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There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
Cyril Blythe Aug 2012
Soft wooden pews and the white dogwood tree,
Arched ceilings and Mother’s whisper Tetelestai
Making surprise harmonies with the sinner beside me.

Black preaching robes saying Grace is for free,
Now pass the gold plate so the Church can supply,
Soft wooden pews and the white dogwood tree.

Regenerated through love-on this we agree,
Shouting Hymn 22 children’s voices blend high,
Making surprise harmonies with the sinner beside me.

Drunkards and Deacons with Thou and with Thee,
Starched shirts and white pearls all standing by,
Soft wooden pews and the white dogwood tree.

Released from all of our chafe and debris,
With roars of repentance and relief we reply,
Making surprise harmonies with the sinner beside me.

I am whole I am new through His ministry,
I know I can never this truth deny.
Soft wooden pews and the white dogwood tree.
Making surprise harmonies with the sinner beside me.
[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw
shåi Jul 2014
tears fall
your name i call
gone

frozen in time
wasting away life
heartbroken.

outright cry
strikes at night
lost.

always lost
confused.
anxious.
scared.
lies.

knife
acts like
gasoline , poured on me

cast a match
flip the latch
to the prison cell of lost hearts

murmur my name
before i slain
the wretched beast

whisper into
the dead alleyways
a revival unavoidable

n̶e̶v̶e̶r̶ l̶o̶s̶t̶.
c̶o̶n̶f̶u̶s̶e̶d̶
a̶n̶x̶i̶o̶u̶s̶.
s̶c̶a̶r̶e̶d̶.
more deceit.

cold like a
untouched angel
away from the worst danger

i am born again.

purged.
regenerated.
strengthened.
renewed.
rebirth.
­
(b.d.s.)
suggestions are always appreciated!
Nat Lipstadt Sep 2013
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death.

Open sky annulled
to bordered lines of
uptown edges,
worldview momentarily
forcibly redefined by
memories of buildings and sadder days,
recollections of pillars of biblical smoke rising

A photograph
makes me look up,
and sit down historically,
need to catch a breath,
to rest mentally,
upon a storied small bridge's steps,
that I well recall,
a disappeared street stoop.
all were rubble then and once
upon that day.

Wear, tear, and older eyes distill perspective,
but the hardy heart is hardly stilled
by the recognizable gray upon
bon vivant gray reflective surfaces of
memories of buildings and sadder days

So today, on a reborn street,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn, but
nonetheless, always rebuilt from their own
regenerated stony compost,
and the NY passersby doesn't even notice
a man, head in hands,
silently weeping, thinking that:

We throw away so much we should have kept.
We keep so much we should have thrown away.

Lose keepsakes, but keep our mysterious sadnesses
locked away in compartments that open only to
benedictions uttered in ancient tongues.

Make your own list,
be your own curator,
catalogue visions of sophomoric triumphs,
museum mile pile
those early poetic drafts,
be unafraid of memories
raw and ungentrified,
overlaid, buried underneath
postmortem of dust-piles of senior critiques

Finally went downtown to see
where the blessed water falls
into catacomb pits that once
were the foundations
of buildings that ruled the cityscape,
downtown anchors
for a modern city that exists
only because it was built on
million year old granite bedrock

Stone monuments are stolid, discrete.
Memories are of grayed, frayed edge consistency.
Negatives resurrected that survive digitally,
all blend synthetically, layer upon layer,
essence distilled in a single,
black and white photograph
that serves to
disturb complacency,  
awaken stilled pain,
reflections suppressed,
are restored
Written August 2013
wordvango Sep 2014
Every day I reveal
I give a little more
something special, so real to life
a different side of life
those pieces of me no one can steal
every night I'm where it takes me
to where I find that part of me
that needs no excuses
nothing to change
nothing to add to
But what if it isn't the truth? What if I am a product of fear? When I look at my keyboard, I remember things I cannot say aloud. That is the darkness.
nothing to subtract
the fairy of all things sharp and dangerous.
a day in the sun a light
That casts no shadow,
Pushing through all darkness
To reveal the only truth
a smackeral here,
a smidgen there
i stitch into the weave
as my truth
as i can bare,
leaving me naked
and bereft
but as a milliner of words
so fine
I stitch together a tapestry
of twine
upon a silken bed of shadow
the words, they matter
on the morrow
Twisted threads of golden thought
weaves crimson tears
that taught
the one that orates
as they weave
leaves a pattern
that can't deceive
cleft, my palette
of words, sacred,
alone but not forsaken-
created, awakened and tasted
and i stop for a while
to taste the silence between words
the echoes of my steps
roaming inside a dream
Chinese boxes with corners that
domino like the seals
of envelopes, they
stick to sticky
seals of words,
telling of straw earth.
sinkhole, the word frightened me as a child
even now I tread lightly
allaying the inevitable
i tread lightly, lightly... allaying
the inevitable
babble of...
"lustful gushing
of wordlove
that cascades
from my brain
enervated, regenerated
obligated
to explain
the gears
and cogs
of this
clockwork world
write....again
and again
the never ending
refrain
oh listen to the silence
listen
between the words
from
the death of one breath;
to
the birth of the next
I wish to make a poem  of community involvement. I have started it with the first four words. It is an experiment to see what may be created by many minds, many contributions. To add to this poem, place your words you wish to add in Quotations  in a comment . All contributions will be added in sequence. All will be added, nothing deleted. Help if you can. Let us see what many might create.

10/12/2014
Now I wish to acknowledge all who contributed in order:

I wish to acknowledge all the authors who contributed to Community poem. In order of contribution:

Ana Sophia
Venusoul 7
Vicki
wolf spirit aka quinfinn
Aussi Air
robert martin
Cheryl love
aivustianumus
Tryst
lizany
betterdays
Helen
r
irinia
Courtney Pruitt
patty m
betterdays
robert martin
Derick Smith
Onoma Nov 2011
Muck bit her ivory nightgown, as if earth hungering
after her...the delicate collapse of a napkin,she.
Hours poured atop her head, her shaggy, silvery
mane suspended--its reluctant bounce captured
at midpoint...as a spiderweb under ultraviolet light.
Desert sands lost in contemplation, reminiscent of
her flesh--divulge her core as she sleeps in a
fetal position.
Her body spasms awkwardly...its will visibly slowed
from initial motion.
As the paralysis experienced by prey amid the astral
annals of nightmares.
She'll rise into that shine, wonder at the nightmare's
symbology...talk to her garden--whilst thinking of her
time to come.


Silkworm breached the parcel
of time, its cocooned inertia
coarsed through the opalescent
eye of God to Godhood.
Of time's ruination redeemed
in a solitary work...cupped
airless the unbridled form of
a trapezist spent itself.
Opened and closed somersaults
atripped a piece of said space...
nothingness regenerated to
move, to take step of itself.
A self-argumentative abstraction
glowed...undid its silken flag--
firmly planted in an undiscovered
region...her time come.
Ryan May 2020
So, up to Liverpool,
pretty cool,
I've got family there, and I'm trying to find my bearings.

When I was a kid I went with my Auntie to the Adelphi Hotel,
I remember it well,
so that's where I'll start, move my feet,
it's a quick walk to Bold Street.

Everyone flocks to the Albert Docks,
regenerated, updated, and has created a vibrant corner of a once-thriving port city,
which is pleasing,
the only downside is it's ****** freezing!

The nights out are decent too,
this where Liverpool really pulls through.
Matthews Street, can't be beat,
or Concert Square,
where, you head to Baa Bar for some shots and a few jars.

Then onto Nation with the rest of Liverpool's student population,
going down to Wolstenholme Square,
great memories, shame it's no longer there.

Capital of Culture, lots to explore,
the council wants to restore the city centre,
Liverpool One is second to none.

New shops to buy our Fred Perry tops,
new bars to entertain us,
new places to wear our smart Adidas trainers.
A modern shopping centre to walk through,
have they really called it Everton Two?

Girls off to the supermarket with their hair up in rollers and wearing their PJ's,
funny looks on the face of people who are new to the place.

Lads in black Lacoste trackies,
in the 1980s they came back from the continent after European success,
wearing Fila and Ellesse,
it was called casual,
the style went national.

A city of myths legends,
some more tongue in cheek but still unique.

A sock robber from Kirkby,
is it the original Cavern Club? Well, to a degree.
What about Carragher's tattoo?
He's blue born and bred,
is Paul McCartney actually dead?

I know it's a clichè, but I must say,
it isn't a mere rumour,
there is undoubtedly a Scouse sense of humour,
wordplay and the inflexion on the things they say.
A witty city that's for sure, come and visit,
you'll have everything you need and more.
A beginner who is looking for some opinions and constructive feedback.
I’ve got a longing
For California -
The western shore,
The sunset coast -
Hoping I’ll see you again,
Sometime soon -
But that’s wishful thinking
I’m just singing the blues -
I just hope you will remember
The times that we shared
Before our eyes got cleaned
Before we ever cared,
So I’ll keep on looking
Everywhere that I go
Searching for your face
Searching for my soul,
From California
To South American Isles
India and the Middle East
New Caledonian Paradises,
I’ve got nothing but sky
To keep my Self company
So alone I will fly
Forever as a nobody
In the alleys of Rome
And down Morocco way
To the Himalayan heights
Pressing hashish every day
I’ve watched the clouds sway
And metallic birds mutiply
I’ve written letters to God
But I’m still waiting on a reply
So I seek your deep wise eyes
To get lost in for a lifetime or two
But your body is nowhere in sight
And I don’t know my next move -
I write my mind down for the sake of peace
Though instead it brings me sorrow,
To reach into that vast sea of emotion
And dig up yesterday’s sorry hope for tomorrow -
A world in harmony
In order with Nature’s Law
It’s all that we could talk about
It’s all that we ever saw
So tell me please, if you can
Just how did we ever fall from that grace?
And will we ever get there again?
Or is that a long and lost and buried place?
From where I stand, time ain’t real
But try telling that to a Court of Man,
They’d tell me that I’m crazy
And truly, perhaps I am,
But you, you know I’m not
And for that I owe you my Love
Eternally and infinitely,
From the ground below and the space above -
I’m wandering this lonely earth,
Hoping for some connection
But what I get when I truly look
Is nothing short of a perceptual correction -
These bodies are just for show,
And that I know you know,
And so,
Everywhere I go,
There you are,
We’re the dust of a star,
Concentrated,
Regenerated,
With sight and mind and heart and eyes,
And with this gift of life that I hold,
I see You everywhere I turn,
And I see there is no place to go -
My longing for the western coast
Fades like the sunsets of long ago
And drifts quietly back
Into the endless river from which it came -
California will wait for me
Like I know you will too
And if I don’t catch you in this world
The next one is coming all too soon,
And there we’ll start all over,
Getting one step closer each life,
To the point of Eden
To the point where ego falls -
And all along the way,
We shall dance and laugh and sing
Because we’re everywhere
And because we’re everything -

The wind tells me you said “Hello”

May the ripples in the water let you know
I too say “Hello”
Leah Rae Jul 2012
Hi I'm Leah Waughtal. Yeah, The GH Makes An F Sound, Its Kind Of Weird. What Do You Mean I'm Not On The Class List? So There Are Two Freshman Biology's? And The Rooms Are Side By Side? Both First Block? And There Is A Typo On My Schedule... So I Have To Go All The Way Down To The Counseling Office, But What If I Miss The Bus To Central, And All My Friends Are In This Class, And I-

Stop.

I Know That Look. I've Been There. That Scared ****-less Smile. That Cocky Half Step Into Adolescence. You Were Just A Big Fish, In A Small Pond, But This. This Is An Ocean, And You Feel So, So Little Again. I Know 'Freshman Advice' Is Trending On Twitter, And You've Seen Every Jab At "Knowing Your Place", And "Staying Out Of The Way". We Act Like We Run This School, But We Really Don't. And You Can Thank Our Administrators For Teaching Us That. We're Still Learning. And You Have Every Right To Remind Us Of That. Like The Human Body That Recycles Itself, Every Skin Cell, And Drop Of Blood, Regenerated, A High School Does The Exact Same Thing. Every Four Years, We Are Recycled. After We Graduated As Seniors, There Will Be No Evidence Of Our Existence, So You, Yes You, Are Our Legacy.

Maybe You Don't Want All To Be Doctors, Or Lawyers, But I Can Meet Eyes Out There, And Say Its Safe. We All Wanna Make A Lot Of Money Someday. So Make It Easy On Yourself, Put The Effort In Now. The Path Starts Here, Inside This Room. You Were Built For Both Beauty, And Greatness. Give The Seam & Stitch Of Your DNA Something To Hold On To. You've Got Wonder Tattooed Into Your Skin, You've Got Valor In Your Fingertips,  You've Got Power Lining The Insides Of Your Pockets. You've Got It In You. Don't Let Anyone Tell You That You Don't.

We, You&i;, Are The Middle Children Of History, Raised By Television Sets To Believe We Will Be Rock-stars, And Millionaires Someday. So No One Better Mess With Us, Because There Aren't Enough Hours In The Day To Finish All The Dreams We Will Accomplish. So Look Up, & Remember These Stars, Because Sparks Meet Inside You, And They Died To Become You.

And Yes, There Will Be Times When You'll Swell With Self Made Pressure. But Believe Me, There Won't Be Any Popping. You Were Made To Bend Without Breaking. Stop Being Terrified Of Your Own Potential, You've Got Undiscovered Talents Waiting Inside Yourself. Don't Bite Your Tongue Too Many Times, Or You Might Swallow Yourself Whole. Speak Up For What You Believe In. Don't Be Afraid Of Being Noticed. There Is A Place For You Here.

& Any Time That You Feel Like There Isn't, I'm Here. Find Me In A Hallway, If You Need Someone To Tell You That Everything Will Be Okay. Or If You Just Want Somebody To Hold Your Hand For A Second. Or Even If You Just Need Help With Your Physics Assignment.

This Isn't The End. No, This Is Something Else Entirely.

This Is Just The Beginning.
Amanda Blomquist Jul 2013
Social relations.
     Fading, dissipating.
           Regenerated and rebuilding.

Everything held deep spills out over past memories and future broken promises.
     Talking of brighter days with different time lines.

Watching, talking, passively dissecting minds of those like mine.
          All investigating our inner workings and imagined surroundings.

                     It's in the waking hours of the dawn. It's when time is irrelevant.
        When the new day brings nothing but revelations and unfiltered ramblings.
               Anything to fill this  void.

   The morning air feels stale compared to renewed awakenings.
Constantly picking at the scab.
          Digging for one last laugh.
                                        A final smile.
                       The perfect ending for the night we might forget.

      We forge new mental pathways and plan play dates.
Evolutionary socialization.
            Cigarettes serve as reality checks and mirrored reflections.

                         Open eyes burning for something tangible.
                 Awake and unaware.

       Filtering through the nonsense and intellectual genius.
Trying to read the dusted lessons buried between advice and elaborate fairy tales.

   We speak of ideas.
     We speak of all the things that rest on the ledge of our understanding.
        We dream of what it is and what it could be.

All seeking growth.
      All staying just within the caution tape.

Ponderous wondering of connections and false enlightenment.
                                               I remain skeptical even though I've felt it.
                       My mind has always held an untrusting grudge against my intuition.

     In the end it's just another day.
                              Contributions minimal.
                 Lessons learned... Still settling their sediments.
        They're Remnants.
Melody Jun 2012
Character: Myself, or Melody, Mel
Setting: Time is now, plain dark room with a stage and a single spotlight in a light blue light shining on me.

------------------------------------------------------------­-----------------------------------------------------------------­------------------

I've asked myself before; why do I write the way that I do? Why do I continue writing the writing that reminds of the scary inspiration that if I let it get out of control then it could become my reality?
I've answered myself before; I don't know, I don't think I will ever figure out why. I don't want to know.  I can control my future, my destiny, my sanity...

No, and that's the truth. I will never be able to control my sanity! I'm weird person, with an even odder persona! I hate myself because I'm practically throwing my words onto a computer screen and not into a book. I'm hoping, hell I'm even praying (to the best of my ability) that by time I become something it won't be too late!

Have I ever asked for help? No...If I did, it was for a ******* topic, because I was desperate to get the greedy and clawing and tear-bringing words out of my system. I wanted to know what others thought that I could write. They wanted to read novels of which I had written, I told them I can't write a novel. I write poetry. ....Now I know that I can write anything I want.

My eighth  grade Theatre and English teacher taught me that writing a monologue is like drinking tap water. You stare deeply at the glass knowing that you need it, but it tastes so bad and the after-taste leaves an even worse taste but the after-feeling is like heaven in your mouth, the feeling of being regenerated to maybe not perfect health but you're alive and that's all that will really matter.
That's what writing feels like, and I would know because I was the one person who fainted at 8:00AM last summer from dehydration and lack of sleep.

I always have some error in my words. Whether a few lines need to be shortened or split, or even forgetting to punctuate. OR, oh and I'm famous for this in English class essays, run on sentences. It's odd though because I get told to edit it to make it even more perfect, and I never go back and touch it. I mean, sure, sometimes I do, but even that's normal for me to do.



I write the way I do because I'm terrified of a perfect poem written by me. I'm scared of getting a perfect 100 but if you hand me 99 I promise my right hand that I'll be happier than a dog with a fresh bone.
I write because I felt loved and then the chain broke and I felt hated. That hate, made me feel welcome to a whole new world. That world is called...

The World of Words.


And it's decorated hilariously because the city sign in big and flashy like Las Vegas but the stores and shops are either out of the most bizarre world or from another time.

I love writing because there's always something that's needing to be written about. It's an endless world of different flavors. The flavors of which I could add to my glass of tap water, but I refuse to because I think it'd be considered cheating.
This is obviously a personal monologue. It's about why I write the way I do.
Nat Lipstadt Jan 2018
The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy
See the photo (https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/NY-Central-Park-Rock-7333.jpg/300px-NY-Central-Park-Rock-7333.jpg). 
this was the climbing mountain of my early childhood.
Is fate a myth
Or simply history
In the making?
Time has no control,
Humanity can alter in many ways,
Change is inevitable,
It eventually possesses species
To age and exist,
Change is a chain cycle,
Like repeated life and endless death,
Every time
A new creature is born,
A human is modified
Into an improved being,
Fictional characters attract
Later relations
Becoming real friends,
Emotions rain
Upon nothing,
Carelessness listens,
Rusted persons remain,
Fascination of naive substitutions,
Dissimilar appearance is shown,
It is humor,
A parody act of an individual,
Copycats are role models
Also reversed,
Prototype is modernized,
A flash realization,
Attire is just costumes,
Halloween is every day,
It is bitter
To join a daily moment
Without forgetting happiness,
An original reemerges alone,
Continuous trial and error,
Cancelled plans,
Prevention of bail,
Focus on detachment,
Enemies enhance friends,
Vice versa,
Ignorance, selfishness, and obstinacy
Play important roles
For imminent loneliness,
Layers peel off,
Phases reattach,
Advanced coating,
Flesh is fresh,
Advantage is taken
Before it rots,
Practice makes perfect,
But nobody is flawless,
So why rehearse?
Conversion is harder
Once an escape is made,
Easier to turn back to habits,
Longed antique people
Update to mainstream
For the familiar fame
Causing personal depression,
Difficulty in translation,
One false move,
One mistake
Can shape everything,
Change is for better or worse,
It is neutral,
Trust is a dare,
It shall be a risk if so,
Life is not sacred anymore,
Beautiful opportunities,
Immortal lessons,
Unfulfilled difference,
Generation increases,
Veneration decreases,
A drifter or a breather
From a mundane reality
Lived in today,
Buried childhood,
Alive adulthood,
Until skin wrinkles,
Life becomes dull,
Change is the only regret,
Eyes analyze nouns,
Burn from mutation,
Melt out of sockets,
Now fluid, now tears,
Due to Change
In this planet,
Lips are blankets,
Teeth forever hidden,
Numb dumb face,
No-expression,
Distressful internal scream,
Thanks to Change,
Influence should disappear,
Good or bad,
Abnormal transformation
Is inner and outer,
Every living period,
The topics,
The only events,
Violence will never change
But progress,
*** will never change
But process,
Suicide will never change
But build deaths,
Down to the physique of Earth,
Its decay,
**** sapien extinction,
Change occurs,
Past blurs out,
Present is happening,
Future will shout,
What is not needed
Is pleaded,
What is not wanted
Is taunted,
Creating temptation
To shift self,
Society ripens into rumors
Always developing
Over infinite time,
Civilization is the tumors
Of the world divine,
Of course
Looks mature,
Genes mix,
Still adjusting,
From a caterpillar
To a butterfly,
When insects die,
Old selves perish,
Where there is dead
There is still transition,
Not by action or choice,
Soul disintegrates,
Spiritual decomposition,
Sprouts regenerated seeds,
Change is sane and insane,
It is humane and inhumane,
Keeping some youth
In the heavy heart,
Offspring morph into aliens
Proving Darwin wrong,
What stays human
Is what stays pure
To hinder their contagion,
No matter what at first,
As it grows and grows,
Change is unexpected,
Social morality
Evolves into
Singular morality
Unless hate enters love,
Love is reduced
And produced,
The amount varies,
True passion figures out,
Full respect notices disguise,
Isolation underneath,
Distinct memories
Soon fade obsolete,
Exception of fragile organs,
Mind is psychologically sadden,
Recollection is to function,
If consciousness is missed,
Recreate remembrance,
Reincarnation
For an everlasting current
Since time fluctuates eternally.
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric
Sammie wells Apr 2014
Hazel eye's
Illuminating
High on life
Embracing
Soaring
Exploring
Breathes
under water
Swims on
the breeze
Artistic
Futuristic
Borg
Regenerated
Cut from
the collective
Energized
Shooting star
Exploded
into colour
Come alive!
Egeria Litha Jun 2013
I never truly believed this would happen to me.
Aware of it, I suppose but only in abstract notions.
You're like my unique potion.
But I am running out of your liquid in my bottle
and with every major use I drain you out.
I never thought it would dawn on me.
The setting sun of a finished love.
A chapter turning and I am the page mid-flight
feeling your existence coming undone...
and regenerated into something I can mold.
My mental attachments transferred into art.
And through this my other half,
may be born.
PrttyBrd May 2017
There was music in his voice
as he whispered his name in ancient tones
straight through my core

My spirit danced
as it basked in familiarity
and pain

I could feel the music reconstitute
a desiccated heart
as it regenerated belief in people...in him

In an instant, I knew what I was once sure of
I knew that, sight unseen, I was bonded
with a soul born in tandem

Circumstance be ******
there will be love
for I already loved you

The second your name sung to my essence
and I realized...

you loved me
52917 ©
Pay attention to what God wants to show you;
embrace the regenerated self created in God’s image;
a wandering mind of distractions, unable to focus,
leads you to trouble and and adverse situations,
when not following the principles of Christ Jesus.

To sincerely follow your heart’s desire,
while avoiding the issues of double-mindedness,
you must properly set and keep your mind;
when waiting on God’s timing for your life,
the things that you will actually find…

are the genuine blessings that God had intended.
While the mind of the Spirit is life and peace,
personal growth is only possible via humility;
exaggerated opinions of oneself are dangerous,
for they severely impact your spiritual acuity.

Seriously concentrate on the higher things of God!
Renewed thoughts come from studying of The Word
and a humbled mind of Christ becomes accessible.
Trust the Bible and apply its truths, whereby…
earthly problems are still divinely addressable.





Author Notes:

Loosely based on:
Col 3:2-3, 11; Phil 2:5; 1 Cor 2:16; 1 Pet 5:6;
Rom 8:5-6, 12:3; Eph 4:22-24; Jam 1:8

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2014, All rights reserved.
Joana Apr 2016
Look at me now
Rising from the ground
Taking everything with me
No regrets
No remorse
No shame
What didn't **** me
It sure made me stronger
But it left some cracks
All of them are apart of me
Of who I am today
Scars of a battle that I've won
Medals that I carry with pride
Because if it wasn't for the past
I would never been this brave
Now I've regenerated from the ashes
My inner light shinning brighter than ever before
I've been reborn
Hussein Dekmak Nov 2018
The sacred rain has a secret to tell you;
Be the source that brings life into your place,
Be the fire that sparks positive change!

The melodious bird that sing at the crack of a new dawn has a secret to Tell you;
Embrace this song that is your life,
Embellish it with bright colors, sweet thoughts, and notes of bliss!

The brightness of the moonlight in the darkest night has a secret to tell You;
Let your inner beauty illuminate when facing the darkness of misfortune And calamity!
Let your light shine bright and touch others.

Every fiber of your being, every regenerated cell in your body has a secret To tell you;
Be a part of the movement towards awakened living,
Keep evolving with new ideas and creativity!

Hussein Dekmak
Edited 2
I H Σ
IHS HOMILIA

In the natural fatigue of everything created, the Duoverse presented its IHΣ, falling on the eighteenth letter of the Greek alphabet and on the duo hundred changes in physical memory. The PH (Hexagonal Primogenitor), is conceived in the presence of the Chrismon, but Hellenic with the Vexillum banner, to rescind the fatigued and depressed winds, since the quantum of memory was lost in its integrity of aerophobic to the earth, and therefore the subsequent one would be air-water, being for this reason, preceded the ceremonial that begins by stripping before the abenuz Diospyros, with its stamens usually in sixteen plus its hypogines or inserts at the base of the corolla; like those of the female flowers, being part of the gynoecium of the Tsambikas part, and of the androecium that will have to be of the Diospyros in Theoskepasti; with ovaries generally tetra ocular adapted, to be inseminated for the raids of the demigods of the Horcondising and El Duoverso, with the monogram HDD (Horcondising-Duoverso), for those who trace the bifurcations with Zefián; chaos computer, all the way to modulated Theoskepasti. Making the changes that have to be reborn in the stamen, being almost sterile, aborting in the memories of Galilee, signifying the pollination performance of the Diospyros and sprouting in the same stem of the whorl, even more in each hand of stigmatized Vernarth and Etréstles , bearing the IHS candles, the monogram and the Mandylion-Vas Auric, as a sign of the Olives Bern. Before the seams of the carved heels are erected and the one of the gutters of the annelids going up through the alabaster, to the chalice with the chrismon hat.

Filling the warehouse of Anemoi himself, and forgetting his deposit of the empyrean breath on the synaptic abbreviations, the argument of Saint John the Apostle continues in the network of Rhodes and Kímolos, for the cortex of the sensory past and the consequence of the gusts of falls by the trisomies, affecting to be regenerated on the oxygen-nitrogenous bases, from the activation of nemo-genetics, to specify the loss and egregious gain of channeling between the Cyclades and the Dodecanese. Carrying memories of Vernarth's cerebellum stuck and not trembling towards the lake of the hippocampus, where the Zoroaster carried the Magi, at the end of the span and first-last border in the vicinity of Ein Karem. On the evolutionary scale the weak air masses fluctuated, in the flood of the Meltemi over the Aegean, taking them to the bay of Dekas, on the knees of the colossus that impregnated with its fennels so that some delirium could replace its articulation. Remaining like this, on a scale of emptiness reminiscent and tacit ..., it continues to be and not, occupying itself and not, but it does rise towards the colossus from the ground of Vernarth, which had split bipartite from Rhodes to kímolos, like Verthian neuroscience, whose prose they emanate submissive glaciers of Intuitive Hypermeditation (as a technique of knowledge and meditation, for functional links of inspiration, purgative insight and yogic memory). All the nonsense is alluded to, breaking the rationality of the Vas Auric ceremonial, in its phenomenology, making curvilinear pauses to re-captivate phraseological keys, diminished in condensed memories equivalent to approximately ten terabytes, from a homologous half, almost surrendering when exhausted before both scholars and their debts exchanged when driving ..., thus recovering wave dips before reaching the bay of Dekas, Kímolos and ending in the necropolis of Hellenika ..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos, to finish in Tsambika, Rhodes.  As a parallel response to the archpriest of not altering the  IHS homily monogram, and of the association in remembrance, which may affect the conduction of the mediumistic trance, almost prostrating him in the house of forgetfulness and frenzy, if he is to recover not stabilized. The sulfurous and mercurous component of Cinnabar proceeded by acidifying the essences of Vas Auric, already prospering in the hands of each auric conductor ..., Archpriest and Saint John the Apostle, each with the sulfur from the mountain and the arc of the Aegean Sea, as genesis volcanic for its diametrals towards a change of chemical prisms, to the multi-angle of the topaz that Saint John the Apostle wore in his air, close to the reliquary, hanging from some fringes of the Vexillum, that he had arranged near the Vernarth. Immediately on the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos, the ones who came on another mission, to be carried away by the energizing power of cinnabar, more than a breath for those who observe by the quarters, stationed in the sandy areas of Rodas.  Petrobus, the pelican…, circled around the heights of the monastery, delimiting the laxity of his body's memory, in prayers in case they ventured through Kalimnos for a good portent, in waters for the tenth seeds for all the Rodines.

From the monastery with one of its necessary dependencies, all were with exacerbated white candles between the steps of each cell and their attached friars, they made a room of the nave near the church on the hexagonal floor, this being screened through the center of the garden where everything was dominated by the limits of the alabaster arches, which only now pointed to the closet of the books, this time being fed up and sparing their voices with devotion. Chapter by chapter it expired ..., for each cell, identifying each portion of the world in creation to the scriptorium and the refectory, where in this ceremony books were swallowed for the infinite world of the Duoverso, near the parlor, to do the times when He was teaching Saint George and the Dragon, vinegar the presses for the wine of the missal. Even so, Eurydice, organized the fragrances of the cells and intermediations of the southern called in the voices of Proserpina, coming dressed in proclaimed black, but with the appearance of Persephone in reality wedged into her face as a goddess woman, but with a hemiplegic collapse.

Sequence shot at Kímolos, Panagia Theoskepasti

Etréstles says: “according to what has been said in this dimension, the word will be the world of the Duoverso. Synchronously, it lined up with the monastery in Tsambika, by the third hour after noon, reflecting off the undisclosed walls of the chapel. On if,  in the radiosities of cinnabar. Thus entering electromagnetic lassitude through the trusses of the pulpit anchored in the Vox of the mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, colliding and colliding many times, until by the iridescent Cinnabar, somewhat Sulfur rial, mixed with the radiosities of some novae, which also acted as a decoy of the chrismon, which Kanti carried the steed adjusted in the saddle on his back, as a mount of syntactic esotericism, speaking of intangible brown colors of cinnabar, almost human. I know that the scrolls will write themselves, and that no word will have to be written or pressed by a mortal who protects it, the Diospyros, will exert anticipated redemption from the imbalance of the proximity of the Universe that slowly fell on Greece, while in the hegemony of the abenuz, everything looked with its graceful synchronous stamens that were usually sixteen, plus its hypogines or inserts at the base of the corolla; that attracted the essences of the Androecium with ovaries generally tetra ocular adapted, but according to the word Ebreh Ke Dabra, for those who carry it under a state of extended ******* and under a possession of psychopathies, to delegate them in non-demonized existences, if not emerging from the syntax of the verb, close to the intellect that works for the grace of the subsequent. In this way, all demonization would remain in the distractions of the annelids, who travel the coast of Kimolos, from Dekas to Hellenika, where they will finish the alternation of the gifts of the Vas Auric, teleporting in the vessels; or vehicles rolled to the chapel, to later be forwarded to the necropolis.

At three o'clock, after midnight in its antipode of noon, the psalms will shield with the wings of Petrobus all the government of Theoskepasti, and with its golden, feathers ..., and the heraldry of Vernarth with its Aspis Koilé, lavishing it in those of Saint John the Apostle, in the Shaddai that acts as a temple, towards the lower funnel of the Hetairoi, confined to the elect devotion of being protected towards the gates of the Savior, in lands of sand removed over the naked and reddish bodies of Archangelos and of Psathi with mega gallons of papyrus, falling like the blooming chrysalis of Diospyros on the litanies of the archpriest, who was interrupted in his syntactic diction, when permeating the sequence shot Cyclades-Dodecanese, Tsambika-Theoskepasti, Anemoi-Meltemi, Vernarth- Etréstles , low the Vexillum or mercenary banner of the Peltasts that in legions gathered to assist together with Vernarth in both chapels for the chalices of the fish that welcomes the dead in battles and takes him from his nets and enables him with his gills…; "Tel Gomel, Gaugamela and the Gordian knot in the hands of Saint George and the Dragon"

In the aftermath of the memory loss of Vernarth's body, he already had his chest full of Cyclops, St. George appearing to venerate his litany and wide pain, common to the one who, even in that state, can sustain the world like Atlas, but like Epimetheus of afterthought. Being triumphant in his imaginography, appearing with the snowy horse, in total synchronization at the moment in which he is seen appreciating Etréstles, on the bulbous clouds that enveloped the chapel, and haughty and shrewd the knight Saint George of Anatolia, Roman and Christian was seen . With his mother; Polychrome, having already been trained here in the town of his mother's origin, in Lydda, he was trained as a military tribune knight, and was later appointed as a Diocesan personal guard.
Vexillum
Qweyku Oct 2018
in sleep i saw something
beautiful in your eyes

no doubt you have regenerated
my awakening

                    © Qwey.ku
Sometimes I write what I see within the night
risen
wordvango Oct 2014
I want to thank all who contributed, viewed, commented, shared.

Community poem

Every day I reveal
I give a little more
something special, so real to life
a different side of life
those pieces of me no one can steal
every night I'm where it takes me
to where I find that part of me
that needs no excuses
nothing to change
nothing to add to
But what if it isn't the truth? What if I am a product of fear? When I look at my keyboard, I remember things I cannot say aloud. That is the darkness.
nothing to subtract
the fairy of all things sharp and dangerous.
a day in the sun a light
That casts no shadow,
Pushing through all darkness
To reveal the only truth
a smackeral here,
a smidgen there
i stitch into the weave
as my truth
as i can bare,
leaving me naked
and bereft
but as a milliner of words
so fine
I stitch together a tapestry
of twine
upon a silken bed of shadow
the words, they matter
on the morrow
Twisted threads of golden thought
weaves crimson tears
that taught
the one that orates
as they weave
leaves a pattern
that can't deceive
cleft, my palette
of words, sacred,
alone but not forsaken-
created, awakened and tasted
and i stop for a while
to taste the silence between words
the echoes of my steps
roaming inside a dream
Chinese boxes with corners that
domino like the seals
of envelopes, they
stick to sticky
seals of words,
telling of straw earth.
sinkhole, the word frightened me as a child
even now I tread lightly
allaying the inevitable
i tread lightly, lightly... allaying
the inevitable
babble of...
"lustful gushing
of wordlove
that cascades
from my brain
enervated, regenerated
obligated
to explain
the gears
and cogs
of this
clockwork world
write....again
and again
the never ending
refrain
oh listen to the silence
listen
between the words
from
the death of one breath;
to
the birth of the next

I wish to make a poem  of community involvement. I have started it with the first four words. It is an experiment to see what may be created by many minds, many contributions. To add to this poem, place your words you wish to add in Quotations  in a comment . All contributions will be added in sequence. All will be added, nothing deleted. Help if you can. Let us see what many might create.

10/12/2014
Now I wish to acknowledge all who contributed in order:

I wish to acknowledge all the authors who contributed to Community poem. In order of contribution:

Ana Sophia
Venusoul 7
Vicki Bashor
wolf spirit aka quinfinn
Aussi Air
robert martin
Cheryl love
aivustianumus
Tryst
lizany
betterdays
Helen
r
irinia
Courtne­y Pruitt
patty m
betterdays
robert martin
Derick Smith
TinaMarie Feb 2012
My love is transforming
No longer fixated
Moving beyond
Preconceived notions

The catalyst has occurred
Metamorphosis begun
An altered state
Of heightened awareness

Bursting from it's cocoon
It has evolved
No longer stifled
By your acceptance

It has mutated
Regenerated
Fortified it's being
In Self.

© Tina Thompson
Julian Delia Mar 2018
The fabric of human life,
An elixir of strife –
Passion is everything and nothing.
Passion
Is the sweat on my palms
Whenever I behold you in my arms,
Passion
Is the breathlessness I feel
Whenever my lips delicately caress yours,
It is the hunger inside
That I can only feed
Not with steak or fries
But, exclusively, with one deed –
The deed
Of opening up
Like a fresh pack of cards,
Exposing everything,
Concealing nothing.

I wish
It could be that easy –
I wish
A thin film of plastic
Was the only thing
Separating the cards I keep close to my chest
From your gentle fingers.
But,
It is not –
Beneath that spark of passion
Lies a great inaction
There is
A layer of cold fog
Swallowing everything up whole
And the only thing I can see
Is you, desperately
Trying to understand
Extending your hand
Into the void.

Sometimes I wonder
Whether I should build a dam
Instead of letting my river of emotions flow –
BUT
Your touch, your presence
Infallibly bring me back to that feeling you get
When watching a pyrotechnical show.
Spending the night with you
And waking up regenerated, anew,
Brings me towards this question:
“Who goes there?
Who
Is bold enough
To venture into this cave
This structurally unsound mess
This tavern of stress
That is my soul?”
The light of my heart intensifies –
Feeling, thought and action
Are easier,
If for just a while.
If you could only understand
How difficult it is to reconcile
All the anxiety
All the pain
With what I experience in your presence…

Imagine
Being in an art gallery
But being unable to see colour
Imagine
Being an unsung, fallen hero
A spent life, ended with no valour
Imagine
Having the mind of a genius
That is trapped in a minefield of anxiety, unable to speak.
All of this –
It is a mirroring of what I feel
Of who I am.

I am an individual
That loves the world and life itself
But walks through it warily
A shadow
Walking in the plains of the living
Aghast at the thought
Of permanently becoming darkness.
Stealthily
I am creeping out of this nebulous underworld
A process that will take time,
A tunnel wherein the light at the end
Is not yet visible –
I yearn
For your tender touch,
For your warm presence
To be there
When I finally crawl out
When I can finally walk
Steadily, on my own two feet
A man made of solid steel
Who will bend his knee to no one.

Despite my misgivings,
Despite all this maddening rage
I have towards the world
I also think of things like old age,
The crumbling temple of our youth –
In truth,
I do not see myself settling
I am investing
Not in a house or a bank loan
But in a better world for all
A sacrifice
That will only lead to immeasurable yet the noblest of hardship.
But,
Until then,
Until push comes to shove
And I am still willing and able to feel and love
I will just content myself
With waiting, and hoping
To see you again.
Deep from my soul, from me to you.
I've not been content with the empty spaces
Let alone appreciated them
Greedy to fill them with my own thoughts
My own dreams, my own desires, my own need
My, my, my, my
Never once thinking that the void is infinite
Offers nothing, consumes all
Could care less about my, my, my, my
Let alone my inability to appreciate them
I seek to fill them to sate my own narcissism
To work a fine piece of alchemy
Upon a golem
A frightening, lifeless husk of flesh and bones
Perfectly content with it's station
The last thing in the world it needs
Is me for a soul
A new life, a new purpose
A real "yes man"
Elemental body eternal, regenerated with time and coincidence
Spirit trapped within, room to spare
The perfect companion, yet still I am unsatisfied
If only I could  turn the tables
Denigrate the good times
For their rarity
Perhaps make peace with the boredom
I would be glad to sacrifice
All this insignificance I've collected throughout the years
Place it in perfect perspective
Stand back and take in the beauty
Of how nothing in this world is mine
Except, perhaps, nothing at all
© 2010 by James Arthur Casey
Alin Oct 2016
When it comes to forgiveness
In truth there is not a single body
to be forgiven except for your own
Let go of that self with an inner smile
Let these subtle flocculation dissolve in the pipelines
By inner knowledge
and flow Down the back
drawing the borders of the levator scapulae
On Both sides of the neck
where both lines shall meet to run down
through the gutter of the cervical curve
A clearing and space created for it by compassion and
Skin Replaced by the regenerated cells of the mind purified
And that pseudo-self delivered from the sacrum to the ***** of mother earth
with a truthful farewell.
Through the barren ground there was hope
a tiny plant grew!
The drought wiped man from the earth
mined of all goodness.
Without water the human race declined
few were left to find.

Warnings ignored but the wealthy hoarded
while most were denied.
Rain became just a word in our history
so from billions alive!
Numbers fell to less than a hundred thousand
a child's cry a rare sound!

Two centuries went by the numbers dwindled
the earth like a huge prune!
Vegetation withered sand replaced fields
the seas paddling pools.
The survivors huddled in the many cool caves
the dying planets slaves!

Then that day early before the unbearable heat
two young humans saw.
Under a shaded rock overhang rarely visited
life they'd never seen.
How could it be growing in this dry soil
without water or toil?

Had nature at last regenerated starting to heal
the air seemed to blow.
A trickle of water bubbled up by the plant
the small group gathered.
Looking at the plant growing on barren land
each touched it with a hand!

What none knew was from an underground lab
in a secret city.
Genetically designed plants and creatures
were being unleashed!
Deciding earth's only purpose experimentation
before it's total deterioration!

Then the wealthy would move to a new earth
they'd found for their rebirth!
Even to the end the wealthy still won! The Foureyed Poet.
my cup overflows Jul 2015
creepy moss that hide in dark spots
on creaked roads and river ponds
slimy green and even brick red
they are the first terrestrials ...or so , Ive read

the stages in which a fish walks on land
or  how earthquakes move continents
and how movements cause formation of land
that millions of cells died regenerated to birth new plan

that stars died for earth to be reborn ..
that there is no right or wrong
that i have no such a purpose but to exist
that life is an empty and a meaningless abbis

that the rays of the sun so colorfully stream  
are shooting down at precision speed
that the rotation and direction of our earth spins
in nothing but chances ......by them we live

although facts upon facts , they reach
never coming to conclusions , they teach ....


how can we just be
an anomaly of evolution and astrophysics
how can we be
so complex ...feel ?(thoughts , emotions , ideas ?..)
or is it just chemicals that control our
actions and the turning of the wheels ?
i just had questions
Kayla Lynn Oct 2010
He draws a drag
Of his Newport
Staring up at me with
Those knives he calls eyes

My stomach twists and
I can taste the
***** in my throat
From the
Disease we call
Love

I study his appearance
Thinking of how beautiful
The folds in his baggy jeans
Really are

My opinion is biased
I'm sure it's hideous
But I've always found a way
To see the beauty in him
No matter how hard he
Tried to hide it

Love

I try to scratch the word
Out of my brain
But it's no use

How happy I would be
If I could just
Live alone
With a million cats
And slowly progress
Into madness


And when he
Leaves
Because his cigarette has
Dwindled down to
The filter

It rips me in half
And my heart bursts
Into flame
Then to ash

Only to be regenerated
When he walks
Back outside
And slices my veins
With his words
It's freezing out here,
You going inside?


I prepare for the worst
Take a few steps
A few deep breaths
And concentrate on the
Pulse from
My internal
Bleeding, broken
Phoenix
© October 2010 Sarah Lynn
kaylene- mary Feb 2018
I frame the means of his work,
Faceless and boyful
Dissolving somewhere between love and abuse
Successfully regenerated in some rigid idealism
Shaking the wings of his terrible youth
Calling to join him -
The wretched and plastic
No more alone or himself could he be
No shortage of sordid,
No protest from me

He's The Angel of Death in The Ketamine Scene

Feeling less human and hooked on his flesh
Straight from the fields,
All frightened and fertile
****** and raw,
But I swear it is sweet
Lease the unsettling,
I'll wonder the concrete
Wonder if better now having survived

*He's The Angel of Death in The Ketamine Scene
AnnaMarie Jenema Jan 2015
Has my sorrows left,
as I thought they had,
or could my tears be revived?
Though these may have regenerated,
my feelings for him are long gone,
or so I believe them to be.
When he returns, how will time pass,
as it is now,
or will love blossom once again?
Emeka Mokeme Feb 2019
Beautiful night,
vivid with magical
clear full moon
hanging in the
dark night up
in the sky.
It brings thoughts
of restlessness
as if you
want to explore
the galaxy
all by yourself.
Beautiful as it may,
calm and quiet
with sounds of
the deep silence
of the earth
talking to your soul.
The heart is
so at ease
and peaceful.
All around you
are not going
to be the same
as time alone
with nature nurtures
and engulf your
being with the
power of love.
With your soul
you feel the light,
even when your
eyes only
see darkness.
The soul opens
up like the
rose flower that
unfolds itself as
it blooms and
blossom to share
it's fragrance
to cheer the
brokenness of the heart.
Washed by its
purity and adorned
by its pureness
the heart is
renewed and regenerated
with bliss.
©2019,Emeka Mokeme. All Rights Reserved.
Skai Aug 2014
You're nothing.

2. The piece of my heart you stole has been regenerated.

3. You cease to exist.

4. You didn't make an impact on me.

5. I never loved you.

6. You were the part of me that I despised.

7. Now that you're gone, I'm swimming in self-love.
Etréstles parapsychological regression in Kímolos:

Theoskepasti church, due to its position, could easily be recognized by invaders during their raids. However, according to a legend, the church was veiled by dark clouds of fog and became invisible as soon as the raiders approached. Due to this legend, the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" which mean "God" and "watch over" respectively. So the name is 'Veiled by God'. According to another tradition, when a stranger once managed to enter the church and tried to steal the golden candle, divine power cut off his hands. Also if it is veiled by God, so it is divine for Creation that will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese.

After staying with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of KÍmolos. Here in the necropolis and ruins of ancient tombs, they would make up part of the new humanity in the creation of the Duoverso, which will exist from Mycenae and Cyclades next to the small islet of Agiоs Andreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Ellinika, with some ruins still in the sea between Kimol and Milil. In the proximity of Psathi, on this island located on the southeast coast. Kímolоs Chοrá is 1 km away on the hill above the Psathi port, from here you can see the foreign ships that try to come to the Bay towards Hellenika, for the advent of the Cinnabar and the scapulae that holds the Gates of the Necropolis, for effect of the avant-garde Trisomy, regenerating souls that will resurface with mutated more universal chromosome dyes, but with extreme longevity.


In the homily, an archpriest of the regional deanery will make pastoral criteria for this gesture, by virtue of the eminence of guiding them through the orthodoxy of the chapel to the Episcopal organization of the Vas Auric procession. It was already dusk and Etréstles was putting the homily utensils on Kanti's pony. Before incensing and lighting fires of laurel and rosemary from the fords of Leto and Koumeterium of Messolonghi, he would rotate in ellipses sprinkling crumbs of the most pure bread from Arcadia, on a gray Monday with hummus and bobota, to attract the vinegary souls that were in a state of catatonic, thus making it more esthetic or aesthesis to the reactionary reincorporation of the three courtyards in magnificent concordance with Rhodes. When the Archpriest begins the talk, you refer his prayers to the semi-inert matters that were made in communion with the chromosome dyes; with worms with forgetfulness of larger serpents that were planted waving, being in reality only worms that were astonished at the Archpriest exhortation in the ritual, that they circumnavigated universally with the destination of their elegies to celebrate from an ambo or pulpit, with classical Latin that uttered the archpriest the form was dies lunae, mutating it ****** to dies lunis by analogy with dies. On a dark Monday dies, but full of grace for the attendees, they would do the sermons, to interpret the alabaster courtyards that will lead to Tsambika.  The first worms that were chased by Kanti, believing that they were games that emerge from the ground. Of whose ecosystem the earth was beginning to ignore it due to its annelid metamorphoses, appearing in the increase of texture, further beyond the grave of the same remains of doubt without sarcophagus, turned into sharp intestinal curves that were depressed breathing autonomously over massive folds of the acquiescent dermis of the oldest caste of the Hellenika subsoil. Being of distant origin from the Arcadias and its dissection, which silently followed the hummus and bobota, not to digest them with its suction cups, rather to surround them and delegate them to explore the surroundings that would encapsulate the soil with the proximity of the universe transfigured to the Duoverse of Vernarth, to phosphorylate and emit the wispy nitrogen fires before the Archpriest, Etréstles and Kanti disturbing by an arcane movement. Being a full act of herbaceous phagocytosis, they continued to ascend in the curvilinear procession, with their traces weaving together a timeless moment, which added to the sub-mythology and a finite sub-time, like single-celled procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of organic material on the hummus of the bobota bread. Dropping with only clears wrinkles of the digestive world, what no cell has tasted ******, but rather, directly when breathing from Hellinika's lung lobes, comprised mostly of alabaster sheepskin, which were suspended even the bottoms of other colony of worms that sailed, to peer out towards the surface of the altar, where they regenerated the flow of the annelids.

Archpriest says: “The framework of the Vas Auric, arises from the nuclei of the medallion, being pending of a high presence of isolation. With high mobility between the tissues of the annelid amino acids, as new basal cellular functions, even though they are visible to Etréstles, and not totally for everyone yet. The image of the medal, in the classified functionality offers concrete, but microscopic information in a chronological way, possibly being the first in the function of the icon in its justification with the religious symbols and the manifestations of the divine and in the semantic even of the self-iconification , reading it in the Vas Auric, "What two men do not see, a man sees who does not see ..., what the creeping animal sees, a prisoner of its lack of vanity." Being epistemic images that provide knowledge beyond the sub-divisible organic matter of finite mortality towards the eternal other, contributing to the neural complex of tremors, in the veiled sensation that is lost between itself and that of their own bodies, being able to take them with their own emotions”
Panagia Theoskepasti

— The End —