar 2022
I can do this too, when I'm not au naturel
And trying to beat all of your @sses with how well
I make the gentleman, how excellently I am the imp,
How swell I step, dancing, aside, how terribly I simp -
Sometimes catch me getting back and giving the barman a chance -
I heeded their call; I washed off the day, and stepped into a trance
Of raspberry, rose and sandalwood; I donned my blue and pink silk,
And my black boots, tights and blazer - She's got style; And in that ilk
I also painted my face, with blues, whites, pinks, blacks, golds
And it was late when I stepped out, and in the very holds
Of the night that a lady like I should find terrifying, but I walked
The quarter of an hour to the Silk Mill; talked
For something more like four or five,
Face sharp, hair artfully mad, alive
In every sense, aided by the fine cocktails in this student setting
I could enchant all in four languages, and I did, forgetting
For a bit that another one of my faces I believe to be repugnant:
Because it begs for attention; and my current, commanded it
Because I came expecting nothing, and asking nothing,
And I quite frankly didn't give a d@mn about much of anything,
But if I wasn't very much a part of the room, and very much she
Whom every boy needed to speak to, and would ideally keep the company
Of, if that wasn't I
Then every lie's a truth, and every truth, a lie.
I need to remember more often that I can be stunning, easily, if I just remember that I have standards.
murari sinha Sep 2010
say
where should i keep all those foot-prints
having no lineage

from whose paraffin-in-the-palms
has taken birth
so much monsoon rain-falls

why the seagulls of this earth
have not learnt
in a better way
the meaning of open windows

wearing the same costume
they can fly only
from the north-east thames  
to the non-aryan autumn

in the woods of yellow moon-light
the feathers fall down
from the body of the villagers

they levitate as letter
like the leaves of coconut
before the windows of a hospital

it may happen then
in the fire of the cigarette
in-between the fingers
there is no more in waiting    
any absent-mindedness  

rather
after composing their letters properly
the mermaids in the deep-fridge
are waiting for their next print

by putting the fire of the dry straws
in the air the indifferent neighbour
saves the intellect of the red-sandalwood

thus if it is possible to catch there
the betrothal
in the oily pollens of the spring
Revel in space, yet not darkled, still
the **** and span of things that breeds
airlessness; The trees are evenly cut,
and their overgrowth seems like a forethought.
Where I am from, we eat fish with
our bare hands and our furniture, from bodies
of sandalwood, crushed with the scent of
peregrines. The morning makes you conscious
of space, and altogether the height of trees
syncopates to a nauseating stillness. In the awning
hours, leaves punctuate the ground – the cicada
with its machinistic song prowls, spills like
water from a broken vase toppled by me
years younger, raw, agile, deftly windless,
  wounded in love, lovingly wounded,
perhaps if there is a word for it, then let me
have my way, easily fraught with its meaning:
   a casualty. Sometimes the timeworn folks
would light cigarettes underneath the canopy
of a mango tree to banish ants and send them back
  to their queens – roosters in their wrinkled stations
croon in stasis, a song for the somnolent. I become
what the seasons evict. Constancy. Rearing weight
and gravity from nocturne. Tears are communal.
They make us aware of the weight of the Earth.
Somewhere, a funebre stilts through the silence,
and the jangle of little pieces spells out fortuity,
men in huddles mending pain by the sleight of hand,
a toss of a card, spinning in its imaginary axis: fate,
   feigned and fine-tuned to belief that it is controllable,
a variable, or a tabulation marred by frailty. From where
I am from, people stride through the streets naked,
soldering baskets filled with fruits gossamer from the
harvest, children suckling their mothers, the music of sweeping
metastasizes throughout the afternoon, and the same clouds
contort themselves to afford wry proposition: it is a day tender
with wonder, its allure overwrought, its sheen unremarkable.
  The funebre leaves with a necessary abundance of absence.
All the leaves depart from their mothering boughs,
  collapsing on the dreary back of the loam like penitence.
Like how once when you were young, you tinkered with
the fresh scab of your wound and felt the pain confine
  itself there, a part of you, that has now healed, but is still
      available for the world to break once again.

— The End —