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janelflorendx Mar 2017
bury me with the shameful ashes of our past
drown me with your passionate kisses and whisper me that we'll last

take the one last innocent glance
before i drink the liquory glass

i'm on ceasefire
so ready to conspire
hold me tighter and
share me your drunkful desires
Terry Collett Apr 2015
Yes Helen muses Id like to meet Benny by the Duke of Wellington but to ask Mum first and I dont think shell mind as its Benny as she likes Benny and his mum and mine know each other and talk to each other at the school gates and when they talk they talk and yes if I ask Mum nicely and when shes not busy shell let me go but I cant leave it too long or the time will go and he will have gone if Im not at the Duke of Wellington by ten past ten this morning has as he is going to the herbalist shop to buy liquorice sticks and sarsaparilla by the glassful and Benny says it makes blood so if I drink a pint I will make a pint of blood and hopefully I wont spillover with blood she waits a few minutes while her mother puts away the shopping Helen had bought home from Baldys and looking at her mother making sure her mothers features did not show too much stress and timing it right that was the key Benny told her once timing is the key he said her mother walks around the kitchen seemingly busy the baby crawling around her mothers feet and the smell of nappies boiling on the stove steam rising smell of it Mum she asks can I go out with Benny to the herbalist shop and buy some liquorice sticks and sarsaparilla? her mother picks up the baby she hugs him close smells his rear end pulls a face what did you say? her mother asks holding baby a little distance away from her arms out stretched walking to the put-down table over the bath and placing baby down can I go with Benny to the herbalist shop and get some sarsaparilla and liquorice sticks? Helen repeats standing with fingers crossed behind her back when are you wanting to go? her mother asks unpinning babys ***** and the smell erupting into the room and air as soon as I am allowed Helen says trying not to breath in hoping her mother will say yes but her mother hesitates her features ******* up her fingers pulling back the offending ***** and dropping it in a pail at her feet bring me a clean ***** from the other room Helen and some talcum power and some cream and best get some other safety pins as these are a bit well not fit to put on again until theyve been washed o keep still you little perisher dont move your legs so and no dont piddle on me go on then Helen dont dawdle so Helen walks into the other room and collects a ***** from the fireguard and talcum powder and cream and pins from the bag by the chair and takes them to her mother who is struggling to hold the baby in one place and clean up the smelling liquid and mess  and waving a hand in front of her face to give her fresher air give them here then girl I cant wait all day and here hold his legs the little figit so I can get him clean properly Helen pulls a face and carefully reaches over to try and hold her brothers legs still while her mother attempts to clean him up but her brothers legs move at a pace and hes quite strong for one so small she thinks hold him hold him her mother says Helen does her best for a little girl not yet in double figures there done it her mother says hes done now right take him and put him in the cot in the other room while I wash these nappies out can I? Helen asks can I go? go where? what do you want now? her mother says to go to the herbalist with Benny Helen asks he asked me this morning while I was getting the shopping at Baldys her mother put on the kettle and empties the nappies in the big sink when did you want to go? as soon as I am allowed Helen says gazing at her mother through her thin wired thick lens glasses hoping her mum will say yes off you go well you cant always rush off you know not when I may need you after all youre my big girl the oldest of the tribe but as youve been good this one time you can go but mind the roads and keep with Benny and if you need to go to loo make sure its a clean place and put some toilet paper on the seat you dont know who sits on them things ok I will Helen says trying to recall all her mothers instructions can I go now? she asks hoping her mother will not change her mind at the last minute best go now then her mother says its nine fifty nine fifty? Helen says what's that mean? ten minutes to ten her mother says o right Helen says and rushes into the passage way and put on your raincoat it looks like rain her mother calls out I got it Helens says and rushes out the door and down the stairs carefully not wanting fall down the steep steps she holds on to the stair rail and then out into the street and bright fresh air and dull clouds and she walks along Rockingham Street under the railway bridge and there he is Benny hands in his jeans pockets his hair and quiff creamed down and his hazel eyes gazing at her blimey he says youre earlier than I thought youd be he takes in her hair plaited into two and her thin wire framed glasses making her eyes larger than they are had to help Mum with my baby brother she says hed messed his ***** and Mum had to clean him up and needed me to help and gosh the smell Benny enough to make you feel sick and anyway Im here now o but I havent money I forgot to ask Mum for money she says biting a lip looking back towards where shed come I got money Benny says rattling coins in his jeans pocket she smiles and looks at him he gives her the kind of smile she likes the kind that makes her feel safe and wanted and she loves the coat he wears with the odd buttons and and his quiff of air and his warm what shall we do now stare.
A GIRL AND HER MOTHER AND A BOY AND MEETING IN LONDON IN 1955.
Mateuš Conrad Nov 2018
.a viable compensation... males ought to stop being such ***** romantics... how my father plays the Chamberlain to my mother ******... me... and a woman? please... let's just get it over with, castrate me... i have no existential imperative... i am,. the sort of fascist you're supposed t fear... i actually endorse their ideology... i can't sway the opinions of western women... **** 'em... to be honest, the most ****** eruptions i've felt were for Kenyan ivory beauties... ivory? the teeth... skin like molten chocolate... rare for a white man to desire black women...never experienced the Asian fetish... first time in Africa and i recognized in her eyes: we weren't a pair of the ugly people... while shy smoked marijuana on the stealth... god...  liquorice in caramel... coconut oil smeared all over her... my one time in Kenya... and i'm looking for a shade... and i also fall in love... and i recognize the eyes that fall love... and everywhere i go... i fall in love... but never stay... a death, the blues, and what comes after: the everyday noose... just prior... come sleep.

*******, i too, am,
bewildered at not
finding my ego...
or rather... pretending
to leave with a hard-on...
what's wrong with me?
or... rather...
what's wrong with you?
blame games can
only go so far....
        i can only pretend to
give a ****
having listened to
enough chris isaak songs...
after a while...
i'm  "thinking"....
if this doesn't have rooney
mara to compensate with...
                 *******...
i'll eat the cauliflower...
point break ***** of the 21st century...
i'll scratch my beard
and pretend to shave... o.k.?!
hard-on, no ego...
ego, no hard-on...
  i guess thinking's
side-effect is that that...
thinking... sometimes paralyzes....
good to know-ro-ro-robot-good-to-go.
rachel Nov 2014
You are so sweet
tasting like sugar,
sweet liquorice,
drenched honey  

I want as much of you
as my mouth will allow

I'm such a fool
for wondering why
I have a cavity
now that you've
left.
THE PROLOGUE.

When that the Knight had thus his tale told
In all the rout was neither young nor old,
That he not said it was a noble story,
And worthy to be drawen to memory;                          recorded
And namely the gentles every one.          especially the gentlefolk
Our Host then laugh'd and swore, "So may I gon,                prosper
This goes aright; unbuckled is the mail;        the budget is opened
Let see now who shall tell another tale:
For truely this game is well begun.
Now telleth ye, Sir Monk, if that ye conne,                       *know
Somewhat, to quiten
with the Knighte's tale."                    match
The Miller that fordrunken was all pale,
So that unnethes
upon his horse he sat,                with difficulty
He would avalen
neither hood nor hat,                          uncover
Nor abide
no man for his courtesy,                         give way to
But in Pilate's voice he gan to cry,
And swore by armes, and by blood, and bones,
"I can a noble tale for the nones
                            occasion,
With which I will now quite
the Knighte's tale."                 match
Our Host saw well how drunk he was of ale,
And said; "Robin, abide, my leve
brother,                         dear
Some better man shall tell us first another:
Abide, and let us worke thriftily."
By Godde's soul," quoth he, "that will not I,
For I will speak, or elles go my way!"
Our Host answer'd; "
Tell on a devil way;             *devil take you!
Thou art a fool; thy wit is overcome."
"Now hearken," quoth the Miller, "all and some:
But first I make a protestatioun.
That I am drunk, I know it by my soun':
And therefore if that I misspeak or say,
Wite it the ale of Southwark, I you pray:             blame it on
For I will tell a legend and a life
Both of a carpenter and of his wife,
How that a clerk hath set the wrighte's cap."   fooled the carpenter
The Reeve answer'd and saide, "Stint thy clap,      hold your tongue
Let be thy lewed drunken harlotry.
It is a sin, and eke a great folly
To apeiren* any man, or him defame,                              injure
And eke to bringe wives in evil name.
Thou may'st enough of other thinges sayn."
This drunken Miller spake full soon again,
And saide, "Leve brother Osewold,
Who hath no wife, he is no cuckold.
But I say not therefore that thou art one;
There be full goode wives many one.
Why art thou angry with my tale now?
I have a wife, pardie, as well as thou,
Yet *n'old I
, for the oxen in my plough,                  I would not
Taken upon me more than enough,
To deemen* of myself that I am one;                               judge
I will believe well that I am none.
An husband should not be inquisitive
Of Godde's privity, nor of his wife.
So he may finde Godde's foison
there,                         treasure
Of the remnant needeth not to enquere."

What should I more say, but that this Millere
He would his wordes for no man forbear,
But told his churlish
tale in his mannere;               boorish, rude
Me thinketh, that I shall rehearse it here.
And therefore every gentle wight I pray,
For Godde's love to deem not that I say
Of evil intent, but that I must rehearse
Their tales all, be they better or worse,
Or elles falsen
some of my mattere.                            falsify
And therefore whoso list it not to hear,
Turn o'er the leaf, and choose another tale;
For he shall find enough, both great and smale,
Of storial
thing that toucheth gentiless,             historical, true
And eke morality and holiness.
Blame not me, if that ye choose amiss.
The Miller is a churl, ye know well this,
So was the Reeve, with many other mo',
And harlotry
they tolde bothe two.                        ribald tales
Avise you* now, and put me out of blame;                    be warned
And eke men should not make earnest of game.                 *jest, fun

Notes to the Prologue to the Miller's Tale

1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.

2. Wite: blame; in Scotland, "to bear the wyte," is to bear the
blame.

THE TALE.

Whilom there was dwelling in Oxenford
A riche gnof
, that guestes held to board,   miser *took in boarders
And of his craft he was a carpenter.
With him there was dwelling a poor scholer,
Had learned art, but all his fantasy
Was turned for to learn astrology.
He coude* a certain of conclusions                                 knew
To deeme
by interrogations,                                  determine
If that men asked him in certain hours,
When that men should have drought or elles show'rs:
Or if men asked him what shoulde fall
Of everything, I may not reckon all.

This clerk was called Hendy
Nicholas;                 gentle, handsome
Of derne
love he knew and of solace;                   secret, earnest
And therewith he was sly and full privy,
And like a maiden meek for to see.
A chamber had he in that hostelry
Alone, withouten any company,
Full *fetisly y-dight
with herbes swoot,            neatly decorated
And he himself was sweet as is the root                           *sweet
Of liquorice, or any setewall
.                                valerian
His Almagest, and bookes great and small,
His astrolabe,  belonging to his art,
His augrim stones, layed fair apart
On shelves couched
at his bedde's head,                      laid, set
His press y-cover'd with a falding
red.                   coarse cloth
And all above there lay a gay psalt'ry
On which he made at nightes melody,
So sweetely, that all the chamber rang:
And Angelus ad virginem he sang.
And after that he sung the kinge's note;
Full often blessed was his merry throat.
And thus this sweete clerk his time spent
After *his friendes finding and his rent.
    Attending to his friends,
                                                   and providing for the
                                                    cost of his lodging

This carpenter had wedded new a wife,
Which that he loved more than his life:
Of eighteen year, I guess, she was of age.
Jealous he was, and held her narr'w in cage,
For she was wild and young, and he was old,
And deemed himself belike* a cuckold.                           perhaps
He knew not Cato, for his wit was rude,
That bade a man wed his similitude.
Men shoulde wedden after their estate,
For youth and eld
are often at debate.                             age
But since that he was fallen in the snare,
He must endure (as other folk) his care.
Fair was this younge wife, and therewithal
As any weasel her body gent
and small.                      slim, neat
A seint
she weared, barred all of silk,                         girdle
A barm-cloth
eke as white as morning milk                     apron
Upon her lendes
, full of many a gore.                  ***** *plait
White was her smock, and broider'd all before,            robe or gown
And eke behind, on her collar about
Of coal-black silk, within and eke without.
The tapes of her white volupere                      head-kerchief
Were of the same suit of her collere;
Her fillet broad of silk, and set full high:
And sickerly* she had a likerous
eye.          certainly *lascivious
Full small y-pulled were her browes two,
And they were bent, and black as any sloe.                      arched
She was well more blissful on to see           pleasant to look upon
Than is the newe perjenete* tree;                       young pear-tree
And softer than the wool is of a wether.
And by her girdle hung a purse of leather,
Tassel'd with silk, and *pearled with latoun
.   set with brass pearls
In all this world to seeken up and down
There is no man so wise, that coude thenche            fancy, think of
So gay a popelot, or such a *****.                          puppet
Full brighter was the shining of her hue,
Than in the Tower the noble* forged new.                a gold coin
But of her song, it was as loud and yern
,                  lively
As any swallow chittering on a bern
.                              barn
Thereto
she coulde skip, and make a game                 also *romp
As any kid or calf following his dame.
Her mouth was sweet as braket, or as methe                    mead
Or hoard of apples, laid in hay or heath.
Wincing* she was as is a jolly colt,                           skittish
Long as a mast, and upright as a bolt.
A brooch she bare upon her low collere,
As broad as is the boss of a bucklere.
Her shoon were laced on her legges high;
She was a primerole,
a piggesnie ,                        primrose
For any lord t' have ligging
in his bed,                         lying
Or yet for any good yeoman to wed.

Now, sir, and eft
sir, so befell the case,                       again
That on a day this Hendy Nicholas
Fell with this younge wife to rage
and play,       toy, play the rogue
While that her husband was at Oseney,
As clerkes be full subtle and full quaint.
And privily he caught her by the queint,
                          ****
And said; "Y-wis,
but if I have my will,                     assuredly
For *derne love of thee, leman, I spill."
     for earnest love of thee
And helde her fast by the haunche bones,          my mistress, I perish

And saide "Leman, love me well at once,
Or I will dien, all so God me save."
And she sprang as a colt doth in the trave:
And with her head she writhed fast away,
And said; "I will not kiss thee, by my fay.                      faith
Why let be," quoth she,
Donall Dempsey May 2018
"...FRESHER FIELDS THAN FLANDERS..."


Christ! Even the Son
of God can get it wrong!

Time his Second Coming
to end up in WW1.

To us he looked like one of the 'Un!
To the 'Un he was one of us.

Both sides let him
have it.

Him who had come
to die for us

and by God
He did.

Hung on the barbed wire
for days on end

we all thinking will it
never end.

Crying for His Father
getting on our ****** nerves.

Some say they saw him
at the Somme

some say at Crucifix Corner
"...forgive them for they know not..."

it went on and on
'...what they've done."

But I had by gum!
I pitied the poor ******.

Crawled out under
****** fire.

Put my last ciggie
between his lips

made of nothing but
tea leaves....liquorice...treacle.

"Thanks mate.!" he gasped
with his last breath

turning into young Tommy
Smith at His Death.

A right good lad I knew
from Hudersfield.

Shell shocked
they said I was.

I wasn't.

All men are the Son
of God as it happens.

Even a dead 'Un is one.

The Son of God is forever
getting it wrong.

Christ! Will He ever
learn.

Timing His next Coming
to land up in WW11.

Other Wars
waiting in the wings

for Him
to come again.

Wish He would just
give up on us.

He's of no ****** use
whatsoever.

Death is a better
friend.

Survival as I know
is Hell.
"...FRESHER FIELDS THAN FLANDERS..." is the last line of a Preface that Wilfried Owen intended for his book.

Was first going to write a sci-fi thing with the Saviour coming down at just the wrong time. But as I wrote I remembered an old man I used to look after who would tell me about his WW11 experiences and of his grand dad's tales from WW1 so that it ended up as a mixture of the real and the unreal in the surreal situation of war and all it entails.
chocolate fireguard, teapot,
or fender, icecream sofa, dry sea
or wet towel, glass hammer,

waterproof teabag, newspaper
raincoat and umbrella, lead parachute, ashtray on a motorbike,

handbrake on a canoe,
vote in a dictatorship,
loudhailer to a deaf mute,
grief at a wedding,

****** in a monastery.
inflatable dartboard,
spoon in a knife-fight,
screen door on a submarine,

wooden soap, shortbread tires,  
knitted light bulb,
bread boat, plasticine wire cutters,
paper hole punch, water hat,

custard floorboards,
ceiling tiles made of gravy,
portrait of a bowl of soup,
a stone cigarette,

syrup knickers, hole in my bucket,
plastic oven, wax truss,
liquorice bridge,
false teeth made of soap,

lemonade roof,
jelly boots,
jam cardigan,

paper bicycle pump,
ice-cream saucepans,
soluble drain pipe,
packet of rubber nails,

see-through mirror,
revolving basement restaurant
roll-on hairspray, rubber pencil,

****** with a hole in it,
limp ****, pockets on a lettuce,
**** on a fish, lolly pop van in Hell,

one-legged man in an ****
kicking competition,

meaningless life,
unnecessary death,
forgotten words and deeds,
ignored needs,


this poem.
Enjoy slipping in the occasional serious note,
Janette Oct 2012
It is nothing,
a mordant of the soul,

an elixir, a panacea, a placebo
for my lesions, there in the thistle, grows
our drastic garden of red posies and hyacinths,

such little things, on the verge,
lilting as the decorum begins to bobble
and slump sideways, and murmur,

on Mondays I can swallow the octave
of your absence, tendrils and all,
red quince limbs parting from the deluge

and in its wake, the wreckage
of black pumpkins and purple corn, hanging
pendulum at our door,

the Autumn lights summon a lavish song to harvest,
thirty seven colours in the brocade you gift me,
tangled and heavy the years upon my bones

begin to spur and flower
into cunning disruptions,
and stratify upon my body like rinds of ricepaper,

vellum for another wish
in the complacent burial of mango flesh,
listen,

as my song liquefies,
drowns you, inundates
each alveoli, and our love

in the swallowing gush, perched,
begins to shudder,
devoured by its symmetry,

stem cells all akimbo
in the shallow pitch of days
bound in a nostrum of wine and liquorice

it is nothing, really,
a mordant for the soul, a tulle filament
twitching in a raincoat of lightning....
Donall Dempsey Nov 2018
"...FRESHER FIELDS THAN FLANDERS..."


Christ! Even the Son
of God can get it wrong!

Time his Second Coming
to end up in WW1.

To us he looked like one of the 'Un!
To the 'Un he was one of us.

Both sides let him
have it.

Him who had come
to die for us

and by God
He did.

Hung on the barbed wire
for days on end

we all thinking will it
never end.

Crying for His Father
getting on our ****** nerves.

Some say they saw him
at the Somme

some say at Crucifix Corner
"...forgive them for they know not..."

it went on and on
'...what they've done."

But I had by gum!
I pitied the poor ******.

Crawled out under
****** fire.

Put my last ciggie
between his lips

made of nothing but
tea leaves....liquorice...treacle.

"Thanks mate.!" he gasped
with his last breath

turning into young Tommy
Smith at His Death.

A right good lad I knew
from Hudersfield.

Shell shocked
they said I was.

I wasn't.

All men are the Son
of God as it happens.

Even a dead 'Un is one.

The Son of God is forever
getting it wrong.

Christ! Will He ever
learn.

Timing His next Coming
to land up in WW11.

Other Wars
waiting in the wings

for Him
to come again.

Wish He would just
give up on us.

He's of no ****** use
whatsoever.

Death is a better
friend.

Survival as I know
is Hell.





"...FRESHER FIELDS THAN FLANDERS..." is the last line of a Preface that Wilfred Owen intended for his book.

Was first going to write a sci-fi thing with the Saviour coming down at just the wrong time. But as I wrote I remembered an old man I used to look after who would tell me about his WW11 experiences and of his grand dad's tales from WW1 so that it ended up as a mixture of the real and the unreal in the surreal situation of war and all it entails.
***

"...FRESHER FIELDS THAN FLANDERS..." is the last line of a Preface that Wilfred Owen intended for his book.

Was first going to write a sci-fi thing with the Saviour coming down at just the wrong time. But as I wrote I remembered an old man I used to look after who would tell me about his WW11 experiences and of his grand dad's tales from WW1 so that it ended up as a mixture of the real and the unreal in the surreal situation of war and all it entails.
Clemence Huet Apr 2012
I'd been trying to write a poem
Just one ******* poem
But he said
Just **** around
Swallow down a bowl full of squares
Let’s play games with each other’s minds
Spend a night lost in a house of cards
Where the joker cackles despite your begging
A reminder of what I could do without
Shouting at the world from the white pavilion
You suckers!
With your skirts hitched up and tongues hanging out
Gagging on a lover’s loneliness
All I see is your undergarments crying for attention
With a liquor solace barely down your throat

Eighteen silver blades
Smile at me with their perfect teeth
One to mark each year that past
A nineteenth will not be necessary
Ready to drag
Like the man trailing his head on a string
Across the surgeon’s winking knife
Tapping their toes on the bathroom counter
Anxious to mingle with my flesh
I’ve already scrubbed in
The survival rate looks dismal
The cotton reel loosens and my halo slips
Down - the noose around my neck

He sat across the room in plaid
Remarked upon the crosshatch of red
That drew the crooked red grin on the white of my thigh
Like loops of raspberry liquorice
Seeping out sticky tears
He misses handling the vegetables
Who ordered cocktails in lurid colours
Well, I’ve a mélange of my own
A collection of prescriptions from the doctor’s office
Stored in a heart shaped box
To swallow down like jelly beans
I’m waiting for that deadly sugar rush

Death’s been dancing on my doorstep
Absent minded as I sit at the dinner table
Head in hand, foot in grave
There’ll be no morning migraine
Perhaps a little mourning in the peripheral vision
Swept up from beneath the climbing frame
Under a soil blanket with a tomb stone mattress
Coughing up the sand in my throat
That I emptied from the egg-timer
Those darling quadrilateral crystals
Blissful in their ignorance  
Disturbing my quiet complacency
Drowned in a glass of tomato juice
That I poured from my skull
Death holds my hand in the dark
And I whisper to pass on the message
Bury me with pyjama’s and a pillow
Next door’s cat,
alone as they’ve gone away
on holiday,
slouched on the lawn,
our garden.

A monochrome tube
flops over, turns over,
liquorice eyes peer up,
a rolling pin
kneading the green.

Thinks it owns the place,
can lounge about
wherever it pleases
drizzled in June honey,
‘round ours for a week.

It knows when I am close,
a mewling baby,
rises like an overweight man
from an armchair
and asks to be loved.
Written: June 2013 and March 2014.
Explanation: A poem written in my own time, later edited slightly for a university class.
Nigdaw Feb 2022
I wish I still smoked
**** yeah
It's the ritual
the need to make time
to die a little
opening a new pack
shiny cellophane
the lid flipped back
paper seal for freshness
pulled out to reveal
20 happy moments spent
inhaling, coughing, thinking
the soft packets
where you flicked the
cigarettes out like movie
stars and the Marlboro man
who are all dead now
roll ups, kit form bronchitis
liquorice flavour papers
combining childhood flavours
with adult life takers
the smell clinging to clothes
and hair dragon breath
but we all looked so ****** cool
so adult so grown up
so ****** clueless, *******
on our manly pacifiers
I wish I still smoked
**** yeah
just don't have the courage
some how
Mateuš Conrad Dec 2016
mmm, palce lizać, albo wsadzić je w dúpe i nadawać sygnał wriggly-wriggly alter: wriggly-pigglety; counter-alt? calling it: the miracle of five croutons, and two pieces of sushi... c'mon, let's go crazy! and take it to the excesses permitted by the original feat! (yes, i mean the fish parts of sushi, there's enough carbohydrates in the croutons, so yes, no rice-bed for the tartars).
                                       ć is the puritan's aversion to cz / chai;
                                       or at least an exfoliation curbor.
i write honey,
honey honey honey,
i write honey,
honey honey honey
p'ooh bear
droned in on it.
when i write,
i write honey,
honey honey O'Milee.
from serving in the US and A
navy, to a beach-buggy
accident.
when i write, i write
honey -
       *** e -
Atilla styled liquorice -
  lee co reesh - not
liquidated rice -
ghosts of latin almost everywhere;
quadruple that.
convene and converse -
contrary             collective.
some say this might as well
be the famous goldberg *sardines
;
when i write, i write honey,
i write: honey honey honey...
      will you be my Duracell bunny?
honey, will you be my
   ******* par excellance?
i see... no, you won't be.
the museum of Greek sculpture
was vandalised!
    guess what they took,
the ****** fiendish crooks!
with a wet splash of colour
comes the cold marble artifice -
a bit like the cool-mouth
refrigerator of a woman during
felatio... still don't know
how she gets that gob down
below room temperature.
    (heresy input, never start a
sentence with an)          and
there you have it,
                  writing, catering for
abstractionism,
just after he said: they're on a diet.
Mateuš Conrad Apr 2020
i can't imagine a better maxim for a marriage:

   when both of you are young...
and... instead of being
these "star-crossed lovers" -

with a rubric
                  of the thwart(ing)...

to marry: when both are still in love with life...

                    from a nation-state into
the ***** of a diaspora...

what a fine word...
   the mass-influx of hyping around
the otherwise, fake:

       migrant workers...
like the current argument for
british sovereignty:
we will not have any of the bureaucracy
from Brussels...
but, we, will! have...
those romanian fruit & veg pickers!

it's hardly a joke:
more like a choke...
                    what's the difference between...
leaving one part of the country
for another: part of the same country...
and then... being daring enough...
to leave the country: thoroughly...
and have to learn a new language?

dual-citizenship...
go back? stay here?
hmm... i'm not really fond of speaking
or writing in ******...
the germans dissolved...
the russians too: dissolved...
i'm pretty sure that language can
remain intact... as it is...
under the law & justice party...
once they focus on the breeders
with tax-free incentives...

Chicago! what a fine diaspora hub
for the ****** "expatriates"...
good thing i never made it to
h'america: in stripes...

the friends of my youth...
most of then? crimminals...
        the nicknames we had for each
other:
i remember being taunted as being
an... "angol"... because my father wasn't
their father and wasn't part
of laying down the foundations
of "bones" for the dockland light railway...

i left a nation: still in its infancy...
and to its infancy i will drink!
but as a language: not a people...
not a geographic location...
a metaphysical manifestation:
if the word be a faustian signature...
yes, my lord... i see the pinching
itch of the natives squandering it...
like it should not have been...
a frederick hohenstaufen II experiment
in a nunnery on Sicily...
mute children... raised by nuns who didn't
speak: pretending...
to see... what language was genesis primo!

my allegiance is to the tongue...
it might allude to the fife and drums...
but dealing with the rascal
who deems...
that god save the queen be treated
with irreverence...
i'm not as daft and yobbish to glare
with a hydra giving birth to an extension
of its neck-load girth...

give me! the british grenadiers' fife & drum...
and i'll show you le marseillaise!
i have long ago pledge my allegience
to the tongue...
              
because? well... to be honest...
under all the supression from the...
(a) herr meisterstuck:
         the day:
        
        the prussians... "forgot"...
they were jumbled up with the lithuanians
as the last pagans of europe...
and then they decided: whatever it
was that they decided upon...

i hear some russian... i hear a down syndrome
person talk...
it's all lovely and sing-along...
but it's hardly by strict obligation
to the latin script... is it?
i have to nibble at pitty-worth jokes
to aid my...

diaspora: involuntary mass dispersion
of a population from its indigenous territories...
last time i checked...
i was born into a city famously known
for its practice in metallurgy...
i was the never-to-be grandson
of Die Krupp ambitions!
    i would leave my hometown and...
well... there was Warsaw...
or the... brain-drain train "elsewhere"...
from a nation into the grand...
vacuum of the diaspora...

except in england...
       the no. 303... most of which settled
in either Scotland or... Stratford-upon-Avon...
elsewhere... some other... "elsewhere"...

well...
   given that i have had had a choice...
ha ha! comma? sir?! that that?
      given that i have had - had a choice...
well... imagine... perhaps there's something
about Fwench... but i'm chosing sides...
it's not in Norwegian...
so... b'leh b'leh b'leh... b'leh...
                      
               i just have to borrow some german...
speaking this... hybrid saxon having
buggered enough afghanistan-esque brit druids...
the zeppelins were always dropping...
soap-bubbles...
          i tease oh god...
i tease... but this music is so... so...
oh so delight-ful!

                   die könig im gelb!

ah... to marry: when both are in love with life!
terrible affair: should... "life" somehow
matter: to disappear...
this love a suffocation for the best ****
they had in... ever...
and there's nothing of what life is concerned
with...
either children or... being infertile...
but to be in love with life...

the russians can't proclaim a diaspora...
then again: the "mafia"...
i've heard of an italian mob-esque...
      disposition... subsequent undercurrents
to boot...
an... irish mafia?
bothersome details...
         i still pledge my alliance to a Dickens
over a a Shakespeare...
because...
by chance... i might find some poetry
in the prosaic? by Shakespeare alone:
i'm... "expected".... aren't i?

bad news from York-and-the-shire...
Rotherham... and the... prefix ****-
   and the suffix -stani "debate"...
                   do you even know
how... let's not go there...
to term a bogus inconvenience of...

'what the hell is concerning you...
to fathom from cloud-9 a ****** notion of...
being out-bred?!'

an economic war... is a slow war...
it takes time...
it would take the amount of time...
to turn a once proud town focused on
metallurgy into rubble...
some stayed... some moved to warsaw...
some... played: a joker hand de facto...

i am: this... subtle... p.s. curiosity...
had i only come to breed...
rather than to otherwise...
nuance... allegiance...
zu die zunge?! alles!
             die menschen?
                     jeder seine haben!
             die schwach wind und der flagge?!
ist: die schwach wind: und der flagge: nein?

perhaps there's a stressor
of impetus in german that's not allowed
in english...

     ich bin hier für die sprache...
              
it must be translated... such it being:
oh such a wonderful... phrase...

   to marry... when both... are in love... with life...

zu heiraten... wenn beide...
                           sind im liebe... mit leben!

art-*******-and-funky-funky...
parsley-sage-rosemary-thym­e...
        what? thyme? there's a phi or a theta
to posit... instead...
you took the Dubliners' route of: paddy...
tad... and toink!
                'ucking scoundrels!

i will call... the greek-chinese ideogram...
I(ota) the key... and... "thereabouts"...
a keyhole of O(micron)...
it's an id: representation...

                 squashed: yes: 0... for better...
"graphics"...
    
to be young... and to share a half of both:
of being in love with life...

       Φ = the key enters the keyhole (I, O)...
    Θ = the key is turned... (Io)...
         Ψ = the door is opened...

        enough... Beijing "abstract" concerns...
for anyone?
       what's the abstract of rotation?
                                   oh... i guess: 'micron!

so much for abstracts as: only from boing-boing-xin...
some letter can qualify to be
apprehended in ideograms...
B - bossom or a fudge-yeast-byproduct
of a full ***...
              etc. or... Φ, Θ, Ψ...
       now by adding the brackets...
and time has a geography...
from the height of mythology...
to the depths of journalism...
that's... a vector:  (Φ, Θ, Ψ)...

     it's a key... a door... a keyhole...
                            an opening... n'est ce pas?!
hey! let's complicate it further
with: mr. squint... chop-sticks...
dragons... live vermin sushi...
    and counting dry grains of rice...

i'm not: Česlav Miloš...
to begin with... Czesław Miłosz was...
a Lithuanian...
because Copernicus wasn't ******...
"because and because"...
                     sides... all this talk of:
"allegiance"...
**** it... it's a cosmopolitan allegiance
to... the commonality of tongue...
shared to the point...
when... old fictions wrestle with me
and i'm confined to my own cubic...

for english is a language i can
entertain...
allow... yes... this parasite can erode
its host's cranium und...
                                  grauangelegenheit...
it was never... so imposing...
as a german tongue or a russian tongue...
therefore and thereby?
      an easily qualified tongue-donor
with the expanse of thought:
a complete and utter brain-drain on...

now...
there's a difference...
the english will not know it...

there's the nation... and there's the diaspora...
can the english... claim h'america...
or canada... or... australia...
as a nation-extension toward the confines
of a diaspora?
no... i don't think so...

that: quintessential inconvenience of
being merely: english...
   more prone to a local geography...
a devonshire... a derbyshire...
               someone of york...
  lost in new york...
                    a people with...
an imploded seance of diaspora...
    from the humble little island...
to: whatever fraction that was supposed
to make one impose on...

had i just been Irish... and "somehow"
forgotten my Gaelic...
or been that Welshman and no longer
with any Cymru...
well then...
but i come willing because...
      beside the mother and father...
the maternal grandmother and -father...
who will i speak my "native" and "mother"
tunge / zunge to?
          
i rather imagine marriage:
as when both of them are in love with life...
and in love that being said:
a little tale o' whittle england:
make it big in h'america...
        
         this... the most complete...
antithesis of a diaspora...
                    or rather: what lingua franca
was... and what l'inglese is...
and how: even if arabic tried...
and even if: mandarin would hope for...
well... hardly...
jackie chan kung fu and muhammad:
english is more popular than islam...
**** it up: camel jockey!
oh sure... they're "muslim"...
conflicting opinions... once:
speaking in english "arrives"...

                   i'm here: to turn up the volume...
because... i might as well have been
born in estonia... and speaking... estonian...
and never having left estonia...
been very much happy for the euro
and the... thumbling russians... somehow...
"retreating"...
well... if the russians are retreating...
they're: trying to revise being
an indo-european mongrel with...
accents of scandinavia concerning
the founding fathers of Kiev...
and them being russians:
what the hell do we do with the ukranians...
and the mongols that settled and became
tartars?!

yeah... the russians are on the retreat...
    this little island that... hopes for a diaspora...
instead... shuckles...
it has to settle for a h'american empire...
an australia... a new zealand...
ogh! mein! gott! no expatriate diaspora!
no tea with mussolini typo excursions!
mein gott! v'er vill youz goez?!

         zee f'ikkin moonz?! on a sputnik flarez?!
light up baboon *** numero uno:
then whisper among the fwench...

yes... very much brilliant...
         to be alive... and to marry so young...
and be helped: so young...
and not be thwarted...
   'coz crazy bunnies had the best ***...
great: to be alive, so young,
and married: and married to each other
and at the same time: having life marry you
to love it: to be together and married
to a love for life:
and... just... somehow...
having a co-dependent... of reciprocated
self-interests...

                            even in poland...
a soviety satellite...
with concrete chicken-shacks... ah yes:
that... "once upon a time"...
better the ******* state as my landlord
than some grubby liquorice ****** 3rd party:
libertarian "full dislocusre of mammon's
expression of par-tay"... sort of *******!
give me the state, the grey-suit and the gimps!

or? shackle me up for a stipend
working the sloughterhouse...
to boot... a house filled with 20 dobermans...
and 5 rottweilers...
i'll slaughter your cows... for the steak chops...
as long as i have the dogs to cuddle
and imagine myself doing the greater:
cosmic-karma-good...
the dogs... the harem of dogs...
no... women need excuses...
the dogs!

                 hell... a woman would require...
anniverseries... flowers... pinnace for a tsunami...
crumbs... what's a loaf of bread?
details... something to be minded as:
once being a plughole...
blah blah... hands for cushions...
        
              plus... women can't drink...
let her everything else: apart from the whiskey...
if she really wants to drink...
tell her to sober up on some Stendhal or
some Balzac... but don't let a woman
try to outcompete a man drinking...
she can drink...
but not... in that most... ugly: crab-feast
of... "detail"...

the english man... england...
h'america, australia... new zealand...
oh... wait... you were hoping for a diaspora...
weren't you?
yeah... clearly i didn't find an affair of
the imitation of greece...
took charge of the latin script...
inverted the mediterranean sea...

i speak your language: doesn't imply
i've shed the "ethno-nationalist" tattoos of "d.n.a."...
for a people to have made it bitter...
with the teutonic order over access to the baltic sea...
what's the baltic sea?
it's like the black sea...
the baltic sea is about as useful as...
well... the danes and the norwegians
held the toll and price of passing...
just like the turks or the byzantines held
the key of the bosphorus...
the baltic... is a "sea"...
just like the black sea is a "sea"...

did you know... there's a caspian sea?
yeah... it's a "sea"... more like... a lake would
be so much better...

the english could be akin to the arabs
from 200 years ago...
instead: sitting on a tonne of salt...
and waves...
and open horizons...
while the arabs sat on camel ****...
sand... and dinosaur juice...
and materialistic leprosy and limp-****
viagara palm tree impromptu...

sure... the lottery ticket of the past,
oh the most glorious past times...
        nothing lasts forever...
       so it seems...
            here's me celebrating Dickens
to the last... breath... because...
keeping up with speaking my native
language: when there are no
prussians, no russians...
           no austro-hungarians...
and there are only...
ukranians and lithuanians readying
to guilt-trip me over the failures
of the polish-lithuanian commonwealth?!

in this language i can...
ale... nie... w... tym!
Mateuš Conrad Oct 2015
that’s the thing with those trophy wife types,
never really mandible in *** like a jaw ought to be,
too stiff, too anorexic model type:
pooch pooch a handbag full of duck quack pouts of the lips.
i like mandible women, scary scarred women,
the types that will grow into fond babushkas
and cook you a broth.
ah all this crap with daddy longlegs walking into a paparazzi
web of flashes is ruining the red carpet,
i was about to frizz it up into cushion afro softness
that would be quicksand for high heels.
i need blotches i need survival skills that hold the skin together,
every wrinkle, every passing jest of “irrelevance,”
every amulet glow of feeling through the kaleidoscope of depression,
jet-lag i call it, although i rather call it trombone,
with the numbers it was bound to happen, leaving the mammalian
kingdom and entering the insect kingdom, it was bound to happen,
the lost identity tiling the earth, ploughing the eardrum for symphonies,
it was just waiting... just waiting... like a spider waiting
with the flies of the urbanisation of green & green...
can’t change my mind... blotches on skin and bulges of missing protein
on the hips... perfect girth for child rearing...
i don’t like perfect... it’s supposed to have an aesthetic aura of an art
gallery... instead it has an aesthetic aura of hygiene of a hospital;
i arrested all the beauticians while talking to the paediatricians
painting my nails with u.v. liquorice in this hospital of hygienic looks
but unhygienic romping pompoms that swayed man to chlamydia.
Kwanele Apr 2015
How she silences all my senses remains a mystery to me. She numbs my core but yet makes it beat rapidly.
  My insides turn to jelly whenever she gnaws at my belly, when she sinks her nails into my back and bites my bottom lip like a liquorice stick.
  Some others would call her a bottom **, but there's so much more to her being than being more than a side chick.
  She sings melodies which resonate with the hums of my heart when we touch,
much of which is far from lust but is purely just.
  To me she's more than a nutbust, she's more of an infinite ****** from which i cannot overcome.
                        
                    VS
my botttom ***** she.. changed the scene, I: the  bottom *****, loved and gave in once again, Into all the blissful ******* she spewed using her tongue.
Her tongue numbing everything...everything except my hands clenching, gripping knuckles turning white, my teeth drawing blood from my bottom lip.
she walked out, leaving me , bleeding , aching core. she left my house, my little bit of heaven.

Calls at 3am , the top, begging to be let it and just like that the words " go **** yourself " stuck in my throat yet my arms are missing you.
  i turn to mush when you make that face... this is why i remain in the darkside, feeding the demons you supposedly killed
  these demons were fed with lead, resurrected and led by madness.
Rage!
    or a caveman savage!

Or..
i could call her over  and offer her some tea and muffins, from a musket.
Hemp rope and hang (with) her, bound  by invincible chords to the Lord but what more could i ask for but harmonious love from broken keys.
Broken keys for broken hearts, broken hearts deserve shotguns to pump bullets into the minds of those who sugarcoat the truth.
Co-Written with BX
Anthony Williams Jul 2014
You tucked your sugar candy wrapping
with surreptitious dainty dips
and lots of little body wriggles
in between my couch cushions
I found them when I did a clean

amongst a weight of quiet
tight squeezed tears
pushed by love out of sight
shaped in dainty pears
appealing with question shaped
twists and marks from subtle turns

I wish your apple secrets
kept so **** sweet
unwrapped and served
peeled with berries on a plate
in neat dressed shiny mint
response coated lozenges
so I could press that sadness out
and dissolve that reposed tinge
of unsolved hidden hurt
between your sensitive tongue
and my own open heart

I'd throw your cares
that empty wrapper stash
into red liquorice skies
to chew through a dash
of  lamp lit tinctures
and catch its splash
in tutti frutti sprays
wet with an array
of well licked flavours
but please keep away
those sticky fingers

look at your paper trail of pink and white
let's follow and pick up each far flung bow
there's a picture on one we can see smoothed out
a part of a boulevard not torn but bright
and it's a bonbon for eyes that dry I'd treat
tucked in a chat upon a couchette
to Paris with you tomorrow night
by Anthony Williams
Nigel Morgan Jul 2013
For Susan on her birthday*

At a distance they appear
so unexpectedly red,
a vivid vermillion strip
in a growing green field.

We walked up the farm track
to view a few stragglers
lost on their way to their
Red-Together meeting.
They were intensely red
with liquorice-black centres,
free from that dustiness
of poppies in swathes.

Alone,
and too red to be real,
their stalks too tall
ungainly, anorexic even.

En masse,
nodding variously,
a thousand-strong Red Army choir
chorusing their hearts out.
Annabel Swift Jul 2015
Your lips bleed
like the scarlet syrup of a
dark passion fondue;
two curly lines of red
peeking from behind
your hallowed veil,
and you,
you lay them upon
my neck,
my very body you hail
as your own.
This then, is like
a red petal falling on
alabaster
or a rose stained in blood
as I pull you closer to me
and together,
we drown in a pool of
crimson wine
you anoint
my lips with.
The taste of you
is like the tip of a sword
dipped in sparkling liquorice;
and our ******* becomes
the hypnotism
my tongue
slickly wrap around,
or perhaps,
the ****** of this
eyeless world.
We’re just like
diamonds sleeping on their
velvet cushions,
or illuminating puppets
showing the way.
Love, may you claim me,
till death do us part.
Jay Apr 2018
I'm fixated on keeping my mouth busy.
Sticks of gum leave their packs like cigarettes.
An addiction.

I peel the skin from my lips
with pearlescent spades
and think about
softer edges

Your mouth
Like snow on Christmas Eve.

You taste like spiced wine
and wear ribbons of black liquorice.
Nuzzled in your neck-
I breathe cool peppermint.

We collide as galaxies.
I become clay

Your delicate hands
slide across my form
as I bend and sway
at the mercy
of your creation.
Lucy Houbart Jun 2020
Head feels like a liquorice allsort,
One bit from one half gets inside the other -
Cosy in a roll.
It’s feeding on stuff from my brain
Doing somersaults getting fat.
Not going outside
My brain.  Knowing all about the inside instead of
Knowing you.

My brain is getting less scared
No need to find its voice.
Before, it looked like it had grown
Because it had to keep on changing.
But now it can sit,
Hear itself
Talk.
And takes a new direction
Inwards,
Not outwards accommodating fear.

Sometimes I feel strange in the middle.
Thinking I might break.
Not used to being here.
But it's ok,
My shell is as hard as a walnut and I cradle warm and snug.
Look to the future,
Roll to my tune.
Outside - no need to change.
Inside see me instead of you.
Pink fluffy apples
Green juicy flamingos (hiccup)

     Black sour marmalade
(hiccup)

              Orange lumpy liquorice

Purple tangy mushroom

              White rich yoghurt

  (hiccup)

               (hiccup)
                            
                            (hiccup)

What did you put in my drink?
©️ 2021 Joshua Reece Wylie. All rights reserved.
The affects of alcohol on the human tongue. Lighthearted poem. The colour and adjective used to describe the noun have been swapped with the line beneath to imply the feelings of a muddled brain when drunk.
Salmabanu Hatim Jun 2021
My husband calls me hisliquorice
Only he and my children like me in our family,
The others are wary of me,
Because I have no tolerance for drama or fake people.
28/6/2021
Isabine May 2020
I’m liquorice
The classic kind
Dark and bold
Lingering but not loquacious
Biting but not bitter
Sugared but never saccharine
A half-forgotten flavor
You may not like me as I am
After all
I’m an acquired taste
Terry Collett Mar 2015
And Helens mother says as Helen climbs down the stairs of the building mind the road and dont talk to people you dont know and make sure you get the right change from Baldys you know what hes like Helen holds the stair rail and takes one step at a time as they are quite steep and she doesnt want to fall down in her small palm she holds the coins for the shopping and they are becoming damp as she holds them so tight and in her other hand she holds a bag to put the shopping in and thinking over in her mind how much change she ought to have if her sums are right and she thinks she has got it right although Baldy will get it right no doubt but she must try and get it right or her  mum will tell her off she reaches the lowest stair and stands there looking back up the stairs and waits to hear if her mother has stopped talking and its all quiet and so she moves out into the street and the sky looks grey and rainy looking and that man is on the corner in his black coat buttoned up to his neck and the black trilby hat and he looks at her as she passes and she looks away her mother had said dont talk to people you dont know and she doesnt know him but her dad said the mans a bookies runner although shes not seen him run anywhere as yet although he may run when shes not looking and she wonders as she passes him what a bookies runner is and why he stares at her so he doesn't look friendly in fact he looks like a criminal as far as she knows what a criminal looks like the man turns away and gazes up Rockingham Street and she walks quickly to Baldys shop and climbs over the steep step that leads into the shop and it is quite full and so she waits her turn behind Mrs Knight who is a tall thin lady from upstairs who has cats and she smells of cats and when she looks out of her door when at home she looks like a cat too Helen sniffs yes cat smell she thinks and looks at Mrs knights coat and sees cats hairs and she holds a purse in her thin hand and a shopping bag in the other Helen being only eight years old cant see beyond Mrs Knight but at the side she can see other people at the counter and Baldy is busy and his assistant is rushing about quite madly Helen thinks she ought to have gone to the loo before she came out shopping because now she feels like she needs to *** but she doesnt want to go back home again so she tries to think of something else to take her mind off of the *** wanting feeling then someone taps on her shoulder and as she turns she sees its Benny the boy from school who lives up the road and whom she likes and who doesnt call her four-eyes or take the mickey out of her hello Helen says looking at Benny what you doing here? shopping for Mum he says holding up a brown shopping bag got a list or ill forget I always forget he says he moves close to her and shows her the coins wrapped in a paper list in the palm of his hand you shopping too? he asks yes she says looking shy and gazing at him got to get some things I can remember what Mum says and what change I have to get afterwards he studies her as she stands there her hair in plaits with a center parting and the wire framed glasses which make her eyes look large and cow like and the faded red flower dress and green cardigan with two buttons missing what you doing after? he asks dont know she replies why where are you going? going to the herbalist he says get some liquorice sticks and a glass of sarsaparilla could I come too? she says if Mum lets me and Ive done all that she wants? sure you can he says meet me by the Duke of Wellington if you can go about ten or so if youre not there by ten past ten Ill go without you he says she nods her head and hopes she can go and looks at him standing there his brown hair and hazel eyes and a cowboy hat at the back of his head and the six shooter in the belt of his blue jeans and she feels happy for the first time since shed got up and she says can Battered Betty go too? sure he says and she smiles and senses her heart go quickly in her chest thump thump thump thump yes Helen what can I do for you? Baldy asks her as she is next in line to be served so she recites what her mother had told her so much sugar in a blue package and a certain amount of cheese and a pound of broken biscuits and a loaf of bread and o yes a dozen eggs she says offering him an empty egg box and he goes off to fulfil the recited list and Benny is served by the assistant and he hands the man the list and the man reads it and goes off to put together the items on Benny list and suddenly Helen feels the need to *** again and hopes Baldy wont be long getting the stuff she asked for and o yes Benny says my old man says hes taking me to the pictures on Sunday did you want to come? he wont mind its a U film so kids can go too she pushes her knees together hoping Baldy will hurry up Ill ask Mum Helen says feeling the sweaty coins in her palm and having to pass the bookies runner and hope she wont do her any harm.
A 8 YEAR OLD ******* A SHOPPING ERRAND IN LONDON IN 1955.
Lyra Brown Nov 2012
tastes like black liquorice

smells like skunk

and looks like blood

it wakes you up in the middle of the night screaming

“i miss you”

it tears apart your heart and leaves its carcass in the middle of an open field

for the wolves and vultures to fight over

it’s the kind of loss that tricks you into thinking

you haven’t lost the person yet,

because they are in fact, still here

in the flesh, in plain view

it makes your memory lazy when you think

“maybe this time will be different”

so you go back when they call

when they say jump and you say “how high?”

and they love you and call you baby

baby baby baby baby

then you taste the liquorice

and smell the skunk

and see the blood

and you know, it was all a lie because

that person you love so much, really

isn’t here at all

it’s the worst kind of loss there is

when the heart betrays the mind and convinces you

maybe this time, it will be different.

maybe maybe maybe maybe

but then there’s always the ***** the boyfriend the party

that was long there before you ever came along

and it will always be there

always in the background of this person’s mind when they come running back

claiming that they’re lonely

sometimes you wonder if it would be easier

if the person was actually dead

then you shrug because

you already know how that feels, but

maybe maybe maybe maybe it would feel

a lot better than this and so

you keep loving this person, because

love is what you know and you can’t stop but

even love doesn’t cure a loss,

especially a loss like this.
The snow lay crisply on the sill
And gripped the windowpane.
A coach and horses scurried by
Slowly, slithering down the lane.

Beneath the gas light in the gloom
A group of choirboys sang.
‘Ding **** merrily on high’,
And all the church bells rang.

Whilst in his bedroom, up above,
A little schoolboy lay.
He’d hung his stockings on the posts
And he dreamed of Christmas day.

And on his bed an old greatcoat
Around his neck held tight,
And on his feet a rag knot rug
To warm him through the night.

His water bottle at his chest
Had now become quite cold.
But in his mind the warm thoughts raced
Of many stories told.

His Mom and Dad below him sat
Less warmly by a candle,
And worried how to pay the rent
Thus to avoid a scandal.

‘But one things sure’, his old mom said.
‘This year may be our last,
So we’ll do all that we can do
To make it better than the last.

‘Remember to be quiet’, she said.
‘Don’t wake my baby boy’.
Here’s an orange, apple and monkey nuts
And a little wooden toy’.

His Father crept into his room
And by his stockings knelt.
He slowly placed inside the gifts
Then in his waistcoat felt.

A tiny farthing in his hand
And in his eye a tear.
He gently pushed it with the rest,
Then to his boy drew near.

‘If only I could give you more,
Then Son I surely would.
For if it were the only thing to give
Then I would give my blood.

His Son lay there without a care,
A smile upon his face.
He kissed him gently on the cheek
And left without a trace.

Then slowly creeping across the hills
And softly clipping trees.
An orange globe of Christmas cheer
Began the frost to tease.

Wiping sleep out of his bleary eyes
And awakening to the cold.
Quickly rummaging into the socks
Clutched a farthing as if gold.

A little boy whose Christmas dreams
So simply had been blessed.
Sang a little Christmas song
And rapidly got dressed.

Each breath he breathed froze in the air.
His tiny hands and feet were frozen.
His mind already at the shop
Espied the sweets he chosen.

Liquorice wood and kali dabs
Pink sugar candied mice.
The little journey down the lane
And sliding on the ice.

His mom and Dad they saw his glee,
Forgot their sorry states.
At least upon this Holy day
They’d have food upon their plates
Mike Bergeron Mar 2013
Yesterday evening,
As I was traveling,
We hit the river styx.

The bussers got to scattering,
And a man made out of twigs
Sat next to me with a swish.

With teeth all a'chattering
Through a stutter-ridden lisp,
He blubbered and he spit
As he asked me for a kiss.

I said "that's quite flattering,
But you smell like stagnant ****,
And I don't have any patience
For this attempted tryst."

With a devilish twist
Of his knotted, wooden wrist,
He handed me a Twix,
And said "eat this piece of candy
And I'll grant your every wish."

I knew it would be handy
When I packed some liquorice,
And though he was too handsy,
His promise seemed legit.

I traded him my sweets
And I ate his offered treat,
Then I feel asleep as quick
As a widow starts to weep.

I must admit
I was shocked
To find myself a heap,

A pile of trash
Cast aside
To be swept off of the street.

Lesson learned,
Ingrained deep:
Never trust
A timber creep
You meet upon a bus,
And never eat
Offered sweets,
Or else you will get mugged.
Mateuš Conrad Feb 2020
there should be easier ways to buy jazz records...
perhaps i should be more familiar
with black literature... perhaps will alexander
is not enough... oh god: i just stepped into
a reverse psychology faux pas...

  again...

there should be easier ways to buy jazz records...
but clearly there aren't...
for years and years i sat on the tube as it rolled
between leytonstone and leyton...
they now have a grand mount... for the new graves...
prior to... the graveyard stretched...
almost the entire distance from one station
of the central line to the next...

i did plan to go into london before
lying myself to sleep... once upon a time i would
go all the way... into tourist central...
i'd go and do the usual... tate modern...
tate national...
i even dressed myself for the occassion...
well... "dressed"...
does a dog change its fur...
i had to capture the sensation of wearing
the same clothes for long enough...
washing, personal hygiene -
change of t-shirts... of course...
but today i was going to buy myself some
jazz records...

i couldn't just hop on the bus (when was
the last time i used a bus -
rather the centipede of my own legs?
you never forget to swim or ride a bicycle -
when was the the last time
i used the tube?) -  and just head to the shop...

that would be so boring...
and i'm not a female to window-shop either...
what ensured a diversion?
immaculate timing...
   walking up to the bus stop...
a girl... probably 16... sitting and waiting...
bus pulls up... i gesticulate: ladies first...
and she gives me a smile...

that decided... winter! it's winter!
and Freya's daughter took a needle's eye
and brought me before the altar of my original
whim...
jumped on the 66 bus and then on
the central line... newbury park,
gants hill, redbridge, wanstead,
leytonstone... leyton... and onto st. patrick's
roman catholic cemetary...

just before spring comes...
to find the absolute nadir of winter -
perhaps autumn is when romance novels
are written about death...
but i much prefer graveyard in winter...
i would have gone further into london:
but those jazz vinyls are not going
to buy themselves...
plus... i find graveyards... well...
hardly morbid... i like them because...
esp. the roman catholic ones...
have statues... and...
well... who wouldn't want to see
a museum of statues: al fresco!

reiteration - because i can't mumble
or metaphor myself or make this succinct...
graveyards are museums al fresco...
whoever was the sculptor... of the crude stone...
the second artist... the weatherer has also
done his bit... coy wind... a splattering
of "paint" with rain...
the... basking in the sun...
the drop in temperature...
i like to see the "other" artist at work...
give me this one life's span a peek into
the deeds of this almost eternal sculpture
baron...

whether god or: death personified...
               the theological god can return to his
origins story... the sun the moon the stars
the: what came first the chicken or the egg...
what came first... the spiderweb or the spider?
pointless hamsterwheel questions:
a priori this... a posteriori that...
museums are stuffy... they might hold
under their roof... in pristine vacuum...
the Elgin marbles... but i want to visit a museum
that breathes! these gravestone statues...
breathe! if you're not careful enough...
you might see a wandering eye...
as if someone transcendent has touched them...

graveyards: museums al fresco...
and in winter? and it's your typical sodden...
overcast... london clepsydra of drool and dire
and the scent of wet dog fair...
and there is no chance to intoxicate yourself
with the decomposition of autumn's fall:
banquet of leaves... and that sickly sweet
botanical scent of decay...
it's winter and raindrops become piercing
needles of sensation...
you wouldn't even dare... to blink.
                    
- of course i had to take a few photographs...
it would be weird if i didn't...
once upon a time even death was due
man's concern for beauty...
in these grave statues... whether it's a 1000th
jesus or some obscure saint...
whatever it was... it was certainly worth...
imitating a ******... getting all wet with
goosebumps on the ******* sack tickling you...
no hard-on... whenever you'd want
to gasp and spew some variation whale
sonar: morse onomatopoeia: coy cooing an ooh...

so back on the tube and to the record store...
****... need to ****...
to the pub and half a pint of guinness...
again: a woman's smile is so up-lifting...
and that surprise as you're only there for half
a pint... up the stairs to the toilet and...
out the pub...

the thing about buying jazz records...
why would i buy a gramaphone...
if i didn't intend to only buy jazz records for it?
why buy, modern vinyl?
the thing about buying jazz records...
you need to know a few names...
you always look at the... "starring"...
i know there's another term for what i'm
looking for... "starring" is easy...
and it's in no way related to the word:
repetroire... but it is french etymologically:
although mutated from: ensemble...

i'm pretty sure there is an english equivalent
to ensemble: which is not "starring"...
accompanied by...
                 that sort of mid-way introductory
statement by the vocalist...
on the piano we have...
on the guitar we have... and each band member
does a little accent impromptu:
accent impromptu: which is not a full-on
hair-metal solo 2 hour slow bbq **** chicken
strutting send-off into the stratosphere...

never mind... can't a white guy just appreciate
jazz... i'm tired of the sycophants of classical music...
including charles bukowski...
the japanese have covered this sycophancy
and elevated it to virtuosity of the drum-kit
monkey... fair play...
but jazz never allows you to... over-think...
anything... a head without thought
and all that sea of feel...
logic is over-rated... i like my cushion of
the antithesis of descartes: res cogitans in that
i find pleasure... in res vanus...
- and classical music is over-thought...
to me at least... it's a falling piano of notes
and no breather... no feel for bass drums or pause...
for an accent of sorts...
no real idiosyncracy - beside the idiosyncracy
of the oeuvre...

jazz says to me: i don't want to over-think:
not-thinking...
it's as simple as that... i hardly think a cat
allows that onomatopoeia: meow...
i hardly think a dog allows that onomatopoeia:
bark / woof... to enter and govern his mind...
this imitation of being: surrounded
by beings with complex prompts and
a car-wreck of sounding verbiage...
hardly a woof or a meow to be "deconstructed"
in those furry-heads of theirs...
how does a sax sound in my head...
when i can't hear a sax outside of it...
i'm not a composer... letters would congest
the sponge... soapy water instead
of live-young evian... pristine cool and crisp...

drums and all their ambience...
when there's the intro by the horn...
before the protagonist sax takes over...
sly little horn...
jazz... i don't like to over-think not-thinking...
classical music?
i tend to over-think not-thinking...
with jazz i can never over-think not-thinking...
because: feelz... and what-not...
it's hardly an armchair of apathy...
it's hardly a sofa of tolerance...
it's a cushion for a head that sometimes
feels like a tonne of lead...
and the air doesn't become water: "magically"
to even wish for a sinking sensation...
blurps of bubbles no...
there's only the almighty fall or an explosion...

feelz... (this will be addressed...
the Z... in german... that i do promise...)

- again, not again, again... i can't buy the same old
stale **** narrative behind the slave trade...
there's a jack of spades in here somewhere...
no blacks in h'america: no jazz...
it's that simple... god forbid where i'd be at if
i were to still praise the suffocating confines
of classical music...
this is classical music to me...
this is... everything that's suffocating about
Bach's innovative polyphony...
polyphony sure... but what jazz allows and
what classical music doesn't...
it's hardly called a solo if only the piano gets
it... a chopin or a liszt...
any... famous violinists sharing the stage
with the pianists... the piano is the only instrument
that's allowed a solo: proper...
but in jazz... you can get all the instruments
in the ensemble given a fair share...
no africans coming over to h'america...
no jazz... instead:
       pirouettes in corsets and crinolines!
ugh...
               liberated into: chain-smoking
and giggling why pulling an imaginary chain
saying: choo! choo! this train has nowhere
to stop... beside a tomorrow...
and should tomorrow come...
                                      that's still only a gamble!

jazz because there is no singing...
            well... 'my funny valentine'... chet baker...
better known on screen as ethan hawke...
astronaut... thespian... at large chameleon...
dat dere: the disappointment from
having chamelon leather shoes...
that will riddle... should ever a pair be made...
no fluorescence no change in the weather...
just at the time of the killing...
would the pigment remain: "thus desired"?
well... i don't know what the muslims
and the yids have against pork...
i'm pretty sure most standards of belts
and shoes are... made from pork skin...
which is... well... leather...
perhaps they should don the orthodox ***
yom kippur statement of running
into the synagogue wearing sneakers!

just saying... porky pink and whitey sneaked
in with a guitar and a piano...
sonny clark also tip-toed on the black
and white cascade...
                                  interludes from absence...
or the myth of the custard -
               it boils like a voice unearthed from
mud... tinged with surprises of a canary...
gloating glutton of the stove...
               jazz in the kitchen,
jazz in the bedroom... jazz in the living room...
jazz sitting up, jazz sitting down,
jazz drinking a hop-heavy lager...
jazz sober...
                                        it's not jazz:
because i live in new york and i have a feel
for the romance with frank o'hara and all things
gay and otherwise cosmopolitan...
romford is probably like hull...
and i'm the antithesis of phil larkin...
my verse is more scribbles and scrabble than
his neat: your parents ****** you...

jazz is a rebellion akin to 'my parents ****** me'
when they fed me a classical music diet
as a child... rock guns 'n' roses grunge and punk
were minor rebellions: teasing pop...
but nothing to match to the diet of classical music
ingested early on in life...
                          jazz was and is, though...

- when buy a jazz record... you have to look for
the usual suspects...
sometimes you look what the lead protagonist
is playing... after hearing Grachan Moncur III's
avant-garde... i'm not convinced...
but there is a list of the usual suspects...
evolution just reminded me of everything
i didn't like about eric dolphy's out to lunch...
but there's a list of usual suspects...

'i can't believe i almost bought a vinyl of a c.d.
i already own... money jungle by duke ellington...
good that i didn't...'

the usual suspects of an ensemble alternating:
eric dolphy, paul chambers, freddie hubbard,
sonny clark, joe chambers, herbie hancock,
john coltraine, sonny rollins, kenny burnell,
art blakey...            wayne shorter...
what would probably become equivalent to...
sitting through a ****** movie...
but otherwise finding the end-credits more
entertaining... the ******-movie of what's not
remembered as that golden fleece of mid-20th
century nostalgia...
i once placed my nostalgia in h'american
hippy culture... come to think of it...
i guess my nostalgia is: the coming out of
1950s america and no quiet going the full mile
into beatnik poetry recitations with jazz
in the background...
no one would **** the poets:
instead the jazz musicians...
                     somewhere cowering under
an umbrella sown together from moth wings...
assuring himself a lightbulb was
the sun... evidently no formality of language
genesis: dear sir / madam
exodus: yours sincerely / yours faithfully...
and all of this... in between?

                         shoes shoes...
two jazz records is hardly an extravagance...
these days...
oliver nelson - the blues and the abstract truth...
sonny rollins - the bridge (jim hall on guitar)...
well... because sonny rollins and: colossus...
24 quid...
                why am i supposed to remember
the slave trade... am i a native of these parts?
i thought i was the "dumb ******" industrial n-----
joke? don't shoot the messanger...
do i look like i've just killed your grandma'
by playing a ******* harmonica?
not everyone is going to be listening to rap...
what jazz gave rap... isn't gonna give
that easily for me to ingest... *****-nilly...
sonny rollins... looks like a well attired man...
even if it is 1963... perhaps my own ambitions are lax...
i'm the son that wouldn't become
his father... and he was always the son
that was going to overshadow his father...
and that leaves me with my paternal grandfather...
all that remains to be said...
by my maternal grandfather: we has a hard worker...
well... stick that as an epitaph for
anyone without an epitaph on their grave...
i'm sure those dates will look like
candy dripping from a ******* rainbow
any day soon!

thighs, legs in total, comic sanskirt of the brains
between the gallows of *******....
and hands: all those geisha hands...
are the erotica canvas for my no-thrills
genocide *****-and-tic canvas work of a tissue...
because... even if i "cant get any"...
any is just as plenty...
i shared a moment in a supermarket with
a guy who was buying...
wine and bread... honest to god...
he was buying wine and bread...
i missed the last supper and that magic
of a philosopher's stone of:
the wood of all metaphors...
that great driftwood of history...
the postage stamp of contemp. african
get-togethers in europe...

                       an eric dolphy or an bobby hutcherson
on cymbals... "vibes"
   ("vibes" could also be made synonymous
with a prog rock artifact...
a Hammond E-112 ***** too)
                            could work...
the cymbals or the xylophone or whatever
that elevator muzak attache is...
could work... in synch...
on something like grant green's idle moments...
as forrest gump would have said it...
the gi(t)ar is in symbiosis...
but please no horns no sax...
well... sax ever so slightly...
just below the drums...
most certainly beneath the bass...
keep it clean with the guitar and the piano...
only then... some sort of equilibrium...

otherwise what's 120 quid?
something my hands can touch and the sort
of money that i would never spend:
how much vinyl can a man eat
before he realises... this **** isn't liquorice!
from pocket to pocket...
from hand to hand...
                  i never gave that money 10 quid
short with a box of chocolates or a bunch
of flowers... so i guess...
that's money best swept under the rug
of daily needs... flowers wither and chocolate...
eh... chocolate...
                                it's not the thought
of liquorice when playing a vinyl record on
a gramophone... anise amber anise amber anise...
cinnamon and...
and and and and... the raven hair of
bulgarian prostitutes... fingertips...
if only the tongue could read braille...

       i'd ensure that if i went into a brothel
i'd spend a good ten minutes moving my fingertips
ferocious against a brickwall...
some might say: i wanted to experience
of feeling oysters under my fingertips...
when caressing the otherwise sandpaper of skin...
and time...

beer becomes an elevated circumstance
of some leftover whiskey...
and this... cameo cinema of my memories...
yes... rubbing my fingertips against
a brickwall... before walking into
a brothel...

- the germans have been lying!
they have another "secret" letter in their arsenal...
although they will not outright admit it!
perhaps the ß (eszet) is interchangeable in
younger brother ßaß (saxon) english...
surprise: surpriße!
                
             most of the arabs flock around
the nationalflaggehandelsflaggeparteiflagge...

perhaps there was an S-to-Z-to-S-to-Z
interchange bound to the ß...
aber...

wo alle straßen enden...
                     hört unser weg nicht auf,
wohin wir uns auch wenden,
die Zeit nimmt ihren lauf...

         yep... that german "z"... which is more like...
a "russian" c... a ****** c... most certainly
a wet snare sizzle of... a ... Ц...

   das herц, verbrannt...
                   im schmerц, verbannt...
so цiehen wir verloren durch gas graue
niemandsland.

              then again... that all depends which german
dialect you're talking about...
and that russian spy ц is most certainly missing
upon a: schwarzdeutsche
             richtigerdepflugdeutsche rendition of:
zu...

and that's the compensation dynamic...
i'll reach into the zenith of jazz...
but come into the nadir of german army songs...
i'll squeeze a horn but then
come and drop a stone dipped in honey
into a hornet's nest...

              perhaps i haven't been the best
tourist when it comes to the concentration camps...
but i have visited the mass graves of the germans
from the first world war around Ypres...
and i have been to the graveyards of the allies...
a sparrow or a robin always seems
to sing each individual german soldier's lot
in the graveyards of the sleeping en masse...
the silence always breaks...
seeing how they were piled up...
                 compared to the individual graves
of the allied soldiers?
it's almost like going to see the end product
of the contracetion camps...
              a heap of bodies readied for a mass grave...

let's not riddle a liking for folk songs into this...
folk songs are non-negotiable details in all of this...
a black man can call another black man
a n-----... well...
i might as well call another white man...
carelessly and with ridicule... a ****...
sorry... hehe... "oops"... a... naцi...
                                                                a нaци...
         beware the german Z given the ß und Ц...
eh... don't mind the S... it's hardly a caron (š) S...
you'd need to compound -sch- into the whole affair...
and still the east germans would write
ich... их... but... somehow make-out to say:
isch... iś... which is not a caron (š) S...
nor saшa...            it's... somewhere "in between":
                                 š   ś
                     via rammstein's ich will...
well... it's not french... so there's no grave S
          to compliment... so... das ist das... yener...
                    
so much for a friday night...
              before the altar of Moloch...
and his resurrection... busy body demon deity
of the abortion clinic...
and these are the old gods united
under the single Mammon facade of the semites...
Moloch is alive and well...
perhaps the babies sacrificed to him
are not still-born or otherwise...
perhaps the strain of the argument from
the conservatives whispered a retort for me
to utter: that each ******* if a microcosm
genocide... i will not utter the name...
call it an elevated sort of superstition...
or rather... i don't have to say the racial
slur... because... i'm pandering to
                                   porцellanmenшen -
that's two russians "spies" in already...
                                       regarding the иɐzᴉ...
at what point...
                                     under what authority...
it's a **** good metaphor though...
"metaphor"...
          that Moloch is awake once more...
as a deity in his own right -
no longer the "fallen angel" in the pantheon
of semitic gods brought to heed...
before ha-shem.
the
Sophie Sep 2014
When I was young,
Safety was my mother's chest,
To listen to her heart,
And feel her warmth,
Just like she did me.

Now that I have grown,
Though to her I'm still her girl,
I'm your girl too.
And you share me.

Now I sit and cry about a bad day at school,
Listening to your heartbeat,
Just like mum's.
The repetition is calming -
Just like it was.

I love you just as much
I'd go above and beyond,
To sit with you every night,
Feel your breath on my cheek,
And take in your scent
Of liquorice and soap.
There isn't a certain someone.. But I'm a dreamer
Mateuš Conrad Oct 2016
so i have this book my Steφan, and here the
unpredictability: Steven?            even elevens?
                       Stephen
Steven          Stephan? no matter, the joke
comes with the diacritics         in the surname...
      they wrote /ˈʊmlaʊt/
when the diacritical marks weren't investigated:
  is that Körner as in ariθmetic
     Koorner?
       or is the poncy
    Kœrner - which is
softer and therefore almost Kerner?
the book? fundamental questions
of philosophy
-
hence the dialectical applicability
of diacritics: archeology in vivo:
oh no glass chandeliers darling:
            butchery rather than anatomy:
chop
        chop
                chop
                 ­         (oh looky looky, Jacob's ladder).
y = id est.
                  w? haven't figured it out,
looks like trigonometry to me,
all that sine and cosine jazz.
         you know that mystery of lawlessness?
English, plain and simple,
the English language: good that we had the Scandinavians
and the Dutch learn it better than the natives,
mind you, also the Belgians,
they speak a foreign tongue better than
the ****** natives:
the natives? they speak some urban slang
profanity: diabolical verse;
                                        putrid ****:
sulphuring smoke, astounding.
              reverse dead Latin / living -
was that comma necessary?
  or should i have written astounding sulphuring
smoke?
             or Sartre: existence (quantity)
     precedes essence (quality) -
         qua qua either way, a mode of being,
   duck here, duck there.
          oh me, right? *******, maddened,
i was hanging in the trenches and had a drink:
now i'm really mad, bursting like a tense
   soap bubble: (a bit of nostalgia to cool the nerves)
i come from a generation that listened to
mortiis - and we actually bought the silverware
(c.d.) rather than the liquorice (vinyl),
               and we were the ones that translated hardware
into software (mp3) -
         but as a thoughtful suggestion:
scratched c.ds,
                   right, you have a c.d. and you try
to encode it into mp3... right...
    why is it that scratched compact disks can completely
**** up an iPod? i.e. why can't iPods encode
scratched compact disks?

            cheaper mp3 players can do it,
no problem, you have a scratched c.d.
and translate it into mp3: boom, the whole iPod
shuts down... try a cheaper mp3 player
and the whole thing still works...
          well, it's just a curiosity...
the bigger ones comes from:
i'm probably one of the last dinosaurs to have
actually bought a ******* magazine
from a newsagent,
     the glamour model type,
nothing **** included,
               and feel the agonising shame of
predicating a ******* session -
                  bony **** of the hand -
            looking for soft pouch kangaroos and all,
but how many people these days buy this ****?
       in Belgium i bought one and the woman
was so not condescending that i thought i was buying
penny sweets...
                      there's this culture of ****** shaming
in England that surprasses me in engaging
in relationships, i don't know what these slags
are on, but it's certainly not tango in stilettos
on cobblestones.
                    of course i'm mad,
i tried to rebel against Christianity and got
****** into practising it, i actually forgave my
enemy, a jealous **** who almost killed me,
       and as Nietzsche said: a Christian is a
sick domesticated animal -
              i could have been still rooted to the longship
roofs while roofing, or metrosexual lumberjack
     in an office, concerning paper rather than
blocks of wood.
     but good to know that all of Europe is known
as the bloc, rather than the eastern fringes,
god i love English arrogance, which = ignorance,
now wave bye bye to the Galactic Empire:
******* engraved Latin without barbaric diacritical
marks and had a shot at world *******...
  **** me! even the Greeks are applying refinement,
no wonder the digital sprechen dragged
English into the dark ages if not the caveman
        chant Darwinism! chant Darwinism! hoot, hoot hoot!
rarely do i desecrate books,
                 but i had to write on something,
i have a copy, of Kant's critique,
and in it my macabre Dionysian zenith fury
statement:
                       power is never a cul de sac,
                         for a king to don a crown,
                         a peasant must pocket a penny,
                         if a peasant doesn't pocket
                         a penny, a king doesn't don
                         a crown
      (note, colon and italics
translate as bold inscript, double emphasis) -
this isn't cryptic, it's ****** obvious,
       it goes way back in suggesting
we're either smart or naive -
           or playing the adult version of hide & seek
                                    doubt & negation interplay,
so when Charlie Chuckles the Third comes to
power i'll be thinking of Charles the First:
as i told one homeless woman i sat down with
for a cigarette under a bridge and told her
of the Henry VIII likening in terms of the
decapitated wives...
                                    she got up and ran screaming
down the street. true story.
                 only in America a humming sensation
and a deliberate ploy to create a monarchy...
              call it what you like:
you appease the illiteracy of people with only
one book, and have people speak about it
without pontiff or priestly attire: you're bound
to breed a viral infection desiring a king.
         is this the second Elisabeth-ian age? might be,
well, it's nearing an end, anyway...
                        still, English is a lawless language
that transcends all tact of French flawlessness -
                  those nasal harking buggers know all too
well the covert aesthetic they write
      and the counter they speak -
                  leave the exactness of spoken and written
to the Poles, and spaghetti chemistry to the German
excess of compounds hydrocarbon etc.,
                    di-proxy-blah-blah in hyphen-centric
Essex.
            well, because if we can't have proper discussions
about our beliefs, we might are well apply
diacritical investigation into diacritical markings,
  or how long you hold your breath between
.                ,                     ;              -              
                  because that's what i'm suggesting:
invariably this suggestion is pulverising -
                             or how that famous category
of universals (metric)
                          is usurped by particulars (imperial) -
within the bracketed suggestion: units,
                   Francophile centimetre
      Darth Vader inch....
                                                Charles de Gaulle kilometre
                              a Heathrow mile.
if this was a chemistry experiment, which it is,
               i'd suddenly realise it's over,
                                                      and it is
because i feel a sudden rush of radiant cooling down
     from what charged this outburst in the first place.
Blake Bourland Aug 2012
Stay away from that victory gin that causes rebel rouses, but no elections
Go join the 99 percent and never graduate your fafsa dreams don’t intimidate me
**** your mace brand justice
and your senior citizen abuse.
join the merchant sailors like the greats. be some one who can change,
******* it what we need right now is someone who can wright this right of passage.
we need another Kerouac
we need another Ginsberg
cause all i ever did in Dallas was die
all i ever did in Dallas was die.
set me free from this pretentious tyranny of name brand sweaters, and lemon bars,
your art house cinema fulhouse applause can’t match the street grit grime of my soul.
too much vermouth with much rancid brine has made me a bitter soul of conquest.
the tomorrow is wasted youth on main street on a wave of *****, and appletini *******
sugar sweet synth pop and black liquorice hip hop spewing out of every show off trendy water hole.
the sixth street, fry street, main street, bourbon street of our fathers will swill down the drain
to make room for the next
for the next
for the next.........
after all we ever we wanted to do was last.  
where do we go from here?
sun forms lemon stockings
     on legs
          bent like anglepoise lamps
     turn the page
          sparkling water
how do they make it sparkle
your earrings sparkle
     two in each ear
tiny frosted spheres
          empty liquorice heels
dead on the ground
     flaking purple toenails
     a relative’s name
in fancy font above an ankle
          you say
what are you looking at
     you know the answer
I feel it in my cheeks
Written: June 2015.
Explanation: A poem written in my own time, not based on real events.
NOTE: Many of my older pieces will be removed from HP in the coming months.
Fingers fumble at buttons
liquorice in our breath
misty fug of your name
still lingers on the window
it watches
toes like bent paperclips
fidget impatiently
glass half-full of lemon and lime
little bubbles little fizzes
mute television
goldfish mouths with no sound
this evening
'vamp' your chosen shade
exposed navel heartbeats
blood thump in ear
a sock falls off
the other overboard already
twenty fingers
it's alright
I say it's fine it's alright
Written: February 2015.
Explanation: A poem written in my own time, which was actually typed up in an email to a friend first, and then posted on here. No edits from that email version.
NOTE: It is possible that over the next few months, several of my older poems will be removed from HP, as I am not quite liking the website in the same way I used to, plus those old pieces are not very good.
Jaanam Jaswani Oct 2016
black liquorice.
a man walking me with his hand on the small of my back.
chilli-flavoured chocolate.
being called "exotic".
salads.
my long beautiful hair (it's a trap!).
eggs in the morning.
making myself look "pretty".
foie gras.
bleu cheese.
macarons.
itry Feb 2018
In a second,
I could,snip the ties
****** back my lips,
Then my hand,
Then my heart.

Lies. Lies ***** my lips
And stick
Like my lips to yours -
Hot asphalt
Bubbling
Spitting

It's settling;
It's setting.
Sliding and slipping,
Covering and coating
Suffocating the cracks

Lies. Each kiss is a stitch,
Evenly spaced,
liquorice lace
Sweet and dark
You sew me in half.

— The End —