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Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
Alyssa Underwood May 2018
"The Struggle for Love"
"The Longing for Home"
So desperate to prove
That our hearts aren't alone

While death looms wherewith
To make dust of our flesh
We seek in a myth
Our souls to enmesh

With a hero of hope
A rescuing source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Which might silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

But it's not our mere lack
Which causes most dread
It's the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For its rank ins'bordination

We just want our own way
And to write our own story
So we plunge on astray
To seek our own glory

To play artist or muse
Or idol or chief
Any self-styled ruse
To assuage us of grief

Any measure to show
A lasting signif'cance
So that someone would know
Our unique magnif'cence

For our beauty's been marred
And we crave a redemption
Of souls twisted and scarred
By fulfillment's exemption

But, alas, we will find
That search hard as we may
There's not one of our kind
Who can carry the tray

Upon which the weight
Of our souls has been laid
For who can e'er tolerate
Its gross debts unpaid?

Such suff'cating mass
Of defects and ills
Pressed 'gainst delicate glass
Of egos and wills

Still more ghastly to bear
Is devotion unbound
For with millstone to wear
Its master is drowned

'Neath a sea of foul yeast
And becomes the enslaved
To a hungering beast
To a worship depraved

For the heart is a tiger
And must have its fill
So it raises a man higher
With a kiss before the ****

Not intentionally, of course,
Does it slaughter its idol
But of hurricane force
Is this longing so vital

And as pedestal turns
So quickly to altar
Our wounded pride burns
When our gods and alms falter

And the fire of its rage
Turns upon its obsession
Tiger breaks out of cage
To reclaim self-possession

It bites and it tears
What it once so adored
And pride no longer cares
If it kills its false lord

But upon such demise
The soul screams in terror
For it's broken its prize
And can't take back its error

It begs and it pleads
To restore what's been lost
But at end knows it needs
To consider the cost

Of the damage untold
It has left in the wake
For hearts can't be controlled
With a gush or a shake

No, men's hearts are like bombs
Which so easily explode
Once the pin is removed
All past wrongs will re-load

So the prey becomes hunter
When the tiger attacks
For he does not want her
To see what he lacks

As he, too, had put
Her up in wrong place
But now steps his foot
Upon her shamed face

To now pulverize
As his own heart's been crushed
To blind out her eyes
And to see her lips hushed

For with words idly spoken
She'd stabbed at his soul
And had left his pride broken
By her judgments so cold

She had not meant to harm
Knew not e'en that he heard
But one cannot disarm
A thought put to word

Worse than not knowing this
She no longer knew him
And her once imagined bliss
Proved a nullified whim

Oh, what games and delusions
We play and we build
Upon empty illusions
And dreams unfulfilled

Yet strangely it's when
Our worst fears come true
We can finally transcend
All those old tales we grew

Out of ego and void
Out of sorrow and pain
When our nerves felt annoyed
And our hearts felt too vain

'Cause when ego is puffed
It is primed, too, to pop
And with pinprick is snuffed
Like a pest-blighted crop

So imagine much more
When a venom's injected
Right into its core
And its heart is rejected

But can you also not see
How it needs such a burst
To begin to get free
From its self-absorbed curse?

Except now feels the matter
Of our soul's isolation
Fiercer still with the shatter
Of our pet consolation

So we wait and we wonder
If we've missed the true meaning
Of the frightening thunder
In our heart's constant screaming

Whether homesick or lost
Whether lonely or grieved
Locked in bleak Winter's frost
We find little reprieve

Yet we know we've been made
For the glory of Spring
Some card's still to be played
Some grand song still to sing

Inexpressible yearning
For some secret we know
But can't speak for the burning
Repercussions of woe

Not some mere melancholy
Nor nostalgic forlorn
Not the musings of folly
But a sense that we're torn

From primordial root
And from headwaters fresh
Yet much deeper to boot
From our spiritual breath

'Tis an ache not for wares,
Appreciation or fame
But a fight just for air
Against strangling shame

For we're naked, we know
And with all we devise
Our most flawed parts still show
To a pure set of eyes

Like we're walking around
With no covering intact
But thin hospital gown
With wide split up the back

So we hide our true face
Aim to be what we're not
Work our blots to erase
Lest our schemes should be caught

Be 't by friend or by foe
We dare not risk the pain
Of humiliation's blow
On top of our stain

But instead of relief
Anguish grows louder till
This life's loneliest grief
Paralyzes the will

And last hope all but dies
On doubt's bed of despair
While embittered heart cries
That its lot's too unfair

Yet on outside we play
Through our unconscious mind
Man's collective charade
That everything's fine

Like some pact we'd all sworn
To uphold and obey
To protect from the scorn
Of society's sway

If we run with the flow
'Stead of strive 'gainst the tide
We might make enough show
To salvage our pride

We forget that conceit
Is what caused all the mess
Through a serpent's deceit
And a couple's wrong guess

'Twas they first tasted shame
And then hid in a garden
Sewing fig leaves as claim
To secure their own pardon

Yet in horror they knew
They had squandered the Prize
And must flee from the view
Of a pure set of eyes

Now same state of awry
Runs through each of their seed
Inborn and borne by
Like the thorniest ****

Whose nettles pierce deep
And infect every part
While roots tangle and sweep
Through the mind and the heart

It mocks what we've lost
Torments every dim hope
To constrict and accost
Like a noose-tightening rope

Still, hope won't be decayed
Smold'ring fires yet burn
Sparking hints that we're made
For bright Eden's return

This redemption we crave
Is no phantom's false plea
But as crestfallen wave
Hides itself in the sea

It's been veiled in plain sight
Big as all of our stories
Deep as mankind's full plight
And as high as its glories

Cloaked in every ambition
That we have to get in
To some exclusive coalition
For its favors to win

Lurks a bleeding predilection
Frustrated from birth
A desire for election
To bestow on us worth

Lured by scent of a promise
To be chosen and known
Like the warmth of a mom's kiss
Given only to her own

We search tree after tree
For sweet intimacy's nectar
From a fruit that will be
Our secret connecter

To hope's nourishing breast
To life's honey from comb
To an undying rest
To a straight way toward home

One to wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of a garden again
Cast from pure tree of life
Dim remembrance of when
Mankind first entered strife

All our conflicts, comp'tition,
Confusion and blame
Find first cause in perdition
That's invaded our frame

Like the foulest disease
The most cankerous rot
Grown by monstrous degrees
Hatched by Lucifer's plot

This story's no ****'s attack
Nor archaic folklore
But the earth-shattering fact
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

And it's not our mere lack
which causes most dread
But the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For it's rank ins'bordination


And yet...


This is also the story
Of how those same eyes
The Possessor of Glory
Looked with love and heart cries

On the crown of creation
His reflection of Self
Made His own treasured nation
The heirs of His wealth

Now broken and lost
All banished from Garden
And He knew the full cost
To grant them His pardon

Had known long before
He had e'er even made
That first man of yore
Yet handcrafts anyway

For His love is so strong
And He wanted to share
His intimacy with a throng
His own children to bear

So with souls in convulsion
From their rebellious misdeed
Just before their expulsion
He promised a Seed

One untainted from sin
Who could take its great boulder
And the weight of His kin
Upon His own shoulder

A Hero of hope
A rescuing Source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Who would silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

For those eyes are His own
And He'd pay the full fee
By His body alone
To set our hearts free

He's hope's nourishing breast
He's life's honey from comb
He's our undying rest
He's our straight way toward home

He will wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of the Garden again
Cast from pure Tree of Life
Dim remembrance of when
Mankind first entered strife

But 'twas on another tree
That sweet intimacy's nectar
Was secured tight when He
Became sacred Connector

And the thorns of our curse
Were pressed onto His head
With not one there to nurse
As the Son of Man bled

Then the wrath for our sin
Was absorbed as He cried
And the foul curse was broken
When the Son of God died

But death couldn't keep Him long
Nor His glory dispose
And we found our lost song
When the King of kings rose!

The debt had been paid
He had finished the work
The tide 'gainst us was swayed
We weren't left in our lurk

And we've only to now
Just repent and believe
To open and allow
Our hearts to receive

Our Divine Fountainhead
Our covering complete
To sup from His bread
And to sit at His feet

To worship the One
For Whom we were made
By Whom we've been won
Whom forever we've craved

The One Who can bear
Our hearts' full devotion
The One Who won't tear
At our souls' raw emotion

The One Who will be
Sweet eternity's song
Who with lasting decree
Will...right...every...wrong
~~~

First two lines taken from Timothy Keller sermon titles;
also inspired by his other sermons:
"The Breastplate of Righteousness"
"Blessed Self-Forgetfulness"
"The Sandals of Peace"
"The Wounded Spirit"

~~~

for more on this:
https://hellopoetry.com/poem/2179517/the-gospel-of-jesus-christ/

~~~
Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
zebra Oct 2017
Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

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.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition
almat011 Feb 2019
With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself.
Awakening true, sparkling love for you, of universal scale. This throne of eternal praise and worship is only for you alone, and the chorus, singing about your beauty only for you. In you, every millimeter of your perfect, hot, hot-**** body is beautiful. My world is in your uniquely beautiful eyes, in your feelings and emotions, and I’m not tired of talking about your perfect proportions. Only your caresses give such feelings as love and happiness. Striking, powerful, attractive appearance. The magnificent grace of your body has no equal. Only your divinely beautiful body is worthy of the highest praise and points. I am only waiting for you. You're all I think about. The empress of my subconscious, in my inner world, dreams, and memories, you are everywhere. I always wait only for you. You are my only eternal thought that helps to live in this world, my beautiful emotion, and an amazing feeling. Only, like you, can excite with a look and fall in love with yourself forever. Life without you is unthinkable, impossible. Believe me, I know this for sure, your beauty shines gently with honey, golden light and brilliance. Your beauty is powerful hypnosis.
You are tremendously in love with you totally. You are the highest goddess: beauty, love and erotica. For me, you are the supreme being of all universes. You rule and command over male minds and hearts. Please do not be offended by this truth, but you are so beautiful that you don’t even need cosmetics, only you can look so natural and beautiful, but you are also very powerful ****** attraction, arousal, my only hobby, I’m madly obsessed with you. Your voice sounds sleeker than a violin, more touching than a piano, lighter than a harp, thinner than a triangle. So amazing, your beautiful skin glitters sexually, it is perfect, sweet, juicy. And your perfect figure, perfection itself. You are not replaceable and priceless. You are the most important, most valuable thing in my life. Your infinitely amazing, impressive, external and internal beauty sets you apart from all living and nonliving. So stunningly passionate, your beautiful body is a powerful magnet attracting a huge amount of affection and passion. You are perfect, your beautiful figure is so perfect that you don't even need clothes. I am struck down on a feast, and I bow deeply, taking off my hat to your royal authority, for me it is a great honor and a great honor to be with you by your side, you are my idol and autograph, I take it from me and keep it from my heart, exposing it to the honorary a place in your altar of love, where only you are everywhere, I am your eternal, devoted fan. You have no equal, I adore everything in you. You are the highest, absolute aerobatics. You are a beautiful and perfect image that you can imagine. This is what a beautiful goddess looks like. You are the highest good, pleasure and pleasure in this universe. I put a madman of points and a sign of infinity to boot, your unique beauty. You are so beautiful that you immediately want to marry, and live with you all eternity.
Your teasing sexually exciting figure keeps my mind completely under your control. You are a thermonuclear *** bomb-boom babe. You are all my eyes want to see. Your gently saldko-**** voice is all that my ears want to hear. The smell of your skin is all I want to breathe. I breathe only because you are near me. When you're near the heart of love knocks more. And the level of excitement from your beauty reaches the highest degree. About how beautiful you are and how I love you, that's all I want to tell you. Your gorgeous flesh and soul is all that your flesh and soul wants to feel forever. Your love is all I want to feel forever from you. You're so beautiful, just a sight for sore eyes. You are much higher than blue blood. I am only obsessed with you. You are ****. Cool babe. Unreal beautiful. Drooling flow in men only from you. Resist such as you are simply useless. Your sweet laugh, your **** smile, soft look, impeccable outfit, battles everybody in a row. You are the most juicy relish, sensual, tender, feminine passion. You are my love and soul outlet.
You are absolute, the highest *****. Eternal novelty. It is unbearable, excessively, supremely, beautiful, and only you look overly ****. You are in the highest stage of evolution, you are the most ideal, you are my idol, my ideal, the most true and authentic embodiment of beauty. You are the sexually ****** heat of love and passion. Your body brings you to the highest level of arousal. You yourself tenderness and femininity. You are 1 000 000 000 percent luxury, priceless, the only, eternal value. All the pleasant moments in life are associated only with you. Your sweet caresses and kisses are a very powerful drug. You are the most valuable gift of the universe. You are gorgeous in any kind of image frame, everywhere, always and in everything. You feel a surprisingly soft, sensual, tenderness. The beauty in your eyes is something amazing, uniquely beautiful, it is very beautiful fascinating magic. Very beautiful and indescribably pleasant feeling. Your amazingly beautiful image touches the most delicate and barely visible strings of souls easily and gently. By causing a special vibration of the true love melody, he finally falls in love with you.
So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
You are synonymous with beauty and ideal. You are so beautiful just amazing. you have a direct view of a ****, sultry predator. You are the sweetest. From you comes a powerful, ****, ****** energy. you are indescribably beautiful. You're spectacular, juicy, ****. M, You sound cool, like a mega cool, percussive, lyric rap beat. As a platinum and gold vinyl record, you are a super hit. You are a bestseller of poetry and prose. You're my princess. Queen. The Empress Goddess. The ultimate creation of all universes, spheres and dimensions. I think so. To doge to what extent a girl can be beautiful. Just amazing. The queen of my mind and heart. Your tender image overwhelms my soul with light, beautiful love and lust. You have such a soft pearl skin. Your beautiful appearance forever and ever conquered my heart and my mind. You are the most beautiful of its kind. You are endowed with the rarest beauty at all times. Fashion model. Just the thought of you excites and falls in love. You are a masterpiece of nature and of God himself. Your infinitely amazing beauty, the rarest and most amazing, the most beautiful in the history of mankind.
The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie, fell in love with you powerfully for sure. Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul. Billions of suns of joy, happiness, and love explode in the soul and this every time you see. With you every second is overflowing with the warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites, and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.
You're too beautiful. You are a **** lioness. You are the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you do not need, neither cosmetics, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me dear, as you decorate with you all the eternity that I want to spend only with you one-on-one. You are my beautiful goddess of love and eroticism, and only I worship you. Rare, beautiful beauty, natural gave only you. The closer you are, the more beautiful. Your delicate skin shines so beautifully in the light, you have a stunning perfect skin color. I am overly in love with you. You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
You are stunning, fantastically breathtakingly beautiful, the only unique sample of the true, pure form of beauty. You are the hottest, **** topic, about the beauty of which it is impossible to stop talking, so beautiful that you want to sing out of love for you, the girl from whom it is impossible to take your eyes off. So amazingly beautiful, perfect, ******, hot, passionately savory, juicy forms, your divinely beautiful, endlessly, stunning beautiful, seductive body sound so captivatingly beautiful, sweet, gently voluptuous. Who wants to caress and caress, kiss, lick, stick to intimate places all the time, and give your tenderness with your hands, and bring it to ****** so that you feel the heat and tremor of your heated body, and kiss a satisfied body and kiss. Each cell of the soul and body is supremely filled with only you, love and excitement. Truly I am thirsty to belong only to you and to spend all eternity only with you alone.
I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are tempted and tempted, you want to have *** countless times. Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos can excite me, only your beauty turns off my brain, you are a ****, ****** melody in my head, you are like a hot bath after a hard day, like an ****** massage, like a soft pillow with sleeping softness.
Every day I am drawn to you more and more and it can not be stopped because it is uncontrollable every day my ****** ***** wants you more and more aggressively he is waiting for endless *** only with you and I once again make sure that you are I will want forever and ever. Because I am truly in love with you in your body and soul. And this feeling is only enhanced with time on the mental and physical levels. Looking at you in the head is only one word Goddess, the empress of my heart, or one ***. It's just an ecstasy of excitement, every movement you take is so ****** and beautiful, burning your skin's passion and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author Musin Almat Zhumabekovich
Mimi Lynn Kelly Sep 2015
Emotion, emotion,
Where are you?
Are you hiding?
Leaving me nothing to do?
I'm slowly dying,
Becoming an empty shell.
Where am I going?
Am I going to hell?
My depression is showing,
I can barely stand it,
Being barely able to deal with this ****.
I don't know how to cope,
And I am losing my hope;
I feel like falling to bits.
So, emotion, emotion,
Where are you?
Are you hiding?
I'm slowly dying.
And, to be honest, I need you.
I quickly wrote this 9/19/15 at 9:30 PM in my Exploding TARDIS notebook. I figured I'd post it.
almat011  Mar 2019
Sexy goddess
almat011 Mar 2019
**** goddess
With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself. Awakening true, sparkling love for you, of universal scale. This throne of eternal praise and worship is only for you alone, and the chorus, singing about your beauty only for you. In you, every millimeter of your perfect, hot, hot-**** body is beautiful. My world is in your uniquely beautiful eyes, in your feelings and emotions, and I’m not tired of talking about your perfect proportions.
Only your caresses give such feelings as love and happiness. Striking, powerful, attractive appearance. The magnificent grace of your body has no equal. Only your divinely beautiful body is worthy of the highest praise and points.
I am only waiting for you. You're all I think about. The empress of my subconscious, in my inner world, dreams, and memories, you are everywhere. I always wait only for you. You are my only eternal thought that helps to live in this world, my beautiful emotion, and an amazing feeling. Only, like you, can excite with a look and fall in love with yourself forever. Life without you is unthinkable, impossible. Believe me, I know it for sure, your beauty shines gently honey, golden
light and shine. Your beauty is powerful hypnosis.
You are tremendously in love with you totally. You are the highest goddess: beauty, love and erotica. For me, you are the supreme being of all universes. You rule and command over male minds and hearts. Please do not be offended by this truth, but you are so beautiful that you don’t even need cosmetics, only you can look so natural and beautiful, but you are also very powerful ****** attraction, arousal, my only hobby, I’m madly obsessed with you. Your voice sounds sleeker than a violin, more touching than a piano, lighter than a harp, thinner than a triangle. So amazing, your beautiful skin glitters sexually, it is perfect, sweet, juicy. And your perfect figure, perfection itself. You are not replaceable and priceless. You are the most important, most valuable thing in my life. Your infinitely amazing, impressive, external and internal beauty sets you apart from all living and nonliving. So stunningly passionate, your beautiful body is a powerful magnet attracting a huge amount of affection and passion. You are perfect, your beautiful figure is so perfect that you don't even need clothes. I am struck down on a feast, and I bow deeply, taking off my hat to your royal authority, for me it is a great honor and a great honor to be with you by your side, you are my idol and autograph, I take it from me and keep it from my heart, exposing it to the honorary a place in your altar of love, where only you are everywhere, I am your eternal, devoted fan. You have no equal, I adore everything in you. You are the highest, absolute aerobatics. You are a beautiful and perfect image that you can imagine. This is what a beautiful goddess looks like. You are the highest good, pleasure and pleasure in this universe. I put a madman of points and a sign of infinity to boot, your unique beauty. You are so beautiful that you immediately want to marry, and live with you all eternity.
Your teasing sexually exciting figure keeps my mind completely under your control. You are a thermonuclear *** bomb-boom babe. You are all my eyes want to see. Your gently saldko-**** voice is all that my ears want to hear. The smell of your skin is all I want to breathe. I breathe only because you are near me. When you're near the heart of love knocks more. And the level of excitement from your beauty reaches the highest degree. About how beautiful you are and how I love you, that's all I want to tell you. Your gorgeous flesh and soul is all that your flesh and soul wants to feel forever. Your love is all I want to feel forever from you. You're so beautiful, just a sight for sore eyes. You are much higher than blue blood. I am only obsessed with you.
You are ****. Cool babe. Unreal beautiful. Drooling flow in men only from you. Resist such as you are simply useless. Your sweet laugh, your **** smile, soft look, impeccable outfit, battles everybody in a row. You are the most juicy relish, sensual, tender, feminine passion. You are my love and soul outlet.
You are absolute, the highest *****. Eternal novelty. It is unbearable, excessively, supremely, beautiful, and only you look overly ****. You are in the highest stage of evolution, you are the most ideal, you are my idol, my ideal, the most true and true embodiment of beauty. You are the sexually ****** heat of love and passion. Your body brings you to the highest level of arousal. You yourself tenderness and femininity. You are 1 000 000 000 percent luxury, priceless, the only, eternal value. All the pleasant moments in life are associated only with you. Your sweet caresses and kisses are a very powerful drug. You are the most valuable gift of the universe. You are gorgeous in any kind of image frame, everywhere, always and in everything. You feel a surprisingly soft, sensual, tenderness. The beauty in your eyes is something amazing, uniquely beautiful, it is very beautiful fascinating magic. Very beautiful and indescribably pleasant feeling. Your amazingly beautiful image easily and gently touches the most delicate and barely
visible strings of souls. By causing a special vibration of the true love melody, he finally falls in love with you.
So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
You are synonymous with beauty and ideal. You are so beautiful just amazing. you have a direct view of a ****, sultry predator. You are the sweetest. From you comes a powerful, ****, ****** energy. you are indescribably beautiful. You're spectacular, juicy, ****. M, You sound cool, like a mega cool, percussive, lyric rap beat. As a platinum and gold vinyl record, you are a super hit. You are a bestseller of poetry and prose. You're my princess. Queen. The Empress Goddess. The ultimate creation of all universes, spheres and dimensions. I think so. To doge to what extent a girl can be beautiful. Just amazing. The queen of my mind and heart. Your tender image overwhelms my soul with light, beautiful love and lust. You have such a soft pearl skin. Your beautiful appearance forever and ever conquered my heart and my mind. You are the most beautiful of its kind. You are endowed with the rarest beauty at all times. Fashion model. Just the thought of you excites and falls in love. You are a masterpiece of nature and of God himself. Your infinitely amazing beauty, the rarest and most amazing, the most beautiful in the history of mankind.
The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious, I will only love forever
you. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie, fell in love with you powerfully for sure. Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul.
Billions of suns of joy, happiness, and love explode in the soul and this every time they see you. With you every second is overflowing with the warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites, and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.
You're too beautiful. You are a **** lioness. You are the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you don’t need, neither makeup, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me honey, as you decorate with you all the eternity that I want to spend only with you tête-à-tête.
You are my beautiful goddess of love and erotica, and only I worship you. Rare, beautiful beauty, natural gave only you. The closer you are, the more beautiful. Your delicate skin shines so beautifully in the light, you have a stunning perfect skin color. I am overly in love with you.
You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
You are stunning, fantastically breathtakingly beautiful, the only unique sample of the true, pure form of beauty. You are the hottest, **** topic, about the beauty of which it is impossible to stop talking, so beautiful that you want to sing out of love for you, the girl from whom it is impossible to take your eyes off. So amazingly beautiful, perfect, ******, hot, passionately savory, juicy forms, your divinely beautiful, endlessly, stunning beautiful, seductive body sound so captivatingly beautiful, sweet, gently voluptuous. Who wants to caress and caress, kiss, lick, stick to intimate places all the time, and give your tenderness with your hands, and bring it to ****** so that you feel the heat and tremor of your heated body, and kiss a satisfied body and kiss. Each cell of the soul and body is supremely filled with only you, love and excitement. Truly I am thirsty to belong only to you and to spend all of eternity only with you alone.
I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are a temptation and a temptation, you want to have *** countless times.
Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos are able to excite me, only your beauty turns off my brain, you have a ****, ****** tune in my head, you are like a hot bath after a hard of the day, like an ****** massage, like a soft pillow with soothing tenderness.
Every day I am drawn to you more and more and it can not be stopped because it is uncontrollable every day my **** wants you more and more aggressively he is waiting for endless *** only with you and I once again make sure that you are I will want forever and ever. Because I am truly in love with you in your body and soul. And this feeling is only enhanced with time on the mental and physical levels. Looking at you in the head is only one word Goddess, the empress of my heart, or one ***. It's just ecstasy.
excitement your every movement is so ****** and beautiful, burning passion of your skin and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author: Musin Almat Zhumabekovich
Ozioma Ogbaji Apr 2015
Like the heavens and the skies
Like the deep seas so wide
When I am confident and true
When I have faith in you
Colour me blue, colour me blue

Like the royals of Great Britain
Like the noble in truth and ambition
In my wisdom, dignity and pride
In my mystery and grandeur so wise
Colour me purple, colour me purple

Like fire and blood
Like the intensity of a flood
In my strength and passion
In my desire, love and emotion
Colour me red, colour me red

Like the warmth of the tropics
Like the sun, my daily tonic
When I am determined and creative
When I am happy and attractive
Colour me orange, colour me orange

Like a smile so warm
Like joy even in a storm
When I am cheerful and happy
In my intellect, when I am savvy
Colour me yellow, colour me yellow

When I am all these and more
When I am despised or adored
With the colours of the rainbow
With the colours that make me glow
Colour me colours, colour me colours
egghead May 2018
We cannot write silence.
The beats.
The pause.
The breath.
The way it aches
and persists

and begs that,

if only for a moment,

our consciousness is only a whisper.
our bodies,
our lips,
the air that passes through falling chests
and stillness.

A melody of emotion.
Sleeping in the quiet of a heartbeat skipped
a word lost to the wind.

The wickedness of reticence
Encapsulated in air and time.

The moment stretched too long.
Hesitation perpetuated in the grip of fingernails
pressed into palms.

We cannot write silence,
but we can try.

to find a way to immortalize emotion
to create space
in the ceaseless drone of words that speak and spin.

I cannot write silence. But I can write
tears and years
and the burn of long-stretched lies.

I can write goodbyes and hellos
And dozen ways to say
I love to hate you
Or
I hate to love you
and sometimes
I cannot tell the difference.
Silence.
The space I have upheld for myself.

I love to hate you
Heart.

I hate to love you too.

I cannot write silence.
But I know it.
and I have held it in my hand.
Inspired by the Vanity Fair article of André Aciman's reaction to his book *Call Me By Your Name* being made into a movie. Specifically the quote, "I couldn't write silence."
Heather  Apr 2014
Emotion.
Heather Apr 2014
I don't care who said crying was overrated, who gave you the ******* right to control the tear ducts of another human .

A human shows emotion through tears , laughter , smiles. The human face has 24 different emotions yet the water stains on her cheeks was never stated as one .

The stains of mascara running down her cheeks , dripping on to neck , her nose sniffling up the excess embarrassment .

I told her to stop trying to be brave , she had to embrace each feeling as it came , I saw her chest heave up and down in a rapid movement so fast I couldn't keep count.

Her mouth was open , no sound came out , she looked like a fish out of water and person screaming but no sound .

Her hands started to shake her body soon followed next I held her close put her head in between the crook of my face and neck .

I felt the water dripping down my neck to my top I never said a word , never told her to stop.

Even though I just changed my sheets that day I never told her to man up because crying is a source of speech when words are not enough .

She had so much emotion and all she could do was mutter incoherent words ,I think it was " I'm sorry" .

Sorry for what I will never know , she never once asked me to let go and I never did .

For once in her life I gave her an embrace even though she refused because if she didn't feel my comfort I'm not sure what she would do .

I did it because when I need that embrace they all refused to give it , they told me to " **** it up" " be ******* brave" , I soon  found comfort in smashing my fist against my bathroom mirror and throwing my mothers jewellery box outside in the rain .

I stopped and I jumped in the mud that had formed and that was when I promised myself , if another person needs my embrace no matter who it was , I sure as ******* hell will give it because crying alone is just no good.

It's no good that others can't see your pain , I encourage you to throw a fit and call names , call them all ******* ***** tell them how worthless they are that when you needed comfort he would rather go sit in the car .

I want you to scream , yell and shout with the tears streaming down your face , show them what expressing yourself is all about.

Darling don't ever hold your tears in , wearing mascara or not ,just always keep a tissue tucked in your sleeve, and wipe your eyes till they are raw with the courage that they need.
Verbatim Lynnie May 2018
Black surges, forges piling emotion,
Foraging, attaining such predicted erosion.
Color the rubies to a diluted amber,
Brittle, dripped gems are toxic, I clamber
To the lamp as to see my implicit devotion.

Vitals ascend, and I can't perceive
This motionless forfeit I often receive.
Aid is essential, it holds potential,
To cure this conflicted, addicted vessel.
My heart on my sleeve, I'm undeceived.

I implore to explore, as breath, I leave,
So close to dying, I'm on the eve
Of darker clothing, and flowers to family,
Hallucinate my abnormalities.
Yet somehow, I am still on my feet-
All feedback is welcome and appreciated.
infinite mind May 2014
your mind is like the ocean
a constant wave of emotion
for a second it was a storm of hate crashing out
now it is a calm tide of love surfacing about

beneath the tides lie countless wrecks
like memories resting inside my head
I thought I'd forgotten
placed them deep below
but they surface from time to time
trying to stay afloat  

my mind has a never ending complexity
I own it - yet struggle to control it
it is drowning in emotion
it is struggling to keep afloat

but for now I will bathe in the undisputed unknown
Cheyenne Jan 2015
Emotion is not tangible--
But when The Poet speaks,
she stumbles upon sculptures of
the emotion that you seek.

Emotion is indescribable--
But in The Poet's lines,
it nestles up upon the words
and engulfs them in its tides.

Emotion is a fickle fiend:
unsure if friend or foe--
But when The Poet writes
it's as if they know.

Emotion and The Poet:
a conundrum to say the least.
Each tries to slay the other;
Each fuels the other's beast.
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