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canto 1
I call her daddy my own. He felt nothing for her when the time had come for him to do something he fell and she felt nothing at all, nothing whatsoever. It is a cruel world, mateys, and the best thing you can do is curse God and die. Hard to ditch the pity act. Ditching is denying and there is much truth to the lie.

canto 2
Their eyes bubble in the open air, they fill to bursting and scrub until they scratch. **** drips. It's a sound that I will never forget. A sight that should be reserved for the dream world...a stench unrivaled.

canto 3
The Chinese bomber is persistent. One has to wonder why he bothers at all, seeing that his attempts have been futile up until the present moment. It's shoe week, so I guess he has his reasons. But this has gone on for far too long. If there were a way for me to stop him I guess it wouldn't hurt to try.

canto 4
Random parking lots and good God what have they done? I thought it was all over, these thoughts were through, these voices are mad. Usually it's not as upsetting. Your car door gets stuck, you know, it happens all the time. It happens every day, still you never get used to it, do you? You're always stuck inside that ugly mirror.

canto 5 (the "missing canto")

canto 6
I want to tell the world how good you are. Amazing and incredible. **** and *******. Talented and unrestrained. Honey nut Cheerios. You give it but I have a sneaky feeling you would rather be lost in a dream. A banal night vision. Comparably

canto 7
I want to make it better. I want to see you smile. What can I do? You are my own heart ripped from my chest and given wings to fly. Your smile is a lost treasure I would do anything to get it back to give it back to you, I didn't mean to take it away from you. You push me up against a stone wall and you don't even realize you're doing it. That my soul cries and prays for something real, for some kind of explanation or even an excuse would be fine right now. Instead I float. Not the way I like to float. I drift and crash, a dizzying spiral out of control, confused and dumbfounded by the realization that none of it means a ******* thing. What I thought was love turned out to be a jester's game, a joker's trick. You don't need me anymore.

canto 8
I hide myself behind a blanket of stone where you cannot spit fireballs at me without cracking an egg. Cold breeze tickles my news. It's not too chilly in this room. But the fireballs warm things up. "Blanket of stone"...what a stupid expression. Why do you have to be so hateful to me? How many times can a man say I'm Sorry without losing an eyeball?

canto 9
I have no right to feel the way I do. I don't think I can control it, though. This is one of the ****** up idiosyncrasies of my confused existence. Vanish without a trace and look for clues in the alphabet soup.

canto 10
Weariness is like a slug, a giant slug, a parasite infesting my body, hanging on and hanging out. A fire down below that waits for my imagination. My sleep patterns are getting ****** up but I'm not sure if I was sleeping or just dreaming I was awake. Under the impression that it doesn't matter? Well, you are a stone fool for thinking that way. You've never experienced the life-changer. Else you would know. But all I want to know is this: Why am I afraid of sleep?

canto 11
Things get slow. Patience is required, but I don't have any. Why does it have to be that way, o cruel dictator? You get a kick out of this ****, don't you?

canto 12
Spill your guts, maties, it's the only way you'll ever come out of this situation with even a shard of dignity intact. I know it's early and you haven't had time to adjust your eyes and your wrists for this delicate task. Go! Do it now before you lose confidence.

canto 13
We took a holiday and it was so nice. She stood there on that stage without a stitch of clothing on her voluptuous body. Baby, don't you let your hairdresser down

canto 14
Who doesn't love breakfast? Me, actually.

canto 15
I can't help it if I'm changing every day. Ask the question later, maybe my answer will be suitable. I don't think I can help you because I'm not like anyone you've ever known or will ever know or can ever know or would ever want to know and why do you keep wanting to know where I've been? I've been right here. Right where I've always been. Haven't moved a muscle.

canto 16
This is the 16th and I should be proud but the apathy seeps from my very pours. That little ******* was about to take a **** in the corner. When I picked him up to take him to the paper he dropped a couple of turds on the floor beneath me. I guess he couldn't wait.

canto 17
Sometimes things change so much that it's hard to tell if they're for the best or the worst. It is at these times that I enjoy a good evening on the water, enjoying my yacht and eating peanuts from another man's sack. Salted peanuts with pickled eggs and deviled ham with a side order of angel food crack.

canto 18
My wrist hurts and I've lost the will to **** socks.

canto 19
The lawn chair has been placed under extreme scrutiny. It's rocking motion is being scientifically tested and arranged for packaging. The physics of this miracle are in the process of logistical infiltration. You'd be surprised at how useful a rocking lawn chair can be in a world tangled in war. It's a good place to relax. For paranoids, that is.

canto 20
Bird feathers of a different post, it has never made a lick of sense and the promises made were broken. Who was that man in the bird suit? Why was he making all those funny noises? I'll have to investigate. Lawd have mercy I do believe I've **** my pants.

canto 21
Don't come crying to me if you feel misunderstood. I can read right through you and I know that all you're doing is fishing for a compliment. You will not receive one from me, Salty Dog, not because you don't deserve one. You probably do. But not from me. Perhaps you should take up your case with Hoda Kotbe. Who knows but that you might look really, really good on television. Just remember to feed the dog before you leave. He gets hungry. But he doesn't miss you. I don't mean to break your heart, but the rational man within me is very convincing when he tells me you are a real pickle.

canto 22
Those comments are found particularly offensive in light of the situation in the Gulf. You need to regulate your interest in beans. One day you'll fly to the Middle East looking for peace and all you will find are demons like the ones who raised so much hell in "The Exorcist". You don't want that, do you? Settle for Ranch Style and leave the diplomacy to the masters.

canto 23 (the "lost" canto)
I wouldn't wish this on a barrel full of monkeys. They say that time heals all wounds and I suppose it does. No "if"s, "and"s or "but"s. Don't believe me? Listen to 'em snarl. They're hungry for blood and sandwiches. I owe you nothing, so perhaps I'll send you a good time from New York. You gotta love a trapeze artist.

canto 24
I'm trying my best to change the world but the fact remains that the human race does not deserve the kind of tender loving care that I'm well known for. This holiday event will not include high temperatures or the kind of crap the weather people try to sell you.

canto 25
******* Valhalla. This is how it always seems to wind up, isn't it, Pinnochio? Just when you think things are getting better, BAM, ****** up again.

canto 26
You know you've reached a severe point of boredom when you switch to the Daystar Network and find yourself singing along to the bogus faith healers. Pecans on that one, please.

canto 27
Plug away, Sailor. Keep plugging away. When you get there you can say you plugged away with as much vim and vigor as a much larger man. Slough it off, O Great one. Keep sloughing it off. When you get there you can say you sloughed it off with as much skill and empathy as one might expect from a lizard. Or a monster frog.

canto 28 (the "twenty-eighth canto")
Come, look at my incredible collection of dice. Right next to my collection of mice. Next to that bowl of rice. Sugar and spice, everything nice. My head's full of lice. Don't think twice, just break the ice. Pup your puppy dog in the freezer.

canto 29
My toes are cold and so is my nose. I should be concerned with this situation but, strangely, I could care less. There are so many other, more important things to worry about. Like how many frosted flakes are in that box over there. And is there any milk left? And is it the real deal or that phony 2%? 1%? Skim milk is even worse. If it gets down to that point I'll save the money and use tap water. Don't think for a moment that I won't.

canto 30
Colored pencils expect risque answers to tame pencils. Unfortunately the quality of superior eggs is relative to the ice cream that has dripped down your shirt. You're starting to smell bad and I would highly recommend soaking in vinegar for an hour or six.

canto 31
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 32 (the "same as the 31st" canto)
There are times when I wish the planet would implode and **** every living thing into a void. I don't wanna die, but if I'm gonna I want everyone else to come with me. I'm tired of hearing about God's word. But even more so John Hagee's special gift for your love offering of any amount, the super duper Bible verse audio player, with selected passages read by the man himself. You can leave him behind.

canto 33
Yazaa, yazaa, yazaa I told you I was gonna steal that car. You didn't think I had the guts, did you? But look who's laughing now! That guy with the big flower in his pocket must really feel like **** right now, realizing that his awesome vehicle is no longer in his possession. Maybe get an ice cream cone, maybe feel better.

canto 34
Come out of your hidey-hole, scurvy dog. Rat scabies be breathing down your neck and it's cold and old and you'll do as you're told. Pinch back that stray lock of hair, O Queen of Sheba. You shall spend the rest of your days parked on a green chariot overlooking Lake Erie

canto 35
You could have given me a reason for the season. Instead you had nothing to offer but a huge chunk of pepperoni that had mold growing all over it. Admittedly it was delicious but surely you could have come up with something a bit more expressive of the tender emotions I inspired within your fluttering heart.

canto 36
The prospect of a news reporter calling you a crack head based on information gleamed from your Internet social network profiles is quite terrifying, but when you tie the noose you might as well make sure it was time well spent. It's a shame you shaved your head because the painful truth is that now you bear a striking resemblance to Telly Savalas.

canto 37
Energy. That's what is required. And not just the kind of energy you can get from sugar, caffeine and butter. If it were that easy you could be **** sure that the Catholic Church would be the first in line to canonize it. They have a burning desire to fall off the wagon. "Which wagon?" you may ask. The one with the ice cream, of course. Don't be a fool.

canto 38 (a "short" canto)
If boredom is a sea in which one can easily sink into and drown in, I must be swimming the Atlantic.

canto 39
When the dog barks like that it's a sure bet that he's been neutered in the last few days. It's a sad and sorrowful sound that is only recognized by **** knockers in the deep woods.

canto 40
I could stare at the bars of this prison for the rest of my life. Okay, that's *******.

canto 41
Who was it that once said time is the only reliable concept in the universe? Oh, wait. That was me

canto 42
They tell you to wait. That's what it's all about. Wait, wait, wait, wait until I can almost feel my hair turning gray. The estimated time is currently number 7 the estimated hold time is 4 minutes, thank you for your patience. Well, you're welcome, comrade.

canto 42
I've only to surrender you to the world, lie down and wait for it to crush me.

canto 43
If I can only keep it together...if I can only hold it together this one time, I know the gravy train will come my way. Would it do any good to pray? This isn't the first time that enlightenment and illumination have reared their blessed heads. Would that I could live within them this time.

canto 44
Have I told you lately how much I hate to wait? Thinketh not that the Chair has lost it's financial imbalance, the very thread of chocolate that brought you here. It is still a very important and, some would say, a hot topic regardless of the amount of grime, sweat, blood and V8 juice is spilled on it's ivory shaped pear seat.

canto 45
The shadows turn into cloaks, dark itchy woolen capes that enfold the nothingness beneath them, the nothingness of being. You could have worked a little longer and a little harder on that one, amigo.

canto 46
It's been awhile but my wrist still hurts and I've written the word "moon" on the back of my hand with a Sharpie.

canto 47
I'm movin' this **** to WordPress. No I'm not. **** WordPress. Press WordFuck. Word FuckPress. On and on and on and on and not the least bit clever or entertaining. But I do like steaks.

canto 48
I swear to God I wish I had never taken that first hit of ****. Look what it's done to me. After so many years, I guess I was only fooling myself. Or maybe I was so dumbed down that it didn't seem to matter. But now things have changed. And I can do nothing about it. Dump a can of Campbell's Chunky Soup into a bowl, throw it into the microwave, let 'er go for three minutes, let 'er cool down in the oven for a couple more, stir in a quarter cup of Tabasco sauce, let 'er cool down for a little while longer, mix in a ****-load of Cheez-It reduced fat crackers and then go to ******* town. Go to ******* town, I say, **** the stoner days.
Saul Makabim Jun 2012
Routine tests
failed
Number Four reactor
Walls melt, floor buckles
Gamma disaster
one half million men mill
by the banks of the Dnieper
Level Seven Event
Unprecedented disaster
Flesh sloughed off
Rounding the corner
cellular structure instantly scrambled
eggs toast and jelly
Gaze upon the elephant's foot
Bathe in green glowing brilliant stochastic calculation
Mutant dogs roam the tainted halls of Prypiat
Disparities reflect
true death toll unknown
Concerned Scientists shed their lights
on the encircling environment
Glittering glass carpets coat abandoned streets
Creaking Ferris wheel slowly turns into madness
Toxic twin of Fukushima
Thyroid Leukemia Cellular Damage Tumor
the caustic clouds still settling today
Generation after generation
dead women and children
Global impact particle spread
none have been spared
even into tomorrow.
Mark Wanless Nov 2017
"Sloughed"



clutched in titanium claws
movement a toy forgotten
you entreat in front of the afferent
            freight train
it journeys right through you
not this after not this recedes
memory     a lacuna
body     sloughed
Jo Nov 2012
Raw
I think I've been a little lost lately.
Maybe more than a little.
This dull ache takes shape of your voice.
It lulls and tugs repeating familiar soothings

Past words of comfort now are readily sharpened
As I close my eyes and attempt to drift
Yet, I am tethered to the waking hours
How I weep for neutral slumber


Denial burns a fire deep into the hours
As I evade past recollections of your touch
Floating in bitter melancholy
This eternal blending of the not easily forgotten

Slowly I begin to peel off the layers
My protective armor, now as brittle as parchment
Easily sloughed off leaving the inevitable truth
vulnerability seeps to the bone

Then words that acted as knives
Become my salve as I (defeated) apply
Wrapping myself in the old familiarities
Gently cursing you (me) for feeling so raw.
Jalisa Allycia May 2019
If you ask me, he lit the match that set the Moon on fire
It’s not a myth; I was there, when I had no home
And I walked in Saturn’s ring rain for so long it sloughed off my skin
I marched, trying to flatten the crater I’d made
Because I was ashamed of it
I was the last meteor to hit his heart; the loudest
But that was so long ago
The quietest revolutions are usually the most violent
If you ask him, I smelled like Genesis and Revelation from the inside
******* insatiable
I slathered honey on my cheeks and boiled my blood
so hot until my arteries turned charred black
I licked my wounds from the impact and discovered just what the hell was poisoning me

If you ask me, I didn’t know him last night and I won’t know him on the last night
But my God, he inspires me
Lora Lee Dec 2016
Please.
Avert thy gaze
lest you want me
to place my eyes
    upon your very soul
           ******* you down
                 to the sparks
             in your bones    
Stripped bare,
      your cells will unravel,
           the very tectonic plates
                              of your being
       shifting and tripping
under
           the ripe dew of my lashes
Please, do not spread your
silken milky way
of treasures,
all of your precious jewels
exposed to the light
of the darkest night
in mysterious pleasures
For they will reflect
in the blues of my retinas
You will be speechless
for the lack of need
                        for words
I will only handle them
               with utmost care
unless, of course
you want it rough
    and flung out into the ether
           dashed upon rocks of our
                                      liquid beings
                                           in the mewing
                                   writhing wild
                 of the dark hours
And I
will take the delicacy
of your petalsilk
and ****** it into
planes of healing
It might hurt,
just by pure release of pain
but I will rock you
after your skin has
sloughed off
to reveal earthen wombs
and ***** and scars
that are only made of the
           fibers of our stars
I will rock your
            tender vibrations
                          until your very soul
                               quakes and crumbles
                   trembling into the bright
      the exposure of darkness
mixed together with light
So let me
gather you up
into the fragile sinews
of my very layers
of flesh
          of heartstrings
                          of broken
                                  and holy
                       incantations
let me pull you to me
in a whirlwind
of sacred and
blushing
          spells
that roll, like
silent thunder
into the potency
     of night
https://www.youtube.com/watch?v=DG4lYxX5FQ4
Eileen Prunster Sep 2012
My body
a carcass
to be sloughed off
in death
like a crab
sheds its shell
or a butterfly
it's chrysalis
finally free
C Apr 2013
DPD
The cause of ignition is inconsequential,
no trigger to let loose the hammer- Only,
I become a passenger, a **** cur.
Softly as a dancer, on swells of change,
undulating to the jangle and clink
of lives being unlaced,
splayed apart  in bitter irony,
displaced into objectivity.
You take it personal,
as if, I am just a faltering piece of personality.
Dropped like salt in the Devils eye,
I'm just over shoulder- needing the fall
into comforting familiarity.
I'm unfeeling, mute and defensive-
peeling self back to where we merge.
At the base I know I am one
but cruelty makes our hands feel like four.
I am my own dark passenger depersonalized,
sloughed off in stress and
bound in unrecognizable life.
touka Jun 2018
she says I'm too young,
but sadness manifests the same
so I place my broken jaw
back into its broken place

a modern epimetheus
dragging my prudence by the reins
confronted with the trouble that'd been steeping
for years on the fire

and like the ferris wheel that spun every summer
that I lost interest in
as I sloughed more and more of my childhood skin

I look off into the fog, salt and sand
'n the moon perched so highly,
a king in the sky
sending off its armed stars to cut through the night

****** from this nonage fantasy
by the bitter taste of tobacco in my mouth

maybe I can't love anyone

not yet
Bes



It's high midnight and I'm up to my old tricks again.
Bes came by my apartment last night, ostensibly to see why I've stopped answering everyone's calls but harboring more ulterior motives than a presidential charity event. I let her in, mumbling some vague, ******* excuse about how I'd simply been busy. She stood in my living room, her hands demurely folded in front of her as her eyes swept the scene, a quick appraising glance that took in the leaning towers of paper and rows of empty bottles, the rings under my eyes and the cheeks grizzled with god knows how many days of growth, and when at last they met mine they seemed to ask what exactly it was that I had been busy doing. Her lips said no such thing though, held in check either by innate tact or single-minded purpose. Instead she smiled, that old, slanting smile that was more a twitching of her cheeks than an actual moving of her lips, and asked if I liked her dress. It was the first time that I'd seen her dressed in anything but jeans, and the change was as unexpected as it was becoming. The dress was short, black, simple and elegant in its simplicity. In the expected places it clung to her curves and invited you to do the same, but elsewhere it hung in loose folds, folds so deep that she seemed almost lost in them, and when you did catch a glimpse of her body -the delicate line of her collarbone, the thin ridge of a rib- the force of the contrast struck home with calculated, bewildering power. She looked incredibly fragile yet fraught with danger, like broken glass swaddled in a black flag. I gave her an exaggerated once-over, then said, "Do you really need me to answer that?" She laughed, her voice high and breathy, and dropped me a theatrical curtsy. "What's the occasion?" Her eyes narrowed, and the ghost of a smile twitched its way back onto her face.
"We're going out tonight."
"We are? And why are we doing that?"
"It's ladies' night at Stoa, and that means free drinks."
"Free drinks for you, kiddo. I doubt that I could pass as a lady, even in that ****-hole."
"For me, yes. But if I were to get those free drinks and then decide that I didn't want them, well, what would happen to them? It would be wrong just to waste them, after all. I suppose I should have to give them away, perhaps to a good friend?"
"If you should change your mind." I said flatly.
"Of course. Woman's prerogative, you know."
"Are you trying to bribe me with free liquor?"
"Well, if that isn't enough I could always throw in a 'please'. Limited time offer, though, non-negotiable and nontransferable."
"Unlike the drinks, you mean."
"Rules are like bodies; they aren't meant to be be broken, but sometimes it's fun to see just how far you can stretch them."
"Far be it from me to tell a pretty girl no when she says please."
"Pleeaazzee?" She batted her eyelashes at me, lower lip stuck out in a burlesque pout.
"Okay."
"Put on a fresh shirt and grab your coat, I'll get a cab."
"Yes'm," I said, snapping off a quick salute before about-facing toward my bedroom. She laughed again as she left, the soft chuckles punctuated by the click of her heels on the concrete steps outside. I dressed quickly, taking roughly three minutes to apply fresh deodorant, sniff-test and shrug my way into a shirt with marginally less wrinkles than your average nursing home and grab my keys. I walked out the front door to find Bes ready and waiting for me, having snared a cab with the same brisk efficiency with which she had beguiled me into escorting her. She stood at the curb, toe of one black pump tapping impatiently as the taxi idled next to her, engine panting like some exotic animal brought to heel. The ride there was silent. The cabbie was one of those garrulous specimens of his trade who seem always to have something to offer his customers in addition to the transportation for which they had paid; some tidbit of folksy wisdom, or a sage prediction of the weather, no doubt buttressed with countless examples from the days of yore. He brought out several of these chestnuts for us, but after a few failed gambits even he lapsed into what for him must have passed for a taciturn state, contenting himself with humming along to the radio, albeit loudly. He had sloughed tunelessly through several songs and a commercial break by the time we arrived, and had begun to sing under his breath, apparently unaware that he was doing so. This unwitting serenade had been steadily growing in volume, and he was working himself into a rather heartfelt rendition of Black Velvet as we disembarked.
It was just past eleven, relatively early for a nightclub, but the line was already stretched ten yards from the door. It wound around the side of the building, surprising me in spite of myself. I really hadn't been out in a while, and had forgotten all about waiting outside, that desultory purgatorial period where people shifted restlessly from foot to foot and chain-smoked, anxious for admittance, though in all likelihood less concerned with being able to dance or mingle (which they could have probably done just as well out here) than they were with losing the buzz they had brought with them. Some of the people had clustered into loose groups and those who had looked more sanguine, almost serene, and no doubt there were a few water bottles filled with ***** stashed in their purses and jacket pockets. I started toward the corner, intending to join the rest of the sad-sacks at the back of the line, but Bes grabbed my arm, giving me a slight shake of her head. She walked directly toward the entrance, deftly sidestepping the little pockets of people and putting on a smile of almost predatory brilliance. She sauntered up to the bouncer posted at the door, one of any number of interchangeable drones whose charge is to prevent just such flouting of protocol as she undoubtedly had in mind. She said something to him and he shook his head. She spoke again, raising up on tip-toe and looking directly into his eyes, and when she spread her hands in a comely now-do-you-see gesture he looked around furtively then nodded. She waved a hand at me and he nodded again, though more apprehensively than at first, and the hand pointed in my direction now wiggled its fingers in a come-hither gesture. I walked up and looked a question at her but she merely shook her head again, though this one was accompanied by a slight smile that said nothing and hinted at everything. She took my hand, dragging me forward like a she-wolf dragging a rabbit into her den, and as we passed into the club she favored the sentry with another smile, so warm that I could have sworn I saw him blush.
The interior was dark, cavernous and redolent of a thousand mingled perfumes, a heady, dizzying blend spiced here and there with the dank odor of marijuana. As soon as we were past the bouncer, Bes stopped and pivoted on her toes like a ballerina, spinning so quickly that I almost stumbled into her. She said something to me then, but despite the sudden and shocking proximity of her body to my own her voice was lost in the car crash of voices from the dance floorahead. I cupped a hand to my ear in the commonly understood signal for deafness, and she responded by cocking her head at a questioning angle and forming an elongated y with her thumb and pinky finger, tilting them toward her lips in the universal gesture for drinks. I nodded my assent and she took my hand again, pressing it gently as she threaded her way through the tumult of writhing flesh on the dance floor. We found seats in the corner of the bar, the one place where you could actually sit with your back to the wall instead of the rest of the club, a place that I privately thought of as Paranoiac's Cove. I dug out my pack of Lucky's and set to work on trying to find my lighter as she flitted away, returning moments later with a pair of highball glasses, each filled to the brim with a curiously green concoction that was so bright that it seemed almost as though the glass was filled with liquid neon. She handed me one, her fingers momentarily brushing mine as I accepted it, visions of the cauldron from Macbeth flashing briefly through my mind. That smile twisted its way onto her face again as she offered a silent toast, raising her glass toward me with an oddly solemn gesture. I raised mine in return, noticing the way her eyes sparkled in the shadows, green and impossibly bright, almost lambent, bright like the drink though her eyes were a deeper, truer green, closer to jade than to the grassy color we held in our hands. We touched their rims together, the clink almost inaudible in the howling bedlam of the club. She threw her drink back at a single draught, surprising me into a laugh and I followed suit, barely tasting the liquor as it ran down my throat. What I did taste was a rather poor attempt at artificial apple, cloying and somehow thick, like melted jolly ranchers. It was saccharine sweet yet bitter, a harsh undertone that matched the crisp tang of a real granny smith about as well as the sweetness did, which is to say not at all. Not that this bothered me; alcohol and bitterness have always gone well together for me.
She leaned over to me, fingertips resting lightly on my shoulder, breath tickling confidentially in my ear as she asked, "Dance with me?"
I demurred, not bothering to waste words but simply waiting until she pulled back to look at me and then shaking my head. She didn't lean in again, catching my eyes instead and mouthing the word with an exaggerated care that was almost comical. "Okay." She hesitated momentarily before adding, "Maybe later." She didn't wait for a response, instead sliding off her stool with easy, doe-like grace and disappeared into the throng. I stayed at the bar for some time, an hour perhaps, drinking steadily and watching the growing chagrin of the woman behind it as she realized that I had not intention of tipping her no matter how drunk I got. Bes reappeared periodically, staying long enough to grab each of us a free shot and steal one of my cigarettes before vanishing again. I whiled away the time by counting the necklaces that came bobbing and heaving up to the bar. The vast majority were crucifixes, their forms and sizes as varied as those of their bearers, but there was a smattering of other ikons as well; Celtic knots and stars of david, pentacles and hammers, and once, nestled incongruously in the ample and expertly showcased cleavage of its wearer, a crescent moon and star. The owner of that particular pendant also happened to clutch a drink in one hand, and while it may have been a shirly temple or club soda, the glassy eyes above it and the boneless, disjointed movements that arm described in the air spoke to a more potent brew. I wondered what they meant to the people who wear them, those chains of devotion donned voluntarily. A symbol of their faith, they would probably say, though it's a faith betrayed by virtually every action that they take, and if there's one thing that I've learned about people it's that their vows and promises may be lies, but their betrayals never are. Even a virtuous act, an act of unequivocal good in the face of overwhelming temptation, even that can be a lie. It is concealment, a denial of the temptation, of its reality, of the fact that the desire for what tempts us exists. But in betrayal, in succumbing to temptation, people reveal themselves, for they are true to their desire and desire is the most accurate mirror, the truest reflection of who we are. Most people wear masks to cloud that mirror, false faces that sometimes fool everyone and sometimes fool no-one. But truth always asserts itself and so most people betray; others, causes, even themselves. But even the betrayal of self is also an act of honesty, the final acknowledgement of who we really are.
There was a time, of course, when these signs and symbols of faith were a business of deadly seriousness, when their betrayal would have begotten swift and sure punishment, when the mere display of one's allegiance was both a pledge and a challenge, but no longer. Now they are carried as casually as their wearers carry the name of some obscure fashion designer on their underwear, and given the reverent attention paid to the latter and their blasé hypocrisy regarding the former, one has to wonder which is really more important to them. Yet the symbols persist even when the meaning has been forgotten, and the majority still carry signs of fealty formed from counterfeit gold and beaten nickel, sigils that flash quicksilver in the strobing lights, leading the way like the wooden maidens which adorn the prows of ships. I used to have one of them, you know, a rough loop of rawhide the carried three little trinkets, a bunny a book and a small golden heart. It's gone now, of course, and fittingly so, the heart having fallen after the bunny down the rabbit-hole, and the book remaining unwritten, though I suppose if your reading this, that if these disjointed ramblings ever manage to make it onto the printed page, refugees finally transplanted from the wilted notebooks or the cocktail napkins that I even now sit scribbling madly on, it has been written after all and you're reading it. You poor *******.
I realized my thoughts were drifting, meandering on their own down paths that I have expressly forbidden them to tread, rambling like unsupervised children in an amusement park at sundown. I gathered them up, scolding them, trying to exert some authority in my own mind, telling myself to just take a deep breath and shake it off. I can't though, and for once it's not because I can't quiet the thoughts but because I can't seem to take a breath that is deep enough. I realized that I was panting, well nigh hyperventilating, my breath coming in quick, shallow gasps that seem to crystallize in my longs like spun glass. I take stock of myself, trying to assure myself that I'm not going to have a heart attack or a ******* stroke, noting with some alarm that my hands are shaking and my vision has narrowed into a twisting, undulating tunnel. I closed my eyes and concentrated on breathing, the darkness behind my eyelids streaked with purple and red, and gradually I became aware that those explosions of color are rhythmic, recurrent. They happened not with the pounding of my heart, as I would have expected, but in time with the music, sunbursts of color appearing each time the bass kicked. The panic diminished, replaced by curiosity, and I realized that without the shrill yammering of panic in my ear and the terror of impending death in my mind, the combined sensations are not only pleasant, but oddly familiar. It's then that I realized what happened, belatedly doing the mental arithmetic and realizing that unexpected invitation, the free drinks and the first's oddly bitter taste, the secretive smile with which it was delivered, that it all added up to a single thing. She drugged me, of course, spiked my drink with something and I didn't even notice, naive as a sorority pledge at a keg party, and oh **** was I high. I stayed at the bar, knowing from hard experience that there was no sense in fighting it, and so giving in to it. If you can't put out the fire you might as well feed it, feed it all that you can, because the sooner the fuel runs out the sooner the fire dies. So I stayed there, focusing on my breathing and letting my thoughts spiral out, catching the waves in my head as they rose and fell, finally learning to float on their crests, in some semblance of control. Calmer now, I pulled out my cigarettes and lit one, the process taking an eternity, empires rising and falling in the time between the moment when the spark caught and the flame exploded into life and the one when it reached my lucky. I breathed out a plume of smoke, a pillar of cloud that also seemed to go on forever, and as it cleared there was Bes, materializing out of the smoke like a Cheshire cat.
"Ready to dance?"
I looked at her, unable to speak for a moment, not the drug this time but something entirely, a thing that came surging up from some unsounded depth within me and caught in my throat, because when I looked in her eyes, wide and wet with excitement, her pupils telescoped into pinpricks that told me she was in the grip of the same I saw myself. Because she was looking at me the way I looked
Tragedy
Denel Kessler Jun 2016
the life I had
the one unmade
by knots of love
bound and gagged
for all my failings
take the blame
there is no mending
hearts estranged

layers sloughed
to make for new
leave behind
what I can't use
in forgiveness
find recourse
release the tether
of remorse
Jillian Jesser Dec 2015
I sit here again
with a beer and a cigarette
communing with a lost soul
my own?
    someone else's?
I read scripture and the
words dance around me
a thousand flights of fancy
on the page
my incense burning
this pure incense burning
this pure understanding
of the cruel nature
of humanity
of friends, heroes, lovers
I write it all down
try to solve it
it stands before me
a picture of my steps
to this point
I have reached the point
of unabashed unregulated
distorted reality
my daily life
the breathing
the eating
the sleeping
it doesn't seem any more real
than this life I live
in my head
or somewhere in my heart
and I long to touch the
part of me that is real
but I am so disconnected

flowers in the winter still grow towards the sun
and such is my soul
leaning leaning
toward the everlasting source
                                                     reality fails me
and lights go dim
and I cause the moon to glow for a light
somewhere in this dark night
                                                  and I can't stop believing in a God that doesn't exist
                      but which pushes further down this tunnel into the hell
of my eternity
and I can't
find simplicity
can't find purity
it's all convoluted
I hate the game
   shifting pulling
begging for release
and somehow I am
an ember in a fire
bent on burning out
forever
and I have a soul
I have a heart
someone acknowledge me in this newspaper grey world
I am flat lining
where will I go after
this life has sloughed off my skin
I know I am endless
and I am bound for a world
where opinion doesn't taint reason
                            and somehow
                            I will be there
                            where the sky meets space
                            I will be there
                                                   somehow.
Thinking of writing the story of my pre-adolescence
PAST
The lonely kid who didn’t have friends because of an overbearing mother
The rebellious teenager who wouldn’t go to church
The high school theater ****** who sloughed his grades for acting
The high school senior who graduated by some miracle
The gas station attendant who hated his job
PRESENT
The half-man mess of emotions trying to grow out of childhood
The last minute student who’s trying to trying to fix his mistakes
The unemployed wreck of a person trying to find his place
The love-stricken jack of all trades that can’t settle for imperfection
FUTURE (hopes)
The successful IT who just moved to the United Kingdom
The artist who can accept that his creations are beautiful
The writer who isn’t tortured by a lack of self worth and anxiety
The adventurous romantic who travels the world by his side
FUTURE (fear)
The bitter man who couldn’t let go of all of his pain and hurt
The old man who couldn’t learn to be a part of his own family
The man lying on the bed, neither dreaming nor thinking, just lost
The shell of a man who never tried and only failed himself in the end
Kassiani Nov 2010
For some reason
I remember Snoopy
—Don't ask me why
             For I couldn't tell you—
I remember the Snoopy t-shirt
She wore
And that I got really excited
Because I love Snoopy

It's strange
What you remember
What bits and pieces you keep
I remember her reading
Shyly spilling words at the front of the room
And everyone
Everyone
Leaning in to hear
That soft, enchanting voice

I remember keys
Lots and lots of keys
A whole hand of them, in fact
An art project I watched emerge
As she wielded a hot glue gun

It's mostly the poetry I remember
—And her smile
            But who doesn't?—
I can see her standing at the mic
Enthralling her audience
Mesmerizing them
Keeping them hanging on her every word
She was a star
There was no doubt
A poetic star
We talked through her poetry once
Tweaked it here and there
Changed some tenses
Fixed some commas
But most importantly
We decided
That when "night sloughed off its veil"
It should be day
Once more
Written 4/2/09
In loving memory of Princesse Revelus
Maggie Emmett Mar 2016
Miss Haversham has shaken
off the cobwebs and the deadly dust.
tore down the tattered curtains
moth-eaten and frayed
She’s flung open the windows
thrown away the detritus of decay
into the path of passing winds
napery tossed down to the garden.
Even the mice have run for cover
as she tears off the raggedy sheds
of stained satin and be-ribboned lace.

She stands naked in the barren room
Estella has prepared a soothing bath
perfumed rich with oils and fragrant attars
to steal the acris stench of unwashed years
coaxing the arid brittle crust away
saving the soft delicate skin beneath
viciousness, sloughed smooth
and vengeful purpose passes.

She is reborn a Botticelli Venus
standing in an open shell
long hair shining and wrapping around
her creamy skin, voluptuous
curvaceous, slippery with life
newborn yet wiser for the years
of reflection, ready to deflect
romantic nonsense and live
free and breathe again.

© M.L.Emmett
Alternative Stories
Onoma Jun 2018
city heat in hard

black attire, superconductive

glow of a serpent chasing

its tail.

asphalted lay of holy land--

whose bedraggled pulse snorts

in ****** laughter.

roadside augurs fester while

tying the laces of traffic, through

passed out archways.

bird's beaks are broken open,

in mad waterless monologues.

as the nucleus of this wizened apple,

casts oblique shadows... for curly cue-ing worms

flirtatious doom.

sped billboards imminently flattening the world,

under a Columbus-blue sky.

going, going...gone!

ice cream trucks mangle dueling theme

songs, sloughed off by sensational tides of kids.

distraction's lustful lick, an informationless

tombstone busy with curves.

here, whole-body shaves of renouncement...

and steady showers of salt, will make

worthy the truest Himalayan meditation.
mike dm Jan 2017
Not here. Not there. Not anywhere. Not anywhy. Not caring pennywise above my lotto-won unslant brow. I simply cannot who this town anymore.

Wut? It's not that i "jus can't;"
it's that.. well, it's that....

---- It all sidepath whirr spins too much, resulting in me being in it too kneedeeply, as my limbs brim over the finely-tuned ledge of what we think we can potentially know, where it grins up at the space stolid, like a thing imagined real - plus my poor machete has (in a torrid blink of the winkers) turned; or, more accurately, transmogrified into sudden feted befridged leftovers, which, aren't exactly untaciturn in their ways.

(understatement of the eon, iknowiknow)..

---- worse still, -forgotten- leftovers, hidden away in the crisper drawer under the rest of the things spoken for: half due to lazy; the other half, to the fact it won't slide nicely anymore :/

it, turning
and smirking.

Oh! the its
and things.

And those three anthropomorphic hands always pushing n prodding the fated its and things. It's all so.. meh.

So, of c, we decorate it w meta imps and wings above them. Methinks the neon signs of the new rind output axon doth protest too much.

Yet, the gray area is nigh.
Autocorrect, be ******.

Me: I, now, know your tricks. Your abstruse, purely theoretical storms which appeal with chartreuse arms elongated into lawnorder - I can see you've been drawn out. I can see around the bend. You don't scare me anymore with your elegant renderings. I am too much in the dying whitehot.

That voice inside: nothing

Me: ...

Chicken, *****.

Don't you see? It's all getting crunched down. God is in the box marked "fragile," sexting n taking dog selfies doing a Miley tongue wag in the ***** bathroom mirror w an awk ttfn postscript n kissy face discursive.

I won't flinch.

my pockets turned inside-out aboutfacedly, knowingly staring that stare right back up at me, reflexively, interrogating and adjudicating, highchaired n bewigged n gavel-swinging n self-righteous spittle-wingin n all - cuffs hugging the curly q sloughed off set-o-symbols once hung like rare priceless lace above that (over)hyped brand new skull muscle (geologically speaking, of c). but the ***** have all been given, and i, finally, with arms reaching forward and backward, am here.

the haste the haste
the grammar head at the wake
let rigormortis do it's worst,
because there is more behind its door

0100111101010000 bars
hug the star's start
stripping them away,

Denuded, they

corrall it
adn things

white-knuckled,
I grip these two
and win back
the abysmal.

I am OK with breaking down,
with being hurt. Vulnerable as ****.
These tears are me
and mine.
mike dm Dec 2015
i pick up the instrument
cold but not aloof
angle and roll my wrist
watching one thin voltage of line
zip up and down
from tapered metallic crown
to broad black foot

glint of bald brilliance
swimmingly alone
one singular streak so very true to itself
reacting to this act
uncut

struck
am i
by the lean careen
i am unstuck
agreeing to its scheme
exact
cupped

i fashion myself
written down
code scrolling upon my being
informing conduct
with form of fury
it glows with obligation
it knows no theory

i do not try
i let it scry  
history's sloughed golden bones
hover above vision's groan

i slip it in the inbetween
wings shook violent
no longer lame
ferocity of aha gained

two saturated pools
consent and
circle the hurt drain
only hue of heal of remains
Ian Jun 2014
He wanted to drown
Not in liquid, but in sound
Raucous rapture bellowing beneath
Hands too heavy to hold his own
Heartbreak.
These lions labeled ladies
Making ****** hearts sing.
The candid caucus of cartographers
With eyes too cold to cry
Mapping and marring,
Partitioning paradox with every stroke
Witless wizardry without
Love and longing.
In a circus tent he found
That circuitous catharsis
Amid tremulous trapeze swinging
Watched by the sloughed skin of sinners
Vice and virtue muddied by malice.
Exploratory tongues
Giving preface to loneliness
Too tranquil to be twisted
Too torpid to be tangible
Romance recondite,
Sold to us by our world
Leaving us with nothing but
Fantasy and
Broken bones
Our thoughts are pure without any body
Or clothes hiding one, in the trees or sky
Or by wall peg to hang its tale thereby.
Our body is cloth cast off and away.

No tail hangs by this body perfect pure.
Its meaning burns as food in intestine
Its light envelops trees and hills for sure
But in the end, is just sloughed off skin.

Beyond hills of clouds we wear another
To hide nakedness of skin from our thoughts
There we emerge from all-knowing mother,
Entangled in philosophical knots.

Our body is earth of dust seeking sky
Looking for soul that leaves it high and dry.
Jillian Jesser Oct 2018
Not a woman,
on a dust dry morning
death put it's flag in me
bones crossed
a line, thin
you tread
as I sat up
in a ghost white sheet.
Not a woman,
moon-mad and haggard
full to the top with drugs
a lizard stuck in it's half-sloughed skin.
Not a woman,
on a dust dry morning.
Tammy Boehm Feb 2016
This woman’s love
Never caught up in the honeyed rush
As his gaze rests on the rhythm of her
Breath caught faltering
Lace at her breast can’t hide the fervor romance
The ephemera of blushed lips at fluted throats
Where bejeweled birds hover
Translucent
The summer luster of flitting wings
A dalliance in honeysuckle heavy with nectar
Fruited blooms and dew drop studded vines
The promise of heady mornings resonant with expectation
Of the day.
A fawn panting at the feet of Diana
Chase this dreamy ecstacy
Fling logic from a cliff with eyes wide open
Braced for impact and giddy for that little death

This woman’s love is war.
The ragged standard on the battlements
Bload soaked and stained with the sweat of my brow
Red earth and grit under cracked nails scrabbling
For one more split seed to sustain me.
This woman’s love is hard fought harvest
Wrestled from fallow ground
Ribs distend from weighted heart and lungs that burst
Feral words held hostage
And hips surrendered to the burden
Of flesh and bone made one
Knit in darkness before I knew you
A legacy that sprouts wings and fangs
And eats its way out through my soul

This woman’s love is birth and death
And all the sobbing chaos kept from you behind clenched fists
I would rather drown in the maelstrom than bring darkness
To blue eyed hope
This woman’s love is the slow decay
Of selfish dreams
The sloughed off mantle
Little girl dreams and daisy chains in trade for knowing
We created something beyond our selves….
Life will not be denied its effervescent bloom
As halos form in our hair and life becomes the salient blur spinning
Remembrance and forgetting
This woman’s love was worth the battle
Days settle soft at my feet
I obey gravity and the hope of little things
Babies in my arms…
Your happiness is my own and I win
This woman’s love
Is you.                
TL Boehm
09/27/2013
Two weeks prior to this writing- the love of my son's life broke his big squishy heart. We adored her. We still don't know "why" - I only know that real life fights - with teeth and claws and all it has - it doesn't cut and run....hard solace for my child. He has hope. I have teeth and claws. - He is now married to a different girl - and they are expecting their first child.
Ridvan Dibra Oct 2015
A snake sloughed its skin, draped it on an apple tree branch and slithered on its carefree way.
     A fox passed by first, sniffed and realized that the snake skin held no value.
     A wolf heard of the parched snake skin hanging about, but shunned it as it had no blood.
     Man took the snake skin and sewed a fine pair of gloves for his lily-white and innocent hands.
Elaenor Aisling Aug 2021
My mind is an unquiet graveyard;
uninterred mistakes stare up from their open barrows
Milk eyes clearing to glass
As the anxious banshee crosses over them
keening notes drifting
linen strands of her raiment twining around their wrists
Dragging sloughed skin into the murky light
Of repeated examination.

I could be a queen of solitude
if not for this.
If Pandora's voice box were broken
hinges rent, screws loosed from their cavities, wood split
the demons might still, displaced.
Hope is not the last thing in my throat
she was the first to go
with a song unsung
an alto never strong enough to last
beyond the first few flakes of oxygen
I inhale in the morning.
The Unquiet Grave is also an English folk song.
Drake Brayer Oct 2015
The smell of fire was ever fresh on the air, smoke seething in dark grey circles around the sky. Round and round and round, like a patient bird of prey. The concrete bridge felt warm, as if hell lay just beneath its surface. I could remember hearing screams, sounds of shrill shrieking panic. But now... nothing. Nothing but the silent crackle of not so distant flames. I felt warm, feverishly hot. I slowly turned my gaze to my arms, half expecting to see a half blackened skeleton with skin sloughing off by the fistful. I saw soot, soot and sprinklings of ash covered me. I looked like a snowman made in hell. Dante must be laughing right now. The world might be burning down around me right now, but the only thing I could think of- was how badly I wanted to say "boo!" My sheared lungs tried to chuckle- and I instantly regretted it. My body immediately slumped, as if some great god had wistfully flicked it from where it slouched against the bridge in a fit of whimsy. I would have laughed had my throat not suddenly erupted in flame. I swear I could feel the embers dotting my air canal lighting up like fourth of July fireworks. *******. Ouch is a ******* understatement. As the pain slowly started to subside, somewhere within my now crumpled heap of a body I got will power to open my eyes again. My mistake. Not 10 feet from where I lay- curled into my best imitation of a ball- lay the ash coated corpse of sloughed skin and splintered bone that I knew as Anna. I screamed. And this time, the agony couldn't stop me.
strike sparks off the hill
tumble down charged, fall
an electric river.

Captured photon tracks
dot glass, world atom
accelerator.

Lost particles,
paper thin blanketed
homeless huddle
in doorways.

Tiny explosions
of heaven's tears
across the nailed lake.

Day ends as fishermen
fold up their green chairs
by a splashed evening water

glowered, puddled.

LURED BY RAIN AND SHADOW


navigate by rain,

gobbets in motion,
their rhythmic fall and beat,
every drop a note,

on pavement,
tarmac, wood,
tile, hollow metal,
close your eyes,
listen to the music,
varied semitones,

blind, you navigate
by the landscape
described by percussion.

Can you hear her contours,
tell the leather, lace
and cloth she wears
by arrangement of sound
in the downpour?

A time when you don't
want the rain to stop
until you can inhale
her sweet fragrance.

And open your eyes.

shadow breathes

see how your shadow moves
across the arc of her arm
your shadow breathes to kiss
away the cold up to her neck

across the cool leather couch
she lounges on to reveal more
of her thighs than is sane
for the blood pump inside you

and your lips press into her neck
and the rise of her ******* through
her little black dress, and thighs
that fall open as you kiss an ear.

A ROSARY

of raindroplets down the window glass.
Contemplate the mystery within
each of these splattered dribbles.

Each holds grains, dried sea salt, dust or smoke ascended skywards from water
or land into swirling eddies of air,

each holds dead cells sloughed,
perhaps by lovers fingers, or
by beasts slouching to Bethlehem,

each holds a prayer for life,
a hymn to its origins, a curse
of flood, a blessing of light.
I once read an amazing book by a person who had been blind since birth. In it he described how the different sounds of rain provide for him a picture of the landscape he moves through. Rain makes different sounds on the objects it hits, so the landscape becomes defined by its echoes
Snowblind Apr 2023
White feathers of snow tufts
plume themselves upon icy branches
marred by frost's biting advances,
stoicly waiting to be sloughed.

Rainfall in a torrential downpour
crashing upon all of the branches
cascading waterfalls of second chances—
again and again, drop to the forest floor.

Sparking flickers of light through clouds
can only barely illuminate the kestrel
that finds fit to prey on the sparrow I let slip.

Midsummer draping me in a lethargic shroud
swaddled around heart and lungs to slowly settle,
the lucky charm momentarily escapes my grip.
sandra wyllie Apr 2021
as new cells grow in

broken branches
from the electrical storm

hair that’s cut off
fallen to the floor
swept up
tossed out
not part of you
no more

the cracked shell
after the chick
breaks out
that becomes debris
mixed in with the grass
and leaves

a banana peel
after he’s eaten
his fill

a miscarriage
named Sarah

friends

me
Terry Pow Aug 2016
A demagogue is loose upon the land.
Draw fast the curtains and switch off the light,
Mothers keep your children close at hand.

What is that odd footprint in the sand?
What sloughed skin glistens in the night?
A demagogue is loose upon the land.

Mark well that stranger tall and tanned
Whose smile conceals white teeth that bite.
Mothers keep your children close at hand.

O do not accede to his demand,
Prepare instead for instant flight.
A demagogue is loose upon the land.

Things may not go as we have planned,
The world feigns deafness to our plight.
Mothers keep your children close at hand.

We've felt the breath, observed the occult brand,
Now all the facts assemble in plain sight:
A demagogue is loose upon our land.
Mothers keep your children close at hand.
Michael Edwards Dec 2018
Once bound in steel inviolable
repression bands are soon  unlocked
when influenced by passions rule
which previously firm pride forbade.

Already drawn to fully span
the sadness sloughed and soon replaced
to manifest the plighted faith
by novelty of love’s first bite.
Thanks James for your comments which I very much appreciate and which made me reread the poem several times over. May I add that I am new to this site and haven't yet found how to respond so am adding my response by way of a comment. As I said I have reread the poem and my own preference is for the first verse which I find flows better and contains a greater fluency of ideas whereas the second verse has rather random ideas which do not necessarily relate. It just shows how poetry, like other art forms is very much in the eye of the beholder/reader.
Bob Shuman Mar 2014
Eyes travel from canvas to porcelain, flowers
arranged with care, catching the right tone,
her brush flicks.

A squall bruises the cerulean sky.
Welts of indigo rise. The room flares
white, light divorced from shadow.
Her palette hot, each smear of paint burning.

The doorway, lintel near kindling, frames
Emily, fourteen, feline, grace and arrogance,
her beauty a warning almost too painful to bear.
The girl’s ******* her mother’s own before they fell
with time and weight and nursing.
Emily child skin sloughed off, flesh ripe, glistening.

Old words drop on mother’s tongue, “I could eat you up
(as you ate me).” Images in the painter mind
of porous *******, Emily’s rooting lips, shirts, blouses
marked with nursing and her own early nights,
reveries of a man and, by him, a baby.

(But the man never ravished her as the child did.  His anger
burned sienna between sheets and walls
for months as she kneaded pleasure from the rising swell
beneath her belly until muddied by blues, sullen
he left.)

“How was school today?” mother asks warily, resentful
to be so. The daughter turns to head below
and slit-mouthed breaths, “Fine.” The word
a jagged line across her mother’s work, cut roses,
carnations, mums, a Delft tureen. Brushstrokes writhe,
clench into figures---mother, father, Emily---and vanish
as laughter, a tease of easy joy no longer shared,
rolls upstairs. Mother’s hand, the brush
too tightly grasped, shakes and spirits spill.
She sits in bathroom quiet, tissues wet with salted tears.
Feet scuffle from down to up, a knock opens the door.
“Mom, take me to the drugstore. I need
some stuff!”

The painting day a ruin. “Only if you want do you need.”
“At least I use them,” from Emily, crimson flush
to her soft defiant cheek. She turns, but
mother’s hand to keep her youth from going grabs her skirt.
It rips. Emily’s nails rake her mother’s face
who, hand to cheek, is amazed to find palms stained with alizarin blood.

In fearful flight from what she’s done, Emily raises a tube
fat with madder rose and holds
the canvas hostage. Colored snakes inch out. Emily
and her mother now striped reds with blood and paint,
souls soaked through,
thick with love. The tall grass outside steams.
martin challis Oct 2014
The smooth force of ****** skin
carresses and moulds me in stone.
I stretch to the contour
groin the hollow
nurtured and naked
for sacrifice.

Grave friend, grey faced
steady eyed friend
shallow edge
great heart
melt with heaviness the torsion
in each of these limbs.

I surrender time to the mother of you,
dry tenderer, assauger of guilt, you
who holds up day, and lets down night,
who bundles and sprawls me
like a rough shouldered parent.

I search for the place of no light in you,
close my eyes to your dreaming
seek out eons you’ve sloughed off
and deeper, how your weight pulls the gravity out of me,

I surrender
and can fall no more into the rocking
rocking lap of you;
mother how can I fold into you
how can I surrender
how can I add my breath to the sigh of you?





MChallis © 2005/2014
Rollie Rathburn Oct 2019
"I don't know what the words
he speaks to the walls
in hushed impatience mean.
A perimeter of experience
perfectly seamed
between the real
and unreal.
A portrait of the forest
with no leaves."

It goes like this:

Our noise
The wreckage of being alive
Will eventually grass over into something natural
and unadorned.

Taking our self-interest away.
Emptying decades of ego
drip by
drip.

Forgetting the birds in the trees,
how vast a neighborhood felt passing by school bus windows,
and the way dew beaded
in front the hospital when they said
“We’re out of options.”

Sorrow,
however human,
has always staunched itself just beyond each hallway’s end.

A vastness terrifying and grim.
Like the inedible gristle
from a cheap steak
forever rolling between gapped molars.

Eventually the coping mechanisms fade,
and we accept the bristling fact
it’s never going
to get better.

Bide time ruminating,
how our bodies careened off one another.
Something primally magical
about the curve of bones
concussed by freckles bloomed in desert sun.

And how time has left each appendage
standing suddenly disconsolate
and devoid of humanity.
The odd one out,
picked neither for shirts
nor skins.

You gradually get worse at self-preservation.
Faltering when remembering words
or what side of the bathroom door the handle is on.
Movement eventually follows, leaving you bed-bound.
Taking note, your immune system quietly packs it’s bags
and slinks out the back door slow
so you can wither to an unencumbered close.

I want my sloughed tissue brain
to struggle against a thin strand of humanity,
fighting the fade of your presence
harder than the fact I can no longer spell my sibling’s names.

Will yours remember me?
Or will it stay tied down elsewhere,
bruises being choked into it’s pliable facade.
A miasma of crop tops and denim skirts.

It will arrive,
certain
but unannounced.
The culmination of a life well-lived.
Feedback, white-noise, static,
silence.
Peace as stark as a womb.

Yet when I close my eyes now,
all I see is the gnashing of teeth.
It's been a long time since I wrote something through to completion. Expect edits, but thanks for sticking with me.
Don Bouchard Feb 2020
Left the house this morning before six;
Stopped to photograph the hoarfrost
Beneath the street lights glowing thick...
White, silver, black before it all was lost.

The headlights caught a snow-like fall,
Frost slanting north before a southern breeze,
And I was all alone in wonderland to see it all;
I turned inside a splendor-dome of trees.

The camera tried to focus, battling light and dark;
No sun to give some depth against the night.
I felt my fingers growing numb and left the park,
Hoping at least one snapshot would look right.

The morning breeze then stirred, "Enough!"
Revealing golden warmth, arrived the sun;
Shivering trees their silver jackets sloughed,
And I, to work because the day'd begun.

— The End —