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There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of feastings un-hallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sin's turning flight.
And chant wild in the woods as they dance round a Yule- altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the sick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark, from the graves of the lost Druid-folk.
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
Infamous one Mar 2013
Gym
Hit the gym hard
Squats for legs strengthen those quads
Bench press for chest gets the pump
Hit it right make it tight
Isolations with dumbbells
Form is everything
More reps with less weight
Maxs out test of strength
Heavy weight less reps
Finish strong last set
Stretch to warm up
Stretch to cool down
Cardio for the heart rate
Gym time best time
Progress body change
Mind set ready for more
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of
feastings unhallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sun's turning flight.
And chant wild in the woods as they dance
round a Yule-altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the thick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark,
from the graves of the lost Druid-folk.

And mayst thou to such deeds
Be an abbot and priest,
Singing cannibal greeds
At each devil-wrought feast,
And to all the incredulous world
shewing dimly the sign of the beast.
THE BABY moon, a canoe, a silver papoose canoe, sails and sails in the Indian west.
A ring of silver foxes, a mist of silver foxes, sit and sit around the Indian moon.
One yellow star for a runner, and rows of blue stars for more runners, keep a line of watchers.
O foxes, baby moon, runners, you are the panel of memory, fire-white writing to-night of the Red Man's dreams.
Who squats, legs crossed and arms folded, matching its look against the moon-face, the star-faces, of the West?
Who are the Mississippi Valley ghosts, of copper foreheads, riding wiry ponies in the night?-no bridles, love-arms on the pony necks, riding in the night a long old trail?
Why do they always come back when the silver foxes sit around the early moon, a silver papoose, in the Indian west?
Melanie Cruz Feb 2017
This country was founded on the idea of being who you are in liberty, yet there are people trapped in closets because the monsters are on the other side and the darkness has become too comforting at this point; the face of death has become too beautiful to want to turn away. We are hidden, dancing around the idea of being hung as perfectly as that shirt that was “too gay”; planning our proposal to the Grim Reaper because, at this point, he is the only man who can “turn us straight”. We’re rolling out our blueprints and studying the structure of surviving instead of accepting that we’re different and actually living. The pride that used to live in us died a long time ago, maybe around the same time we were in the closet writing our suicide notes; for others, it was the day they were calling their loved ones for final words before their pulse was devoured by the hurricane.

This country was founded on the idea of being who you are in liberty, yet it was built off blacks and Native Americans forced into captivity; sold and sent off into slavery. The basis of this country is “freedom”, but… I’m still trying to find the point in time when we practiced what we preached, um - have you heard the joke about the Annoying Orange? He was elected president. No, wait, I think it was actually part of a horror movie. I’m sorry, was that racist? Because there are people on twitter who rant about how “REVERSE RACISM DOES EXIST” and “WHITE OPPRESSION”, now please don’t get offended, but it’s 2017 and the true founders of these divided, yet technically united, states are being held at gunpoint simply for being born that way. Just when we thought the crackling of our spines was enough to run the white boys away, they had to send their dads in to drop charges labeled “thief”, “****”, and “felon” on our shoulders until they crushed our will to live. Now don’t have hope on justice for that is nothing but a fairy tale. If you haven’t already realized, the dragon of their arrogance grows the more they see us fail.

This country was founded on the idea of being who you are in liberty, ...but we forgot to include women in the subtext. Did I say “we”? I’m sorry. I meant HE, and not HE as in God who created you and me, but HE as in the Annoying Orange and every Arrogant Coconut elected to run this country. Apparently, we must conform to their manly mentality, their barbaric way of living because

“Women are too emotional”

“She’s probably PMSing”

But tell a guy he throws like a girl and watch his estrogen crawl from the deepest corners of his eye sockets as he runs away; their faces flushed with shame… because being feminine is something to be ashamed about. Throwing like a girl is offensive. Losing to your girlfriend in 2k is not Ok.
“You must obey me” they say.

“You belong in the kitchen”

And all we knew to say was “ok”.

You see, I’m tired of being tamed by men and am regurgitating all these false allegations.

I will not stop eating chocolate cake to please you. I love chocolate cake. It pleases me.

I will not watch my weight to protect your pride. Loving my weight is my pride.

I will not do squats because you want to post a picture of me on Instagram under hashtag thicc. I hate exercising. It’s exhausting.

I will only stop eating chocolate cake when I start to break out in places I shouldn’t.

I will only watch my weight when my doctor tells me I will die otherwise.

I will only do squats when I want to check myself out in my new bikini in the summertime.

This country was founded on the idea of being who you are in liberty, but it’s difficult to get the message across without learning the word “respect”.

You. Heterosexual judging me. Respect our various identities.
You. Caucasian individual. Acknowledge and respect our black history.
You. Cisgender male oppressing my womanhood. Respect your own mother.
You. Liberal teen defending your right to believe. Respect the worn out Cheeto puff.

And you will see…

Maybe one day we will know a free America.
Francie Lynch Jun 2014
Byron wants me to invite all my friends on HP to a pig roast. Rest assured, when Byron has a pig roast fun is surely to be expected. Here's his invitation.

You're invited to my pig roast.

I told him he'd have to do better, that he's talking to a collection of rhymers, wordsmiths, and gesticulating anthropomorphics. He had no idea what the **** I just said, but he did do an edit.

Here's his edit.

You're Invited to My Pig Roast

Your toad on the road
Only squats, never stands,
Or sits 'til he splits
Between the treads of your van.

Your mouse in the house,
If it isn't found out,
Drops pellets in pots,
'Til snap, then it stops.

Your bird on the wire
Sweetly sings then lets fire;
And a cat in a hat
Is cute, but that's that.

Your horse from the stable
Won't be served from your table;
And the deer by the brook,
Well, too much the Bambi to cook.

Yes a bear in the wood
Indeed craps where it should;
He's best left alone
While your meat's on your bone.

Then there is the PIG.
A ruddy pink porker,
Intelligent and clean,
An innocuous oinker.
It does nothing that's heinous,
And yes, it should shame us,
As it lies silently smiling
With a spit up its ****.

Please bring your own lawnchair, *****,  and women.
The pig's on me.
Edward Coles Oct 2015
On A Diet

The country is on a diet,
drinking coke with no sugar,
eating burgers with no bun,
running on the treadmill;
it's powdered protein for lunch.
It's straight tequila in the evening,
a light head and guilty fries at night.

The country is on a diet,
doing yoga over yoghurt pots,
training their minds with sudoku and solitaire,
rubbing salt and condition into their hair.
It's 6 a.m. gym sessions,
it's squats on the living room floor,
the country is on a diet, my friends,
and so we have no time for truth, or war.

The country is on a diet,
avocado in the breadcrumb,
aspirin in the salt-shaker,
food numb on the tongue
and those slim-shakes always failed to deliver.
Thigh gaps and mind-the-gaps,
all these signposts for a cleaner living,
no dust on the shelf,
no bags 'neath your eyes to hide
the lack of sleep
and your ailing mental health.

The country is on a diet,
drinking tea with no milk,
eating carrot sticks with best-value dip,
running on the treadmill,
we never get too far.
It's straight tequila in the evening,
it's "anything goes" in the dark.
C
You can hear a spoken word version of it here: https://soundcloud.com/edwardcoles/poetry-and-music (4th performance in)
PAST arthritic decrepit elderly female wearing traditional black southern Mediterranean clothing long silver hair braid sits in stiff wooden chair

PRESENT handsome athletic 21-year-old male soldier in tan uniform stands at ease

FUTURE eye-catching 32-year-old female wearing spaghetti-strap dark slate gray slinky cocktail dress 3” black Italian calf heals long loose brown red hair red fingernails lipstick



act 1 scene 1

PAST (clasped hands) you’re ruining everything

PRESENT get out of the way old woman you don’t belong here anymore

PAST (hands gesture) you think you’re making things better look around the earth is a toilet of human errors accidents self-destruction violence greed corruption horrible secrets

PRESENT be quiet old woman silence hear me shut the **** up (short pause) what? you think your former oppressive hierarchies were better

FUTURE talk ***** to me

PAST shush up girl

PRESENT let the pretty lady speak

FUTURE (coquette stride across stage) i have a vision a world where everyone is equal living in harmony shared respect appreciation for each other we’re entering a critical crossroads extraordinary passage in time

PRESENT you hear what the pretty lady said

PAST she’s baiting you hook line and sinker

PRESENT (male bravado stance) you wrinkled bitter blind old woman can’t you see feel this critical crossroads extraordinary passage in time

PAST i know a black widow when i see one

FUTURE who you calling black widow you old witch

PAST i remember when food was good natural cows chickens lived happy neighbors were neighborly you could walk home at night without looking over your shoulder or stick out your thumb hitch a ride or if you drove up to a stop sign no one was in front of you people greeted each other as they passed it wasn’t that far back just 50 years ago

PRESENT ***** you old woman i don’t know what time that was what were you some privileged person

FUTURE let’s order pizza

PAST who can eat at a time like this

PRESENT pepperoni and mushroom

FUTURE mushroom tomato basil no meat

PRESENT cool

PAST you’re escaping into comfort food immediate gratification

FUTURE why must you judge everything

PRESENT i’m with pretty lady pass away old witch let the future and me figure this out

PAST don’t say i didn’t warn you all this banter has exhausted me i need a little nap (she tilts head closes eyes slumps in chair)



act 1 scene 2

PRESENT (swaggers up to eye-catching female) perfect now you pretty lady and i can get more familiar with each other know what i mean

FUTURE what do you have in mind

PRESENT pardon my straightforwardness i’m shooting for 69 you know what that is

FUTURE hmmm uhh yes i know what that is

PRESENT you mind spreading open those long lovely legs of yours and let me see what you got hidden there

FUTURE you think you’re man enough to see what i’ve got hidden here

PRESENT oh yes ma’am

FUTURE lie down on your back on the floor

PRESENT anyway you want it i’m glad to oblige you ma’am

FUTURE (lifts dress to waist and stands over his head) like what you see

PRESENT oohhh you are a beauty my mouth is watering please let me have a taste

FUTURE (bends knees squats above his head sinks pelvic area into his face) give me your best shot soldier boy

PRESENT mmmmmmm (long pause)

FUTURE ease up (pause) it’s a delicate flower slow gently treat it like an intricate story plot construct it carefully strong foundation listen to my breathing heartbeat feel my muscles flex follow mounting rhythm by rhythm building to crescendo

PRESENT (long pause) how am i doing

FUTURE terrible (stands ***** drops dress walks away) you’re all over the place no skill discipline direction you need to be more precise more anticipatory more presence of mind less messy rashness

PRESENT no girl ever told me that before

FUTURE probably because she was so grateful to see your face down there she would not think to ask for more but i’m the future and my needs are more demanding

PRESENT you sure do smell and taste good ma’am may i please have another shot

FUTURE listen up soldier boy i know understand you you’re a man with needs that torment you i think you have been going through this long before i knew you i see through your tough veneer i have an idea what haunts you

PRESENT what do you mean what haunts me

FUTURE maybe you didn’t get enough love from mom dad was never around none of your teachers at school knew how to get through to you now look at yourself soldier boy you’re fighting a war inside and out trying to save something that can’t be saved the world is changing faster than you can keep up do you honestly think your life and labors will have any effect on me

PRESENT i don’t understand

FUTURE i’m on the horizon you desperately need me (pause) and i don’t need you



act 1 scene 3

PAST shut up i can’t get any rest around here can’t stand hearing all this drama gibberish

PRESENT you’ve been listening (pause) you heard everything

PAST i’ve heard enough to make my stomach turn sour i don’t need to hear any more of this crap

FUTURE (flexed posture eyes glare at elderly female) don’t give me reason to trash you

PAST you think i’m afraid of you

FUTURE i mean it old witch i’ll annihilate you

PRESENT what’s happening here i don’t understand let’s all just chill

FUTURE stay out of this soldier boy it’s between the old witch and me

PAST (stands from chair raises arms revealing long black shawl) you think i am a feeble old woman or witch as you like to call me but my power goes beyond your imaginings wherever you go i will follow track you down haunt you infect you with your errors accidents self-destruction violence greed corruption horrible secrets

FUTURE shut up shut up you’re ruining everything (frantically rushes to edge of stage looks out searching audience paces back and forth hands cover ears)

PRESENT i’m lost who do i believe listen to

PAST (spreads arms out like wings) you want to know about the future i’ll tell you i can see right through her lies it’s a world devoid of fish in the seas or creatures in the forest instead industrial farming complexes producing genetically altered strains of cattle pig chicken flavorless fruits vegetables grains toxic black oceans toxic black skies stifling temperatures coastal cities swamped swarms of vermin parasites oh lest i forget trillions upon trillions of humans and robots robots!

FUTURE (abducts arms) but what about my beautiful vision a world where everyone is equal living in harmony shared respect appreciation for each other

PAST you’re in love with your own deceptions foolish woman you can’t possibly believe the sins of the past will ever let go of you

FUTURE that’s it you ***** you die (attacks old woman’s throat strangling)

PRESENT (intervenes pulling enraged female off elderly female) please stop this fighting stop your hostility

PAST (coughing choking trouble speaking) it’s up to you now soldier boy what will you do

PRESENT i need fresh air i have to go get away from here goodbye to both of you

FUTURE not so fast

PAST in a way we’re all joined at the hip understand soldier boy now lie down on your back on the floor there’s something i’ve got hidden if you’re man enough to see (lifts skirt hem)

FUTURE i want in on this

PRESENT oh god
rolanda Dec 2013
West reality made so
that people forced to consume
whatever material or unmaterial goods
here any protest is legalised
in form of demo
which is necessary surround by police
northeless there are people exist who are illegal
beside of refugees from east lands
there also socalled  insane people
who are locked in closed loony bin
or hunted like amok
untill they really get insane
if you take separately each after other
their fate and observe it precise
you will find there all the evil of
patriarchal repression
what is the consequence of capitalism
patriarchal repression
which is so masterfully comuflaged in west
but since the victims, the renegades live on rand of society
no one ever take their lifes and deaths under lenses
just example:
feminists dont fight for the rights of the debased woman
 in their neigbourhood
but just speculate about arbitrageness in Iran
not ever able to change something in afar lands
they simply ignore evil which happens beside them
every day, every night
there is pseudo-publicity in capitalism
since those who rebel against
become mostly so oppressed
that they never ever get any chance to
speak out loud
and revenge!
While those anarchists and punks
who squats in city and towns
will never give political asylum
to the one who's life circumtances
penetrate to be betrayed by friends
living on the streets and parks
and hunted by psychiatry
during anarchists and punks are not
real activists of underground
but just kind of subculture
which live quite comfortably in capitalism
it just funky to be anarchist or punk
and nobody knows how they will act
in critical situation
I lost my believe on socalled leftists
in fact they are same equal part of society
like bankers or yuppies
with a difference that they
pretend  they still had some ideals!
known to many
believed by the few as
the truth
Accordingly my individual struggle their claim
is nothing as fallacy
whom believe? Whom with resist in action?
Where hides real iconoclasts?
LARISSA LOU McCASKY female 40 years of age 5’7” lanky physique stitched old pillowcases random fabric homemade knee length wrap skirt tight brown velvet vest no shirt camping sandals subtle smile

CLYDE ELI MOSKOWITZ male 52 years of age 5’9” athletic build yet signs of age white painter’s pants rolled up to mid-shin light blue vintage cowboy shirt wet black high-tops

act 1 scene 1

Sky bar 4th Avenue Tucson Arizona 6:30 PM actors sit 3 seats away from each other at bar bartender approaches Larissa

BARTENDER can i help you?

LARISSA (she looks up from cell phone) yes thank you may i please have a glass of sauvignon blanc or reasonable facsimile and tall ice water

BARTENDER we have a California pinot grigio $5 a glass

LARISSA is it good? i’ll try a glass (bartender serves wine and tall ice water Larissa sips) oh yeah this is good thank you

CLYDE excuse me i was considering switching from this Spanish red to what you ordered you like it huh?

LARISSA yes it’s quite good funny coincidence i just switched too from pinot noir last week i decided it’s unseasonably heavy you look familiar have we met?

CLYDE we’ve almost met on several occasions i’m a fan of your beauty (raises hand appealing to bartender’s attention) hi may i please try what she’s having

BARTENDER no problemo señor

LARISSA oh that’s sweet i thought for a moment you were going to say you’re a fan of my writing

CLYDE you’re a writer huh what kind of writing?

LARISSA whim fancy poetry fiction essays critiques i like to experiment with different formats

CLYDE hmmm what are you currently reading?

LARISSA aren’t you the inquisitive one i’m currently reading Yukio Mishima’s Madame de Sade it’s a play

CLYDE wow i’m a fan of Yukio Mishima and the Marquis de Sade yet unaware of the work are you enjoying it? i’m Clyde what’s your name?

LARISSA Larissa i just began reading it so far so good

CLYDE may i move closer?

LARISSA yes

CLYDE thank you (he picks up glass and sits next to her) hello

LARISSA is the mustache recent?

CLYDE still growing in

LARISSA i like you better without it

CLYDE got a razor on you?

LARISSA it makes you look sad

CLYDE hmmm (long pause he looks away then into her eyes)

LARISSA are you ok?

CLYDE yes

LARISSA what’s your profession?

CLYDE i’m a painter sometimes writer and i teach yoga when i can find work otherwise i scrape out a living house painting restoration whatever pays

LARISSA a painter what do you paint besides houses?

CLYDE i’m old i’ve painted everything figurative representational abstract symbolism you name it i’ve painted it

LARISSA you’re funny

CLYDE you think so?

LARISSA Clyde why are you sad?

CLYDE oh Larissa i don’t know what to say in a way i feel i was sent here to do a different job i don’t understand why i'm here or what i’m doing do i sound crazy? life throws a lot of hardballs at you few are good enough to make the big leagues the rest of us struggle day to day no i don’t mean to express that thought i’m grateful for the opportunity of this life in my own little way i try to make a better difference

LARISSA you’re not crazy Clyde you’re wise well spoken words you’re a sweetheart i’m glad to finally meet you

CLYDE oh god Larissa you have no idea how good that makes me feel i am such a fan of your beauty the way you dress your voice gestures everything i look forward to reading your work

LARISSA chill on the flattery Clyde my dog is dying (tears well up in her eyes)

CLYDE i am so sorry for you (he reaches into back pocket) here’s a tissue i know what it’s like to lose a precious friend i lost my baby 12 years ago and still carry her picture in my wallet i’m probably not someone you want to talk to i totally freaked out (tears well up in his eyes)

LARISSA Clyde you are so sweet can i buy you a drink anything what do you desire please

CLYDE uhh thank you but no not tonight i think i’ve had enough i need to go home Larissa you’re an angel my precious angel thank you my heart flames for you (he stands up)

LARISSA you’re being dramatic Clyde please stay and talk with me i won’t ask you again why you’re sad i like your mustache it’s growing on me please hang out with me

act 1 scene 2

9 PM they are walking back to her place

CLYDE (looking up at sky) the moon Larissa the moon

LARISSA you’re so dramatic Clyde

CLYDE you think i’m a drama queen?

LARISSA i don’t know you well enough yet Clyde are you?

CLYDE sometimes i think i’m a woman trapped in a man’s body

LARISSA shut up Clyde

CLYDE i’m definitely a man but way too sensitive for this world

LARISSA i need to *** (she squats and pees)

CLYDE (he looks up and down street keeping guard) you’re the coolest girl in the world

LARISSA you think so?

act 2 scene 1

cell phone conversation

LARISSA i’m taking Sweeny to the vet i can tell he’s hurting bad

CLYDE i’m coming with you

LARISSA no this is too personal

CLYDE shut up Larissa i’ll see you there

LARISSA i don’t know i need to do this by myself i feel so sad Sweeny’s eyelids are half closing I’m losing him

CLYDE i love Sweeny for adoring you the joy he brought to you please don’t shut me out Larissa i’ll meet you at the veterinarian’s we’ll figure this out write paint practice yoga work it out somehow

LARISSA ok alright see you at the vet’s

act 2 scene 2

they are shoveling a hole in her backyard deep enough so no creatures can intrude both are crying Larissa is in a daze

CLYDE that caliche is a ***** to shovel through

LARISSA yup

CLYDE oh baby let me have the shovel

LARISSA i can do this i need to do this i think it’s deep enough let’s go look at Sweeny (tears pouring out of her eyes they go back into house Sweeny is lying wrapped in blanket on table)

act 2 scene 3

he is lying next to her sniffing smelling her underarm kissing her neck hair she is lifeless coming to consciousness crying hysterically

CLYDE rest easy darling Sweeny is up in heaven waiting for you

act 2 scene 4

Thai restaurant

LARISSA i’m not hungry can’t focus on the menu order for me

CLYDE i love you Larissa more than anyone anything else in this whole world i love you

LARISSA i feel sick tired

CLYDE shall i drive us home

LARISSA no let’s eat in an unforeseen surprising way Clyde i love you too deep down stay with me Clyde don’t ever go away
Gidgette Sep 2017
The devil resides on a fence post,
covered in honeysuckle and black berry vines
Across the dirt road in front of my house
He squats there,
atop that post
With his beautiful grin and blue eyes
He has demples when he smiles,
and hair the colour of hay
His voice,
is that of silken sin
Offering up a drunkenness that the finest of whiskys can't give
He drowns me in satin,
posing promises never kept
He bruises peaches,
and feeds on flames
Beckoning my flesh,
with the sharpest of silver blades~A
I speak of this hell of addiction. It seems I've sold my soul to it. But we all have our vices.
O pleasant eventide!
    Clouds on the western side
Grow gray and grayer, hiding the warm sun:
The bees and birds, their happy labors done,
    Seek their close nests and bide.

    Screened in the leafy wood
    The stock-doves sit and brood:
The very squirrel leaps from bough to bough
But lazily; pauses; and settles now
    Where once he stored his food.

    One by one the flowers close,
    Lily and dewy rose
Shutting their tender petals from the moon:
The grasshoppers are still; but not so soon
    Are still the noisy crows.

    The dormouse squats and eats
    Choice little dainty bits
Beneath the spreading roots of a broad lime;
Nibbling his fill he stops from time to time
    And listens where he sits.

    From far the lowings come
    Of cattle driven home:
From farther still the wind brings fitfully
The vast continual murmur of the sea,
    Now loud, now almost dumb.

    The gnats whirl in the air,
    The evening gnats; and there
The owl opes broad his eyes and wings to sail
For prey; the bat wakes; and the shell-less snail
    Comes forth, clammy and bare.

    Hark! that's the nightingale,
    Telling the self-same tale
Her song told when this ancient earth was young:
So echoes answered when her song was sung
    In the first wooded vale.

    We call it love and pain
    The passion of her strain;
And yet we little understand or know:
Why should it not be rather joy that so
    Throbs in each throbbing vein?

    In separate herds the deer
    Lie; here the bucks, and here
The does, and by its mother sleeps the fawn:
Through all the hours of night until the dawn
    They sleep, forgetting fear.

    The hare sleeps where it lies,
    With wary half-closed eyes;
The **** has ceased to crow, the hen to cluck:
Only the fox is out, some heedless duck
    Or chicken to surprise.

    Remote, each single star
    Comes out, till there they are
All shining brightly: how the dews fall damp!
While close at hand the glow-worm lights her lamp
    Or twinkles from afar.

    But evening now is done
    As much as if the sun
Day-giving had arisen in the east:
For night has come; and the great calm has ceased,
    The quiet sands have run.
Sara L Russell Feb 2014
14th Feb 2014

They are all around us, 
within, without, above, behind and before us;
Fanning the flames of the famous, the wealthy and fortunate
with secret agendas and infamous fame of their own.

I throw a stone
send it crashing through houses of glass; I see their
comings and goings in the Grove of Bohemia;
drinkers and liars; role-playing fraternity fools.

There are rules.
It takes more than just peeing at trees to be properly manly;
secrecy more than life is at stake when the fodder is human,
throw off your cares to the punitive furnace of hate.

Such ill-fate
that begets our world leaders, hatched out of a tangible darkness;
parasitic, calamitous, venomous world-gobbling evil
Mammon, devourer of souls, will preside at the feast.

And the Beast,
Fourth Beast of Daniel, squats at the head of the table,
fabled for pitiless torture of souls in transgression,
slavers and gloats over innocence lost and despoiled.
* * * * * * * * * * * * * * * * * * * * * * * *
To those who are not worried by what our world leaders get up to at Bohemian Grove: perhaps you should be.
Thou hast nor youth nor age
      But as it were an after dinner sleep
      Dreaming of both.


Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
                                        I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door.
    Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy ****.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

                    Tenants of the house,
Thoughts of a dry brain in a dry season.
judy smith Apr 2016
Who says you can't arm twist yourself into doing practically anything? Victoria Beckham — stylish mum, fashion empire czarina and social diva — took that notion a **** few notches higher as she posted a picture of herself on a sofa on a photo sharing site, leg extended high above her head at 90 degrees. The picture went viral immediately with a huge buzz around her impressive flexibility. She captioned the photo, 'It's amazing what you can do in culottes...those ballet classes are paying off!' (sic) It's not the first time she has showed off her moves. Last year in Singapore too, she kicked her stiletto-clad feet into a high pose as she relaxed on a sofa.

These celebs are advocating it, too...

Posh Spice aka Victoria isn't the only one. British actress Kelly Brook showed of her flexi *** on her sitcom show. Actresses like Reese Witherspoon and Jennifer Aniston have also taken up exercise regimens that stretch their bodies to the limit. Angelina Jolie's workouts are said to include the stability ball leg, squats and kickboxing, known build flexibility and balance. Jessica Biel is a firm follower of her five days a week cardio with strength training and pilates classes that have been credited with getting her such a lean ***. And Megan Fox ensures she is flexible, too.

Advantages of being stretchy

Being flexible and stretching out is not the realm of just gymnasts, athletes or swimmers. Anyone can and should be like that, for it's not just before starting a workout that one faces tight hamstrings and a sore back and neck. These are issues that plague those with sedentary jobs as well. Thus, flexibility can help in gym training and dealing with the stressors of everyday life. It also helps the body to heal. Increased flexibility also leads to improved posture. Once the earlier tightness goes away you start to sit right and walk better, too.

How Much?Stretching muscles twice a week is enough to build overall flexibility.

For anyone

A common myth is that being flexible will only work with younger people. It is actually for anyone of any age

Exercises to help you get there

Chest dumbbells: Lie flat on a bench, holding dumbbells in either hand. Now lift the dumbbells overhead together and slowly bring them back. This stretches the pectorals.

Abs stretch: Sit on the ground with the ankles facing each other and the knees flexed. Now put pressure on the knees and press them to make them touch the ground. Hold this for 20 seconds and repeat.

Shoulders delt: Hold the elbow of one arm with the other hand and pull the elbow across the chest. Hold and repeat for the other hand.

Curling cat: Kneel down on all fours and curl the back upwards in the same position. Hold this and start again. This increases flexibility of the back.

Hamstring stretch: Place your leg on any raised area in front you, like a stool or chair. Now, extend it straight without bending the knees and bend the torso to touch the toes. Hold for 15 seconds and repeat.Read more at:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne
LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene is at his castle, Altaforte. “Papiols” is his jongleur.
“The Leopard,” the device of Richard Coeur de Lion.

I

**** it all! all this our South stinks peace.
You whoreson dog, Papiols, come!  Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.

II

In hot summer I have great rejoicing
When the tempests **** the earth’s foul peace,
And the lightning from black heav’n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God’s swords clash.

III

Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breat opposing!
Better one hour’s stour than a year’s peace
With fat boards, bawds, wine and frail music!
Bah! there’s no wine like the blood’s crimson!

IV

And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His long might ‘gainst all darkness opposing.

V

The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth’s won and the swords clash
For the death of such ***** I go rejoicing;
Yea, I fill all the air with my music.

VI

Papiols, Papiols, to the music!
There’s no sound like to swords swords opposing,
No cry like the battle’s rejoicing
When our elbows and swords drip the crimson
And our charges ‘gainst “The Leopard’s” rush clash.
May ******* for ever all who cry “Peace!”

VII

And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought “Peace!”
slr Oct 2018
Sweetheart you need to be have a flatter stomach
Put down that soda pop
Or one day it will make you pop
Put down those puff pastries
Or one day they will make you the Pillsbury Dough-girl.
Take up crunches and sit-ups
And just ignore when your body screams for food
Take up ******* in and waist trainers
And just ignore that ******* in all day weakens your muscles pushing you further from your ideal

Hey good lookin’ you’d be prettier if you had smaller thighs
Stop eatin’ them donuts
They turnin’ you too dough
Stop ordering your pizzas in larges
They turnin’ you large
Start doing some squats
Just ignore your back screaming in pain
Start running sum more
Just ignore that bigger thighs mean a lower risk of heart disease and premature death

And a simple request from everyone else: make sure your hair always looks like a girl from a movie, that your skin is flawless, you dress perfectly, are always happy, smiling constantly, have an aesthetically pleasing Instagram, be in an adorable relationship, know all the newest music and shows

You know what

just be perfect
but
not to perfect


-love society
Don't let society tell you anything about yourself. You are you and perfect just how you are.
They have become defiled
They have defiled the land

"It's so unfair," she said. "Is this a loving God
Who sanctions genocide?
Who commands His people to slay man, woman and child?
A nation condemned, not the first
An entire planet submerged
Heaven snatched away for disobedience
No, I will not tolerate such a Deity."

In dark caves the Canaanite altars drip with the blood of children
The stench of feces and foul ***** taints the air
Yellow pools glisten in torch light
**** drips from the walls, piles up in mounds scattered on the floor
Animals mill about, sniffing the carcasses of other beasts
Each one kept for a purpose, dead and alive
No golden calves here, only warm flesh unyielding
Worthless for breeding, unneeded
For the Canaanites feed on the carrion of their own battlefields
The meat of their own brothers
Sisters, Fathers, Mothers
The feast devoured, bellies full, sated
The leftovers packed in salt for another day

Night falls, soon the stone that seals the altar tomb
Will be rolled away
The strongest of the peoples will enter the huge cavern
To claim their rightful reward
Until then...

The sounds of grunting women and children
None resisting, none even caring
Most feel nothing
The women should be crying, the children screaming
Only the infants' wails stand out against the cacophony
The noise of mindless rutting, the tears drawn by innocence crushed
Man and woman so desensitized
They barely feel anything anymore
But they remember the sensation
They strive to get it back
The Canaanites have become too ignorant to realize
They never will
So they've turned it into a God
Given it life, passed it on, infecting their enemies
Every bit as lethal as the diseases they've unwittingly cultivated
Passed on to open hearts and open minds
And to their infants and children
A malaise that blossoms into deformity, leprosy or worse

On a dais in the center of the cave
Are seven corpses
The Strong Men know them well

A Canaanite woman squats in a field on the edge of the village
She heaves and groans, face red from effort
With a final push she feels relief
The tiny thud of a newborn hitting the ground distracts her
To her it is nothing more than another form of defecation
She wraps the umbilical cord around her right hand
With her left she grasps the slimy casing
With a quick, purposeful **** she tears it in two
Rips, wanting nothing more to do with the burden she's carried for nine months
A final glance at the condemned child
The sand around it's body blotted with blood and issue
It's airless plea unheeded
She turns and walks away, apathetic
She's done this before
Many, many times before

The cave echoes with an ungodly sound
The Strong Men harness the beasts
The noise is maddening
The Strong Men dominate
Their laughter is insane
The creatures, they believe, are their prize
After all, they are the Strong Men
They are the leaders of the land

Friendship is dead
Compassion is dead
Fear is dead
Hope is dead
Desire is dead
Reason is dead
Logic is dead
Understanding is dead
Joy is dead
Peace is dead
Patience is dead
Kindness is dead
Self-control is dead
Faithfulness is dead
Gentleness is dead
Goodness is dead
Love is dead
Dead as the corpses on the altar
Dumb as the animals in the cages
If those creatures were sentient beings
They would beg for the slaughter
If the Canaanites had not so long been numb
They would pray for the same

The Strong Men
Are ready
Now
For the
Corpses

****

A loving God puts a crippled horse out of it's misery
A loving God buries it deep underground

A loving God does not condemn without reason
Without good reason

A loving God does not sanction genocide
But He will clear a field full of rabid skunks
© 2010 by James Arthur Casey
Circa 1994 Mar 2017
I talk white they say
Dress white
Act white they say
That's why all the black boys want me
Why the white boys wanna try and **** me
Even though colored girls aren't they're cup of tea
My light skin is a kink
The way i enunciate makes me a fetish
The last black women my daddy shared a bed with was my mother
So why my daddy gotta ask about the companions of my slumber.
I act white they say but ask me
Is my *** phat?
Do i twerk.
I dress white
But they think it's okay to ask me
If they can touch my hair
A white boy once said it reminded him im a ****** even though my skin is fair.
How many white boys gotta stick they're fingers in my roots
To find the truth.
When you say I act white
What you mean is I'm not a stereotype.
You're pretty for a black girl
Talk good
For a black girl
Snap snap hey hey girl
Let me slide in
Thick thighs girl.
You're mixed right?
No way a sister could sound
So bright.
Tell me about your origins miss thang.
Let me put them other boys to shame,
I can buy you top shelf,
Get your rent paid
Better than the boy you wifed up to.
Lil shawty you should smile more,
It's a compliment ****
Stuck up *****.
Do i act too white
Cause I'll never start a fight
Is it white to get a degree
And make my own money.
Touch my hair if you forgot
White is not synonymous with superior
Cause amanda does squats to get an *** like ruwanda.
Remember i got a college dregree
Before you say some ignorant **** to me
Act White?
How dare you
Assume my character
Is defined by a color.
Breanna evans Jan 2019
20 when I use the bathroom

and I drink lots of water

20 in the morning

and 20 before bed
needless to say, I am building buns of steel

tomorrow is gonna be rough
JG O'Connor Jun 2017
I’ve become  invisible
Maybe it’s a virus and I’ve just got a touch,
The automatic shop door didn’t open so I’m left in a lurch,
Even when  I stood on the spot once blessed by the church.
Then the shop attendant missed me in the queue,
A car nearly knocked me on the footpath too.
Clearly I’m unseen.

As this progresses will my eyelids become translucent?
With my eyes shut how will I sleep?
Maybe I should wear dark glasses and not take a peek.
If I wear clothes will it be funny?
I will definitely get a job as a shop window dummy.
Is that what happens in the invisible limbos,
We become manikins in shop windows,  
Watching the world looking at them,
What we the invisible will be able to tell.

From my shop window I imagine at half past eight,
The people hang out or just walk past straight.
Starting with the kids skipping school,
Uniform tucked in schoolbag to fool,
Shopping bag used for energy joule,
Inhaling glue this hallucinatory fuel.
Each step these children take,
One step closer to heartbreak.

Then the anxious wife meeting her lover.  
Leaving behind her domestic bliss,
Sealed this morning with a husband’s watery kiss.
Waiting awkwardly in her Totoro dress,
One button behind and a zip does the rest .
Trying hard to be invisible too
This could all end in her being blue.

The rushing shop manager dressed in a suit.
Cuffs worn thin, pens in a group,
Red, blue and black,
A tick for success or none for the lack.
Mumbling along the company mantra,
“Think outside the box” there’s as good fella.
The only box he has ever known,
Are the imaginary boundaries in which he has grown.


A dog and his master trundle along.
He has been dead for years as he moves on,
Wearing a shroud of a used up life,
The dog squats down beside the tree of life.
Observing this stool in the daylight,
He compares to the Hematochezia he did last night.

A husband contemplating murdering his wife,
As the news of her lover has just come to light.  
He looks at the manikin with some delight,
Seduced by its empty invisible soul,  
Only to discover he owns that hole.

Then evening descends the lights are all up,
When work is all over it’s off to the pub.
Not for the invisible manikin though,
Who stays in the window dressed in a bride’s trousseau.
An invisible exhibitionist this poor sod,
So when you walk past it's polite to nod.
Now I’ll take two Aspirin and a cup of coco
And hope to God this invisibility will go go.
lovers

dreamt you said forever yours your lips opened and I was here now

perfectly still she listens to falling cherry blossom music the mournful sky and I envious a witness to evening in her hair

midnight thighs talk wine song dance dawn on railroad earth laughter lovely tears lovely

the stained glass of her mouth my soul gladdened by the rosary of her body

awake pray to the Almighty or roll over and kiss her

roadside she squats ****** I love listening to her the stars

a headring of dead posies on the pillow after all night dancing at first light she picks tea roses

behind kind walls we make love sleep then dream of each other

I wake still inside you rose petals fallen around the porcelain vase by our bed

night hiking with friends thinking about her ***** I forget about the full moon

she arranges roses she speaks with pain about her art God me

sometimes I can't tell if I'm you like last night I you bathing my your feet

I think about it then cut one and another all my roses for her

she eats what I don't I finish her sentences people despise us for laughing her parents don't approve friends whine I neglect them

she inhales the yang in me undresses her soul so I belong to no one else

she pulled my pants down while I ironed said it turned her on

skin to skin and the blossom of your whisper closer come closer my darling we're on our way to where we've never been before

when you hurt my love turns soldier against all biblical stones I'd even marry death if hurled toward you

full of the world I retreat sighing dark between her thighs I know I'm fooling myself
night wraps us in darkness we dream drift long for our cage of light to rise

**** tears poems kids with you feverish with you broke what more do you want

******* and hurt I let the phone ring

for weeks my lover ******* about money kids the house getting free last night she ****** my brains out

sad wildflowers lovely braided in the graying hair of my once and only love

Pfeiffer's waterfall the rocky waves at sunset better when we held hands here

once I decided poetry is it she never came back

wake alone with night inside me your perfume still on the pillow how long 'til morning?

I wait all night outside your house the wind blowing through me

dancing in cities quiet in the redwoods I wander worry wish and unwish carry on with a lock of her hair

hope woke when the door creaked open but it was the cat come in  from a night of love making

up all night writing my better gone kids asleep knowing it's only paper song

I was okay until morning doves started cooing at each other

she's long gone even so thought I saw her today

no longer a ring on her hand a song in her sorrow I am gone

years of wind whistle about gravestones one by one carries away her favorite violets
neth jones Aug 2023
who re-marrowed this hollow tree ?
thought themselves of mythology ?
processed death into the dying **** ?
blunt   blackened hope
           buttering up what god ?
                                   what mischief maker ?
: Loki the crow with his promethean nose ?

covering his crooked actions
                          the defiling of a life
  murderer
  a coward of failed coupling
congress    a night down the pub
    the gender polar pair collided
            sottish upon their union
genitals bragging through urgent gaps in clothing
but that urgency deflated
it muttered away
he felt baited
and
  humiliated    
             he committed to ******

crude amateur throttling
  a ***** sogged brick  
an indiscreet botch up
    and a stolen wheelbarrow  
        to ferry her away

'The Mourning Tree'
           despondently sifts for nourishment
its gummy combs of branches
  sashing particles  from the night solution
the tree ; a cavity
too verrucose and fleshy to whittle the winds
                                               or fife a tune
a rubbery craggle     foreign against the landscape
should   rather   make out its' habits
                  off the floor of a deep sea trench

roughing in the corpse
head first   down the gullet thirstily
skirts up and claustro
between spread limbs
to ***** puckle in the hollow tree
evicting the bird of Minerva
      ‘whoing’ into the charged sky
  blooded over
             the night blackens further
               brooding on the event

who re-marrowed this hollow tree ?
married themselves to a mythology ?
force fed life   engorged within deathly seed ?
upended crime     in lieu of a sacrifice
           he offered a glass of woman
               to oder the night
he strummed teasing fingers
      raked them humming
         through the heady resistance of the air
electric creeping warmth   over the skin
                        erecting the hairs
   museum silence
   an arena    as fraught equal    between magnets
       clouds cut the moon
      moon cut the eye
    sinful kiting to mend a link
ramblings kinked
he makes sparking incantations to the gods

one scatting madman
one corpse woman


that same bled night
where the furrowed fields
            meets natures disarray
children approach this woodland border             
children with empty baked bean tins
      that they joined with lengths of string
trying to reach out their ears
    extend their timid range
       to sprites, nymphs, pucks or faeries
an older kid strikes up a cigarette
one of the younger ones squats to ***
         and be mocked

one brave girl of ten years
  runs a tin and the line into the woods  
it jerks taunt after about thirty paces
she wedges it in a tree fork and runs back
the children crowd the receiver tin
spooking themselves
eavesdropping   
        upon the hollow wisdom of small gods
            that mask their shame in the dark
influenced by ‘ Who put Bella down the Wych Elm? ‘

misuse of the word 'sashing'
The rolls and harrows lie at rest beside
The battered road; and spreading far and wide
Above the russet clods, the corn is seen
Sprouting its spiry points of tender green,
Where squats the hare, to terrors wide awake,
Like some brown clod the harrows failed to break.
Opening their golden caskets to the sun,
The buttercups make schoolboys eager run,
To see who shall be first to pluck the prize—
Up from their hurry, see, the skylark flies,
And o’er her half-formed nest, with happy wings
Winnows the air, till in the cloud she sings,
Then hangs a dust-spot in the sunny skies,
And drops, and drops, till in her nest she lies,
Which they unheeded passed—not dreaming then
That birds which flew so high would drop agen
To nests upon the ground, which anything
May come at to destroy. Had they the wing
Like such a bird, themselves would be too proud,
And build on nothing but a passing cloud!
As free from danger as the heavens are free
From pain and toil, there would they build and be,
And sail about the world to scenes unheard
Of and unseen—Oh, were they but a bird!
So think they, while they listen to its song,
And smile and fancy and so pass along;
While its low nest, moist with the dews of morn,
Lies safely, with the leveret, in the corn.
Kuzhur Wilson Aug 2014
On the 9th, I was driving in a hurry from Jerusalem to Jerico, laden with kisses for you.  A cop waved me down at the Bank junction at Aluva. Unnerved, the car hit something. All your kisses scattered on the road. My hands, legs, face and ***** blushed with gashes. My kisses for you lay around in the middle of the road. The orphan kids from Janaseva were picking them up. They packed them in their sling bags. A beggar woman who was passing by picked up one to smell it. College going kids make fun of my kisses for you. A cop tramples one of them with his boot.  A pock marked tipper truck crushes it under its wheels. A procession agitating for drinking water marches past it. My kisses for you are strewn in the middle of the road and holler for the moistness of your lips. Covered in a sheet woven with wounds, I lie on a hospital bed. Lamenting 'my kisses, my kisses’, you catch a flight and land in Nedumbassery.  You come to see me. In haste, you forget to buy me oranges.

I kept looking at you.
It was raining outside.

I looked at your lips.
Then, all the flowers in the front yard roll in laughter.

I look at your throat.
Then, a white dove takes off from a mango tree.

I look at your ears.
Then, a thrush flies off seeking its mother.

I look at your strands of hair.
Then, the plumeria leaves pick lice from each other.

I look at your eyes.
Then, the well in the court yard gives a missed call to the sea.

I look at your nose.
Then, the glare outside sketches the spring.

I look at your arm pits.
Outside, yellow woods sing a song.

I look at your *******.
Outside, bird’s eye chilies stand sharply *****.

I look at your cleavage.
A mother who bore six squats outside and coughs.

I at your navel.
Outside, a thousand bats.

I at your feet.
Then, a sweet gooseberry falls on the yard.


At knees.
At tender thighs...

Always
Always then
Outside, the drum beats of a road show grow in crescendo.

I trace pictures of our kids on your lips.

Then, in the middle of the road, the souls of kids crushed under wheels queue up with oranges to meet us.

When you and I wail without a sound, a slice from it falls on the ground. I make up a simile that tears are the slices of oranges that drop from the hands of those who have not had enough of loving. You give me one more kiss. I stash it away doubting whether you will be near when I die.  Our kisses attack us asking us whether we will abandon them again. We lie on the hospital bed covered in wounds from the kisses. A bunch of angels come with syringes and bitter pills. We run away without paying the bill. Our kisses follow us like a procession of bare bodies with running noses. Unable to bear the sorrow, you hug them right on the highway. I buy a cigarette from the petty shop nearby and, puffing on it, watch you.



Translation : Ra Sha
Moriah Harrod Aug 2012
She stares at the floor. She has to be dreaming. She can’t believe it actually happened. She’s in shock, a deep shock vibrating her core and numbing her skin.

She shivers, and looks up at the ceiling, where drops of blood fall into a small puddle on the clean linoleum below.
A small trickle of water seeps in from the laundry room to her left, and the clear veins of water glide around her extended foot, attracted to her self-loathing tension. The water knows what she’s done, knows it can’t fix her and wants to be a part of this torture in her soul.

She kicks the water away, futilely and desperately. This is the most movement she’s taken since she came downstairs, and it is the opening of the reservoir of tears within her. She sobs, huge racking sobs that convulse every fiber of her being.

She hates herself. She hates herself. She takes her fist, and she punches. Anywhere and everywhere she can hit. Her legs, her neck, her stomach, her chest. Anything she can do to herself to make herself feel, to make herself hurt. She needs to be punished.

She knows that she deserves to die, but she isn’t sure if she has the guts or selfish selflessness to do it. The gun lays on the tile across the room, it’s barrel turned toward the wall in cowardice. She scoots over to it and picks it up. In her mind it burns her hand, but she holds on strong. This pain is nothing to her.

She slowly finds the strength to stand up, and squints her puffy eyes to hide herself as she walks past the mirror. She has to crawl up the steps. She didn’t realize she was so weak, but she’d looked at the clock on the way up, and she’d been sitting there bawling for over four hours.

At the top of the steps, she loses her breath. Her lithe, agile body isn’t tired, but she sees his foot, carelessly hanging out into the hallway where he fell. She can’t go on yet. She looks at the gun, still in her hand. It’s her light, her only exit sign.

She walks on, into the bedroom, stepping over his foot. She squats down beside his head and looks at his pale, sunken face. His body is already well into the process of rigor mortis, and it flushes her hopes that he’ll sit up and say, “Boo.”

Tears are streaming down her face, a hurt so intense, so overwhelming, that she is not even aware she is crying once more.

Finally, she’s done looking at him. She cannot grasp that she did this to him, and yet her hands apparently can. They put the barrel of the gun to her head, and she inhales sharply without exhaling. The cold barrel feels hot against her temple, and it slides a centimeter from her perspiration and the pressure she’s applying. Maybe if she just pushes it into her temple hard enough, it will take care of itself, and she won’t have to pull the trigger.

She lets go of all pretenses, and time seems to pause as she pulls the trigger. She drops, falling onto his body before her. Her tears roll down his stomach, the force of gravity in action.
once again I tried to write a novel
Sonia Ettyang Feb 2019
Sunbeams crack through the tall trees
Birds chirping along the window seals
Wind chimes tunes fills the quiet room
Nag champa wafts in the air

Mat laid flat
Squats and stretches
Eyes closed
In-hale
Ex-hale
Mind in the body
Heavenly flow

Frequency modulated
Easeness
Awareness
Serenity
Bliss
Peace
Silence
Power
© Sonia Ettyang
prana is the universal energy which flows in currents in and around the body"
I was honing my voice
he was building his muscles
to impress our common interest.

Whenever she was at the roof
he was seen doing squats and push-ups
I was heard singing love songs
taking the notes to that high scale
where my voice invariably cracked
and his bones creaked with exercises.

The three roofs became one battlefield
where two warriors would rather die fighting
than give up the princess to the other.

One day she would smile at me
when I would extend the limit of my voice
the repertory of my vocal talent
but for reasons best known to her
the very next day she would feign
I wasn't existing on the roof
and it was all muscles her eyes got stuck into.

Then she stopped coming to the roof.

The two warriors had only each other as company
the days were never the same
for she was married off to have new interest
and having lost the race for common interest
he started singing mournful songs
and I decided it was time
to give voice to my muscles.
I badly needed this recollection to cheer myself up.
Brent Kincaid Nov 2015
Pantywaist,
This shows no taste.
Light in the loafers,
Maybe for gofers.
Squats to ***,
Who? Not me!
Limp-wristed,
It it’s twisted, maybe.

***** and sissified,
Maybe somebody lied.
*** and ******,
You’re a bigot.
Bigass Fruit,
Zoot and all root.
Tuttifruity,
Call to gay duty.

Half a man,
Sometimes better than.
Tinkerbell,
Go to hell.
Airy-fairy,
You’re just scary.
******* bandit,
I can’t stand it.
*******,
Bigass *******.

Silly queen,
Quit being mean.
Flutter-by,
Can’t pronounce butterfly?
*****,
Don’t get handsy, mate!
Nancy boy.
Political ploy.

Just some of the words
We gays have all heard
With each imprecation
The implication
Is that we are sick,
Definitely twisted,
And the end result
Is that each insult
Pushes the speaker
Further away, and weakens
The hold on a reality
That homosexuality
Is just another normality.
In short, reality.
GUNI VATS Sep 2020
She sits atop a hill,
the brown stone Goddess
Bleeding.

She squats and part her legs,
the yoni splattered with red,
Bleeding.

No cloth, no pad, no shame
a wild wild woman untamed,
Bleeding.

Her vermilion melts, and drops and paints,
her forehead to her yoni,
Bleeding.

The blood feeds earth
melting the hearth,
Bleeding.

The red of life,
preserved in a menstrual cup
Bleeding.

From the kumkum to bindi to choori to saree,
she a woman deliquescing in red,
Bleeding.
A saga of India revering the goddess of *******.
S S Jan 2017
Shimmers molten road
Still air squats, beads, on my brow
Summer road trip woes.

Seat turns to quick sand
Thighs stuck fast can move no more
Summer road trip woes.

Each breath sighs, heavy
Vapoured water chokes the air
Summer road trip woes.

No soul seen for miles
Gauge collapses on empty
Woeful road trip end.
tricia lambert Jun 2013
There’s a dragon lying coiled                                        
At the base of my brain
In a dank dark crypt
At the top of my spine.
It is a foul and feral beast
Degenerate                                                    
Self centred as a dinosaur

No iridescent shining scales
No filmy farstretching wings                                    
No soaring spiraling flights
Over legendary landscapes
For this one.

No it just squats there                                                                      
Peering out at the world
Malevolent eyes slitted
Watching

If it sniffs
The faintest whiff
Of a threat to its survival
It rushes out
Roaring                              
Breathing fire
Reptilian talons scything,
Slashing      
If you are quick
You may see them flashing
In my eyes

Before I slam the portal
Send my protector back
To seethe silently
Keeping watch
Over me
From the dungeon



Trish Lambert
Marshal Gebbie Nov 2011
Along I strolled a country path
spread with leaves of happy shade,
sunspots sprinkled on the turf,
insects humming in the glade.
 
Towering gumtrees soar aloft
running mauve to whitish tan,
strips of bark hang limply downward
richly capped with leafy crown.
The great bowl squats, it’s fan of
massive roots inumerable.
 
The leaves are wet
and silver sunlight sparks from sheen to sheen,
dazzling those who care to notice
moss so green,
and lacelike in it’s tiny brittle intricacy
 
Sunlight stirs the breeze to eddy
swirls of leaves in turn do bring
the brown eyed blackbird out to sing
his lilting challenge;
blue crisp air.
 
Delightful is the word I choose
to announce my sentiments,
nature in late summer gown,
drab winter in disgust
relents another day with thunderous frown.

Marshalg 
Ferntree Gully
26th March 1969
You see a few years ago
I was part of define fitness yeah
And I thought it was weird the way
They treated me
They wanted me to be a rich ****
They wanted me to sell my art
Basically on the road at trash and treasure
They pushed me around like I was a piece of meat mate
They didn’t care about my safety
They just wanted me to just
Enjoy being slim
Maybe I do but in my own way
Not drinking salty water or beef stock no way
Just eating the food I like you know oh yeah
You see it is hard to be like them
If they treat you like a rich ****
You know taking you out wiping
The poor man out of you
You see I had it made
Before I joined define fitness
I enjoyed doing things
And having fun yeah
Making me lift weights
Heavier than my own weight
Define fitness is an organisation
Full of rich ******
You see I had it best
Before I had them
I had to do two squats after one pull of vacuum
Eating everything with 10 shakes of salt on
Putting salt in my water
Like I am drinking out of the sea
I had it best
Before I had them
I could’ve broken my back
You see I was slack
I won an award but if I wasn’t good
The next session
He would say I will take your medals away
Which I think they are a bunch of rich ******
Sure it is good to exercise but mate
Were pushers
I hated them they made me feel like a ****
You you you
I had it best
Before I had before I had before I had them
Time after time I wanted to leave them
And go back to solo exhibitions in
The art hall
And not sell them at trash and treasure
Like a loser does
I had it best I really had it best
Before I ever had define fitness
Treating me like a rich ***** of an adult
And not just a nice adult I want to be
******* DEFINE FITNESS
John Kuriakose Nov 2013
The old peasant Lady
Of cheeks gullied deep
‘N dreams sultry-tanned
Sawn into the furrows
Of hardest times, which
The stylistic constraints
Of the post-impressionist
Van Gogh hid behind
His vibrant bush strokes,
But seeped as oil of toil
In to the lap of the Earth
And squats as the Deity
Of all our moral codes.
C Dec 2013
red dress in the closet
shots, shots, shots
best friends
shots, shots, shots,
attractions
tension
shut down
shut down
shut down
boys cry?
failure
used till emotionally exhausted
kissing against the closet
life planned out on notebook paper
pressure
shots, shots, shots
tears
squats and drops and swim and swim and swim
silent screams
pack up & move
disqualification
I told you I was trying my hardest
imprisoned in my own body
25 extra lbs.
gasping
rushing
only silence when everyone sleeps
5.8% my ***
failure
failure
fat ***
business minor
screams
breathes in nothing but fear
disappointment kicks into gear
holidays come
two weeks
these are what the devil in my mind keeps chanting as I progress though my first year at college.
Hal Loyd Denton Nov 2011
Tin cup

Simple pleasure common treasure it has its worth by it connection not everyone but many found this by an
On old pump by itself or next to a bucket you could drink or use it to prime the pump it lends itself to
Western lore found around the chuck wagon on a cattle drive one of the men on the trail drive squats
Before the fire with gnarled hands he holds the cup with hands that are callused from handling his lariat
Day in and day out on the cattle now he holds it filled with coffee strong river coffee drawn from the
Brazos shaded by mesquite cottonwood and juniper finest example of Texas this old cup ties you into
time and place a past that is loved and loved ones that shared campsites that now have passed on in the
Heat of the summer day you drank hardly from its contents it banged around in all kinds of
Circumstances invariably most of them pleasurable ones and who handled the cup mother or a favorite
Grandmother you see her hands lovingly holding the cup they go together like flowers and rain you strain
To hold the thought you don’t want to let go of that special connected memory or maybe they used it to
Measure flour by closing your eyes you can almost smell the bread or biscuits the flour produced it takes
You across many thresholds that are steeped in precious memories that can never be again you are
Taken back to childhood by something so simple but so useful it creates a lost time of joy and
Happiness long remembered and never to be forgotten a symbol or a symbolic trusted identification
With place or person you feel its coolness in your hand you move it around for a few quick moments
You return to yesterday not bad for a piece of tin they give so much credit to other metals for other
Reasons of course the value they possess and what you could exchange them for but that is talking
About a certain amount were dealing with priceless things of the heart that no amount of money can
Buy just think next time there are many items that are in themselves of little value but they are
Touchstones a gateway to a broken past riches that aren’t for sale or they are not to be bartered away
They are never put in a safe but they so readily take you to a safe place tender joy is felt in the heart
A calling can be felt and heard jewels of inestimable value lay hidden they easily come into view when
You touch insignificance without expecting anything the world lets you know you are richer than you
know

— The End —