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Mateuš Conrad Feb 2020
you can undercook pork - a little bit of pink
is rather - favourable -
you can undercook beef - a little bit...
let's go full bleu: which has a name... pittsburg
blue...
but please don't slaughter the cow,
send it to the butchers for the cuts...
and then shame it by cooking it well done...
thrice the cow thus dies...
aside from... fish...
well...
i was never a fan of chicken *******...
because whenever someone cooked them:
i.e. my mother - they tended to be... dry...
chicken drum-sticks and the almost grey area
of muscle flesh close to the bone -
these days? the former schnitzel fan has
become a chicken roulade fan...
because the stress for 165°F - and 5 minutes
worth of rest... for the cooked meat...

Ciara - another daughter of U Kʼux Kaj -
she can still be felt in the early night
when walking the streets...
some storms never reach essex -
and that's probably why i decided to grow
my beard long - to feel it combed
by the wind... this elongating chin to match
the moon's scythe -

point being... cooking chicken is unlike cooking
beef or pork... because...
well beef is born from blood -
in the body of another -
the mother - the pork is born from blood -
in the body of another - the mother...
you can undercook it... most certainly:
esp. the beef...
trouble with chicken: is the trouble
with undercooking fish...

to perfect the cooking of chicken meat...
is very much like cooking the perfect
soft-boiled egg...
you want the yoke to be runny...
and the white to be a: ścięte białko...
a coagulated white...
it's quiet amazing how chicken meat
behaves like the egg - the protein
in the atom -
how you have to mind cooking chicken:
for that juicy chicken breast roulade -
in the same way as minding a soft-boiled
egg...

i've never noticed this...
apparently that's the glaring obvious...
it always was!
beef you can undercook: cook it perfectly:
overcook it...
pork you can undercook: cook it perfectly:
overcook it...
chicken? you can only cook it perfectly
or overcook it...
undercooked chicken is a bit like...
finding a raw scallop nugget kiev-esque
in your chicken -

perhaps because: we can eat a poultry abortion:
the egg -
that i forgot or never minded to think:
the meat will behave like the egg -
the protein is borderline with seafood...
after all.. the birds are fish with wings...
that we managed to domesticate
a wolf and breed it with a dingo
and give it a bark...
how did we pluck the hawk from the sky
and gave it marching orders among
the strutting gehenna-game of the wehrmacht
with the geese...

i have no "beef" with the british and their past...
how many zulus became slaves?
hot topic...
if only a people were as fortunate -
not to be landlocked -
the last known invasion dates back to
1066 - nothing is spoken about the ottoman
empire or the mongol empire at the gates...
perhaps other people too...
could have their idle -
and been left to their own devices...
their high tea and all sort of *******...
but i'll still bemoan that...
this language does not have any orthography...
but it does have: n'dubz...
and a york-shyre from peckham and the rest...

- you simply can't undercook chicken...
you can either cook it to perfection...
or overcook... anything undercook is not going
to be eaten!
an undercooked chicken breast roulade?
that's scallop nugget in a kiev-esque chicken..
but why didn't i see it sooner...
how chicken meat would behave like
the egg when it was being cooked?
after all... what becomes of the yoke
when translated into the full-grown chicken?
the internal organs? the bones?
i'm pretty sure the egg-white translates into
the skeleton...
and the bones? it's not like the egg-shell
implodes...

in my hand i hold a chicken's egg:
a poultry abortion...
in my hand, also... a babushka doll...
this: little matron... бaбушкa...
because who would have thought that...
cooking the perfect chicken roulade...
would be akin to... 15 minutes extra...
when working from a soft-boiled egg...
oven-baked of course...
prior to the skin needs to be butter-fried...
and you can't enjoy
a chicken's neck... if it's not poached...
too many bones: not enough meat...
the neck of the chicken needs to poached...

again: one feels inclined to stress the importance
of curating the meat: curing it is one "thing"...
but it's almost an art...
as long as you respect the meat...
i find that most vegeterians or vegans
become thus...
because they have not learned to respect
the meat they're about to eat...

beef you can undercook... the sooner you do so...
the less chance that you'll butcher a second time
with a well-done: eating sand...
wishing it was poppy-seeds itching at the gums
between your teeth...

to respect the meat is to also bite off the heads
of the bones... for the over-cooked marrow...
i once held 30 or so poultry hearts in a cusp of hands...
hands prior to romeo & juliet's amen and kiss...
before i imagined what 30 hearts would otherwise
look like: if i was given the remaining body parts...

or 30 poultry stomachs readied for the broth...
with groats...
i too would become a vegeterian...
if the only chicken ******* i ate in my life
were: usually over-cooked...
dry... simulating imitation cheese
and chalk... the sort of meat: overcooked...
whereby your teeth start to experience
protein glue... and it's hard to pull the jaw
from the skull apart...

i have mentioned pittsburg blue, haven't i?
you can undercook beef and pork...
but you can't undercook chicken...
now unless you want to encounter
a pocket of a raw scallop sensation...
a chicken has to be treated as well as an egg...

most of the time you need to undercook
beef and pork...
but chicken requires...
oh glory be to the poached egg on toast...
the scrambled eggs undisturbed fried on
some pork dewlap...
when you can tell the difference between
the yoke and the whites...

such a versitile creature - this domesticated
hawk... this chicken marshal...
this would be cannibal... i've seen how one
becomes butchered with an axe -
one chicken, one axe - on stump of wood...
the rolling eyes of the decapitated...
the other chickens didn't mind...
they'd run up to the altar with the running
blood of rivers making letter markings
on the woody crumble...
and drink the blood... peck at left-over
flesh from the decapitation...

"gender expressions"... and... what's that?
leftover grammar from french...
translated from inanimate objects:
as being either endowed with a phallus
or a floral pattern -
but in english almost all objects of worded
interaction are gender-neutral!

native tongue "endowement"...
słońce - sun - is feminine...
księżyc - moon - is masculine -
krzesło - chair - i'm siding with masculine...
stół - table - that's clearly "gender neutral" /
alias: hermaphrodite... alias for the *******...
son / daughter of Aphrodite...
kamień - stone - masculine...
góra - mountain - feminine...

and so the heavens opened and became:
short on breath and soul...
the groundwork of earth...
the earth itself... started to nibble
on the delicacy of feet - the wind whispered...
and the echo: and the footsteps...
and the dutch clank convened and called it:
marriage!

how grammar transcended casual english
usage... how it bypassed orthography...
how it never attained orthography...
oh yes... the russian have it...
but... who would have expected it...

n'est ce pas?

what was once the gestalt primer...
that became a rorschach test...
i say: it's either a ink-blotch of a pelvis or a moth...
but with regards to the selfie:
i always require two mirrors...
i still remember the days when someone
would take a photograph of you being:
oblivious...
as if god: the narrator...
convened and descended upon the scene
and imposed directions of keen: montage...

the basis of gender neutrality of nouns...
it can't be extended to encompass verbs...
an oak: dąb - is male...
but a pine - sosna - is female...
all fruit bearing trees are female connotations...

whatever sheryl crow's debut album was...
wasn't alanaise morissette's jagged little pill -
however the conundrum spins with no
favor for the electric currents passing via
Ariel... give me the wind god...
the daughters and barons of: the lesser involved!

because i'm a far cry the alpha...
kindred of the omega... and all that alphabet
of meaning behind letters...
"self-imposed"... less a ******* and more...
feeble guide of watching others get
pleasured by the mantis
and the black widows of tomorrow...

a cactus would grow in my palm should
i witness germany re-united:
at least that's how the proverb stood its ground...
before common or passed on "wisdom"
learned to gravitate toward...
soap bubbles pop... charcoals smoke...
ms amber becomes a river
when there was no river expected...

the tides are hardly shy: they're buying time...
this one last commodity of the rotten mind
of the gambler...
puny prophet - of fate -
alongside the weathermen of a forgotten
afternoon: come birthday prior to noon...
and the fungus umbrellas chat
among themselves in a premature autumn
cascade...

fungus or just... lungs... devoid of a body?

my god: the kids are going after the grammar
that has already absolved them...
knitting mosquitos and lambasting
gherkins' worth of would-be:
pickled cucumbers...

that herring tartar... with dill and juices...
that baltic sushi never to arrive
at the cusp of the Caspian sea...
Molotov shots;
the Russians will always bring glasses
and ***** with them...
because... they somehow can...

- and that's because...
sheryl crow's debut album wasn't
alanaise morissette's...
but never makes the cards of a...
poker-match-up to better not earn
money if all that money is a gambler's
Eden...

- there are better ways to get away with
cooking an egg...
there's this entire myth of...
no poultry sushi...
mein gott! how the meat agrees with
abortions...
you can undercook beef,
you can undercook pork...
but when there are poultry standards...
they're just as risk-aversive as when...
a soft-boiled egg is required...
same with meat...

this direct translation of the atomised meat
in an egg white...
how it needs to coagulate to pristine juice
and all that perfect *******...
and... ****** via the runny yoke...
because i believe there's a puritanical
aspect of all life in general...
when hard-ons are sold
within the quarantine confines
of a viagara episode of: ***** into a hard-on...

chuckles and whittle charlie chaser says:
no man was ever ***** into a hard-on...
no?!
when charlie met chuckles and chuckie
and charles...
it must be a russian "thing"...
they have them... and hide them better...
there's nothing to hide in english...
just bad grammar and trans-grammar....

i.e. чa-чa-чa
            believe me... they managed to fold...
hide the caron in that alice through the looking-glass
of greek mu: μ - or (h)atches open!
how about hiding...  (letovers: č              č
the caron, in russian?          č č             č č         č)
or the H and the Z in english and polish
respective - whole - attached to the S?

epsilon lying back... the toil
of Sysiphus is a bore: шit...
****... and... шarp...
and... mateuш...
    
maybe people... or so we at least,
have inkling to hope to be receptive of...

щ: twice the hiding caron...
it's not that the russians don't use diacritical
markers - they just hide them differently...
the self-exposed vowels...
last of the reminders...
because there's the carpenter's obligation
to chisel a Y into an I...
or at least a J...

to add this currency of momentum is...
to... leave without a memory spare...
whipped along the trail via
a maine ****'s finicky worship of
air that will never translate itself
as being: breathed...

and yes: i drink... i drink to relax
my lexicon from the everyday strict: rules
and obligation of formal mr and mrs
and what doesn't fit into
a metaphor tuxedo...

over-cook pasta: we'll never talk again...
over-cook beef or pork: ditto...

it's an art to treat cooking poultry meat
with a quasi seafood status of scallops...
to curate a soft-boiled egg -
not quiet the abortion portioned
within the confines of a lost shell when
thrown into the dead-bath of
a lobster's litany when the neither alive
nor dead is cooked...

some bloos is necessary when it comes
to either beef or pork...
but you can't just have undercooked
poultry...
the grounded clipped wing marshall:
the decency of cooking poultry has
to be equated with cooking
a soft-boiled egg...

otherwise the common saying:
one apple a day... keeps the doctor away...
well...
one poem a day... keeps the psychiatrist away...
no? who are the circus freaks
the pseudos and the quasis of what...
has to be compensated by mr. rather dr.
surgeons and... the better half of whatever
becomes the butchering degree:
a degree in: what's not to be eaten...
but what has to be left intact
and reused?

less the homosexual yet still la la land...
not quiet cuck...
but still... every time i visited...
and never managed to peer at
the sort of first-person doom shooter experience
that otherwise third party sources would
allow me when...
the best fallatio is done in third-person...
talk about having someone to sit
on your face like...
never the literal metaphor translation
of ****** acts...
face-grubber from alien and...
performing oral *** on a woman...
no... none of it is true!
******* and winding archaic clocks...

some would even call it electricity should
it come from a burning candle!
betterdays Apr 2017
walking on the beach
yesterday we picked
up a scallop shell

white to ivory on the outside
multi shades of purple within
truly a beautiful thing

once home and hearth to the scallop
or plate to the serving of he
after his demise

sometimes decorative window
on the sandcastles side
sometimes shovel to dig themoat
to turn back the tide

not often but at a pinch
a rental for a naked crab
til a better fit is found

platter for a sea bird's feast

marker for a lost wicket
in game of rounds
or beach cricket

necklace on silver thread
part of small creature roof
as the tide surges over head

if we had found two
could claim it at a bra
for small breasted
mermaid too.

once part of life, vibrant and small
eventually to, become particles
of sand, tossed about in wave
and sea.

the scallop shell,
what beauty
delicate but strong,
calcium at its finest

tideline jewel,
and a great skimming tool

we left the scallop shell
with the waves, to continue
it's journey, we gave it more days
Napo wrimo day 6: write about an object in differing ways and from different viewpoints. for more info:
http://www.napowrimo.net/
1
Flood-Tide below me! I see you face to face!
Clouds of the west—sun there half an hour high—I see you also face
   to face.

Crowds of men and women attired in the usual costumes, how curious
   you are to me!
On the ferry-boats the hundreds and hundreds that cross, returning
   home, are more curious to me than you suppose,
And you that shall cross from shore to shore years hence are more
   to me, and more in my meditations, than you might suppose.

2
The impalpable sustenance of me from all things at all hours of the
   day,
The simple, compact, well-join’d scheme, myself disintegrated, every
   one disintegrated yet part of the scheme,
The similitudes of the past and those of the future,
The glories strung like beads on my smallest sights and hearings, on
   the walk in the street and the passage over the river,
The current rushing so swiftly and swimming with me far away,
The others that are to follow me, the ties between me and them,
The certainty of others, the life, love, sight, hearing of others.

Others will enter the gates of the ferry and cross from shore to
   shore,
Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and the
   heights of Brooklyn to the south and east,
Others will see the islands large and small;
Fifty years hence, others will see them as they cross, the sun half
   an hour high,
A hundred years hence, or ever so many hundred years hence, others
   will see them,
Will enjoy the sunset, the pouring-in of the flood-tide, the
   falling-back to the sea of the ebb-tide.

3
It avails not, time nor place—distance avails not,
I am with you, you men and women of a generation, or ever so many
   generations hence,
Just as you feel when you look on the river and sky, so I felt,
Just as any of you is one of a living crowd, I was one of a crowd,
Just as you are refresh’d by the gladness of the river and the
   bright flow, I was refresh’d,
Just as you stand and lean on the rail, yet hurry with the swift
   current, I stood yet was hurried,
Just as you look on the numberless masts of ships and the
   thick-stemm’d pipes of steamboats, I look’d.

I too many and many a time cross’d the river of old,
Watched the Twelfth-month sea-gulls, saw them high in the air
   floating with motionless wings, oscillating their bodies,
Saw how the glistening yellow lit up parts of their bodies and left
   the rest in strong shadow,
Saw the slow-wheeling circles and the gradual edging toward the
   south,
Saw the reflection of the summer sky in the water,
Had my eyes dazzled by the shimmering track of beams,
Look’d at the fine centrifugal spokes of light round the shape of my
   head in the sunlit water,
Look’d on the haze on the hills southward and south-westward,
Look’d on the vapor as it flew in fleeces tinged with violet,
Look’d toward the lower bay to notice the vessels arriving,
Saw their approach, saw aboard those that were near me,
Saw the white sails of schooners and sloops, saw the ships at
   anchor,
The sailors at work in the rigging or out astride the spars,
The round masts, the swinging motion of the hulls, the slender
   serpentine pennants,
The large and small steamers in motion, the pilots in their
   pilothouses,

The white wake left by the passage, the quick tremulous whirl of the
   wheels,
The flags of all nations, the falling of them at sunset,
The scallop-edged waves in the twilight, the ladled cups, the
   frolic-some crests and glistening,
The stretch afar growing dimmer and dimmer, the gray walls of the
   granite storehouses by the docks,
On the river the shadowy group, the big steam-tug closely flank’d on
   each side by the barges, the hay-boat, the belated lighter,
On the neighboring shore the fires from the foundry chimneys burning
   high and glaringly into the night,
Casting their flicker of black contrasted with wild red and yellow
   light over the tops of houses, and down into the clefts of
   streets.

4
These and all else were to me the same as they are to you,
I loved well those cities, loved well the stately and rapid river,
The men and women I saw were all near to me,
Others the same-others who look back on me because I look’d forward
   to them,
(The time will come, though I stop here to-day and to-night.)

5
What is it then between us?
What is the count of the scores or hundreds of years between us?

Whatever it is, it avails not—distance avails not, and place avails
   not,
I too lived, Brooklyn of ample hills was mine,
I too walk’d the streets of Manhattan island, and bathed in the
   waters around it,
I too felt the curious abrupt questionings stir within me,
In the day among crowds of people sometimes they came upon me,
In my walks home late at night or as I lay in my bed they came upon
   me,
I too had been struck from the float forever held in solution,
I too had receiv’d identity by my body,
That I was I knew was of my body, and what I should be I knew I
   should be of my body.

6
It is not upon you alone the dark patches fall,
The dark threw its patches down upon me also,

The best I had done seem’d to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
   meagre?
Nor is it you alone who know what it is to be evil,
I am he who knew what it was to be evil,
I too knitted the old knot of contrariety,
Blabb’d, blush’d, resented, lied, stole, grudg’d,
Had guile, anger, lust, hot wishes I dared not speak,
Was wayward, vain, greedy, shallow, sly, cowardly, malignant,
The wolf, the snake, the hog, not wanting in me.
The cheating look, the frivolous word, the adulterous wish, not
   wanting,

Refusals, hates, postponements, meanness, laziness, none of these
   wanting,
Was one with the rest, the days and haps of the rest,
Was call’d by my nighest name by clear loud voices of young men as
   they saw me approaching or passing,
Felt their arms on my neck as I stood, or the negligent leaning of
   their flesh against me as I sat,
Saw many I loved in the street or ferry-boat or public assembly, yet
   never told them a word,
Lived the same life with the rest, the same old laughing, gnawing,
   sleeping,
Play’d the part that still looks back on the actor or actress,
The same old role, the role that is what we make it, as great as we
   like,
Or as small as we like, or both great and small.

7
Closer yet I approach you,
What thought you have of me now, I had as much of you—I laid in my
   stores in advance,
I consider’d long and seriously of you before you were born.

Who was to know what should come home to me?
Who knows but I am enjoying this?
Who knows, for all the distance, but I am as good as looking at you
   now, for all you cannot see me?

8
Ah, what can ever be more stately and admirable to me than
   mast-hemm’d Manhattan?
River and sunset and scallop-edg’d waves of flood-tide?
The sea-gulls oscillating their bodies, the hay-boat in the
   twilight, and the belated lighter?

What gods can exceed these that clasp me by the hand, and with
   voices I love call me promptly and loudly by my nighest name as
   approach?
What is more subtle than this which ties me to the woman or man that
   looks in my face?
Which fuses me into you now, and pours my meaning into you?

We understand then do we not?
What I promis’d without mentioning it, have you not accepted?
What the study could not teach—what the preaching could not
   accomplish is accomplish’d, is it not?

9
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide!
Frolic on, crested and scallop-edg’d waves!
Gorgeous clouds of the sunset! drench with your splendor me, or the
   men and women generations after me!
Cross from shore to shore, countless crowds of passengers!
Stand up, tall masts of Mannahatta! stand up, beautiful hills of
   Brooklyn!
Throb, baffled and curious brain! throw out questions and answers!
Suspend here and everywhere, eternal float of solution!
Gaze, loving and thirsting eyes, in the house or street or public
   assembly!
Sound out, voices of young men! loudly and musically call me by my
   nighest name!
Live, old life! play the part that looks back on the actor or
   actress!
Play the old role, the role that is great or small according as one
   makes it!
Consider, you who peruse me, whether I may not in unknown ways be
   looking upon you;
Be firm, rail over the river, to support those who lean idly, yet
   haste with the hasting current;
Fly on, sea-birds! fly sideways, or wheel in large circles high in
   the air;
Receive the summer sky, you water, and faithfully hold it till all
   downcast eyes have time to take it from you!
Diverge, fine spokes of light, from the shape of my head, or any
   one’s head, in the sunlit water!
Come on, ships from the lower bay! pass up or down, white-sail’d
   schooners, sloops, lighters!
Flaunt away, flags of all nations! be duly lower’d at sunset!
Burn high your fires, foundry chimneys! cast black shadows at
   nightfall! cast red and yellow light over the tops of the houses!

Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our divinest
   aromas,
Thrive, cities—bring your freight, bring your shows, ample and
   sufficient rivers,
Expand, being than which none else is perhaps more spiritual,
Keep your places, objects than which none else is more lasting.

You have waited, you always wait, you dumb, beautiful ministers,
We receive you with free sense at last, and are insatiate
   henceforward,
Not you any more shall be able to foil us, or withhold yourselves
   from us,
We use you, and do not cast you aside—we plant you permanently
   within us,
We fathom you not—we love you—there is perfection in you also,
You furnish your parts toward eternity,
Great or small, you furnish your parts toward the soul.
The artichoke
of delicate heart
*****
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.

And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a ***.

So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.
HTR Stevens Sep 2018
I am a little scallop,
Bobbing slowly to and fro.
Year by year bigger and bigger
I hope to grow and grow.

I am only tiny;
Give me a little break.
Hear my little ditty…
Help me! Go for a steak.

I am a little scallop,
Awake in my cosy bed
With my brothers and sisters.
I am a wee bit afraid.

I wish not to be eaten;
I must quickly speed away.
I just will not be beaten;
I will live another day!

Life is just a winner’s game;
I must move fast as I can.
‘Survivor’ being my name,
I will not be caught by man!
Robin Carretti May 2018
So grace me through
my colors
Let's Start

God Grace me

Someone was smart
To raise me
But the blaze
came and love
pursued me
He pushed me
Into his hot blaze

His ***** of fire
A big part of the script
Another lift in his
desire
But my lips
Got raised up
But couldn't.sustain
the fire
The glossy shimmer
Sky hug
He Aint nothing but
a hound dog goodbye
Raised me Orange
Red Robin fly

But how you
face me
Never to
disgrace me

You pick me up with
all my goods
Odds with the bad
Honorable Gods
And so many facets
of my moods
Watch out!!
Starburst

Or a war curse

We  evaporate
In fragments

Orange segments
Sliced and eaten

Love forbidden fruit
One hidden

Embrace the warm solitude

all over your face,
Someone is rude
Fresh Orange
told you
It's Fate

That brought us
together
Orange juicier sun

So many love forms
Whose terms? Just run
This world full of
germs
But to juice things up


How the colors of your
eyes came to an epical stop

But nursed me
orange juice hip hop

He dazed into me
After-life
They named her
Saucy before-life
See ablaze
orange zest
See me and fly me
At my very best

My breast was
so nicely raised


Lips so fruitful
he cannot
resist you know
the rest??

In the mix of orange
things
Pink rings
Butterfly eyes
winged

Was set so privately-----*

The red tail hawk
Was the talk of the 
 Orangey words flowy
Popsicle poppy eye town
No time to refresh
my colors

Free bird orange up
The ramp no lady
and tramps
Just (Gypsies Orange Vamp)
The rocks fall to thump
Trump orange fixtures
Towers Forestal Gump

The soothing smile of lights
He came to you pop features
All over my place
So cultural to the race
The colors of
Orange mellow
oh! no
Here comes yellow----

Creaming into his
creamsicle
Gelato
popsicle
My feeling divided
like politics

Been sliced by
the orange Super bowl
Erotics
Sunny California Kist
Rodeo drive what a
list
Satanic red
Orange Christ
But that orange
She Shh_ sheets
Had the most vibrant
juicy beats
Tomato vines Rome
Lend me your orange
No ears no other
color of tears

Villians of vineyards
Orange bowl of fruit
No Junkyards
The owl started to hoot
Towards the bad apple

My heart was galloping
Shrimp and scallop
Right in my western charm
boot he takes off

Another mix of paint
Orange isn't carrots and
pumpkins
Austin Power Mini-me
Munchkins

Or goblins spooked
Mandarin Orange lovely
Divinely licked
Gingerly lovely Cayenne
Sweet Pepper he looked at her
Lucky 7 Orange ring karat

Whats up Doc
_


Any cracks of his cravat
Orange Key-West lock
Doesn't turn get off
my block
I am going to
Bangkok
With Chuck

Having Orange Tang
He was holding me
777 karat ring
The  Mediterranian
party
Why so dead sea
Pink Smarty
Orange blosson tea
Orange Marquis
Louis and Diamonds
All clockwork
Orange movies

In the lounge of
Raymonds of ring
junkies
Pour OJ for me
**** a doodle doo

Flash of orange came at me
Do you want to?

The operation of heartless
surgery
The Showstopper emergency
Revived refreshing lady
of purity but no orange
The
((Orange Marquis))
Off to see the Wizardly
Orange field gorgeous
WC fields raise

Writer with the
lucky pen praise
Her editor was
the perfect color
ten

Miss coralline with
her coral rock
The mixed infusion

Next color comes up
Raise your brow reaction

Needing a follow-up

Orange rinds
Another call-up
Giddy Apps up
Orange glittering
passion fruit
paintbrush
Soap Opera beauty
and the beast
Another gulp the
pulp pretty in pink
psst
_

Orange-pink tropical
girl orange whirl
The orange-red ringlets
She curled inside him
Glass raise you cup trim
In your villa stucco orange
You were breastfeeding
his orange suited juice

No time to see another
color
Orangey wiz showbiz
Arabian sky sunset
burnt orange
The caramel bump
of the camel
Her favorite one
mural

Lips of tang so foreign
She is flaming like a
flamingo bed

Get his color out of
Cotton picking head
Your shampoo
The
"Orange Oddysey"

Hey, what do you say?

Just open your
eyeshadows
He shadows her in

Or a site for sore eyes got
puffy war of
orange bubbles begin

Feather me
orange wings
The fringe orange
suede
flops
you happy

The A+ diet of fruit
he was the
hotshot
Glass
You're at the
bake me
What do you know
he passed

The spa refreshing
orange peel
mystique

Long lace-lit
Unique
He was coming on too
bossy orangey burst
cheeks were falling
Rise up not down
Orange Julius raise
his price
Fed Ex orange truck
got closer to
Her alluring butterfly
Orange U glad
To catch her
To court her
Fast Orange perfume
She Sha shala
femme
Orange flames came
from his cleft

Still no time for your
spouse whoa he left
_

Now please let me know

what I left out
Orange you glad

this is the only color love
him madly
Orange so vibrant masterpiece the butterfly changes
like a wedding centerpiece
Nathan Vienneau Dec 2012
The promise of a pearl
The furiously thrown glass
Lights and sirens
Footsteps at the door
Blinding light in his eye
A slur to his speech
Fabricated fantasy story
Mysterious fat man dashed away
Gone for all eternity
Give me my scallop shell of quiet,
My staff of faith to walk upon,
My scrip of joy, immortal diet,
My bottle of salvation,
My gown of glory, hope’s true gage,
And thus I’ll take my pilgrimage.

  Blood must be my body’s balmer,
No other balm will there be given,
Whilst my soul, like a white palmer,
Travels to the land of heaven;
Over the silver mountains,
Where spring the nectar fountains;
And there I’ll kiss
The bowl of bliss,
And drink my eternal fill
On every milken hill.
My soul will be a-dry before,
But after it will ne’er thirst more;
And by the happy blissful way
More peaceful pilgrims I shall see,
That have shook off their gowns of clay,
And go apparelled fresh like me.
I’ll bring them first
To slake their thirst,
And then to taste those nectar suckets,
At the clear wells
Where sweetness dwells,
Drawn up by saints in crystal buckets.

  And when our bottles and all we
Are fill’d with immortality,
Then the holy paths we’ll travel,
Strew’d with rubies thick as gravel,
Ceilings of diamonds, sapphire floors,
High walls of coral, and pearl bowers.

  From thence to heaven’s bribeless hall
Where no corrupted voices brawl,
No conscience molten into gold,
Nor forg’d accusers bought and sold,
No cause deferr’d, nor vain-spent journey,
For there Christ is the king’s attorney,
Who pleads for all without degrees,
And he hath angels, but no fees.
When the grand twelve million jury
Of our sins and sinful fury,
‘Gainst our souls black verdicts give,
Christ pleads his death, and then we live.
Be thou my speaker, taintless pleader,
Unblotted lawyer, true proceeder,
Thou movest salvation even for alms,
Not with a bribed lawyer’s palms.
And this is my eternal plea
To him that made heaven, earth, and sea,
Seeing my flesh must die so soon,
And want a head to dine next noon,
Just at the stroke when my veins start and spread,
Set on my soul an everlasting head.
Then am I ready, like a palmer fit,
To tread those blest paths which before I writ.
1

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.

2

Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.

3

Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.

Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

4

Till of a sudden,
May-be ****’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.

And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.

5

Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.

6

Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.

He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.

Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.

Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.

7

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.

O madly the sea pushes, pushes upon the land,
With love—with love.

O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!

High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only would;
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.

Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.

But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.

Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.

Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.

O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.

Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.

O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.

8

The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.

9

Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,
Never to die.

O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

10

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.
Give me my scallop-shell of quiet,
  My staff of faith to walk upon,
My scrip of joy, immortal diet,
  My bottle of salvation,
My gown of glory, hope’s true gage;
And thus I’ll take my pilgrimage.

Blood must be my body’s balmer;
  No other balm will there be given:
Whilst my soul, like quiet palmer,
  Travelleth towards the land of heaven;
Over the silver mountains,
Where spring the nectar fountains;
        There will I kiss
        The bowl of bliss;
And drink mine everlasting fill
Upon every milken hill.
My soul will be a-dry before;
But, after, it will thirst no more.
judy smith Oct 2015
MANILA, Philippines - The public knows me as the Father of Philippine Franchising but what is hidden from the public eye is that I am a father of five sons and a daughter. This fact became very real to me again recently when my youngest son, Sam Gregory, got married.

Like I said, I have five sons and all of them are achievers and successful in their respective fields. My eldest son, Sam Benedict, for example, has a master’s degree from Kellogg and works for a top American company. My fourth son, Sam Christopher, on the other hand, got his master’s degree from Oxford and used to work for a top British conglomerate.

When my other sons got married, I was happy and proud as I could be; but when Greg got married I have to admit that there was a certain tug in my heart realizing that my little Sam was finally leaving the nest. I am not the sentimental type, but I guess every parent has a special place in his heart for his youngest.

But don’t get me wrong, Greg is no pushover. Being physically small, he did have his share of bullying when he was in school. But Greg knows how to deal with his problems. He befriended a number of his bigger classmates and that solved his problem in a snap. He may be small but he has a big heart.

Greg is idealistic and principled. He usually volunteers for civic and charitable activities and contributes to fund drives for disaster victims. My wife and I have accepted the fact that every time there is a typhoon, we can expect our cupboards to be cleared of canned goods and our cabinets purged of old clothes, which Greg would donate.

He follows traffic rules and regulations even when there’s nobody watching and even if following is not convenient for him. He saves energy. He recycles. He even convinced me and my wife not to use narra wood flooring in our retirement home.

Being a careful planner, he is the most prepared among our family for the “Big One.” But what I find most admirable is that he keeps two emergency kits in his car in case he finds himself in a situation where he might need to help others.

Greg is also romantic, creative and dedicated. When he was studying in Beijing, he would organize a virtual date with Charmaine Haw (who would eventually become Mrs. Sam Gregory Lim), who was in Manila. They would watch the same movie on the web and Greg would order movie snacks, which he would send to Charmaine’s house. The couple would also have virtual dinner dates where Greg would order similar meal courses, which would be delivered to Charmaine’s house and then they would chat via Skype while having dinner.

When the time came for Greg to buy his engagement and wedding rings, he refused to let us — his parents — help him. He used his own money despite being the one among his brothers who could least afford it, being the least salaried employee among them. He did this as a symbol of his love and commitment to Charm.

But when the wedding came I insisted that it should be a grand wedding.

To guarantee a great party, we made sure to have great food, a great place and great companions. Being an avid sci-fi fan, Greg already had an idea of a unique garden wedding. He wanted to transform the New Grand Ballroom of the Marriott Hotel into the forests of Avatar. To do this, the wedding stylist had to import a collection of trees, hanging plants, shrubs, flowers and other plants. The images projected on the giant 15-meter panoramic LED screen added to the reality of the scenery. It was a unique and original “garden setting” and was certainly a sight to behold and remember.

For the food, Greg was at his meticulous best to make sure that the evening’s feast was memorable. The dinner opened with a mouth-watering appetizer, lemon-spiced pan-seared scallop with tomato cucumber timbale in creamy ginger soya sauce followed by Manhattan clam chowder with cornbread dumpling. For the main course, we had the beef tenderloin prepared by the master chef of Cru Steakhouse of Manila Marriott Hotel, sea bass with roasted shallots, dauphin potatoes in perigourdine and mustard herb sauce.

The espresso-infused tiramisu and the white chocolate cheesecake with mango salsa served with piping-hot coffee completed the culinary feast.

With 800 guests, I would have to admit that we did splurge a little. But we also wanted the wedding reception to be an opportunity to thank the people who have been a part of our family. These are our relatives, friends and associates who have inspired, mentored and helped mold my children to be what they are today.

To my youngest son, Greg, and my new daughter, Charmaine — quoting from the Vulcan salute of the Star Trek saga (of which Greg is a big fan) — may you both live long and prosper!

read more:www.marieaustralia.com/formal-dresses

http://www.marieaustralia.com
Natalie Jul 2015
Her mind was in Hawaii,
Dancing under waterfalls,
Wandering through rainforests,
Picking tropical flowers and
Braiding them into her hair,
Simmering on sandy beaches,
And gazing at the stars.

Her heart was in Normandy,
Eating crepes and sipping lattes,
Strolling through spring green fields
And along lazy river banks,
Kissing the walls of castles,
And scooping up scallop shells,
Soaking up French syllables.

Her hands were in her pockets,
High-fiving friends and
Running through her lover's hair,
Sewing, cooking, washing,
Punching, tearing, scratching,
Caressing and confessing,
Catching the very first drops of rain.

Her feet were on the streets of Seattle,
Tapping to the rhythm of the bass,
Shuffling in and out of the rain,
Dodging puddles and strangers,
Observing art and sculptures,
Chasing down a taxi or her dog,
and embracing the crisp autumn air.

Her lips were on the edge of a soda can,
Singing along to her favorite songs,
Whispering sweet nothings into the air,
Empowering the impoverished
And scorning the injustice,
Kissing a forehead, lips, and hads,
And stonecold silent as her mind does the work.

Her eyes were fighting back frosty tears,
Swallowing scarlet sunsets,
Painted in yesterday's make up,
Tracing your stoic silhouette,
Rolling like thunder before the storm,
Lapping up dizzying moonlight,
And buried in words, and words, and words.

Her body was in Los Angeles,
But, she was on a metanoia,
Breaking free of past and future
To find herself a presence
That would always be worth fighting for,
To reach sophrosyne, namaste,
And to put her frantic body to peace.
Kisses under the mistletoe, holly, Santa's list,
Rudolph's red nose aglow,
Sleigh bells ringing,
A donated toy, presents galore beneath the glistening tree,
The rich, soft scent of green pine, wreaths to behold, angels above,
A wish made upon a star,
The wise men's gifts from afar, the drummer boy,
Satiny ribbons, big red velvet bows,
My hollyberry dishes,
Wondrous white fallen, holiday snow
With lights at night - a shiny, sparkling fairyland show! ! !
Christmas time magically brings dreams about heavenly things
Back to life again.
Boxes of candy are ready to go
Except for the bows - a must for shoppin'
Around the world Santa, driven by reindeer,
Will stop for good kids Christmas eve night.
Soon I'll get some seeds the scarlet cardinals and other woodland birds to delight.
Christmas carols were played past years
On our piano
With two old fingers and more.
My grandpa who had a heart of gold could play songs by ear at his memory's door.
Days have long ago gone by since
My grandfather so dear to us
Told me how they use to put
Wax candles on the window sills
And the tree - to light Christmas's way.
Around the deep, magnificent boughs, too, a scallop trim with splendor
Made by hand from strung popcorn and pure ruby cranberries, danced along its adorned, lovely strand.
A glorious tree it must have been!
Grandpa didn't have a red Christmas stocking.
He got a piece of chocolate
And an orange in his sock
Early Christmas morning.
Wishing you all a snowy, Merry Christmas
Filled with sweet dreams of sunshiny days
Tops my list like winter's cherry cheeks
On children whose laughter brings cheer while they play! ! ! !
Poemasabi Feb 2013
Tiny copper Abe Lincoln
rests on damp sand
amongst minuscule pieces of driftwood
a baby scallop shell
and tiny clams
waiting for another assassin,
this one the sea
to come and take him away from us
again
Claire Waters Apr 2012
the sun is scorching through the parking lot in pillars or light, shivering on the pavement in waves of reality shaken by matter, it reveals the change in matter. so fluid. i see an old man walk up to the gas pumps by the mr. mikes. he walks past the car wash, past the little barrier between the road and the grass on the side. stands there, looks back and forth as if calculating speed and distance of passing vehicles. in shock i see that he is trying to figure when to jump.

he stops, turns, and begins to walk up the busy main street. as he goes, he take slips of paper out of his coat pocket, stares at the receipts and then surreptitiously drops them behind him. instead of children dropping crumbs in the woods, i see an old man shedding silent messages in his wake as he trudges through suburban forests of pavement and condos. how strange i think and pick myself up out of the car, running past the chain link fence rounding the edges of the hardware store parking lot. she won't even miss me i think fleetingly of the person inside who might come out soon.

the old man is walking at a parallel angle to i, as i was too hasty to know his story before changing the outcome of his journey. he sees me, and stops to face me on the opposite side of the street. we make eye contact, a car whips past, then an ambulance flooding the hues of the air red and blue. i remember there is an accident up the street. there were almost eight or ten cars pulled over near walmart. traffic was backed up and the **** in front of me had been rubbernecking like his middle name was bashful. somebody was probably dying a mile from here. he looks at me a second more and i feel the sadness wafting off of him, so strong it crosses air, barriers, vehicles, straight shotgun windshield shattering screeching into my chest. he turns and walks away. continuing to leave his trail even after knowing he had been observed.
i run across and bend down to retrieve the papers casually, clamped lips around the cigarette i had somehow managed to light, my body's natural response to everydamnthing. i do not look at the papers, just stick them in my plaid breast pocket and rush back to the car. a few hours later i am ready to read them, and i unfold the papers.

first
1: PRE COFFEE 2.00 F
2: SCALLOP POTATO .99 F
3: SHAKERS CHICKEN .79 F
4: POULTRY .79 F
5: POULTY .79 F

SUBTOTAL 5.57

CUSTOMER COPY
EBT APPROVED
EBT FOODSTAMPS

and then
DISTRICT COURT
CASE NUMBER 1161CR001443
DESCRIPTION 1161CR001443 Commonweath vs. M*, Michael J
On Behalf Of M*, Michael J
Payment Type                                Amount
CASH                                              130.00
GENERAL REVENUE FUND               80.00
VICTIM WITNESS                             50.00
Change                                              .00
Balance Due                                   20.00

Comments:



this feeling of overwhelming misery comes over me. i allow it to flood in and fill me with images of this man's life. his shame, his despair, his shackles, that cause that feeling of life being a bad migraine that never goes away.
but then i feel sympathy and compassion seep in afterwards, so silent and gentle. i think of how my presence may have changed that man. to see someone run to him, show him he is not invisible, not just another lost soul in the court system, not alone and invalidated by society simply for existing, not all of society is like that. i hoped my awareness would shout to him too, perforating the silent barriers to say "look, you are not unseen, you are not unheard, i know you exist! it's not time to die yet michael."

michaels seem to stick to me. their stories are vast and painful and hard to peel off, like dry glue. their struggles worthy of attention. michael you are real. michael, i see you. michael someone is listening, somebody knows that you exist. i know it is passover and it probably feels like you are dying in your sleep with no blood painting your doors for protection, but you do have that blood. it comes from your body michael. your struggles become your pain become your understandings become your transcendence. michael, you are intelligent, i can see it in your eyes. now do yourself a favor and

don't jump.
true story.
Eliza Jane Jan 2014
naturally,
after we leave,
everything seems to get better.
not that we took it for granted
no, really, we didn't.
we were:
            test subjects
                     guinea pigs
                            a band of misfits searching for the positive
yet somehow remaining apathetic.

I somehow expected you to be like us
a little less caring
a little less bothered
that's what I expected, not this..
subdued insecurity manifested in your eyes
they keep darting around
looking for answers in a scallop
or in the bottom of a coffee cup
silence where you should be laughing sits
hanging heavily on your shoulders,
making your natural slouch even worse
        ...I wonder if you noticed that your eyes are getting bluer

we learned once in english class that films use blue to represent anxiety
that the churning sea is symbolic of a churning mind
we never learned that you can spot that in a man
so lost in his worry that he can't see
        ...his eyes are getting bluer.
kfaye Jul 2012
you browse through my being
with fluttering eyelash-
squinting at the unpleasantries and
tugging at your brows with nervous thumbs.
i wonder-
will you know me any better by it.
sipping from the warm marrow of old bath water and running our hands down eachothers' sides. i
watch you take another big gulp of nothing
-find your feet amidst the company of elongated creatures that walk idly on the flat- smoothed out places of the world
that stretch
far and wide like some never-ending ungodly plane. you
scallop out pieces of your knowing just to make sense out of this happening. you
forget to receive beauty in all your eyes devour-
and in all you can crave.
the stiletto legged spiders cross paths like stilted walkers, wishing they were smaller
and you
will know nothing of them but will speak as if you've known them. i
can tell
you've never known them. i
can tell
. you
extend your limbs, hands open
as wide as the sky before you, you fancy your fingers as feathers,
and your outstretched arms as wings. i
know your bones must be hollow because
i've never heard such terrible sounds from them knocking together-
drumming out strum-songs because no strings could be used to make noise
in this place
you are lonely-
feeling as empty as freshly blown glass
and with
pins sticking out of my fingertips
i cannot drum along to your sound,
the crackling scratch of a vinyl record as
a cat claws at the beige carpet and
catches like velcro loops. i
know i've
put less thought into greater things
and
you
hold me
for only one second and
you are the tear in my jeans at the knees,
the flecks of dried paint in my black eyebrows,
and

infinitesimally small particle-sized portions of us all
bouncing around in the dark parts of your irises
like over-exited electrons colliding in a
cloud
of everyday
dust,
exiled into the far corners of
heavens.

you grasp the air around you like a flightless bird i used to know and i
peel
back
everything i might of known about you before
that lash-fall instant
in which
you
smiled
Lin Cava Oct 2010
In dreams I see her blonde hair
always in a pony tail
She walks along the shoreline
Scouring the sand for treasure

Light blue shorts and a striped shirt
She quietly wends her way
Bare feet in and out of foam
In her hands, she holds small shells

Delicate and colorful
Orange, pink, yellow and white
These were wampum long ago
Gone now, all gone from this shore

But there she is, eight years old
Golden, tanned, happy alone
Treasures, wampum in her hand
She slips them in her pocket

Stepping into the water
She sees something moving there
A scallop!  So carefully,
She reaches down patiently

Leads it with her hand until
The live mollusk slips right in
Clamping shut as she lifts it
It is beautiful, alive.

She knows they have many eyes
A bright blue like no other
If opened, they look like eggs
Cracked, sunny side up inside

Return it to the water
Watching for the many eyes
It hesitates, then opens
Jets away, ever backward

She lifts her face to the sun
One must notice those blue eyes
Then they cloud, time is short now
Soon the sun will leave the sky.

She runs for her red bucket
Half fills it with salt water
The water to her ankles,
She twists her feet, digs up clams

Chowders and some Cherrystones
Digging clams with little toes
Fills the bucket, off she goes.
Wednesday’s child is full of woes.
© Lin Cava 29-August-2008

I grew up on an island.  Clams and scallops, ***** and flounder were plentiful and available for the taking.  No one took more than they could eat.  I had bay fishermen in the family – and they earned their living from the bounty of the waters around us. This poem is about a girl growing up in just such a place.  Children this age are often not left to themselves.  She thrives in solitude, happiest there.  Notice there is no running or jumping or laughter.  This is meant to be a somber work.  The child knows that she is older than her years, yet she takes her happiness in those simple things that children do.  So might we all be awestruck at the beauty of shells, the feeling of a living creature with its own beauty, in our hands.  If only we could take the time.  In whatever life holds for her, the girl takes her childhood in whatever way she can.  Gazing over the water, whether it is the ocean, the bay or a lake, she often sees a woman there, a projection from within.  I often see the child in my work.  I am a Wednesday Child.
Creative Commons Copyright
Mateuš Conrad Jul 2016
go to a brothel, you won't feel anything about what's considered the teenage atypical damning of events that make violins of us all.

now i know why i prefer bourbon to whiskey,
my usual stock went missing today
at the supermarket, i was thinking prior
recycling a plastic bottle of coca cola and a glass
bottle of whiskey... three Buds on offer for
£5 and then a bottle of Scots' Club at £11 (and
a bottle of coke): for the extra walk to buy
£5.99 Chesterfields at the Bangladeshi outlet?
hmm, that's a tough one... solved, Scots' Club
dried up, they've been watching my predictable
pattern on c.c.t.v., either that or i honed
on ant-mentality - which is far worse than
what Nietzsche described as herd mentality -
post-Nietzsche post-religion existentialism?
ants... not oxen, not sheep, not wildebeest -
simple, ants... compactness perfectó!
the antonym of deus ex machina, i.e.
the deus in machina - we all have our roles,
plumber electrician poet... cashier drill sergeant
bus driver... with me i imagine a Michelin star
kitchen... yes chef... yes chef... what is this ****?!
throw that under-cooked scallop away!
if it ain't perfect throw it away!
most would beg to cry and run out of the tense
environment - ooh look at me, bourbon makes
me rosy cheeked - the smell of it makes me summon
the gluttonous honey thickness of a prostitutes
lubricated **** - in Amsterdam with the laws
being lenient they call them sanitation workers
from Bolivia, this plump one told me her life story,
****** into bucket in front of me, told her
child minion to get beers for me, laughed
when i wanted to lick her out - opened the window
to fish the punters into her abode - true story -
i have absolutely no imagination, experience
counts - Amsterdam is fun - you should go there
some time... it's so much freer without
this Victorian-like theatre of courtship in England,
20 years in England, never ****** a swan -
she's too into her feminism away from the "naughty parts" -
darling... and what does your lover call you during
******* while you're drooling on the Ajax?
hmm? sloppy Samantha... or just ****?
***** words during arousal makes the geek take
the noble toilet paper given to them by the maidens...
(psst... they think it's a hanky)...
and with all that space, poets have a phobia with
punctuation, hence verses, hence missing colon (or alter
italics), semi-colon - maybe a full-stop along the way...
and the most annoying part, thus examples:
Prose writers speak a lot,
They draw the matchsticks by the lot - (oh hell, forget the hyphen,
that's reserved for Oxford acceptance of new words
requiring agility and optometry's rediscovery of origin:
Saxons in Istanbul running a sausage stand -
no no, ****'s Halal, we promise!)
But when they speak, they speak to the grey matter -
Never quiet the sparkler parts of the brain...
CAPITAL WITH EACH NEW LINE...
toss-up between learning punctuation and not using it -
i doesn't matter if poetry is the opposite of the claustrophobia
of prose's skeletal rigidity of a paragraph -
poets could become less tedious by using punctuation,
i'd begin with an exercise - count to one-hundred -
ensuring the space between one and ninety-nine
is uniform, i.e. a second apart - can't happen
1 2 3 4 5 6 7 8 9 10
| | | | | | | | | |
   11 12 13 14 15 16 17 18 19 20
    |  |  |  |  |  |  |  |  |  |
         22 23 24 25 26 27 28 29 30
          |   |   |   |   |   |   |   |   |;
when in Edinburgh i had a mental implant, the compass,
mostly thanks to the locality, and the Firth of Forth -
i knew my west and my east, esp. looking at Prince's
Street (scoot-ish Manhattan - squares and linear
and diagonals, picture perfect) from just off the Royal
Mile - honestly, from the old city i could see America
don't below. but bourbon really does have a brothels'
perfumery feel about it - it really hits the cheeks and
warms them up... whiskey oddly enough doesn't...
that's what ****** her off... high-brow ******* -
a boy a girl a ******* - not romantic Marcel Schwob's
Monelle* - harsh realism of de Sadé (who also
wore the t-shirt with the slogan: I'M A FEMINIST!
while cursing from his cell window in the Bastille) -
the Saudi oil billionaires will run out at some point,
last days of the **** - i know, i prefer de Sadé -
adds a bit of spice - and if i'm going to be brutally
honest as his critics are, well, i'll be honest
about one of his works - ****** - crispy mint.
debates on the Man Booker prize - old guard and new
guard - that's the problem with the English...
they pretend to read on their Summer holiday...
who the hell reads in summer? they spend
their Winters in front of the television - i thought
that winter suited reading as it does writing?
the long nights, esp. the long nights -
the Russians said: our future is in your reading public -
the Americans said: our future is in the pulverise(d)
by images public - iconoclasm of words, trademark
logos (telegrams from time to time) - just recently
an advert at a bus-stop by some Asian car manufacturer -
no nuance, but definitely nuanced: GO FUN YOURSELF -
also called the state of literacy rates in England,
a girl writes her G.C.S.E. English exam paper
in text acronym (UR v. you're); so they locked up the Marquis
for obscenity, but Anaïs Nin walked free to everyone's
applause - the part where you tell me Kierkegaard
made a meal from the tree of good and evil
with his work either / or attached to Nietzsche's
beyond... muddles muddles and pumpernickel troubles;
sure, call it word salad - but i hardly think you're
a vegetarian; going to a brothel makes all this
****** warfare seem rather obsolete - esp. when it's prompt
for books and debates and serious action -
all the prostitutes of France came out in protest when
the government wanted to punish the pundits -
hey! do a Jesus! side with the "filth"!
these girls aren't going to be nuns, the feminists won't
save them, not one of them will be a star in a real-life
adaptation of pretty woman - and not, a, single, one
will buy the feminist arguments of the bourgeoisie actresses -
me? i will not ever have a girlfriend who experiments
with her child niece in a theme park imagining me in a
daddy role... or reads me a questionnaire about complimenting
differences from a Cosmopolitan magazine.
Jill Tait Sep 2020
She sells her shells to a seaside shop, she keeps some shells for herself.. she polishes and paints them pretty colours and places some on a shelf..

She picked those shells from the sandy shore all buried on a beach..she saw some seagulls duck and dive whilst squawking with a screech..Susie sells her seaside shells on her market stall and displays them on a little wall..

Peter came to Susies stall and asked her what she had to sell.. she pointed up to the ledge on the wall and then Peter picked out a shell..He put this silver shell to his ear and listened to the sea..but out popped a scallop from his home he wanted to be free...

So peter caught the scallop and he put it in a ***..he couldn’t wait to show Susie at her stall exactly what he’d got..Well Susie studied that strange creature to see if it was still alive.. and put it in a seaside shell to see if it would survive

The little lively scallop wriggled right into the shell..and snuggled deep within it’s case to hide away so well..So Susie took Peter’s hand and strolled down to the sea and placed the shell inside Peter’s *** and let that scallop flee..
Derek Yohn Nov 2013
The rain dilutes the sins of  the land,
pandemic baptism and resurrection.
This Earth that once housed Noah
and his Ark, a covenant of life,
the buoyant spring,
cycles like the cylinder of a
revolver, a hedged roulette bet.

When we are cleansed, we achieve
grounding under water, in over
our heads, digging in the mud
for pearls in the scallop and
oyster beds.

The receding of the waters
is our delta moment, fighting
for absolution;  a
mammal under water or a
fish out of water,
there is no difference:

only a burning in our chests,
a yearning for return
to the elements we once knew.
She could scallop her fruit inside
her delicate ring tonight
though her pantry gleamingly sound  
that a surge sped with her gait
but thwarted round her waist
that a basket full of poetry read
as crystalline in her heart
even rose her bed
with flowers festooned till midnight
as elegamce flatly trimmed parlance.
Lillian Hallberg May 2015
She was called a pollyanna.
Positive exclamation addicted
she high-stepped and varied her pace
through life's shifting textures.

Retrieving sea glass and a scallop-cut piece of shell
from the day's foam ruffled waves
at the edge of iridescent aquamarine.

She lived as a greeter.
Always expectant, rounding each corner
to meet until-now unfound friends or catch
a coin's shiny glint from the sidewalk's crevasse.

A collector too, she gathered smiles as she
walked past and sometimes toward faces
moving to their meeting places for the day.

She said regrets lead backward.*
Ruminations rehash long ago or too current
memories looking for what-ifs and what-thens
not in her mind the stuff of collectibles.

She chose to live today
and dream tomorrow
always loving forward.
Abigail Hobbs Jun 2018
Let the soft waves
rock you to sleep
before they crash
Let the foam
wrap it's advice around you
(it sticks around for a while)
claw through the sand
when it's said and done
when you come to
scallop edged waves, you could watch them for hours
the salt cleanses, washes wounds clean
(it may take a while)
Are you there yet?
Are you aware yet?
Is your reflection as it was before?
How does this ripple effect you?
Salted air, open the eyes
Fill the lungs with newness
Let the sun dry you
Let the rays hug you
in your new beginnings.
6/4/18
SE Reimer Nov 2018
~

along the golden sands she runs,
swinging arms, matching stride;
crashing waves bring seagull crumbs,
deposit treasures with each tide.

sea shells scattered on the sands,
like incantations on the wind;
she gathers them amidst the strands,
blending voice above the din!

each gusty wave of her baton,
the wind is maestro to this band;
from cockle’s flute the highest pitch,
to conch’s cello, deep & rich.

the tulip’s voice of brass cornet,
of scallop’s rippling clarinet;
the kettle drum of florida’s cone,
and hammered strings of angel’s wings!

instrumental simplicity,
ancient chords, rehearsed refrain;
her call to join each voice unique,
each grain of sand, each clapping wave,

leaping toward orchestral stage,
calling forth their joyous praise.
till mistral bows in whispered hush,
a thunderous crash, their glad applause!

~

maestro -
a distinguished musician, especially
a conductor of classical music.

mistral -
a strong, cold northwesterly wind
that blows into the Mediterranean.

~
post script.

i walked upon the sandy beaches,
my lover’s hand in mine;
from ev’ry step ’cross rippling reaches,
flows their song from ancient times;
a song with every crashing wave,
of every ghost these waters claimed;
fills the air with hopeful longing,
song of love, their chorus haunting;
for each body held in depth’s repose,
each soul in song is lovingly released.
Sharon Talbot Nov 2019
There is a bay on the Oregon coast,
Shaped like a scallop shell
And ringed by rounded stones.
And from the darkening sky
Droop billows of blue and gray
Hanging and lit like Chinese lanterns.
Humans in the damp Northwest
Appear to drip from the clouds
In rain-washed colors
Of blue and violet,
Whose tattered clothes
Are softened and soaked
From ragged wool into rich satin.
Still others bask on shores
Of pebbles rolled by the sea,
Bone white and cloud-gray.
Down and up, down again
The light rays vault,
Painting bipeds into the land.
There are no reflections
But rather water in the air,
Looking like rain
Even on cloudless days.
Their world is saturated
Like the scarlet gowns
Of Waterhouse’s Ariadne
And the ponds of Monet,
Green as the British Isles,
Blue as the Aegean
And white as the Pantheon ruins .
Much like an ancient tomb,
The majesty of mortal lives
Commemorated in stone
Is here splashed in the air
And in every forest or cliff.
Hushing people into silence,
So they conduct the most
Serious customs in whispers,
Knowing how voices echo along
Water droplets
And mountain shadows.
Jane Doe Mar 2014
I harbored you
quietly.

Like a shell plucked from the surf
and placed in the pocket of a winter jacket.
For months I'd run my thumb over your ridges,
and then I knew.

Love is no marching band.

It blooms in a slow creep;
a rose tint inside a scallop's
creamy heart.

The slight chill of a morning in summer.
Before the sun brags its potential.
It beams humbly with
the anticipation of a beginning.

But as does the heat of day,
loss stubbornly rushed in.
A shell slipping unseen through
some hole in a pocket's lining.

A shell lost in the sand at the North Sea.
You may fit to someone else's fingers,
but not in the same way you once fit me.


When the sun rises
The heart of the desert burns fire
The mirage of BELOVEDz blurs in vapor

Scorpio utters with a parched throat
"BELOVEDz, Belovedz, belovedz, ...z"
But the breathe sounds like a rattle snake

Cobra slithers all over the sand
Marking and leaving LOVE tracks
With the hope that BELOVEDz
Will see blood on those ant-tracks
And follow it in search of LOVE

The visions the peacock see around
All air the eagle breathes within
The skies above lizard's eyes
The earth below the cow's belly
Stallion earns every inch of it for YOU

So the goat can write-it-off
Every earned thing to YOU
Every bit of NATURE the ape possesses
(Including birth, life & death)
So that - BELOVEDz - YOU can come back
To pick your puppy in your arms
And place under your tender huggy shades

Charity and alms are not what the deer wants
Without the cat even looking towards it
The hot milk the world served has gone cold

The owl's eyes look for BELOVEDz on far horizons
Dear, come to the land of brown desert
And bring with YOU some oceanic BLUES

Like a guzzler elephant
I will drink your oceanic eyes
YOU wander-lust on brown desert camel skin

YOU may LOVE desert's salty dry air
The cobra will gulp your oceanic salty wet scent

How much less heart can a lamb serve now?
What did you think - A pigeon... Huh...!?

When you saw and tasted my ANGEL SOUL
Did I taste like AGAPE LOVE?

Without YOU no flowers bloom in desert
So come every day to water your LOVE seeds

YOU grind me like prawns on hard stone of life
Like scallop I swoon when scooped out of LOVE

Even after that BLISS of being together
YOU act like a crane who is
Longing for the fish of LOVE
But behaves like a confused fool
Not even knowing how to peck me within YOU

In the desert of a spider's life
YOU are the wild flower of LOVE

Don't worry, unlike others...
I won't become a stupid sick bee
I'll **** the sweet LOVE honey from YOU



LIONESS with wings in flight
SCORPIO with a bow of LOVE
Met... and fell in LOVE
The eternal LOVE story continues...
Leigh Everhart Mar 2020
My sweet little mollusk,
You polish the sea-tangy sand dollars smooth with the soles of your feet
You fill up your sweet siren lungs with a sun-sated breeze and submerge your bare fingers
Until they can sweep the slippery silt of the seabed abyss. I can’t sleep.
Your anemone fingers trace watery ripples through the ebbs of my dreams, trailing streams
Of fluorescent-blue algae sunk deep.  Your barnacle tongue shatters ships
Into ruinous splinters of treasure. I kiss
The cerulean ocean that hides in your lips.

My sweet little scallop,
The galloping waves break the curves of your shallows.
There are flecks of unpressed sea salt brine in your irises, tireless riptides of foaming-bright promises.
Your skin has the silvery sparkle of scales that effervesce endlessly, bending beneath the fierce tides of your palmprints.
I’m dropping. The current caresses your cheeks’ fishbone hollows, rethreading the necklaces strung out of seashells.
You bury your face in the swells of the tempest. I envy
Your azure, I worship your lapis.

My sweet little mussel,
Your tussled cyan-coral hair is unbleached, unleeched and resplendent
I am rendered transcendent by the green iridescence of your silk seaweed whispers. I have drowned in your splendid.
I can still hear your aquamarine through the white roaring waves cracking onto the shore.
I want more. Your crustaceous sand whirlpool has nestled below the soft curl of your chest. You press the world’s oceans in the dip of your palms
And drink deep from the waves swirling under.
I’ve drowned in the water-spilled seas that are cupped in your hands,
I have drowned in the pearls of your wonder.
COLD SEPTEMBER

The banks are bear
the cold is in this September air
streams of pain are being cast
from an old beaten down past
The castle of darken dreams
Dark Angel holds the key
OH, he is so mean ,
Green grass by the wooden path
fair flowers among wild weeds
there are great depression along
that painful path of traps
that will overtake your souls ,
Dark Angel loves to play with  black magic
he cast his spells of darken
on all who sleeps
he gives the very bad dreams
to make your heart pound faster
your mind will race
the only thing you can do is scream ,
Your tears will fall
and the old red sea will flood
the old scallop leaves will fall
among darken dreams
into every inch of your mind
will play over time
you hold on to your soul
and pray to never let it go,
darkness is all around
and that will be all you can see
until Dark Angel takes his stand
and open the door
with is long key
of darken dreams
he will give wonders and worries
throughout your days
to make you lose your way
to lose your faith in love,
your life will become so gray
holding so much pains
love will turn into  hate
this is the life Dark Angel gave
to the heart strings of pain
of rain to flood out your tears  
no soul will ever be spared
the expressions up on all faces you
can see they are in darken places
you will never see the light of faith
in their darken eyes Oh, pale , pale lips
do cry out Dark Angel shouts
Come to me Moonlight and see
what it is I have done, Dark Angel has me
pleading for him to let the others go
I am crying with the sea
because his rage is out of hand
I'm afraid and very weak to even think,
When I try to explain what I was feeling
it didn't matter to him anyways
Oh, pale lips come to me and kiss the pains
of me your King ,
Dark Angel walks over to me
I am hearing bad things I hear things
I must not speak I must stay strong and meek
but this darken place makes battle
that no one can win ,
I am in way to deep I'm losing this fight
for my own rights Dark Angel kissed me
as if he is taken the life out of me
I feel I could no longer breath
He is given me the pains
of rain of yesterday’s memories
that will never go away September
will always be remember .

Poetic Judy Emery © 1986
The Queen of Darken Dreams Poetic Lilly Emery
The Queen Of Darken Dreams
Simon Piesse Feb 2021
You and me
The absurdity
Me a scallop
You a lark
You a grin
Me a chasm

You and me
The hypocrisy
You sensing
Me judging
You sauntering
Me nudging

You and me
The opportunity
Me pushing
You pulling
Me biting
Me grating

You and me
An anomaly
You the poet
Me a mastiff
Arlene Corwin Jun 2018
Some wonderful somebody In Hello (Ella Johnson) described my work as "amazing".  I'm flattered beyond words. Such a powerful compliment makes one hardly feel worth it, BUT, if I it is that, it is because:
     Everything I Think, I Write

Everything I think, I write,
For better or for worse,
And since
I cogitate throughout the days,
The thought-turned-phrase
Converts the days to thought-turned-verse.

For some it’s money that’s thought bound.
For some it’s family circled round
Family, worry, God or Death.
My thing is Truth.

Through diverse channels,
Canals all, the universal stall of measure.
I see all as Truth the Treasure.
I can’t stop.  And who would want to.
Rhythm, melody and phrase
The driving craze in me. Yippee!

Here comes the sister poem called Everything Is Worth A Poem #2,
/ I’ve written one before).

If you’ve a sense of rhythm, rhyme,
Metered time, it’s worth a poem.
It may be so-so at the start,
But blurt it out, impart a theme,
It’s worth a go
To watch the darndest things start flowing.
As they insight into…

Clichés there will have to be.
It’s hard to say new, clear things simply.
Idioms on which you grew, they’re you, real you.
Take Dante. Using the colloquial,
To say the deepest things.  
And pray!  They’ve lasted,
Nay, outlasted…never to decay as past.

You may start a shallow fellow -
Sleepy, hollow.
You have thoughts – just not developed;
Still a pearl inside the scallop;
You use couplets as your form.  Later on they won’t seem normal.
As you broaden, you’ll be lauded
By the gods of verse in Auden heaven.

Though this may turn out to be
A poem six hundred ninety-three,
And oh, so corny
You can see
It is the height of luxury
And makes me rapturously happy.

Everything I Think I Write 6.16.2018 A Sense Of Ridiculous II; The Processes: Creative, Thinking, Meditative II; Arlene Nover Corwin
The Fire Burns Aug 2017
Long piles of scallop and small sea shells
Searching sharks teeth between the swells
a newer place today, different back then
I reminisce and I begin to grin

Summer fun on an islands beach,
Its namesake takes a plane to reach,
from cities north, drive 45 to the south,
until you run out of road, at the gulfs mouth.

61st street, turn to the right,
sparkling waves, at midday, is bright,
A giant crab, with an Italian name,
a fixture for years, it remains the same.

Memories made through the summers of youth,
family reunions, we met as a group,
The water is muddy, but it was always fun,
soaking up the Texas summer sun.
Can anybody Guess where I am talking about
The Fire Burns Aug 2017
The smell of saltwater
the stench of fish and seaweed,
all blown away by the everpresent breeze,
forming dunes yards from the shore.

Colorful clams burrow after every wave,
garnishing the brown sands
with hues of blue, yellow, red and green,
bleached white scallop shells tumble in the surf.

The sun Burns in on the east beach,
bronzing exposed skin
burning as midday hits
the glare cut with Costa's.

The evening cools and fires start,
bikinis wrap with blankets,
and drinks and stories are shared,
as the spume glows in moonlight.
Ricki Apr 8
I had a crab so snippy, it snipped at my ankles and kept me from doing anything but crab walk.
I walked like a crab for so long; I forgot anything other than crab talk.
I longed for a crustacean that held love I could foster.
When I left the mean crab, I fell in love with a lobster.
I spoke like a crab, and I felt like an imposter.
Perhaps deep down, I was always a wimp.
Maybe I should have found a sweet shrimp!
I love my lobster, but he’s always sad.
He’s scared he’ll become just like his crawdad.
My hands are intertwined with his claws.
In sickness and in health is the clause.
He’s sour like he was boiled and drizzled with lemon zest.
You can’t just stop being depressed.
My lobster wasn’t always sick.
His brother was turned into a fishstick.
I want him to be happy, am I being selfish?
I’m on a beach surrounded by shellfish.
There are many clams that are much moister.
I just couldn’t fall in love with another oyster!
If I can’t help him, I’m surely a monster.
There isn’t a scallop that could compare to my lobster.
These days he never leaves his rockbed.
Nasty thoughts fill his hard head.
Life keeps coming and going; it negs.
He can’t catch up with his ten little legs.
He never interacts with the other shellfish.
I want him to be happy, am I being selfish?
I think of how I ran away from the crab.
Did I leave him in his sickness and make out with a scab?
He was abandoned and his trust was left cinched.
Surely I shouldn’t endure being pinched.
Fish act like love is only advantageous.
Let’s not forget that sickness is contagious.
I guess you can say I’m somewhat seasick.
Lobster loving isn’t always a picnic.
My lobster feels like he can’t function as a shellfish.
I just want him to be happy, and I’m being selfish.

— The End —