it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed

with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds

the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;

moments when my once more illustrious arms
are filled with fascination, when my breast
wears the intolerant brightness of your charms:

one pierced moment whiter than the rest

—turning from the tremendous lie of sleep
i watch the roses of the day grow deep.

Frozen in the darkness silence peacefully shrouds me
hoping that I am breathless, praying he wont see,
this sublime sorrow I am gasping in the pain
swallowing bitter tears seconds from insane.
Defining the emotion each and every time
trying not to echo, balancing on the line,
silence is a killer but not my reason to die
hearing in this deafness will always make me cry.
The shadows over take me, speak the unspoken curse
just as well I am dying can't bear to smell this hearse.
Weighed down by lost tomorrows my memory finally broke,
why is it always my own hands gripped to make me choke?
His hug comforts my stomach blindly in his sleep
not knowing in this darkness my eyes can't help but weep,
obscurity plays around me tries to steal my breath
every time I close my eyes I know I’m close to death.
Panic underestimates the power the black withholds
carving me so gently, painless as it moulds
I sweat out my reaction cause words can't find a voice,
helplessly devoted to lay I have no choice.
Everything suffocates can't bear to close my eyes
repeated optimism as I see how everyone dies,
my mind is there to haunt me it never gives me peace
all the pills digested at will, still wont make it cease.
Night is a blur now confused by chemical reaction
convulsions rage as death excels performing its extraction,
in the mix I see his face traumatised by my choice, it's made
but time has gone his actions futile as sight begins to fade,
regret stabs flesh repentantly too late to change effect
I know he’ll cry forever at his failure to correct.
My selfish, vengeful actions will speak louder than my word
he never seen the suicide…do you think he finally heard?

It is often when I tend to pause and introspect  on life, my experiences with in in general. It is in such moments, I feel  myself imbibed, yet  so stunned  at the realisation of the fact, that it is so knowingly, yet often most unknowingly that we affect everyone whose life's paths we cross through! It may sure be the case that  we don't mean too much to a person as the other person already does, but then, what we still are mostly unaware of at that moment, is how beautifully, intensely or pathetically does our little acts and attitudes may be already affecting others, and theirs to us. Would our  lives be okay as it is currently, when the same situation is just altered a little by deducting air from it? Would we still be sitting so patiently as we are now, even if everything was same, except the mere deduction of water from our life? The mere absence of shelter and food yet again are the elements, whose mere mention of absolute deductance would be good and great enough to stop the mere throbbing of our heartbeats which might already have slowed or rather started being too swift by now!
It is interesting, how some elements are just a trifle to be valued, before we realise how worse our lives could be
only by their absence, or well departure! Doesn't that same rule applies for us people too? Most don't value  the hardworking yet lowly paid people like a builder or the labourer who builds their House, or mansion, as much as they value their guests and inhabitants that get into it after it's finally finalized. The guest obviously are worth the praise but aren't those
labours?  ask this to yourself for a moment, that what would your house be like if there were no labourers to make that happen! The house that keeps us safe and cosy now, is but many  day and night's struggles of someone who worked hard to make it happen in reality. He, his soul deserves to be praised for making your dream, your dream home come alive! It often makes me smile at some kindered souls whose ultimate profession is working for humanity, it's wellness, It's enrichment, It's improvement, and it's best progress, therefore I can't help but smile wide, when I come across a truly  honest teacher, doctor, mentor, poets or writers ever. They have a spark that's so  refreshing, inspiring and contagioud! They indeed are those eminent souls who nurture and enrich the souls of others so piously and profoundly, and it is often that they are just  so unaware of this preciousness and the greatness they so majestically possess!They pour in us, the true essence of the goodness our world is made up of, and make us feel a like a viable part of it. They brighten our days. it's a blessed blessing to be in the company of such gems, truly!

Afterall, us humans are so alike the state of matter called 'liquid', that is known for its 'adaptability' .It hardens and softens with  the change in temperature. sometimes hardened by our outer world's that haunts us often, yet are very eagerly  inter-convertible. And it is hence, when  the truest, and enlightening essence of  eminent souls touch us, embrace us, we transform in their moulds, sometimes and little and sometimes a lot. Sometimes very finely, and sometimes too coarsely, built in a confined type with the advent of time, and it is then, years after years, we become a person and then a personality that we let time , and the people that tread through it, in our lives transform us into. Every little to large element affects us, in ways we often don't know of. Everything teaches and tells us of life it's stories, it comes with lessons, and our hearts, out consciousness perceives them too, from time to time. We  shape mysteriously, yet so mysteriously   in and into the vessel of life eventually, that we interestingly don't realise the intensity of the change until someone else remarks us of it, and makes us realise it. These changes are just this mystical and inevitable! And change is the law of time.

i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.

A man is only half of what he is; always leaning towards the dim
Lacking a flouted need which whorls in the mute within him
A man bigots an ideal and will lark it away at the hold of his routed pith
A smile is not worthwhile if the smile does not have anything to receive or to give

A man is skyless; bound to his back with his dreams fixed on a rapture
He gorges upon tasteless feasts gasping for that sup he hungers to recapture
He does not know nor recall the times that did once befall
Of the lossless suffers and how they ever meant anything at all

He will become the most that he can ever endeavour
Be the creature he needs to be and whichever
Way it may engross him and how it moulds or claims him
It will be still him but leaning not so far in the dim

He would be a whole man who would give himself wholly
Who would be more and only more to her and her solely
His full heart would be tendered for it would not be his own
If it was still partial of the heart that had since budded and grown

A man would be raised and the sky would be without border
A bliss amid clouds where the undiscerning muddle finds order
There would be a sense to the road an approach to the wander
A reason for all a kiss a need to ponder no longer

There would be such rise in his depth and a contest behind bit teeth
To fight for the purposed kiss to hold her and keep her from grief
To offer her all embrace not too tense and not too slack
For her to breathe is to breathe; now half new he would never give it back

To be back upon his back with eyes busy to the sky
His bones broken as her feet glide indifferently by
Over his stare among cloud where she impelled his descent
He’d lay fallen and broken beaten and bent

If Half a man became whole does a whole man not become naught?
If he fights for a dearest never afore dreamt dream then what is left to be fought?
Was it his minds misgivings that would lead to such a trite giving reliving to doubt?
That surfaced more than he knew; the intended whisper instead a floundering shout?

Would it have been his heart that threw him from his felicity?
Could his relish overwhelm and mutate into potent toxicity?
Could it be fact that without thought nor without tact he impelled her?
Either overthought or over loved he would have fallen the hardest and he would not rise
No he would not rise anymore

If there ever was such a man and ever such a she
He would have her for as long as that may be
Her greatest gift is after saying all this to you
Is that after knowing all that you could you would feel the same way too.

Tell me, O tell, what kind of thing is Wit,
      Thou who Master art of it.
For the First matter loves Variety less;
Less Women love’t, either in Love or Dress.
      A thousand different shapes it bears,
      Comely in thousand shapes appears.
Yonder we saw it plain; and here ’tis now,
Like Spirits in a Place, we know not How.

London that vents of false Ware so much store,
      In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape;
      Some things do through our Judgment pass
      As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.

Hence ’tis a Wit that greatest word of Fame
      Grows such a common Name.
And Wits by our Creation they become,
Just so, as ***’lar Bishops made at Rome.
      ’Tis not a Tale, ’tis not a Jest
      Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain;
The Proofs of Wit for ever must remain.

’Tis not to force some lifeless Verses meet
      With their five gowty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
      Such were the Numbers which could call
      The Stones into the Theban wall.
Such Miracles are ceast; and now we see
No Towns or Houses rais’d by Poetrie.

Yet ’tis not to adorn, and gild each part;
      That shows more Cost, then Art.
Jewels at Nose and Lips but ill appear;
Rather then all things Wit, let none be there.
      Several Lights will not be seen,
      If there be nothing else between.
Men doubt, because they stand so thick i’th’ skie,
If those be Stars which paint the Galaxie.

’Tis not when two like words make up one noise;
      Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
      Much less can that have any place
      At which a ****** hides her face,
Such Dross the Fire must purge away; ’tis just
The Author Blush, there where the Reader must.

’Tis not such Lines as almost crack the Stage
      When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
      Nor upon all things to obtrude,
      And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define?

In a true piece of Wit all things must be,
      Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt; all Creatures that had Life.
      Or as the Primitive Forms of all
      (If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.

But Love that moulds One Man up out of Two,
      Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
      Correct my error with thy Pen;
      And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ’Tis This.

I think the moulds were broken with humanity,
for if we were perfect
there wouldn't be so many faults
                                    in the mould.

But we learnt to smooth over the  cracks
                      and realise
                                            that we aren't perfect
but together we can mould a better future together.

when we laugh we cry
into a comic masterpiece.
in slow motion we control
what moulds peace
into a letter.

what touch soon grows
attached to the soul
electricity

to close and yet far away
metallic bonds the
cigarette to the hour  glass


and i fold

I knew a man once who could read the trees
He'd stand in a field with nothing on
And look at them for hours
(He couldn't talk to flowers)
But he would pour over every branch
Trace every knot and feel their bark
He translated a sycamore for me once
But oaks and beeches were his favourite
He said he just preferred their type.
The elbow bends told him of seasons
The trunk's tilt told the prevailing winds
Their denseness in relation to their neighbours
Told him all manner of gossipy things.
The colours and the hues told of the soil
The moulds and lichens the local fashions
He'd tell you if they'd ever been frightened
By hippies, chainsaws, axes or lightening.
And as I looked on, I realised something
As I read his naked body with no clothes
This man was obviously a stark raving lunatic.

I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.

We are all born
Creative
Early childhood is all about
Being creative.

Soon, however, life
Steps in.
It tries to ***** out
Our creative instincts
By labelling us
Rebellious
Naughty
Selfish
When we try to do
Our own thing.

It tries to ***** out
Our creative self
By fitting us into
Life's boxes
Life's moulds.

Doctor
Lawyer
Engineer
Accountant.

Go the safe route
Life urges
Go the secure route
Life urges
Follow convention
Be serious!

The adult creative
However
Is the child who
Survives
This onslaught
This manipulation
This war on the
Creative self
And chooses instead
To follow their own path
In life.

The road less travelled.

Where
Fun
Freedom
And
True fulfillment
Await.

What do you choose?

A shorter man that moulds his heart of gold into your every desire.
Or..
A taller man incapable of unwrapping his tin foil heart for even the most simple things you require.

Chasing dreams of perfect heights to hang a perfect wedding picture on that perfect family portrait wall.

Perfect is hard to come by, careful or you'll miss it. Looking in all the wrong places.

Too many expert voices lay a claim on your shape,
You are either too full, or
You have gone too far,
Too many moulds get thrusted at your face,
To some you resemble a pear,
But they feel your should look more double cherry,
And whichever fruit you succeed in turning into,
You still, are a tad too hairy
But then does anyone ever tell you,
That sometimes ice cream will be the only answer
And that is just fine?
That a bedtime prayer can be enough night-time routine,
Which needn't include expensive lotions and creams,
That you need fats as well as you need protein,
As also each little gift that Nature crafted lovingly
For this marvel of a creation that is your Being-
So that your skin is fed and living,
And your knees are lubricated and sprightly,
And your blood is rich and active,
And your soul-
No one will give you
"How I brightened my soul in 4 weeks" tutorials,
But you ought to set your happy soul-goals,
A tummy rub in a sunny lawn on a lazy winter afternoon/
A drenching bath in heavy July rains/
A spontaneous poem effortlessly jotted down on a napkin
Level-happy!
And when you're that happy you will know
That you aren't a cut-out on public display,
Not a fruit,
not a diet,
not a fad that peaks and wanes,
You are an everlasting uniqueness,
You are an undefined shape,
You are that collection of rare energies
That only comes custom-made.

slowly  carefully
as i might an ancient diary
still full of young dreams
and even  perhaps
the salt of young love

it hurts
to carry adolescent obstacles
given my age
and all those hateful skeptics
it hurts how they gleefully profane

yet settled dust is yet dust
i sit willing to love
amid my dust
i sit in ever deeper vasts of love
in existential sacrum wag
kindled crown and fullness breath of all the scents of varied forms of love

lighthouse toes inspire seas ancestors swam
lyric feet to message myth of travels won
my calves and shins  knees and thighs
  crawling climbing walking running jumping kicking at the start
physiologies of courage ****** ahead
as future unmade moulds invite
caress the bodied length intent provides

singing fingers scale my world in chords of gliding love
tips of arcing sensate dawns
diverse as nightsky suns

my palms divine an ever giving gift
no futures could unveil--
the toucher's touching touched
aligning novel insights  wordless as the womb of time:
perhaps a symbol flare could squint
and grant a vision of horizon's end--
another pleasure game
a bonsai love to soften age
another twisting meditation's emptiness in form
as motion stillness spaces words
to perfect pitches  tempos   sound
though all of which will never meet
and never meeting meet
as one

Oh, the great city's madness when at nightfall
The crippled trees gape by the blackened wall,
The spirit of evil peers from a silver mask;
Lights with magnetic scourge drive off the stony night.
Oh, the sunken pealing of evening bells.

***** who in her icy shivers sheds a still-born child.
With raving whips God's fury punishes brows possessed.
Purple pestilence, hunger that breaks green eyes.
Oh, the horrible laughter of gold.

But silent in dark caves a stiller humanity bleeds,
Out of hard metals moulds the redeeming head.

I love you like i loved you, like the sun burns the sky and is a torch for those who are lost and alone and depressed. I love you like i would carve it into a tree, to live forever with the sky and the lovers that pass, lying underneath in the grass; i love you like i would carve it deep into my forearm as though it would scar my skin and i would have it forever lain in front of me. I love you like the ocean feels the sand, and moulds a new earth each time it moves, silently strong and forceful in its journey to meet the shore. I love you like i have lost a thousand hearts and found one in the aftermath of joyous destruction and creation of myself.

I love you like a wall clings to the cold, as i cling to the cold wall, as the wall stands strong and upright and strangely comforting in its form. I love you like i loved you, before the moon rose from the forest, and the sun went to bed in the desert, and each day was renewed at the same time it was ending. I love you like the music that never stops but gives me a ferocious appetite for passionate forever afters, and fairytales of magnificent lust, loss, betrayal and denial, and finally the happy ending. I love you like the birds love the sky, how the wings feel the freedom in flight, how the flap of a wing creates an invisible echo through the invisible air.

I loved you like i loved the scent of the forest after the rain, after the time had stopped and started again, and there was a moment in all of the moments, where i could see the drop of rain die upon the ground and begin again in the earth. I love you like i lost you; an old penny from my purse, an old reciept for that thing i wanted to return but never did, like my mind that runs from the heart that beats inside of me for you. I love you as i love the old time western movies, I love you like i love the good times from my childhood, innocent and happy, i love you as i remember those things i had forgot in forgetting the bad times.

I love you like the grass that lives on despite what horrid beings we are in the way we trample over it with no respect for its grace of being alive for us, and has withstood the test of time to be here. I love you like i loved you, like the stars internally combust to be born, a black firework that no-one can see, hear, feel, touch or sense, like the dried coffee cup laid out to be cleaned with remnants that you were 'here'. I love you like i love words, I love you like i love the meaning in the verb, the noun, the alliteration, the juxtaposition, the allegory of sea faring tales of pursuit, courage and defiance and success.

I love you like i love you. I love you like i expect to love you. I love you from my mistakes, my pride, my egoism, my negative voices, my shaking hands, my pain. I love you from my freedom of loving you, from the cartwheel, candy floss, on-the-edge of the world, 'hold on to your pants', rollercoaster, anticipation of unspoken words, the promising anticipated kiss and the touch from your skin to mine, kind of once-in-a-lifetime, love.

I loved you like i love you, like i love you, like i loved you.
For all these reasons are unknown and known and forgotten and remembered,
I love you, with every cigarette stained breath, from every sip of *****, from every regretful one night stand.
I love you, from the ink stained fingers of writing forget me not, from the abundance of joy in my heart, and the exploding passion in my volcanic mind, and from the look in my wise deserving eyes.

I loved you, for loving you, for loving's sake, and for you, for me and for, love.

Black widow, waiting for a strike,
Crouching small, behind your mike.
You love to see contestants cringing,
This is a quiz; it’s not a lynching.

Face ******* up behind her glasses.
I’ve seen better bums on lasses.
Centre spot on stage she poses,
A jagged thorn on jet-black roses.

She’d like us to believe, I think.
She’d never be the weakest link.
Superior look upon her face,
Shame about the old boat race.

What’s this I see? You have a degree?
Still, you’ll never be as good as me.
Who chose that dress? Don’t like the shirt!
She loves to dig and throw the dirt.

Oh! And you belong to Mensa.
I’ve never met anyone who’s denser.
This is a quiz, I hope you know?
You’re the weakest link; you’ll have to go.

She earns more money than the Queen.
She’ll never be an old has been.
Was she born or just invented?
Let’s hope the moulds been lost or dented.

Where do you come from? No don’t know it.
Still you’re common and you show it.
I’m from Liverpool; I’m a Scouse,
You ought to see my big fine house.

It’s easy when you have the answers; see!
Too believe you are much cleverer than we.
But you’re not that clever, Ann we think.
Oh and one more thing, I Hate That Wink!

there's no point writing out what poetry is... if you don't actually write it.*

a whiskey prior noon,
too soon, too soon,
too soon?
i'll be cooking a turkey curry later,
a whiskey prior noon,
too soon, too soon,
too soon?!

rhyme or rhythmic, perhaps the latter
in Dante's trinity of rhymes -
poetry of the near-illiterate,
who never read as much as could
have been -
thinking it out as origin and originals -
a man without influence is
not worth reciting -
                                   he'll still have to borrow
the life of a Henry VIII somehow,
whether he has or hasn't read a book
concerning the man -
while the Vatican emerges as the gossip
library of all the European royal families,
and indeed Henry VIII dubbed
Anne Boleyn's cow dangler *******
duckies - i think it's due to the fact
he quacked while he suckled the *******
like a pre-mature **** not producing ***** -
seriously, no milk;
and as honesty goes, ******* literature
does it for me, patron saint kenneth rexroth -
self-education moulds the self into a
pristine sequence of surprises -
there the pop of a balloon,
there the weeping clown...
there the giraffe on stilts!
indeed even at university entry point
where i deposited my self
i came back with debts!
idiotic treachery of teaching the politicised
version of language,
as language per se simply called grammatically
sound, in politics simply versed "correct";
two satans from Syria while Solomon
had his harem,
                          a third from Poland,
they say the holocaust,
6 million if not more citizens of the world
with polish passports - mind you
they took the Diogenes quote
into left and right parallel readied for a march -
Apollo listened then laughed at
the failures counting to 13 - laughing
while the words 'too the moon!' were eased
out from his helium filled lungs.

I presse not to the Quire, nor dare I greet
The holy Place with my unhallow’d feet:
My unwasht Muse pollutes not things Divine,
Nor mingles her prophaner notes with thine;
Here, humbly at the Porch, she listning stayes,
And with glad eares ***** in thy Sacred Layes.
So, devout Penitents of old were wont,
Some without doore, and some beneath the Font,
To stand and heare the Churches Liturgies,
Yet not assist the solemne Exercise.
Sufficeth her, that she a Lay-place gaine,
To trim thy Vestments, or but beare thy traine:
Though nor in Tune, nor Wing, She reach thy Larke,
Her Lyricke feet may dance before the Arke.
Who knowes, but that Her wandring eyes, that run
Now hunting Glow-wormes, may adore the Sun.
A pure Flame may, shot by Almighty Power
Into my brest, the earthy flame devoure:
My Eyes, in Penitentiall dew may steepe
That bryne, which they for sensuall love did weepe:
So (though ‘gainst Natures course) fire may be quencht
With fire, and water be with water drencht.
Perhaps, my restlesse Soule, tyr’d with pursuit
Of mortall beautie, seeking without fruit
Contentment there; which hath not, when enjoy’d,
Quencht all her thirst, nor satisfi’d, though cloy’d;
Weary of her vaine search below, above
In the first Faire may find th’ immortall Love.
Prompted by thy Example then, no more
In moulds of Clay will I my God adore;
But teare those Idols from my Heart, and Write
What his blest Sp’rit, not fond Love, shall endite.
Then, I no more shall court the Verdant Bay,
But the dry leavelesse Trunk on Golgotha:
And rather strive to gaine from thence one Thorne,
Then all the flourishing Wreathes by Laureats worne.

I entered the display case
of people educators
subsidizing snobs
the multirich and companies

among tourists and inhabitants
who want to be seen
in the museum café and
with sophisticated pastry lard
the conversation with careless clauses

they quote from an authority
whom nobody has to understand
to get the intention
of the praised artists

The shop was crowded
Spotlights on show-pieces
fancy coffee table books
and chic presents
for the season and the next holidays

Especially the past
is on sale, postcards
of the attractions
and sights of the city

interchangeable
like the collections
which graduated stylists
cast in international moulds
to magnets for visitors

Now I'm An UNTOUCHABLE... !!!
UNLIKE.... Cliff Huxtable... !!!
Or YES I Mean... " Bill "... !!!

I'm UNTOUCHABLY... ILL...
When It Comes To My Will... !!!

I Lyrically ****...
Well I Hope... NOT ****.... !!!

But WILL- FULLY Build...
Verse That INSTILS...
UNTOUCHABLE Levels...
of Using Your MENTAL... !!!

Stencilled Pencilled...
... Mental Rhymes....

Kinda Like UNTOUCHABLE Guys...
When It Comes To The Mic... !!!

ME... Well INDEED...
Some Do Believe...
That I Flow My Rhymes Alright...

Now That's A Humble Line...
UNTOUCHABLY Designed...
To Let... YOU Decide...
If I Flow Like MIKE... ?!?
AIR JORDAN Like... !!!!!!

Well ONE THING I'll Claim... !!!
Is That My Wordplay...
Deserves A Place...
In Halls Where Fame...

ONLY HOLD What's GREAT... !!!!!

But Skill On A Mic' Is NOT A Claim...
I... Choose To MAKE... !!!

Because UNTOUCHABLE Names... !!!
DESERVE.... Such PRAISE...
In How They're Viewed...
And That's The TRUTH... !!!!!

I'm UNTOUCHABLE Yeah...
Just Like... " JERU' "... !!!

Because I've Walked Through...
Where... DARKNESS RULES... !!!

But Moved TOO COOL...
For UNTOUCHABLE Crews...
To... Want To PULL...
Their TOOLS And ABUSE...

Because They KNEW...

" Big Virge Is Cool !
AND UNTOUCHABLE Dude ! "

Because I Choose...
To Just... " Hang Loose "...

EVEN WHEN Violence Is Used...
Because of... Moods...
UNTOUCHABLY Crude... !!!

Where IGNORANCE Moves...
To... FEEDING FEUDS... !!!!!

I RISE......... ABOVE.......
So DO NOT Touch...
The... IGNORANT... !!!!!!

Because In TRUTH...
They're UNTOUCHABLE Too... !!!!

Because of How...
Their Energies Sound...

FAR TOO LOUD.... !!!!!!
For Me To Receive... !!!!!!!!
Because Like THIEVES...

They Feed DECEIT And ROBBERY... !!!
of Things I KEEP... UNTOUCHABLE... !!!

Like The Way My CHI...
DENIES These FIENDS...

A Chance of Getting...
TOO CLOSE To....... ME...

UNTOUCHABLE... IS...
The Theme of THIS Piece...
Because YES It's TRUE... !!!!

My Poetry Is UNTOUCHABLY....
A Way For Me To Offer YOU...
A Piece of..... ME.....

A Piece of My Heart...
And YES... My Soul... !!!

Now It Can Get DARK...
Like...... Al Capone...... !!!!!

But Shows MORE LOVE...
Than... GANGSTER Thugs... !!!!
It's More Like... " NESS "... !!!
When I EXPRESS... !!!!!!

NOT ELLIOT....
Or... Loch MONSTER Bred... !!!

I'm Just Blessed With A... NESS...
That Moulds And Blends In...

With......... " FINESSE ".......... !!!!!!!

That's ME... BIG VIRGE... !!!

So My Final Words...
In TRUTH... " ACCEPT "...

That When It Comes To...
... Government...
Their Court Systems...
And FEDERAL Friends...

They'll TRY Their Best... !!!
To Cause... PROBLEMS...

BUT NO Matter WHAT... !?!
They TRY TO.... PULL....
My SPIRIT Will Stay UNCRUSHABLE... !!!

So I'll... ETERNALLY Be...

...... " UNTOUCHABLE "..... !!!

Continuous Guidance
No, not for a child.
For you and me.
How? Why? You can ask.
Mind is a child.
It reacts to people.
It reacts to situation.
It reacts to environment.
It moulds like clay,
And then stays that way.
Not wrong.
But be sure to mould it in the right.
That’s what I meant.
Continuous guidance
like a child.
At every step.
At every feeling.
At every action.
Guidance.
Mind is a puppet too.
Some people play with it.
Some situations play with it.
Be careful then,
A good person turns bad when,
It is played with.
You cannot run away.
You cannot hide.
From your own mind.
It is your baby,
It is your child.
If you don’t care,
Who will?
Guide it.
Watch over it.
But don’t think to leave it.
Forget it.
The mind will be mindless then.
It will hurt, when its hurts.
It will hate, when its hated.
It will be angry and stubborn.
And the people you love will suffer.
If you care for the people you love,
Care for it.
Care for your mind,
So it may learn to care more.

Gone are the glorious Greeks of old,
  Glorious in mien and mind;
Their bones are mingled with the mould,
  Their dust is on the wind;
The forms they hewed from living stone
Survive the waste of years, alone,
And, scattered with their ashes, show
What greatness perished long ago.

Yet fresh the myrtles there--the springs
  Gush brightly as of yore;
Flowers blossom from the dust of kings,
  As many an age before.
There nature moulds as nobly now,
As e'er of old, the human brow;
And copies still the martial form
That braved Plataea's battle storm.

Boy! thy first looks were taught to seek
  Their heaven in Hellas' skies:
Her airs have tinged thy dusky cheek,
  Her sunshine lit thine eyes;
Thine ears have drunk the woodland strains
Heard by old poets, and thy veins
Swell with the blood of demigods,
That slumber in thy country's sods.

Now is thy nation free--though late--
  Thy elder brethren broke--
Broke, ere thy spirit felt its weight,
  The intolerable yoke.
And Greece, decayed, dethroned, doth see
Her youth renewed in such as thee:
A shoot of that old vine that made
The nations silent in its shade.

the only time we care about the poor
is in disaster,
there's been freedom for decades,
but we're still owned by slave masters,
incorporated trademarks
branded on our spine,
the american dream,
might as well be bovine.
flagpole sitting flappers,
never expect to fall,
'33 til infinity,
greed affects us all,
and it's more,
than a disease,
there's no atticus,
instead, great gatsbies.
and boo radley,
aint gonna right these wrongs,
all we've got are our words
and the will to stand strong,
and it seems we're just monkeys,
launched into orbit,
in spaceships,
that only fall once reality hits,
and i don't see any solutions soon,
we consume and presume,
that this is all a cartoon,
asterix fiction,
we lack conviction,
we lack the diction,
to speak our mind,
we are confined,
to the roles,
and the moulds,
and the holes,
that are made for our souls,
we stay out of the spotlight,
even when the times right,
allergic to great heights,
like madden going to superbowls.
ice cold,
a wise man said was cooler than cool
but these fools aint never heard of ice-nine,
it's the right time,
got the right rhymes,
who cares about these thugs,
i'm set on madoff crimes,
who cares about the dealers,
follow the money like the wire,
we're civilians in vans under apache fire,
and the cover-up is comin,
the cover-up is comin
the cover-up is comin
the cover-up is comin
the only time i'm hostile,
is within,
when i gotta smile
at these businessmen,
that are tearing us apart,
and ******* on our soil,
tearing out our hearts,
creeping like the mcboyles,
i've toiled in the trenches,
for most of my days,
as have the majority of those i know,
and we can't just quit,
we gotta get paid,
materialstic societies depend on dough,
so we dream of being on boats like samberg
the only threat to our fatasses is the hamburg
-ler, there's no cure, there's no care,
there's no health, it's not fair,
but if you keep on dreamin, one day it'll be there,
simply stare at the sun, things'll brighten up,
keep buying that product, trust me, they give a ****,
fall into place, stand in single file,
and whatever you do, don't forget to smile.

Currents move the water.
Squirming, snaking and slithering
Through the depths till they reach the surface,
And then the gushes of air come,
Plucking the currents from peace
To force them forwards,

Another current swipes,
And another crashes,
Another burns with power,
And another dives through the centre,
The wind moulds the currents,
Sculpting the water to shape,
Until finally a ripple forms,

The gales flood over the crinkles,
They drag and try pierce the perfect folds,
Making the swan into an ugly duckling,
The duckling rises to its feet,
Excessive flesh flying away
Into the moist air,

The wings flap,
It stretches its legs and neck,
More impurities flicker off,
Brown feathers fade,
The beak sharpens,

Currents, gusts and ripples
All bundle into one,
The swan extends its wings fully,
And the water crashes.
Remains of the stunning creature tumble behind,
White foam and twizzling tides are left,

They reach the shore,
Swamping the sand in energy,
Clawing the helpless pebbles off the beach,
And retreating back to the ocean
Where more swans are formed
Endlessly

I see timber, I see my Dad.*
The wrinkled grain grin
sits lost on his face,
he’s selling his timeless record collection:
the finest midlife crisis since records began.

Lined bits of paper with a pen and plan,
bass players and guitarists are all being sold,
including the front man,
microphone, monitor and stand.

Under the slim light, what’s
going to be sold is exposed
ready for a thorough cleaning
of the black gold moulds.

None of us are allowed near, we have been told,
this is a strict operation and it’s under control,
he starts spouting tiny liner note quotes
none of us understand, we need a translator- grab your coats.

We returned to a mess of a man:
he did not go through with his midlife crisis plan.
His extra 3000 children in their sleeves
can sleep safe tonight knowing that everything will be all right.

As the sweet sweat of roses in a still,
As that which from chafed musk-cats’ pores doth trill,
As the almighty balm of th’ early East,
Such are the sweat drops of my mistress’ breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress’s brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the ****, which, by need’s lawless law
Enforced, Sanserra’s starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world’s her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th’ earth’s shadows her embrace.
Like Proserpine’s white beauty-keeping chest,
Or Jove’s best fortunes urn, is her fair breast.
Thine’s like worm-eaten trunks, clothed in seals’ skin,
Or grave, that’s dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin’s lamentable state.
And like a bunch of ragged carrots stand
The short swol’n fingers of thy gouty hand.
Then like the Chimic’s masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th’ earth’s worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine’s like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm ******* an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath’ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.

Like a whisper can spread into a rumour,
Satirical  slur can be somebody's humour,
The way that we talk as if the world is deaf,
Shouting at walls as if there's no one left,
Cut throat consonants and viper vowels,
Too many blows makes you throw in the towel,
Spit out the blood and wipe off the spit,
Get your head in the game
And dive into the pit,
We all have a voice that shapes and that moulds,
Too many cards that we're able to fold,
Speak out for peace or speak out for change,
Irritate the lion and make him roar from his cage,
No bad blood will spill if you speak the truth,
And not spend your life just jumping through hoops.

My Father, who means well, makes me lunch
A man who’s sandwiches could never be
trusted, who used the mossy breadends cause
thats how they did it on the farm but
I am the cry baby who rejects the
deadened bread, dark wilted lettuce spines
lettuce rinds, inedible, unclean
Perspiring, lovingly wrapped in cellophane
And now I’m old enough I must
so carefully control what’s
between my full, whole, mid-loaf slices,
Fret about gluten.
Jesus help me I’m so afraid of
invisible moulds and the taste of iron
in those glossy cylinders of upended campbells
tomato: quivering naked, vermillion in the pan,
like chilled organs they appeared hepatic
I’m sure the milk he adds is soured he
cannot be trusted, my father, but
forgive him he knows not what he does, I
know they didn't have much on the farm I
am spoiled like the milk, too sensitive, I
wilt, because I have become too hard to feed,
we didn't know what to do with this kind of love.

In the quiet expanse of time, I find myself grappling with truths and untruths, wondering if I deceive even my own heart into believing I've attained tranquillity. Indeed, I am in a state of well-being, owing to the strides I've taken on this journey of self-betterment. Yet, the undulating waves of emotion persist – highs and lows interweaving like threads in a tapestry. Perfection remains elusive, and perhaps that's the beauty, for I've poured my essence into every endeavour.

Now, as I stand at the crossroads of zero, an architect of my own renewal, I embrace the task of rebuilding from the ground up. Metamorphosis courses through me, rendering me unrecognisable even to myself. Laughter spills more freely from my lips, though occasionally restrained by the shadows of doubt. Tears flow more earnestly, yet at times, I still restrain their cascade. Solitude becomes a cherished companion, a realm I delve into to nurture my soul. Simultaneously, the embrace of friends becomes a celebration of my being, an affirmation of the love I hold for myself in their company.

In this delicate dance, I witness the scales of life gradually finding equilibrium. The pendulum, once erratic, now sways in a harmonious rhythm. The art of relearning tranquillity unfolds before me, a masterpiece in progress, painted with the hues of experience and wisdom.

Time, the patient sculptor moulds each fragment of my existence. And in its embrace, I find solace. For while the road ahead is veiled in uncertainty, I stand here, resilient, embodying the truth that healing is a symphony of seconds and seasons.

And as I mend, I extend to you, a wish that your heart finds solace too. In this dance of existence, in shadows and light – may we emerge stronger, taking flight.

I am both pilgrim and detective -
A kind of penitent Poirot -
Sifting through muddy reality
In search of a woman - THE woman.

She appears to me from time to time;
Glimpses abound in those around me.
A riddle unsolved, a question unasked;
In love with what I cannot see.

We may even have met already.
Something missed at the time may grow
And consume - a glance, a polite word;
Some hidden gem revealed by time.

Her nature, like her face, eludes me.
Is she some noirish Nemesis,
With omnipresent cigarette haze
And the knell of doom in her heel-clack?

Or the timid nerd of the high school,
Revealed as a radiant beauty
Sans horn-rims, ponytail and books
(On reflection, that's probably me).

Shall we be tragic starstruck lovers,
Cut off in the peak and prime of love
To become a cliché for journalists
And poets immune to irony?

Or perhaps she is all of these things
Arrayed in sublime splendour,
Shifting dreamlike through modes of being
Which illuminate each other.

Besides, I am surely mistaken.
It is a poet's weakness in me:
Reducing his imagined beloved
To convenient literary types.

Just as well: moulds are tedious
No-one worth knowing fits into one
(My apologies to moulded readers -
You are probably happier than I).

Yet, without knowledge, I know her
Even as I search tirelessly.
For I know everything about her
(Save only her identity).

many moulds of beauty
shape this scenic city
into a vintage masterpiece,
a montage of hues
from blonds to blues
stirring sacred senses  
into a frenzy of lust

roving eyes swivel
left to right
thrusting wistful rays
onto phenotypes
curved to perfection

open-toed stilettos
housing tasty pedicures
click on cobblestones
winding like a river
through Gomorrah

street lights glow dim,
shadows grow tall
scaling walls and towers like gray ivy

seeds of love are sown
between shrieks of inebriation;
some blossom into radiant nuptials,
most shrivel like leaves on seasonal trees

bitten by Winter's merciless freeze!

~ P
(11/2009)

There is an other, there, in the mirror. Memory space. A body without a head.
There is movement. Abstract thought.
A girl moves her lips. Air brushes against your own, but it is foreign. The staccato of her breath moulds waves of language. Indivisible meaning that slips your grasp.
Traffic stills. Fumes rise from cracked pavement. A child sleeps under a rusting skyline. A mother overdoses.
It is Autumn. Cold snatches another eight, or eighty. Cells rearrange, and a man finds himself changed. He holds a knife to your throat. You laugh until he cries.
The train comes late. You walk around the block to **** time. You find you no longer recognise the buildings surrounding you.
There is misery in your reflection, but it is just the other looking back and smiling.