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John Jan 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica.
     I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that.
     Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night,  after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one.
     One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth.
     What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785.
     Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on.  But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me."
    
     The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with  Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us.
     At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward.
     Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned.
     "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned.
     The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it.
     "We have to open it," Jessica proclaimed after a second of curious inspection.
     "There's no way were going to find the key," I told her.
     "So we'll break the lock, Jack. Duh," she replied in her sassiest tone.
     I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe.
     "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below.
Jessica smiled again, very pleased with herself and looked to me.
     "Wonder what's inside...," She said, lifting the top half of the box open.
     After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself.
     I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands.
     "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her.
     "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!"
     "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening.
     I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness.

     Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong.

     I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.
It's definitely more of a short story but I felt obligated to post it here for some reason.
Timothy Moore Apr 2015
With a warm load of folded laundry under my chin
I head toward Daniel’s sock drawer
Pulling on the carefully crafted handle I see
My grandfather cutting and planning the cherry tree
Dropped by Hurricane Carol in 1954
Wood shavings fall about his work boots as he
Shapes each panel, never using a ruler, all by eye
Boxing the frame, sizing the drawers, sanding surfaces
By hand, hence 60 years of grandkids and great grandkids socks
The drawer closes effortlessly with a sound
Of living heirlooms and heritage
Of legacy and family
A sound that everything is safe inside
That memorials are made to last
This was used to demonstrate flashback in poetry.
Alyssa Underwood Sep 2021
I
--
The LORD is asking, “Do you trust Me, child?”
And surely He is worthy of all trust,
but visceral reactions oft’ seem just
in keeping soul’s anxieties well riled.
While panic, shame and dread stir doubting winds,
obsessive, tight, compulsive thoughts pour fuel
into this downward spiraling boil of gruel
where toxic interactions breed more sins.
So for relationships I feel unfit,
and now old interests die and pleasures wane,
as each new hope in Earth’s good brings fresh pain,
where dark depression’s presently my bit.
Yet in this wilderness I hear God call,
“Child, look to Me. I am your ALL in all.”

II
--
I meditate upon the word of God
to heal a mind that’s broken from the fall,
and lying in morn’s bed I now recall
the former paths of fullness I have trod.
I clear the course of tangling debris
that fogs perspective’s distance-viewing sight
and clogs the narrow way which lets in light,
so with God’s truth I’m able to agree.
I gaze toward the future that is sure,
to glory that is promised out of trial.
I push through lying voices of denial,
rememb’ring my inheritance secure.
So healing first begins by sizing scope,
for in true measure I can grasp true hope.

III
---
Long sheltered in the recesses of mind
on pedestals that overshadow truth
are lies which I have entertained since youth
like tape recordings stuck on forced rewind.    
There‘s something of appeal in misbelief,
some comforting, perverted, dressed-up face
which keeps foul strongholds rooted into place
and lets such rotten seedlings harvest grief.  
But I must choose to undermine their message,
uncovering deception’s hidden lairs
whose cultivation grounds for growing tares
leave roadblocks to integrity’s safe passage.
God’s probing, piercing words—what precious gifts!—
can excavate, expose and extract myths.

IV
---
I apprehend these truths in David’s psalm:
“I’m fearfully and wonderfully made,”
and all my days of life are firmly laid
within the sovereign care of God’s own palm.
And yet another voice keeps creeping out.
“You’re too unfit for blessed community,
hence from belonging full immunity
is your dim lot,” says paralyzing Doubt.
For ‘gainst the Word that says I‘m rightly hewn
rub all the bristling edges of myself,
but would one set forever on a shelf
a Bösendorfer piano out of tune?
No, value is a function of creation,
and He who made has promised restoration.

V
--
Restoration’s anchored in redemption,
and my redemption‘s grounded in God’s love.
Nowhere in far reaches man has thought of
could mind unfurl the breadth of such conception.
Sloshing, hesitating in the shallows,
I wander close to shore in Love‘s vast sea.
Then from the swell I hear a coaxing plea
to dive into the deeper wake of hallows.
What‘s this weight that pins my frame from racing
toward His unknown billows of delight?
Do I not trust that He will clasp me tight,
help me bear the fiercest waves I’m facing?
What guile of devils am I heeding here
which keeps me bound by paralyzing fear?

VI
---
Disheartened by my want for firm resolve
to swim toward agápē’s unplumbed depths
for int’macy with Him who paid my debts—
the only One from sin who can absolve,
I wander, wond‘ring what I’ve missed to see
within my comprehension of Christ‘s love
when He would vacate majesty above
and suffer cruelest death to set me free.
They stripped Him, flogged Him, spit, pulled out His beard,
then pressed a crown of thorns down on His head.
They nailed Him to rough cross to leave for dead—
Creator of the world now by it jeered.
In love this traitor by her King was served:
Christ Jesus bore God‘s wrath which I deserved!

VII
----
Considering what labors Christ performed
to buy my freedom off sin’s slav’ry block
that of His fullness, with Him, I could walk
in resurrected life (not just reformed),
can I not trust that He will see me through
each trial, tribulation, sorrow, loss
when He would not forsake me at the cross
but carried all my grief and suff‘ring too?
And just as death‘s cold grave could not contain
my Savior but gave way to watch Him rise,
whatever loss my path has to comprise
shall work for me eternal glorious gain.
So while my courage may still be in lack,
the settled thing is there’s no turning back.

VIII
-----
Wading through fresh tidal pools of mercy
along a piece of coast that‘s not too wide—
among the crags and caves where stragglers hide,
hoping to evade crowd controversy—
I know I‘ll have to move on before long.
But in the warm meanwhile of the day,
I kneel to rest; and as I start to pray,
my heart begins to open to a song—
a gentle, soothing lullaby I’ve known
sung to the tune of ‘Eventide‘ as hymn,
reminder that this life is fading, dim
but that in Christ I never walk alone.
And as I raise the words, “Abide with me…,”
here comes my Shepherd, walking by the sea.

IX
---
What now is this waylaying, sin-sick soul?
Diversional winds from cliffside descend.
Where‘s pressing fire my devotions attend?
Brain‘s robbed of sanity, sleep, self-control.
Jesus comes near numb heart in distraction
and bids me again to clean deadwood out.
Jesus, I‘m desperate, drowning in doubt!
Help me expel what‘s needing subtraction!
Discipline, prudence, wisdom, contentment
can work to restore both body and brain,
while worship will lift locked heart from restraint—
its untethering from woe’s resentment.
I won‘t, without wisdom, taste truest Love,
yet Love holds true keys to wisdom above.

X
--
Mottling mind’s hazed subconscious sockets—
bedecked by ego’s restless crave for fill—
infections grow to permeate my will,
ladening, with dross, affection‘s pockets.
Foul seepage soon coagulates to plaque,
forces clefts which weaken my foundation,
foments psyche’s stormed disintegration
till half-light’s flushing falls to midnight‘s black.
Yet amid murk‘s rotting, rank confusion
with ev‘ry faculty succumbed to rift,
My Shepherd plucks me fiercely from the cliff,
tending thorn-torn blight with Love‘s ablution.
Healing, though, requires my surrender—
all cooperation I can lend 'her.'

XI
---
Jesus asked a question at Bethesda,
the pool by which an invalid was lain,
for thirty-eight lost years left in his pain—
twisted, timed, tormenting, teared siesta.
“Do you desire to be made well?” He asked.
“I’ve none to help me!” was the plaintive cry,
then Jesus spoke miraculous reply
that to get up and walk the man was tasked.
That’s not to say all healing will be found
within this present life of ills and woes,
but still I hear Christ probing through the throes
if I am truly willing to be sound.
Or would I rather lie on crippling bed,
an invalid of spirit, heart and head?

XII
----
Shuffling through some past miscalculations
surrounding toxic breakage of the vines
that ought secure the healthy bound’ry lines  
guarding interpersonal relations—
rememb‘ring my susceptibility
to ego-shuttled, codependent err‘rs
which strain to manage others‘ own affairs
and so invert responsibility—
I ponder if I‘ll ever grow to learn
proper seeds for sowing mutual trust
with vital tools for gently sanding rust
to help stave off a bondship‘s breaking-burn.
One thing I know, that trusting in the LORD
steers love‘s impetus to carry forward.

XIII
-------
“I’m not enough and yet too much,” I've read.
Succinctly that describes my current angst,
and I can‘t justify to war against
these arguments which whirl around my head.
I’ve been told, “You’re just a little intense,”
by many people, not just one or two,
and this they voice clangs manifestly true,
as gaping holes defect my bound‘ry fence.
Voluminous in content and in force,
bestowing as prized gifts what isn‘t sought
or wanted by those for whom gifts are brought,
I falter in my need to change set course.
And where it comes to giving what‘s desired,
real competence seems found to have expired.

XIV
-----
Someone wrote, “true soul mate is a mirror“—
like limelight they‘ll reveal your unseen faults.
Where no one else delights to search your vaults,
“soul mate“ renders time to be apt hearer.
It matters not, was said, that they don‘t stay,
so long as they‘re an agent for reform—
the one who makes you desp‘rate to transform
by breaking heart and making ego fray.
Danger lies in nuanced underpinnings.
I thought I‘d found my soul mate in abuse
and used “he needs my fuel“ as excuse
to take a twisted game to extra innings.
Here I’ll grant these crazed imaginations
were at core demonic machinations.

XV
-----
Casting down romantic schoolgirl notions
that sin-drenched bonds might fashion souls complete,
I drag bewitching grails to Jesus’ feet—
spurning now to drink past guile‘s potions.
As I linger longer in His presence,
I‘m freshly bathed from marring guilt and shame,
reminded I‘m made whole in Jesus‘ Name—
partaker in the fullness of His essence.
Identified eternally with Christ,
secured by His unfailing love through grace,
one day I‘ll walk perfected face-to-face
with Him from whom true life is all-sufficed.
And as I muse, I taste true heart‘s desire—
rekindling, renewed with holy fire.

XVI
-----
Attitude is prime, determinant hinge
on which the door of restoration swings—
deciding what response subconscious brings
and on which morsels mind should bestly binge.
Plenty is dependent on perspective.
Mountain, plain or valley alter sight 
and size by which is measured present, plight.
Simply switching lens can be corrective.
In Christ, Ephesians tells me, I‘ve been raised,
seated with Him in the heavenly realm—
positioned by the One who steers the helm
that Father, Son and Spirit would be praised!
Worship, like a rudder, sets the outlook
to keep me highly grounded in God‘s Book.

XVII
------
Why should I to the worship of false gods
surrender my outlook frivolously?
Idols grab first gaze notoriously,
rob joy as will‘s defenses yield heart‘s nods.
What then? Can I suppose I might steal back
a measure of exuberance through more
skewed genuflecting to gilt calf before—
itself beleaguered, plagued by woeful lack?
Now heed, wayfaring soul of mine, what‘s true:
Creation‘s bounty-goods will make you slave
and with sweet Siren‘s flutes your mind deprave
when to them you lend focus Christ is due.
Lay firm your eyes on Him—pure, restful bed,
cover, fuel, completer, Fountainhead.

XVIII
-------
Wandering down some cobbled, crowded street,
I‘m nowhere headed, rapt in mindless thought,  
and as I saunter south I happ‘ly spot
a friend long-lost but fiercely longed to meet.
Just up ahead, he’s mixed well in the throng
but might be caught if I push through and race!
Heartbeat quickens. Oh, to see his face,
this one with whom I’m sure I must belong!
Yet when I actually seize him and he turns,
I’m devastated, sunk. It isn’t him.
Then moping northbound—dazed, dejected whim—
I stumble on the One for whom heart burns!
How strange, as I had grappled, chased and shoved,
that I’d been running from the One I loved!

XIX
-----
He‘s reservoir for which parched spirit begs,
familial feast cast heart longs to attend,  
elixir fractured psyche craves, to mend,
secure foundation ‘neath soul‘s skittish legs.
Jesus is hearth fire, garden blooming,
joy‘s kiss that welcomes prodigals with tears,
arms’ tender brawn consoling weak ones‘ fears,
shelt‘ring lullaby as nightstorm‘s looming.
Who else can scatter stars, strew mountain snow,
to whet beloved‘s taste for pristine grace?
What other love’s like this, that He‘d embrace
excruciating death to grace bestow?
And best, most faithful lovers of this earth?—
dull pennies next to Christ‘s resplendent worth!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME II:
(** — XXXII) [Edited in 9/27-29/21]

**
----
Closing the door on chaining obsessions
requires some short-circuiting of thought
previously allowed to flow uncaught
and forge ever-deepening depressions.
Pathways in my brain can be rerouted
by changing interactions with my world,
observing what’s most easily unfurled—
presently what’s to five senses suited.
‘Mindfulness’ can be a Christian practice
and doesn’t have to rest on Buddha’s shelf—
“awak’ning non-existence of the self”—
or from unseen, eternal things distract us.
True mindfulness is found in gratitude—
joyful, eucharisteo attitude.

XXI
-----
A biblical version of ‘mindfulness‘
is found in 1 Thessalonians 5,
revealing as God’s will that saints should strive
for ever-prayerful joy and thankfulness.
Pond‘rous gratitude staves off resentment,
greed and pride. As was taught to Timothy,
what‘s created and giv‘n by God should be
received in sacred thanks with contentment.
Creation reflects God‘s bounteous glory
and demonstrates His loving grace and care,
so in same grace and glory we can share
each time we recognize Him in our story.
Ten thousand tiny gifts write each day‘s page,
and he who welcomes most is most like sage.

XXII
------
In restoration, elasticity
of mind is a factor to celebrate.
So please don‘t ever underestimate
the wonders of neuroplasticity.
New brainpaths form and old channels falter,
depending on what choices I might make.
Fresh experience of which I partake
will physically help my brain to alter.
Here‘s one great hope I must now remember:
What’s hardwired today can still be displaced,
and thoughts might soon flow on paths greenly graced,
as I feast my soul’s eyes on brain’s Mender.
Bent mindfulness toward Giver and His gifts
best brings joy‘s healing for my mental rifts.

XXIII
-------
Realizations that some obsessions
are desires to vicariously ride
the mindfulness of others who don‘t hide
their own keener sensory possessions,
aptly are aiding to turn my focus
from curiosity to understand
their thoughts, which often‘s led my heart-demand—
want to consume their minds‘ crops like locusts.
What I‘ve perceived as love, concern to know,
empathy for others‘ worlds internal,
might be more escape from mine external—
attempts to hide from life‘s real, present show.
Avoidance wears all sorts of vibrant masks
to keep me blinded to here-moments‘ tasks.

XXIV
-------
Viewing secondhand eviscerations,
as others spill their innards on the page,
may seem the safest way to heart engage—
surrogated life participation.
Substituting others‘ honed perceptions
where I ought learn observance of my own
will keep childlike experience ungrown,
smother creativity’s conceptions.
Social media’s pitfalls lie therein,
along with greater dangers lurking large.
Despite its many goods, there’s needed charge
that gorging on a good thing leads to sin.
Shutting website windows is like trailhead,
opening mountain path to higher tread.

XXV
------
I‘m learning to sit with anxiety
raised by self-denial of habit’s fix,
mindful how my heart solicits tricks  
to alternate for true society.
Discomfort speaks in volumes to soul’s ear
like smoke alarm alerting to a fire.
It tells me, “Quick, investigate! Inquire!
Please find the source of inner burning fear!”
Nervousness as friend might offer insight
if I can hear and listen to its warning,
objectively without the shame-filled scorning
that tends to follow panic-stricken plight.
Practice putting tension in glass cage
to monitor its undercurrent’s rage.

XXVI
-------
It’s time to preach a sermon to myself,
for fears are overtaking me in waves;
and spirit must combat what habit craves—
flesh seeking consolation in false pelf.
Scrutinize what’s underneath such worry.
Do I believe the LORD is still in charge
of details of my life and world at large?
Look to Him. Don’t yield to anxious hurry.
Do I believe He’s with me and He’s good,
a faithful Shepherd tending to each need?
Then look to Him. Don’t drown in fretting’s greed.
Christ’s sheep don’t have to look elsewhere for food.
Each wait is opportunity to grow,
for God has holy riches to bestow.

XXVII
--------
God’s character and sovereign wisdom hem
my life, as His responsibility.
No wrong will steal my true identity,
whatever slips or schemes might spill from men.
Christ’s Ruler over all, but do I let
Him fully reign as Master in my heart?
Do I acknowledge I’m His work of art
and purpose for His hammers, chisels get?
Intimacy and glory are the friends
to which His sanctifying lessons point
and meld together as love’s dovetail joint
whenever I surrender to these ends.
Soul, set your hope on grace to be revealed.
Entrust to God strain’s mysteries still sealed.

XXVIII
---------
LORD, HELP! Why is my mind so distracted?
And why then, letting it be drawn away
for half an hour, am I now okay
to let my compulsions be retracted?
Give in to let go feels like solution,
but know it only deepens the desire
for later curiosity‘s inquire—
grants no satisfying resolution.
Those thirty minutes mindfulness was lost,
yet could it be empowered by the fall,
as I look closer inside to recall
that giving way to habit bears great cost?
I won‘t grow discouraged by the setback
but seek to further understand self‘s lack.

XXIX
-------
Low-pitched, humming anxiousness was sitting
all day inside my torso‘s cavity.
Mindful sensing lent no gravity
to coax the stubborn squatter through outwitting.
Head was tired from too little sleeping,
so frankly seemed to coast and just make do.
Soul felt no fresh excitement by woods‘ view
and lacked bright energy for much guard keeping.
One moral of this story is night‘s rest
must become priority for healing.
Otherwise this shaky default feeling
will grow into another panicked crest.
Though it‘s no excuse to say I‘m tired,
it‘s clear reformed sleep habits are required.

***
------
Changing what’s practical opens a door
to transforming what’s spiritual, mental
and emotionally experiential.
Habit alterations might well restore
enough equilibrium of body,
restfulness, clarity, reason and time
to give me needed aid to better climb
above oppressive moods, both low and haughty.
Early to bed, early to rise...”could be
one thing to make a world of difference
and welcome back some simple common sense,
to open up new space for setting free.
But for that discipline to take effect,
I’ll also have to curb the internet!

XXXI
-------
Every opportunity for worry
is greater opportunity to trust
that God behind the scenes is sanding rust
from parts of me where fear has made faith blurry.
Without unknowing-gusts to stir the pit
of nervousness inside my helplessness,
I might ne‘er seek my Shepherd‘s faithfulness
nor learn to wait on Him and with Him sit.
These are times of richest growing lessons
when I‘m reminded He is LORD, not me,
and that He works to draw in int‘macy
feeble souls to Him through stretching sessions.
Joy is knowing sure—head, heart and will—
He‘s ever whisp‘ring, “Child, come closer still.

XXXII
--------
Recapping basic steps to take thus far:
Find sleep (which may mean need for melatonin
to counteract my haywire serotonin),
and overuse of internet I‘ll bar.
Then with restfulness bring mindful thinking—
keen noticing that‘s graced with gratitude
and sets a stronger skyward attitude,
buoys me up against fret‘s downward sinking.
More important still is meditation
upon the word of God‘s indicatives
which lay foundations for imperatives
to follow as prescriptive medication.
Most crucial element preventing fall
is fix my eyes on Jesus through it all!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

VOLUME I
(I — XIX)

8/23/21— 9/8/21

~~~~~~~~~~~~~~

VOLUME II
(** — XXXII)

9/22/21 — 9/29/21

~~~~~~~~~~~~~~~~
John May 2013
Back when I was about ten or eleven, the only friend I had was the most beautiful girl I knew. Her name was Jessica and her and I did everything together. In school we were inseparable, always chit-chatting before, during and after classes. So much so that teachers bestowed upon us the annoying, yet endearing, encompassing nickname of "Jackica" - a combination of our names; Jack and Jessica. I was so thankful for her companionship, and thinking back it might have been a pretty uneven relationship, emotionally. I was an overweight and awkward Harry Potter fanboy and she was a cute little auburn-haired thing who could've won any Miss America Junior competition in the world, as far as I was concerned. She had the most piercing powder blue eyes. The kind that made my skin tingle and mouth curl up into a stupid smile at any given moment. I felt like she saw me, like she really saw ME. Not the blubbery flesh that coated my muscle and bones but what I was made of, the real me. And I loved her for that. Along with Jessica's physical blessings, she was also given an insatiable appetite for adventure. She loved to go to the park at night, after the gates were locked and when everything was drenched in darkness. We'd hop the five foot chain-link fence and roam around the grounds. We'd go the water at the edge of the park and sit on the rocks, look up at the stars and take turns telling stories to each other with intent to scare the **** out of the other one. One humid night in mid-June, Jessica told a story that succeeded in making my skin-crawl. She always told decent scary stories, she was gifted in the art of fabricating tales of fright right on the spot, but this story really got to my core for some reason. I just felt uneasy as the words spilled from her mouth to my ears and with each sentence my muscles tightened and strained just from the mere tone of her voice as she told the story. She sounded serious, and she rarely did, even when telling these stories, but with this particular one it sounded like she really believed what she was saying was cold, hard truth. What she said was that she heard a story that her older brother's girlfriend had told her. It was about a house on the outskirts of town, placed just a few hundred yards from the mouth of the woods that lined our little suburban utopia. She went on to say that in the house was nothing all that scary. She said it was an old house, a very old house, as it was a log cabin that was built in the 1700s, when the town was first being settled. Supposedly, everything in the house was just as it was back then, little kerosene lamps sitting on home-mad oak tables. The maple-wood floors would moan and creak at the slightest hint of any weight being put on them. And then she said that no one had lived in the house since the man who built it died, around 1785. Needless to say, Jessica wrapped up the story by proclaiming that we had to find the house. And we had to go inside and see for ourselves what was so creepy about it. Being the scared, chubby little wimp that I was, I immediately rejected the idea. There was no way I was going to try to find a place that would only succeed in making me **** my pants in front of a girl, especially the one whom I'd placed the delusional label of "future girlfriend" on. But, as I subconsciously expected, Jessica talked me into it with just a few graceful words: "I'll kiss you if you come with me." The very next Saturday night, Jessica and I put on some dark jeans and t-shirts and took the bus all the way to the last stop, the edge of town. We hopped off and right in front of the stop the woods were already waiting, I took a deep breath as Jessica's eyes lit up. She took my hand and pulled me as she ran, me clumsily waddling along behind her all the way to a little dirt pathway that paved the only marked entrance we could see. She asked me if I was ready and I shrugged, saying something like "I'm as ready as I'm ever going to be." And so we started down the path. As the tall trees swayed in the wind, I dragged my feet with Jessica always about five feet ahead of me, as eager as ever. We walked for probably ten or twenty minutes before the foot of the cabin was before us. At first sight, it was a very old structure. I'd never seen anything like it outside of paintings in my history textbook and this Abe Lincoln documentary I saw on PBS. I never knew houses like that stood the test of time. But there it was before me, two stories high with wooden shutters clad in severely chipped paint and a big oak door that looked stronger than any door I'd ever seen. Jessica took my hand again, smiled enchantingly and rushed me forward. Once at the door, I was speechless. It didn't look as old as the rest of the house and whoever made it obviously meant for it to last a very long time, taking extreme care in carving it out impeccably and sanding it until it shined with a professional touch. Without a word, Jessica rapped on the door. Three hard times, and when no one answered after thirty seconds, she rapped again, and again. She shrugged and turned to me, asked if we should just go in. I said no and she frowned. "There's no way we came this far just to go back home with nothing," and then she wrapped her hand around the rusted doorknob and turned. The door opened with no hesitation as she pushed it all the way in. She stepped inside, and I followed. The first thing I noticed inside the cabin was the creaking floors. They creaked louder and longer with each step, affirming that part of the story, making my blood run cold. We looked around, going from room to room with wide eyes. We were amazed that we made it, that we got inside and now we were actually investigating a place that no one else supposedly had gone before. Truth be told, though, it was nothing special. There wasn't much at all to see, save for a few tables, the creaking floors and some very old paintings on the wall. We were just leaving when we noticed something on a table nearest the big oak door. It was a metal box with a small lock fastened to the front of it. "We have to open it," Jessica proclaimed after a second of curious inspection. "There's no way were going to find the key," I told her. "So we'll break the lock, Jack. Duh," she replied in her sassiest tone. I just shook my head as she grabbed the box and began to furiously slam it in the wooden table. The sound echoed through the house, exacerbating it and making me shiver from head to toe. "I don't know if you should keep-" but my sentence was cut off my the lock flying off the box and clinking onto the floor below. Jessica smiled again, very pleased with herself and looked to me. "Wonder what's inside...," She said, lifting the top half of the box open. After an initial and cough-inducing puff of thick dust subsided, the contents of the box were revealed. It was a letter, written on old-school parchment in heavy ink. In neatly laid Victorian script, the likes of which I had never seen so simultaneously neat and scattered, like it was written in a hurry or during a time of distress, was a love letter. Well, a kind of love letter. It was addressed to a woman named Tania and it was signed by a William. It told the story of how William had loved Tania since they were children, and Tania was now to be married to a Pastor named Hensley. William told Tania how he couldn't bear the thought of her ever being with anyone else and that the fact that she could never truly be his was killing him. Literally. He ended the note by confessing his plan to **** himself. I took a step back, but Jessica just stood at the table with her eyes glued to the crumbling parchment in her hands. "I'm leaving," I said after a few moments, mulling over the sorrow that this poor man must've felt. I headed out the door, Jessica following. The walk back through the woods to the bus stop I couldn't get this feeling of dread from subsiding. It seemed like I felt what William felt, but not in a sympathetic sort of way. It felt like I was William and the pain he felt was actually my pain. And then I noticed that, rolled up tightly in her fist, Jessica had taken the letter with her. "Why'd you take that," I said, sounding thoroughly upset. "That's not yours to take, go bring it back!" "No way. There was no way I was going there and coming back with nothing to show for it," she said, gripping the letter tightly, her knuckles almost whitening. I knew how stubborn Jessica could be and I knew whatever I said probably wouldn't even phase her in the slightest so I did what I did best and just shrugged it off. I found myself wishing I could shrug off the terrible feeling the letter put deep inside me just as easily as I could Jessica's stubbornness. Over time, Jessica and I lost touch, as kids of that age often do. I grew up, lost weight and opened up, making more friends and acquaintances, no longer hanging onto the thought of Jessica being my only love. I didn't talk to Jessica all that much. Just once in a while we'd meet up and have a chat over some coffee or pizza. We had both changed and morphed into young adults with different agendas and dreams and I had no problem with that. But on one such meeting, Jessica began to worry me. She said that every now and then she'd open her desk drawer and take the piece of parchment out and read it. Over and over again. And lately, she had been opening the drawer more and more, she said that she felt drawn to it. Like something about it made her feel this deep-seated dread that no horror movie or scary story had ever made her feel. She said that she felt like the letter was beginning to take a toll on her. And, by the look of her, it didn't seem like she was lying or kidding around like she always used to love to do. She had dark circles underneath her once striking eyes, which were now darker and had taken on an odd and ominous color. I was scared for her. And I told her so but she hugged me and assured me she was alright. I wanted to believe her, and I tried to, hugging her back and telling her I'd talk to her soon. But when she turned her back I knew something was very wrong. I'm writing this now because a few weeks ago Jessica's mom gave me a call. When her number came up on my cell phone, I think I knew, deep down, e actor why I was getting this call but I pushed the thought away and said hello. Jessica's mother called to tell me that a few days before Jessica had gone missing. The only indication to her whereabouts was a note she left with the words "cabin at the edge of town", and below that, instructions on how to get there. Her mother said she took the note and hopped in her car immediately, and made it to the cabin. She said she was breathless by the time she got to the cabin but forged on and barged inside and looked around. She said she found nothing and was about to leave when she noticed a small door behind the big oak door she had swung open to get inside. She opened the little door to find a stairwell. She climbed it, calling Jessica's name all the way, sobbing and wiping tears from her eyes. At the top of the stairs was the attic. And she said she almost died herself when she saw Jessica. She was hanging from a wooden rafter on the ceiling. And next to her was a severely decayed skeleton, dangling from a rope only a few inches away.u
Originally wrote this as a reddit.com/nosleep thread. Hope you all enjoy it nonetheless.
S.R Devaste Oct 2012
In summer dunes slopes
to midnight edges of lake
we press our bodies to the sand
roots searching for sun hidden
underground.
The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.
I'm interested in knowing what you readers believe happens in the end. Is he dreaming and alive, is he already dead, or is he dying? I've heard some interesting theories from friends and family but I would also value your opinions as well, and with them, in the future be able to write short stories like this that have even better ambiguous endings.
Mark W Meehan Mar 2017
Water erasing stone,
Color uncovered with each intimate drip
Sandstone? Granite? Clay?
Always shifting.

Life shaping faith
Beauty revealed with each piercing drop
Belief? Truth? Hope?
Oh, how it keeps shifting.

Life sanding stone
miles traveled
conversation, laughter, grief
all sacred sanding, dripping, cutting.

Absolute? Sorry. Safe? Please.
African refugees
and Muslims and holy characters of all walks
sorting, sifting, shifting me and my deepest held belief.

Kneeling on a roof in Delhi, bearing witness
to a thousand rasping coughs offered to heaven
as one desperate prayer,
ascending with the eternal incense
of countless cooking fires.

Simmering in the Carolina sun with Waleed
warm words and a tender heart
intimacy, intimacy with Allah
present the way Aquinas could only hope
for all of us. For me.

Certainty may resist dripping
but the cost, the cost.
Forced, formal, cheap, and cold.
A fearful response to the stunning destruction
of being created.

What if your faithfulness is foolishness? Who are you,
if you miss
the beauty of every drip?
Thinking about faith a lot lately, having wrestled with Christianity and its role in my life for years. Perhaps a step forward.
I have an old guitar named Gypsy Queen.  Normally this would not be much of a momentous occasion, lots of people name their guitars, but Gypsy is hand made by me.  Many moons ago when my ex wife was pregnant with my only child, a daughter, I took an adult education night class while I was attending college as a day job.  Our instructor had recently taken a trip to Canada to buy wood as he made his living building custom guitars and he had some of the most beautiful birds eye maple I'd ever seen and also some very good spruce for the top of the guitar.  We met at the local high-school's woodshop classroom.  I knew all the power tools there having taken wood shop twice in middle school and again in high-school.  From raw lumber I fashioned her pieces, sides, three piece back, neck, keyboard (made from some exotic ebony my instructor had), and top.  While my wife was patiently waddling about the house I shaped and sanded those pieces on our living room floor.  The interior struts, the binding, and frets for the keyboard had to be created as well.  When I finally got her glued and assembled she was quite a sight, almost perfect in every way, and the quality wood she was made from was so beautiful I had never seen the likes of her before.  Most of the people in the class didn't get that far not having the skills with the tools or the coordination necessary to succeed.  Still she needed to be lacquered and finished.  All told, special tools and accouterments, cost of the wood, glue and sandpaper, plus the frets (nickeled silver), and the grover tuning pegs she cost me about $160.  But almost 500hrs labor went into her creation, whole free weekends spent sanding and shaping.  It was a year or more before I finally got her lacquered and she was so beautiful I could scarce believe I had made her, totally from scratch.  I had even inlaid her mother of pearl keyboard art, god she was a sight.  Both she, and my daughter, are now close to 40 years old, and she still plays like a champ.  Ask any guitarist about guitars they use a lot, see how many survive that long.  She's my prized possession to this day.  Her custom bridge is shaped like a bird (something I've never seen to this day anywhere else) and I'd put her sound up against any expensive Martin made.  Plus she is so much prettier.  She's old and her finish is crackled some but her neck is still true and her action is superb.  Through the years she has brought me so much joy, I'm so glad I took that class.  I hope she survives till I die cause I want to mix her ashes with mine before they get spread around by my friends.  I'll want something to play in the afterlife.
...
http://i1178.photobucket.com/albums/x370/toreinss/IMG_0325.jpg
Gypsy Queen my friend who knew I was such a good Luthier.  Beginners Luck!!!!

http://i1178.photobucket.com/albums/x370/toreinss/IMG_0324.jpg
Spatula and bourbon paint with blood,
In an attempt to woo Dracula’s mud.
Walking down an alley cat zoo,
Along came Sid with Captain Voodoo.
Painting, decorating, sanding and building,
Cleaning mountain goat’s spectacular guilding.
Given a job however dull and blue,
Being a decorator is what you should do.
So Jo Nov 2014
they're nothing but glorified bus drivers*,  said my father after i told him i wanted to become a pilot.

the opposite of love is not hate, but contempt.

what causes the kodachrome to fade little by little to grey? is it really bred of familiarity. the wear of gradually learning the truth about somebody. the minutiae of the everyday sanding away at the idealised, sculpural dream.

or is it triggered rather by the dull shock of an identifiable disappointment; the inevitable transformation towards sallow disgust justified by the devastation of slap-to-the-face betrayal or loss.

must we fulfill the dream simply to learn that it was only ever empty?

my father, a devoutly unspiritual pragmatist, had nevertheless as a young man fallen in love with the expansive embrace of the blue above. the son, grandson, and great-grandson of farmers, he worked his hands down to shredded red sores to put himself though flying school only to have his application for a commercial licence rejected due to a doctor's confounding eleventh hour diagnosis. colour blindness. an all-or-nothing man, my father never once returned to the enthralling blues, yellows and pinks offered up by the cockpit, and from that point forward became a farmer.

i gave up on the thought of becoming a pilot, and later, (much later), developed a fear of flying.
It seems I missed the opportunity to wish you, a "Goodnight, Pleasant Dreams", my dear.
   Many would say a small thing as Things go. What with the Trumpet blaring out "I Love You" and the Bassoons low mournful note of "Goodbye",  and in between, the blazing Pinions of love's "Do or Die".
   But here is a Home!!  This thing made of Stone and Brick, Trees cut to fit.  Call them Love, Faith, Charity and most crucial Hope.
      This small profound edifice is held together by the Mortar(Good morning, Beautiful. How are you today) and Lathe ( let's do this together. Can I do anything for you?  May I ease your burden My Dear. How can I Help.) And the Nails of Iron and the Glue that Binds( Good night.  And Peaceful Dreams, Sleep here in my arms.).  It's all these little things that hold it together. The Constant Work that Love Engenders in one another to Build Together. That Proclaim Quietly but Resoundingly, One Moment to the next, Day upon Day, Month to Month, and Year after year, that We are Companions in this Life. That I will not forget that My Friend is with me and to always Undertake for the best for My Helpmate.
    That is the bedrock upon which  Love of each other and all the rest is built.
  And so,when all the nourishment I want is in front of me.. Your mind... With all your Hopes and Dreams, Fears and desires, your Passion and your Apathy, your Great Strengths and your small Limitations!!!    
       All the memories we created together. When seen through your eyes The perspective and light, have changed all I see, as if for the first time.
    You and our first kiss, Discovering in ourselves each other. That is what it is about. Learning where we fit together like a pair of double doors that had been used individually in different houses.
     The years apart gave us different wear and an admixture strength and weakness.  A Fine smoothed finish polished by countless hands, yet Rough here or there, where kicked open or the small crack from when we stood firm against those of Ill repute who used without care.
       But when finally brought to the others side, Its obvious they were made to fit together from the start, that this is where each belongs.  Supporting one another and facing the world, Side by Side.
    To our Friends. ALL-WAYS  Open an our Ownself.., we allow our selves the privilege of accepting that we all have flaws and own is that we Dont deny ours.
Remember that while we apart gained and lost and so did they.  If you look we might need some sanding here or there. A bit of planing and joined in a couple spots. But .. We were always for eachother. Made to stand together each fiting the other a left and a right the same in their differences..complimet.
             - Alexander Hamilton 2018
For ...you
It can and does happen
spysgrandson May 2014
she brings him tea,
a piece of cheese late morn  
for he has been toiling since dawn  
his plane shaving the wood reverently
the old oak speaking, though not complaining,
in a language the man does not understand  
a coughing code for loss, forbearance, acceptance,
redemption, he hopes, for the boys keep coming…
first from Ypres, the Verdun,
now the Marne    

before, he heaved hewn planks
for the hopeful homes, built their pantries
to be filled with the bread, the kind milk  
now the sawn boards are for those who once
watched his labors, but no longer hear the simple
sounds of sanding, sawing
or anything at all  

most of the lads do not come home,
their souls and bodies left to rot on the blood sullied grass  
or buried shallow, naked in the French soil, but all get a fine coffin  
thanks to the carpenter’s wife, whose babe was the first to fall,
who demands for them all, a holy horizontal home to be built  
and, empty or not, placed gently in Anglican ground
Brittany Marie Nov 2010
My grandmother always told me,
that one day I would build my family.
Build my family?
Like chopped pieces of wood sanded and nailed
one atop another
shaped as I want them.
Build a family
not much like the one I have now
Where misconceptions and judgments etch our foundation.
Where one black sheep spawns another.
Where there are so many pieces and segments
of rotting wood.
My father was a **** addict
My mother jumped the same ship.
My brother I have only seen twice in my lifetime since the age of four.
One grandmother is passed, leaving nothing but the smell of wine
and the vision of cigarette smoke next to her oxygen tank.
One grandmother a Mormon, who turned a blind eye
As one grandfather scraped innocence from the inside of my ribcage, leaving me hollow.
One aunt, with her perfect little life, and the power to make mine feel so insignificant.
One uncle who pretends to take me as I am,
While I follow the path he envisions for me
One grandfather who I am sure loved me,
with one grandmother who sacrificed her retirement age to raise me.
All families have their issues, this is what we all say.
But when I came to you,
bony elbowed twelve year old girl
hair atop my head disintegrating from three dollar bleach dye,
every one of you could see the broken I wore
in the forefront of my chest.
I radiated hunger harder and faster the sun,
I consumed all of the life saving aids you provided.
I never learned quite how to say thank you for that
Me being there, I was insatiable.
I begged you not feed me in grocery bought items,
I learned a long time ago how not to need those things
I begged you not to shower me in cotton constraints,
because i learned a long time ago,
how to wear one shirt and one pair of jeans at all times.
I begged you not to push school,
because I once had to learn how to push myself.
I begged you not to rule with an iron fist,
My childhood taught me
that ruling myself was the only way I was going to get anywhere.
See I was not asking for any of these things,
these things I am told to be grateful for.
I starved for your affection,
for I love you's.
For that fabled existence of a family that would love me.
I met your stone cold authority with violent rebellion.
Do not tell me to grow up,
because I learned along time ago
that childhood is only a myth.
Closest to the best bed time story
where children attend one single school for five years.
Where play toys and best friends exist,
but only in these stories.
I came to you hollow,
begging you to flow into me,
and fill me with that grandmother love,
love I watched you hand out like candy to the other children in our family.
But it's always different when you live with them.
I know that you never watched me when I was little,
I know that you knew me,
for a few hours
before I got here.
I know that my father must've really broken your heart.
But I did not do these things.
I did not carve my past or choose this heartbreak
I would never have wished that upon you.
All I wanted was to feel summer sunshine love,
warm my chilled bones,
I wanted hugs and kisses and things that made us a beautiful,
broken, little family.
I may not have seen this in the things you sacrificed for me,
and I may still have trouble calling that the type of love I was looking for.
I am ever so grateful,
that you gave me the tools to learn what normal life is.
I am ever so grateful,
that with out you
I would be some cracked out nineteen year old
lining the las vegas strip
with a show of legs and kisses.
But I cannot pretend,
that sometimes I don't cry to the rising of the moon,
for the love I wanted too badly.
I carved deeper into my scraped out rib cage
trying to find something in me of worth.
I cannot lie and tell you that I have learned how even to love myself,
because I haven't.
My grandmother always told me,
that one day I would build my family.
I may not have gotten that far yet,
to have wooden carved children and a perfectly sculpted husband.
But I am gathering a family of love like I wanted.
They surround me with soft and eager hands,
they dig deeper into my bones,
and show me where the value sleeps.
I do not have a sister,
But I have a Jessica, with paint fingers that outline my contours,
Showing me the lines built to keep me in,
and to keep me from overflowing on rainy days.
I do not have a husband,
But I have a Spencer, with a gleaming iron exterior,
blocking the dark angry pain with in me,
soothing the insecurities and quelling my storm.
I do not have a daughter,
but I have a Suzanne, with wings so glorious,
she towers over my hunger,
making it feel so small.
And I may not have a son,
But I have a Jacob, with humor so gallant,
there is no sadness to conquer my laughter.
And I may not be sanding down the rough edges we all carry,
because I like it better this way.
A family built from love,
love radiating so bright,
we make the eyes of the world see nothing
but the light on our shoulders.
Kevin Mann Jan 2010
Two small boys stand in the forest,
huddled around the burning husk
of an old go-kart.

A mute snow falls,
sanding away the sharp shapes
of evening.

As the tired light fades
back into frayed rows of black pine,
the boys begin to silently sway.

And soon, they nestle
in nightshade, are bewitched
by the murmur of milk.

Their eyes reflect the Moon.
Not her blush. Her distance.

Transfixed by the twitch of fire,
the still of night, the boys stare
into the metal husk at their feet.

Their hands begin to flutter
as in a death dance, moth-like,
delicate as rice paper cranes.

Small dim creatures,
cliff birds, hollow with desire,
tangled in night drapes
and flame.
Lyn Camm Jul 2017
It's taking everything I have not to message you back.
It's not fair I have to stay strong while you play these head games.
I hate the way you plague me.
I have an old guitar named Gypsy Queen.  Normally this would not be much of a momentous occasion, lots of people name their guitars,but Gypsy is hand made by me.  Many moons ago when my ex wife was pregnant with my only child, a daughter, I took an adult education night class while I was attending college as a day job.  Our instructor had recently taken a trip to Canada to buy wood as he made his living building custom guitars and he had some of the most beautiful birds eye maple I'd ever seen and also some very good spruce for the top of the guitar.  We met at the local high-school's woodshop classroom.  I knew all the power tools there having taken wood shop twice in middle school and again in high-school.  From raw lumber I fashioned her pieces, sides, three piece back, neck, keyboard (made from some exotic ebony my instructor had), and top.  While my wife was patiently waddling about the house I shaped and sanded those pieces on our living room floor.  The interior struts, the binding, and frets for the keyboard had to be created as well.  When I finally got her glued and assembled she was quite a sight, almost perfect in every way, and the quality wood she was made from was so beautiful I had never seen the likes of her before.  Most of the people in the class didn't get that far not having the skills with the tools or the coordination necessary to succeed.  Still she needed to be lacquered and finished.  All told, special tools and accouterments, cost of the wood, glue and sandpaper, plus the frets (nickeled silver), and the grover tuning pegs she cost me about $160.  But almost 500hrs labor went into her creation, whole free weekends spent sanding and shaping.  It was a year or more before I finally got her lacquered and she was so beautiful I could scarce believe I had made her, totally from scratch.  I had even inlaid her mother of pearl keyboard art, god she was a sight.  Both she, and my daughter, are now close to 40 years old, and she still plays like a champ.  Ask any guitarist about guitars they use a lot, see how many survive that long.  She's my prized possession to this day.  Her custom bridge is shaped like a bird (something I've never seen to this day anywhere else) and I'd put her sound up against any expensive Martin made.  Plus she is so much prettier.  She's old and her finish is crackled some but her neck is still true and her action is superb.  Through the years she has brought me so much joy, I'm so glad I took that class.  I hope she survives till I die cause I want to mix her ashes with mine before they get spread around by my friends.  I'll want something to play in the afterlife.
Gypsy Queen my friend who knew I was such a good Luthier.  Beginners Luck!!!!
http://i1178.photobucket.com/albums/x370/toreinss/IMG_0324.jpg
Norman dePlume Jan 2016
The other marjoram and the clothes
Are chimes inverted for her story,
What if we had chives, asparagus?
And what, asparagus, if we had chives?

Why did all that rain fall
All day in the grounds
And on the bird feeders,
And through the clearing?

The neatest patrons are back,
Their statue tortured by your autumn sweater.
Then there is the storm of receipts.
The salad bowel needs sanding, but not this

Fall. Scatter the remaining marjoram like dust.
Sweet peas from melancholy gardens
Sautéed over her faux tofu.
Fruit flies like a banana.
Parody, after Ashbery’s “Album Leaf,” from Some Trees
Isaace Aug 2022
The grey lines etch
Her eyes, her mouth and her hips.
A blade makes contact through the fine, stone mist.
Stagnant,
Sanding down the beating end of a hammer,
Trapped shapes appear,
Revealing new ways to approach
Her eyes, her mouth and her hips.
Mark Jul 2018
Scouring walls
sanding hands
grazing galls
varnished strands

upward stroll
winging tips
silent roll
grooving rips

sighing depths
whispers fall
staining breaths
unknown wall

senses bare
flooring sand
wetted air
dripping gland

morose dew
sickly lashes
mourning pew,
perching ashes

sleet-river veins
mist-tide lobes
stringing strains
vermilion globes

pale slim
stilling beat
liquid brim
sinking seat.
Emma Feb 2012
I walked alone that afternoon, the middle of December
an unusually warm winter
                65 degrees, I shed my jacket with memories
of shivers
                On the playground, with the taste of slides, and foursquare, on my tongue, I
                Ran through the swings and monkey bars and laughing children, I
                Laughed into the wind, chest forward, hair flying, eyes invincible
Eyes like fire
Rain came without warning and your footsteps caught up with mine,
In rhythm with the beat of the drops
Our hearts beat in rhythm with the drops on the asphalt
                I walked alone, but you crowded my thoughts
Brother, you haunt my mind with memories of when we fought
                I’m running again, to shake off the wetness
I’m shaking off tears, I swear I’m doing my best
                It’s the only thing left I can do is to cry
                And breathe, sometimes, without knowing why
This moment is silly I’m thinking
A private moment like this, how
Invades this feeling
of sand, it’s sinking
                And I’m waist-deep, in my own wasting speeches
                And your voice is caught in between, like leeches
On my skin in the places I can’t reach
I remember orchards, and peaches, and sweetness

I am the feeling of remorse, my hands are coarse,
My throat is numb, my God, I’m done, I’m done, I’m done –
But I can’t stop
Sometimes
The walls are magnetic and they dictate my moves
Keep pulling me back and forth, back and forth,
It’s no wonder we have such problems of self-worth
and the kids these days
Have such problems with shame
                I have such problems with shame

I threw your picture out the window to stop my madness
Were you serious when you said my voice meant less?
It resounded and warped “I am meaningless”
It’s replaying now, sanding down the most vulnerable places in me-
The places I told you how to reach-
to be unrecognizable
                           I’m wondering what will happen when I can’t recognize myself
The room is shrinking
Make a decision, says the sun
Crawl away, says the moon
The stars can’t tell you what to do
Swoon
Throw a tantrum
Throw a large, heavy object into something precious
Throw away everything material
Save your memories, and your body
Jump – somewhere beautiful
Claim your stakes somewhere uncharted

Write, write, write, write, write, write something nonsensical
Write something perplexing
Something annoying
Something you can come back to in the times you need space





(Welcome)

Feel safe; this moment is whatever you make it
Destinie Marie Oct 2012
We are having a big white wedding,
I can't believe it,
We are so ever happy,
I don't believe it.

I look out to the decorated pavilion,
And I see all the white decorations,
It's too white,
It was too ******* white.

There was something I could do,
I needed to add colour,
I needed the depth of colour,
It had to be red.

The things I sought for were not hard,
The things I found were quite useful,
I went and found you,
You were in the garden hidden away.

You found her again,
After I told you she had to be gone,
She saw me first,
That probably wasn't the best.

I went up to you first,
And pulled out a six inch blade,
I put it to your throat,
And I hear you whimper in pain.

She tries to back away in fear,
I pull a gun on her,
She suddenly stops,
And the both of you just stare at me.

"What's wrong babe?" I say to you,
"Are you getting cold feet?" I say,
"What the **** were you thinking hunny?",
"Didn't think I'd find out did you?".

You just stare at me,
Eyes filled with fear,
Just looking at you exploded anger within me,
You had to be taken care of.


I turned to her,
She was terrified,
She had no idea what I was capable of,
Neither did I but I was about to find out.

The roses in the garden we were sanding in,
Happened to be white,
But they were about to change colour,
They were about to become blood red.

First I shot her in the head,
It blew backwards and covered the roses,
Next I took my knife closer to your neck,
I got real close to your face and looked into your eyes.

Your eyes looked empty and filled with fear,
I said "Are you ready for this?",
"Are you ready to die?",
He just looked at me with fear in his eyes.

I took my knife and dug it into his throat,
His beautiful dark red blood sprayed everywhere,
It was all over the roses and my white dress,
I couldn't have been happier.

I walked over were the entire crowd was,
Were it was the brightest,
It had to be changed,
It had to be covered in their blood.

I walked down the aisle,
Everyone was gawking at me,
I decided to be civil with these people,
So I turned and shot every single one of them.

I looked around and saw the gorgeous colour,
The colour of life,
The colour of death,
The best colour ever created.

I was a quick shooter,
So it took merely two minutes,
Two minutes for forty people,
Those forty people were including my family and his.


As I saw the blood splattered chairs,
And the splattered carpets,
All the blood covered bodies,
And the now red piano.

I dropped the gun that was in my hand,
Turned and just stood there,
I just stood there in the silence,
And looked out to all those empty chairs.

I walked to the beginning of the aisle,
Grabbed my bouquet that was now red,
And started walking,
I walked through the blood puddles and head pieces.

I reached the end of the aisle,
Where the priest laid dead,
And I turned and faced him,
And said "I do.".
nick armbrister Jan 2018
garage tools
orbital sander sanding away
big it up for the orbital sander
getting sand on now now now
hear the orbital sander sand away

orbital sander
orbital sander
orbital sander
sand sand sand!

like his mate the orbital grinder
give it a good grind
grind away on the go
watch that baby grind away

orbital grinder
orbital grinder
orbital grinder
grind grind grind!

hydraulic ramp going up and down
no car is too heavy
fantastic hydraulics
touch of a button up down up down

hydraulic ramp
hydraulic ramp
hydraulic ramp
lift lift lift!

laser gig perfectly aligned
laser beam on target
crash damage repair perfection
laser accuracy beyond compare

laser gig
laser gig
laser gig
laser laser laser!

boss is doing a ******* eppy
the tech is too reliable
he bosses and bullies
his young apprentices about

sweep the floor
male the brews
fetch the butties
you ****** slaves
boss boss boss!
George Meadows Jun 2020
“From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.”
–William Shakespeare (Prologue to Romeo and Juliet)

I was hewn from the helpless limbs of a tree
Which could have grown
To become something magnificent

Through sanding and carving
Through varnishing and the work of human hands
I was formed

In a way, the tree which was mutilated to give me life
Was a foreshadowing of my truncheon fate

I swing through the air once again
A weapon in the hands of a vehement oppressor

Skin splits
Blood sprays
Bone shatters

Bodies litter the dust
Staining the earth with crimson testament
To the cruelty I have wrought
Some of the figures are marred
Reminiscent of the tree from which I was hewn
Which died to give me life

The dark throng of protestors
Are but mortals
Faced by the immortal power
Of those lighter beings
Who wield me, mercilessly

I wish to weep
For the destruction, pain
Anguish I leave in my wake

I wish I was still a living bough
Capable of shedding resin tears
Capable of yielding to greater forces
Not to force the vulnerable to break

But I cannot weep
I cannot yield

I am a baton
A weapon in the hands of those who swore to protect
Yet scythe down those who rise to protect what is rightfully theirs

Ancient grudge of black and white
Break to new mutiny of segregation
Where civil blood of those who seek protection
Makes civil hands who swore to guard them
Unclean.
In June 1959, the inhabitants of Cato Manor protested the forced removals of the time. The police were sent in and the protests turned violent.
0o Aug 2016
Woke with the sting of regret, it’s been too long since I fell,
I missed the rush of fresh air, I missed the taste of the smell,
I was in love with the tightrope, the stained glass of her eyes,
Bowed by the weight of surrender, I settled for compromise,
Watching those false idols dance, turning wolves into sheep,
As we played coy with the monsters that sang us to sleep,
I had a million places to go, and so much I’d hoped to say,
But I wasted another tomorrow thinking about yesterday,
And those sticky situations where we all came unglued,
While I daydreamed a sky that wouldn’t mirror my mood,
A slow dance with routine, and every face looks the same,
I was choking to death on the stale taste of my name,
So I started sanding sharp edges, hoping that I might fit in,
I spent a year writing my ending, so I could finally begin,
Dusting off open road acrobatics, I twisted south by the sea,
Searching for the rotting remains of who I thought I should be,
But it was just another battle that I lost to the war,
The same wrecking ball feet with new roads to explore,
Nothing quite felt right, my fingertips became springs,
I’d lost the girl to save the world, and other foolish things,
It was my first last-ditch effort, my best second guess,
I painted myself into a corner of the picture of success,
Fifteen-hundred miles, and still felt so far out of reach,
Until late one night my phone rang as I walked along the beach,
I told my story to the old man as he listened patiently,
When I finished, he calmly asked me to turn and face the sea,
He said, “The ocean is the journey, the sum of all you gave,
Do not lose perspective; this is but a single wave.”
I drove home that night and slept for the first time in half a week,
And when I awoke, the path before me didn’t feel quite so bleak,
I realized there’s no shame in letting someone catch us if we fall,
And that being lost is different than being nowhere at all,
I learned that each story is a lesson, not merely a scar,
And that all we have left is not the same as everything we are.
ghost queen Jan 2020
I’d burnt out of the city, the long hours, high pressure financial job; and the uptight, high strung, high maintenance girlfriend. I’d walked out and away from the mess that had been my life, and found this place, far from it all, where time slowed, almost crawled, where there were no expectations, no schedules, no rules. Life was lived minute-by-minute, never giving a thought to what had to be done tonight, tomorrow, or for that matter, ever

I’d flown in to the frenzied capital, rented a car, and made my way out of the beehive, towards the Caribbean coast, buying a map and following the road eastward, not knowing where I was going, or what I had in mind. I just wanted to get away, to be lost in the jungle.

I would know the place when i saw it. It would feel right, like rain on a warm afternoon. I reached the coast, drove south, stopping at every village and bar along the way. There were barely any tourist, not much to see, no white sandy beaches, no ancient ruins, just countless impoverished fishing villages and family run kitchens to feed the locals, the fishermen, and occasional daring tourists

Night was coming. I stopped at a village, found a kitchen by the shore, and ordered my usual, casado and una cerveza; my favorite. I asked the house mama for a room. She said they didn’t have rooms, only hammocks on the edge of the shore. I paid for the meal and a hammock. A girl took my hand and showed me to the hammock. The fisherman were already asleep in their hammocks, their boats shored, nets folded on the side, ready for their early morning foray into the turquoise sea.

I woke, gently, to the sun brightening in the sky. I sat up, feet hanging off the hammock barely touching the sand. I got up, walked to the kitchen and sat at a table in a make shift court yard, palm leaves shading me from the sun, swaying slowly to the warm sea breeze. The house mama brought me gallo pinto with cafe con leche. Nothing had ever tasted so good.

I got on the road, driving along the coast, to my left was an endless expanse of turquoise to the horizon, to my right, unbroken wall of jungle. I drove nonstop, till I got hungry and stopped at a village for gas and lunch. I walked into the trading post, and looked around. There were all sorts of supplies remote villagers and fisherman would need. On a whim, I bought a hammock, machete, water, canned goods, and beer, what I thought were all the essentials.

I pulled out my map. There were no towns along this section of the road, only the occasional village. I was going to find a stretch of beach, setup camp, and chill, gazing out to the horizon until the sun set.

I drove slow, checking out the beaches for a place to camp. The shore was a continuous, nondescript, pale brown, until i rounded a bend and the view opened up to a cove. Through the palms, I could see a black sand beach. Intrigued, I pulled the car to the side of the road, and hiked down to the beach.

It was surreal. A secluded cove, black sand, fallen trees in the surf, the bark worn away from the abrasive sanding, branches reaching into the sky as if pleading for help. It was beautiful and eerie. But underneath it, I had a sense of foreboding. I couldn't figure out why and let it go, as I had found my little piece of paradise.  

This was the spot I was looking for, far from the villages, secluded, isolated, unworldly. I unpacked my stuff, opened a beer, setup the hammock, and settled in, slowly, eventually, falling asleep.

I awoke at twilight. The temperature had cooled. If was comfortable, slightly balmy. The sun had set, the moon risen, hanging over the turquoise sea, casting a long reflection to the shore.

I looked out over the water, saw something, a shark, a dolphin, breaking the mirrored surface, probably hunting the shoals for food. I dismissed it, and thought twice about going for a swim.

I saw it again, this time close. I watched, curious, hoping to get a better view, when I saw a head, a human head, slowly bobbing up and down. I got out of my hammock, walked to the shore to get a closer look.

I looked out and saw eyes. The eyes of a woman looking intently back at me.  An uneasiness rose up inside of me. What was a lone woman doing in the water, in the evening, this far off the beaten path. She wasn’t thrashing, screaming, just bobbing in the water looking at me.

She disappeared under the water. I watched, waiting for her to reappear. Was she a scuba diver? She surfaced, this side of the break, half her head protruding from the water. I could see her hair, eyes, and nose. She wasn’t bobbing, but kneeling in the the water.

We stood there, looking at each other. I didn’t move, didn’t want to scare her away. She moved closer to shore. I got a better look at her. She had black hair, tanned skin, and big eyes, like those of a Japanese anime character. I blinked, not understanding or what to make of her eyes. I wanted to back away, get some distance between me and her, but I couldn't. I was frozen in place.  

She stood up, slowly, the water dripping down her hair, shoulders, chest. She was naked, tall, slim, with an hour glass figure and full, firm *******. She had the body of a goddess. She slowly walked up the beach, the full moon clearly visible behind her. I could see the rest of her, curved hips, long legs. She was a fantasy, walking out of my dreams into reality.

She walked up to me, stopped an arm’s length away. I looked into her eyes. They were big, beautiful, turquoise green, like the color of the sea behind her, even more unbelievable, were her pupils. They were vertical, like those of a cat.

Fear rose up in me. My gut told me to run. But another part of me was intrigued, worst, turned on, so I stayed, frozen in place. She had the beauty of a goddess, I was enthralled, I knew it. She knew it.  Her right hand slowly reached out to me, touching my cheek, gently. Her eyes looking into mine for a reaction. I was getting flushed. My heart raced. My breath fast, a mixture of fear and lust. She put her palm around the nap of my neck, pulled me slowly to her, tilting her head, and kissed me, softly, gently on the lips. I started kissing back, getting aroused. She put her arm across my small of my back and pulled me into her, my body pressed into hers. I could feel her softness, warmth, inviting, and comforting.

I put my hands on her hips, sliding down to cup her checks. She started to kiss me more aggressively, sliding her tongue in my mouth, ******* my lower lip into her mouth and biting down hard. I could feel the lust and passion in her kisses. I succumbed to her seduction.

She lowered me down gently on to the sand, straddling, kissing me ever more fervently. She started unbuttoning my shirt, then ripped it open. She slide off my shorts and mounted me, sliding down to bottom of the shaft, rocking back and forth, her hands pressed against my chest. Her moans were soft, spasmodic, as she tilted her head back. She increased the intensity of her rocking, her moans grew louder, more intense, more visceral.

Her beauty was intoxicating, her moans exciting, her every rock getting me closer, amplifying my arousal, till I came, convulsing in her arms, in ecstasy.

She rolled over, flipping me on top of her, making sure I was deep inside her, a slight smile of satisfaction on her lips.

She laid her head back onto the sand. I slide off and to her side her. She got up, looked me in the eyes, then started walking towards the water. I got up, chasing after her. She walked deeper into the surf. I followed.

When the water reached her waist, she dove in the an coming wave and disappeared. I expected her to surface, but she didn’t. I walked faster, then paddled, then dove after her. I swam out, beyond my footing, past the breakers. I treaded water looking for her. I swam out further, knowing the danger.

She reappeared, bobbing in the water, looking at me expressionless. Her eyes said everything, seducing me to her. I swam towards her, as she swam away, going further out to sea. The water got deeper, bluer, colder.

She stopped. I caught up to her. We floated looking at each other. She drifted into me. Kissed me. I put an arm around her waist and pressed her into me. I wanted her, to have her, forever. I knew she was magical, grasped that she was a mermaid. I didn’t care. I was oversensed, no longer thinking, just feeling. I wanted more of her.

We sank into the water, entwined, embracing, kissing. I couldn’t get enough. I needed air, but ignored it, preferring the euphoria of her body. The urgency to breath grew, becoming uncomfortable, then painful. I stopped kissing and let her go. She held on, tightening her arms around me. I pushed against her, trying to break free. My lungs caught fire, my mind panicked. I thrashed against her. Then all went black, my body relaxed. I went flaccid, as a peace came over me. She held on, as I convulsed, a final time, in her arms.
Stanley Zakyich Dec 2012
In the hopes of melodramatic expression,
We use overused combinations of words
To cook overcooked works of "completion",
But we never truly grasp
The hand of death,
Nor have we truly grasped
The possibilities this universe,
Or even beyond what this universe,
Provides.

We bounce the ball of clever word-play
On the playground of our understanding,
And though our playground's small,
We aggrandize it to be more;
In our heads, it reaches the shore,
And we play even in the fall
When we're not supposed to, sanding
down the ball with our bounces and our days.

Whether we wish for certain weather
To rain or shine on our heads,
Few will have that weather affect them
When they do not wish it so,
And they will be in the know.
They will hear the thunder through their phlegm
And they're the only ones to tell of it on their death bed.
They're the true poets, not us, whose spirits are still light as a feather.
This poem discusses how, though we write poetry, there are few who are great poets. I describe a great poet as being one who writes about the tragedies inflicting them, or who writes about knowledge that they can truly understand from their experience. There are some out there who claim to be a great poet simply because they write about their bad days, but I know that they secretly wish for those days simply so they can write about them. Great poets are not desperate for attention, but are instead simply venting their emotions.
louis rams Jul 2010
Stories of hope series #4                      
                  The elder

His wife died fifteen years past, and he knew
Living with his children would not last.
They would want to put him in a assisted living home
Just so that they could be left alone.
They could not foresee that one day they would be elderly.
They joked about him becoming senile
But he knew that would not happen for quite a while.
He was only sixty two with so much more living to do.
He knew the only thing he had left was HOPE.
And with life’s burdens he would have to cope.
So he decided to go back to school
And learn a new trade, and show his family
that he could make the grade.
He learned carpentry, and bought all the necessary tools
And what he couldn’t get , he borrowed from the school.
He already had in his mind of what he’d like to make.
And he knew that a long time it would take.
He decided to get the WESTERN RED CEDAR
For its softness and durability, and aromatic smell
This wood he knew would work quite well.
He found the perfect picture of what he had in mind
And viewed every detail and every line.
He wanted it to be about three feet tall
And two feet wide because that size would be just fine.
He started off very slowly, just chiseling away.
And sanding it down perfectly
For that’s the way it had to be.
He used each and every sculpting blade he could find
To define each and every line.
He did each part with delicate care
For with this piece there was a love he shared.
Slowly but surely it started to take shape
He was impatient, he could not wait.
But he knew that this was the way it was meant to be
So that everyone could see the beauty that had to be.
He worked on it every day, and his worries
Seemed to slip away.
Being put in a home was no longer his concern
And that his children would have to learn
That as long as he could breathe and walk
All of this was just talk.
This sculpture became his obsession
and his passion and made him grow strong
And doing this is where he belonged.
His teachers were very impressed and said
He was the best student yet.
They said that this was a work of art and of beauty
And should be put on display
And that for this the public would gladly pay.
He knew there was something missing
And that it was not complete,
and this problem he would defeat.
Then it dawned on him that it was needing color.
He needed the darkest blue and the deepest brown
And went about painting it without making a sound.
The darkest blue was for the piercing eyes
And the brown for the shoulder length hair
This was the perfect pair.
For three months he had toiled with perfection
For this was of the LORD and his resurrection.
And this was how it came to be
That this elder found harmony

HOPE IS THE KEY TO SET OURSELVES FREE
- From stories of hope series (continuing series)
Mary Feb 2012
The bitter taste
that brings back greasy dread
and aching everything.
limbs that fall shaky
with your bitter taste.

nuzzling coarse whiskers upon my panes.
with your bitter memory,
nestling coarse whicker inside my brain


I can feel all that I believed.
when the back of my arm
rubs this stain from my red and smacking maw
it's in my skin.
it is my skin.

biting black. cutting coffee.
dripping, tearing down my throat
sanding off my lips with coffee grounds.
And all this for a warm belly
that can heat only my flesh.
V Harrison Mar 2013
I think ordinary things
Are beautiful- sanding outside,
Freezing, looking at a busy parking lot, beautiful
In a halo of streetlight illumination, pockmarked with
Shadows of wondering people.

And I want nothing more than to
Reach behind me,
Feel your warmth, find your hand, hold you,
Let you see through my eyes, our eyes.

As I stand, though,
Cool night air bites into me.
No searing, comforting heat available,
Only me. Looking outwards, finding
Beauty?
Ma Cherie Oct 2016
What is the measure of a soft touch
& one you want so very much?

It's a satellite orbiting my skin
sanding out the flaws,
buffing it to perfection,
helping with our direction
a sugary confection,

It's whatever you say it is,
In a **** deep voice
against a feeling bone,
one who's so accident prone
taking all seeds I've sewn
oh those winds have blown,

and its when I'm alive
It's how we thrive
like when an orchid blooms
adapting to the core changes,
the smell of that perfume,
an intoxicating waif
a drowning plume,
standing strong
where I belong,
in the shining summer sun
a tantalizing sweet
& such a lovely treat,

unrequited & uninvited
haunting & wanting
in a ghost town,
where you take care
of needs
measured in your helpful deeds,
those rugged hands
are taunting,
& in those selfless demands
I feel a fire
please take me higher
I'm begging
& on my knees
oh hear my pleas
I burn here in desire,

Yes I'd give in
It's not committing sin
I'd tell myself,
as a love strong
door opens,
& we begin.

Cherie Nolan © 2016
Ugh
N E Waters Jul 2019
It Was the Wind. I.

It was the wind
    That comes through me

1,000 songs of voices singing

penetrating to

my bones

       incomprehensible

stories
       all electricity
       and fire

and I could ride you
blind
          through miles of time

never truly knowing

the words with which

to make you known to me

but we I feel

though not I see

It was the wind

That wore a

whole in me.










It Was the Wind. II.

         It was the wind
         ceaseless howling
         a never ending
                  cacophony
               of sad stories

         and the unreasonable

         wear

         of time

                  blowing deep

         sanding down my memories

         where-ing away my

         mind

         everything gives


                  to the wind

         find me here
                 If the wind hasn’t

         yet picked

         me

         clean.











It Was the Wind. III.

































                                                                          . . . it was the wind.
PhiWrit Nov 2016
Haven't freestyled in a while
since my name was Kyle
1 out of 10 in the room I'd revile
but I got the world swoon over this goon style
9 out of 10 be jealous of the attention
I be getting how fast these legs run a mile
**** it give me 500 miles
and I would rush 500 more
just to kick in the door
Of whack rappers, hit the floor
That's the D-E-C-K I pray to start my day
not doing this for pay just to play and say
what I need to say the state of the States
Got me in dismay as they pave way
For old goose stepping ways
Like **** learn history
About ****** and his story
Of the rise to glory of the Fascist party
and the deaths of Jewish minorities
That they had as priority
Along with any other minority
that wasn't white skinned with ***** grin
or Aryan origin on that topic it's La Fin
because South Park had them Laughing
and sanding me in wood shop
So going to that school had to stop
so I dropped out by expulsion
which fueled the propulsion
Out of my mom's place
At sixteen I started to chase
independence
'Cause that's all that made sense
I couldn't live on cents had to make dollars
Dreamed of being a baller shot caller
Show poster on the wall sir
But my crafts had to be refined before
I could start my spiritual war
Let my mind soar like a kite
In the white clouds past nine
Turned the phaser to eleven
As shrooms shot me a glimpse of heaven started making bread sans leaven
sick of toaster leave-ins knead the flour
need the flower extra sour
though diesel to ease all the pain
And refrain my brain
From seizing and freezing
The mainframe of my nervous membrane
I swear I'm not insane
but it would take me days to explain
The pain that had me nearly slain
so ride my thought train
'Cause I hate planes & listen to the refrain
you feel this profane pyre burn hotter than
blue flames from the butane or propane
Not real champagne lest it be made in France mane
where they sniff the Caine more than oxygen
I am the Champion.

— The End —