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A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Poetoftheway Mar 2018
reaching the back of you

not sure I could.      not sure i would.
       scent of the crime uncommitted uncovered

the meandering is the man demigod demagogue taking
time
         pleasured mercy
                                         the remaindered searchingly
                                                                ­                                 suffices

you don’t speak plain english the only tongue i got
insert the coin in your slot commencing researching the
way in and
don’t think i want to find the way out to the
back of you hiding in the inside learning the way you visualize


playing amy winehouse as an overlaying graph to the autoroute
to the south of france, sur-la-mer, why ever leave and you come
in my mouth poems new each time

no exit. no back of you.  stuck in a longingly heaven

this house is my home and I know the sun brightest
when i put my coin in the slot of play and press the
new tune button at 4:10AM
thanks for the quirky comments for this quirky poem.  Not my normal style. Inspired by a poet here who writes quirky poems, many of which, I fail too, to fully comprehend. The only way I could hope to understand them was to  "insert the coin in your slot commencing researching the way in and  don’t think i want to find the way out to the back of you, hiding in the inside learning the way you visualize...no exit. no back of you.  stuck in a longingly heaven" and getting stuck, unsure if I want to reach...
Mymai Yuan Sep 2010
It all began when someone left the window open.
The love bird cocked its bright green head at the shut door of Woodren’s third floor bedroom, perched on her bedpost. Its bright black eyes glittered, listening for the sounds of Woodren’s footsteps. None came. It ruffled its feathers impatiently; waiting for Woodren to come back with some water for its thirsty beak.
The love bird’s first memory was of Woodren: her clear gray eyes expressing her great happiness through them and not through the tiny curve of a smile on her thin pale lips. Her small white fingers pressed on the syringe gently, and a hot, mushy substance that tasted of apples and bananas went down its throat. The tiny black beak clattered against the plastic syringe greedily. “Aw, you poor baby. You’re hungry aren’t you, my Hoopsie-girl?” she murmured.
She then later taught her baby lovebird to fly with the patience of a mother. As soon as its wings started flapping feebly, she lifted Hoopsie up on the palm of her hand above her head and drew her hand away quickly, teaching the lovebird to fly and landing on Woodren’s soft bed. On cold nights, Woodren would wrap her favorite emerald green scarf around Hoopsie and place her behind the television where it was always warm and sellotape the electric sockets and wires so that Hoopsie was safe.
Woodren never even considered snipping the feathers of Hoopsie’s wings; she would never hurt her darling creature, and snip of its greatest glory. She would comb the feathers with a miniature pink Barbie brush, noticing how blue feathers had started to appear on Hoopsie’s wings and red ones slowly layered beneath the blue as time went by.
Showering Hoopsie was the hardest of all. Aunt and Uncle Palmer had no idea that Hoopsie even existed and revealing her presence would leave both Hoopsie and Woodren with no home. Late at night, Woodren would have to sneak out to the bathroom on the first floor (not on the second floor because that one was right next to Aunt and Uncle Palmer’s bedroom), down the stairs (taking care to step over the thirteenth stair that groaned so loudly), turn on the taps quietly and wash a sleepy Hoopsie with warm water.
Her two youngest cousins often made fun of her for the funny smell that stuck on her clothes sometimes. Linda and Lucy, her bratty twin cousins, asked in their scornful sing-song voices, “Why do you lock your room Woodren? Scared we’ll find all your old ***** clothes under the bed that you wouldn’t let Ma throw away?”
“No, maybe she’s scared we’ll find naughty magazines? If we do, we’ll tell Pa and you’ll have nowhere to stay ‘cause Pa says that type of behavior is sinful and he won’t tolerate it in his house!”
Woodren found it in her heart to look upon her silly cousins as childish entertainment. What did they know of the love she had for Hoopsie? “No, I’m scared you’ll find the monster under my bed and start crying for your Ma”
Linda narrowed her blue eyes, “I’m telling Ma you mentioned Lucy’s fear of the monster under the bed to her face! Besides, you don’t have anywhere else to go. You live on Pa’s charity. Ma said so.”
It was the lowest of insults based on a harsh truth. Woodren’s mother had died of cancer when Woodren was very young and her father followed her mother not a year after with heart grief. Her mother had asked her younger sister to take in Woodren; they were her only relatives and had stopped being fond of her once their own two twin daughters arrived and Mr. Palmer started to have to work harder to feed the six bellies at his dinner table. She just became another mouth to feed.
The only person Woodren got along well with in the household was her eldest cousin, Max. Max rarely spoke in anything but grunts, thought of his two little sisters as annoying brats, refused to say more than two sentences at a time to his simpering mother and loudly obnoxious father and often came and sat in Woodren’s room with his large feet against the wall, stroking Hoopsie’s head in silence. She really was fond of Max sometimes. He could be so thoughtful. Just two weeks before, for her birthday, Max had bought her maroon silk curtains with white birds imprinted upon them. He had even gone further than that and stitched in white thread, “Happy birthday. I love you” a red wonky heart followed and then “From Hoopsie.” Simply imagining him sitting there with a huge, thick curtain holding a tiny needle in his bear-like paws, cursing as he stabbed his rough fingertips and fumbling clumsily made her shout with laughter.
It was Max’s idea to buy Hoopsie a big metal cage and attach it to a branch on the big tree in their garden with a piece of shoelace, hidden among all the green leaves. That way, when Hoopsie sang Woodren wouldn’t have to blast her music and radio at the same time or pinch Hoopsie’s beaks shut when her Aunt or Uncle come to  yell at her if she was deaf or crazy or both. And that way, Woodren’s room wouldn’t have its twangy smell of bird **** and Woodren wouldn’t have to be paranoid all day long at school, wondering if nosy Aunt Palmer had broken into her room and found Hoopsie. And that way, she could leave her window open during the day, trying to rid her room off the nutty, sugary smell.
Max’s room was on the same floor as Woodren, the third floor. Every morning, bright and early before school, Woodren would run with a small lump in her sweater and the keys to her locked room jingling on her wrists to Max’s room. Max would barely acknowledge her as she ran across his room, opened his window and climbed out like a monkey to the branch that pushed against his window sill. She crawled along it with speed and sat there, with her legs hanging down and the branch between her legs, fumbled for the cage door above her head, made sure there was enough water and food to last Hoopsie for the day, popped Hoopsie inside with a quick kiss, arranged the fan-like fresh morning-smell leaves to cover the cage completely and skate back towards Max’s window.
Hoopsie mourned with a few high whistling notes. She hated being away from Woodren during the day- waiting for the moment when the sun was getting hot, and Hoopsie was tired of chatting to the birds in the nearby trees, when Woodren’s sharp little white face with its explosion of frizzy black hair would appear in between the leaves with her happy grey eyes and let her fly around the tree before calling, “Hoopsie” followed by her signature tilting whistle. But for now, and for every morning till noon, Hoopsie would have to wait.
“You don’t think they’ll find her do you?” Woodren would ask Max as she clambered back into his window. It was their daily morning ritual.
“No. Pa told Ma that it’s all about privacy now that I’m a growing-up boy. I’ll lock my door; promise.” He would reply back, completing their ritual.
“Are you still eating lunch with that Ed kid?” he asked, completely breaking their ritual this morning.
“Yes.” She was completely surprised. Not only was Max breaking a routine, Max of all people, he was doing so by asking her a question about her personal life.
Woodren eyed Max strangely. To her, Max was her huge cousin that somehow managed to communicate with a variety of different grunts and hated cutting his hair because of his fear of sharp objects; but to the rest of the school and neighborhood, she knew Max was the “strong and silent” handsome tall boy, every girl’s dream, with his shaggy blonde hair.
“Why?” her gray eyes grew rounder when suspicious instead of narrowing.  
“You don’t have many friends at school.”
“You know I don’t get along with any of them but Ed. I don’t like being friends with people unless I actually like them… unlike all the other girls at school.”
“I don’t like you staying around the Ed kid too much.”
Woodren felt a little glow of affection for Max in her heart. She understood why Max was worried. Ed was unstable with the rest of the world. He did what he wanted to, he said exactly what he wanted to and he wasn’t afraid of anything because he didn’t care what anyone said. He was the kid that the no parents wanted their children to stay near. There wasn’t anything Ed hadn’t done before.
Despite what everyone else thought, Woodren knew that his morals and sense of good and justice were strong in his heart. And when it came to Woodren he was always there for her since he moved to the neighborhood more than half a year ago. No matter how many offending remarks he made, she felt he had become the only stable thing in her life in spite of him being so apt to change. She had learned to depend on him.  
At the breakfast table, Woodren’s gray eyes slid over from Linda to Lucy to Aunt Palmer to Uncle Palmer and rested on Max the longest. Until she had come to look at Max, all four of them were identical in their attractive features and identical in their pinched-up, suspicious and petty expressions glazed over with a courteous mask. Max’s blue eyes, though the same shape as Aunt Palmer’s and the same color as Uncle Palmer’s, expressed a good heart and sincerity.
Her first subject of the day was an art lesson. All she had to do was sit comfortably, a palette with swirls of colors, paintbrushes, charcoals and pencils, a *** of water, and a fresh-smelling page. Usually she drew herself as a monster, or Linda as the devil- disturbing pictures that made people believe she was “talented”. But today, it came to her all of a sudden she’d never done a good, worthwhile painting of Hoopsie. Sure, her tables and notebooks were filled with carvings she’d doodled in class but never something she would want to keep.
She started to sketch Hoopsie on her bed post, eyeing the nuts Woodren had stolen from Aunt Palmer’s snack cupboard. She drew Hoopsie in the big tree and painted a metal cage around her. Somehow, the silver cage ruined the picture completely, making Woodren grimace. When the paint dried, she erased Hoopsie from inside the cage and drew her beside it, her small black feet gripping a twig.
Woodren remembered how elegant birds looked when she looked up into the sky, and saw them with their wings spread out and imagined feeling the wind rush through her feathers and ripple down her head and spine, with a heaven of azure blue surrounding her, shooting through clouds cold and refreshing like a sprinkler in the garden. Maybe that’s what freedom tasted like. She tried drawing Hoopsie soaring in the sky before she realized she’d never seen Hoopsie soar like other birds do, because Hoopsie had never done so.
Broodingly, she packed up when class was dismissed, slowly and thoughtfully. Somehow, that small beginning of a painting had darkened her frame of mind completely. Still ruminating, she headed down the hall way to eat lunch.
“Woody!” Hearing the sound of that voice, she momentarily forget her unease and Woodren’s thin, pale lips spread in a smile even before she turned around to him. Ed was the only one who ever called her that. His oval head was covered in small black bristles and one of his black eyebrows rose as he smirked with his pink lips curving down. The diamond earring in his ear glinted like his teeth did. He caught her eyes with his hazel ones; his eyes were warm and lively.  His mouth formed words that were witty and charming and could always make Woodren laugh.
Woodren put a look of amazement on her face. “You came to school today.”
“What are you talking about? I’ve been coming to school nearly all month.”
“That’s why I’m surprised.”
He hit her arm lightly. A few girls nearby turned around and giggled when they caught Ed’s eyes. Woodren remembered when Ed had first come to school. All the prettiest girls at school kept sidling over to him and batting their eyelashes. Ed had taken one look at the curves on their bodies; his eyes flickered over their face, a little bored, and continued his conversation with Woodren as if there had been no interruption.
It was a mark of their friendship three weeks later when she told him about her family. His hazel eyes had burnt hotly. When he was angry, his voice was quieter, but strained as if the passionate anger behind the words were being controlled with the greatest effort, “People who ruin other people’s happiness on purpose and with joy are just plain evil.” He told her that he hated the monsters that kidnapped children, crippled them, not only in body but mind too, and forced them to beg, far away from those that loved them. Here followed a stream of facts, all said in the same tone that both scared and impressed Woodren.
“How do you know so much about it?” she had once asked him.
He looked at her with an odd gleam in his eyes, “Because I care.”
Now he was looking at her without breaking his gaze, the same odd gleam in his eyes, searching her face. “What’s wrong?”
“Nothing.” She had still been brooding over Hoopsie in a cage, and why the picture upset her so much.
“Woody, tell me what’s wrong.”
Every time Woodren mentioned Hoopsie, Ed would go silent or make an offending remark about the way that Woodren took care of Hoopsie. Over a very short time, Woodren had learned never to mention Hoopsie’s name and though it drove her crazy with frustration, she knew Ed would never tell her reason the why if she tried to pry it out of him. Knowing not to answer truthfully, “I told you, nothing”
“I can tell when you’re lying. Your eyes grow whopping and your mouth pouts to the right.”
“Shut up.”
He looked at her searchingly before giving up with an irritated sigh.
“Come with me.” The chair scraped as he pulled out and pushed the table away from him. His tall frame dwarfed her.
He brought her to the back of the school where teachers and students never went, leaned against the wall and lit a cigarette. “You want to try one?”
“I don’t smoke, Ed”
“Why won’t you even try it?” The tone he used when he was about to state something that began an argument leaked into his voice smoothly, like oil. Woodren opened her mouth to list the damaging things it did to your lungs and heart but his voice had begun in its rapid, silky tone:
“Because society has brain washed you so that if you smoke when you’re a child, you’re a horrible ungrateful creature that will never go far in life. But when an adult smokes, it’s okay. You don’t smoke because people and teachers tell you not to try it. Well I say, **** them. These are the best years of your life. Do what you want, try everything so you can make the choices of your life later with a rounded experience and knowledge. I’m not saying get addicted. You have to be strong if you’re gonna be a risk-taker…” he inhaled deeply and exhaled in a husky voice, “I just thought you always went on about how you were such a strong risk taker.” He blew a cloud of heavy smoke above her head. “Oh, and of course you won’t try it because Aunt and Uncle Palmer said it’d be sin, isn’t that right?” he asked with a tantalizing grin in a mocking tone. He watched her face contort with anger, his hazel eyes dancing with glee. He knew he had hit at the bull’s eyes. No one ever jeered at Woodren’s inner power and then put her on the same note as her Aunt and Uncle.
A sudden snarling sound flared from her. She didn’t have to listen to anything Aunt and Uncle Palmer said… they never did anything worthy intentionally. She knew that. He was just stupid. She swore at him and knocked the cigarette out of his hand with a smart slap before storming away. An amused laugh from behind her made her ears tingle pink.
As soon as school was over, she pushed pass Ed who was waiting for her and ran back home. Opening the front door of the house, she scurried up the stairs to the third-floor and knocked on Max’s door. When she opened it, Max was already holding Hoopsie in his big hands. Hoopsie sang with joy when she saw Woodren.
“Hoopsie-girl” Woodren whistled with a tilting note that Hoopsie identified instantly. Hoopsie flapped over and landed on her shoulder.
“By the way,” said Max, “she must have knocked over her water because it was wet on the bottom of the cage. She kept trying to drink it. She’s thirsty.”
“Oh you silly Hoopsie! Why did you knock over the water? You know I’m supposed to have 8 cups a day?” she pampered the lovebird with caresses and endearing words before hiding Hoopsie in her shirt and running back to her room.
Woodren placed Hoopsie gently down on the bed post
Meditations and French Fries

I sit watching you nibble on some Mickey D's fries,
And taking sips of your milkshake,
Your two hands grasping the cup as if to make sure
Nobody could take it while kicking your feet,
That barely touch the floor, and humming.
This makes me love you more than I already do.

Your eyes move up and stare at me and I look at you,
Searchingly, but you cross them,
Making those crazy eyes that make me smile
And then you let your lips curl into a smile matching mine
And show the small fragments of your teeth and you are beautiful.

You are so content with sitting here, with oily salty potato slivers,
With impersonations of milkshakes, and more importantly with me.
I love you, and your tiny teeth, your short legs, your belly.

Everyone says you resemble me, all your ticks, your mood swings
Your ****** expressions, your desire to learn, your sweet tooth.
You are a copy of me, a miniature me, but you are not really me.
You are my brother, my blood but not my copy.
I see the differences between us, the different upbringing, you know what
A childhood means, you know fatherly love, and for this I am thankful,.
I wish you more than me, more knowledge, love, confidence than me.

I wish Mickey D's is better too, and that the economy doesn't go bust
And that you could afford some fries and a milkshake for less than 10 bucks.
SURETICE TONGUE Aug 2018
Desktop In The Charismatic
THEOLOGIAN ESSENCE <believingvirtue@gmail.com>

BONE  STIRS ....'

ASSEMBLIONAIRE BEYOND MAGICIAN WOLVES

INVISIBLE GRAND OUTPOURING AMNESTY SURROUNDS....'



Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

SURETICE TONGUE

Email: believingvirtue@gmail.com





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Desktop In The Charismatic
SAMUEL DAVID <believingvirtue@gmail.com>

11/9/17

to hydee1982

Desktop In The Charismatic

Dream into refuge all plantation

Dream into cog all wheel

Dream into bracing all consultative

Dream into rocking all regent

Dream into preferable all chariots

Dream into luxurious all absorbs

Dream into contagious all enthusiasm

Dream into communal all welding

Dream into universal all anatomy

Dream into reality all rings

Dream into searchingly all mysteries

Dream into artillery all mechanisms

Dream into colony all proportions

Dream into miracle all compositions

Dream into artistry all pursuit

Dream into alliance all admiral company

Dream into fragrance all  new extensions

Dream into vast volume habitation all invests

Dream into carrying  devotion all per excellence

Dream into grace-going all shepherd rewarding

Dream into oasis all resuming acquaintance

Dream into cross over  all answering wonder.



Your Invades-Of-Veins,

Samuel-David O. Armstrong

Email: believingvirtue@gmail.com

+2348131914240



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Zywa Feb 5
We talk searchingly,

confidentially, as if --


we are weaving dreams.
Novel "De verdronkene" (2005, "The Storm" / "The drowned", 2010, Margriet de Moor), § 1-8

Collection "Loves Tricks Gains Pains in the 0s"
harlon rivers May 2018
Three thousand miles
navigating a storm
without drop of bad weather
Abacus odometer clicks
rotating forward ―  
spinning with the
world go round

Circling back down
a long and winding road;  
where unforgotten memories
were once searchingly explored,  
untrodden pathways
coursing way up north of alone
on the low highway
  
Now an aging shepherd
wonders without a compass ;
a vagabond deprived of light
from an ever blurring north star
Heart empty as a gas tank
with a broke down gauge,
running on fumes of hope
for unpromised tomorrows
Running from loneliness
just to be on the run

The gales of silence bellow
No feelings I can see ― lay me low

Wild-eyed daydreams
of Full sails billow out
through the windshield,
only hearing the unspoken
moments sigh restlessly ―    
The dull droning road rumble
re-sighs renunciatively,
a tired monotone voice
mimicking the loathe silent echo
wallowing in an
omnipresent hollow void
deriding unspoken chaos
between the passing centerlines ―

A frost heave pothole erupts,
with a leaf-spring rattling thud,
as a fleeting cloud of dust arises,
set adrift with the draught
headed off the east side
of the Alcan highway:
blown way outside the lines,  
towards the Alberta prairie

White knuckled steering wheel
held sway,  rolling down
a beckoning wilderness
          reincarnation; 
default reset button paused ― 
stuck in a moment ― until another jaw rattling
frost-heave pothole in the highway,
            jars it free

Leaving it all behind
like a sigh breathed
in a silence a heart has outgrown;
just a fleeting cloud of dissipating dust,..
         a paling whisper
the past seems to send forth
  like a fading last breath

Letting it all unfold to become what it is


     harlon rivers ... May 2018
       ... travelogue 2 of some
The sun-setting solitude slowly turning a velvety night
a fine goddess now descending concealing all her might.
a temptress teaching, a mother loving, a judge always right
granting us a freedom from a million corners more to fight.

The dark angel calm shining her blinding beams so bright
searchingly merciful creating still deep inky shadows of light
numb blissfully for those conquered heroes false who slighting
off the straight narrow path of the fair,just and right alight.

Generous is she, the queen majestic enduring all the pain stoic,
our pleasures and folly wise,even joys twisted and distorted vain!

sods poor,fiends rich, the carnal drags and compassionate hearts,
killers cold, sly cons,soaked winos, glitzy stars, gamblers and tarts,
children of a kind all in her ***** mix,playing perfectly their parts
trusting a goddess neither blessing nor reproaching dead impassive
allowing us all a discretion total she is our grand,real mother massive!

I am a son blessed rare,watching neon bathed the nightly circus affected
judging never,comfortably learning with My Nocturnal Angel protected!
Jesse stillwater Oct 2018
Love is more
    than a ballet—

beyond gestures,
steps and poses;
more than a passing
summer breeze
soon forgotten;
a twirling pirouette
in an ever changing
season's  fleeting dream
                            
To really SEE,

— turn a blind eye    
to the incantations
of what we're looking at
— lose sight of all    
    we preconceive —

FEEL the music
dance inside the note,
swimming deeply
inside the rivers
   of its soul —
listen searchingly
to the fomenting breeze
as it fans the
smoldering flame
in your heart

   Love is —
an erupted moment;
an enveloping
burst of flames
enkindling
an uncontainable wildfire

an unfolding chrysalis,
butterfly kisses wafting
in the halo around the moon

a thundering heartbeat
a fiery burning  
    ring enrobes —

an enchanted sunset
vanishing into an
evanescent afterglow

The downward spiral
of a burning ember
erupting in a rising moon;
climbing the rungs
of the twilight horizon

Words may sing a sad song
of love and misery;
some say: “love is forever”..,
a hesitant reminder —
your pretty words
and sweet lies
still linger where
sleeping memories lie:
you never really saw
my world straightaway
peering out through
the corner of your eyes

Looking heart to heart
through the glass reflection
within the window
of a poet’s pages,
when nobody else
in sight seems to care,
gazing right past you
like you're not even there;
only posing words
amongst the untamed
waves of emotional depth

Lying to myself
won't ever make
the truth go away
when you hear
whispered words
      grow silent —

Love is more than a ballet ...
but I don't know a thing about "forever"



Jesse Stillwater ... October 20, 2018
"That love is all there is, is all we know of love" Emily Dickinson
왕 자라 Jun 2016
"Zara, have you ever felt tired?"

My heart clenches and I jokingly respond

"Of my 'dumbness' yeah"

"lol but no"

typing...

I know that isn't what you mean.
Don't take this the wrong way, but
I've gathered enough information about you secondhandedly.
I'm quite aware of your state of mind, and you are not okay.
Still, I am taken off guard that you're exposing this to me.
Because you've never shown me your weaknesses.
So much so that I seem to have forgotten what I heard.
But you tell me nothing, giving me no more to ponder.
The conversation swings, but I still feel uneasy,
I've gone through this before. This is only beginning stage.
You're carefully introducing me to your horrors.
The third conversation of it's kind for me.
The third conversation to leave me speechless.

How do you comfort a depressed person?
My Google history shows only this question.

The process is the same each time,
First page, second page, third page.
I've been scrolling blindly through, searchingly, Desperately, Till my sympathy feels shrunken.
Because there are only so many times that I can say, "I'm sorry,"
For a situation I only wished to control.
Sincerely, I empathize with you.
'It will get better one day'
I've typed in the letters to this five word sentence
Five times this morning. 'Keep your chin up.'
My fingers are not lying, but they don't feel authentic.
Not when my eyes are sore from staring at Google's homepage. 'You'll make it through this.'
I've varied in saying this ten times this week.

Please someone tell me,

How do you comfort a depressed person?
My Google history shows only this question

I check daily for new suggestions,
Refresh, refresh, nothing, refresh again.
Because there are only so many times
that those crafted words could hold meaning.
I utter them again, *'It will get better one day.'

Making it six times for the morning.
And I hope it will, I'm not saying this weightlessly.
Even though researched, these are my only responses
to your cry for help.
Because when you show me signs if indirect defeat,
And the Googled suggestions stand still, I become silent.
I have nothing to say, clueless as to what to do.
So I end up muttering meaningless sentences
That I know cause neither harm nor good.
Short senseless sentences that I can only hope will distract you, Confuse you till I collect my gathered sources of ease.

How do you comfort a depressed person?
My Google history shows only this question

Because I become muted without it. My words choke me.
I'm worried that I would cause your fragile wings
To wither even further. Like I have to the others,
Who settled on my fingers before you.
I'm sorry that I haven't got much to offer you,
But I'm used to making everything into a joke, laughing foolishly.
I do this to comfort myself. However most times,
I'm caught holding my hands together, whispering
To my lord, pleading in his divine perfect presence
But,
How do you comfort a depressed person,
When they don't believe in God?
Still I pray, and jokingly ask that his science
Brings him relief.

But you, you pray with me, and I'm unaware of methods To comfort you that you haven't already failed at.
I have so many strung up words that are familiar to you,
But I can't speak them, you've told me nothing yet.
I myself can relate, but Google is opened up again.
I have no first hand knowledge of your mental strength.
You laugh as I do,

"I'll message you later love. My parents are fighting"

A piece of you unfolds and reveals itself  to me boldly.
I don't know what to say.

"I'm running away"

But unlike with me, To you, your issues aren't funny.

My Googled message doesn't reach you.
"Keep your chin up," I said at your little revelation
Because it's easier for me than organizing the words in my chest.
"His mother is abusive."
"His father is absent."
"He stays in school so late because he doesn't want to go home."
"He lived on the street for some time."

Jokingly you'd say that your eating a tomato a day, kept the doctor away,
But the humour doesn't reach your eyes, it never does.
However, you leave it at that. You only reveal to me so much. I know it's coming, so I prepare myself,
Once again refresh.

Please someone tell me,

How do you comfort a depressed person,
When Google's suggestions are no longer working?

"Zara have you ever felt tired?"

"Of what?"

**"living"
Inspired by three friends of mine. I genuinely want to comfort you all, but I never know what to say. i only have words that you have heard before on repeat, i'm sorry. May your burdens lighten and you become happy one day.
Mattrick Patrick Nov 2014
Were all just machines, bound for the train station that’ll hightail us out and over
To the junkyard where we never sleep and the foundry melts us down to make room
For the new undead, but non-living, to starve for what their computers say they need.
But when you smile, your eyes show me that you have a soul inside that’s beautiful,
And it proves my heart is something more than what the factory made it for;
That my love means something more than a series of chemical reactions in my brain,
That the mornings and nights we spent were worth more than we ever knew,
And that you are someone more special to me than I have ever known.

So, as we fly down the track of grayest metals and coldest weather, into the north country
To God knows where to as the sun is at dawn and dusk at the same time,
Remember that your heart doesn’t need to be held like coal, that your eyes are soulful,
That someone, somewhere thinks you’re more than a piece of electric meat,
That I think you’re worth more than my life,—my holy hunk of steel—but don’t let that
Get to your head missy! And that when we’re laid upon the cutting board
To be scraped and melted down, I want to be laid there next to you
To kiss you one more time, while I look into your eyes, searchingly.
harlon rivers Nov 2019
The windowsill frames
each passing morning
It speaks in a language
only stillness hears its say
Anchored to the wooden studs
of fortress walls
that bind solitude,
enduring all that
autumn's curtain call unveils

Distant towering evergreens
look back with taller eyes  
than yesteryear
As these timeworn eyes
look beyond
and wonder why
   they've not grown of age —

Time passes away
so quickly
while waiting
for season's change —
and I, wistfully dreaming
how the trees bear
the weight of the sky

Fog lays below
the fir boughs,
blanketing the drowsy
near valley fields
Where deep roots repose
in the clay of truth
that swaddles all
abiding mother earth
   carves in stone —

A monument
to all forbearance,
just a mortal human
could never hold

Pensively envious
how long they hold
their eminence,
patiently suspended beneath
the nimbus rafters stay;
remaining transfixed
without a ray of sunlight
— searchingly leaning  
into each fleeting  moment
of unclouded sight


harlon rivers
zebra Jul 2016
i bend towards you
hold your sweet head
a glowing rapture
and bring my shimmering lips
slowly to yours
searchingly

your eyes brighten my heart
its that perfect solitary  moment
when two souls fuse
when time stops
when the world fades
and
that inexplicable undertow of feeling
overwhelms
lifts high
and then pulls down hard
into waters of voluptuous pangs
and smoldering ruins

i am thrilled from the bottoms of my feet
up through my **** and ****
while my mouth swells with saliva
as if hungry
and my brain catches fire
i want every molecule
cherubim kisses
your flesh
your blood
your eyes burning
like a lecher
******* drown me
eat me
**** me

and i slip my swollen aching ****
into your beautiful mouth
looking at you
as you **** me
falling falling falling
threw your soul like glitter
Happy roses on the parade, he was waiting for the 2 years to arrive
The album cover love the lover's wilting love in on Jesus' daughter in a tree, lovely sails it had
They fell when the autumn had arrived, **** your darling buds
Pygmies digging holes in the soil in their hearts of toil, falling prudently
Like leaves, the red justice, gold *****, in a curlicue of extra circulars

Touch on the washed-up Gurudeva, fixing holes in the faucets, the sunshine shines on our bad news, save us the supernatural darkness
The superstition of the Siamese cat, and the weeping lady
The flow is getting better, make love could we ever escape dark days and escape the midnight shines like good fillers on hydrogen delight, stars in the stare looking for the assets to darkness
Moonchild roses remembering the supermarket in America, that changed them, those who were pleased with the peaches incarnate in the cries of the last radio of the gold heads, buses of the sunflower tin cans
That cried an Eli book of poems, show me in the radiant illuminating blue eyes

I am walrus, I can make these songs okay touch tough but it was right to be alright
Ending a letter to Lennon on the twelfth night, the wrong from my lenience
My liege, my childhood here hath Earth omnipotent in areolar sprayed aerosol cans, we long these round holes and surmise of free prose in the inner moon
Light up the sadness

Album cover acrid as the midnight spoon, feeling sentimental
Tumescent buildings, my cheer, without imagination
You don't deserve possessions, you shot down dead weight
Carry the shine, in the confines of a painless razor of lacrosse, Billy shears brushing your head
I'm shaving my head, with the crowd in an instantaneous hung jury in the situation in the dalliance with the forgotten underwear, ******* my collegiate thumb
I want to write my own stuff with natural ecstasy and alliance of the hung jury in the psychotherapy, and the ******* ministerial preacher, saying please please me

You said you were
Struggling with the bugs, Pam
In your head, and hung bedbugs in your childish core, of faith as a person who loves the sibilant sounds
When I laugh as my head comes out of the plastic nation
Freed and staring into the distance, Ono here in the ballad hearin' sound laughter

Lead your path
To thine light ad thine veritas
There is thy will in every bright thought in
We thought up a bed, filled hat across the new man

We are not scared among the ranged beats, were dreaming style
Derailed from the tabula rasa, and waterfalls and lose our happiness in the morning
And search for the under in our childish souls

Hanging out in rainbows in cyclones  swirling like idiot winds
And they call me dumb, a bad person in studied simplicity
Simplicity is the kind of loving, giving the kindness of taking it gently
Failure is simply the opportunity to begin again, this time more searchingly

Already finding the end of life's meaning in the puddles of love
Find yourself in mother nature, and you can apply yourself, my friend my water, my shapeshifting friend and left the flower
And leave someone's shadow as we grow fond of the light, we start wondering if the starry skies in patched blackberries
"Knowledge speaks, but wisdom listens."- Jimi Hendrix
Jessica Rojan Sep 2010
This dream is reoccurring,
Not once has it left my subconscious,
Implanted permanently in my brain,
         And the thoughts, they race,
                   My voice can only scream for so long.

Trapped inside my cortex,
I am a prisoner of my own world,
Running endlessly through the rain,
        And my eyes, they can not open,
                  My subliminal messages are too strong.

The words are always so exact,
But the meaning I can never find,
Searchingly hopelessly on this plane,
        And my legs, they grow so tired,
                 My endurance is completely gone.

So confused with my inner being,
What move should I make next?
This ceaseless battle will make me insane,
        And I fear, there is no end,
                 **I cannot compete this long.
Terry Collett Jun 2015
I sit on the grass
of the playing field
at high school

hey Naaman
Ro says
who's the skirt?

he points over the field
at a girl
looking at me
searchingly

no idea
I say
why?

she's been gazing at you
for ages
he says

I look at her
standing there
dark hair
sad looking face
gazing back at me

I saw her in the playground
the other day
when it was beginning to rain
and I called out to her
I remember now
I say

Ro shrugs
so what?
she's just a piece of skirt
he says
how about a kick around
with a ball?
he asks

sure I’ll be there
in a minute

he goes off
with the ball
to join other boys
on the field
calling him

I watch him go
then look at the girl
she looks away

I walk over to her
hands in my pockets
put on my Elvis smile

she hesitates
as I approach
you ok?
I ask

she looks at me
her eyes are dark
as her hair
deep and warm

just looking at you
that's all
she says
nothing wrong
in looking is there?

no nothing wrong
I say
want to have a walk?  

she looks at her feet
the shoes are well worn
the black faded

your fiends might not
like me with you
if you want to play
their ball game
she says
not looking at me

we can walk
no harm done
I say

she looks at me
her eyes are shy

don't know
she says

ok
I say
up to you

I begin
to walk off

wait
she says
I guess I could
walk with you

I wait for her
she comes beside me
and we walk away
from the boys
and their ballgame
and along the fence
towards the play area
with seats and benches
along the walls

I feel her nervousness
she seems tense

relax
I say
I won't bite

we walk by the wall
she says nothing
her eyes on the ground

you got any
sisters or brothers here?

she shakes her head

what's your name?
I ask

Shoshana
she replies
looking across
the playground
your is Naaman isn't it?
she says

yes
I say
how did you know?

I heard someone
call you the other day
she says

I want to touch her
feel her hand or arm
or maybe talk longer
but she seems out
of her comfort zone
and I hold back

best go now
she says

and walks off
back to the girls' area
and I watch her go
holding on
to the slight perfume
she had
I sniff it in it
breath in into me
it's not bad.
A BOY AND GIRL AND A WALK TOGETHER AT SCHOOL IN 1962.
Amelia Jo Anne May 2013
Implode on myself
Outward anger pressed inward
Fingers digging
Searchingly
Grasp to pull my stomach through my mouth
Rip the hair from my head
In wild, hurried, passionate hate
Quicklyhurryfinditwherethefuckdidiputit
Scratch the way through skin
Open myself up
Try to find something good
Dante's Inferno
Djoyn Mar 2014
We would say things like
Sticks and stones may break my bones
But words will never hurt me

What we meant was
We would for the most part be able to handle surface level comments
But anything further would cut deep
Pull in our hearts
And change the way we view the world and ourselves

We would say things like
That's my name
Don't wear it out

What we meant was
We want you to notice us
We want you to remember who we are
We want your attention
But not too much of it
Because we don't know what to do with people who love outside of obligation

We would say things like
We can't wait to grow up
To be bigger and older

What we meant was
We wanted to feel important
Significant
Like we were somehow making an impact
We wanted freedom and independence
But still to be protected from the hurt that we had not yet experienced

In our innocence
We were ignorant
Wanting things we could not have
We set our eyes too searchingly on the future
Which kept us from fully experiencing our present

We were unaware that in our diminutive hands
We held onto things that we would later lose
Unaware that when they are gone is when we will want them
But by then they will have become what we can not have
Bo S Apr 2014
The presence was a small tingle across your skin, a twitch at your fingertips, as you passed through the vast green meadow, you felt it's pull.

The long blades of grass lick at your skin to greet you, tickling your palms as you run your hand across them, they whispered to each other with the wind. You close your eyes looking upwards, the slight chill breeze passes over you like cool water, but you are not cold, as you feel the embrace of the evening sun setting behind you.

You feel it now more than ever, as the warmth ripples up your spinal cord and spikes throughout every fiber of your body. Your eyes open, as you peer searchingly into the sky above.

A nebula of with shades of magenta, aqua, jade and rose catches your gaze. Stars glisten, littered in various parts of the heavens above you, of white and blue. The Colors of the celestial heavens above leaves you in awe. The sun sleeps behind you, but you do not require its light.

The astral light from above guides you on a seraphic path across the vast green meadows...
Sky Feb 2020
the rain makes the asphalt look sad and pregnant.

i turn my head for one moment and a lonely 7 train skitters by, barely grazing my left ear. i close my eyes. i close my eyes because if you look, you get sad and that's how you lose. so i look down at my feet at the soft, shimmering asphalt instead

and i watch the train through the asphalt. it torpedoes by, one silver frame at a time, like a silent film still bobbing around in its chemical bath. i continue to watch, from a safe distance.

(its like looking out the window at the cars zooming by. its all fun and safe until you reach your hand out a bit too far and the next thing you know, some ******* car up and runs away with it.
its like marriage.)

except im in college and the wheels of the train never quite touch the ground, but hover, hover over like some kind of homeless intoxicated guardian angel stranded in a sprawling urban desert.

(he lies on top a one of those BigBellys, lies on his stomach, sandaled feet dangling just inches from the ground. blink blink, goes the BigBelly. Gabriel groans,
incomprehensible muttering)

and the train throws bleachy yellow squares of light throw themselves onto upon the pregnant asphalt in fits of just destructive laughter and when they hit the ground by that time they're already hugging themselves, hugging and shaking all over like fuuuuuuck, it's sooo cold in here (in my body!) each one of em murmuring in a foreign tongue about how someone keepzon etching street names into the bathroom walls

Thayer and Broadway at 3AM on a Wednesday morning is someone's oasis, mine for as long as i stand here, my mind stumbling back n forth from one airpod to the other as i feel like im sinking down, down into the soft squishy asphalt wit the weight of my backpack making my shoulders touch the floor wit my bleachy yellow head dangling from my neck as i blink needily / cravingly / searchingly at a sidewalk that stares back at me with the most deadest honest (to godest) blankest expression i ever seen on a no-body

and when i look into its eyes i can see myself but im standing in the  middle of Times Square and -- hey -- everythings looking up! but it cant be me because im here at Thayer and Broadway dangling my head and angling it AWAY from the passing train because if you look, you get sad, you think of home, and when you think of home, thats when you really know you've lost, not sure what but you've lost and you probably cant even actually go home after youve lost because, well, mother**** it you've lost and life just likes to call you a cuck and hit you in the throat like that

but i wouldn't know, i haven't gotten that far yet
here i am standing at the intersection of Thayer and Waterman. the rain glistens on the deserted streets and it's beautiful, but really, all i want to do is go home.
Noah Smith Nov 2019
A small child toddles across the sands of an infinite, nocturnal beach.
            His eyes glisten like the moon as he admires the wonders of his world.
Everything so simple—good—pure.
                        His mind, the inner being, reflects his outlook; all is in reach.
            The child’s heart is young, filled to its brim with Gold untarnishable.
For the sickness, innocence is the cure.

He was content, and life was complete for him.
But as he walked on the sand, and spied those who were ahead,
He wanted…
And his heart of gold began to drip.

                        A youth, only just a man, ambles across the beach’s grainy powders.
            His demeanor is confident, his face fresh, yet his eye sparkle lacks.
He keeps on, and the world, his friend, offers him promise limitless.
                        His mind is vibrant, seemingly invincible, he never shirks nor cowers.
            His heart still pumps Gold through his veins.
For the sickness, youth is the resistance.

As he continues his walk, step by step,
His ambition grows.
He feels utterly untouchable by any evils around him.
Becoming the God of his own world.
He yet still wanted.
Shaken, the young man begins to cough up the Gold.
And his heart began to bleed.
For the sickness, youth is the fuel.

Drip.
Drip.
Drip.
His inner man watches as the polished yellow liquid seeps
Into the barren wasteland that is his mind’s.
Deep into the dirt it creeps.
The sickness, once harmless, now binds.

With each compromise, the man’s moral skeleton cracks.
Step by step, his integrity weakens until,
With the nauseating snap of bone,
It breaks. Like a soundless scream,
Reverberating undetected in the recesses of his mind.

He no longer wants as he did before.
Regret slowly takes its place.
Shame, like an old friend, wraps the inner man in an embrace.
He offers a solution.
Vice, he promises, will fix all in time.
The man, desperate and lost, took it,
Failing to notice the chain Shame silently placed around his neck.

                        An old man, wrinkled and bent, stumbles across the beach sand.
            He is cautious, almost fearful—his eyes are dim, and his brow is heavy.
The waves rise, his body to take, he staggers and falls, unable to go further.
                        His inner man also cries ceaselessly, too weak to stand.
            His heart, now empty, aches.
To the sickness, he gives in without a murmur.

His inner man falls silent, the tears, like ghosts of his emotions,
Float silently down his face.
Frantically he sinks to his knees and begins to dig at the dirt,
Searching for a single remaining drop of Gold.
But none is to be found.

Shame stands smiling grimly as
The sickness overpowers,
And the inner man falls into the dust,
Lucid eyes staring searchingly at the empty hole,
His tears form streams as they flow into it.

He stares,
As from the hole,
A seedling flairs,
With leaves of Gold.

A hand, too warm, too soft to be Shame’s,
Falls on his arm.
The tears vanish from his face,
And a majestic warmth fills his body.
Regret gives way to content once again.

                        The old man on the beach rises slowly to his feet.
            He stands straight, as the wrinkles retreat into his skin, and his eyes fill with light.
His countenance becomes regal as youth returns to his step.
                        His mind renewed, he sees with a wonder that he will keep.
            He runs, seeing the end of the beach in his sight.
His heart refills, as the seedling matures, and he remembers, with a solemn thankfulness, of the man he left.

As he finishes the race.
© Dysphoria, 2018
zebra Oct 2018
i bend towards you ...hold your sweet head and bring my mouth slowly to yours searchingly.... your eyes brighten my heart ...its that perfect rare moment when two souls fuse...when time stops...when the world fades and that inexplicable undertow of feeling overwhelms.... lifts high... and then pulls down hard into waters of voluptuous pangs and smoldering ruins …. my brain in flames...I WANT EVERY MOLECULE...your flesh.... your blood.... your eyes burning naked....
******* DROWN ME ....
EAT ME …
**** ME...
and i slip my swollen aching **** into your beautiful mouth....looking at you as you **** me falling falling falling through your soul like glitter
Apparently my intelligence is exceeded by my sensuality ;)
Yenson Jul 2019
In a feather-fine alcove with muted hymns
a gentle brook rains water over Chrystal rocks
that sways a rippling  flow down to a place unseen
overhead a leafy veil in brilliant emerald canopy loomed
as incandescent rays of sunlight glimpse by in curious peeps
here I sit in favored repose and in deft homage I see the grace
for in a sojourn of a remembrance of past times and days endings
the voice of my soul in reverent hush uttered calmly unflinchingly
Do you know, you have never intentionally harmed a fellow being
neither, I say, have you done a bad deed to another or failed to assist
Do you know I fathom no ill will in you or see the darkness of hate
you smile readily in good disposition, a cheery warmth a light heart
pray do furnish me with a knowledge of where all this breezed from
I laughed quietly in repose as my mind traverse within searchingly
From you, I replied, all from you and the Creator that made you
I am grateful!
Faizel Farzee Jun 2020
Like a teary river trickles seamlessly in a eternal stream -
It deathlessly flows

Like a sprouting flower extends its reach to the anticipating sun-light
life of it's being -
It searchingly grows

Like the sinful wind chasing the dreams of
dreamless clouds-
It forcefully blows

Like your fire flied smile illuminate
the darkest hour of my life -
It illuminating glows

Like the checkered past cloaks from a hopeful
future, out of site-
It progressively goes

Like a mind-full poem speaking leaves a grey mattered mystified perception -
It sense-fully knows
As i learn i revamp what i can, bringing to life what my demons command
if i ignore they start to demand, so i start getting my pen, so i can singed these words to the sands of time.
Travis Green Jul 2021
There were powerful urges in me
Yearning to rise to the surface
And allow monumental magic to occur
As I stared searchingly at my personable crush

Great pleasure was building deep in me
Ready to please every thrilling thought
Navigating my inner creation

He was a young saucy boy
Possessing ample allure
Turning up my temperature
So eager to venture
Into his fervent firmament
And finesse his flesh

— The End —