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HelpingHand45 Feb 2018
Even if I get hate messages saying imma dumb geek,
My favorite thing to do in Rainbow 6 is spawn peek.
I choose not to reinforce any freakin' walls,
Cause I'm the best on my team and pre-fire the halls.
They call me sweaty boi cause all I play is Ela,
But hey man I got news for ya--you're a noob lil' fella.
If ya boi be attackin', ya know I be using ash,
No one can hit me when I use that 3 speed dash.
I breach the wall and throw some stuns,
I run on in and fire my guns.
At the end of every round I end up with an ace,
My stats have basically broke the R6 database.
So yeah you can just call me wuhbzz, or just god for short,
Cause I'm the best you'll ever see, T don't need any retorts B)
outplayed geek
Sub Rosa Oct 2013
A content life is looked down upon
much akin to how
a crow looks upon the ways of the moth.
'Why spend your life
chasing what eludes you
only to persih by it's hands in the end?'
asks the crow.

'It's the brightest light I have ever looked upon,
therefore the best,
and if I find myself beside the light
I shall be happy.'
retorts the moth,
it's eyes aglow.

The crow looks on at the
vain attempts of a common insect,
lusting after the blinding hand of death,
glittering, buzzing
above their heads.

'Why don't you join me, Crow?
We can chase this light together,
maybe you will find it's glory as well.'

The crow peers curiously at the moth,
addled by the enthusiasm
of chasing such an obvious,
insatiable pleasure.

'I prefer to fly.
I can see all the lights in the world
from above.'
He gestures to the window.
'I have all the fruits of the earth
spread before me.
Mine for the taking
at my leisure.'

But the moth never looked away
from the enticing, electrical bulb.
It buzzed and flew
and smacked against the hot glass.
With one final effort to enter the light,
it popped and found itself on the earthen ground,
lost in a graveyard of conformity.

The crow shivered at the sight
of life wasted on material things
and gaudy glory.
He spread out his wings
and ventured into the evening air
to watch the sun sink behind fushia hills.
Sometimes we are the moth.
Sometimes we are the crow.
one llucy Apr 2015
You always whispered when you spoke
Everyone around you leaning in,
Hanging on every word, as if it were a lifeline
You always meander about, never truly belonging anywhere
Your eyes shift ever so slightly to take in your surroundings
Never blinking
Dark deep portals of unknown
I can always feel your gaze
On my back
Your stare touches my silhouette as I anxiously try to busy myself with anything but meeting your eyes
A blush spreads down my cheeks and neck
As I'm compelled to look your way
Only to regret it as I catch your ruthless smirk
You tease without even making a move
I fail to think of clever retorts as I try to recover my blunder
I wince with each step you take closer to me
When at last you are before me
I dare not look up as you tower over me,
Your hand weighing down heavily on my shoulder
I flinch as you lean in to whisper...
And then my mind is already unfaithful.
bob fonia Dec 2018
REC
what/====/what  ==
  what./==what.///=what.//==/what.
  here, it is a tar pit  the yellowed trees all that eyes  see cherry blossoms through &through cherry blossoms  cherry blossoms through and through and through  cherry blossoms through
   it soothes- -it becomes ..it blooms -it becomes ..it blooms ---it becomes ..it blooms ---recantations  reconsecration
so many many ages ago,  “probabilities man probabilities”
that’s about itt, man, it seems“similarly“,,,,, noww nowwthe drudge  magenta!noww, man-about time
as i knoww itt” well for once “ once  so pretty  ” she-says -cohorts
justt a dayy more we are closer-hippyhippy-hopp
the  best off linens the blue coats the finest frivolities all that  is pristine pristine-here/Jesuits
a sea of happiness in here everything
a well laid dining table a desk to write read eat a tree outside the never ending vanity fair “that  the magic will live  never will die
cause it’s automatic for people”says-Scot  it is really  automatic-now

“ patterns  emerge   as my prime whiter s,man”----tells,Joe
    

cups of tea-  chamomile- tells Jon/ mayb  “as much as you will like to mingle/&dangle-&mingle /double dribble/triple./Onegin //all the  wriggling the  implausible imposing    ,, nibbles ,,all the book keeping
“the classic anecdote” iff i mayy ... we are all  only supercilious  there’s more here to come”----Jim,, retorts tells
“to which i may”,tells jill    a sheep is _, its all gloom and  kingdom comes
   reasons /and acuity/  th more the merrierer   my bliss/slits
/ & the black space everywhere in
   them the/many minds   all the more   \><citadel.come and go touch of gold   see to believe  
             &&&&&
  <    deep blue lakes &blue that  never end their rune and it  returns  a ship on her chest a ship on her chest,on her chest-that i will reach places un dreamt of
\   will   returnn  > there. everyplace tea<>>>>\
   stays afloat,    dispels /beaten /scowls  scary ,tea<>>>>\all-of jiggling/ bouncying   ><weeds out / >minuscules
ripes/renders jesica>>>>jamboree  come face me.
     the grandest / all  the oddities   one magic invention i was missing all this time transgression/ kindda may be timid /  
  my jive / rruby/mouthing a last supper if you will .something akin
   timid all this time
  wt i was endless immeasurable the - wild/beckons/ ribbons and knots
door to door tropic  day/&night; /beckons// ribbons and knots
\i  was i would  on my side Ausual-revival Arendition again  again
and  lifee-like -ride  and whatever moreover all oveer the leftovers
rose swells . fine  our grasslands,you know, stilts frantic Jiving,Jiving Jiving in smoke  -reels/incapabl,,indecicve
one more dayy nd through h moors
are off ,,,, raspberry,Jiving,Jiving Jiving
discontent  / neatt/  mother  fuggazii ,Jiving,Jiving Jiving ,a week goes ayb a month a long intention, itt- sooths./all the more oegin \Gerianne- ,,twitces  .astute, many floors up,pigging cleaning,every quarter
the clouds/massquadre ,this is cat to,, through ,,moved,moved,,moved

, a-blue,, a-temple a bloom,a ,temple a rook a trek a stoop now
Buddha, a simpleton/buddah geriane 16-1-5-1, miniature lamps,,blizzards6-1-5-1,
all that can in a man/rigour all that hula hoop
possibly a merry christmass,, dayys spent ,,,  full
you  are all that is sire a \ all the pleasures off a small room
full off all the kool tools an art decoo sire by now you know it
all thecrystal fairies in blue crystall *****
pretty slick,,,runs ,piping hott ,, undone  &the; buddha, the-rider,, the- boxes,,,layaway the glistering the beaming, all  the book keeping
a philistine, if i mayy impeccable, and  free
glitters all  the hourrs,a\ repliccaa just a beguiling  taste ,\
,sire,,little empty purposely,, masterfully done,,,sire
beefy ,,sire,and, plenty-full surelyy
the nectar bequeaths

projected .mediocre , mister faires in ferries  shimmering  dearest of stories  / wings/reminising _faires
drool  an artt decoo sire,,,a purple tea *** in which we drink our tea,,,mirrors,,, the very best in the pristine
the mannequins,,all the more-buddha,the-rider,, the- boxes,,
,,sire iff only i may all that   hula hoop.dope-slopes -keystrokes -rabbi=ed folks we traversed   alone
among the ******* faires shining.and whineing
tee -hometown alleys too,the innate shufling,  neat //pique
   from,treetops,bellhops,  all  those-pitstops
   chit chats-flips flops flat-crapp
lemonade/the charade the bee all the hives-all
handmade kind of  dreams /transpicuous
**** you would knoow you would knoow-that anyway blinking/ slits . //slithers
leaping/ reaping/ leaving all blue //eyes bulls eye

archic // mine  !all blue //eyes----  eye leaping/ rearing/
leaping/ reaping/leaping/ rearing/leaping/ reaping/leaping/ rearing/

  
and now the mother  a finale-  ( )   grand //tiers ;piping ;deep-dives................
-clean-off beat -best kept thatt  allures us //still gilding  top -down.  in
fairies   delusions/- 2rapid 2rabid distracted
comes easy free /  -******
a cup of tea/honey -man i know  with it  /// batteries  jazz like   *******
time and time againn pronto sire
wired tried intake-uptake /cup cakes/hatted  /// orbs many many many kinds justt soo many soo many  many
  any takers in no hurry
/Orphic
left /blending/mended melting too which she says enough off all this shenanigans i want //if this is
her
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
k e i May 2017
her patience was starting to wear thin, impatience growing as one of the pervs from the table across his eyes preying on her. she gave him the finger and her hardest glare.

where the hell are you  she typed out, texting him

be there in ten i kinda just got out of bed...sorry

she just sighed looking out the glass panes that gave a view of the busy street, letting her thoughts wander. sam was waiting for her bestfriend, noah to show up. she was going to help him find a flower shop that caters black roses. he was going to give it to jean, the girl of his dreams as he liked to call her (sam just knew how much of a cliche he was underneath; they barely had a conversation in which he didn't insert her-sam stuck up with it and listened to him, always assuring him that he's going to get her who wouldnt)

"sorry im late" he says, panting as he arrives, varsity jacket slung in his arms

"you owe me" sam says cooly, ignoring the drum pounding in her chest. he looked like he always did; and gave off the same effect to all the girls in town (he had quite a following though he didn't mind)

playfully he rolls his eyes at sam and the two walk their way into his beat up camaro (which was very good at overheating and taking too long to start)

"bet this thing would come up with its tricks again" sam started with their usual banter

"oh hell no it's got my back"

"your flat back"

"my bootiful ***"

sam scoffed "wanna bet?"

"game on" noah smugly retorts with the smug smirk on his face that showed off his angelic structures

"on three two....." sam had her fingers crossed please don't work please don't

noah tried gunning the engine a few more times, turning the key into the hole over and over again but the engine kept dying. he tried for one more time;it was a miracle that it did. he faced sam who's face turned down into a frown. "ha you owe me now"

"i owe you none" she says slumped in her seat though deep inside she was enjoying this. their friendship had alot of these immature playfulness which she usually started.

"just buy me an extra waffle cone and we're even"

"*******"

noah laughed and sam heard the lilt in his laugh that she grew fondly of. they drove off the road with only the radio to filter the silence for a while. sam started tracing patterns on the car window.

she felt something for noah and it wasn't something she expected, neither was it something she was looking for. the first time they ever interacted was in a class they both had. his eyes had that mischievous spark that day and  he wore a devilish grin-sam thought he was the perfect guy to turn into one of her casualties or better yet get his heart broken. but all they did after class that day was hangout and drive around town. sam was quite shocked with the numerous things they have in common. since then, they've meant alot to each other. although it was different for sam. sometime in their friendship she started feeling something for him, someting more than friends do .she hated it; the thought of it made her want to rev her guts out;

she was never the type to like guys or girls and fantasize about them being together or even feeling the same way. she was the type of girl who played with guys for a night (a week was her longest) whenever she felt like it. she toyed with their hearts and felt satisfied when she saw them with tears in their eyes. she felt no remorse for leaving them in the gutter. she was never vulnerable  she was a heartbreaker. she was that type of girl. but with noah it was all different, it was all new. it was like being on the other side of the spectrum

it frustrated her, all of it. most of all the fact that she couldn't do anything about it. she couldn't just steal him away from jean especially now that he stood a chance. plus, he was serious about her, sam could tell-even if she tried making moves on him, he'd leave because that wasn't how he knew her-they went so well together: her being on the cheerleading squad with her perfect friends and her perfect grades, perfect life ahead and him being the quarterback of the football team and the perfect college waiting for him, heir to his father's company someday-they were the power couple. they deserve each other sam thought bitterly. she could be one of the "perfect" girls in her school if she tried. but she didn't, didn't find the need to because why bother? she'd rather be on the outside and deal with her own company and just resurface whenever she felt like it. he had dreams;she didn't. she was just a heartbreaker, a mess.

yet she didn't want to lose noah; couldn't lose noah-it wasn't a risk she was willing to take. around him she let down the high walls she usually was encaged in and instead had vine trellises wrapping around her almost as if caressing her. it wasn't like in the movies but it was a **** cliche which she felt in gradual waves.she could hear wind chimes in the edges of her nicotine corrupted lungs whenever she was with him and none of the nails splintering against board in the emptiness of her house she felt in the dark while her sister slept soundly in the next room, none of the stale unfamiliarity of her mother working herself thin in her round the clock shifts, staggering home the next morning smelling like alcohol. she felt something other than the hollow in her stomach when she's out partying with strangers, the bass sounding too much like her heart breaking and her existence decomposing. she felt none of the filth she did when she slept with guys and let them make love with their exes through her body. she felt none of all the ugliness, heard none of the monsters' calls. noah made her feel pure. made her feel bliss. there was no irony, no catches, no waiting for the other shoe to drop in what they shared.

some days she's accepted that they'd always remain platonic, that it was better for them to stay this way. but today wasn't one of those days, for it was one where she wanted nothing but to plant her lips against his and make him tell her that he feels the same, for him to wrap her arms around her and bury her face in the crook of his neck, drown in all their memories, become the memories become an us. it wasn't love but he made her feel loved.

her daydreams were cut short when noah parked the car infront of the flower shop near the outskirts of town. she smoothed her hair as noah opened the car door for her. she felt her palms sweat, immediately telling her brain that he was really just sweet and it's jean that he likes stop spewing up hurricanes and thunders for every sweet thing he does.

"so first stop"

"i still don't get why you can't just buy her a bouquet of plain roses and spray paint it black. i'll help out yknow" she replies in her usual mocking way as they enter the shop, the floral fragrance enveloping them.

"because you gotta put all your effort and your heart to get her"

"yeah right, hey you gotta put effort in spray painting too yknow like shaking the can and making sure the roses are all covered. we can cover your heart in black paint as well if we still got any left" she replies sarcastically as they start perusing for black roses.

he rolls his eyes at his best friend, throwing one of the discarded dandelions at her direction. she picks one up and throws it at him quickly. it was only a matter of minutes til they were both on the floor laughing, sneezing in intervals, dandelions scattered around them. the florist scolded them when he saw the mess they caused and made them pay for a daisy and a petunia boquet that was haphazardly upturned in their rowdiness-no black rose in sight.

sam laughed as noah took out his wallet and paid the florist who's face was now red. she heard him mutter a sheepish apology and for a moment, she allowed or tried to let herself get lost in the fact that she and her bestfriend were spending the day together she tried to forget that she was spending the day with him to help him be with the girl that he likes.
hi this is my first time here
and this is a new writing style of mine
let me know what you think about it
x
DieingEmbers Apr 2013
Imprisoned thoughts finding freedom
within the damaged mind
mind not what they say
nor how they say it
speaking clearly with hijacked tongue
tongue tied and muted
fear gives new voice to old words
words hasterly spoken
drawn back
upon the lips like an unstrung bow
piercing retorts
and sharpened interlect
rend away the facade of common descency
allowing profanity space to breath
rank rancid epilogues becoming epitaphs
upon a soul trapped
within the confines of anothers understanding
of morality
long dead arisen the medicated zombie wakens
and a new day dawns
follow not the path of the poet when his words
are not his to command
and yet they command your respect and your derision
Dacia B Oct 2014
Your mind is delicate like a berry souffle
Strong yet sweet like a cremeburlee
Full of clever musings and beautiful thoughts
Witty ironies and cunning retorts
When you speak it fills my ears like a symphony
You are my major and I am your harmonising minor key
Lexi May 2018
A boy, a smile, a thought.

Your sweet words electrocute my walls that hide how weird I am. Leaving me babbling and embarrassing myself.

A text, a joke, a laugh

Your humour and smart-assy retorts I’ll ask what your doing right now and you will explain in detail how you are sitting and whether or not it’s comfy.

Eye contact, funny face, shaking head

Oh sweet boy you don’t yet understand the game. I stick my tongue out at you and you are supposed to copy. But instead you smile and laugh and look away.
I don’t know what this is but I haven’t written in a while so I need you to write something.
ms reluctance Apr 2014
Today,
I did nothing of much importance.
Just listened to some of my favourite tunes,
and ate a tasty lunch.
Thought of a few late retorts
that would have been useful
in an argument I had weeks ago.
Watched the pattern on the floor
made by the fractured sunlight
through the cracks in my window.
Hugged my little sister for a long time
then we talked about useless stuff
and laughed a lot.
Stubbed my toe against the furniture,
used some colourful language.
Had some melty ice cream.
Freaked out a little bit
about my life
and it’s lack of direction.
Shrugged it off
and had another scoop.
Today,
I didn’t get any work done.
Today was a filler day
But today I had some fun.
NaPoWriMo Day #21
Poetry form: List
SassyJ Apr 2016
As the night shifts, the glass prints
The universe retorts and restores
Connective strands pulls from dark
Exposed from the rumbled tosses

Mosses generate, diversified integration
Masses inaugurated in magical reality
Electrified from the syndical sorrows
Tarots of the forgiven, sad sung songs

The tree branches held strong as I slid
The town halls illuminated to capture
A magnificence of a nature umbilical
Enclosed in the warmth of the placenta

My centre cored on the base of the earth
A need to belong on grounded dense soil
Calm tornados and typhoons unheated
Treated in fountained grace of existence
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
Ah, Coventry, thou art but dead now-to me;
Thy life is not alive, and thy winds are too cold
Thou art as filthy as dust can be, and eyes might see;
Thy hearts are too bold, and to greed-your soul hath been sold.
And I want not, to be pictured by thy odd art;
For than oddness itself, 'tis even paler, and more odd;
And 'tis not honest, and full of disputing fragments;
Gratuitous in its earnest, talkative in each of its sort.
Ah, Coventry, I shall go, and catch up-with the strings of my story,
Which thou hath destroyed for the sake of thy fake harmony;
And in my tears lie thy most fragrant joys, and delightful sleep,
Which thou findeth tantalising, but idyllic-and satisfactory.
Ah, Coventry, go away-from my sight, as I solve my misery;
T'is misery thou hath assigned to, and dissolved over me,
I bid thee now fluently blow away from my face;
With a spitefulness so rare, and not to anyone's care nor taste;
And doth not thou question me, no more, about my tasks-or simply, my serenity;
For thou hath fooled me, and testified not-to my littlest serendipity,
You who claimed then, to be one of my dearest friends;
And now whom I detest-cannot believe I trusted thee back then.
And my soul! My soul-hath been a tangled ball-in thy feeble hands;
Colourless like a stultified falsehood, blundering like a normal fiend.

For on thy stilted dreadfulness at night, I hath stepped;
For in front of thy heterogeneous eves, I hath bluntly slept.
I had tasted thy water, and still my tongue is not satisfied;
I had swum in thy pages, but still my blood is not glorified.
Among thy boughs-then I dared, to solidify my fingers;
But still I couldst not bring thee alive, nor comprehend thy winters.
Instead I was left teased, and as confused as I had used to be;
I couldst find not peace, nor any saluted vehemence, in thee.
Ah, I am exhausted; I am brilliantly, and sufficiently, exhausted!
I am like torture itself-and if I was a plant, I wouldst have no bough,
For my branches wouldst be sore and demented,
For my foliage wouldst be tentative and rough.
I hath been ratified only by thy rage and dishonour;
I hath been flirted only, with thy rude hours.
And my poems thou hath insolently rejected,
And my honest lies thou hath instantaneously abused.
Thou consoled me not, and instead went furtive by my wishes;
Thou returned not my casual affection, and crushed my hope for sincere kisses.
I hath solemnly ratified thee, and praised thy music by my ears,
Yet still I twitch-as my sober heart then grows filled with tears.
Ah, thou hath betrayed, betrayed me!
Thy grief is even enhanced now-look at the way thou glareth by my knee!
O, Coventry, how couldst thou betray me-just whenst my time shivered and stopped in thine,
Thou defiled me so firmly; and disgraced the ****** poetry bitterly in thy mind,
As though it wouldst be the sole nightmare thou couldst 'ver find!
Ah, Coventry! Thou art cruel, cruel, and forever cruel!
Thou hath disliked me-like I am a whole scoundrel;
Whenst I but wanted to show thee t'at my poetry was safe, and kept no fever at all;
But no other than an endorsement of thy merriment, and funny disguises for thy reposes.
Ah, how couldst be thou be so remorseful-how couldst thou cheat me, and pray fervently-for my fall!
And to thee, only greed is true-and its satisfaction is thy due virtue,
For in my subsequent poetry, still thou shalt turn away-and scorn me once more;
With menace and retorts simply too immune, and perhaps irksome loath-like never before.

Ah, but how far shall thy distaste for me ever go?
Thou who hath blurred me-'fore even seeing my dawn,
'Fore even lurching forward, to merely glance at my town.
Thou art but afar, and now shall never enter my heaven,
For victory is no longer my shadow, 'tis to which I shall return.
I am like a shame behind thy glossy red curtain,
I am a pit whom thou couldst only befall, and joylessly spurn.
But ah! Still I am blessed, within my imperfection-thou knoweth it not?
I am blessed by the airs-and wealthy Edens of the Almighty, thou seeth t'is not?
He who hath the care, and pride anew-to cut thy story short,
He who hath listened to my cores, and shall deliver me from thy resort.
T'us I shall be afraid not, of thy wobbly tunes-and thy greedy notes!
For humility is in my heart, though probably thou hath cursed me;
And bidden me to let my soul detach, and run astray,
Still I shall find my fertile love, and go away;
I shall bring him away-away from thy abrupt coldness-and headless dismay;
I shall nurse and love him again-like I hath done yesterday, and even today;
And in t'is, I shall carest not for what thou might say to me later-day after day.
For as far as I shall go, my poetry t'an shall entail me;
And thus follow the liveliness, and scrutiny-of my merritorious paths only,
And in the name of Him, shall love thee and rejoice in thee not;
But within my soul, it shall recklessly, but patiently-do them both;
'Tis my very goal it shall accomplish,
And for my very romance, shall it sketch up altogether-such a mature bliss.
I should dance, thereof-just like a reborn female swan;
And forget everything life might contain-including my birth, as though life wouldst just be a lot of fun.

But I shall be alive like my tenderness,
So is my love-he t'at hath brought forth my happiness,
I shall be dressed only in the finest clothes-and he my prince,
As the gem of my soul hath desired our holiness to be, ever since.
Yet still I hope thou wouldst be freed, and granted my virtue,
Though still I doubt about which-for thy fruits are weightless, and to forever remain untrue.
Such be the case, art thou entitled to my current screams,
And blanketed only by my most fearful dreams.
T'is is my curse-in which thou shalt be in danger, but must be obedient,
For curses canst be real-and mine considers thee not, as a faithful friend.
And obedience be not in thee-then thou shalt all be death,
Just like thou hath imprisoned my love, and deceived my breath!
Still-my honesty leads me away, and shall let me receive my triumph;
As so cravingly I hath endured-and tried to reach, in my poems!
Ah, Coventry, unlike the stars-indulged in their tasteful domes,
Even when I am free, in thee I shall never be as joyful-and thus thou, shalt never be my home.
Mariam Paracha Sep 2014
Mistakes are like fists full of firewood, waiting to be struck -
We light up like saffron fused matchsticks,
draining with tears the color of grinding lightning.
Every time things get heated, I get lost
in the mist of not knowing enough

Everything we know gets lost in the distance
because the distance casts spells of mist that
Climb up all my windows and screens,
my view becomes pigeonholed bleak.
Your cowry-shell smile is now cast away in waves of doubt
Our mouths are now perpetually filled with
retorts soaked in vinegar,  heavy breathing and static squabbling –
this is what it feels like to be the one who loves more from a distance.
Taylor Jayne Feb 2013
Treading softly around their laughter
Covetous.
Brooding in my formed solitude
To feel as they feel
I swore I once did

Light turns to dark
Obscure.
Void ever deepening, ever darkening

Peculiar.
To crave consistency
Living in a realm
With a transcribed ending

Alas, someday
Understanding will be upon us

retorts we shall not want to hear

Nor muse

Nor feel
SE Reimer Sep 2013
Everyone’s peddling something, she complains...
And I a bicycle for two, I reply.
You’re so short-sighted, she retorts...
But I may have missed you were I not, I say.
You’re too happy-go-lucky, she quips...
But I think I’m lucky-to-be-happy, I grin back.
You poets are so unrealistic, she says...  
On the contrary, love, we breath life into realism. 
You’ve got your head in the clouds, honey...
But I was just looking for you, my angel.
Ryan P Kinney Jan 2020
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”
Harper Grace Apr 2013
Their mouths are
gaping wide and cavernous
hungry
needy
watering
eyes bloodshot and open against their will
they need a fix to their addiction
they don't have time for predictions
only answers
give them their answers so they can can sleep tight
tonight
they lost their blanket, their stuffed bear, their mommy to kiss them goodnight long ago
they wake up screeching in the dark from nightmares of gray deserts
where no one is there to tell them if it's night or day
now all they have are their answers
to which questions
they don't know
don't care
they haven't got the time
their lives must compete with one another
their mouths must inhale old, stuffed, oatmeal air
with their bloodshot eyes wet from the dry air
can you hear their hollow voices
muttering and sleepwalking their regurgitated, responses
to anonymous questions
their retorts slowly getting louder and louder
till you can't tell one answer from the other
their lives are competing with one another
answers are yelped at the top of their throats
they lose their voices so often nowadays
so often, they must rest with their
mouths gaping wide and cavernous
hungry
needy
watering
eyes bloodshot and open against their will
they need a fix to their addiction
refusing to think about the day
when the questions
drip, drip, drip, drip
away.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
JAM Dec 2019
Down at the local bar, there are two chairs.  
In one is a man named Logus,
Who came from The Desert of Nine Valleys;
In the other is a song-less musician named Sparrow.

Day after day
Alone in the bar
The man with the foolish grin
Is keeping perfectly still.
But nobody wants to know him,
They can see that he's just a fool.

He wandered very far,
Very far,
Over land and sea.
A little shy,
And sad of eye,
But very wise was he.
And then one day,
One magic day he looked Logus' way.
And while they spoke of many things,
Fools and kings,
This he said to him:

“Good morrow to thee, brother prisoner!
Do you realize that you have the most beautiful face?
Do you realize we're floating in space,
Do you realize that happiness makes you cry
And
Do you realize that everyone you know someday will die?”

Logus doesn’t want to bother with the bird,
”These are all lies
and jests.”

Sparrow retorts, “Still
A man hears what he wants to hear
And disregards the rest.
Now,
Drop your guard, you don't have to be smart all of the time.
I've got a mind full of blanks, I need to go somewhere new fast.
And don't be shy, oh no,
At least deliberately.

What was I saying?
Oh yeah.
Let me tell you a story that's sad but true,
About someone who just may remind you of you.
Let me tell you a tale that may help you awake a woozy head-
I'll buy you a drink
-It begins long ago on a happy day,
With a fool who was loved, but threw it all away,
Who exchanged a good home for a flophouse, a bar and a plank-“
Sparrow’s eyes begin to glisten--

Logus Interrupts,
“While we're on the subject,
Could we change the subject now?

My name is Logus,
I'm carrying the wheel.
Thanks for all you've shown us,
But this is how we feel.
Come sit next to me.
Pour yourself some tea.
Just like Grandma made,
When we couldn't find sleep.
Things were better then,
Once but never again.
We've all left the den
Let me tell you about it:

I am just a poor boy
Though my story's seldom told.
I have squandered my resistance,
for an existence
In which
Ever anyone discovers exactly what the Universe is for
And why it is here,
It will instantly disappear
And be replaced by something even more bizarre
And inexplicable.”

Sparrow began stirring in his seat,
”You know, there is another theory which states
That this has already happened.
And you lived that,
In exchange for a pocket full of mumbles,
Such are promises."

Logus looks at him,
“And? I am still alive.”

Sparrow rolls his eyes,
“Geez, you know
Somebody once asked, "could I spare some change for gas?"
I need to get myself away from this place."
I said, "yep what a concept,
I could use a little fuel myself,
And we could all use a little change."
Too bad
A fake Jamaican took every last dime with that scam.
It was worth it just to learn some sleight of hand.
Bad news comes, don't you worry even when it lands,
Good news will work its way to all them plans.

But the building's not going as we planned.
The foreman has injured his hand.
The dozer will not clear a path.”

Logus scoffs,
“You talk in maths.
You buzz like a fridge.
You're like a detuned radio.”


Sparrow Laughs, “You'll never be what is in your heart.
Weep little lion man,
You're not as brave as you were at the start.
You have a heart that's full up like a landfill,
A job that slowly kills you,
And bruises that won't heal.
You look so tired, unhappy.
Such pretty houses,
And such pretty gardens:
Green plastic water-cans
For fake Chinese rubber plants
In the fake plastic earth.

There's an empty space inside our hearts
Where the weeds take root.
And now I'll set you free,
I'll set you free.”


They both left right on time,
The Sparrow accosted his mind.
The Sparrow said,
"Hey man, we go all the way"
Of course, they were willing to pay.
Back to the street,
Down to their feet.
Losing the feeling of feeling unique,
Do you know what I mean?

Well on the way,
Head in a cloud,
The bird of a thousand voices
Talking perfectly loud.
But I never heard him
Or the sound he appeared to make.
And he never seemed to notice.
But the fool on the hill
Sees the sun going down,
And the eyes in his head
See the world spinning 'round.
Of course, everyone goes crazy
Over such and such and such.
We made ourselves a pillar
We just used it as a crutch.
We were certainly uncertain
At least, I'm pretty sure I am.
Well, we didn't need the water
But we just built that, good *******.

For most have found both freedom and safety in their madness;
The freedom of loneliness
And the safety from being understood,
for those who understand us
Enslave something in us.

But let me not be too proud of my safety.
Even a Thief in a jail is safe from another thief.
And Horses run fastest on the way home.

Logus and Sparrow had just that in mind,
and so, after deciding to take Sparrow’s ride, they left.
After dragging themselves into the car
Logus looked at Sparrow from the passenger seat,
“I keep myself in
To pull myself out.
I'm rising up,
Wish I was sinking down.
And it's not like
There was warning
We were happy.
And it's not like
There was mourning
In the warning.

I guess I am a scout.
So I should find a way out.
So everyone can find a way out.

I know I am a scout.
I should've found a way out.
So everyone can find a way out.

Sparrow starts his car, the ignition doesn’t turn at first,
It’s an older model so it takes a few tries.
Sparrow turns to Logus,
“Well, that is that and this is this.
Will you tell me what you saw and I'll tell you what you missed
when the ocean met the sky. (You missed, you missed)
You wasted life, why wouldn't you waste the afterlife?

Drift all you like,
From ocean to ocean,
Search the whole world.

And you find your destination
With so many different places to call home.
'Cause when you find yourself a villain,
In the story you have written
It's plain to see
That sometimes the best intentions
Are in need of redemption.
Would you agree?
If so, please show me.

These thoughts and the strain you're under
Be a world child, form a circle
Before we all go under
And fade out again and fade out again

Logus starts groveling,
“Turn me on to phantoms,
I follow to the edge of the earth.
And fall off.
Everybody leaves
If they get the chance,
And this is my chance.

My shadow's shedding skin,
I've been picking scabs again,
I'm down, digging through
My old muscles, looking for a clue.

I've been crawling on my belly,
Clearing out what could've been,
I've been wallowing in my own confused
And insecure delusions
For a piece to cross me over
Or a word to guide me in.
I wanna feel the changes coming down.
I wanna know what I've been hiding.”

His eyes are the size of the moon,
He could 'cause he can so he does.
He’s feeling so good,
Just the way that he does
When it's nine in the afternoon.

Logus starts thinking to himself,
“So you think you're a Romeo?
Playing a part in a picture show?
Cause you're the joke of the neighborhood!
Why should you care if you're feeling good?
Take the long way home!
Take the long way home.

His phone starts ringing,
he clumsily pulls it from his pocket
and answers it.
It’s his wife, para.
She’s concerned,
“Hello? Hello? Hello?
Is there anybody in there?
Just nod if you can hear me.
Is there anyone at home?
Come on now,
I hear you're feeling down
Well I can ease your pain,
Get you on your feet again.
Relax.
I'll need some information first,
Just the basic facts,
Can you show me where it hurts?
Please don't
**** yourself for recognition.
**** yourself to never ever stop.
oh no!
You broke another mirror!
You're turning into something you are not.

Come home!
I'll bake you a cake
Made of all their eyes.
Do you see me
Dressed for the ****?”

Logus chuckles and thinks to himself,
“I know she's looking kind of dumb with her finger and her thumb
In the shape of an "L" on her forehead.”

Their eyes are the size of the moon,
she could 'cause she can so she does.
They're feeling so good
Just the way that they do
When it's nine in the afternoon.

Para continues,
“But you'll still
**** yourself for recognition,
**** yourself to never ever stop.
You broke another mirror,
You're turning into something you are not.

And that's okay

I got a box full of all your pity.
We're fresh out of tissues
Because on them I wrote a comedy,
I wrote a comedy.

Logus looking down,
almost as if she’s there in front of him
to see how sad he feels,
“Sorry, but
I'll take a quiet life,
A handshake of carbon monoxide.

With no alarms and no surprises,
No alarms and no surprises,
No alarms and no surprises,
Silent, silent.

Tell me what to do!
Now the tank is dry.
Now, this wheel is flat.
And you know what else?
Guess what I received
In the mail today?
Words of deep concern
From my little brother:

Logus briefly thinks of a letter he received recently,
“Weep for yourself, my man,
You'll never be what is in your heart
Weep little lion man,
You're not as brave as you were at the start.
Rate yourself and rake yourself,
Take all the courage you have left
Wasted on fixing all the problems that you made in your own head,
you'll never settle any of your scores.

I backed my car into a cop car the other day.
Well, he just drove off - sometimes life's okay.
I ran my mouth off a bit too much, ah what did I say?

Well, you'll just laugh it off and it'll be okay.
it'll be okay.
Everybody needs a place to call their home.
Everybody needs someone to call their own.
Even when you're lonely, know you're not alone,
You're one of us.”

Logus' attention turns back to para.

Para begs,
“Please hold on hope, don't choke
On the noose around your neck
And find strength in pain
And change your ways
Know your name as it's called again.”

Logus sighs,
“Phew!
For a minute there
I lost myself, I lost myself
Phew, for a minute there
I lost myself, I lost myself.

Sparrow,
Somewhere on the edge of the conversation,
Begins getting heavy eyed,
Shutting one then the other and then opening both
And says to himself, drifting into an irresistible
road hypnosis induced sleep,  

“And if you could be what you wanted,
If you could be who you wanted
All the time,
All the time.

And now I'll set you free,
I'll set you free…”
Before trailing off.
These quotes are taken from various songs and poems.
M Sargent Mar 2013
The artist is the one who is up all night,
The artist is the one who looks lost,
The artist is the one who fears no tyrant,
Because it just becomes the next piece.

The artist is the one who cries out with a pen,
The artist is the one who finds safety in a brush,
The artist is the one whose enemy is the blank spaces,
Because that's where there is uniformity and potential.

The artist is the one who retorts injustice,
The artist is the one who rips at the seams,
The artist is the one who screams at the world,
Because it seems no one will listen.

But never does that stop the artist,
For the artist is one of persistence,
A never ending fire that burns inside,
A passion that will never die.

Without the artist our world will crumble,
Without the artist our life will go gray,
Without the artist our days would be lonely,
Because that's when the blank spaces win.

It's the color that bursts from the mind,
It's the thought that paints the sky,
It's the music that gives us hope,
Because it's only with the artist we see reason to be alive.
Jindomess Jul 2015
Welcome to my humble abode
My story is often retold
People come all around to hear of my scarring
But only the brave and Daring
Would go out of their way to find me,
But only in death will you truly know
What you can't see
And here is the gift I will bestow,
You have always been alone
Only in death will you really atone

Yet through all the efforts
You still try to prevail
Searching for friends and loves
In death you will find the doves
You are always going to fail
Don't even try to give me retorts

Even when you do find friends
They Will always be there
But, even then
Who really knows when they really care?

Although, some are better
You can rely on your bettor
There will be people who love you
And even care for you too
sobroquet Jul 2015
posturing plentitude of platitudinous petulance
the sulking face of the pride of disgrace
pretentiousness replete, retorts repeated
a compensatory litany of honesty forlorn
what is your objective, your ultimate intent to be
a divisive monster of truthfulness, to be some sight to see
with all your money and ill gotten gain
you can not  buy love, you can only by fame
American politics

22. – The histrionic weaponises their storytelling talent on the slightest whim, for blackmail is how they obtain and chaos is how they indulge. Be wary the histrionic, for they take root and disrupt venomously like a toxin.

23. – Should you see the trifecta of: confrontation, dismissiveness and attention seeking – you have yourself a histrionic. Tread on their egg shells and succumb to aggressive sensitivity, or reject them by refusing to deign acknowledgement.
Niccolo Machiavelli
Blood ran thick as consciousness imploded
Corrupted thoughts fighting to be decoded
Pupils expanded into new territory
Doomed accession through manipulated clarity.

False perception carries falsified fears
Hesitantly drawn close by passing sneers.
Sweat forms on the nose
Then it drenches all his clothes

People stare as he walks on by
Captured by the nature of a passing sky
Demonic stare
Perceived despair.
He falls out of grace
Forgetting how to maintain a walking pace
Looking all out of sorts
As he fumbles conversational retorts.

The eyes are starting to drift away
As enjoyment begins to decay
Pupils restore to a natural state
Thoughts return to a blank slate
Raj Arumugam Mar 2012
I'm having a drink this here
at Space Bar in Pluto
and Martian Pete comes in
and sits beside me
and we talk, and we drink

Full of loyalty
and pride, as a human
(and patriotism included)
I tell the Martian:
"In 1969
We humans put a man on the moon"


"Pish! " says the Martian
"We sent a team
to the Sun
Earth Year 1959"


"Oh, " I say to the Martian
"The Sun would have burned
your team of Martians! "


"Pish! " retorts the Martian
*"You stupid Earthlings!
We sent them to the Sun at night"
poem based on an existing joke
Jana Q Apr 2021
The toothbrush starts, “Enameled crooked crescents fence
a cavern filled by slimy growths and walls that tense.”

The towel ruffles, “Four protrusions rife with joints;
the fifth a rounded stump with sev’ral gentle points.”

“Agreed. The knobs and knuckles wear a supple coat;”
the loofah huffs, “it’s gritty, slick, and prone to bloat.”

The eyebrow brush retorts, “It’s two retracting domes
that cause a row of strands to flutter when one roams.”

“While ‘domes’ is right, I venture ‘jiggle’ as more apt -
along with perky, tapered tips.” the brassiere flapped.

The ****** giggle, “‘Bouncy’ could suffice as well,
but don’t forget the dampened folds and prickly swell.”

“Absurd!” exclaims the hairbrush, “More like brittle twine;
Entangled, oily knots that never quite align.”

“Not twine, but thistles bushing out in sweeping arcs,”
the razor sighs, “from paper that too clearly marks.”

A glassy voice laments, “Not one of them’s correct -
how easy this would be, if you could all reflect.”
Humor is so not my forte, but this was for the Day 3 prompt in SingPoWriMo, so I gave it a shot. It's about bathroom objects trying to describe their user. Critique is welcome!

Are the indirect descriptions easy/hard to understand?
Does the ‘twist’ at the ending work? Or just fall flat?
How long did it take you to realize what the poem is trying to do?
ArturVRivunov Oct 2011
Are you to rid of my senses?
displeased by your efforts. . .
how careless to tell me, nothing. . ..
to rid of my senses with vigor efforts with your *******.
You are as you are, you have the senses to find out even so.
But how is this displeasure in me, I feel to be targeted by such blasphemy, to tell me to take on this world that I cannot do without the consent of so many others.
How can I not do without the consent of the others, when they are upheld by a system, consented by others?
I am no system, nor feeble triumph, I am just in reason observant of sorts, to see over walls and blinded retorts.
Nat Lipstadt May 2017
Oh Sally,
on the day you "disturb me,"
the messiah will, must have come,
anything else, but a minor inconvenience,
a foolish distraction

Lola! Grandmother!

the things we say with out thinking,
quick retorts that boom an
instantaneous, say hey Willie Mays,
mutual concern cognitive proposition,
and you foresee the child conceived within

"should be a poem in there somewhere"

in the handed pen, drawing heated inspiration,
from the confluent patty platelets of the
shared single river
of heart lungs eyes flowing as one into this
busy subgle poetry pointer finger @ 4:18am

your secret safe well hid within this writ,
you, mother laureate to a thousand at minimum
so many secret lovers and children in your posses,
the eloquence of your kindness world renown
your behind the scenes presence,
I am smiling, stupified, amazed discerning,
and stand awed,
the global Amazon store of only good

so late nite/early morn the clarity rises with sun
so many secrets lay before me in plain sight - prior unrecognized,
what was obvious, delayed, as sometimes I hear,
messiahs are

one more, maybe two, perhaps as many/few as a minyan ten
of grandmother queens raising up the children,
poets all, such as yourself
then, Messiah will be choice-less, compulsed, compelled
to return and bless us all

course, even when that happens
you still won't be disturbing me,
for you will be right-sided beside him

but not to worry for at this continental crossover hour,
most are sleeping, others feeding the babes,
some returning from church or mosque,
no one looking here at ShePo,
a secret of glory disclosed,
revealed,
only you will see,
so as promised Lola,
your key to a certain stairway,
safe tween
just us three

no tears please,
for this but just,
a just confession, an overdue library book,
a poem resting on my night table
awaiting reading, composition, completing,
arrival?
and that's between
just us three
5:11 and the orb majestically rises refreshed
from the East Rivet
and the windows reflect its muted irange presence,
but just one window observatory
winks, sparkles,
musr br loose or eyes tearing

— The End —