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Terry O'Leary Jul 2015
As dawn unfolds today beyond my fractured windowpane,
a breeze beguiles the ashen drapes. Like snakes they slip aside,
revealing wanton worlds that race and run aground, insane,
immersed in scenes obscene that savants strive to mask and hide.

Outside, the twisted streets retreat. Last night they seemed so cruel.
While lamps illumed lithe demons dancing neath the gallows tree,
their lurking shadows shuddered as they breached the vestibule.
Within the gloom strange things abound, I sense and sometimes see.

Perdu in darkened doorways (those which soothe the ones who weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave, it’s soon their time to sleep!
The alleyways are silent now but taste of untold grief.

Distraught nomadic drifters (dregs who stray from street to street)
abandon bedtime benches, squat on curbs they call a home,
appeal to passing strangers for a coin or bite to eat.
Rebuffed, they gaze with icy eyes that chill the morning gloam.

Observe with me once more, beyond my fractured windowpane,
the broken boy with crooked smile, the one who's seen the beast.
With tears, he kneels and clasps the cross to exorcise the stain.
The abbey door along the lane enshrouds a pious priest.

At nearby mall, Mike needs a cig, and stealth'ly steals a pack.
The Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling six times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

The shanty town has hunkered down engaged in mortal sports
while shattered bodies' broken bones at last repose supine,
and mama (now bereft of child) in anguished pain contorts,
her eyes drip drops of bitter wrath which wither on a vine.

Fatigued and bored, some kids harass the crowded alley now.
To pass the time, Joe smokes a joint and Lizzy snorts a line.
The NRA (which deals with doom) can sometimes help somehow,
though Eric died with Dylan in ‘The Curse of Columbine’.

Marauders scam the marketplace (with billions guaranteed)  
while babes with bloated bellies beg with barren sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel confronts us all, though few can ring the prize.

Yes, Mr Madoff, private bankster (cruising down the road,
with other Ponzi pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed),
and jests with all the junkies, while they’re bilking us with bonds.

A timeworn washerwoman totters, stumbling from a tram -
she shuffles to her hovel on a dismal distant hill,
despondent, shuts the shutters, prays then downs her final dram -
a raven quickly picks at crumbs forsaken on her sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God adores the faithful side, the heathen sides He hates),
with saintly satisfaction reaped begetting pagan ache.

All day the watchers skulk around our fractured windowpanes
inspecting all our secret thoughts, our realms of privacy,
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Our rulers (kings and other things) have often made demands
of populations breathing air on near or distant shores
and when they didn’t yield and kneel, we conquered all their lands
with sticks and stones, then bullets, bombs and battleships in wars.

Come, cast just once a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways with freedom’s dying breath.

But closer lies an island, where the keepers grill their wards.
Impartial trials? A travesty, indeed quite Kafkaesque.
The guiltless gush confessions, born and bred on waterboards.
No sense, no charges nor defense. A verdict? Yes, grotesque!

Now dusk is drawing near outside my fractured windowpane
while mankind wanes like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within a corpse, the fruit of human blight.
Judi Romaine Jul 2012
A ****** of crows, an ostentation of peacocks,
a parliament of owls, a knot of frogs,

a skulk of foxes, a siege of herons,
a paddling of ducks, a charm of finches.

This bevy of birds is a vocabulary find,
But what can it all mean,
In the world of human being?

A troop of toddlers, a slurry of students,
a gaggle of gentry, a bevy of boys.

I am of a mind that in naming of kind
Human being is best defined.
I can see a kids book with watercolored pictures.
Listen my dear daughter, to my first song of caution
Earmarked for you my wonderful sire, come and listen,
That tall old man with white hair all over his head
Standing over there is not good; he is gnomish in the mind
Be careful with him, he is not human in the heart
But a mermaid of Yoruba poetry, just like Thespis of Greece
Even the pecuniary psychopomp of Sweden gave him an accolade
His heart is selfishly full of avarice; he wants everything for himself,
Don’t recite him any of your poetry, lest he spells an abyss
Against your juvenile poetic talent, he will fool you with a gift;
A white sheep or a scarlet goat for your birth day anniversary
Please don’t take it or anything else from him, as nothing from him is genuine
But only machinations of evil spell aimed at mahyeming your talent
Finally to decimate your girlhood and life, this is my caution
For you dear little African girl.

Listen my dear little daughter, to my second song of caution
That short man in a Muslim gear loafing yonder, is suspect
The Muslim beret on his head is merely a smokescreen to aghastly behaviour
He is in no way an avatar of god of love and humane piety
He is a terrorist working with Boko Haram and Algaeda
He is an Alshabab that is bombing young girls in Mombasa and Nairobi
All over Kenya he has killed the young people; his long egret-white sari is not for holiness,
It is merely a nefarious sanctum of grenades, other tools of work in terrorism trade
His loudly prayers, body movements and pocket bursting monies are only a stunt
To have you kidnapped into death conduit, once you goof to join his courts,
His sanctimony is a total picaresque film, (s)heroes of terror the centerpiece
And thus, this is my caution for you dear little African girl.

Listen my dear daughter, to my third song of caution
Those tourists thronging our streets are deadly *** pets, they also skulk ****
Their handsome outlook is not a stamp to any good conscientiousness
They derive pleasure from poverty and *** tourism; they yearn to see a girl in poverty,
Often rarely will they help an African girl, out of milieu of beggarly squalorism,
Instead they go straight for the purse between your thighs,  
Regardless of the legacy they leave out of this lewdness, they are showy,
They regret not in their Byronic broadcast of *** and fatherless urchins in the poor streets
Foundation for their further poverty tourism, this is my caution for you dear little African girl.
kirk Oct 2018
Who owns Jack Jones, is he part of your clan?
Does Mr Jones actually exist, is he a real live man
Why does he resemble Boyd, is this part of his plan
Jack is such a manly name, but so is Phil and Stan

Don't use "Boy" within your name, you'll impose an adult ban
Boyish names are not much good, there not like John or Dan
You wouldn't call grandfathers boys, or say girl to your nan
Stop abusing ol' Jack Jones, and avoid Boyd if you can

Boyd is easy to avoid, its easier than we thought
An alteration has took place, but that's what Boyd has sought
Elusiveness is not too smart, because already you've been caught
We've worked out who Jack Jones is, and it accounts to nought

Your lacking iron clad alibis, nothing is set in wrought
It's criminal to own Jack Jones, so please would you abort
No rights to use another name, your being a bad sport
Is Boyd considered as a name, or is it "boy" for short

Intellect is not too strong, that's only what you think
Using an alias is unwise, if you show a photo link
Why bother changing to Jack Jones, how low you gonna sink
Your mother's been kept in the dark, about releasing your white ink

Is Jack Jones the one, who's been sinking in the pink?
Wasn't it Boyd's low ***** count, that went inside the mink?
You are skating on thin ice, when there's cracks in the rink
Just who owns Jack Jones, when Boyd's back from the brink

Identities are broken, just what did you think you'd gain
Your just a ******* imbecile, to think you'd relieve the strain
You can't hide yourself away, you must be quite insane
It's not as though your mother lives, in germany or Spain

Everyone knows who you are, it's in your face and plain
It is just pathetic to make Jack Jones the main
Jack Jones is just too common, you should try a name like shane
Just don't **** about with names, or Jack Jones will be jocks Jane

Your ashamed of what you've done, you try to skulk and hide
You didn't mind the ******, or having your fun ride
Be a man and not a "Boyd", it's time to turn the tide
Come on Boyd you did not avoid, legs that were astride

Morality is in pursuit, but you have no sense of pride
Who's Jack Jones supposed to be, now  sperms slid down the slide
Other aliases may exist, do you have bits on the side
Or are you only interested, when things are open wide

Is Jack Jones the father, or is he born from rubber clones
Boyd is the spitting image, he's been seen on mobile phones
Hostile namesake takeovers, do you have *** slaves and drones
There's no sense in your deception, because this isn't Game of Thrones

We don't want identities stolen, you borrow names like loans
Jack's already being used, it's a name that someone owns
Maybe names can hurt you, as well as sticks and stones
So cease in your activities , you don't know who owns Jack Jones
This poem is dedicated to Mandy who influenced its writing
THE HUNCHBACK OF AFRICA

Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)



He lives in a big city
In a big bungalow
With all of his henchmen
And henchwomen
He puts on big sun-glasses
He has bushy beards
On his back a clenched hunch
Protruding menacingly
Like a lethal bombshell
His skin is ***** dark
His face is frog wrinkled
He forgot indigenous tongues
But he is a master of spoken French
Don’t mention the queen’s English
He is a bad news,
He is shrewd and corrupt
With avarice for money
He loves women, women, them women
Hot mistress is his domain
He loves European alcohol
His public office
Is a private personal bar
With all types of wines haute couture;
***** and whisky
John walker and cappuccino
Champagne and cognac
Smirnoff and viceroy
Chang’aa but in a skulk,

He has nothing to do with men
Only his two sons and brother in-laws
His sons bear European names
Aristocratic European names;
Knappert and Otto von Guericke
Mussolini and Harold,
He reads not African literature
On the claim that they are whimsical
But he reads white African writers;
Lessing and Macgoye
Coetzee and Nadine
Ruark and Blixen,
His shelves are woodlots
Of European classics
Classics of Palimpsest nature;
From Hugo to Dumas
Fyodor to Tolstoy
Cervantes to Austen
Maugham to Friedrich schiller
Pushkin to Bernard Shaw,

The hunch back of Africa gets broke mid-month
He goes for bank overdraft
A mistress snatches him to zero anew
He clicks and curses the **** *****,
But he consoles in the prompt flick
Wine can’t be sweet without those wenches
As he drives his white jalopy
A ramschackled beetle shaped Volkswagen,

He has ever nursed a Germany dream
To go to Germany and come back strong
To reason strong like the sons of bundeslander
To come to Germany and pluck out
The **** of a hunch from his back,

He expects nothing from a man
Especially men from other African tribes
Other than bribe and praise
Any form of praise sends him berserk with jubilation
Any form of bribe sends him rambunctious with ego
He loves power with all of his nerves
Including the entirety of his hunch,

He hates one book in his  live
That even he made it a toilet paper
‘The constitution’
He says it has no respect for old people
That it has no respect for freedom fighters
That it has no respect for hunchbacks
That it has not respects for royal sons
That it has no respect for rich people
That it makes the poor people to be rude
To be rude without discipline
He condemned it a toilet paper,
When you come to African privities
Be careful, the paper you use may be a constitution
The hunch back himself must stay in the toilet long enough
To use minimum of fifty pages of the Katiba
When cleaning his ****
He has an ambition to reach all the pages
Bearing the number hundred
On which there is a clause on
International criminal justice,

The hunchback of Africa is full of love
Indeed he is a fountain of love;
Love of his second wife among them all
Love of his tribesmen who are yes-men
Love of his atrocious spies
Love of his sycophants
Love of his fresian cow
Which he imported from the Hague Holland
Love of his ******* son sired to him by a mistress
Love of the psalms of David the king in the bible
Love of his English name ‘josephat’
Love of his kingdom
That made him the hunchback of Africa.

Goodbye!
spysgrandson Dec 2016
the skulk was mostly *****

hens were haunted by either gender

the farmer's wife also feared them

though small and they ran from most two-legged beasts

the farmer shot the foxes for sport--guarding chickens not his concern with a thousand acres in corn

the farmer's son had trapped a red Reynard

it perished in captivity, starving itself

the night of the caged fox's demise, the rooster crowed tirelessly

for good reason, since the leash gobbled a dozen hens under a waning gibbous moon

the creatures prosecuted a moral symmetry it seemed

while the farmer was febrile with the grippe, the son fast asleep, and the wife dared not make a peep

witnessing a crimson carnage she likened to war

in its aftermath, a naked sun rose on waves of white feathers and scarlet trails of blood

perhaps 'tis not good to trap a wild thing, the farmer's wife mused

then she made her way to the coops, fetching enough eggs for breakfast

all the while the skulk watched from the thick brush

watched and waited, without will as we know it

but with a red reckoning ready, should they again be victims

of man's folly and sin
**A group of foxes is called a leash or a skulk
Rob Sandman Mar 2016
SANDMAN
Can you see them?-lookin' for me to be them,
lookin' for my warmth to breath life to them,
the hollow men,yes men,fallow men,come follow men,
no heart no mind-mindsick and eyeblind,
sheep talkin' like wolves that I find,
most despicable-Dis-gusting unpredictable,
following the wind as it blows on their wick they're all
candles in the strong wind gutterin',
snipes from a distance yeah they're all utterin'

Great threats from great hollow chests,
that up close-don't stand inspection,
empty vessels-makin great noise,
hard men behind keyboards hands -poised,
with the poisoned pen ready to dip in the deep well,
of hatred they bring from deep hell's,
inside,a void,avoid if you can please employ-
aversion tactics needed,don't need it,
vampyres that need pyres,yellow they bleed it
Yellow right down to the backbone believe it...

                                 CHORUS

the hollow men,yes men,fallow men,come follow men,
Yes men Hollow men come follow men  
Yes Men-Shallow men come follow men, the hollow men,

The hollow men,yes men,fallow men,come follow men,
Yes men Fallow men come follow men  
Yes Men-Shallow men come follow then
while I tell you bout the Hollow men


                              
                       JAY

Yeah, **** right I can see them.
Trolls in holes. I'm willin' to bleed 'em.
Society's detritis,
..delighted by the slightest sign of weakness.
Bleakness of their lives underlined by the lies they employ..
.. in their contrived..
..cyber sphere.
Scavengin' on carrion.
Peckin' at the carcass. Behind the veil of anonymity.
Sit in darkness as they hammer out calamity.
No nobility or amity. Cyber-highway poison.
I got the remedy.
Hollow husks skulk and lust..
..for coat-tails to ride on. Soon turn to dust.
Rusting hulks their disgusting bulk decaying on the shore.
Soon to be forgotten.
The Yes Men, the Hollow Men, the fallow men.
The everything is borrowed men.
The no tomorrow men.
The follow slowly to the gallows men.

*The Hollow Men, Yes men, fallow men, come follow men.
Yes men, shallow men, come follow men.
Yes men, Hollow Men.
Never follow them. The Hollow Men.
The Hollow Men, Yes men, fallow men, come follow men.
Yes men, shallow men, deal in sorrow men.
Yes men. Don't ever follow them.
A fool strolls to the gallows man.
New Work,just finished, ready to go down on track soon,
but makes a fine poem too, collaboration with the Jay from E.C.
Nicki Tilston Jun 2015
At the back of the cupboard
I skulk
You don't need me any more
So I sulk
Discarded and alone
Getting dusty
Hardly used any more
Smelling musty

There was a time long ago
When you loved me
You showed me off
When you made your friend's tea
You used to wash me and dry me
Make me feel smug
Now you've replaced me
With a tea bag in a mug

But today might be
My lucky day
I hear your Mother's
On her way
I know how fussy she can be
I know she'll insist
On a proper *** of tea
She'll turn up her nose
At your common mug
She'll want a nice tea ***
And a china cup
With some milk
From a proper milk jug

Nicki Tilston
Rhianecdote Nov 2015
"Loads of guys talk to Rhi"
On a day such statements and possible insinuations don't **** me off
they actually entertain me.

What do people think of me?
What do they really see?
Used to be a source of teenage paranoia
Now I'm more intrigued

It's 6 am,
After party at Mag's house!
Everyone's sleepy
Sun's coming up
Smokers coming in and out from the balcony
Sliding doors
Dawn chorus
Sat in the darkest corner
On a wicker chair
Tryin to go unseen
Feelin I look a state
Makeup has started to fade
No longer hiding me
No one in this room
Would know though
About that insecurity
Had me Avoidin mirrors
When out since the age of 15
That's a long time to not be
able to face yourself

But now this young guys facing me
I've sparked an interest you see
Half cut Johny who I shared the car journey
Back with has been spreading the word
That I do carpentry
And he's intrigued
So he's crouched down beside me
Eyes wide open,
Probing me, testing my knowledge
Rollin off his story of going off the rails
And joining the army
But how carpentry gives him some peace
I smile, I listen, I speak
Shake his hand
As he introduces himself as Steve
Asks if he's steppin on anyone's toes
Cause he believes the Dj
That's followed us back
For the after party
Is my boyfriend
Cause we were talkin
And he was stood next to me
I laugh at how fast
Assumptions are made
In the dark
It's kinda funny
He feels awkward now
Says it's nice to meet me
Leaves
Sigh of relief

Why do loads of guys talk to Rhi?
The banter most probably

Hear Dj taking the Micky
(Turns out to be his name ironically)
As he walks back in
Tryin to set up his sound system
Steve says get some Scart leads
We're cracking up
I say something off the cuff, witty
He Spuds me
I'm a "bro" after all right

What do you do?
I dance
But you was stood behind me all night!
Ha! No, just for a bit,
I was watching what you was doin

He starts telling me about beats per minute
I ask him bout the Djing
How I'm interested in doin it
We Banter about how he'd teach me
How I'd be his prodigy
I think he means it

Says we got him in trouble with the club
For changing up his set
Cause we were goin in
We were feelin it
Asks me to guess where he's from
I say You look mixed race
But I bet your Cypriot

Says he's Half Turk, half Greek
That's why things didn't work out
between Mummy and Daddy

Chuckles softly

He's a Barber during the week
Cut Rita Oras hair the other day
Shows me the tweet
He's likable, pretty sweet
Says he's glad I'm there
Cause he doesn't know anyone here
And he'd have no one to talk to
A shy dj
Looks like Drake
Kind of a giveaway
His Nose is running
I say
what have you been sniffing
Grinning teeth
Smiles and shakes his head
How can you say that
To Someone you've just met?!
You're cheeky!

Asks if I smoke or do drugs
When I reply no
He jokingly asks to marry me
I say where's the ring?
He gets out his keys
Puts it on my finger we laugh
Who knew getting a wife
would be that easy?

Calm down sunshine!
my games more stealthy


But I reiterate
"loads of guys talk to Rhi"

What do they mean?
I'm a guys girl
Always have always will be
If this night has confirmed anything
It's that
Certain females just don't warm to me
Give them a compliment
They're ******* me
Make a joke
They're ******* me
Dance by one
Accidentally knock her phone
Out her hand she sits down immediately
Face of thunder
I Say sorry,
Skulk off awkwardly
Beat myself up about it momentarily
Then get annoyed and think **** it
Head back to where I'm meant to be
Just the dance floor and me
Where I get smiles and laughs and looks
I can't quite decipher
"White gyal skanker!"
Mutter out apologies as I stand on
Some guys toes
Tells me no worries I'm a dancer

Hell I'm a flirt too!
I speak to guys cause
it's what I know how to do
It's easy conversation
It's fun
But I know that when this nights over
it's all said and done
No need to mention
I have no true intention
Of speaking to or seeing these people again
Maybe I should
Maybe that's how I'll make connections
But for now I'm tired but it's a good tired
I feel at peace
There's something wonderfully dreamy
About the after party
People slowly waking up from the make believe of the night
As they're fighting off sleep
DJ Micky making his way out the door
Shoutin back
Make sure you message me!

I won't

For now It's time to head home
I take my leave
As I exit
Wave bye to Steve

Thinkin Why is it guys talk to me?

For the same reasons anyone would really
I listen
I guess maybe I put them at ease
5/08/15

Just a little something I finished off from man shaped musings on my last night out. It was sparked off by a comment,possibly even a compliment that kept being thrown around by the older bunch of old skool ravers I had been hangin out with who didn't know me very well. The first people I've ever partied with during a time where I was probably learning a few things about myself
Duke Thompson Aug 2014
#
You champion body kinetics like
Bend'd sentences playing played out words
Most foul animal howls crying out night

How I'd like to prowl and skulk around  
Find out further great secret shames
To hide inside broken bone skull
Lulling me into security
A false paucity of pretty petty little
Nothings all coiled
Spoiled summer sausages
Rotten vermilion
carrion
Seeps
dj May 2012
Me in my mirror, mirror 
A ghoulish sight.

Awkward skulk 
'A clay face'
As my nose says 
'A dog snout'
As my eyes would say

Skin like a shelter
For bacterial catacombs
Rising up from under like undead

Screaming inside
I press my face into the right morph
Re-bend the crooked nose
Self-correct the bloated chin
I layer on more clay, then
Mold it again.
Re-mold some more.
Slice some off; 
what am I now?

"Pretty." an ideal voice says 

*******,
My eyes are tired from staring
"They aren't lasers"
I tell myself
"They can't surgically correct you"

And So 
goes another night.
Sighs.
Tayyibah Aziz Jan 2015
This world loses me, It is too much to bear,

The tornado wind and the butterfly, this mind and body are tired.

You are the crocodile in my nightmares, you snap at pride, you swallow my innocence, you killed the child inside me.

I survived.

I live on still and it is a wonder, though not the same; I am a skeleton in my own closet.

But I am many things:

A crook, a thief, a bandit,

a Grand-daughter,

and Easy Prey.

Will I love you? It screams to me, the blood of roses and fake promise of hope is poison.

I claw at my heart and the red wails at me,

like loving knives in my skin, the love is a lie and only pain.

Thorny tendrils of poison ivy wrap around my life and soul, the parasite that is You, ******* my light and vitality, piercing me, so I bleed slowly on your hands.

You killed the child inside me, and the Purgatory is there, as vivid in my dreams as the harsh sunlight, that exposing glare drowns my sleeves in red, my eyes in red, my hands in red.

The drug soothes me, warm fingers caressing my temples and bringing me a spinning numbness.

I sleep a restless sleep, memories that need to be remembered skulk in the darkness and torment me!

They hold my sanity in chains and I am blind...

Don't cry. Lift up your head. You are helpless,

your mother is not yours,

do not fail yourself.

The smell of blood, hot in the August night haunts me, it is metallic in my mouth,

and runs over my eyes;

so all I see is blood.

Sell your soul and seal it with blood, lose your innocence to karma.

The child within is dead, and you marry the empty shell.
Facing you, your reflection spins my vision
And I ask, but
Pupils dart with avoidance
Never fixing my gaze

Wanting you to link into me
To connect, look and meet my soul
No matter how intense or sublime
The pretence is mystifying, just know me

Wring out this beige appearance, then
Fetch the red carpet and roll it out
Wipe it clean
Stains shrinking into the pile of yesterday

Immerging free from the soundtrack of debris
Repeatedly spinning out your sorrow
I shoulder your pain and bear your shame
As you skulk and sink into oblivion
Hunger-driven, you
skulk in the shadows,
waiting to prey upon
blissful souls.

Methodically you creep in unannounced
and deliver a painful, striking pierce from
your already blood-stained fang,
numbing all of my essence.

Skin swells. Muscles cramp. Bones ache.
My eyes fall dreary. I start to salivate,
desperately yearning to taste life again.
My heart races in fear of human contact.

Caught in a tangled web, I restlessly lay in bed for days.
The comforter is soaked
with sweat and tears. Screaming
into the pillow, I beg for relief.
My first 16 liner poem inspired by a bite.
Ellis Reyes Oct 2014
Slate skies
Stinging rain
No rainbows today.

Wicked laughter
from darkened houses
terrifies.

Defenestrated neighbors
Swing from ragged ropes
Tattered clothing
Exposes inhuman things

Soulless creatures
Skulk and lurk
patiently waiting
for beating hearts

Broken gravestones
hide terrified children
clutching iPads.
Fading light in a dark, dark
world
The product of a poetry challenge laid down by 6th grade English students. They gave me the words Thursday, rainbow, donkey, defenestrate, and iPad and I was challenged to write a creepy poem incorporating those words.
Claire Bircher Dec 2010
I’ll believe anything as long as it’s a lie
if I see a flash of falsehood
if you stumble over words that are freshly made up
if you wring your hands, play with your cuffs
impossibly arch those deep woven brows
I’ll be ****** in
compliant
desperately gullible
I’ll skulk around after you
forgive reprehensible actions
and just say “awww”
I’ll treat you like a god,
even better,
I need that *******
control from a higher being
I’ll worship you
make sacrifice
virginity, purity
body and soul
and then suddenly I’m at your door with a dead cat
and you’re wondering if it’s worth it.
berniiie Jul 2015
For every emotion songs have already been written:
poetries and sonnets,
angry beats and ****** ballads.
My more positive, happier self is an extra-terrestrial being
from galaxies far away:
No cutting off fins from sharks. Unlike lizards’ tails
fins don’t grow back.
Love. Respect.
No ceramic idols lining the windows
their empty gazes crawling up your spine.
No empty promises. No magic cures for baldness.
Phones on mute during class. Eat sensibly.
Take a breather – life is not a race
to the finish line. Have cleaner washrooms.
Less unwanted criticisms. Less trance.
Love thy country.
Pin-striped shorts
from M&S; Stronger will.
No slitting wrists or overdoses. Suspend disbelief.
No secret candy stashes. Do your laundry without being told.
Omit racism, misanthropy. Wilted flowers by the windowsill.
No secret phone calls in the middle of the night.
Who are you afraid of? Almost and nearly don’t count.
Come home.
Forgive favorite band for disappointing album.
Be kinder to puppies.
Brood, not rant. Skulk, not stalk.
Get my name right.
Don’t drink and drive.
There are no gays, no lesbians, only
people with feelings.
Fight, not flight.
Have more 24-hour pizza places.
Avoid politicians, traitors, lawyers.
No throwing around words like vociferance,
vociferate, vociferous.
Accept fate – don’t be a martyr;
One day everything fades
so hold on to
all your post-it memory
until every star

turns to dust.
Jenny Gordon Mar 2017
Fantasy.  Take a second look.  This is literally one angle on the only fiance I've ever had.  No joke.  Mebbe see the sonnet titled "why did you hafta die?" next?


(sonnet # DCCCXXV)


We skidded round the corner and the p'lice
Were in our face.  "Oh boy, we're out of space
Babe--just be brave, we're gonna win.  Disgrace
Will keep them on our case 'til we decrease
Those *******.  'Til they skulk and beg for peace.
Now hang on tight"--(shifts in reverse)--"and brace
Yourself"--(tires squealing loudly)--"we'll retrace--
It might be hard--hold on--don't drop your piece!"
We ducked our heads, careening blythely through
A blockade, sending cars flying everywhere.
Out on the open road 'gain finally, too
Alert to miss a beat--"Get ready!  Ere
You see them--fire!  This is our rendezvous--"
We won at six.  He's now their head.  Take care.

05May12
D185c
*Original intro:  Jesse (a friend and fellow online poet at the since extinct Poetfreak.com)'s comment on "At 6AM...on Saturday" (the sonnets immediately preceding this number) prompted this. [pure fantasy]  Obviously I can't get Hollywood to hire me. But it was jolly good fun to write.
spysgrandson Aug 2015
I thought,
I was impervious, armor
in place, attached to detachment
my pesky synapses
melted away in
a gray soup

protected,
pain exempt...
but ****, you  
come to me
in dreams

in Morpheus grip
you slip in, those menacing faces
I managed to block, return
to mock me

the jeers to which
I made myself deaf, are now soprano, alto, bass
in my nocturnal symphony

those who malign me
are free to walk on my grave:
to them and all others I am
but slumbering slave

I can not choose
when to wake, to end your reign
but if I could, you would then skulk  
a bit in my skull's dark den
waiting for my weary eyes
to close again
spysgrandson Aug 2012
what happens to an effluvium held in?
does it seep through minuscule pores in the skin?
or does it skulk out like the phrase, "silent but deadly"?
does it stink like choking sulfur mined?
or does just hang close to one’s behind?
perhaps it leaves a telltale mark
and even causes your dog to bark
does it tell the smeller’s olfactory
something revealing about thee?
or are effluvia all about the same
whether ‘tis prince or pauper to blame?
alas, all we hominids produce several pounds
of the aromatic elixir each day
making it fairly safe to say
that holding it in would be a ****** crime
and cutting a big one hardly makes one less sublime
Wrote this  almost a year ago. Was trying to come up with something really profound but this is all that "came out". The title and structure of the poem are inspired not only by my bizarre sense of humor but also Langston Hughes' classic poem, Harlem. If you haven't read Harlem, I highly encourage you to do so. My poem is not intended to disparage his work or memory in any way.
soul in torment Sep 2013
come let me lead you through my mind
where angels tremble in their sleep
for fear the waking makes them blind
within the darkness dank and deep
the shadows skulk and hiss and scream
and reach for me with outstretched hands
with greed they feast upon my dreams
and run amok in fallen sands
they know my name the one I keep
within a jar beside my bed
along with tears I've yet to weep
and words as yet I have not said
they'll come for me if er' I rest
and let my guard so foolish fall
but yet I have to pass the test
though mine own fear doth me appall
so walk my mind but be aware
to never stray from well worn path
for if you do your soul they'll snare
and you shall feel their pain and wrath
for broken minds ner' know no peace
no glue nor tape can ever mend
so run away my hand release
forsake me now I beg their friend.
Daemons is proper spelling of demons
TC Mar 2013
that numb? it will waver.
that skulk? turn into droop
step. bent neck sunblasted
central park rowboat; gone.
i lost both oars
in one oafless rift
arcing through the purple air
sat stunned and helpless
as we drifted and you
laughed.

that’s kind of
what this
is like.
spysgrandson Oct 2015
in the corner
where giant walls join, he stares
at me, or the painting on the sky
of drywall behind me

if my mate spots him, she
will demand martial action
I am to skulk across the laminate field
and use the mighty broom

then, the dustpan
scooping his carcass up
for the grave, beside the cat
in the yard

squirrels, pestiferously perched
on my fence, teeth sharp courtesy of my
redwood trim, will watch

no, I won't listen to my spouse,
and execute an overgrown mouse
I'll let him squeeze through the planks
and go where royal rodents go

still, I may go hunting yet--my prey?
those furry tailed acorn chiselers, who ravage
my redwood with impunity...
(they think)
softcomponent Aug 2015
You come out of the dark, and a young Japanese schoolgirl--couldn't be any older than 19--is standing in a heavy-lit archway, the blinkered 'sort-of's' of her eyes only visible in corners due to the convex glare rebounding from the heavy light and onto a parked Miyata windshield, right back into the bloodshot lower-left cleft of each eye, sleepless veins like miniature pipelines slogging her fossil fuel blood to the energy markets of her face (but it ends in death, hopeless economy! it begins in death like OPEC!)

There's concrete, and there's stone: the former a collection of synthetically compiled chunks of the latter. In either regard, it might just be the end of the World, tho just an intermission during an afternoon matinee for the world. There are a lot of things you don't understand. There is plenty more you do, and yet you believe your own humility when it whispers, "You don't," tho you are entirely unaware this is delusion and not humility, but some unconscious form of ascetic worship of WONDER!! You're going coocoo for cocopuffs WONDER! We can remember what J.B.S. Haldane once said: "I have no doubt that in reality the future will be vastly more surprising than anything I can imagine. Now my own suspicion is that the Universe is not only queerer than we suppose, but queerer than we can suppose."

I was born at the edge of the Cold War. 4 years after America's Operation Just Cause deposed Nicaraguan dictator Manuel Noriega using heavy metal music and heavy metal weapons, loaded to capacity with heavy metal bullets. 4 years after the slow-dissolve tablet of the Berlin Wall finally faded upon the German palate. Brian Mulroney was my Prime Minister at birth. I was also alive (tho not 'conscious,' per se--intellectually conscious, that is) during the Prime Ministership of Canada's first female Prime Minister: Kim Campbell (she was only leader for just over 3 months and thus I cannot give her time in office the full credibility it would have deserved had she been a fully elected candidate instead of an inter-election Prime Ministerial appointment; when, for godssakes, will we have a Fist Nations' Prime Minister? I would like to believe the only reason there has been none is because the indigenous people have categorically rejected the game-fantasy we have stomped upon their land and the world and self-righteously crowned as 'realistic, sober, objective;' tho maybe I'm wrong, whispers Humility: "I don't know").

There is the endless and omnipotent consensus that the world's about to end. For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history. 'Now' is the always-result of 'then' and it will never change unless we neglect its consideration. That's really all theory takes to disappear: stop thinking about it. (as if that were possible, ha!)
Because the impression has been one of pollution and confusion, our wide un-thought idealization as children has often led us to emulate all the bad habits we witness growing up, even if at one point we cloudlessly rejected them because the damage didn't seem clear, it was clear.

I was 8 years old when I took my mother's cigarettes from her bedroom while she slept, and proudly announced to her the next morning that I had thrown them out. She had become furious, tho I had done it out of a militant concern for her well-being. During my years of primeval arrival on this planet, mom had almost lost her life to breast cancer. I can't remember understanding much as it happened, nor do I recall fully understanding the implications of death until my grandmother died and I watched my dad fight back tears as he read aloud her eulogy, recalling a story I can pick through scattered memories stored in grey matter to resurrect only one fact about it: they were on a boat, pulling up to shore. My grandfather--the cheeky Briton-optimist he is--made some silly joke, and my grandmother pitched in. The rest is somewhere else in space.

However--regarding death-- I feel that even then we never understand the full implications of death in witnessing another's death, but only through dying ourselves. Which is fine. None of us need to understand these implications until the time comes (and even then, it may just drip away once you've reached the Light. Which is fine).

Returning to the cigarettes: I had absorbed the common knowledge they were awful for you. 'Death-sticks' indeed, just like that scene in Attack of the Clones. Tho I understood nothing of the chemistry, a box or a video or an authority explaining their potential 'results' or 'consequences' was enough for me to righteously desire to save my mother from her own acquired vice.

14 years later, I skulk through the streets of Victoria with Chris, high on ******* and chain-smoking Export-A Gold on the subconscious condition that the world will probably end soon enough for none of this to matter. Tho as I said: For those who study history, they will often notice that when 'then' was 'now,' it was often and always the end of history.

History is comprised of an endless succession of losers who sincerely believe they've figured it out. The only redeemable characters in this Human Odyssey are those who have realized nothing in particular. The people who think, believe, and conceptualize as an infinite process; something without a result. Something with abstract 'goals' that only fit for awhile, not forever.

I'm nobody special. Tho, at the same time, I am; and at the same time and in terms of my relationship to this greater Human Odyssey, whether I will matter in this giant plot is in part up to me (should I write a book? 10 books? Relentlessly pursue the arts, whether that be rapping, writing, music?) and in part up to sheer probability (if I do write a book, will many notice? Or will it be swept under the Great Rug of the Present-Into-Past and be forgotten to thought?), and regardless of all this: the rocks will forget. The trees will forget. Both space and dark matter will have already forgotten what I am doing and what I may one day do.

But life can't be approached on a basis of personal impact; honestly, who wants to pursue the writing of 10 books or the creation of albums in the same way the capitalist approaches economy, for sheer attention and accumulation? Those desperado's, those who chase-the-game-of-success, they have already lost. They lost as soon as they tried to win. There is nothing to win, no award great enough to keep, no person you love or have loved who you will one day depart with for the very last time. But to depart with a personality may be tragic, it is only a true void in concept; when one removes the individual (both themselves and the one they love) from the eternal context of the universe--the ebb and flow of tides to the movement of the moon, the soft breeze supplemented by a fan placed next to an open window, how your hand--when clapped to the surface of a wooden table--is one with the matter in that table regardless of how transiently you perceive such a touch as an interaction. In essence, it's all still here; it always was, and never won't be.

tho maybe I'm wrong, whispers Humility.


                                             *"I don't know."
Delaney May 2012
There is a morgue in my bedroom.
Past all the happy memories,
Hidden in my closet,
The dead lie, waiting.

It contains deceased memories, relationships
Expired love.
In the form of stuffed animals, cards, notes, pictures
I hide my grief.

Some may call it a cemetery, but it is not.
It is not a resting place for the dead,
but a place for restless memories to skulk.
A haunting ground.
Geno Cattouse Jul 2013
Sits between twin bluffs  burrowing into neon souls
long to be seen in a  future frame of corpses and flipping
through the lenses of the kaleidoscope 1916 or there abouts.

Mr Edison took full advantage of the moment transitioning for all time  the boundaries.Maybe Muybrige in1888.
The here and now. The real and surreal. the equation is now unbalanced.
Is seeing now believing? or is believing a reason to see.

The proof is in the putting.
Dead men long digested in soil and  ground  can still emit sound and point  a blame-full  finger
Linger if you dare in the baleful stare of the science.
quiet, silence, desist. No
even virtue  can not  still the burning light.

cellulose spirits on walkabout lookout from the past again and again
flickering things they be.  conjure you as well as you conjure them.

The end is sight at the bottom of the hill
steel rails to nowhere still squeal to silence,
The riders swing free and lite on Italian loafers and
skulk away. padded shoulders conceal weak wills and
weaker hearts still.

Silver screen visual refraction
once there for all to admire must now bow deeply.
Curtsy?
Vanish and still remain at the pointed end of   it.
But the view's fine from here,
they say, all carbon copy cloying concern.

They don't know that the sun doesn't rise
and set quite so exquisitely
when your sky
is on fire.

But the view's from fine here,
they maintain, as unsaid words skulk in the throat.

They don't notice the skin that burns and crackles
and stretches at a breaking point
that's been broken
for years.

But the view's fine from here,
they confirm. And then turn away.

They don't see what shouldn't be seen,
what eyes can't afford to shut
even as glass splinters
edge closer.

And they are right, really,
because their view truly is fine from here.

#BlackLivesMatter i
It's been an indescribable week for the whole world. Watching all the scenes coming out of the US feels like watching a film you can't hit pause on. And I couldn't not write about it. .
First, I wanted to write from the perspective of someone in the riots, someone who's suffering from this appalling inequality. But it didn't feel right. I'm a white woman living in the UK, so this isn't my reality. The reality is that I benefit from my white privilege every day. And the reality is that many, many people in my position, with my privilege simply refuse to fully see what is going on, and don't attempt to empathise with those suffering.
.
I dream of a day we all understand our privilege and use it to help those whose voices are drowned out. #BlackLivesMatter
Natalie Martinez Aug 2013
Dangerous girls with ****** lipstick and low rise skirts
with cold mean eyes to hide their own secret sadness
The kind who think nothing of tearing another girls to pieces
with words sharp as fingernails and teeth
Sweet girls with eyes and voices cotton candy soft
usually with hair and personalities to match
the ones everyone wants to be close to
and loved by
Strong girls who fill rooms with their presences
the commanding, assertive ones
Wounded girls who skulk in corners
waiting for someone to offer their hand
Oh, but the most dangerous girls
are the ones who are secretly wild
with a fire smoldering under their skins
so when they open their mouths to howl
or laugh
or cry
It can only be for a short while so the flames don't escape
Withoutwords Nov 2015
Do not trust, I call out loud
the world is full of things that lie.
Across the sky the clouds do prowl
without a thunderous sound or sigh

The sun does skulk away sometimes
to hide and do it secret tasks.
They say around the world it shines
I know it hides behind a mask.

The oceans too have things to hide
deep below their darkest depths.
They whisper them with rushing tide
then back to the sea they're swept.

Even the rain is hiding
it keeps silver secrets in the clouds
If in search of truth the birds go gliding
the clouds send raindrops  tumbling down

Do not trust a single thing
no words or looks or feelings true.
The very voice they used to speak
is laced with words they steal from you.
girl diffused Oct 2017

Wolves hide among the fragrant flowers
Skulk, stalk, pounce, and bite into their prey
****** their maws, their canine, their fang
Don the fleece of the white sheep
Rip out the innards
Garbed in white
Draped like a cloak of purity

Wolves hide in cathedrals
Stalk among the pews
Furs streaked with blood, coated
Defile sanctity
Impregnate
Virginity with something vile
Dark, putrid, and false

She sees the wolf in you
Hears it in words that you utter
Sees it in words that you write
Drunk, sober, aware, unaware
Smells the blood on your maw
Smells the pennies in your breath
Faint, odorous
*
Wolves like you
Hiding in fleece
This came as a direct result of something I experienced last night. It shook me internally to my core and the culmination of those words, the emotions that stirred up as a result, culminated in this piece.

The wolf is Man. Not every man. It can be a singular man for a woman or even a man or anyone, you can change the gender of the "she" to whomever you like. The wolf remains the same. The "fleece" is a covering, a disguise, a shroud of "purity" and deceit that it/He disguises himself in.

The "cathedral" is a place of reverence and worship. I took the age-old adage of "your body is a temple" and turned it into something more historically significant and possibly controversial (for those of us who are iffy on religion. I am actually, but I respect those are who spiritual and religious. I respect their beliefs and stances). The cathedral is Woman's body. It is seen as a place that can be tarnished or worshiped within. It can be ransacked and defiled or vandalized.

IN any case, the poem has its themes of purity and Sin. There aren't many religious undertones here. It's just the slimy and even disturbing feelings a man can conjure up with words. It defines what a woman may experience when she's even revered by someone that presents themselves in one way but is truthfully like a majority of "wolves" out there. They're there for blood and prey.
Ari Jan 2019
I.
I do not see the (woman) hidden in the forest.

II.
I am attempting to justify myself in your eyes.  I care very little whether I seem to anyone to exist.

--------------------------------
Let your eyes rest on me,
Among the uninformed debris,
After their illicit glancings,
And their numerous advancings,
    I do not want your eyes on me:
Eyes that land yet never cease
Their wanderings and wonderings
On the color of my under things,
   And nauseate with their caprice.

While the scattered rest on the checkered floor
Position adjacent to the banquets,
Ask for more before
The completion of their pigs in blankets;
They ask for more,
As they lick their fingers free of grease
While discussing sports and Credit Suisse…

Perhaps I’ll have one - but just one,
I don’t want to become
    obese
Like a corpse distended in an attic -

I wish it had been me they licked their fingers of;
I wish that it is them I lick my fingers of…

There are eyes on me, I assume
As I rush to the little girls' room.

The truths of comets and little girls,
Death and a young girl
Skulk on painted toes in the murk,
Where Death and a young girl lurk:

    He is with a mannequin in the back,
Hugging it tight in order to lift,
Though the limbs are limp and head is slack,
He brims with hope
    Like a panner with his sift.

I go away and leave you now, I leave you and
go away.

    I know what it is to sprawl
Prostrate and empty in a stall
With these squalid fingers,
To hear the snickers and the whispers;
    I wish that it is me they lick their fingers of,

As they powder their noses
Then emerge from the gloom smelling roses,
They go away and leave me, they leave me and
go away.

   To know what it is to say,
“I am beautiful, o mortals, like a dream in stone!”
In a most definitely denigrating tone,
Though my words and eyes betray;
Or boast that my expertise is
    Spotting a prosthesis,
To call attention to one if I see it
   on display,
    [Including the curator’s toupee];
Or to pop a squat
On his prize Jean-Michel Basquiat,
    [Though He is my personal Jesus!]
You go away and leave me now, you leave me and
go away.

    He is with a mannequin on the checkered floor,
And when he is completed
He licks his fingers and asks for more;
I would show him my portrait and say
    “Ceci n’est pas une moi,”
And agree to disagree,
I would show them my portrait and say
    “This is not a me,”
And they would laugh at my simplicity,
Then whisper hatefully and frown
Into one another’s ear
How they wish they could fit into my evening gown,
     I wish I could dwindle down
And fit into an opaque sphere.

This is not a me, the powdered nose,
The needle between painted toes,
The creak of leather, the swinging chains,
The clumps of hair swirling in drains,
There is still beauty in blackened veins -
Was there beauty in these veins?
Mascara streaks like silent shrieks,
Do your eyes still rest on me?
I would cut them from your face,
But I need lines for me to trace,
Lines to guide me where to cut.
Do not take your eyes from me,
I will not be precise if they are shut.  
Do not go away and leave me now, do not leave me and
go away.

Do I drift between stations,
Bow and curtsy, nod and smile,
Titter courteously at prevarications,
    Struggling to suppress the bile? -

    “Oh my goodness, she got so big!”  
    “Yes, she must be back at it again” -
    “But I love her book club” -
    “Oh my goodness, me too!”
    “Ha ha!”
    “Ha ha.”

There are so many with me, so many eyes,
So many hands resting on my thighs…
I cannot find a solitude,
This is not a solitude.
    
I am a beautiful use of negative space.

I count my age in eyes I detect,
The older I grow, the less I collect.
    Time leaves us out of focus…

I do not want to grow old…I will not grow old,
Unless my mind loses hold.

In this sepulchral cattle car
    We ride,
Like cattle to the abattoir,
With our patron saints beside,
    We take them all along for the ride.
This is all so familiar,
    So familiar…So familiar…
Do I want it?
Time to gargle a gin and tonic
While being shocked catatonic.
Your eyes will still be with me in my vacant sleep,
To function as my guide.
Break me into bread and partake till no sign of me
lingers,
    They have all been taken for a ride,
And even God will lick His fingers.
Inspired by Prufrock
Madison Apr 2019
I don't know you, --
That's the cold, sad fact, --
And most days
I suspect there isn't much to know.

I know this
Because I know how it feels to love you.

Because loving you
Is like looking out the window
Into the street
When it's far too late
And even the hoodlums are asleep.
Loving you
Is like looking into the street
At midnight
When everyone's asleep
And it isn't raining.
The wind just blows uselessly
Rustling leaves
Reminding you that you can still breathe.

Loving you
Is like looking out the window at midnight
And walking away
Only feeling that you need to go to sleep
Because all the world around you seems dead.

Because loving you
Is like watching a show
Where all the actors have perfected their craft
And love to wear masks.
Loving you
Is like going to watch a show
That you know you've seen a million times.
The actors could convince you that they were working themselves to the very bone
And all you'd want
Is to doze off in the theater's cushioned velvet seats.

Loving you
Is like seeing a play
That's so ****** familiar
It makes you sick to think of watching it again
And yet
You'll never know how it feels
To watch it from backstage --
Not that you'd ever want to.

Because loving you
Is like loving the void, --
A black hole, that sits and swallows up everything
At your dinner table.
You'll say that you hate it
Curse its name as it ***** up
Your beef roast
Your silverware
Your fine china
Begging for dessert
Just before it latches on to your arm.
But deep down, you know
You'll just keep feeding it
Mindlessly tossing useless solutions in its direction
To satiate its beastly appetite.

You'll hurl things at it
With ferocious anger
Sneer
At its revolting belch.
"Don't ask me for anything else," you'll mumble as you skulk away
Only to press the reset button
And start setting the table
For the next day.

But I'll never think any of these things
Because loving you
Is looking as deep as you can
And finding...
Nothing.
Nothing!
Nothing...

Truly
Loving you
Is like loving a black hole.
I'm done writing about what doesn't matter.

Enjoy the truth
A Thomas Hawkins May 2010
I lie awake each morning
looking up at the tiles on my ceiling
count them for a little while before losing count and moving on to something else
the dim light through the window tells me not  to rush
rain awaits or at best grey skies full of nothing good

Dawn colours my room
Its hue a clue to the day
That awaits outside

slowly I stretch, already sad at the lack of sunshine.
Wishing that today, like yesterday I awoke to an orange glow within my room.
On those days I skip the count, stretch, rub my eyes, slip on my robe and greet the day with a hearty hello and firm handshake.
Today I skulk off to the shower, head down, wishing it was yesterday.
©A Thomas Hawkins 2010
http://poetryinprogress.com

The Community Poetry Project
The creation of a handwritten poetry compilation featuring poems from poets around the world. For full details visit http://cheaperthantherapy.net
Today I got her response,
It was "12 AM" on the clock.
There was no power in our block,
It was the  STUDY room where I had to skulk;
but the rain was pouring on the rocks.
Oh! I forgot to thank my poetic kludge.

I put my phone on charge and reply her back,
with an appropriate emoji that match,
and now we were exchanging words.
That flirty nature of mine;
Runs through the fingers when I had wine.
many nasty and hasty thoughts were rising;
and I had to made them extemporize,
so that it matches her vibe.

I asked her dose she have a twin?
and send her a picture to help my chances win.
soon she sees the picture she asked her name,
It's "SAZAN"  and welcome to my game.

The conversation with her was amazing and fecund,
and she worth every second.
We both are strangers but for a moment we exist together,
in a digital screen as if it's a white paper.
TRUE STORY

— The End —