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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Jordan Chacon Apr 2014
The Anglo-Saxon Rune Poem

Each line consists of two half-stanzas, following the alliterative verse form of Fornyrðislag, or Old Meter.

Feoh byþ frofur fira gehwylcum;
sceal ðeah manna gehwylc miclun hyt dælan
gif he wile for drihtne domes hleotan.

Ur byþ anmod ond oferhyrned,
felafrecne deor, feohteþ mid hornum
mære morstapa; þæt is modig wuht.

Ðorn byþ ðearle scearp; ðegna gehwylcum
anfeng ys yfyl, ungemetum reþe
manna gehwelcum, ðe him mid resteð.

Os byþ ordfruma ælere spræce,
wisdomes wraþu ond witena frofur
and eorla gehwam eadnys ond tohiht.

Rad byþ on recyde rinca gehwylcum
sefte ond swiþhwæt, ðamðe sitteþ on ufan
meare mægenheardum ofer milpaþas.

Cen byþ cwicera gehwam, cuþ on fyre
blac ond beorhtlic, byrneþ oftust
ðær hi æþelingas inne restaþ.

Gyfu gumena byþ gleng and herenys,
wraþu and wyrþscype and wræcna gehwam
ar and ætwist, ðe byþ oþra leas.

Wenne bruceþ, ðe can weana lyt
sares and sorge and him sylfa hæfþ
blæd and blysse and eac byrga geniht.

Hægl byþ hwitust corna; hwyrft hit of heofones lyfte,
wealcaþ hit windes scura; weorþeþ hit to wætere syððan.

Nyd byþ nearu on breostan; weorþeþ hi þeah oft niþa bearnum
to helpe and to hæle gehwæþre, gif hi his hlystaþ æror.

Is byþ ofereald, ungemetum slidor,
glisnaþ glæshluttur gimmum gelicust,
flor forste geworuht, fæger ansyne.

Ger byÞ gumena hiht, ðonne God læteþ,
halig heofones cyning, hrusan syllan
beorhte bleda beornum ond ðearfum.

Eoh byþ utan unsmeþe treow,
heard hrusan fæst, hyrde fyres,
wyrtrumun underwreþyd, wyn on eþle.

Peorð byþ symble plega and hlehter
wlancum [on middum], ðar wigan sittaþ
on beorsele bliþe ætsomne.

Eolh-secg eard hæfþ oftust on fenne
wexeð on wature, wundaþ grimme,
blode breneð beorna gehwylcne
ðe him ænigne onfeng gedeþ.

Sigel semannum symble biþ on hihte,
ðonne hi hine feriaþ ofer fisces beþ,
oþ hi brimhengest bringeþ to lande.

Tir biþ tacna sum, healdeð trywa wel
wiþ æþelingas; a biþ on færylde
ofer nihta genipu, næfre swiceþ.

Beorc byþ bleda leas, bereþ efne swa ðeah
tanas butan tudder, biþ on telgum wlitig,
heah on helme hrysted fægere,
geloden leafum, lyfte getenge.

Eh byþ for eorlum æþelinga wyn,
hors hofum wlanc, ðær him hæleþ ymb[e]
welege on wicgum wrixlaþ spræce
and biþ unstyllum æfre frofur.

Man byþ on myrgþe his magan leof:
sceal þeah anra gehwylc oðrum swican,
forðum drihten wyle dome sine
þæt earme flæsc eorþan betæcan.

Lagu byþ leodum langsum geþuht,
gif hi sculun neþan on nacan tealtum
and hi sæyþa swyþe bregaþ
and se brimhengest bridles ne gym[eð].

Ing wæs ærest mid East-Denum
gesewen secgun, oþ he siððan est
ofer wæg gewat; wæn æfter ran;
ðus Heardingas ðone hæle nemdun.

Eþel byþ oferleof æghwylcum men,
gif he mot ðær rihtes and gerysena on
brucan on bolde bleadum oftast.

Dæg byþ drihtnes sond, deore mannum,
mære metodes leoht, myrgþ and tohiht
eadgum and earmum, eallum brice.

Ac byþ on eorþan elda bearnum
flæsces fodor, fereþ gelome
ofer ganotes bæþ; garsecg fandaþ
hwæþer ac hæbbe æþele treowe.

Æsc biþ oferheah, eldum dyre
stiþ on staþule, stede rihte hylt,
ðeah him feohtan on firas monige.

Yr byþ æþelinga and eorla gehwæs
wyn and wyrþmynd, byþ on wicge fæger,
fæstlic on færelde, fyrdgeatewa sum.

Iar byþ eafix and ðeah a bruceþ
fodres on foldan, hafaþ fægerne eard
wætre beworpen, ðær he wynnum leofaþ.

Ear byþ egle eorla gehwylcun,
ðonn[e] fæstlice flæsc onginneþ,
hraw colian, hrusan ceosan
blac to gebeddan; bleda gedreosaþ,
wynna gewitaþ, wera geswicaþ

Modern English Translation

Wealth is a comfort to all men;
yet must every man bestow it freely,
if he wish to gain honour in the sight of the Lord.

The aurochs is proud and has great horns;
it is a very savage beast and fights with its horns;
a great ranger of the moors, it is a creature of mettle.

The thorn is exceedingly sharp,
an evil thing for any knight to touch,
uncommonly severe on all who sit among them.

The mouth is the source of all language,
a pillar of wisdom and a comfort to wise men,
a blessing and a joy to every knight.

Riding seems easy to every warrior while he is indoors
and very courageous to him who traverses the high-roads
on the back of a stout horse.

The torch is known to every living man by its pale, bright flame;
it always burns where princes sit within.

Generosity brings credit and honour, which support one's dignity;
it furnishes help and subsistence
to all broken men who are devoid of aught else.

Bliss he enjoys who knows not suffering, sorrow nor anxiety,
and has prosperity and happiness and a good enough house.

Hail is the whitest of grain;
it is whirled from the vault of heaven
and is tossed about by gusts of wind
and then it melts into water.

Trouble is oppressive to the heart;
yet often it proves a source of help and salvation
to the children of men, to everyone who heeds it betimes.

Ice is very cold and immeasurably slippery;
it glistens as clear as glass and most like to gems;
it is a floor wrought by the frost, fair to look upon.

Summer is a joy to men, when God, the holy King of Heaven,
suffers the earth to bring forth shining fruits
for rich and poor alike.

The yew is a tree with rough bark,
hard and fast in the earth, supported by its roots,
a guardian of flame and a joy upon an estate.

Peorth is a source of recreation and amusement to the great,
where warriors sit blithely together in the banqueting-hall.

The Eolh-sedge is mostly to be found in a marsh;
it grows in the water and makes a ghastly wound,
covering with blood every warrior who touches it.

The sun is ever a joy in the hopes of seafarers
when they journey away over the fishes' bath,
until the courser of the deep bears them to land.

Tiw is a guiding star; well does it keep faith with princes;
it is ever on its course over the mists of night and never fails.

The poplar bears no fruit; yet without seed it brings forth suckers,
for it is generated from its leaves.
Splendid are its branches and gloriously adorned
its lofty crown which reaches to the skies.

The horse is a joy to princes in the presence of warriors.
A steed in the pride of its hoofs,
when rich men on horseback bandy words about it;
and it is ever a source of comfort to the restless.

The joyous man is dear to his kinsmen;
yet every man is doomed to fail his fellow,
since the Lord by his decree will commit the vile carrion to the earth.

The ocean seems interminable to men,
if they venture on the rolling bark
and the waves of the sea terrify them
and the courser of the deep heed not its bridle.

Ing was first seen by men among the East-Danes,
till, followed by his chariot,
he departed eastwards over the waves.
So the Heardingas named the hero.

An estate is very dear to every man,
if he can enjoy there in his house
whatever is right and proper in constant prosperity.

Day, the glorious light of the Creator, is sent by the Lord;
it is beloved of men, a source of hope and happiness to rich and poor,
and of service to all.

The oak fattens the flesh of pigs for the children of men.
Often it traverses the gannet's bath,
and the ocean proves whether the oak keeps faith
in honourable fashion.

The ash is exceedingly high and precious to men.
With its sturdy trunk it offers a stubborn resistance,
though attacked by many a man.

Yr is a source of joy and honour to every prince and knight;
it looks well on a horse and is a reliable equipment for a journey.

Iar is a river fish and yet it always feeds on land;
it has a fair abode encompassed by water, where it lives in happiness.

The grave is horrible to every knight,
when the corpse quickly begins to cool
and is laid in the ***** of the dark earth.
Prosperity declines, happiness passes away
and covenants are broken.
The wild bee reels from bough to bough
With his furry coat and his gauzy wing,
Now in a lily-cup, and now
Setting a jacinth bell a-swing,
In his wandering;
Sit closer love:  it was here I trow
I made that vow,

Swore that two lives should be like one
As long as the sea-gull loved the sea,
As long as the sunflower sought the sun,—
It shall be, I said, for eternity
‘Twixt you and me!
Dear friend, those times are over and done;
Love’s web is spun.

Look upward where the poplar trees
Sway and sway in the summer air,
Here in the valley never a breeze
Scatters the thistledown, but there
Great winds blow fair
From the mighty murmuring mystical seas,
And the wave-lashed leas.

Look upward where the white gull screams,
What does it see that we do not see?
Is that a star? or the lamp that gleams
On some outward voyaging argosy,—
Ah! can it be
We have lived our lives in a land of dreams!
How sad it seems.

Sweet, there is nothing left to say
But this, that love is never lost,
Keen winter stabs the ******* of May
Whose crimson roses burst his frost,
Ships tempest-tossed
Will find a harbour in some bay,
And so we may.

And there is nothing left to do
But to kiss once again, and part,
Nay, there is nothing we should rue,
I have my beauty,—you your Art,
Nay, do not start,
One world was not enough for two
Like me and you.
Translated by Przemyslaw Musialowski 11/3/2019

My homeland - dear land,
where for the first time I saw the sun  
and where I came to know God;
Where my father, brothers and mother kind
taught me prayers in my maternal tongue.

My homeland - villages and cities,
planted from the times of Piasts among Lechic fields;
Rivers, forests, flowery leas and meadows,
where larks sing their sweet songs of hope.

My homeland - our forefathers' glory,
Chrobry's Notched Sword and Cecora Mace,
Knightly Spirit, noble and brave,
bitter defeats and victories great.

My homeland - quiet green fields
for centuries trampled by hostile armies,
burial mounds and sad graves
that have covered our freedom defenders.

My homeland - heroic spirit of the Polish people,
that by miracle lives amid hunger and cold;
- hope that always blooms in hearts,
with work for the fathers, and song for the young!

Maria Konopnicka (1842-1910)
The Piast dynasty was the first historical ruling dynasty of Poland.

Szczerbiec is the coronation sword that was used in crowning ceremonies of most kings of Poland from 1320 to 1764; its name, derived from the Polish word szczerba meaning a gap, notch or chip, is sometimes rendered into English as "the Notched Sword" or "the Jagged Sword", although its blade has straight and smooth edges.
Gaby Comprés Jun 2017
si alguna vez
llegas a leer un poema,
ojalá me leas a mí.
ojalá encuentres la poesía que se esconde en mi cuerpo,
en mis ojos que riman, en mis pies que solo saben bailar,
ojalá encuentres la poesía que se esconde en las curvas de mis labios
y en la canela de mi piel.
si alguna vez llegas a leer un poema,
ojalá me leas a mí,
ojalá encuentres las palabras escritas en mi piel,
y veas como mis ojos deletrean la palabra
‘luz’
y como mis manos hablan de arte
y como mi corazón canta de valentía y esperanza
y si alguna vez llegas a leer un poema,
ojalá sea yo.
spanish translation of "if you ever read a poem"
Every valley drinks,
  Every dell and hollow:
Where the kind rain sinks and sinks,
  Green of Spring will follow.

Yet a lapse of weeks
  Buds will burst their edges,
Strip their wool-coats, glue-coats, streaks,
  In the woods and hedges;

Weave a bower of love
  For birds to meet each other,
Weave a canopy above
  Nest and egg and mother.

But for fattening rain
  We should have no flowers,
Never a bud or leaf again
  But for soaking showers;

Never a mated bird
  In the rocking tree-tops,
Never indeed a flock or herd
  To graze upon the lea-crops.

Lambs so woolly white,
  Sheep the sun-bright leas on,
They could have no grass to bite
  But for rain in season.

We should find no moss
  In the shadiest places,
Find no waving meadow-grass
  Pied with broad-eyed daisies;

But miles of barren sand,
  With never a son or daughter,
Not a lily on the land,
  Or lily on the water.
At first you'll joy to see the playful snow,
Like white moths trembling on the tropic air,
Or waters of the hills that softly flow
Gracefully falling down a shining stair.

And when the fields and streets are covered white
And the wind-worried void is chilly, raw,
Or underneath a spell of heat and light
The cheerless frozen spots begin to thaw,

Like me you'll long for home, where birds' glad song
Means flowering lanes and leas and spaces dry,
And tender thoughts and feelings fine and strong,
Beneath a vivid silver-flecked blue sky.

But oh! more than the changeless southern isles,
When Spring has shed upon the earth her charm,
You'll love the Northland wreathed in golden smiles
By the miraculous sun turned glad and warm.
I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd’s fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd’s note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.

Hylas is dead,
Nor will he e’er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.
Sam Sep 2018
While satellites come close and leave,
whole moons and the swirling dust
of reflective obeyers,
it arrives from distance.

Running a course through weight
from a pencil-thin horizon brow,
it might have streaked across darkness.
With the dead shines behind,
washed clean in a trail of wild flame and
then fallen, bolide broken into cascade.

Or rising to collide,
only skim the surface.
Ruffle the sheets of land,
wrinkle fertile leas and parched sands.

No, to strike full and shudder
the core and extinguish
light and life.
With unswerving smite.

From underestimated range
and unmeasured haste,
a peacock tail drags far behind.
Each one diamond dolefully eyed.

Is this eccentric orbit
the only the path seen?
Fastened to your celestial belt
and looped in an endless trajectory.
Juan Albarran Aug 2015
When I did sail across the boundless sea
Through waves and wondrous shores, and wayward winds,
I traveled into earth's philosophy,

And saw the ocean’s daunting thrills,
Its majesty become a living thought—
At nature’s host I did but hardly glimpse.

I only wish to see what beauty wrought,
From shoreless seas to forests, meadows, leas,
And many sights that held me overawed.

That endless dream I now no longer see,
For I’m in glory’s blindness now confined,
And now I pray to once again be free.

When I do close my eyes one final time,
I only wish to dwell in nature’s shrine.
Terza Rima.
Longing eyes upon you cast
As a mirror does reflection find.
In the air of chambers behind
Lingers restless passions laid to rest.
Like a silent laugh or tearless cry
My life seems waste to my enemies.
Their wrath I did bide my time to appease
But hope-sight you gave me--ethereal eyes.
Through these common sight can never be
As a soul into new dimensions born.
At these seas I stand formless on the leas
No longer hiding but now riding the storm.
Your soul holds mine deeper into these seas--
Orpheus and his love reunited forever in
Glorious form.
©2017 Daniel Irwin Tucker
kirklefrance Feb 2013
based on the info collected within the last 2yrs of living amongst humans I have concluded that there exist little loyalty between members of the species,whose natural characteristics even in the most domestic of them all is to be pompous and pretentious.I swear they are grouped with the most deceitful of animals and will break any alliance as long as the reward is in the leas bit beneficial too 1...I hope we never contact aliens cause if they are advanced they would view us as a disease and would eradicate the entire planet(well if i were an alien i would)..humanity as fragile as we are still filled yet with guile and find reasons to do things without known reasons..every other animal on the planet lives for the survival of its species..humans have the highest continued and overall inner species death rate but also claim to have the most common sense or mental perception...we re always thinking always finding..but obviously have missed the mark and cant figure this **** out(life)..due to selfishness greed hatred ... jealousy and envy.i've seen strife caused for thee least imporrtant of matters men killed for petty change,women sell thier bodies for lil cash everyone selling out just to buy a stash of hash get high to high to complete the 100yd dash..we've lost it and it cant be found..love flew out the window now all i see is wolfs around..if i dont get off this planet **** im gone drown..if they dont **** my *** first..inquisition??you wont hear a sound..so i frown upon the phoney the real and the make believe cause all in all humanity is just a ***** stain on my sleeve
Vasya Jul 2018
No marqué fecha
una noche cualquiera

Quiero hablar contigo demasiado, como antes. Acostados abajo, en el sofá, con sueño. Yo pensando en cómo quererte mejor y tu jugando el juego de las peloticas.
Neera Kashyap Jul 2016
Cloud and snow spume
drift about your summit
veiling your face
Ma Nanda Devi
fixing my gaze to eternity

Rising like a giant shard of
rock carved over a million years,
snowfields scoured by avalanches, your steepled
peak a vast cathedral

Impossibly tall and steep
you rise abruptly over a
guardian ring of summits
witness to your inner realms of being,
the outer gorge of Rishi Ganga's roar

Climbers say in higher climes
light contrasts with darkness, flower leas with worn ridges, fear with elation
O paradox of the sublime
your name means Joy, enduring Joy

The veil lifts, was it the smoke of fires lit
by sages on your summit?
Your natural symmetry of two identical peaks suddenly at ease
is visible from my cottage window.
Based on Japanese tanka poetry
Natalia Rivera Aug 2014
Mírame cuando te hablo, quiero que te distraigas anhelandome.
Acariciame sin motivo, quiero saber que te sigo gustando.
Saca el archivo de todas las cosas que te gustan de mi, quiero que me las digas otra vez.
Escríbeme un poema, quiero que me lo leas.
Hazme el amor con la vista, quiero sacarte una sonrisa.
Dime que te hago feliz, dime que me amas, dime que te pones nervioso cuando me ves, dime que estas completamente enamorado de mi, dime que te pierdes en mi piel, dimelo. Dimelo una vez más.
Tryst May 2014
Oh sweet Erato, whither wanders thee?
Once fertile leas lay arid near the shore,
The ripened fruit now withers on the tree
And shadows linger ever at the door.
Did ancient Colchis summon thee by name
To strum a lyre and sing for Argonauts?
Wouldst Rhodius be aught of any fame
If not bestowed resplendent with your thoughts?
Or yet - perchance you ride a chariot,
Thru roses red and myrtle evergreen,
To find the place Leontichus was set
Eternally beside his love Rhadine?
        Oh sweet Erato, whither would you choose --
        Be free for e'er, or else to be a muse?
Mateuš Conrad Feb 2016
i can easily counter a poem such as this one, apparently some sort of national identity is no permitted, in the great bleaching project that's globalisation... all the old sages of poland speak of the youth being greatly disgruntled with globalisation: it's just a farce of noun-censorship and pure pronoun usage, it's almost the stone ages i might add: flint + flint + quick strike the two = fire... or? if it's in english it's permitted, anything else isn't... but i woke with a memory of a dream today... i was on a train... donning a black SS uniform... i'd swear god (atheistically worded version: freud's interpretation of dreams / having an ******* while sleeping) is the worst chinese whisperer, because he tells the truth via dreams... and i was on the train moving large slabs of cold stone about the place, and then curling into a foetal position to sleep; i guess being misunderstood is an asset; but i did mention my paternal great-grandfather owned a wehrmacht dagger, so there.

seems rude to make friends and then disregard them,
poland lodged between the great powers
of russia and prussia and austria,
aiding austria against the ottoman turks
in the battle for vienna, then partitioned,
but none more painful pairing to have
some nation far away heed to help
like england's engagement in aiding poland
in the events of world war ii...
i guess the poles to the anglians are bumper
stickers or at least shock-wave inhibitors of
england's colonialism...
well at least the french and napoleon foremost
gave us the duchy of warsaw, disintegrated
into the free-city state of Krakow like Danzig...
at leas the french didn't introduce a doctrine
into the expressions of middle-classes
that all poles were labourers in the plumbing industry,
what ******* cheek the english have,
it's like i'm bleached ****** clearing pipes
rather than harvesting cotton fields,
what ******* cheek they have...
i'd slice off their upper lip, because it's stiff useless
anyway... and ask them all to grow moustaches
to cover the scar...
what ******* chequer cheek they have to checkmate
me before the first pawn moves...
if you're going to make friends with the ties
of the 2nd world war, the polish r.a.f. pilots
engraved noble in a marble placard in st. paul's
cathedral... at least you'd care to appreciate
the epic novel *(porcelain) doll
by B O L E S Ł (W) A W (V)
P R U S.... P R U ß! don't make friends with me
to ease the post-colonial pains, the french didn't,
they gave us a state-freedom,
they didn't suddenly say: come over, do the hard
labour while we procrastinate in glass shards
and gobble gobble talk like turkeys like the current
london mayor of london talk...
the english have a knack of entering a place
and promote democracy always buckling with
every venture, the greeks didn't...
as the current iraqis and syrians say:
oi! gob slobbering ginger bulldog! sing us a song!
you're the best singers in the world... but we dare say...
the most idiotic politicians...
the english politicians always have this in reserve...
you know, when confronted, they do this
funny expression... wholeheartedly intelligent people
when confronted, given the situation of being interview
about some affair, faces like the judas rats
jumping from a sinking ship... they have the maxim:
do the stupid face / pull the stupid face...
that translates as 'my hand isn't in the cookie jar',
they come in, **** it up, draw a few triangles
which makes the geometry of iraq and syria look
as ugly as wyoming... and then leave...
but you know syria is the nevada of the east...
so instead they're selling you peanut butter or lamb shanks...
don't bother listening to their politics...
since their politics is still primarily about aesthetics,
a list of priorities:
1. hedgehogs
2. wind farms
3. suicide among kids
4. the dark ages of cartesian obeluses
    (which end up as multipliers in psychiatric
     definition, splinters of the body from the mind -
     the abstract of the definition of the brain -
     leave many with a rainbow of psychiatric nouns
     and in carnal terms, an allergy to peanuts, for example)
5. censoring historical education,
    more roman empire, less british empire
6. lager, crisps in a bun, fish and chips
    all in all, debased nationalism,
    as you'd expect, after the glories of the empire,
    debased nationalism throughout...
    putting fish & chips next to the big ben
    and the queen's jewels...
7. the lost industries of jaguar and rolls royce.
but coming back to british politics, i'm still all very much
chow mein chuckles with doughnut oily sheen cheeks of
davey cancan mormon.
Mateuš Conrad Feb 2017
but somehow,
i write to peer into visualising
         my thought
pattern,
   or at least, how i can construct it
on the basis that:
i just walked about 6 miles
and drank 5 cans of beer
and smoked a few cigarettes
   and sat on a bench in a public space.

i really do believe that with man
having overcome the natural world
(to some degree),
industrialised the rearing of pigs for
pork, creating the bonsai tiger
that's a cat...
      god, i dread this anglophone
existential narrative of going way way back
and then coming into the present...
   walking zombie like
in the aftermath of unearthing the big bang
and finding dinosaur bones...
excavating Hades has never had so many
pitfalls...
       but this is the anglophone narrative,
that we currently live in,
  ask anyone in Tuscany and they're like:
come Friday, bring a bottle of wine,
have dinner...
       look at my beautiful house...
ever see the *appleton tower
in Edinburgh?
built in the 1960s... meaning:
too many people were on aßid...
    c (see) s (esse) **** (ah yes)
(takes a break and empties his bladder)...
who in Venice might have a care
to keep this ref. in mind,
   who on earth, if not the english
have it? i go to Poland and people talk
about the butcher's and know the butcher's
name, small world and all that...
    i'm starting to think that
keeping the big bang ref. point in pop
culture is eating away at the everyday...
   and all this talk of dinosaurs...
   before they unearthed dinosaur bones
they were drawing dragons,
giant iguanas...
    i guess the snake is the abstract
version of a dinosaur... the remains:
no limbs...
     it has to be...
  like the way i took my tongue for a walk
today...
      what with our concrete body
and our abstract counterparts....
  one word on the tip of my tongue,
passing a bench where some would have
said in spotting a *** sitting on it...
sure, the *** look, the worn shoes...
but what *** can be seen
  eating a strange fruit from a paper
bag, watching a family of: mama, papa
and two kinder, smile and drop
that small fruit into his gob?
   as i was walking with my grandfather
he asked: who is that?
  i said: a philosopher.
   evidently the conversation was in polish
and the word in question is:
  fi-lo-zof...
the church is still there, the bench too,
the memory prompts itself sometimes,
a bit like a knee ****...
  and that got me thinking about
the concept in Jewish tradition...
   ayin (nothingness) -
             so ע‎ spoke to א (adam / aleph)...
but i need to get something off my chest...
ever find a 20 quid banknote in a puddle
or a 10 quid banknote in a puddle,
and given the current times,
an old fiver on a street pavement?
money again...
    i have...
and when you do, and then later spot
a penny on the street...
or when you have actually made
your own wine, rather than bought it
in a supermarket...
  how odd it looks, that penny,
how gravity prone,
as if it was supposed to be lost,
dropped, spared the agony of economics?
i was walking the streets tonight and
i looked at it (walking and listening
to distance's repercussions album
can feel a lot like going to a gig,
it's classified as dub-step, but it's really
ambient music,
just that the real ambient music
is, pretty much listening to a very old
refrigerator, the ones that made a sound,
had a heart of some sort,
like putting your head against an old
box, that's no longer a box, but a size 0
model... that leaves you null when
considering the static transmission of
channel 0) - oh my...
how we look into the future with
so much nostalgia these days,
  forget the ancient greeks, forget the nostalgia
of philosophers bound by that rule
of thumb in the 19th and the 20th century...
we're waving: bye bye odes to that old trash,
not to be rude, but i have been exposed to
so many technological advances in the past
20 odd years that i have no plot,
no novel, apart from the one given to me,
and if i do a pish-poor job of recording it,
then woo-hoo to me, i passed the Tao threshold,
the world can happen, and i can just
enter a realm of, finally being able to forget...
still, a penny on a street isn't a 20 quid banknote,
and given the improvement,
that it has turned all Australian on me,
i don't even need to dry it off to later spend it
if it's found floating like an ice-berg
in a puddle...
             and i think: why are pennies so real?
i mean, it's staring right back at me,
it's looks almost like an excalibur...
or the profanity plagiarised with thor's hammer...
i don't want to pick it up...
    it's so gravity prone on the pavement
like a pebble, or like a copper statue of a
"very important" person in parliament sq.,
that just get riddled with communism
in a capitalistic society, i.e. vandalism...
     the penny bewildering...
   i can't visualise what i'd do with it,
because i couldn't do much with it...
        it's just copper on stone...
     a bit like looking at a newspaper
of the day lying about at 10pm near an empty packet
of cigarettes, the sort of motif of:
let's trash the place...
      it's just one son of Hades lying on a more
elongated presence of yet another son of Hades:
copper on concrete,
   the next thing that comes after
grinding sand into glass: crunchy stone
mashed up with enough tar to make up a road...
england, of all places, has particular rooting
in a history of the roman empire,
out of all the nations that succumbed to its power
it has the most fond memories of the dusty one,
which i find quiet odd, and most of the times
slightly bewildering...
    given that i don't have it...
lucky you, an ethnic mongrel, papa was a singing
Irishman, mama was a a nigerian,
and you all ended up speaking the same tongue...
unlucky me, mongrel of the soul...
escapism of polymaths, because it makes sense,
or how mono-lingual have that thing called
patriotism and a land-to-body relantionship
in general, whatever flag is being flown...
bilinguals have a memory-to-body
relationship, it's hard to avoid it, a bit like seeing
a mountain and saying: we'll walk right through it...
so yeah,
having found a 20 quid banknote i was already
scheming for the next *****-up,
   i could already see a potential for it,
i knew it was worth something...
it's hard to see that sort of dynamic with a penny...
let's just say that sort of dynamic doesn't
exactly exist...
          the penny is fixed to the cement,
it's not moving anywhere,
    when a *** asks for spare change
you just start to think: change? spare tire?
is that equivalent?
      because money, as a concept,
as the original concept for a universal language
that everyone could suddenly understand,
or just did, once the "thing" was implemented
was the original translation vehicle...
        money is by far the sole reason we have
3 dimensional talk, why we have ambiguity,
while humanity enforcing laws is always so thesaurus
prone when talking about it,
   in the root of jurisprudence...
           i can talk idle: say things thing nothing
and then become a pedestrian to concrete items,
a daffodil, a t-****... i can relaly turn on the grey button
and it all becomes vague,
    and rarely bound to be, as a whole, bound
by a glue known as mystifying.
some might call it a case of giving account
of: ibin balām...
the other one riding a donkey...
                    or as i like to call it:
   convering with the "angel" that spared me,
who shook me into an epileptic frenzy when i was on
the verge of dying, saying:
now you, do what unto yourself, what others
did unto you.
    i have to admit, drinking myself to death is
the most pleasurable event in my life...
    it's this metalic electricity produced by my left
hemisphere, most of the time?
a bit like sitting on an electric chair,
without a wet sponge placed on my head
so that the electricity can pulverize the alveoli pattern
of my neurons... keep moist, he says,
   and i just think of my brain and the colour red,
and the decay of red, first into brown, and then into black...
and how people who deny my misery to
later become: a bit annoying, gnat-like...
still, that penny on the street,
  and how i would have reacted differently
had i found a 20 quid banknote...
and how i do...
   to see this unit of the concept, just... useless!
the concept of money becomes all the more apparent,
and i know that people in wealthy countries don't
seem to appreciate the basic unit of their currency,
they prefer fixed prices, they prefer pondering
a worth of a toothbrush, priced at a pound's worth
than care for a penny... they say
    it's so close, but so far away,
how spare change is reserved for children and beggars...
how pennies never seem to add up to anything
if you see but one on a pavement...
                it's only copper... it's not exactly gold...
ah hell... what if we really did brag about
gambling on a fixed, but an otherwise fluctuation
price of a painting?
  well... we wouldn't be saying: priceless!
   a bit like the anima of buying football players...
yes, some of us like using our minds,
to study philosophy, perhaps even lension a care
to write poetry... and all the more:
in a non-manipulative care to then translate it back
into: suppose chess?
                           only when language becomes
too 1 dimensional, or at least 2 dimensional,
i.e. verb / vector... then we're in trouble,
in the quicksand, in the mud, in the trenches...
i did mention something prior, didn't i?
ah, hebrew...
            slaves in america invented the
deconstructionism of jazz and blues...
  thank you very much... dub-step and the first
thing i think of when thinking about africa
is a drum... or knowing when and when not to
knock on things...
   i don't think the echo minds playing
that game of knocking down ginger...
    i guess i am the one left with a land
that's tattooed with germans and russians...
i get the ******* grafitti of neo-nazis who
experienced something more than the blitz...
plus, i have that Auschwitz to give caring tourists
a helping hand into sighing over...
   but all that i owe concerning myself,
ibin balām... riding my little donkey...
        ever find those riding donkeys more menacing
than those riding horses? balām, jesus, don quixote...
but it's in the alphabet of the hebrews,
i can't really get over it...
hence the original muse, a single word,
fi-lo-zof... and the concept: ayin sof...
what the greeks later made into σoφια...
yes, that monotheistic gender-neutral pronoun
some of us ascribe the noun god to...
god is such an unfatastical noun...
the real fantastic noun is the tetragrammaton...
hell... i'm convinced... i'm actually converted
in a sense of not really bothering with
the rituals... the ritual i imposed on myself
is to repeatedly think about it...
    and it really is a fantastic noun,
so mathematically fertile,
Y and the x, y, z axis of the math canvas...
and trig of W that's cosine rather than M and therefore
sine... and how the H is almost like deja vu
joke, before the tangens enters segregational...
and all i just thought is more than a thousand
bulls readied for a pagan sacrificial rite...
    it's the sof in the ayin sof that's hard to find...
say, it's easy to spew enough books to bore
a thousand people over a thousand generations
if you use a system of encoding that gives no
name to the units...
   the greeks have alpha, the romans only a.
the greeks have beta, the romans only b.
   which probably means that writing can be more
easily done, and to a greater number and extent...
but thinking? it's not really done...
people would rather be perverse and hostile and
impolite because of this shortening of said
units of sounds... which is another reason why
the anglophone world is rife with onomatopoeias...
    and how i found: singing intside your head
is half a whistle, and less than a ****...
    so how did sof come about, as a concept?
the hebrews call it ayin (nothingness),
and when next to the word sof call it
ain (without) sof (end), i.e. the endless one...
   so where did the syllable zof come in here
and where did the Greeks extend that into sophia?
i can see sof, but i can't see where it came from,
sure, there's the usual noun for a sound,
e.g. ש‎ (shin) and ך‎ (kaf)...
             forget the greeks for a moment...
  the romans wrote the music, there was no name
for a, b, c, d, e... we're talking ancient greeks,
therefore all ancients... they enclosed sounds differently
back then... the greeks ensured there was some
alphabetical cohesion, like looking
into a dictionary under the rubric o,
and finding omega, onomatopoeia and oh my god!
i know what you're thinking, semitic languages
and neanderthals... why did they persist
and having become instinct? try sanskrit and 1 billion
hindus... or the chinese... they're the same...
historically speaking...
oh please, i like the cognitive impetus of drinking:
you want to take hold of these brats on the british
isles? you have some alternative suggestion?
the roman alphabet is the gateway "drug",
i.e. א‎ (man), a, ע‎ (god), á,
  or: from above... something descending...
then i start to think it's a case of articles,
even though aleph (א) and ayin (ע) are phonetically
identical, they are totally different...
it's almost like saying: ah for that one,
and ah for a one? close proximity and the rule,
that you wouldn't say an one... but a one...
funny... english is like that, hello! welcome!
hope you realise it, without diacritical marks
being, well, i wouldn't say absolutely necessary,
but a helping hand....
too many examples to choose from,
i make so many instances of it being true that
i forget to make up my life with
a care for romantic misendeavours...
so yeah... i'm looking for O in the semitic alphabet
that still remains in use...
     hebrew... because i really can't do phonecian...
i'm loooking for the word sof...
    you know, like homeland, sol, solomon...
i want to cut off the unnecessary bits
and put a word together...
i can't seem to find a full-circle of an omicron
or omega...
  i say omega, you cut off -mega and attach an -o-,
and the thing fizzes and i write bomb!
and you cut off -elta, -psilon....
                      ah... ~appa and the need to write
pass... double consonants...
     i just wanted to write duck...
like duck the ******* bomb, rather than quack?!
the semites are a breed of people
that simply hide things, mostly vowels...
the new wave of people with robots
simply write excess number of consonants
and omit them...
     they're there, but they're only there
because there will be two layers of the same language
being inscribed... given omni-literacy...
          hence the current youth congregating under
the banner of acronyms and something akin
to sign language in their use of emojis...
  :)... no, that's bad... :(....
                                              i'm still looking
for the sof...
    the closest i came to it was with
ש‎י‎ך‎,
      it would have been easier with the greek
expression of teaching the neanderthal semites...
again, i like te jews, they're the most
"docile" / persistent semites...
   i know they're not vogue, but that's why
i rather keep hebrew than arabic...
or because of my skin, i sorta have to keep
the runes for safekeeping and upkeep...
we kept them for a reason,
    we kept the runes so this wouldn't happen,
how christianity gave us a life of psyche
but erased our origin, our alphabet,
no point calling it a "big bang",
at leas the russians got cyrilic,
and turned **** into шit...
     i'm still looking for O in hebrew, semitic,
the reason is that they're such a small number
and their phonetic encoding as as "neanderthal"
as that of sanskrit and mandarin alphabets...
  and that's the prejudice...
   i don't like it... i find all the mysteries
in my impetus to write bound to them...
    wait... weren't we not the ones stressing
the vogue of our times?
    i see a bunch of torn shirts and well worn shoes
from where i'm standing...
i'm still finding it hard to find an O in the hebrew form...
am i missing something?
    i mean, ****, cut off all the necessary
bits of greek, you get roman: alpha (a-),
      beta (b-)... and obviously the excess aesthetic
so that it all looks nice... cat, kettle, scythe...
                                           key, scatter, skew...
smooth, cool, caseload...
                 our current times will be a joke th
Natalia Rivera Sep 2014
Una mañana ella se encontraba frente al espejo, parecía estar concentrada mirando su reflejo pero lo curioso era que lo que veía en el espejo no era precisamente eso. Ella vio su vida pasar frente a ella, vio como surgió el amor que tenia con su esposo, la ternura con la que cuidaba a su hijo desde pequeño, los placenteros fin de semanas con sus amistades, la canción que le recordaba lo bueno que era estar enamorado, su libro favorito, el olor del mar, todos los errores que cometió, el porqué era feliz. Ese día, ella pudo volverse a encontrar   una última vez. Complacida, condujo hasta llegar al rio que había cerca de su casa. Se sentó en una roca a contemplar por última vez la belleza que la vida le había obsequiado; estaba cautivada por el sonido del agua corriendo, los arboles moviéndose, los animales con su canto. Era la despedida perfecta, miro a su izquierda y junto a ella yacía una mujer la cual le sonrió. Ella sabía perfectamente que hacia la mujer allí, la hora había llegado. Miro por última vez todo lo que le rodeaba, cerró los ojos y por primera vez pudo recordar otra vez todo lo que había visto frente al espejo; entre sollozos le dijo a la mujer que aun no estaba lista, que tenía que hacer una última cosa antes de partir. Regreso a su hogar en busca de su familia pero lo que encontró fue una carta.

Amada mía:
Para cuando leas esto ya yo me abre ido, mi enfermedad no me permitirá seguir más. Solo tengo un último deseo: el día que recuerdes todo lo harás para siempre. Quiero que tomes tu libro favorito, el traje que tanto te gusta, te sirvas una buena taza de café y me vallas a ver al rio para recordarte todos los días lo mucho que te amo.


Y así lo hizo.
Dee Sep 2014
A dream
By Dee
Debbie Brooks


Restless sleep last night

I tossed left and right

Across the everglades and leas 

I saw you running towards me. 



Out of breath, you came & clasped my hand

My heart pounding, I could barely understand, 

The distress, pain, aches reflected in your eye

Not a word spoken, yet all said by your sigh. 
  

I saw a teardrop rolling down your cheek

Adios my darling, hitherto we shall never meet

‘The dawn arrives’, is what you said silently

Why can’t you linger awhile? I beseeched fervently.



Confused paralyzed, I let you go 

And you were lost, gone – ergo

As I sat on the broken bench to catch my breath

I wondered was I, in holding on out of depth? 



Alas…I pray

Would you come back into my dream again tonight? 

Not to leave, but to stay on even after daylight? 

Not to cause agony & pain

But to stay, forever remain.

____

My love, I saw you in your dream
I traveled oh so far, waiting for an invitation
To be part of you once again
Your mind entwined with mine
Drove my heart to yours
And dreamed me so many times


Your dreams become my restless sleep
Tossing and turning with touches of your lips
That keeps me flooding with touches and love
That’s when I was running to you
You saw my teardrop, with touch of desperation


My heart pounding not understanding
The need I had for you,
Whispering we should ever meet,
Please do not let me go,
Your dreams are my dreams
Even in the daylight

I can taste your love like rain on my tongue
You teased my dream with droplets of you
With so many wild pleasures that lay in store
As our happiness dazzled before our eyes
Our dreams made one, that last time …
Love, Romance, collaboration
Daniel Sep 9
Between the blacks of bending trees
I meet the moon at in betweens
I glimpse her glories, wild and worn
Aglow atop a stirring storm

Oh breathing birches blown about
Beneath her silver silence
Beyond the fields I farthest see
Along the dark horizon

There the hymns of heavy winds
Beyond the blown and gloomy leas
Where ghostly grass and rushing reeds
Dance darkly 'round my falling feet
n leas of dying daisy's
he lies upon the backs
of those he lays
the lies like upturned bricks
thick with spittle
and coming mud
he muddles through each splotchy patch
as if it is his idem
everlasting
last
coiled he reels
reeking in wait
for his  unappealing
stiffened snake
insipid wretch
with rusted wrench
his shrivelled tools
a cake with stench
each loose lewd *****
is one more lent
to the putrid pool
of polliwogs and salamanders
spent drenched in his capsized
boats of ill demise
he criticises truth and lies
again the pain is gnarled around his pen

Vashti Ayla Miria
So I see people all over these fitness establishments
And I think to myself
Do these people know nutrition do they even lift?
Picking up all types of weights from light to heavy
Improperly heaving the weights
No contractions
Just a bunch of distractions
The personal trainers are just as worse
A bunch of meat heads juiced to the max
And giving out a bunch of broscience
Hey guess what!! It doesn't work on natural
Because it would cause muscle cannibalism
See people are far more stupid now then ever before
Do people even research before they do stuff anymore
Have we lost that much in society
Because of technology.
Soon people will be having work out robots helpi g them out without lifting a single weight
Sounds crazy to the average human
But it will become because American
Are lazy ***** so for goodness sake pick up the weight you can perform at leas ten to fifteen reps
Slow to moderate contracting the muscle isolation and isometric meaning half reps and full reps breath inhale on the positive exhale on the negative it's that simple now you have to eat like a bird literally as a natural if you want to achieve very well stagnant results peace that is all
Joshua Michael May 2018
i can feel my heart beat faster as a drop of sweat forms on my temple with her thought, her brown eyes arouse me as she shares a cheeky smile. Teasing me with each word attracting me more. my mind ponders on caressing her silky skin, touching lips to her neck and sending shivers down her spine to the dimples on her back. . The thought o her clothes slowly slipping off as she leas me to the bed and sets my hands on her hips to lift her as she wraps her legs around me, pressed up against the wall with the world disappearing around us as the ecstasy takes over our actions, in dizzy light headedness falling upon your back as i slip my way down your body with only the sound of heavy breaths as tension builds and sheets get wet. A release off pleasure is stained in mind as screams echo off the walls
Your my drug and i could take you forever, never coming down from the high yo gave me
Gleb Zavlanov Feb 2014
The vast sapphire nebulae of space,
    All rising o’er in zeniths of sweet dreams,
    Feed all the leas and all the murm’rous streams
With folds on cloudy folds of moonbeam rays.
Whene’er I look within the lake’s clear face,
    I see each high aurora, which then gleams,
    Caroused with Heaven’s soft and dewy beams,
Which flicker in a thick and splendid haze.
I see the moon, upon the whole world gaze
And all the stars which skies with their souls trace,
Glide, trembling in some waters’ ebbing grace
     With some unearthly music, so it seems.
Oh, as I sit before the pale light
    Of stars, I sigh and dream of sacred bliss,
    And tuck myself in Heaven’s chrysalis,
I feel as if such place is more than night…
© 2014 Gleb Zavlanov
Sobre la falda azul tenía abierto
El libro en que leíamos los dos.
De los sueños las blancas mariposas
Agitaban sus alas en redor,
Y la azul primavera en nuestras almas
Cantaba, como alondra, su canción.
Era una tarde llena de armonías,
Y era a la sombra de un naranjo en flor.
Leíamos callados, y de pronto
En voz baja leí:
                              «Siempre un jamás
De toda dicha terrenal es tumba.
Mañana olvidaréis lo que hoy amáis.
Labios que juran, corazón que miente...
¿A qué de humano corazón fiar
Si constancia y amor y juramentos
Son palabras...  palabras nada más?»
Trémula alzó su virginal semblante,
Flor de belleza, flor de juventud.
«¿Palabras nada más?» murmuró triste,
«¡Dime que no es verdad, dímelo tú!»
Y llenos ya de lágrimas sus ojos,
Donde brillaba del amor la luz,
«No leas más... no leas más»,  me dijo,
Y rodó el libro de su falda azul.
Tryst Aug 2014
How green the grass beneath my feet,
A vibrant gown with verdant strands
Of earthly fabric, grown replete
With woven blades from nature's hands;

Yet envied eyes look from this scene
To distant hills in far off vales,
And dare to dream of fairer greens
In secret glades down hidden trails;

Yet still my eyes do strain to pry
O'er oceans and the briny seas
Where jaded mountains clamber high
Above the glistened emerald leas;

Yet here beneath my weary feet,
This green green grass is where I'll stay,
And when my days are all complete,
Beneath this grass is where I'll lay.
The Judge came into the village with
A troop of the finest horse,
The sunshine gleamed on their breastplates
And their guns and their swords, of course,
He wasn’t there to be friendly, but
To make the rebels aware,
And carried the King’s own warrant to
Set up his courthouse there.

The troop took over the Mason’s Hall
The Judge took over the church,
And set up a bench down in the nave
As the troops set out to search,
They looked for the signs of weaponry
In the homes of the poorest men,
Tearing apart the hovels in
The search for the rebels, then.

To root out the roughshod army that
Had marched to defy the king,
Who tore up the standard prayer book
That the king was offering,
They forced the priests to reverse the mass
To the way it was done before,
Laying a siege to Exeter
In the way of a civil war.

Now the troops rode into the villages
And they held the men in chains,
Sworn to see that they paid in blood
For their temper, and their pains,
The women were wailing in the streets
As their men were taken in,
To answer to a black-hooded Judge
For their crimes against the King.

There wasn’t a gallows large enough
For the men that he meant to hang,
But plenty of trees around the leas
That the cattle grazed upon,
And plenty of boughs and branches that
Would groan with the weight of men,
Whose only fault was this one revolt
When their faith was changed again.

They hung like fruit from the saplings,
They choked their lives from a limb,
They swung on ropes from the mighty oaks
In an **** of suffering,
The farms lay waste in the country,
The crops lay waste in the fields,
There wasn’t an army of labourers
Just troops, with their swords and shields.

The Judge climbed into his black teak coach
Rode out of the village grounds,
While children wailed and the women paled
In cutting their husbands down.
The horror lay in the children’s genes
For generations, it’s said,
Till years along they would right the wrong
By taking a bad king’s head.

David Lewis Paget
Natalia Rivera Jun 2014
Te escribo mil versos, mil poemas, mil ensayos solo con la esperanza de que algún día los leas & vuelvas a mi.
the anthem of Green
is the one I shall sing
it is endowed with
a prosperous ring  

the valleys and fields
covered in a green drape
a hue rich and healthy
in the color of its cape

green foliage
adorning forest trees
green grasses
growing in meadow leas

a perennial jade
ever lasting is its parade
showing in Florida everglade
most attractive is the shade

how one enjoys
the green of the terrain
that speak to one's heart
with a resplendent refrain
#favoritecolor #challenge
By Dee
Debbie Brooks


Restless sleep last night

I tossed left and right

Across the everglades and leas 

I saw you running towards me. 



Out of breath, you came & clasped my hand

My heart pounding, I could barely understand, 

The distress, pain, aches reflected in your eye

Not a word spoken, yet all said by your sigh. 
  

I saw a teardrop rolling down your cheek

Adios my darling, hitherto we shall never meet

‘The dawn arrives’, is what you said silently

Why can’t you linger awhile? I beseeched fervently.



Confused paralyzed, I let you go 

And you were lost, gone – ergo

As I sat on the broken bench to catch my breath

I wondered was I, in holding on out of depth? 



Alas…I pray

Would you come back into my dream again tonight? 

Not to leave, but to stay on even after daylight? 

Not to cause agony & pain

But to stay, forever remain.

____________

My love, I saw you in your dream
I traveled oh so far, waiting for an invitation
To be part of you once again
Your mind entwined with mine
Drove my heart to yours
And dreamed me so many times


Your dreams become my restless sleep
Tossing and turning with touches of your lips
That keeps me flooding with touches and love
That’s when I was running to you
You saw my teardrop, with touch of desperation


My heart pounding not understanding
The need I had for you,
Whispering we should ever meet,
Please do not let me go,
Your dreams are my dreams
Even in the daylight

I can taste your love like rain on my tongue
You teased my dream with droplets of you
With so many wild pleasures that lay in store
As our happiness dazzled before our eyes
Our dreams made one, that last time …
Thank you Dee for collaborating with me.. I am so honored...http://hellopoetry.com/deepakqt/
taylor Feb 2020
Greenleigh:

Rounding your cottage side,
There you were, bundles tied,
Cerise honeysuckles kissed,
What plan were for the blooms?
In the kitchen rose fumes,
You truly  hoped for a tryst,
Wine love potion cauldron,
Boiled in my drink to stun,
Cerise honeysuckles kissed.

Haven:

My beauteous neighbor,
I submit to ardor,
All in obscure struggles midst,
I see your distant gaze,
But you I try to faze,
You were all to me exist,
“I will beckon at noon,
In this hot summer June,”
All in obscure struggles midst.

  Greenleigh:

But as I spy, I think,
Then discreetly slink,
Cerise honeysuckles kissed,
I culled my own blossoms,
His allures my thraldoms,
I truly hoped for a tryst,
To you a bit of remorse,
Yet my heart waxed full force,
Cerise honeysuckles kissed,

I catch the way you stare,
I will avoid our affair,
All in obscure struggles midst,
Supplanted your fetters,
Entreaty, scrawled letters,
He were all to me exist,
I thought to meet halfway,
Might I be led astray,
All in obscure struggles midst,

  Wyn:

And I received her word,
Intended a detour,
Cerise honeysuckles kissed,
Read the book of magic,
My love to you chronic,
I truly  hoped for a tryst,
Donned my riding garments,
Leas, with my assortments,
Cerise honeysuckles kissed,

Her eyes, you I outshone,
Heedless to her writ tone,
All in obscure struggles midst,
Fancied your ivor teeth,
Smooth skin, your clothes ‘neath.
You were all to me exist,
In daydreams I drifted,
Blunders, I self chided,
All in obscure struggles midst,

  Greenleigh:

Shocked when I saw him trot!
With grasp I became fraught,
All in obscure struggles midst,
He visits you, not me,
Deceit deserved, yet plea!
You were all to me exist,
Could not look in his eye,
Yet utter not goodbye,
All in obscure struggles midst,

Haven:

“Neighbor, wrong I done ye!”
I watch only blankly,
All in obscure struggles midst,
Her twisted mouth distressed,
No one thought we were blessed,
You were all to me exist,
I mumbled, brimming tears,
Should have asked direct, fears,
All in obscure struggles midst,

He was the fool of fate,
Confused yet did await,
Cerise honeysuckles kissed,
I vied for your full love,
As you to his yet shove,
I only hoped for a tryst,
Rapt in misconceptions,
Mocked us, even aspens,
Cerise honeysuckles kissed,

All:

Yet not so sly were we,
Does cognizance come bleak,
Cerise honeysuckles kissed,
We greeted happenchance,
What’s left but insistence?
Our furtive attempts yet missed,
Admit not errs, turn rightwards,
Fracturing our concords,
Cerise honeysuckles kissed,

  Greenleigh:

Anxiously sipped bottles,
And did we start battles,
Cerise honeysuckles kissed,
Suffused eyes, flushed faces,
Affects spill, anguishes,
Our furtive attempts yet missed,
We die lone in shambles,
Bonds of love in scrambles,
Cerise honeysuckles kissed.
Dee Aug 2014
On the rough road of time, as we walk along
There would be a moment when I am gone

Would you then search for me behind the outcrop?
Across the silent lake, across leas and forests,
Wait for silent footsteps in the dark of night
Peer through smoke arising from a smoldering ember
Left over when with singed wings, I flew away
Make sense of the images, scattered in shattered glass
Or looked for a washed away name on sands of that instant
When hearts carved in soft barks, now scarred, lie weathered
Rummage into moments that were lost, to find scraps
Of bones with shredded flesh shorn of skin and soul

Don’t…
Reduced to a thought, a puff a wisp, can you
Touch flowing rivers water again?
I would be that drop of water
That headed out to be a part of the open seas
Tryst Apr 2019
How Morrow weaves her evensong
For buds, unwary, sweet and young,
Full-blossomed low on boughs of trees,
Still blissful in their infancies,
Beguiled by wind and rain and sun
To crawl to stand to walk to run!

And Oh! How Morrow ever-long
Shall pluck with purpose from the throng
Aged thorny vines on withered knees,
Wild saplings cursed with Time's disease,
And all betwixt whose yarns have spun
Out from the void whence they begun.

And so, sweet Morrow, shadows long
Flit fairy-like o'er milkmoon seas,
Thy cold enticing webs are strung
On oceans calm and careless leas;
A twilight rests on mountains flung
Unto the heaven that oversees
A midnight roll-call aired with sorrow
For young sweet buds who’ll miss thee, Morrow.
I am just a mortal man, whom worship an Immortal Savior.
I have my Failings, but none the less , I love my Savior.
With an Perfect Heart, this is what he calls us to do in worship.
To worship him in the Perfect Spiritual Worship even now.
To trust him in everything to Praise him in Song and Dance.
To follow him no matter where it might leas us to as well.
To be Perfect host, and obey his Holy Spirit within us.
But we receive the best Gift from him, the Holy Spirit.
It protect, bless us, as well as other things it does for us.

— The End —