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"neckline" poems
I stay awake— gas, ion and tail. your ghost strokes my back, fingers ski-jumping vertebrae as my face steams into powder. your pith, soft and white: our star in you— rove to your low neckline in fire humming comet. space is blameless in this limb of heartbreak.
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Jun 25, 2017
Jun 25, 2017 at 12:25 PM UTC
hours to waste the day
Clambering and clawing Grasping hooks, crannies a crown of thorns flowering purple red blood bright fluorescent she wore her designer nails to the summer ball strapless and holding up her rounded dignity spoken in a plunging neckline She flowered was deflowered that twilight under a silver orb whispering ocean fronts dropped off at her starlight home sealed that memory with a bougainvillea kiss of immense sensuality and down the drive thinking how beautiful she was in making memories. years later I still remember the look of that velvet sky and the nails that scoured a language on my back. Author Notes Optional © Marshall Gass. All rights reserved, a month ago
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Jun 25, 2014
Jun 25, 2014 at 3:35 PM UTC
bougainvillea
You wear around your neckline a lucid strand of pearls but to think they hold your beauty - an error made by girls Pearls do complement the woman everyone knows it's true but yet something more goes on beyond what pearls can do See, a pearl can only focus the charms you keep inside yes, the woman is the secret the pearls bring out with pride For a pearl alone is nothing just some small piece of grit they only enhance the beauty that's there before they're fit So wear your pearls on the evenings and look your very best but the beauty lies within you it matters not to how you're dressed!
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Sep 11, 2010
Sep 11, 2010 at 2:03 AM UTC
Pearls
If she studies you with that particular look, and you know the one I'm indicating. Kick off your shoes and glide across the floor towards your loved one. Place your palm firmly on the back of her neck and your other at center mass. With your lips pressed firmly against hers, open her mouth and clean her teeth, stroke her taste buds, feel her heat and free your minds together as one exploding fire ******* soaring vertically with the sporadic curvature of the bottle rocket. Don't stop there, you've got her. She wants you to take complete control. Push her with gentle pressure against the nearest wall and allow progression. Fuse her neckline with your bite and move south to utilize her forearms and thighs. All the while you've cupped her **** cheeks like palming a basketball. From there on, use the organic passion that comes from within. She's giving herself to you. She will not hold this against you. On the contrary, this memorable concession of unbiased surrender is a gift, from your other to you. When it comes to a woman's love, these are some of the best times that you will be offered. Keep desire on fire and make your way to completion together. This recollection you guys are developing will hold years of reminiscence.
0
May 2, 2018
May 2, 2018 at 8:03 AM UTC
This timeless glare transmission
Admiration is a word that comes to mind when I think about her work. The seamstress only has to imagine and she can create a masterpiece of herself. With every thread, button, and hem she tells a story. She represents herself with every outfit. Her work molds to her every curve and bump. She can move effortlessly and not worry about a tair or loose string. She can create herself into exactly who she wants to be. And then there is me. Who has to fight every zipper, glare at every neckline, and gripe at worn out areas that have rubbed and tugged to try and fit my untamed figure. The clothes that disguise me only entangle me in a world of self hate and disappointment. The number or letter on the tag become scars tattooed in my brain of three words: not skinny enough. I remember when a boy in line during the 4th grade called me fat *** I remember when I was taken by my mother to a store that "might have things that fit better." I remember looking at pictures of myself next to my friends and instantly comparing every inch of myself to theirs. I remember when I looked at myself and thought, "maybe if you lost 20lbs. you would be attractive." When the Seamstress looks in the mirror she sees a canvas. A challenge. A body that will fit herself. When I look in the mirror I see a girl fighting to fit in her body. I see those memories of hiding behind baggy sweaters. I see countless dressing room breakdowns. The seamstress must have harsh eyes. She must have her own burden. Her clothes may be her own, but is it all a disguise to hide herself too?
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Aug 21, 2015
Aug 21, 2015 at 9:43 AM UTC
Ode to the Seamstress
Admiration is a word that comes to mind when I think about her work. The seamstress only has to imagine and she can create a masterpiece of herself. With every thread, button, and hem she tells a story. She represents herself with every outfit. Her work molds to her every curve and bump. She can move effortlessly and not worry about a tair or loose string. She can create herself into exactly who she wants to be. And then there is me. Who has to fight every zipper, glare at every neckline, and gripe at worn out areas that have rubbed and tugged to try and fit my untamed figure. The clothes that disguise me only entangle me in a world of self hate and disappointment. The number or letter on the tag become scars tattooed in my brain of three words: not skinny enough. I remember when a boy in line during the 4th grade called me fat *** I remember when I was taken by my mother to a store that "might have things that fit better." I remember looking at pictures of myself next to my friends and instantly comparing every inch of myself to theirs. I remember when I looked at myself and thought, "maybe if you lost 20lbs. you would be attractive." When the Seamstress looks in the mirror she sees a canvas. A challenge. A body that will fit herself. When I look in the mirror I see a girl fighting to fit in her body. I see those memories of hiding behind baggy sweaters. I see countless dressing room breakdowns. The seamstress must have harsh eyes. She must have her own burden. Her clothes may be her own, but is it all a disguise to hide herself too?
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31
Enter the designer: *"Move gracefully while ties bind you suspended  with 2 swords pointing at your throat don't forget to show your fierce face while upside down and flopping uncontrollably you must be my definition of perfection. Now lose 5 pounds for my needle and thread cannot conform to your body! It is my garment you must fit not the other way around! Walk the catwalk and toss your hips to and fro, you are not good enough! Chin down darling it is so much more becoming. Oh how I'd wished you wore a shorter top making your legs run on for miles and miles. Your plunging neckline becomes you since you have nothing up top. Stick to greens mostly, a little mint and sage should spice up that lettuce bowl and drink nothing but water now I wouldn't want you to spoil the seams I've sewn for you"* Truth: Bone structures and pouting lips, thigh gaps and protruding hips, tiny waist lines and judding shoulders You are Barbie, plastic as can be you are a paper doll majesty Dressing you up, dress you down   Don't dare grow old so don't let your hair down There shall be no relaxing for you From your high cheek bones to your flawless skin tone. **Modeling icon of anorexia for generation upon generation for little girls with dyslexia of the natural body image Creating dysfunction in societies views of what health and beauty is to all girls.**
0
Jan 24, 2014
Jan 24, 2014 at 3:15 PM UTC
Barbie
The legends won't tell of Arthur when he fell in love when he swooned for the arm that held Excalibur extended out to him how he did a double take and stuttered and gawked at the simple beauty of her flawless freckled skin. And in this moment I behold the Lady of the Lake her divine completeness: holy and whole. Elegant sloping shoulders a regal neckline pleading to be united with loving lips in an everlasting caress. Water droplets dripping from her form-- reluctant, wishing they could reverse the laws of nature fall up from the surface to bead and cling to skin again-- desiring to be as close as we as she entrances me with emerald eyes rivers of red hair enchanting lips that know no equal. She's won me over and she drags me under below the water beneath the lapping waves. The ripples on the surface echo my farewell to the world.
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Jun 2, 2014
Jun 2, 2014 at 1:23 AM UTC
Lady of the Lake
the heart feels a gypsy the mind a vagabond the eyes get misty by the lilies in the pond bloom the petals pinkish smudged with streaks of white swaying slow by wind's kiss glory displayed bright upon the slender neckline crowns of innocent smiles fill all dark with sunshine wipe out weary miles o traveler feel the invite merrily pause to respond be a while in sunlight among the lilies of the pond
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Jan 27, 2016
Jan 27, 2016 at 10:05 AM UTC
Water Lily
Skin as White as Winter Snow Legs as Boundless as the Sea, Stationed in Venice or Bordeaux From Blue-collar to Bourgeois. Hair is Chic, Yet not Pristine Soft and Cropped and Fine, Cheekbones High a Distinct Ravine Embellished by a High Neckline. Undefined Peaks and Troughs   Cumbersome and Lank, Garnished in the Finest Cloth Awash with Unassuming Swank. Miss Androgynous hear my call For I've Become a Virile Gent, I Yearn for your Unwieldy Frame That God in Heaven Sent February 2011
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Apr 3, 2011
Apr 3, 2011 at 3:11 PM UTC
Miss Androgynous
**** bruh! call a bomb squad (bo[ɑ]mb squa[ɑ]d) for there's a bomb— —shell here, whose rear evokes a somewha[ʌ]t unholy, wrong thought (wro[ɑ]ng thou[ɑ]ght) reminds him of a jihadi-done job (jihadi-done jo[ɑ]b) 'cause this bum's (boom) banging; this honey's dancing boldly & lewdly, got his jaw dropped (ja[ɑ]w dro[ɑ]pped) his sight's fixed on her hips, she's beyond hot (bey[ɑ]ond ho[ɑ]t) this gal's freaking blazing his hand's in offensive motion for her hind part a haptic invasion she moves on from wining to fondling, she's eager such a luscious body, killer figure (body) disguised with a tank top with a low neckline & tight-fit cropped pants she's like: "make me high like a rooftO̲p nearly reaching the sky; give me a tI̲me so exquisite that I̲'ll be left speechless when this ro[ɑ]mp's over" she's none short o'... a mind-blower, like a gun-toter blowing a brain of a **** hound wrongdoing ('bout time to strike a hunting seas-on up on these **** she digs vicious, dark-sounding music but also doesn't mind to bounce her tushie to 90-100 bpm party-sound tunes
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Oct 18, 2019
Oct 18, 2019 at 4:24 AM UTC
an unholy verse ("Bad And Boujee" hook parody) [remade into another poem]
thrumming bass pumps into my body an electric pulse, thumping through my bones, zapping my veins and frying my nerves creating static as the golden drops pour into my ears hair flying around my head in a wreath of hell the speakers sing *I'm ****** up, I'm black and blue. I'm built for all the abuse. got secrets that nobody knows. I'm good on that ***** **** I dont want what I can get. I want someone with secrets that nobody knows. I need a gangsta, to love me better, than all the others do...* a tech hum fills my body bodys sliding in tune with the tempo hands run on hands run on back and thighs the song croons with delectable bass got me up so im barely breathing... fingers trace my neckline and I bend with the notes eyes closed hands clasped swirling in a mob of people, all surging with the beat the energy is high, and seeping in through my skin i drink it all in
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Aug 13, 2016
Aug 13, 2016 at 11:56 AM UTC
Music In My Veins
Sometimes I tire Of the gravity of life And wish to ride with Gypsies Dance with tambourine And raven haired beauty With sultry smile And plunging neckline A peasant dress And raging fire... One can dream..... r ~ 12Feb14
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Feb 12, 2014
Feb 12, 2014 at 9:51 PM UTC
Gypsy Dream
Sensual Spaces the slightly parted lips, beseech your entrance, plead for a soft gracing, a closing grazing, a memory of {entice consummate consume}, complete, fulfill, long remembered far long, far more, than the interminable sea voyage of the ordinary, pressing drowning locking, rinse repeat... half an inch, less even, much less, separates two dancers, a gulf, so much more arousing than a can't-breathe grasping embrace, an exercise to wondering where the real pleasure kept... be in no hurry tarry, slowly, seek out the spaces between each finger, all an invitation, all a question mark, awaiting filling, answering... yours in mine, mine in yours, lock down this connection, valley spaces tween peaks needy for the rain of touch, the sun-skin heated insertions, does not the curvatures of her neckline, cry out for hands and lips attentiveness, a space continuum {~} [^] <|> +-+ % t'is the almost, the last step, to the first kiss, the closing connection, of that first hand-holding, crossing over the last span of the bridge, the lowering of the final descent to the shock of first insertion, the wooing nearness of a n'ere forgot scent, the last step to the first step, that first closure, that is the final entrance to sensual spaces, hallmark passage gateway found and instantaneous lost, that is ever-treasured as that door just opening and as fast closing to love ever after...
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Feb 21, 2015
Feb 21, 2015 at 2:21 AM UTC
sensual spaces
~ *Bergamot morning the astronauts are sleeping and she dreams like a mannequin ceiling stars abound like hummingbirds in celestial flight about the nectar of young bodies, young machines we drew a map together from burst to bloom from fever to neckline from scale to mirror pretty scar, a thing of awe when the curious girl realized she was under glass raining in time lapse she traversed me ad rem with might and main I didn't have the heart to wake us from her brainchild's motif* ~
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Jun 8, 2023
Jun 8, 2023 at 2:07 PM UTC
Her Space Holiday
evokes memory. hung on a chair, plush velvet, sheen and colour, plum with lace. sparkling neckline. the scarf, subdued blue hangs over. i kept looking at the contrast while they talked. there is another dress i have drawn. not photographed. sbm.
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Jan 28, 2014
Jan 28, 2014 at 2:42 AM UTC
the dress
One day I sat down in my bathroom, Might be because of the cold wall behind me Or maybe because what I just saw in the mirror "the new me". I saw a deep skinny girl apparently me The thinness of the neckline scared my soul, The pale color covered my whole, Lips were darkened, Eyes were dull, Face looked like almost dead, That day I felt the most lethal fear of mine. Commonly named as BODY SHAMING.
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Jan 19, 2018
Jan 19, 2018 at 7:53 AM UTC
#BODYSHAMING
Aubrey took in the dame in the red dress, her hams moving under the tight cloth, her ringed fingers showing as she moved her hands, the pointed dugs like small noses pressed against the redness. He took in her hair, noticed the colour, the waves, the   highlights. He sipped coffee. Cappuccino, white froth on his upper lip, wiped off with the back of his hand. She stood window shopping; stood moving her legs, her hams in **** motion still. He leaned back. He eased against the chair. She had stooped forward. Her eyes price gauging, hands behind her back, holding a hand bag, rings showing. He settled on her neckline. A necklace, silver, a cross without a Christ. She turned and gazed up the shopping mall. She sighed. He watched. Sipped coffee. The waitress who brought it walked with a wiggle. Tiny backside, tight, she thin as if some Modigliani dame. She walked by holding an empty tray. Wiggled, head level. The dame in the red dress turned and faced him. Their eyes met; green on brown; hers on his. She looked away taking nothing of him. He drank in her eyes and mouth; lingered in his darkroom mind. He sipped again. She folded her arms, handbag hanging, eyeing her small gold watch. Aubrey took in her legs, the hairlessness, the silk smooth suntanned legs. Younger he may have drooled; now he just gazed and gazed. She looked up the long mall. He sat up and downed his coffee. Her Romeo, if such, arrived. They embraced; he swung her around. Excitement, bright eyes, smiles. They walked off. Aubrey watched her go, not unhappy or ill, he'd had his sight and had his fill.
0
Aug 8, 2013
Aug 8, 2013 at 10:10 AM UTC
DAME IN THE RED DRESS.
Aubrey took in the dame in the red dress, her hams moving under the tight cloth, her ringed fingers showing as she moved her hands, the pointed dugs like small noses pressed against the redness. He took in her hair, noticed the colour, the waves, the   highlights. He sipped coffee. Cappuccino, white froth on his upper lip, wiped off with the back of his hand. She stood window shopping; stood moving her legs, her hams in **** motion still. He leaned back. He eased against the chair. She had stooped forward. Her eyes price gauging, hands behind her back, holding a hand bag, rings showing. He settled on her neckline. A necklace, silver, a cross without a Christ. She turned and gazed up the shopping mall. She sighed. He watched. Sipped coffee. The waitress who brought it walked with a wiggle. Tiny backside, tight, she thin as if some Modigliani dame. She walked by holding an empty tray. Wiggled, head level. The dame in the red dress turned and faced him. Their eyes met; green on brown; hers on his. She looked away taking nothing of him. He drank in her eyes and mouth; lingered in his darkroom mind. He sipped again. She folded her arms, handbag hanging, eyeing her small gold watch. Aubrey took in her legs, the hairlessness, the silk smooth suntanned legs. Younger he may have drooled; now he just gazed and gazed. She looked up the long mall. He sat up and downed his coffee. Her Romeo, if such, arrived. They embraced; he swung her around. Excitement, bright eyes, smiles. They walked off. Aubrey watched her go, not unhappy or ill, he'd had his sight and had his fill.
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60
Favourite nerve-wracking days meet carefully sweet irony Journeying continues, insinuating ignored answers Porcelain begs, hoping painful exists Difficult burning overcame caring tender memories Doctor specifically outlines: indefinite, obscure, bland reality Endlessly changing predictions force desperate safe haven nothing helps Miss doll lovely, perfect, shaken, abandoned, sick, dead Wishing stops, scarring trust, tearing irrelevant curiosity, keeping nightmares closer Month, month, month, month Repetitively wrecked voice struggling situations Oh, Miss doll lovely, secure, particular, neutral, enveloped, unglued Spontaneity analyzes fortifications forcing unprotected souls overtaken faces wearing hurtful aspect Month, month, month, month Intravenous consequences silver surgeon irrelevant grace upon her heavy neckline medicated extremities Oh, Miss doll lovely, designed unconscious, forced, weary, sober, sedated Friends opinions especial curiosity suppressed predictions believed feet solely on Reason Street accompanied by Pushing Negativity nothing’s changing Second, Minute, Day, Week, Month, month, month, month Oh, Miss doll lovely, evident, profound, bare, suffering, dying Loneliness laughs limits reached heartbreaks stated emotional crashing déjà vu stays, a wishful memory deceit captivates each: Second, Minute, Hour, Day, Week, Month, month, month, month A curve catatonic victim tattered at gates of steel guarded grasping winter greatest attempts trying to understand Nurse, feet, ankles, organized steps communications understandings Fractured faces cry broken tears honest weak calling home hurts useless moonlight lips Month, month, month, month, Year, year, year, year Oh, Miss doll lovely, not waking, haunting, insane, blackened, cold
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Dec 1, 2010
Dec 1, 2010 at 9:07 AM UTC
Oh, Miss Doll Lovely
Favourite nerve-wracking days meet carefully sweet irony Journeying continues, insinuating ignored answers Porcelain begs, hoping painful exists Difficult burning overcame caring tender memories Doctor specifically outlines: indefinite, obscure, bland reality Endlessly changing predictions force desperate safe haven nothing helps Miss doll lovely, perfect, shaken, abandoned, sick, dead Wishing stops, scarring trust, tearing irrelevant curiosity, keeping nightmares closer Month, month, month, month Repetitively wrecked voice struggling situations Oh, Miss doll lovely, secure, particular, neutral, enveloped, unglued Spontaneity analyzes fortifications forcing unprotected souls overtaken faces wearing hurtful aspect Month, month, month, month Intravenous consequences silver surgeon irrelevant grace upon her heavy neckline medicated extremities Oh, Miss doll lovely, designed unconscious, forced, weary, sober, sedated Friends opinions especial curiosity suppressed predictions believed feet solely on Reason Street accompanied by Pushing Negativity nothing’s changing Second, Minute, Day, Week, Month, month, month, month Oh, Miss doll lovely, evident, profound, bare, suffering, dying Loneliness laughs limits reached heartbreaks stated emotional crashing déjà vu stays, a wishful memory deceit captivates each: Second, Minute, Hour, Day, Week, Month, month, month, month A curve catatonic victim tattered at gates of steel guarded grasping winter greatest attempts trying to understand Nurse, feet, ankles, organized steps communications understandings Fractured faces cry broken tears honest weak calling home hurts useless moonlight lips Month, month, month, month, Year, year, year, year Oh, Miss doll lovely, not waking, haunting, insane, blackened, cold
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125
there's a secret place i found to keep my fear to hide my tenderness & be vulnerable -- it's next to the smallest bones in your inner ear the fluid skin blanket of your swooping neckline lily-soft & somehow stiff enough to break open my seed-pod heart the one i thought no one could pry apart but with rosebud ******* -- lips -- the figure of biblical magdala takes me away from a lone satsuma tree raising its shriveled offering from the crippled earth on sunday strolls through duckpond parks kicking cobbled streets of augusta block or scooping water at me smiling in cutoffs on a hot hometown riverbank you came to me on barefeet out of the smoke & rain silence where i was invisibly sobbing where heat-lightning waltzed sneaky-pete over the prairie & what are you if not a rain -- a zephyr flowing through stone temple just as the dry-mouth dog days of summer brought hell's fire across the southern field so i've abandoned the hermetic existence & buried my old dead shell with a harp song hail glory to the contortionist god vaulting off the balance beam in the back of my mind beneath the rain soaked topsoil of dawn among the mound palaces of ants & mourning mud hornets while the gray shadows of the magpie dance & writhe on the mosaic faces of the trespassed lupine forest & the sun still comes up on time big gold fluttering like a delusional cicada over the empty pink street i'm still fidgeting because clouds with tails like jellyfish sting with rooted memories of azaleas but you kiss away my all my latent restless gypsy fears & keep the harsh light dimmed or wrapped in heat-foil in your front dress pocket & you only give it back to me in brief drips -- pinches -- wet tongue kisses -- we talk with our eyes as only animals can our butts in the damp sand beside the breathless sea where streaked clouds seem free to finger the horizon but are cut by the city skyline -- a switchblade
0
Nov 23, 2016
Nov 23, 2016 at 11:44 AM UTC
wrapped in heat-foil
there's a secret place i found to keep my fear to hide my tenderness & be vulnerable -- it's next to the smallest bones in your inner ear the fluid skin blanket of your swooping neckline lily-soft & somehow stiff enough to break open my seed-pod heart the one i thought no one could pry apart but with rosebud ******* -- lips -- the figure of biblical magdala takes me away from a lone satsuma tree raising its shriveled offering from the crippled earth on sunday strolls through duckpond parks kicking cobbled streets of augusta block or scooping water at me smiling in cutoffs on a hot hometown riverbank you came to me on barefeet out of the smoke & rain silence where i was invisibly sobbing where heat-lightning waltzed sneaky-pete over the prairie & what are you if not a rain -- a zephyr flowing through stone temple just as the dry-mouth dog days of summer brought hell's fire across the southern field so i've abandoned the hermetic existence & buried my old dead shell with a harp song hail glory to the contortionist god vaulting off the balance beam in the back of my mind beneath the rain soaked topsoil of dawn among the mound palaces of ants & mourning mud hornets while the gray shadows of the magpie dance & writhe on the mosaic faces of the trespassed lupine forest & the sun still comes up on time big gold fluttering like a delusional cicada over the empty pink street i'm still fidgeting because clouds with tails like jellyfish sting with rooted memories of azaleas but you kiss away my all my latent restless gypsy fears & keep the harsh light dimmed or wrapped in heat-foil in your front dress pocket & you only give it back to me in brief drips -- pinches -- wet tongue kisses -- we talk with our eyes as only animals can our butts in the damp sand beside the breathless sea where streaked clouds seem free to finger the horizon but are cut by the city skyline -- a switchblade
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52
That pretty neckline in your dress Sure gives my blood a rush My eyes are going cross-eyed For what I long to touch That fragrance smells so sweet on you My discipline could give in So please don't lure me closer Where the troubles could begin Don't lead me temptation I can find it on my own You give me palpitations No heart could take it long I've loved you in my fantasies And, Babe, you know it's hard Temptation 's gonna break my will If I don't leave old Dodge There's a line that I can't cross There's some scruples I can't bend I've been lucky not to stumble Though I know how close it's been While I love you in a special way Trying to love two loves is cold And I can't hold up the middle long I just can't play that role..... So don't lead me to temptation I can find it on my own You give me palpitations No heart could take it long I've loved you in my fantasies And, Babe, you know it's hard Temptation's gonna break my will If I don't leave old Dodge
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Aug 28, 2010
Aug 28, 2010 at 4:38 PM UTC
Don't Lead Me to Temptation
I really have a soft spot for winter weather It’s sweater time It’s scarf time It’s cuddle time…or a-little-more-than-cuddling time And it’s sweaters and scarves indoors time because people seem determined to hide the aftermath of mouths that have overstayed their welcome In the corners of shoulders and collarbones Tracing tracheas to chests and lingering just out of reach of lips And because I’ve been taught to hide these marks, I do But if I could, I would accessorize with necklaces of purple and blue Passionate hues that grow from teeth and tongues Can you paint with all the colors of the Winding veins that spindle into spirals around blood and bones and vitals Can you decorate the blank canvas of my neck With Rorschach tests that I’ll spend the next few days Analyzing and decoding Finding new shapes just for fun And then we’ll start again with stripes and spots and splotches Remembering that the fireworks we call cliché are interchangeable with capillaries Bursting under layers of skin To later be concealed under layers of cloth And people will blush when the consistency in their color is questioned And they’ll tug their collars higher But I’ll always have a love for the fact that these are bruises that come from beauty That these bodies end up damaged in the most gentle of ways And please don’t put a negative spin on damage Because I know of people that will spend all kinds of money for outfits that look like they’ve been through hell and back Because distress is a style and the aesthetic is stunning And even though people joke as they will I’m secretly proud to wear a badge of black and blue On the corner of my collar claiming You Were Here And I’ll pin one to your neckline Signed and dated I Was Here And the blood that we’ve drawn to the insides of each other’s skin Only mirrors the blush that appears on my face when I smile and think I really am lucky to have you And it’s sweater weather outside so these bruises will stay confined Under the snowy scarves we’re told to keep But I’ll admire this art as it fades through the week Tracing over physical proof of nights that fall into the past And scrutinizing the speed at which they do Adoring the marks that no one else seems to Because aftermaths confirm realities And I could never disdain the colors that tell the world who we are to each other And how we stay warm in the winter
0
Nov 22, 2014
Nov 22, 2014 at 10:13 PM UTC
An Ode to Hickeys
I really have a soft spot for winter weather It’s sweater time It’s scarf time It’s cuddle time…or a-little-more-than-cuddling time And it’s sweaters and scarves indoors time because people seem determined to hide the aftermath of mouths that have overstayed their welcome In the corners of shoulders and collarbones Tracing tracheas to chests and lingering just out of reach of lips And because I’ve been taught to hide these marks, I do But if I could, I would accessorize with necklaces of purple and blue Passionate hues that grow from teeth and tongues Can you paint with all the colors of the Winding veins that spindle into spirals around blood and bones and vitals Can you decorate the blank canvas of my neck With Rorschach tests that I’ll spend the next few days Analyzing and decoding Finding new shapes just for fun And then we’ll start again with stripes and spots and splotches Remembering that the fireworks we call cliché are interchangeable with capillaries Bursting under layers of skin To later be concealed under layers of cloth And people will blush when the consistency in their color is questioned And they’ll tug their collars higher But I’ll always have a love for the fact that these are bruises that come from beauty That these bodies end up damaged in the most gentle of ways And please don’t put a negative spin on damage Because I know of people that will spend all kinds of money for outfits that look like they’ve been through hell and back Because distress is a style and the aesthetic is stunning And even though people joke as they will I’m secretly proud to wear a badge of black and blue On the corner of my collar claiming You Were Here And I’ll pin one to your neckline Signed and dated I Was Here And the blood that we’ve drawn to the insides of each other’s skin Only mirrors the blush that appears on my face when I smile and think I really am lucky to have you And it’s sweater weather outside so these bruises will stay confined Under the snowy scarves we’re told to keep But I’ll admire this art as it fades through the week Tracing over physical proof of nights that fall into the past And scrutinizing the speed at which they do Adoring the marks that no one else seems to Because aftermaths confirm realities And I could never disdain the colors that tell the world who we are to each other And how we stay warm in the winter
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46
(A Choreopoem after Ntozake Shange) Babbling publicly into your phone the tragedy’s yours, and yours alone: messages from your dysfunctional city inflicted in Afro-eccentricity. Turn off your phone and spare us the drama. Look for change from the Lord (not Obama)… Quit twitching your neckline, stop making that face there’s nothing you merit because of your race; no right to entitlement. Take it to God— we hope He will change you, but spare the rod. And we pray He does change you, put “yes” in your can; and that change that’s left over (from Savior to man) might enlighten your heritage, lighten your load help you calculate more or less what you are owed in dollars or dignity (afro-semantics) while twittering radically militant antics. A debt unforgiven: this claim someone owes you some change in a can that black history shows you your hopeful presumption is scant reparation for ghetto entitlement fouling our nation. Go harvest your madness and reap what you’ve sown now that tares have sprung up as you blab on your phone now that reapers are ready—the data-plan paid and our melanin levels beginning to fade… I’ll shout from your rooftop until you’ve heard and the crackers get fed to the mockingbird.
0
Apr 4, 2016
Apr 4, 2016 at 10:36 PM UTC
For Culrd Grlz who Yak on Phonz (when Afro-silence iz Enuf)
The seats are aging Orange leather with Cracked faces the Lines of wisdom Of ninety Thousand sitters. Entire ecosystems Live on the shining Polished silver of Handles dulled By sweaty palms. Sightline through A window A passing loco Blurred brief Images of Unknown faces. Sightline to the Chamber behind The metal snake Winds down the track A touch of vertigo From uneven motion. Sightline to Cascades of light Brown curls Flowing over Porcelain shoulders. Smooth skin Sweet as aspartame Skii slope neckline Heavenly form Yellow dress Slight movement To the heavenly forms Pouring through White earbuds. Sightline to Sightline Meet in the air Muddy brown Graced by Kaleidoscope Greens yellows hazels browns Electric charge No other passengers Perceive. The doubled thump Wump Picks up speed with a Coy smile A sunrise blossoming Over Eden The birth of an Angel The thirst of desert Sands Quenched. Beauty erupts From the shared gaze Held 6 stops Past hoyt-schermerhorn. Immediate Immaculate Connection Fire through the air Static charge Primal lust Infinite joy If I could just Say hello Hi You've enraptured My soul The epitome of Beauty. I sit instead Stuck Deer in headlights **** My twisting insides The grey says Such monstrous Things to itself. Her stop. **** Broken gaze, Disconnected From the maze Of her eyes. I lament. Sightline back To page: "Those that have crossed paths are not memories Nor is the yellowish dove that sleeps in oblivion..." I lament some more At the poignancy And the loss of a stranger Made just for me. She probably would've Broken my pumping Gears anyway, Sayonara, c'est la vie.
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Sep 3, 2012
Sep 3, 2012 at 10:48 PM UTC
--Sixty Nine: Riding The G Train--
The seats are aging Orange leather with Cracked faces the Lines of wisdom Of ninety Thousand sitters. Entire ecosystems Live on the shining Polished silver of Handles dulled By sweaty palms. Sightline through A window A passing loco Blurred brief Images of Unknown faces. Sightline to the Chamber behind The metal snake Winds down the track A touch of vertigo From uneven motion. Sightline to Cascades of light Brown curls Flowing over Porcelain shoulders. Smooth skin Sweet as aspartame Skii slope neckline Heavenly form Yellow dress Slight movement To the heavenly forms Pouring through White earbuds. Sightline to Sightline Meet in the air Muddy brown Graced by Kaleidoscope Greens yellows hazels browns Electric charge No other passengers Perceive. The doubled thump Wump Picks up speed with a Coy smile A sunrise blossoming Over Eden The birth of an Angel The thirst of desert Sands Quenched. Beauty erupts From the shared gaze Held 6 stops Past hoyt-schermerhorn. Immediate Immaculate Connection Fire through the air Static charge Primal lust Infinite joy If I could just Say hello Hi You've enraptured My soul The epitome of Beauty. I sit instead Stuck Deer in headlights **** My twisting insides The grey says Such monstrous Things to itself. Her stop. **** Broken gaze, Disconnected From the maze Of her eyes. I lament. Sightline back To page: "Those that have crossed paths are not memories Nor is the yellowish dove that sleeps in oblivion..." I lament some more At the poignancy And the loss of a stranger Made just for me. She probably would've Broken my pumping Gears anyway, Sayonara, c'est la vie.
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even from a distance she wants to make sure that you are looking at her even if you are not she will see to it that her un-plunging neckline is not plunging and no flesh shows where the t-shirt is just a bit short, a royal hand run through flowing hair when you pass her she will say it without say, it is she who is passing, make way then when she draws close, as much as a hug a cell phone emerges as if by magic in her clasp stares at it unblinkingly, places it regally to the ear and before you never see her again in your life there is that hint of a smile hook like at the corner of her eyes
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May 7, 2016
May 7, 2016 at 1:39 PM UTC
her highness the afternoon city shopper passes by...