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Victor D López Dec 2018
Victor D. López (October 11, 2018)

You were born five years before the beginning of the Spanish civil war and
Lived in a modest two-story home in the lower street of Fontan, facing the ocean that
Gifted you its wealth and beauty but also robbed you of your beloved and noblest eldest
Brother, Juan, who was killed while working as a fisherman out to sea at the tender age of 19.

You were a little girl much prone to crying. The neighbors would make you cry just by saying,
"Chora, neniña, chora" [Cry little girl, cry] which instantly produced inconsolable wailing.
At the age of seven or eight you were blinded by an eye Infection. The village doctor
Saved your eyesight, but not before you missed a full year of school.

You never recovered from that lost time. Your impatience and the shame of feeling left behind prevented
You from making up for lost time. Your wounded pride, the shame of not knowing what your friends knew,
Your restlessness and your inability to hold your tongue when you were corrected by your teacher created
A perfect storm that inevitably tossed your diminutive boat towards the rocks.

When still a girl, you saw Franco with his escort leave his yacht in Fontan. With the innocence of a girl
Who would never learn to hold her tongue, you asked a neighbor who was also present, "Who is that Man?"
"The Generalissimo Francisco Franco," she answered and whispered “Say ‘Viva Franco’ when he Passes by.”
With the innocence of a little girl and the arrogance of an incorrigible old soul you screamed, pointing:

"That's the Generalissimo?" followed up loud laughter, "He looks like Tom Thumb!"
A member of his protective detail approached you, raising his machine gun with the apparent intention of
Hitting you with the stock. "Leave her alone!" Franco ordered. "She is just a child — the fault is not hers."
You told that story many times in my presence, always with a smile or laughing out loud.

I don't believe you ever appreciated the possible import of that "feat" of contempt for
Authority. Could that act of derision have played some small part in their later
Coming for your father and taking him prisoner, torturing him for months and eventually
Condemning him to be executed by firing squad in the Plaza de Maria Pita?

He escaped his fate with the help of a fascist officer who freed him as I’ve noted earlier.
Such was his reputation, the power of his ideas and the esteem even of friends who did not share his views.
Such was your innocence or your psychic blind spot that you never realized your possible contribution to
His destruction. Thank God you never connected the possible impact of your words on his downfall.

You adored your dad throughout your life with a passion of which he was most deserving.
He died shortly after the end of the Spanish Civil War. A mother with ten mouths to feed
Needed help. You stepped up in response to her silent, urgent need. At the age of
Eleven you left school for the last time and began working full time.

Children could not legally work in Franco’s Spain. Nevertheless, a cousin who owned a cannery
Took pity on your situation and allowed you to work full-time in his fish cannery factory in Sada.
You earned the same salary as the adult, predominantly women workers and worked better
Than most of them with a dexterity and rapidity that served you well your entire life.

In your free time before work you carried water from the communal fountain to neighbors for a few cents.
You also made trips carrying water on your head for home and with a pail in each hand. This continued after
You began work in Cheche’s cannery. You rose long before sunrise to get the water for
Home and for the local fishermen before they left on their daily fishing trips for their personal water pails.

All of the money you earned went to your mom with great pride that a girl could provide more than the salary of a
Grown woman--at the mere cost of her childhood and education. You also washed clothes for some
Neighbors for a few cents more, with diapers for newborns always free just for the pleasure of being
Allowed to see, hold spend some time with the babies you so dearly loved you whole life through.
When you were old enough to go to the Sunday cinema and dances, you continued the
Same routine and added washing and ironed the Sunday clothes for the young fishermen
Who wanted to look their best for the weekly dances. The money from that third job was your own
To pay for weekly hairdos, the cinema and dance hall entry fee. The rest still went to your mom.

At 16 you wanted to go to emigrate to Buenos Aires to live with an aunt.
Your mom agreed to let you--provided you took your younger sister, Remedios, with you.
You reluctantly agreed. You found you also could not legally work in Buenos Aires as a minor.
So you convincingly lied about your age and got a job as a nurse’s aide at a clinic soon after your arrival.

You washed bedpans, made beds, scrubbed floors and did other similar assigned tasks
To earn enough money to pay the passage for your mom and two youngest brothers,
Sito (José) and Paco (Francisco). Later you got a job as a maid at a hotel in the resort town of
Mar del Plata whose owners loved your passion for taking care of their infant children.

You served as a maid and unpaid babysitter. Between your modest salary and
Tips as a maid you soon earned the rest of the funds needed for your mom’s and brothers’
Passage from Spain. You returned to Buenos Aires and found two rooms you could afford in an
Excellent neighborhood at an old boarding house near the Spanish Consulate in the center of the city.

Afterwards you got a job at a Ponds laboratory as a machine operator of packaging
Machines for Ponds’ beauty products. You made good money and helped to support your
Mom and brothers  while she continued working as hard as she always had in Spain,
No longer selling fish but cleaning a funeral home and washing clothing by hand.

When your brothers were old enough to work, they joined you in supporting your
Mom and getting her to retire from working outside the home.
You lived with your mom in the same home until you married dad years later,
And never lost the bad habit of stubbornly speaking your mind no matter the cost.

Your union tried to force you to register as a Peronista. Once burned twice cautious,
You refused, telling the syndicate you had not escaped one dictator to ally yourself with
Another. They threatened to fire you. When you would not yield, they threatened to
Repatriate you, your mom and brothers back to Spain.

I can’t print your reply here. They finally brought you to the general manager’s office
Demanding he fire you. You demanded a valid reason for their request.
The manager—doubtless at his own peril—refused, saying he had no better worker
Than you and that the union had no cause to demand your dismissal.

After several years of courtship, you and dad married. You had the world well in hand with
Well-paying jobs and strong savings that would allow you to live a very comfortable life.
You seemed incapable of having the children you so longed for. Three years of painful
Treatments allowed you to give me life and we lived three more years in a beautiful apartment.

I have memories from a very tender age and remember that apartment very well. But things changed
When you decided to go into businesses that soon became unsustainable in the runaway inflation and
Economic chaos of the Argentina of the early 1960’s. I remember only too well your extreme sacrifice
And dad’s during that time—A theme for another day, but not for today.

You were the hardest working person I’ve ever known. You were not afraid of any honest
Job no matter how challenging and your restlessness and competitive spirit always made you a
Stellar employee everywhere you worked no matter how hard or challenging the job.
Even at home you could not stand still unless there was someone with whom to chat awhile.

You were a truly great cook thanks in part to learning from the chef of the hotel where you had
Worked in Mar del Plata awhile—a fellow Spaniard of Basque descent who taught you many of his favorite
Dishes—Spanish and Italian specialties. You were always a terribly picky eater. But you
Loved to cook for family and friends—the more the merrier—and for special holidays.

Dad was also a terrific cook, but with a more limited repertoire. I learned to cook
With great joy from both of you at a young age. And, though neither my culinary skills nor
Any aspect of my life can match you or dad, I too am a decent cook and
Love to cook, especially for meals shared with loved ones.

You took great pleasure in introducing my friends to some of your favorite dishes such as
Cazuela de mariscos, paella marinera, caldo Gallego, stews, roasts, and your incomparable
Canelones, ñoquis, orejas, crepes, muñuelos, flan, and the rest of your long culinary repertoire.
In primary and middle school dad picked me up every day for lunch before going to work.

You and he worked the second shift and did not leave for work until around 2:00 p.m.
Many days, dad would bring a carload of classmates with me for lunch.
I remember as if it were yesterday the faces of my Jewish, Chinese, Japanese, German, Irish
And Italian friends when first introduced to octopus, Spanish tortilla, caldo Gallego, and flan.

The same was true during college and law school.  At times our home resembled an
U.N. General Assembly meeting—but always featuring food. You always treated my
Closest friends as if they were your children and a number of them to this day love
You as a second mother though they have not seen you for many years.

You had tremendous passion and affinity for being a mother (a great pity to have just one child).
It made you over-protective. You bought my clothes at an exclusive boutique. I became a
Living doll for someone denied such toys as a young girl. You would not let me out of your sight and
Kept me in a germ-free environment that eventually produced some negative health issues.

My pediatrician told you often “I want to see him with ***** finger nails and scraped knees.”
You dismissed the statement as a joke. You’d take me often to the park and to my
Favorite merry-go-round. But I had not one friend until I was seven or eight and then just one.
I did not have a real circle of friends until I was about 13 years old. Sad.

I was walking and talking up a storm in complete sentences when I was one year old.
You were concerned and took me to my pediatrician who laughed. He showed me a
Keychain and asked, “What is this Danny.” “Those are your car keys” I replied. After a longer
Evaluation he told my mom it was important to encourage and feed my curiosity.

According to you, I was unbearable (some things never change). I asked dad endless questions such as,
“Why is the sun hot? How far are the stars and what are they made of? Why
Can’t I see the reflection of a flashlight pointed at the sky at night? Why don’t airplanes
Have pontoons on top of the wheels so they can land on both water and land? Etc., etc., etc.

He would answer me patiently to the best of his ability and wait for the inevitable follow-ups.
I remember train and bus rides when very young sitting on his lap asking him a thousand Questions.
Unfortunately, when I asked you a question you could not answer, you more often than not made up an answer Rather than simply saying “I don’t know,” or “go ask dad” or even “go to hell you little monster!”

I drove you crazy. Whatever you were doing I wanted to learn to do, whether it was working on the
Sewing machine, knitting, cooking, ironing, or anything else that looked remotely interesting.
I can’t imagine your frustration. Yet you always found only joy in your little boy at all ages.
Such was your enormous love which surrounded me every day of my life and still does.

When you told me a story and I did not like the ending, such as with “Little Red Riding Hood,”
I demanded a better one and would cry interminably if I did not get it. Poor mom. What patience!
Reading or making up a story that little Danny did not approve of could be dangerous.
I remember one day in a movie theater watching the cartoons I loved (and still love).

Donald Duck came out from stage right eating a sandwich. Sitting between you and dad I asked you
For a sandwich. Rather than explaining that the sandwich was not real, that we’d go to dinner after the show
To eat my favorite steak sandwich (as usual), you simply told me that Donald Duck would soon bring me the sandwich. But when the scene changed, Donald Duck came back smacking his lips without the sandwich.

Then all hell broke loose. I wailed at the top of my lungs that Donald Duck had eaten my sandwich.
He had lied to me and not given me the promised sandwich. That was unbearable. There was
No way to console me or make me understand—too late—that Donald Duck was also hungry,
That it was his sandwich, not mine, or that what was on the screen was just a cartoon and not real.

He, Donald Duck, mi favorite Disney character (then and now) hade eaten this little boy’s Sandwich. Such a Betrayal by a loved one was inconceivable and unbearable. You and dad had to drag me out of the theater ranting And crying at the injustice at top volume. The tantrum (extremely rare for me then, less so now) went on for awhile, but all was well again when my beloved Aunt Nieves gave me a ******* with jam and told me Donald had sent it.

So much water under the bridge. Your own memories, like smoke in a soft breeze, have dissipated
Into insubstantial molecules like so many stars in the night sky that paint no coherent picture.
An entire life of vital conversations turned to the whispers of children in a violent tropical storm,
Insubstantial, imperceptible fragments—just a dream that interrupts an eternal nightmare.

That is your life today. Your memory was always prodigious. You knew the name of every person
You ever met, and those of their family members. You could recall entire conversations word for word.
Three years of schooling proved more than sufficient for you to go out into the world, carving your own
Path from the Inhospitable wilderness and learning to read and write at the age of 16.

You would have been a far better lawyer than I and a fiery litigator who would have fought injustice
Wherever you found it and always defended the rights of those who cannot defend themselves,
Especially children who were always your most fervent passion. You sacrificed everything for others,
Always put yourself dead-last, and never asked for anything in return.

You were an excellent dancer and could sing like an angel. Song was your release in times of joy and
In times of pain. You did not drink or smoke or over-indulge in anything. For much of your life your only minor Indulgence was a weekly trip to the beauty parlor—even in Spain where your washing and ironing income
Paid for that. You were never vain in any way, but your self-respect required you to try to look your best.

You loved people and unlike dad who was for the most part shy, you were quite happy in the all-to-infrequent
Role as the life of the party—singing, dressing up as Charlie Chaplin or a newborn for New Year’s Eve parties with Family and close friends. A natural story-teller until dementia robbed you of the ability to articulate your thoughts,
You’d entertain anyone who would listen with anecdotes, stories, jokes and lively conversation.

In short: you were an exceptional person with a large spirit, a mischievous streak, and an enormous heart.
I know I am not objective about you, but any of your surviving friends and family members who knew you
Well will attest to this and more in a nanosecond. You had an incredibly positive, indomitable attitude
That led you to rush in where angels fear to treat not out of foolishness but out of supreme confidence.

Life handed you cartloads of lemons—enough to pickle the most ardent optimist. And you made not just
Lemonade but lemon merengue pie, lemon sorbet, lemon drops, then ground up the rind for sweetest
Rice pudding, flan, fried dough and a dozen other delicacies. And when all the lemons were gone, you sowed the Seeds from which extraordinarily beautiful lemon trees grew with fruit sweeter than grapes, plums, or cherries.

I’ve always said with great pride that you were a far better writer than I. How many excellent novels,
Plays, and poems could you have written with half of my education and three times my workload?
There is no justice in this world. Why does God give bread to those without teeth? Your
Prodigious memory no longer allows you to recognize me. I was the last person you forgot.

But even now when you cannot have a conversation in any language, Sometimes your eyes sparkle, and
You call me “neniño” (my little boy in Galician) and I know that for an instant you are no longer alone.
But too son the light fades and the darkness returns. I can only see you a few hours one day a week.
My life circumstances do not leave me another option. The visits are bitter sweet but I’m grateful for them.

Someday I won’t even have that opportunity to spend a few hours with you. You’ll have no
Monument to mark your passing save in my memory so long as reason remains. An entire
Life of incalculable sacrifice will leave behind only the poorest living legacy of love
In your son who lacks appropriate words to adequately honor your memory, and always will.


*          *          *

The day has come, too son. October 11, 2018. The call came at 3:30 am.
An hour or two after I had fallen asleep. They tried CPR in vain. There will be no more
Opportunities to say, “I Love you,” to caress your hands and face, to softly sing in your ear,
To put cream on your hands, or to hope that this week you might remember me.

No more time to tell you the accomplishments of loved ones, who I saw, what they told me,
Who asked about you this week, or to pray with you, or to ask if you would give me a kiss by putting my
Cheek close to your lips, to feel joy when you graced me with many little kisses in response,
Or tell you “Maybe next time” when as more often than not the case for months you did not respond.

In saying good bye I’d give you the kiss and hug Alice always sent you,
Followed by three more kisses on the forehead from dad (he always gave you three) and one from me.
I’d leave the TV on to a channel with people and no sound and when possible
Wait for you to close your eyes before leaving.

Time has run out. No further extensions are possible. My prayers change from asking God to protect
You and by His Grace allow you to heal a little bit each day to praying that God protect your
Soul and dad’s and that He allow you to rest in peace in His kingdom. I miss you and Dad very much
And will do so as long as God grants me the gift of reason. I never knew what it is to be alone. I do now.

Four years seeing your blinding light reduced to a weak flickering candle in total darkness.
Four years fearing that you might be aware of your situation.
Four years praying that you would not feel pain, sadness or loneliness.
Four years learning to say goodbye. The rest of my life now waiting in the hope of seeing you again.

I love you mom, with all my heart, always and forever.
Written originally in Spanish and translated into English with minor additions on my mom's passing (October 2018). You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
Nigel Morgan Sep 2013
He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.
The poetic quotations are from poems by Margaret Morgan. A collection titled Words for Music by Margaret and Nigel Morgan is now available as an e-book from Amazon http://www.amazon.com/dp/B00DY8RAGC
Mitchell May 2014
We took the back road to the house. The shade from the trees made the road feel like tunnel. Not a shred of light came in. We'd have to drive slow. The road wasn't made of concrete: it was made of dirt, rock, and dead leaves. Sometimes we could see the worms come up out of the dirt in the headlights, their pink stretching bodies like weird little fingers. Carrie never looked. She said it was too scary. The rest of us would look and watch them dance around like that. Sometimes we'd have to run them over. Of course, we'd feel bad about it, but we needed to get back to the house. There were things to be done. Nothing planned, but nonetheless, things to be done.
Englend reversed the car up to the front door. The liquor, the food, and the beer was in the back and would make it easier to get it from there. Patty and Carrie (the one scared of the worms) ran straight to the bathroom. They'd been complaining about how we never stopped at a gas station to ***. Englend said we didn't have the time and I just didn't care. Denny was in the same mindset as me. We usually were. Kat was looking out the window, thinking about something she didn't wish to share when we started to unload. She offered to help after she'd finished her thought, but the three of us said we had it. We didn't really, but we let her have her thought while we carried the bags. There weren't that many to complain about anyway.
When everyone was inside unpacking their things, I hung back and smoked a cigarette. I looked down at the river. It was full and rushing. The trees were full with bright, lime green leaves. The branches were tanned auburn from the sun. They looked the forearms of the Mexican girls at my high school: smooth, everlasting, stretching to a place I was never allowed to touch or look at. I ashed my cigarette into a pile of leaves and immediately worried that I was going to start a fire. I kicked it out, thrusting my boot heel into where I thought the ember had went.
"What the hell are you doing?" Englend screamed from the front porch, a handle of whiskey underneath his arm, a glass with ice in the other.
"Ashed into the leaves," I told him, "Trying to take it out." I kicked the leaves a few more times, then walked towards Englend.
"Let me get a hit of that," I said, pointing at the handle.
He spun the top and it rolled off the tread. The cap rolled off the deck and Englend chased after it, handing me the bottle first.
"Take this. Where'd the hell it go?"
"Down there somewhere," I said, pulling the bottle back. The sweetness of the whiskey hit my nostrils first, then the bite of the liquor. I coughed, feeling my eyes begin to water. The first one was always the hardest. After that, they got easier.
June had just ended. July was just arriving. The third was tomorrow and the next day was the fourth.
I took another pull from the handle. I placed on the decks railing and left Englend with it. He was still looking around for the bottle cap.
"I thought I saw it roll under the deck," I told him.
"*******," he moaned. He looked up at me, "Come and help me. It'll be faster with two."
"Can't. Gotta' check on Carrie and get ourselves a room."
"*******," he moaned again, reaching under the deck.
"Don't get your hand bit by a possum or rat or something!" I yelled behind me, going inside. "Carrie!" I screamed, "Where'd you go?"
"Upstairs getting our room ready!" I heard her scream from the 2nd floor, "Come and help me put the sheets on."
I went into the kitchen. Denny was stocking the fridge with the beer and the meat. I reached over his shoulder and grabbed a Budweiser. He had an open one in between his knees. The light stuff was on the bottom to the far left, the heavy stuff in the middle, and the expensive IPA, hoppy stuff to the far right. The top shelf was for food, mixer, and whatever else the girls had decided to get at the store. Fruit and things. I opened up the freezer. There were two handles of Smirnoff resting on three large bags of ice. We would need more ice. I closed the freezer and ran my fingers of the labels of two more handles of Cazadorés tequila and Bulleit bourbon. Overall, I thought we were fairly stocked for the four day weekend, but one could never be to sure. People came out of the wood work for the 4th of July. No telling who would show up at our front door.
I went upstairs to see what Carrie was doing. She was laying on the bed with the sheets resting on the dresser. The light was off. The room was cast in that light grey pigment that happens when the bedroom light isn't there. It was nice. The sun had been straining my eyes the whole time even though I had been driving in the backseat. Carrie was laying face down on the bed. She was wearing a skirt, so I slowly laid down on the bed and inched her dress up. She didn't flinch or move, so I pulled it up until I saw her burgundy lace *******. They looked pressed or ironed or something they looked so clean.
"What're you doing?" Carrie asked me, her face down into the mattress.
"Just looking," I said.
"At what?"
"At your ****."
"Why?"
"Cause' it's nice."
"Close the door."
I got up, closed the door, and laid back down.
"Lets put the sheets on the bed first."
"OK," I said.
We put the sheets on the bed, but couldn't wait for the pillows and the rest of the blankets. We tried to be quiet, but knew we weren't. After, we took a shower together. I rubbed Carrie's shoulders while the hot water rained down on us. She said it was better to get a massage in the shower because the hot water loosened up the muscles. I didn't know if that was true or not, but I did it anyway. I watched her as she unpacked her bag. Her hair was wet and it swung back and forth, wetting her back. She was wrapped in her favorite pink towel. Water dripped from her body down to the floor. I waited to put my things away. I had brought up very little. Mostly *****. Carrie took up most of the dresser. I had one drawer by the time we were finished.
We took a nap. After we were done sleeping, we looked outside and saw the sun had been replaced with the night. The stars and the light coming from inside of the cabin streaked out into the forest like a splash of golden florescent paint. Carrie and I poked our heads outside to listen to the creaking trees and the rustling of animals through the bush. Someone downstairs was lightly clattering dishes as they cleaned them while the smell of red maple firewood burning in the fireplace came up to our room. I took out my phone from my pocket and looked at the time.
"****," I said, "It's already 10 o'clock."
"I'm starving."
"I'm starving and need a drink."
"Let's go downstairs and see what they made."
I slipped on my 501's while Carrie straightened up her hair. We went downstairs and saw two plates with hamburgers and fries on them. Patty was at the sink cleaning the pots and pans. She was staring down into the soapy froth, humming a song to herself I couldn't understand. She hadn't heard us come down. Denny, Englend, and Kat weren't in the living room.
"Where is everybody?" I asked.
"Oh!" Patty burst. She swung around, a soaped up frying pan in her hands. "You scared the **** out of me!"
I put my hands up, "Gotcha!" I said smiling.
"They went for a walk somewhere and left all the dishes for me."
"Leave'em," Carrie said, taking Patty's hands and wiping the soap away with a rag, "Van and I will take care of them."
"I only have a few more..."
"I insist!" Carrie took Patty's arm and lead her to the couch and laid her down. I took a cup from the pantry, filled it with ice, and poured Bulliet half-way up. I handed the glass to Carrie and she brought it to Patty.
"Look at that," Patty smiled, "Full-service."
"What you get when you come up to the Dangerson cabin."
"**** right!" I exclaimed through a bite of hamburger, "Only the best here."
Patty leaned her head back after taking a long sip of the whiskey. She exhaled and closed her eyes. I watched her as her chest heaved up and down. She kicked off her shoes and let her hair fall over the armrest of the couch.
"You said they went into the woods, Patty?"
Carrie took her burger and went and sat next to Patty.
"Lift your legs up," Carrie said, "Let me sit with you."
"Yeah. They went into the woods an hour or so ago. Probably a little less."
I opened the fridge and grabbed another beer.
"What were they going out there for?"
"I have no idea."
"Probably to get firewood or something," Carrie said, "Can you grab me one of those."
"Sure," I said, tossing her one.
"Wait," She yelled, throwing her hands in the air. The beer landed right in one of her flailing hands.
"Nice catch," I laughed, opening the fridge and grabbing another.
"You're such a ****!"
I smiled and walked out onto the deck.
"He really is," I heard Carrie tell Patty.
"I heard that!"
"You were meant to!" she called back to me, laughing.
I shook my head and opened the can of beer. Why did they decide to go get firewood now? We had plenty of wood here already. Patty probably didn't know what she was talking about. That happened often. I strained my eyes to see through the darkness, maybe see if I could spot a flashlight or the round end of a lit cigarette, but the forest was just a wash of thick blackness. Even the stars had grown faint.
"Englend!" I shouted.
Nothing. Not a peep. They were far out there.
"Englend!" I shouted again.
"What the hell are you shouting at?" a voice said from the trees. I couldn't tell who it was, but it was someone I knew.
"Who the hell is that?"
"Well who the hell do you think it is?" It was Englend. He came out of the trees like a wild boar. He had a handle of whiskey in one hand with a pile of small twigs and firewood in the other. What came to mind first was a mix between a drunken Brawny guy and a pinecone.
"What's all the screaming about?" Kat asked, trailing behind Englend. Denny followed behind. They all had armfuls of wood. From what I saw, little would be useful, but I kept that to myself.
Englend came up the deck and handed me the handle. I took a long pull. As I drank, I looked up into the stars, which were now out and shining brighter than they were before. A cloud had moved, wavered off somewhere, presenting the gifts that were behind it. I lowered the bottle and watched Denny and Kat walk up the stairs. They were smiling.
"What are you two so happy about?" I asked, handing Denny the whiskey.
"Gimme' that!" Kat snagged it out of my hand, laughing. She took a long pull. Denny, Englend, and I watched, amazed that little hippy Kat could take such a heavy shot.
"Good God," I murmured.
"She drinks like a pirate," said Denny.
"A ****** pirate," added Englend.
Kat was especially small. Not a small person small, but petite. She also had a great *** and could out drink, out party, and out do the rest of us in debaucherous shenanigans. She had never heard of the word or feeling of shame either and did, really, whatever the hell she felt like.
"I heard that you *******," she said, exhaling, blinking her eyes wildly.
"That was a biggun'," Denny said, taking the bottle and pulling it.
"Needed it. Englend had us wandering around the ******* forest for firewood the minute we got here."
"Do we even need any?" I asked.
"Course we do!" Englend exclaimed, "Gotta' keep our ladies warm!"
He put his arm around Kat and shook her.
"Gross..." Kat frowned, her face pickling while she squirmed out of his arms.
"You love it Kat...where's Patty? Where's my babe!?" Englend thundered off into the house.
"I'm right here," Patty squealed. She was still on the couch with Carrie. She kicked her feet crazily as Englend jumped on her. Carrie jumped off just before he cannon balled onto the couch.
"You guys are SICK!" Carrie screamed.
"You love it," they both said in unison. The two of them play wrestled until Patty finally got Englend by the ***** and kissed him.
Denny handed Kat the bottle," You want another?" he asked.
"I'm good, Denny," she said.
"Hank?" He asked me.
"I'll take one, yeah," I said. I pulled it back as Kat went inside. I exhaled and looked at Denny, "So, you and Kat are the only two legitimate single people here. How you feel about that?"
"Hopeful," he said.
"That's good to hear. I'll see what Carrie can do."
"Sweet," he said nervously.
"Let's get inside. Patty made some burgers."
"Thank God," Denny sighed, shaking his head, "I'm ******* starving. Englend had us walking for ******' miles.
"No idea why. We have plenty of wood downstairs."
"Seriously?"
"Yeah. Lots of it. I cut a bunch the last time I was here."
"******," he laughed, "Englend told us were out."
"He doesn't know what he's talking about," I said. We walked into the kitchen. I put the bottle down next to Carrie, who had made her way from the couch back into the kitchen. She looked at the bottle, then at me.
"What you drinking there?" she asked me looking at the bottle.
"Whiskey," I told her.
"Can you not drink so much?" she whispered so no one could hear her.
"I'm good," I said, taking her hand, "I just drank a little bit outside while I was waiting for Englend. They went on a wild goose chase for firewood."
"Good."
"Denny was telling me they went all over for the stuff."
"Why?" she smiled, "We have so much from the last time we were up."
"That's what I was telling Englend, but he didn't care. Guy gets antsy."
"Who's antsy?" Englend called from the couch. Patty was wrapped up in his eyes, looking drunk from the single shot Carrie and I had given her. Kat was on the couch with a beer. Denny was hovering by the door, rocking back and forth on his heels still holding an armful of fire wood.
"Why don't you just leave that by the door?" I told Denny, "Take a seat. Stay a while."
He dropped the firewood by the side of the front door and took a seat on the floor in front of the fireplace by Kat. He looked up at her and smiled, but she didn't notice. She was sipping her beer, rummaging around in her pocket for something.
"What I was saying was that you guys didn't need to get anymore firewood or kindling or whatever the hell you guys got because we have a lot from the last time Carrie and I were up."
"I saw those logs," said Englend, "And they're ******* twigs compared to what we got!"
Everyone laughed.
"Well," I said, opening the fridge for another beer (I wasn't sure where my other one had gone to), "I'm not taking the **** down."
"All good, we'll take it down."
"You'll take it down," said Kat, "We had to walk through half of the ******* forest to get to your secret wood spot, then walk back. I'm finished with wood for now."
"Fine," Englend moaned, "I'll take it down in the morning."
"I'll help you," Denny added.
"Good! We got two big guys to do it. It'll be done in no time."
I turned around and opened up the cabinet that was filled with shot glasses. I took six out, put them on the table, and filled them with whiskey.
"Let's take a group shot before we all start getting snuggly and sleepy."
"Great idea!" Englend shouted, popping up from the couch.
"For America!" Patty giggled, following Englend.
Kat helped Denny from the floor and walked over to the counter. They parted hands when Denny was on his feet, but I could tell he wouldn't mind holding her hand for the duration of the trip.
"I'm glad to have you all here," I said, "Glad we could do this."
Everyone nodded, smiling, holding their golden brown shots in the air.
"For America," I said.
"For America!" the rest of them yelled. We soaked in the glory of fine whiskey and hazy conversation for the rest of the night.
Everyone was moving slow in the morning. Englend seemed to be the most up out of everyone. I walked into the kitchen to him whipping 12 eggs, grating cheese, pan frying potatoes, bubbling coffee, and pouring orange juice into mimosa flutes. The champagne was already out. I thought, a little alcohol will probably do me some good. It did. After my third glass, I kissed Carrie when she groggily walked into the living room. She preceded to slump onto the couch. I brought her a cup coffee and some Advil. She smiled meekly into my glazed over, blood shot eyes. I could tell she was hurting, but she would be right in a couple hours. Once we got into the river, all would be right.
"Jesus," said Carrie, "You guys are already drinking?"
"Of course!" Englend laughed, "It's the fourth and it's already noon. We're behind if anything."
"And Englend made breakfast," I said.
"I can see th
Seth Milliman Apr 2016
Show me where to start,
Show me where to begin.
I'm only moments away,
From cashing in.
The road ahead isn't always straight and narrow,
It sometimes struggles to stay on course.
This of things to lead away,
And make me feel so coarse.
The ironed irony of this simple truth,
Of hated things in faded youth.
Can no longer wait in this waiting room,
Tired, scared, and lonely here.
As today is gone too soon.
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
Judypatooote May 2014
Growing up way back
when life was simple.
There were wringer wash machines.
On Monday morning I remember my mom
fill the wash machine with hot water.
Add soap powder, but watch or it will clump.
Then she added fels naptha soap
Which was a bar, and you sliced off
pieces for the extra ***** clothes.

SIMPLE?

Now she added the clothes
While they are agitating
You wait...
You have a second tub filled with hot water.
to transfer those clothes into, for rinsing.
You always used the same water over.
You started with white clothes,
then eventually by the time the
dark clothes  came around
the water looked pretty gross..

SIMPLE?

After rinsing you use that magical wringer.
Which is two rollers that sqeeze all the water out.
Time...it all takes time..
Then into the wash basket.

Laundry back when life was simple...

By then your basket if full of wet heavy clothes.
Out to the clothes line.
But first you had to run a dry cloth to wipe
the dirt off the clothes line.
Hanging up all that laundry
with those cute wooden clothes pins.
Not even clip ones were invented back then.
But the bag which held all the clothes pins
was real cute, it looked like a dress...

SIMPLE?

Socks, ******, shirts, slacks, towels,
oh those heavy towels
and my favorite the sheets.
Time, it takes time to dry those clothes.

Laundry back when life was simple.

Back then everything was ironed.
Starched and there was no spray starch,
or steam iron.
Mom would dip the collars of the shirts
into a bowl of starch,
and roll it up,
it was ready to be ironed.

Laundry back when life was simple...
How can that be a simple time.
I watched my mom and grandma
do this every Monday.
Starting early and it would be evening
when she would finally have
the clothes folded and put away...
The next day was for ironing.

~~~
SIMPLE?
We have the simple life
for now we can throw in a load, have it washed,
thrown in the dryer, and hung up
in a couple of hours.
Taking a coffee break in between
the washing and drying...

by ~ judy
Do our kids know how easy they have it...this was not
my experience, but I watched my mom and grandma
do this every week...never giving it a second thought.
God Bless you moms and grandmas whose work
was never done....
we're aboard the bus
me and Gus
me and Gus
we're aboard the bus

we're going to West Avenue
to throw a few punches
in the gym with Stu
we're going to West Avenue
to throw a few punches
in the gym with Stu

Stu is a great puncher
his punches are accurate
his left hook
knocks other dudes
really flat
Stu has them dudes
well ironed out on the mat
Stu has them dudes
well ironed out on the mat

us guys on the rough side of town
have to know how to solidly punch
to knock those gang members down

those gang members
are tough and mean
they are the toughest and meanest
gang members
on the rough side of town

Gus and I
are going to take
those gang members on
take them on
take them on

they aren't going to give
Gus and I
no knock out gong
no knock out gong

Gus and I
will have a retinue of punches
to plant on their noses
they'll be redder
than a bunch of roses

Gus and I
get aboard the bus
to go Stu's gym
we're learning
punching skills
off him
Mark Sep 2019
I love da sound ya ***** does make
While slapping up against your sister, for Christ sake
Watching you all doing the ***** deed, *******
On ya momma's brand new, multi coloured **** pile  
***** young boys, are forever slapping, keepin’ it real
While viewing ya *****, in ya year nine, high school classes
Even some curious gals, like to slip in a quick feel
While flashing their hallway entry, fancy gold passes

Da sound ya ***** makes, ya must be using an amplifier
With a **** load of flaming, boom-boom, bass  
Next time though, try turning the treble up, as you were
And turning down that flaming bass, just in case  
This mornin’, I woke up stiff, like feelin’ as if dead
Then flicked through the paper, my obituary, I just read
Didn't feel that great, after we had finished the missionary
Wish I was much more aware, like a future visionary

I haven't even ironed my clothes or done my face
For my very last day of this bright sunlight  
Will I need to pack a jumbo suitcase
Or maybe just some shorts and thongs
On my mystery vacation, one-way flight

Da sound ya ***** was making when shaking
Was maybe way too loud for some, last night
It put me in, like a clothes dryer spin  
Police came by, just to check that no one was pranking
With some spray with mace, just when I was about to sin

Everyone's got an unusual craze in life
Mine just happened to put me in a daze  
Should've taken a much deeper breath
When going down between ya momma's thighs  
Send flowers to my ******* and hoes
And never ever forget, ya ****** nice ways
Always tried to satisfy the whole **** world
But still hearing some sad **** woes

I like da sound ya ***** makes
Reminds me of some ole dance tracks
Played by the DJ, named Georgie O’Kay
While everyone dances to a beat
I'm hard at work, while trying to get ya
To get down lower and pretend to be ya momma.
A huge shout out to my homies HIPPO + HARPS. Appreciate your help Bros. F
First Love is funny
Like a burning ring
We all fell into it once
Memories Memories

Time ago
Young in age
Tender in heart
Just like in the garden
I wanted to touch the apple

Just the next street
Yet my bath must be long
Had no real beard
Wonder what I was shaving
Armpit cleaned like a desert
Nails cut to shape
Memories Memories

Shirt ironed repeatedly
Trousers checked for unseen tears
Day before
Only shoe shined to new.
Hair line brought to shape  
By my mum used  tiger razor
Memories Memories

Vasselin on my face
Power on my neck
Perfumed ear
To make complete
Memories Memories

Mirror Mirror
How do I look
Turning Turning
Looking Looking
The boy must be perfect
To met his presumed perfect girl

With a novel in hand
A nappe in the other
The boy  good to go
Certified by my coach
Unseen shadow accomplices

Bold and calm
Queens and polished
coach gave order
Tell her she is not beautiful
But pretty
Tell her she is not a girl
But an angel
Tell her she is not now
But the future

Whistle blown
I marched forward
Be calm be calm
My shadow kept saying
Target in sight
Worrior on the March
Memories Memories

At the junction of battle
Without rain
Was covered in sweat
Had a quick look backward
My shadow had disappeared
queens refused to be fluent
words of love had flew away

Smiling was i
Cleaning my sweat
Opening my novel
able to ask for her note
Last assignment of Saturday
We don't school on Saturday
Memories Memories

Prayed for rapture
Even though I new
will end in hell
Any other thing
My hunted  asked
No! no!! no!!!
The hunter said
Hunted standing
Hunter running
Memories Memories

Now in a corner
Waiting for my scar to heal
****** up my coach said
Thanking God I came alive
Even when the battle was lost
Memories Memories

Love is like a burning ring
We all fell into it once
Memories Memories
    And
Memories
A Mareship Sep 2013
I am ragged and
Dismembered
In velveteen splendour.
Assembled by a drunk,
Who couldn't remember
What loveliness
Looked like.

I'm too tall for my height.

You are pulpy and bright
Like today's magazines.
Your eyes are spotless like
Ironed jeans,
And they fold and crease
in smiles at me.

You find me funny.

I am sterile and naked
And aching with
Tension.
I'll bend into positions to
Get your attention.
I am fixed in the curb,
and you gather the nerve
to cope with my most
unnerving dimensions.

(I love you. I forget to mention.)

You've never indulged in
petty ***.
You wrap my arms around
Your neck,
like I'm a scarf.

I make you laugh.

You've never been
out on the scene.
You've never found yourself
between two strangers
in a darkened room.
Bedroom theatre's not
for you.
Nor costume.

You've never smoked.
You've never drank so much
You've choked
on hot-bodied ***** and
collapsed in the road.
You had four pints of
beer
and I watched you explode.

From your skin I lick atoms of the sky and shampoo.
You are dripping with hygiene,
You are clear, you are blue.

In mirrors you stand and watch me watching you.
chloe hooper Dec 2015
my heart
will never be as heavy as the ones of the
children who are forced to learn the anatomy of a gun
in two seconds
flat. it doesn't matter if you believe in
god. god finds calm in
violence, god doesn't come
here, to the schools that are named after presidents and
townspeople who've done good
deeds, places
that were supposed to be
safe.

my heart
will never be as heavy as the ones of the
parents who sent their kids to
school in dresses and ironed
khakis and two little
pigtails and got them back in
body bags. there are no
flags here. no Purple Hearts
for the kids who couldn't wait long enough to find
god.
tw
Mateuš Conrad Dec 2019
and in my "hiatus" period of absence, circa 15th of April and 15th of December (minutes from a yesterday)... i've come to regret the Russians not having any... no... rather the bare minimum of orthography... surprise surprise! there's plenty to choose from! i had to return to a time when i was drilling greek into my head... naturally: a time for cyrillic was on the horizon... but... i couldn't do it with english alone... i need my mother tongue, a tongue that employs diacritical markers... again and again: english can do away with its j... it goes missing when raised to stand from a sitting position ȷ(J)... and it can cut the head off its I(standing)... ı(sitting)... to make an emphasis... i have been busy... drinking aside, have a look where i have been for the past... april, may, june, july, august, september, october, november, december:

ź = зь and ż = зъ

i'm drinking - and i am my most content - the world burns and goes about its usual wordly theatre... i'm huddling with a cameo role in the background... i am drinking content... my 3rd or 4th rejection letter! this time from : austin macauley publishers (london, cambridge, new york - sharjah - where the **** is sharjah?!) - i remember sending them a "manuscript" and a book already printed, bound... they said it would take them 6 weeks to reply... i didn't enclose an email address... i had to wait for the snailmail... my my... what lovely handwritting of my name and address... in the letter i did state: it's e(sch)lert... she omitted the (sch)... a rebecca crib admin assistant, of the editorial... 6 weeks though... hmm... i posted the letter and manuscript and the book way back prior to visiting my grandparents... circa 8th of september... it's a rejection letter... that much is true... but i'm drinking in celebration! i was making dinner in the afternoon and was asked: why are you so angry? i wasn't... i tried to figure out what i'd feel when enough of ms. amber was in me... i replied: i'm being apathetic... but now it's clear: i'm jovial! there's even a signature! an authentic signature... in all honesty... a rejection letter means something... if it is physically mailed... of course i'm celebrating! i exist! i exist outside the realm of getting spam snail-mail! of course i will reply... i'll tell them: destroy and recycle the manuscript - it really wasn't a manuscript to begin with... i pour my "efforts" on the manuscript canvas that's the html... but the already printed book? can you please not burn in... rather... keep it? i'd appreciate no 1933 Säuberung... and you know (kind reader) - i'll send this introspection to the same publisher... like it is... pop / pulp or whatever mongerel of style this has had to be... but a reply! i want to see how one might escape formal language, formal affairs, social affairs, esp. in letters - a dear ms. X / to whomever it might concern Y... kind regards / yours faithfuly Mr. Z... this has to be celebrated... given what's on the horizon... the norwegian novel viking a'comin'! the buldozer autobiography... the demand for a "death" of fiction... otherwise i'm still "here"... a "here" that truly is so distant that its distance allows my petty leeching and the world's grand fiasco theater of fire and smoke and mirrors! - after all... i'm not mad enough to be welcome to a cage if i'm a sparrow... a cage of rhyme, form and all those shackle devices / identifiers of "poetry"... the future is narrative... and the current narrative says? if you asked me to dress proper, for an opera... to don the shirt the tux and the bow (tie)... the well ironed trousers... perhaps... beside the point: air's in the head and i just wish i could heat it up... for a baloon of quasi-egoism effect... otherwise what is there... a former journalist becomes an isolationist essay-scribbler? all the best journalists retire from the profession and become essayists... polemicists... whatever... this "poet" says: no poet ever writes a novel... the real life is too fictive already... and most certain this "poet" adds: begone! lyricism and rhyme! i'll sing like the humming drone cleric of the hive of ambient refrigerator sounds at 2am when everything is sleeping...

capital: oh... so that's what it was... back circa 1990 - when inflation of currency was rife all over Poland? that's when foreign capital was flowing in: foreign money... the economy was flooded with pounds and dollars... and given the exchange rate: i remember a time when you could get circa 7zł for every 1 £ sterling... so why would a nation start to print its own money? well... because more foreign money is coming in - at the given exchange rate: apologies: i was born yesterday - i need to explain certain things, from scratch... as was once stated - there's only a finite amount of money in circulation... physical money... "apparently"... and no... if you were to materialise all the wealth in this world into either fiat or gold: there wouldn't be enough of it... but how else would inflation happen in a country like Poland circa 1992? foreign investement: the wild west of eastern europe when the soviet barricade fell... i do remember being asked a question as a child: which is more... these copper coins... or this piece of paper? on the piece of paper was written 5, 000, 000zł - i said the copper coins... i wasn't either right or wrong - the person asking the question laughed... i don't think it was a question of: there are more copper coins in the hand... than a single piece of paper... after all... perhaps i acted all trans-****-sapiens and became chimp and saw less zeros on the copper coins than on the piece of paper? how else does does a currency inflate - when foreign currency is poured into it... it's the opposite of foreign aid... you put £1 into an economy - with an exchange rate: currently you'd get circa 4, 50zł out of... so where is all this "excess" money to come from? the moment when foreign money is invested... is the moment you have to start printing your own money... imagine... if the word BLACK was worth more than CZERŃ (чернь): oh, we'd readily translate BLACK = CZERŃ... but we also need a sentence for that "to make sense"... and there i was... thinking that russian doesn't apply diacritical markers... oh... right... they're not as discrete with accents like some of us... notably? нь = ń... and so and likewise... wait wait... źródło (source)... in russian it would look, look: oh so ugly... зьрoьд-ł-ł-o... (wh)en (wh(en) but now i know this (w)oe: the soft sign (acute)... and the hard sign for... e.g. życzenia (wishes)... зъыченя (perhaps зъычениa) - point being: ź = зь and ż = зъ... now does language come to me...it never left me... but now ai appreciate the minor details... i see the english and their language and how they speak it... how they churn out metaphysics and how they call forthe help of **** similis to give history the rusty coating of: nothing between a today and tomorrow: there's only the hanging off a tree from a a tail that the chimpanze doesn't thave... everything is so very metaphysical: it's never orthographic! тe два: tak - тe: оба (there's a wikipedia mistake... U+0411 / U+0431... not o'bah... oo'b'ah...): щекaць: szczekać! to bark... eh... greek became too rigid... i could remember all the letters... always buckling on ζ (zETA) and ξ (11), upsilon (υ) and nu-nu-nu (ν)... and this is, practically nonsense to anyone with a base literacy knowledge... to exagerrate... who does mind such pedantic pleasures... when they could be somewhere else: skiing! but it's worthwhile to know how a nation's currency can be inflated... foreign money flows into the country - and whatever the exchange rate is... there is no such thing as a "grafitti compensation": then again, there is... perhaps literacy has been inflated... inflated for a second literacy of coding to be assured? otherwise? bypassing the orthodox print... bypassing orthodox editorial scrutiny... was... "nice"... until the moment when the mediator sought to see fit that the reader had more authority over the written word: having re(a)d it - over the person who had / has: written it! we do part our ways with the russians on the "debate" concerning the "cedilla" involving A(ą) and E(ę)... cedilla: yes yes... akin to garçon - waiter! waiter! please - that greek sigma at the end of a word: and all its ασπεκτς... aσpectς - that really is an orthographic statement... only Ssssssss'igma is a letter with "three dimensions" suited for it... a handwritten element... otherwise in the news this week? the apostrophe society is no more... like when you don't put a possessive article if the thing in "question" ends with an S, in english? e.g.? the colours' (sez sirs - alt. colours's sez sirs... ses-esses) imbued harmony... and that is a possesive article, isn't it? with an apostrophe: 's? it's not a plural identification - there would be no need for the apostrophe to begin with! pounds' worth: no... not a pound's worth - the worth of a pound... pounds' worth: the worth of pounds! - what's that german word... glücke! nein nein... etymological root: glück 'luck' (etymology is the new history... it bypasses journalism and serves some journalistic cousin that's powdered in dust of cremated bookworms) - and yes, a hypen can come to the fore: after a full-stop and the opening of a new sentence with a conjugation: - with disbelief / - and!

i'm not buying how the media narrative will turn Cymru into a "K-affair"... sim sim: similie or else... but these have been my greek buckles: ξ (oh... that's why i wrote 11... XI - ksi...) - it's rare to see ξ sometimes: esp. in philosophy books... rubric!

- ζ
- ν
- υ (i can be forgiven, these two letters
are not suited for print... unless working
with a microscope) - unlike a roman Vv...
- ξ

but this is just the greek... if you ever read some modern... you'd think: and i just don't know, where they get their ideas from - with all those diacritical excesses that heidegger notes...

but now... for my cyrillic mini-adventure:

from Miньsk (Mazowieцki): with love

it might be said, that if i just the bare minimum -
if i even do not write anything at all -
but i have too many petty griefs during the day
to much else than the odd, occasional chore;
at the same time i do not want to sound
amused, bewildered, bored or un-used...
it's just that i find writing and drinking before
falling to my 343rd death -
my 343rd labour for mask and then exfoliated
in a dream: that might come...
or might not come...
unless a known audience... a wake sized nieche
privy... i find either unconscious or subconscious
struggles to warm up to an anonymous crowrd...
unless it was me being propped up on stage...
flooded by light... and the audience in the din:
with barely a shadow to scratch...
perhaps: then and only then...
but i've found that: it would be best that i sentence
the 2hs spare i have for merely drinking
and loitering from one video to another:
perchance something new in music is to emerge...
"coquettish" with a "something" that will never
have any realism-focus for me to undertake
a second's day carnality of the banal...
perhaps all this: "going out of my own way"
has been too much - or just enough...
to make me drink more and take more pharma
knock-out enzymes...
a naproxen and an amitriptyline...
perhaps the focus was elsewhere...
to stand frozen in awe...
when someone might "add": from one big void:
ex nihil a priori to... nihil a posteriori...
and all this cameo theatre in between!
mein gott... i can also convene to praise those
brutal breeders of sorts...
enough time to occupy two decades...
perhaps even three...
and then the grim reality of: should my child
die... or... some other worse:
the mortal should not be inflicted by...
"not reading into the genetic clues": properly:
"all at once"...
oh i would be so much happier to take this mind to sleep:
to not make some idle focus -
to entertain some eyes while i turn aside all things
hyper-inflated in purpose...
to die of a heart-attack in one's sleep...
but otherwise to simply focus on a welcome tomorrow...
that would be...
a gracious beginning to posit the day's slouching
zenith... or... i'm not sure whether this be a coming
zenith or a nadir...
but there's still that clear-cutting focus
regarding russian orthography...
cutting it with two tongues... slit at the tip...
with english the "placebo": no diacritical markers evident...
well: a TILDE over a ȷ is no more necessary...
than a "tittle" (not thai-tle... ty'ttle) over an ı...
to borrow the greek phrase: cut one head of hydra -
two emerge... cut the two heads...
i come toward the russian mish-mash of diacritical
application...
it's not be-au-ti-ful... it's messy... it's what it is...
but already i can see what this: cutting off the heads
of the english j-i hydra looks like...
it's not enough to simply enlarge them to state: CAP(I)TAL-(J)...
the knitty-gritty... why then the tilde atop of 'em?
prior "corrections": łen and when...
is not akin to... wrak or wreck... although these two words
have the same meaning...
unless: "partisan" V comes in...
very - weary... Cracow or Krakov?
a W = a Ł = a W = a V ≠ a Ł...
Ęwa and Ądam (e nosinė) are not covered by
Russian orthography...
the list is as follows:
ż (зъ) and... ć (ць), ń (нь), ó (oь), ś (сь), ź (зь)...
the graphemes? i'll call them graphemes for simplicity...
even though: they're not the smallests units...
as are vowels... or the syllables of consonants
in the latin choir of B'ee, C'ee... e'M... etc.
ж alternatively RZ (Ż) or Ž... otherwise the fwench:
je (suis)... this is nothing more than...
an encyclopedic evaluation...
a trainwreck proposal of: should i ever be stuck in
in russia... and i would have to: read... (ee'd - r'ah)...
chop off a TILDE off the torso of the english:  ȷ...
a crescent moon lying back emerges in the russian... й...
but it's not the english: jeep! it's an english: yeep!
or a  ȷeep! alternatively: yawn could be:  ȷawn...
but not if: it's jaws... coming into play: to chatter from
the siberian cold... how else to explain?
if not by... example?
then there's the "exploration" of the greek F...
as much as in english...
фoughts on θilosoφy...
good to know the russians only "borrowed"
one of the greek Fs... "culturally appropriated" or...
wasn't St. Cyrill born a greek?!
and away from greek we move...
since χ (chi): yep: perpleX... a Ks to a Ts
(note, revision found below)...
otherwise hidden... in non-vowel binding consonants...
like... ч- and -х (although... that's not quiet a Ch-ur-hC -
but sure... some altar for siц and... no... no siPS)...
cholera! which is not: SHow me the CHow mein...
for that we need CARONs...
that's when ч becomes CZ (in polish) or otherwise:
Č... long have i wanted the polish to adopt this version...
to hide the SZ and the CZ (es'zed, х'zed) respectively...
how else to write: szczekam?
a russian would write... щекaм...
out of a "simple" ш out pops out a щ (this letter...
is probably the only "etymological" route to bind russian
to the oddities of Ęva and Ądam (e nosinė)...
ш (š) becomes щ (šč) -
whoever was to undermine the old rules
of engagement when the ruling parties gave up
a monolopy of literacy? you can literally hide an entire
letter / meaning by using a hachek...
hook...
as i begin to wonder:
how much did the slavic tribes "appropriate" greek...
and how much did the two greek saints...
try to make sense of the slavic glagolitic script?
em... Ⱋ looks pretty intact if you cut off the body... E:
reclining...
but i do come from the western lands of the eastern
lands... hence? hardly any cyrilic influence...
but i too: with my own oddities... already mentioned...
come to think of it? the bulgars joined
the "party"?
beside that? what other, russian"oddities"?
orthographic - i.e. aesthetic dictations / rubrics...
ю really is a я... the russians have this english tendency
to stress their pronouns...
i this... i that! i walked up a street! and kicked a black
cat 13 times down the street to ease my luck!
you can talk in polish for days... and never stress the I / я
pronoun... really...
and ю is just a variation of я...
throw in the remaining vowels and you'd probably
come up with some "new" russian letters...
like ye... good point... i did make a "mistake"...
щэкaм! i'm barking!
unless... that's only an orthographic question...
notably? if you're going to: zerkać...
peer in / at "on and off"... casually...
зэркaць... em... it must be an orthographic question...
ergo? i wasn't exactly "wrong"...
just bad taste... зeркaць...
i've already shown the difference between (ъ) and (ь)
in a latin script: that uses more diacritical markers
than english "supposedly" escapes with focusing
on the rather pointless TILDE over the J and I...
this "oddity": ы... ɨ  clearly it's not exactly a ł...
minor details... like a mona lisa smiling...
best example of close proximity?
take a... no... that's a hollowed out "why"...
i know how it sounds... and there are no diacritical marks
needed for it... since there's a clear distinction
that i know of, between: I J Y...
tY... this little sucker is born from the fact that...
western slavs have a name for this letter...
iGREK... funny... the russians borrow more greek lettes...
and have to have...
ё (yo), e (ye), у (which they treat like a greek would U -
never mind the greeks themselves
making the following ref. Υγ / Γυ) -
and of course the я (ya)... so no wonder i see this
"letter" (ы) as an absolutely oddity...
i could stomach: ż (зъ) and ź (зь) differences...
well that's as far as i would come in learning russian...
spot the odd ones out... proper...
й (j) and ё... which is some german loan vowel with
that ******* umlaut... otherwise...
this poo'em was born from trying to **** the english
hydra of "orthography", with its mighty bounty
of the ȷ-ı TILDE! my my... what a ride!
come to think of it... now i think i can sleep.
- it hasn't been such a waste of an hour... drilling this in:
into my head...
after all... what did the professional clarinet player
say then asked about playing professionally
in a travelling orchestra? after 30 ******* years of
blowing hard into this thing...
guess what i still end up doing?
it's not so much learning... i'm still practising!

because this will not end like some sort of "summary"...
i will remember each letter if i weave it into
this latin letter by letter...

the refleξive (x)
in that one might have χeated (ch) -
again!
what it is about an ξ-ray that is also an
"χ"-ray? the "ex" k'ss k'ss cuss...
is this what james joyce's finnegans wake
should have looked like?
again!
the cruξ of the matter...
whenever a question was to be raised about:
any χoice to be had...

i have come to grips with russian orthography...
i'll repeat... the crescent moon over и ("e")
to state: this must be elongated: й ("y") stands outs...

best examples are given by sports commentators,
notably in ski jumping...
suffiξes of surnames...
akin to -cki endings...
yes... you're seeing what i'm seeing...
we'll need some russians to work this one
out... how a C is not an S...
and how it's not KK either...
-цки... hello wet drum-kit snare!

of course not: you're not seeing N:И...
let alone: нaйт (night...
evidently -igh- is a bit complicated...
with ref. to the surd in knight - kappa and
the gamma and the ha ha ha ha tetragrammaton
left arm... vowel catcher i'd be most inclined
to borrow from the hebrews...
whenever they're not busy actually using it...
and not being a bunch of 'ebrews -
electronic brewing of tea?)
сo дaрк (so dark)...

which is the equivalent of writting english
grafitti "backward"... how it sounds...
and not for: what's the formality?
i figured: take the small steps, the trickle...
burn the eyes out with incremental poppy-seed
acts of progress... like the grand Pilgrim Emeryk
from the Świętokrzyski region of Poland
(holy cross)...
each year the pilgrim shuffles to the top of
the mountain with a speed of:
a poppy-seed's worth of distance each year...
by the time he reaches the top of the mountain:
the end of the world will arrive...

am i the next Delmore Schwatrz?
no... i don't have a Lou Reed to contend with...
am i obsessed with Finnegans Wake?
well i didn't spot any "additions" to the letters...
i didn't see any diacritical markers...
a book that shouldn't be translated since...
it ignores... a worthwhile mention
of the concept of orthography -
which is my escape from any western vogue
of metaphysics... i hide behind the omniscient
niqab of orthography... my face can be forever
hidden... but my eyes need to be on... fire!
fire! i want you to burn!

so i went to see the russians having
left the greeks... about any "nuance" bound
to the... ****-naked english language
with its magic act of the disappearing heads
off of J and I...
as you do... you "forget them" and also have to:
somehow "remember" them to be used...

do i still enjoy drinking and listening to
teutonic chants in german?
god almighty! when wouldn't i not listen to german
medieval music... when drinking?!
is that such a terrible sin?

also? i finished the trilogy of H. Sienkiewicz...
and i read some Boris Pasternak...
there was Nietzsche in polish - paul's leash said:
he's more bearable in this language,
than in english...
and how could i forget! there was...
Knausgård... Karl, Ove... volumes 1 and 2
of mein kampf...

now a "summary": hmm... ż (зъ) and... ć (ць)...
could... now... hard sign (ъ) is not exactly worth
ascription if... or rarther: because...
you don't treat a caron over an S or a C...
to "hide the english H" or the Aesti Z when coupled...
there's no need to write чъ... since?
that's pretty much in-itself given č of the nature
of чeap...
ć / ць is different in that... you'd have to hear
it first...
however... the one exception of this "rule" is already
self-enclosed in ж... which is зъ... somehow...
but not зь... examples?

жart / зъart... żart (joke)...
зьrebi... well there's no 'ę' in russian
to name: źrebię - mustang colt...
is there?
so... i was "wrong"...
in that ź = зь and ż = зъ is true...
but? ź = зь and ż = зъ = ж...
so from a "quiet unique" perspective...
and: mein gott! who's to see, travel,
and subsequently marvel at the pyramids of giza...
i'm a different version of what's
considered to be "tourism"...

give me this sole equation:
ź = зь and ż = зъ = ж
and i'll be happy for a month.
as i have been...

oh i'm back... and things have taken
SPEC-TAC-U-LAR turns and twists!
****-naked english over 'ere is gonna make
a chariots of fire runner...
i bet it will... when it comes against a juggernaut
like me.
learning russian and drilling greek until i go "blind"
Tori May 2013
Watching him write on the blackboard
More green than black
I was struck by the deep blue of his shirt
And how crisp the lines were
Folded and ironed
More effort than I care to put into a shirt

And even though I was shivering
In the dark, hopeless blue of
My bulky winter jacket
Sitting in that empty chair
I slid out of the room in my mind
Recalling summer

The windows, now with canvas
Blinds half lowered
Would, instead of frost and condensation
Allow thick, all-encompassing heat
To slither into the room
Our shirts sticking to us

Sweat stains would mark up our
Clothes, like chalk on the blackboard
And our legs would
Stick to our plastic chairs as we
Stood at the end of class, reinvigorated
Voices raised in shared triumph of the overcome

Backpacks would be thrown over our
Shoulders wet and tan and flush with
Heat of the summer season, synonymous with
Hope. Our shorts and bright shirts made the
Room a deafening testament to our
Readiness

For the day.
A C Leuavacant Jul 2014
We used to go down by the old dock
To wait for the boats to pass by
In Amsterdam's last nook
With our old hand gloves
That kept the last inch of our old selves attached to our bodies
And the air was fresh
Filling our lungs with aromatic daytime
The buildings leaped out of the river
Making the horizon line a thin slip above us
And we came alone
To Amsterdam
To the handsome port here
Just to get some chips in a cone

In the Afternoon when the fog had gone and the cold had warmed
We went for a long walk
Just on our own
Through the city
Along the Canals
My lord It was beautiful to see it all so clearly
The floating tops of great cathedrals
And slanted open top house boats
We even rented out bikes
Saw the streets by night
Felt the chilly winds return
But in bed felt the warm ironed sheets beneath us
And we came once a year
To Amsterdam
To The constricted Canals
Just to get some chips in a Cone

But we did go home of course
Well you did
I though, never left those days we spent
In the golden light of the canal-side winter markets
You moved on and called it a thing that we used to do when we were young
When we had more time than sense
I still remember it as if it was yesterday
Us in a peddle boat
Passing the Frank's old place
With that love of the past
And of just silence
And we came with each other
To Amsterdam
To the storm of riverside cyclists
Just to get some chips in a cone

I'll never forget them
Those chips in a cone we had
At least seven times a trip
We'd go up to the stand by the canal
And not worry about our health for once
This was more important
It was the chips in a cone that brought us together
And the taste of such a simple thing still makes me smile
I remember the last and final time we went
Just before we had our first son
It was the night before we left
And I went up to the woman in the chip in a cone stand
One more order
One last chips in a cone
It was all I had come for
So simple but such a milestone
The end to my youth
And we left with each other
From Amsterdam
With a lot more than we brought
Forgetting to finish our chips in a cone
Kind of new style. Not at all personal to me, just a narrative style about one of my favourite cities.
Em or Finn May 2014
A little boy
Neat white shirt ironed to perfection
A monster truck plastered on the front
Denim jeans, fitting his skinny waist just right

Innovative
Imaginative
He loves creating new things
Making plain old cardboard into the next best thing

He gets his crayons
Sharpies and all
And runs to his room
All excited on his new project, his new creation

One piece of cardboard after the other
Rectangles flying everywhere
Coloring what looks like door handles onto cardboard?
The vision isn’t clear, yet it will come together soon.

He works quickly
With a due date set in mind
Full of ambition
The vision isn’t clear, yet it will come together soon.

He finishes his new achievement
Smiling happily at his new jumble of handiwork
Glued together precisely
The vision isn’t clear, yet it will come together soon.

He attaches the different shapes to himself
Straps glued to the cardboard
It seems he’s wearing armor
With doorknobs and wood grain painted on it with pure artistry

He hears someone come in the front door
His smile turns to panic
He quickly cleans up the supplies
Throwing things around the room anywhere they fit

He runs to the corner of his room
He quickly pulls the “armor” close to him
As he sits in the fetal position
His armor becomes a small dresser that looks as if it was made for clothes

The father bursts into the room
With rage spelled out on his forehead
The boy hides brilliantly afraid of the wrath to come
The father looks around the room carefully

Come out Come out
Wherever you are
The next time I see you
I’ll give you more bruises than last week altogether


He closes the door with a loud slam
The boy unfolds his creation, a simple dresser
Who knew that a young boy’s imagination
Would protect him from all of the horror and pain usually unleashed on him
murari sinha Sep 2010
( while taking a tour through those poems readers are requested to keep in their hands,  a feather from the pea-****’s tail )

Volga - 1

there might have been some provocation
on the part of the  rat’s bible  

it is not known when and how
every piece of sleep that spatters  
from the oesophagus of the dip-swimming  
has stick to the c-sharp
of the newly-purchased tooth-brush

the air within the wish-bicycle
figures nothing less

how much is it necessary now
to ****** the blue-hue  with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream

would you think it for some moments
my lord
the lord of the market

before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles

Volga - 2

the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems

as if it plays
in the body of every cauliflower
the total memorising-skill
of  the blue and yellow pyramid

and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls

how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board  

Volga – 3

the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it

if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night

all the plus-signs around
from their etiquettes
come down  

so many foot-notes
caused by the season-changes

so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning

Volga – 4

to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little

is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub  
will enter into the circuit-house

and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island

Volga - 5

coming to this ironed canal-side
every auto-rickshaw  
wants to know and let other know
the mystery
behind  the rice-rain
from the cirrus                                                

the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality

the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid

is it possible that the spits
used in the observatory
be made a little more fast-moving

manuscript of the basement of a well

the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected

in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat  vehemently  
and climbs to the peak of heart-throbbing runs

they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song

to understand this
no arbitration of the cactus is required

notwithstanding
it is heard that the thread was pulled
by the violin of  the wife of the moon-god
from behind the screen

here in the eye-front
is the basement of the morning-well

on its one page lies the faulty  crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …

within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken

if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land

let us have one game more
I: Introduction—A History Lesson
The word ******* was derived from the Sanskrit
svastika,
meaning good fortune,
or well being.
The shape is a monogram,
the interlacing of two Brahmi words,
a hooked cross which, over 5,000 years ago,
represented the rays of the sun,
the four directions of our natural compass,
and the four elements of our world.
Earth, wind, fire and water,
the symbol was balanced,
sitting firmly on its base
like a poised animal
on its haunches.
In other interpretations,
the symbol was a sacred text
explaining, “here is how the sun moves across the sky.”
A map of the heavens,
a lesson in astronomy.
The *******, when standing on its base,
is still sacred today
in many religions.
It is
the Buddha’s footsteps,
the seventh saint in Jainism,
and the four possible places of rebirth
in animal and plant world,
hell, earth and the spirit world.
In the 1870s the ******* was changed forever.
An archaeologist engrossed in discoveries
from ancient Troy and Mycenae,
Heinrich Schliemann,
found the symbol likeable
and claimed it,
because as a man he had the power to define.
He designated it
the symbol of his people—the Aryans—
and soon this is what it became.
By 1907 the ******* was turned at an angle
physically
becoming a hooked cross precariously balancing
on its side.
Its meaning, however, was turned upside down.
The cult of Aryan supremacy
claimed it,
and finally ****** adopted the
bedraggled image
as the symbol of the **** party
marking the beginning of its legacy
as an image of hate,
a harbinger of genocide,
and unthinkable atrocity.
In the course of twenty five years,
under the direction of ****** and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele
and countless other men with vacant expressions
and the ability to spell death with pointed fingers
the ******* came to mean loss
of integrity, of citizenship, of basic rights,
of personal safety, of property,
of an untarnished image of humanity
of hope.
Under the *******
unraveled a calm, coordinated,
and systematic extermination
of 6 million Jews
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Under the *******,
there were gas chambers
and the burning of children’s bodies.
There were prison-like ghettos,
and there was no humanity.
Part II: A lesson in Linguistics
First, language is meaningful only
because of shared understanding.
Words mean nothing,
symbols are vacuous
unless we share recognition
of the things that they signify.
All language is arbitrary
if we cannot agree on what object,
or emotion or event in history
are called forth by the words that we say.
Second, to be able to change meaning, you must have power
and you must have time.
Trust me,
if I could rewrite the meaning of every blood-soaked word
I would.
I would scrub them clean of their histories.
I’d redefine them,
make them useful,
maybe even kind.
But I can’t, and neither can you.
At least not alone
and not on command.
Because I’m sorry to say
that that’s not how language works.
I’m sorry to say
that a symbol made synonymous with hate
cannot be used innocently,
cannot only mean what it meant before ******
and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele.
Even if you claim to redefine it,
even if you claim to only use it for what it once was
even if once it was beautiful,
like the stalwart path of the sun,
the ******* has innocent blood on its hooks
and it eyes us sideways like a crooked lamppost
burdened with memories we cannot dismiss.
We remember.
As a society, we remember,
because pain is a finicky creature
that will not be reasoned with,
or re-defined out of existence.
We cannot use the ******* without remembering the pain
how it was ironed onto the starched coats
and painted on the national flags
of those who murdered
6 Millions Jewish men, women and children,
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Even if you say so.
Even if you claim to only use it for good.
We remember,
we remember.
Part Three: A Story
In elementary school my Hebrew teacher was Mrs. Wygodski.
When I was ten she seemed ancient.
I remember her shaky hands, but the steadiness of her voice.
Most of all I remember the numbers on her forearm
from when the Nazis decided she was no longer a girl,
but a numerical value.
I remember her telling us about the concentration camps
when they shaved her tiny girlish head
and gave her *****, ill-fitting clothes,
when they took her arm and erased her
like a message in the sand,
and she became a number.
In elementary school someone wanted to play a joke
so they scrawled a *******
on its side
in large black ink on the white board of class.
The symbol was the first thing you saw
when you entered the room.
I remember
when she came in she was smiling
as usual
her grey hair down, her kind, open face,
a miracle of a woman,
to withstand the darkest night and still smile.
I remember that Mrs. Wygodski said it is important to forgive
but I could never understand how she forgave the Nazis.
She would look at us and say
“hate is the darkest tunnel,
and harder to climb out of
than forgiveness is to bestow.”
The day she walked into the room with the *******
looming large on the white board
I will never forget the look on her face.
As the symbol spoke to her directly
it unearthed everything she spent years flattening down,
memories she sifted through for decades with trembling fingers,
images she shelved in the recesses of her mind
to make room for the possibility of tomorrow, and the warmth of smiling children.
For a moment
that symbol broke her,
and in that moment, the ******* once again stole her humanity,
and turned Mrs. Wygodski into the number
they once told her she was.
Part Four: Land of the Free
Today thousands of hate groups continue to use the *******
teetering sideways
the way that ****** intended it.
Once a symbol of good fortune,
it is now the most widely recognized symbol of hate
the world has ever known.
Used in the United States
the ******* has opened its claws
and staked claim to the beating hearts,
and hopeful sovereignty
and promised dreams
of countless African Americans,
who became the targets of the same bottomless hate
that engulfed millions in the holocaust.
Under our star spangled banner
the ******* has overseen
thousands of racially driven lynchings,
ongoing police brutality
the imprisonment of one out of three black men
and the bombing of black children in their Sunday school dresses.
In Oregon,
the ******* celebrates the sealing of borders,
is embraced by the very groups
who once outlawed black existence
in our very own state constitution,
the same groups
who once dictated the state’s refusal
to ratify the 14th amendment
of equal protection,
and the 15th amendment
giving African Americans the right to speak
at the ballot box
and be heard
by their government.
In the land of the free, the *******
is still tattooed on chests
and ironed to coats
and scrawled on the walls of my classroom.
In our communities
there are
the European Kindred,
the Northwest Hammerskins,
Volksfront,
the National Socialist Party,
and the Ku Klux ****.
And they wear the *******
because they recognize its meaning,
the meaning we all know
the meaning imbedded deep
by the pointed guns of the Einsatzgruppen
Today,
here,
they wear the ******* because they want to swallow the world.
Part 5: In Conclusion
To whoever drew the *******
last week,
last year,
in every year before that
in the bathroom, in the hallway, on my classroom wall and desks.
I forgive you.
Not because I want to
but because Mrs Wygodski would.
I will give you the benefit of the doubt.
I will believe you didn’t mean it.
I will believe you didn’t know.
I will still have hope in your humanity
because what choice do I have?
This is my refusal to become what the Nazis wanted,
what hate groups still want.
That is how I resist.
I refuse to hate you,
I refuse
to hate.
However, now that I’m addressing you directly,
I want to take this moment to make clear
that when I see the *******
this is what I see:
I see Mrs Wygodski,
with her kindness that was like a spring
flowing from somewhere dark and unseeable
and I see her face when she walked into a room with that symbol
and I see the colors of her world bleed out.
I see my missing family members,
who I never actually had the chance to really see.
So I imagine them,
my grandfather’s aunts, uncles and cousins
from a shtetle somewhere in Poland,
erased completely from history, from record, from existence
by ******* wearing men
who forgot how to be human.
Finally, I see my students.
The rest of them,
with their still young impressionability
and their beautiful array of skin colors, backgrounds, ethnicities, cultures
and their intact understanding of love.
They are the hope that our grandparents thought was lost,
and this ******* is their antithesis.
It is the undoing of their sanctity,
it is you spitting in the face of everyone who is not you.
And if you do that intentionally,
if you do that knowingly
and with purpose,
well, that
is unforgivable
This was a powerful poem written by my teacher, Sam. I really loved the power of her words and the mental image it left in my head. Enjoy!
Mutted sounds
The city sleeps... traditional
Rest...closed shutters
Against the heat....skies white
Blinding, implacable
Brurnt, liquid: coupolas baking
Through centuries of glazed splendor
My lover's breath on old fashioned
Sheets: starched, crip...ironed flat
Our bodies recouping
In the cool inner wall... welcomed presence
Nary a sound...inanimate objects
Enrobed in silence
Languid , heavy, waiting for the shadows
Announcing night's fresh enconter.
Colette Anne Naegle

copyrights 2005
Blair Griffith May 2012
I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
Bedroom’s painted fisherman’s blue

There’s a cut out of Hayden Panettiere naked in a pink bikini with a hula-hoop on the back of the door

Copies of British Vogue desperately hidden underneath the bed accompanying an empty bottle of Glen’s

Manchester United duvet cover and matching pillows to boot

The bin’s filled with pre-packed home-made lunches from the last six months

Wardrobes a collection of ill fitting blue jeans bought for me by grandmother and football jerseys for teams that I’ve never even heard of, yet let alone see play a single game

Uniform ironed and sitting out ready for school on Monday at 8am sharp

***** clothes cover mostly all the floor smelling of Lynx’s finest even though there’s an empty laundry basket just waiting in the corner to be used

Inside one of the woolen blazer’s (that is way too big for me) pockets a single unopened ****** and an AES 256-bit encrypted USB stick

An old PlayStation 2, with a single controller; games including FIFA years through 2004 to now, Tom Clancy’s Splinter Cell, and GTA.

Blood red shoplifted lipstick that’s now melted hidden in the little secret compartment at the back, meant for network expansion.

Artemis Fowl, Alex Rider, and Harry Potter all adorn the bookcase

Physics, Maths, and IT textbooks remain firmly closed on the desk in addition to a smashed phone from me and Daddy’s last “physical altercation”

Lady Gaga’s “I Like it Rough” is playing in the background on repeat…
Stephanie Little Dec 2013
White shoelaces tied carefully,
clothes ironed straight,
not a strand of hair in his face,
private school and Christian home.
His momma packed him PB&J.;

She said, "Son, don't hang with the wrong kind of kids,
the ones sitting in the back of the classroom
who wear words on their necks and
black every Sunday."

And she puts a napkin in his lunchbox and reminds him
to wash his hands.
And she prays for him to find cleanliness,
and she checks the internet history every day
while he finishes homework and practices piano.

She tells him, "Son, don't let those celebrities
with their drugs and their ***** words
influence you."

And she emphasizes "man shall not lie with man"
and not "God loves all His children"
and tells him not to let any mud get on his new socks.

He sits on the couch and
he sits in the audience and
he's told what isn't okay.
He is raised following predjudices he doesn't agree to,
stereotypes engraved deep in his brain to the core.

He was never taught any different,
he was never educated on differences.
He knows a million shades of white but God forbid he touch a blade of glass.
He was taught to keep his window locked,
head down,
eyes shut,
mouth closed,
hands folded,
back straight,
shoelaces tied.

Momma says, "Son, better keep yourself clean,"
but she touches him with ***** hands
and ties a rope
he never wanted
around his neck.
She's this insatiable urge
gaining on me,
like a herd of horses
galloping in the treachery of the wild,
their muscles brushed to a shine
rippling down their calves
to embrace the ground
beneath their ironed hooves
shaking it up, tormenting its calm,
whipping up tremors
that know no chains and travel far.

When she's around
dust and sweat break free
with muscles aching in symphony
the heart is all worked up
like a boiler room in heat
pummeling all of its adrenaline
in one fleeting indulgence
which the universe with all its hatcheries
is itching to contain
before the raging tides in
and floods my world.

She's the elusive horizon
used to passionate chases
and the sly azure lunging at it
for one sweet glimpse of the cleavage where it conjoins with the earth
looking for Elysium that never is.
Ah! But that is what it is
for the tamed to think of love
is an impossibility
for it grows in the wild
separated by a hundred chasms
and a million mazes
waiting for a fool to cross over.

When she isn't around
the rumpled sheets tell our story
for it has seen the storms
that raged in the cavernous nights
and filled up balmy noons
with the savagery of love
still crackling like embers of fire
which have seen better days,
and, light up still, with a death wish
to tell of our smouldering lives
that thrived in spasms of our last breath.
Stop whining life's ironing you flat,
we're all getting pressed and
all getting that
it's what life tends to do to you,
ironing
flattening,fattening you up for the **** and
there's no flipping thrills to be found in that.
Ironing
ironing
ironing you flat.

but

creased, I could be unleashed to become so much than more,
something with life to show, like some thing I wore with patches and scratches and marks,
Marks I adore.

Creased,
the teasing and pleasing,the
easing into the wrinkles.

'Twinkle, twinkle little star' ironed flat I'm far away from life and life can't get into my day.

Say what?
the iron's hot and bound to burn, each ironing spends a little more of uncreased out minutes and so I turn again,creased,thrown to the floor among the garbage,out the door where people stop and stare at me, the unclean,
unironed,
anomaly.

No lines,
no lines it's times like this I want to kiss the day and say,
look at me
look at me, creased to buggery and I don't care
I don't want to wear a life that's ironed flat,
don't care that you think that it's wrong,
I will wear my creases and be strong ,while you're all folded up and folded always last so long.
I'll be free and you'll be in a drawer with socks and skirts and shirts and ladies underthings,
which upon a second thought brings me to the thought that,
that might not be so bad.
Six yards of glamour
Designed to cover the shame
Six yards of culture
Wrapped around her name
Six yards of colors
Different hues and grades
Six yards of silken armor
Displaying vanity and fame

She drapes herself in the morning
With the six yards of delicate weave
Starched, ironed, pleated and neat
She carries the burden in traditions name
In a world where she is respected
For what you show and what you wear
She carries her silken armor with pride
Revealed sensuous skin unseen..

http://en.m.wikipedia.org/wiki/Sari
P.s.
This poem is about the dress sari.... Six yards of printed cloth worn in the Asian sub continent.
In my country, it's draped in the Indian way as depicted in the picture and the Kandyan way, which is considered the national dress.
In the society where the males wear western attire as a norm, sari is considered the preferred and respected professional dress code for ladies.
Many feel important, respected as well as protected with it...despite the trouble ladies go through to wear this...... despite the fact that most of the time the upper back and midriff is revealed...

It's a nice dress.... it's a bittersweet connection..
They have been together,
give or take, for fifteen years.

Their marriage in the clasp
of puberty, its voice deepening,
its stubble sprouting.

Not long ago, shopping.
Necessary. Kid’s birthday.
It comes around quick,
like lunch, paying for the Ploughman’s
at the self-service in town
when the clock flicks to twelve.

Her right hand on his right hand.
They still do this,
though not quite as often.

Today,
he returns from work, wrenches
the tie out from beneath the collar
of a shirt she ironed yesterday.
Son, out.
Daughter, also out.

The fridge plagued with magnets
and a list; Milk,
                  Bread,
                  Eggs?
Inside, two beers,
sweating cold.
Later, he thinks.

How’s your day been darling?
We need to be at the school at six.
Oh yes.
They need to hear
how their progenies
excel at the expressive arts.
He hasn’t been expressive in years.

Hours expire.
Now his bare feet slide
under the duvet.
The wife reads a while,
Sunday Times bestseller.

Then she hugs him,
touches the skin she has known
since she was nineteen
at Northampton, literary sponge
absorbing Shakespeare and Joyce.

It is warm.
It is something
that has not changed.
The two of them are content.
They know they can
always have this.
Written: August 2018.
Explanation: A poem written in my own time. Please note that 'Joyce' refers to the former Irish writer James Joyce, 'Ploughman's' refers to a term sometimes used for a cheese and pickle sandwich in the UK, while Northampton is a town in England - the nearest large town to where I live, and also where I studied my undergraduate degree.
JJ Hutton Apr 2013
we, mistakes made in groping dark,
ironed and cheekkissed happy accidents,
told we arrived by love, and our purpose forward: to love.

we were chocolate milk runners.
we were completion grades.
coloring sheets of MLK and jagged cutouts of billy goats.
we were girls in sequined jeans with scraped knees.
on the basketball court we pushed pigtails to concrete.
rumors of us kissing in the lobby waiting for our rides
did circulate.

we, skinny white girls of Moore, Okla.,
skipped supper and laid at the feet of TV-watchers
like bleached branches of fallen oaks garnishing their standing brothers.

we were doorbells.
we were passenger seats.
peeking in the teacher's edition and handshaking answers in fluorescent bathrooms.
we were the first ones on the bus and the last ones off.
knees to chin, untied laces on heater's ****, winterlong sweat factory.
rumors of us agreeing to go to prom over fourth-period lunch
did circulate.

we, writers suffered writers' morality,
disregarded right, wrong, norm; lounged, waiting to be under the bus,
suffering for the story. tense matchstick lovers --  dim light for a moment and then.

we were someone else's *******.
we were someone else's hairpins.
as whatever ran so hot in us cooled, dried on thrift store comforters,
so did we. ceiling fans and ***. fingernails and boxed wine.
rumors sustaining.

and so it came, after announcements, after invitations,
after subbing in one bridesmaid for another, we were getting married.
we were grooms with empty pockets and full of sound advice.
our fathers took us behind the church,
chaplipped our foreheads,  and said,
"I know, we promised you were made from love and to love.
But I gotta be real honest here. You were made from whiskey.
And there's always the distillery."


we were jobless in wrinkled suits.
we were brown shoes; black belts.
and this will look good on your resumé. and this will look good on your resumé.
translation: how about ******* this ****? or how about this one?
a resumé was one page. we couldn't fit all the ***** on one page.

we, beardheavy and deodorant-streaked,
lived in dream houses in Ulysses, Kan., drove dream Tahoes,
watched dream Netflix, next to  portly wives who looked like
QUEEN MOTHER OF ALL THE BROTHELS OF THE LOWER MIDWEST.

we were childless.
we were wanting.
after consulting a physician and a bottle of whiskey,
we lifted and pinned the sagging belly of our wives with
a wooden board. one good **** in. one borrowed pregnancy test.

and so it came, the weddings of our sons. behind the church,
we took them aside and said,
*"I know, we promised you were made from love and to love.
But I gotta be real honest here."
W Taylor Oct 2012
When I was 15, I wouldn’t have believed you
if you told me all of this about constant lament
in a Red painted Animal House of scapegoats
that I’ve yet to see

it’s
        streets of beige
it’s
        fast food bad food no food spilled milk or beer
it’s
        the South no the East maybe West probably North
it’s
        in the air the water the meat there’s just too much heat to breathe or hold a job
it’s
        hourly wages and daily commutes of gypsy peddlers in a town I’ve never been to
it’s
        the cigarettes or nicotine my useless spleen filtering things I should never inhale or drink
it’s
        divorce rates leading to ***** flicks c-sections finding acquaintances on monitors after dark only able to generate laughter over years of tears
it’s
        women
it’s
        pain
it’s
        the migraines we get when we're waiting on the rain to paint the beige streets bronze
it’s
         rolling trees metal trucks frozen lakes lumber jacks and ice fishing
it's
         the anxiety of right wrong bad good all grey in the sunshine without you
it’s
         the words of times you said meaning more to me than it ever could to you
it’s
        the colossus of Wall St. overbearing my own suit and tie un-ironed or cared for but necessary     none the less
it’s
         CCTV the fight for power Government foreign travelers or terrorists Project Paper clip MK Ultra Plum Island persuasion propaganda Paul Wolfowitz
it’s
         who governs what you can afford when you sit tattered on a curb after earning another mans bread
it’s
        what has or has not been said 7 times or none that still lingers on the grass out front of home or house
it’s
        no matter how big you are you still answer a toy phone handed to you by a two year old
it’s
       the tears of Alexander when he realized there were no more worlds to conquer
I
Happy are men who yet before they are killed
Can let their veins run cold.
Whom no compassion fleers
Or makes their feet
Sore on the alleys cobbled with their brothers.
The front line withers.
But they are troops who fade, not flowers,
For poets' tearful fooling:
Men, gaps for filling:
Losses, who might have fought
Longer; but no one bothers.


                                   II
And some cease feeling
Even themselves or for themselves.
Dullness best solves
The tease and doubt of shelling,
And Chance's strange arithmetic
Comes simpler than the reckoning of their shilling.
They keep no check on armies' decimation.


                                   III
Happy are these who lose imagination:
They have enough to carry with ammunition.
Their spirit drags no pack.
Their old wounds, save with cold, can not more ache.
Having seen all things red,
Their eyes are rid
Of the hurt of the colour of blood for ever.
And terror's first constriction over,
Their hearts remain small-drawn.
Their senses in some scorching cautery of battle
Now long since ironed,
Can laugh among the dying, unconcerned.


                                   IV
Happy the soldier home, with not a notion
How somewhere, every dawn, some men attack,
And many sighs are drained.
Happy the lad whose mind was never trained:
His days are worth forgetting more than not.
He sings along the march
Which we march taciturn, because of dusk,
The long, forlorn, relentless trend
From larger day to huger night.


                                   V
We wise, who with a thought besmirch
Blood over all our soul,
How should we see our task
But through his blunt and lashless eyes?
Alive, he is not vital overmuch;
Dying, not mortal overmuch;
Nor sad, nor proud,
Nor curious at all.
He cannot tell
Old men's placidity from his.


                                   VI
But cursed are dullards whom no cannon stuns,
That they should be as stones.
Wretched are they, and mean
With paucity that never was simplicity.
By choice they made themselves immune
To pity and whatever mourns in man
Before the last sea and the hapless stars;
Whatever mourns when many leave these shores;
Whatever shares
The eternal reciprocity of tears
(C) Wilfred Owen
JK Cabresos Feb 2012
Rusting of ironed-love, never to forgiveness,
my eyes can perceive no beauty of sunsets.

Ignite the light, warm my dearest night,
prepare for the time, stones in the sky collide.

Deliver no pain, shout for joy, strengthen your faith,
for everything will be back to its normal state.
© 2012
Robin Carretti May 2018
No time for having

withdrawals_
All friendship
click
Lets 
 Click-bank it

Gratitude
so thanks

Just mail it
My mind
chocolate
clustered
Wounded
like a
bullet
_

Postcard
Like
E- Allen Poe
related

Polluted by
Naked Gun
My heart was
fully loaded

"My Psyche"

Glossinidae so
****** "Red"

Women Wartime
she knits

Wildflowers
in her bed
He was more
worried
about the
postcard

Split Banana
personality
Plain Monkey
***
Crazy on Sunday

Sundae's
on Fridays
Yes we have no
bananas
Postcards laid
T-L-C cared for
cabana

But Gina
Loco?
Crazy bridge
Lollobrigida
Postcards
Just
Like Lazy
Susans
Georgiana
Or Brianna
Bella Bella

Leaving notes
with few
good men
Nicholsons
Nicole with
her Kidman

Construction
hard paper
Snip here
Pulled into his
psyche
All cliche's
The fondue
French talk
face to face
Jack snapped
beanstalk

In front, words
fingered
Her words
of roue'
Catch up with
Ketchup
Pretty but Petty
petticoats
"Billy Goats"
Titanic ships
Beguiled
by
him

Cottage home
bacon bits
of
Salad postcards
from
Egypt
The holy land of
Mohammid
Dancing like an
Egyptian

Rumi
of all
Gods
in vain
Your so
vain I betcha
you think
the
postcards
about ya

"Psyche Monday"
Coming to grips
(Girl Friday)
versus
(Man Friday)
with his lips,

The Postcard
postpartum
depression
((What Moves))
on my hips
Strawberry
jam and
my biscuit
"His Girl Scout"
recruit
Being pursued
shortcake
So ironed
longed for

Postcards
floating
through
"Spa dream"

Highlighted
*
Crazy in love
hallucinating
being flirtatious

Oneself
But she doubted
therefore
My psyche
wanted more
(Danger=Hunger)
after you
Darling
Civil war
Loves don't finally
meet someone
They are in each other
all the time-----

Double crossed-Star

Trying to pass the bar

Fair lady or the
distinguished
Gentleman

"Aircraft"
Postcards came with
ownership
Bombs stay funds

So Psyche
The future
Be smart
"Smartphone"
Like a rope and
silvered computer
links
The chain- chain gang

The train blue-skying
Crazy skywriting
A strange device
(UFO) now BOO
requiem in a dream
Royal lips
A plus postcard
Deeply within
The hundred's
of lovers tongue
Going once but twice,
The Postman stamps
psychic
"Auction house
My postcard
Peanuts and
Charmed by Charlie
Brown
The Tarot elephant
pants
Double talk Parrot
Superbowl
the postcard
intellectual

"Hallucination Beware"
Strong accusation to
compare

An app "Activation"
Star Wars  may the force
be with you one and
only card
British fine tea guards

The love red tip
matches
The new
postcard
the
new black
Mary Mack
Stamped and
smacked
Smashbox eyes
like crazy lunatic

(Dora Explorer)
New Orleans
Nasty stickers
Richness of bourbon
Sweet Caroline
Graphic art turban
8 sides
of the moon

Such
consequences?

My hair
ponytailed
You mailed
words short
Styled pixieish

Dots.....crazy points

Oh! Gosh
The
Hoarder
of
postcards
Crazy Gorilla
Mozilla
"Queen of Sheba"
I rather walk my
Shiba Inu doggy

Miss baby jane shoes
French connection my
La Femme
Oh La La
Haha
Funnybone
I refuse to be
loved like
a postcard
Self-assurance
love is frozen
and stamina
Postcards back
in the future

((Wonder all drama))
Psyche ward she got
hammered
Stacks of postcard
Her wrist got cut
Cold cuts
Irish Spring soap
VIP Postcards RIP
Replacing her hip
Her crazy lips kissed
the postcard
her bodyguard
Those maneaters
and deadly hitters
Mega babes babysitters
To be so loved and read

Postcards speak to us
listen
Glisten
Crazy Bitch__ is in
The innie or outy
Paper towels Minny
Mouse
She cleans up
her postcards
When the postman rings
twice

Pass it on

Has it troubled you
papercut you
Was this postcard
meeting
your  card
expectation

All you?
Postcards are so nice when they get delivered but when they come to your mailbox that's another postcard. The postman becomes crazy twice so out of wack Psyched
anilkumar parat Mar 2010
it’s morning
groggy-eyed, zombie-like,
stubbled, disheveled,
he rises.

Outside is the gleam of dew,
the scent of fresh bloom,
the chatter of birds and squirrels.
Not for him, though,
the brilliant hues of early dawn,
the bustle and cheer of the day just born.

Tarry he cant, mustn’t
shouldn’t, oughtn’t
for he has work to do.

And so he scurries about,
not much unlike a rat-at-night.
scratching the stubble out,
shocking the slumber out,
with a splash of rusty water
and scented alcohol

glassy-eyed on the clammy-cold seat,
with the daily in hand,
he lets in garbage as he lets it out.
(let’s see: “six killed, talks fail,
girl *****, man robbed,
chain snatched, stocks down, jobs lost…)

but no, tarry he cant, mustn’t,
shouldn’t, oughtn’t.
for he has work to do.

Not for him
to reminisce and wonder
at bright-eyed kids straining at their yokes
to remember that kind teacher
who patted his cheek
and held him to her smock
smelling strangely of
freshly ironed starch.

Nor must he think
of  progress cards and golden stars
and hobbies learnt at leisure,
of cycling in the rain,
and endless hours spent
under the mango trees
waiting for heaven’s manna,
of books devoured, adventures vicariously lived
in strange English lands
where they breakfasted on
bread and poached eggs and bacon.

Nay, tarry he cant, mustnt,
shouldn’t, oughtn’t..
for hasn’t he got work to do?

‘ Tis his lot to weave
his own web of chaos
as the road turns a
tangled mess of trails
darting here and braking there
in feverish, frenetic fits
of stopping and going
and spewing
clouds of carbon and venom
and especial epithets

no, no, tarry he cant, mustn’t,
shouldn’t, oughtn’t,
for he has work to do.

So what if he didn’t see
--just ahead of him on the bike,
the baby’s pink,delicate,
fingers as she clutched
her mamma tight?
--the shriveled, outstretched,
hand that cried for a morsel of mercy
since even the cataracted eye
was drained of hope?
--the strange aromas of
fresh coffee, incense, cigarettes
and some open sewer?
--the signals that said “relax,
you’ve 68,67,66” seconds to go?

Not for him to tarry—he cant,
he mustn’t, shouldn’t, oughtn’t, god forbid!
He has work to do!

Quotations to send
calls to attend, meetings to sit in,
sipping soulless coffee,
nitpicking.
accounts to tally,
targets to meet;
better still, exceed,
‘in’ trays to empty,
‘out’ trays to fill,
reports to make,
power points to present,
all before lunch
and, strangely, until after
until, outside the prison,
life has , once again, ebbed away.
one more sun has died,
or so cries the muezzin,
some distant bells pealing
in doleful agreement.
oh where has the day gone?

Stray thoughts appear
like lights switched on-
thoughts of children, wife,
neighbour
thoughts that convince
that here, indeed, is a person
with kith and kin and others to love.
But no, they must perish—the thoughts—
he must instead focus on the task at hand.

of  first weaving through
the now dark chaos
of blinding headlights
and urgent horns, darting bikes,
neon fireflies
and reaching ‘home’ where
the ***** is busy cooking
and the cubs scampering…
“hi dad ”says the kid
as he mindlessly waves
his soul numbed by
the monotony of the day just gone
and the tv that’s ever on—
and already on the report for the morrow

can he afford to tarry awhile?
to hug, hold, talk?
to share with him
a childhood anecdote?
horrors! he cant, he mustn’t,
absolutely shouldn’t oughtn’t!
for he has work to do!

And so the bedroom light’s on
until long after she’s embraced
by slumber, deep slumber—
her eyes closed
in childlike innocence.
can he watch the slow rhythm of her *****?
the languid curves?
the cozy bed
with its promise of warmth?
on the screen , scowling,
is the clutter of data
that must be processed
into bite-sized bits of
decipherable hieroglyphics—
now, not later!

Its so dark, so  still,
even the stray dog has stopped
howling its pitiful howl
one more cigarette
burnt at the altar of work
one more hour burnt at the stake
he simply cant tarry,
mustn’t, shouldn’t, oughtn’t…
he has work to do.

It’s morning.
RL Dec 2012
Today I decided to make a dress.
I'd seen others do it.
Figured I'd give it a try.
So I laced Predictability on neatly
And hemmed the Defensiveness in tight.
Stitched up the Strength, the Sarcasm and
The Empty Stare in a nice, perfect line
With pearly white Laughs to match.
Then I ironed it with puffs of Indifference,
And hung it up to admire.
It was nice.
Decent.
Normal.
Okay.

I put my dress on and walked out into the world.
I smiled at all the right places and frowned to the silent beat.
And then when I got home I took it off and cried.
Tim Knight Dec 2013
Bouncers can only stop and stare, maybe
get involved when their contract states
they've got to care, but up to that line
they wait on doorstops and thresholds,
looking for kisses from the makeup clad gold.

Smokers swell in the sea mist of the
open smoking area, they talk ideas
and travel plans, wave to no one
hoping they'll wave back again.

The bar men, the bar women and the cloakroom
attendants sing along to the songs
under tired, muttered breaths,
hoping the depth of the queue
subsides into something more serviceable.

And after?

Young ones with freshly ironed faces
**** into gutters and speak in
half-rhyme stutters, Morse code flutters that
translate into nothing more than, another beer please.

They yell as if they own the sky,
keep their echoes on rope tied to the
openings of back alleyways,
showing to her and her and her and him, his best friend, that he's
the drunkest of them all.
FROM > coffeeshoppoems.com
Lucanna Nov 2012
I dyed my hair ash brown
Ironed it
harsh and fierce
I cut thick forest bangs
that hide my angry brows
and flirt with my long
black lashes
I dipped my brush
in bursting green
and painted my lids
to disguise the navy
emptiness
within me
I stained my lips roaring red
matching the words
that I hide, tongue to cheek
Nasty verbs and abashed adjectives
want badly to sneak out
and terrorize your every insecurity
I bleached every tiny tooth
bright wicked white
to flash towards terrible
wreckless superficial you
I lost five pounds
to fit into my saphire body-icon
attire
and don't worry, darling
my ******* are still naturally
huge and angry
from being objectified by you, *******
and I know that every
******* person
will think I'm a
goddess
model
queen
moviestar
and ****, I'll look like one and flourish

you will merely turn your head away
while I head to the bathroom
like a lush loser
cursing your ways viciously at the door
of your ******* gay boy bar stall
Johnny Cash it out
Rangzeb Hussain Aug 2010
Madness round about us and no one knows,
Memories of ember fired trust,
Watch them, these entombed brains,
Piano sonata, violin concerto, torn notes,
Who are the ******, them or us?

Madness, insanity, absurdity, irrationality,
Craziness, dementia, stupidity, psychosis,
Senility, fanatical, deranged, mental,
Foolishness, hysterical, delusional, frenzied,
Psychotic, maniacal, lunacy, neurosis, disordered,
Take these notes and from them weave
A hymn to chaos.

And so here it begins...

Bee bar locked up honey sting hive,
For them that have wept grains of sand warm yet wet,
In that dark distant horizon mountain bark,
Onion quake cuts splash serrated blade,
Insanity uncorked frothy so seeps humanity.

Orphan sky spits pregnant daggers drip,
Wing plucked harpies never will sing,
Dead sailors salted lie in silken mermaid beds,
Schooners sail the scattered chase round the horned tail,
Skulls bubble air sockets freed from cloven trouble.

Roads webbed spiralled butterfly miles of bottled lies,
Venom harvested acres baked into medicine,
Undone years plunged inside veins popped into mouths,
I loved you know,
No, no, you did not know for all eternity.

Hope filed cabinet all lost my ghostly dancer,
Rooms silver sunned windows seared,
Playground memories brim on the haze,
Smoke fogged pipes puffed clouds,
Asleep amongst trees over green glass grass blades frost.

Hold fingers to hands strange,
Notes ring around maze tower of desires,
Low sands but tides rise and torrents break or fall,
Alone we enter same goes exit,
Midnight clowns ****** into dreamscapes.

Creased rage silver ironed steam brains,
Unfurl flags red and painted war pain,
Impotent artful eye with sedated lust,
Boil drum not loud remember to listen,
Say less, speak more, silence best of all.

Galleons crawl upon the divided cloud docks,
Look there, point to starboard land ahoy,
Deep bosomed tear slaked shore,
Sense mixed universe reduced to a tick-tock,
Never shall it stand, withered time no glance past.

Adios, fare thee well, goodbye, auf wiedersehen,
Tongues weep, eyes talk, observe tender songs silence,
Contradiction philosophises perplexing paradoxes pure,
Marbles, one and all, drown in the air,
Narrow, so narrow are those who judge all.

Sin to fear and all is terror called,
Wanton doves warble tunes broken,
Afraid I was, too wrapped in fear coiled I,
To know fright and bride forsake,
Never were holes deeper dug.

Reason not the rhythm nor rhyme,
Pandora, oh Pandora, what hast thou done?
Stare upon thy casket coffin spread-eagled,
Fire stealer Prometheus universal milk burns,
Gorgon Medusa snake dancer charmer seducer.

Silent bones drum against skin, wake up fool!
White winged dove blood red beak suite,
Humbled blood sore butchered vows vain,
Then as now silent partner is all,
Meant so much more you were.

Rapier, pistol, kiss and hold, to my temple place,
Slash, bang, smack and rake, let matter escape,
What uncharted continents we all are,
Walls rise hand bricked high over hill and sky,
Dilated screams of the civil dead no wall can cage.

Tears glitter sky to earth,
Seeding jewels amongst dung natural,
Fountains colour horizon wide,
Sanity transfigured stitched, haggled,
Eternal slaughter diamond edged sold.

Torquemada burrows rib cracked skin blood,
Skeleton tomb dust for leprosy romance,
Wail now poor Quasimodo tongue-tied,
No one to keep company but rat bones,
Unborn, forgotten, locked and barred.

Hush there! Let there be deafening silence,
Lie, cuddle snuggle, caress dark death,
There, still now, wipe away sleep,
Space time galaxies born in minds beyond measure,
Planets die, titans die, you and me we all certify.

Madness here! She creeps into bed mine,
Yours too! Oh, how richly embraced we,
Paris Town cellars breed inmates,
Lice tea stirred drunk and promises sung,
Escape none, trapped all, sky above and death underfoot.

This asylum madness no wall can hold,
Floats into night skies and into ears young,
Oh no, goodness no, you cannot out keep it in,
Destroy the house of madness you cannot,
Dost thou fear thyself knave? ‘tis merely a jest most musical,
All the chords sprinkled peppered and cast asunder.*



©Rangzeb Hussain
bones Mar 2017
When this skin
was young and ironed,
well it fit,
like new things do;

that was then
but now I find
the cracks within
are showing through.

— The End —