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Tommy Johnson Dec 2013
You can hear the voices of our peers being silenced, ignored, shunned and distorted.
Staggering out of their bedroom doorways to the street corner to score a dime bag.
Bright, insightful millennials freezing in search of warmth from something to believe in that will encourage them to look forward to see another day.
Where our economy has made financial prudence clear when talking about education, yet price tags of university tuition's skyrocket.
The refused, the ones with hope but no money or scholarships; tread the streets with the echoes of electro house pulsing in their skulls.
Those who strip themselves down and shred their own morals to scraps just to find themselves and to see their own limitations.
Searching for answers to the unknown, to ascertain what they are, who they are and why.
Timid in high school, pushed along with nothing and no one to put their creative vigor into.
The squeakiest wheels that were never even considered to be given a good greasing.
Faculties giving them lethargic hellos on the first day of school, bestowing celebrated goodbyes to them on graduation day, diplomas in hand.
Now are the ones slumped over in a lackadaisical position contemplating how they can afford an education.
They work eight to ten at seven twenty five an hour Monday to Friday; and weekends staying in as not to blow their earnings.
Those who commute to university and balance a job with it, I applaud you.
The bewilderment of adulthood, the overabundance of pressure and responsibility.
Awakened from nightmares of lost opportunities, missed trains and lost contacts.
To step out of bed and splash water onto a severely distressed face and staring into a mirror with a despairing look.
Then hoping a bus to Garfield to bring back weight for all the embryonic smokers not yet at the point of make or break, just save up enough to pave my own way.
Gazing at the town on a roof top, chugging down the tenth…no…twelfth beer of the night wondering how this all happened.
Wild sensations of kissing an attractive stranger, the rush of touching on things never felt, tasting pleasures only the lucky have known.
The passionate, yet dissolute yearning for that ever eluding ******* adrenaline. Pounding, Pounding, Pounding until the culmination of energy has come.
Flip sided to those dizzying, tear jerking thoughts of suicide, annihilation of ones being, the contradictions of their faith in themselves and the people around them.
Unexplainable waves of anxiety crashing onto the shore of a diminutive island of optimism
Striving to look past the panic, the gloominess and fury that may or may not be present. But to remain composed and press forward to what awaits them.
Coffee keeps them going. Cup after cup, late night cramming every bit they can; into their caffeine driven psyches until the indisputable crash and failure.
Packs and packs of menthol cigarettes to calm their rattling nerves but at the same time killing them slowly. Their lives will seem shorter than the time it took to finish one bogey when death is near.
Marijuana induced ventures to run down burger shacks, laughing hysterical in the car ride, eyes heavy with a most ridiculous elastic grin extending from ear to ear. While inside millions of thoughts and realizations of consciously simple speculations and troubles become clear and unproblematic. So the joy is mirrored outside in.
LSD trips in Petruska dancing and singing in the rain! Making music, making love; playing pretend and creating art. Becoming a family while kicking back under the warmth of an illuminated tree on a cool fall night.
MDMA streaming through the body, everything is as it should be
Beautiful, lovely to touch, wondrous to stroke, marvelous to move.
To contact and connect, converse and converge with the dwelling desire to share what you feel with everyone for it would be selfish and unpleasant to keep it in.
Mushrooms oh the emotional overflow I need not say more but ****.
Then there are over the counter candies, Oxycontin, ******, Adderall and Xanax, painkillers and antidepressants. Ups, downs, side ways and backwards.
Selling addiction and dependency legally to kids. Making heroine, ******* and speed easily obtainable to them. Changing the names and giving out prescriptions so the parents can feel like they're actually helping their children but are subconsciously making it easier on themselves because they cannot handle the way their offsprings actually are. Some parents a feel it is the only way, I wish it wasn't so. Becoming zombies, mindless addicts before they even start to mature into puberty. I've seen it, firsthand front row.
Oh, the monotonous, mundane rituals and agendas of our lives. School, work, sleep eat, the sluggish schedules and repetitions of yesterday's conversations and redundancy of itineraries we had plotted months prior.
Same people, the constant faces of boredom that groan in apathy and hold the fear of complacency.
We talk about how hum drum out lives have become and what we could to put some color in our world but don’t.
We speak of how unfair the system is but ultimately confuse ourselves and everyone else due to lack or organization and dedication so nothing is changed.
We speak of breath taking women we want to share ****** fantasies with but can’t even muster enough courage to send a trivial friend request.
Texting away for hours trying to court those who now occupy our minds and possess our hearts hoping they may allow us to acquire their attention and affection. Calling them only to receive futile dial tones and know we are being evaded.
Weeping on and on for seemingly endless time frames of a dilapidated relationship that was so strained that a miniscule breeze could cause it to collapse but still clinging to every memory as if they were vital hieroglyphics depicting your very essence.
Brilliant theories blurted out in a drunken stupor.
Ingenious hypothesis shrouded in marijuana smoked out room.
Remembrance of friends long gone.
The marines, the navy.
The casualties of drug addiction.
The conquerors or their afflictions.
The scholars.
The insane locked away on the flight deck never to be seen again.
Teenage mothers unsure of themselves, abandoned by their families for they believe that they brought fictional shame upon the family’s name. The fate of the child is unclear but the mother’s everlasting love shines through any obscurities in its way.
Dear mother of the new born winter’s moon may the aura of life protect you and your baby.
The father gone without a trace.
He will never know his daughter.
And it will haunt him forever.
Parents bringing up their kids with values and morals, The Holy Bible, mantras and meditation, the Holy Quran, The Bhagavad Gita, and Upanishads. Islamic anecdotes and Jewish parables.
The names all different
The message the same
The stories unlike
Goals equivalent
Faith
Kabala, Scientology and Wicca
Amish and Mormons
All separate paths that intertwine and runoff each other then pool into the plateau of eternal life.
But do we have faith in our country, our government?
They do not have faith in us. Cameras on every street corner, FBI agents stalking social media, recordings of our personal lives and police brutality. 4th amendment where have you gone?
We say farewell to Oresko the last veteran of the last great war. And revisit the Arab spring, Al-Assad’s soldiers opening fire on innocent protesters, one hundred fifteen thousand lay dead. Bin laden dead, Hussein hanged, Gaddafi receiving every ounce of his comeuppance. War, terrorism, the fear of being attacked or is it an excuse to secure our nation's investments across the sea? Throwing trillions of dollars to keep the ****** machine cranking away, taxes, pensions, credit scores, insurance and annuities all cogs in the convoluted contraptions plight.
My dear friend contemplates this every night laying in bed, fetal position; the anxiety if having to be a part of this.
Falling apart on the inside but on the outside, an Adonis, *******, Casanova wanna be. Who worshiped the almighty dollar, gripping it so tightly until it made change, drank until he had his fill falling face first into the snow. The guy who lead on legions of clueless girls wearing their hearts on their sleeves not knowing he had a girlfriend the entire time. Arranging secret meetings in hidden gardens, streaking into the early morning. Driving to Ewing in his yellow Mustang to woo a sado masochistic girl. The chains and whips do nothing to him he is already numbed by the thrill. Then he comes home, lays in bed until one, with no job and having people pay for his meals.
He knows what he does and who he is wrong. He recites and regurgitates excuses endlessly. He cries because he knows he is weak, he knows he must fix himself. I sit on the edge of myself with my fingers crossed hoping maybe, maybe he will set himself straight.
My chum who can talk his way out of any confrontation and into a woman’s *******. Multitudes of amorous affairs in backrooms, backseats, front rows of movies theaters. Selfish, boastful and ignorant, yet woman fling themselves at him like catapulted boulders over a medieval battle field just to say hello. These girls blind to see what going on, for their eyes were taken by low self esteem. A need to be accepted, to feel wanted even only for fifteen minutes. Poor self image, daddy issues, anorexic razor blade slicing sirens screaming on about counted calories and social status. Their uncontrollable mental breakdowns and emotional collapse. Their uncles who ***** them, their parents who split up and confusing their definition of love and loyalty for the rest of their lives. Broken homes, domestic abuse and raised voices, sending jolts of fright into the young girl’s fragile minds. I send my sorrows to you ladies, to see such beautiful creatures suffer then be used and thrown away with the ****** that was just ****** deep into their *****.
Then I see women and men of marvelous stature, romantic in the streets holding everyone and everything in high regards. Finding beauty in anything and anyone. Enjoying every second as if the rapture was over head eating exotic foods from unheard of countries and cultures. Bouncing to the sound of whimsical , reverb ricochets and sense stimulating music. Huffing inspiration to create something out of thin air. Dancing to retired jazz and swing albums as if no time had past since their conception. Wearing bold colors and patterns, thrifty leather shoes or suede.
Dawning pre-owned blazers because why spend hundreds of dollars on new clothes just to look good but feel uncomfortable with a hole in your pocket. Dressing up but dressing down, so class yet urban I love it, chinos, pea coats and flannels so simple but chic.
At night they go to underground dens, sweaty bodies, loud music and freedom. Expressive manifestations glowing fueled with MDMA and other substances to further their enjoyment of the dark glorious occasion. Kandi kids sporting colorful bracelets, not watches for time is of no concern to them, they have all eternity they know that.
Going to book stores, coffee shops just to have some peace of mind and a moment of silence to themselves so that can weave the tapestry of imaginative innovation. Writing their own versions of the same story, endless doors of perception, reading news papers and taking it with a grain of salt. Watching the news on TV with a hand full of salt. Searching for the real story so they can know if the world they all live in is actually safe.
She who made her own way breaking hearts, rolling blunts and making deals. The flower child of the modern age, left the rainy days in search of radiant sunshine, idealistic. Reality was subjective, purple dyed hair, multicolored sweater with sandals on her feet. A ten inch bowl with bud from California packed in tightly. Coming from Dumont to Bergenfeild then on to Philly to Mount Vernon. Off to Astoria and the Heights. Now to Sweden laying in the grassy plains below the mountains. Good for you my friend whom I have loved, may fortunes of unsullied joy come to you and all you meet.
Since you’ve left I have encountered drunken burly firemen just trying to have a good time. Pounding down Pabst Blue Ribbon as if it were water; as if it were good tasting beer. But heroes none the less.
EMT's, young eighteen years old high school graduates, saving lives reviving people who are a mere inch close to death.
Sport stars getting scholarships thanks to their superior skills and strength.
Striking beauty school students who are into making the people of this world a little bit more beautiful on the outside.
All these people, successful, doing things. Departing to their desired destinations. I see inside them, they carry baggage, loneliness and insecurities. I can feel their guilt slowing them down. All have their loads but it’s the way they carry them that shows who they really are. And to me their all gems.
Not far in Paterson I watch the junkies limping across busy winding street, perusing a severely needed fix. “Diesel!” they shout beneath flickering streetlights, asking for spare change and if bold enough a ride to some shady sketchy place. I give them a dollar and politely decline. They’ll die without it. Vomiting up bile and blood, twitches and shivers are all you feel when it’s not in you. They cannot stop, they need help. Why not help them instead of “assisting” those who are homosexual? Cleansing so they can be granted entry to the kingdom of God. Looking down on people who have found love and understanding and a deep attraction to others who just so happen to share alike genitals.
Narrow minded uproars about the spread of AIDS, nonsense! The puritanical onslaught of those who want nothing more than the rest of us, love. "Gay", "****", "******", "queer", how about "kind", "funny", "genuine human being"? The right to be married and divorced should be an option for everyone to enjoy. The strains and hardships of matrimony are yours if you want them. If you don’t agree don’t hate or harm just allow them to be peacefully. Same goes for anything for that matter, Jehovah's going door to door, Mormons from Burbank. New ideas are never a bad thing, they’re not a waste of time. On average you have about eighty years to mull over your options.
Some people don’t live long enough to do so, cancer is rampant, blood diseases, ****** diseases, natural disasters coming right out of left field and blindsiding the innocent bystanders of both hemispheres. Some go through life handicapped, autism is apparent these days. Schizophrenia, Asperburgers, ADD and ADHD. Some lose their golden memories of their many valuable years walking down Alzheimer's Lane, not being able to remember whatever transpired only a few moments ago but revisiting gold nuggets from from fifty-some-odd years ago with ease. Some go through life delusional or bipolar. Some can't even sleep at night but they still carry on. And if assistance is needed it is our job as a race to help our brothers and sisters, no one deserves to be excluded from the gala of life. Or be denied by society and pumped with brightly colored pills from doctors promising a cure but prescribing a crutch.
Finding solace in sincerity.
The serendipity of it all hasn’t been uncovered and that keeps me going.
“Radiate boundless love towards the entire world above, below and across. Unhindered without ill will without enmity.” Oh Buddha the truth as it ever was.
Who is he who keeps these thoughts from the conscious minds of the population?
Who is it that distracts us from the humbling beauty and overwhelming devastation of this place of existence we’re in?
It’s they who do under the table parlor trick behind our backs.
Those who broadcast mind numbing so called reality TV shows without an underlying value or meaning.
Those who produce music, proclaiming extravagance to be the end all be all gluttonous goal we all should aim to achieve.
And those who turn noble causes into money making scams and defile pure ideas.
And of course those who give false promises of easily obtained  bright futures, those who don’t care, those who steal, ****, curse, bad mouth and lie. But still manage to get elected into positions that more or less decide out fates. Monsters, demons, banshees howling inconsequential worries and leaving us deaf to hear the real issues.
The
Nat Lipstadt Oct 2013
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Jose-Bolima-Remillan
Xavier-Paolo-Joshh-Mandrez
Whose very names breathe poems,
in others too, like me and Atu,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."

-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Over 1900+ reads as Nov. 10th.
Sally, That is a lot of friends and admirers you have!
EC Pollick Dec 2012
Instead of pulling backwards,
I’m going to look this way.
----->
MOVE FORWARD.
Shift out of reverse.

What’s was
Is what has already happened
Cemented in its place in history
Indisputable fact
Not so indisputable to *******
who want to talk about existentialism
But those moments are gone
Those opportunities, lost
That’s air you already breathed,
In and out of your lungs like THAT.

You’d get arrested
For driving on the left hand side of the road
Because that’s the wrong way
Unless you’re Britain,
Who still needs to prove their righteousness
In totally weird ways.
The rest of us are more humble.

When you put on our uniform
Make sure you kick the ball in the right goal
Otherwise the PG comedy reality comes to fruition.

I can do nothing about yesterday;
Tomorrow scares the **** out of me.
But today,
I can do.
I can make it through.
I can go that way.
LJW Feb 2014
I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.
From the website http://talkingwriting.com/poetry-prayer
Nat Lipstadt Jan 2014
Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Poets from all over the world are invited to submit their original poems to Mombasa poetry anthology 2016.These anthology is organized by the Kenyan society of poets and literary scholars. It is out of literary and cultural recognition of the historical fact that Mombasa and its environs is home man, it is an indisputable home to all types of people in all their capacities and stations. It is historically evident that, at least a European, an African, Asian, Indian, American, Australian or Chinese have a home in Mombasa. This has been the case from as early as 7 AD. When the Oman Arabs landed at the east African coast in the moon-son wind driven dhows.
This anthology will be published Kenya, as a print version latest by December 2016, under the title, ANTHEM OF HOPE.   The anthology will have a collection of 2000 poems, written in English, or written in any other language but accompanied with a translation to English, each poet is allowed to submit three poems, a poem must not exceed 500 words, all poems must be submitted as one document of MS word attachment, the font types to be used are times Romans, the size is 12. The poem can be in any style without having creativity of the poet being decimated by traditional literary canonicity, but as long as the poem will be addressing and not limited to the following themes in relation to Mombasa;
1) Mombasa city, other towns Around Mombasa like Kisumayu, Lamu, Kibino,Hola, Mpeketon, Bamburi, Malindi, Watamu, Gede, Matsangoni, kilifi, Vipingo, Takaungu, Mtwapa, Shimo la tewa, Bamburi, Likoni,ukunda,wa,msambweni,lunga Lunga,Vanga , Shimoni, Tanga,msofala, Dar salam and Zanzibar, as well as Mariakani and Voi,taita,taveta and Arusha,
2) Mombasa people, The miji-kenda,arabs,European, bajuni, Indians, and any other in relation to Mombasa
3) Mombasa features like the Indian ocean, likon ferry, fort jesus,beaches,vasco da Gama pillar, nyali bridge,Makupa cause way and any other feature,
4) Mombasa populations; Christians, muslim,LGBTI,drug addicts, the deaf, blind, scrotal elephantiasis victims,dwarfs,jinis and any other in realtion to Mombasa,
5) Mombasa fauna and flora, kilifi trees, mango trees, palm wine tree, crow birds, cats, flies, vultures,snakes,pythons Mombasa
6) Mombasa cultures,womenfolk,weddings, music, donkey-games, stick-games and any other in relation to Mombasa,
7) Mombasa city dynamics, hustles,bustles,Al-shabab, job seeking, youths and behaviour and any other theme ,
8 ) Overall themes to be addressed under the Mombasa city context are; Indian ocean and poetry, family, human rights, climate change, security , poverty, pollution, globalization,migration,corruption,cosmopolitanism,culture,langua­ge,war,refuges,natural resources and any other them pertinent to Mombasa
******, racist, prejudicial or any hate perpetrating poems will not be published, For the poets that will have their poems published there will be a ceremony of spoken word and poetry reading from the published poems in early December  2016 ( exact date will be communicated) on the white sands beach at Sarova hotel.
The last day for submission of your poems is July 31st 2016, the notification about your poem being accepted and yet to be published is 31st august 2016.
Submit your poems along with a bio note of not more than 500 words to the email mombasapoetryanthology@yahoo.com, along with a serial number and a scanned copy of the slip for payment of the handling fees of Kenya shillings 500 or 5 US dollars for the three poems. The account to pay in is Standard Chartered Bank (Kenya) account number; 0100310788200 the swift code is; SCBLKENX and bank code is 02
Five winning poets will be prized in the following order; the first poet will win 5000 US dollars, second poet will win 4000 US dollars, the third will win 3000 US dollars, 2000 US dollars, and lastly 1000 US dollars.
Each published poet will get two copies of the anthology free of charge. Further questions for clarification about the Mombasa Poetry anthology can be emailed mombasapoetryanthology@yahoo.com
Waverly Sep 2013
I miss the drunks. The y3lling.
The inhalation of beer and cigarettes
Chased down by ego and godlessness.

How many times
hqve I written to this song,
and never heard beauty once?

Like the sweet pinch of a grapefruit,
before the sunset of sweat,
the same sunset that hailed warfare for boys.

I loved you so much once,
I still do, but you are like mist,
and  I am blind.

I miss backstabbers, creeps, catfish,
vampires, crows,
an angel.

When I was young I would screech down the hill
in my toy truck,
plastic chassis a powerhouse,
canary and howling,
I'd crash into the same cherry tree a million times.

Call me Avalanche.

Call me Indisputable.

Call me the Powerhouse.

Call me,
I missed you.
Ulysses was left in the cloister, pondering on the means whereby
with Minerva’s help he might be able to **** the suitors. Presently he
said to Telemachus, “Telemachus, we must get the armour together and
take it down inside. Make some excuse when the suitors ask you why you
have removed it. Say that you have taken it to be out of the way of
the smoke, inasmuch as it is no longer what it was when Ulysses went
away, but has become soiled and begrimed with soot. Add to this more
particularly that you are afraid Jove may set them on to quarrel
over their wine, and that they may do each other some harm which may
disgrace both banquet and wooing, for the sight of arms sometimes
tempts people to use them.”
  Telemachus approved of what his father had said, so he called
nurse Euryclea and said, “Nurse, shut the women up in their room,
while I take the armour that my father left behind him down into the
store room. No one looks after it now my father is gone, and it has
got all smirched with soot during my own boyhood. I want to take it
down where the smoke cannot reach it.”
  “I wish, child,” answered Euryclea, “that you would take the
management of the house into your own hands altogether, and look after
all the property yourself. But who is to go with you and light you
to the store room? The maids would have so, but you would not let
them.
  “The stranger,” said Telemachus, “shall show me a light; when people
eat my bread they must earn it, no matter where they come from.”
  Euryclea did as she was told, and bolted the women inside their
room. Then Ulysses and his son made all haste to take the helmets,
shields, and spears inside; and Minerva went before them with a gold
lamp in her hand that shed a soft and brilliant radiance, whereon
Telemachus said, “Father, my eyes behold a great marvel: the walls,
with the rafters, crossbeams, and the supports on which they rest
are all aglow as with a flaming fire. Surely there is some god here
who has come down from heaven.”
  “Hush,” answered Ulysses, “hold your peace and ask no questions, for
this is the manner of the gods. Get you to your bed, and leave me here
to talk with your mother and the maids. Your mother in her grief
will ask me all sorts of questions.”
  On this Telemachus went by torch-light to the other side of the
inner court, to the room in which he always slept. There he lay in his
bed till morning, while Ulysses was left in the cloister pondering
on the means whereby with Minerva’s help he might be able to ****
the suitors.
  Then Penelope came down from her room looking like Venus or Diana,
and they set her a seat inlaid with scrolls of silver and ivory near
the fire in her accustomed place. It had been made by Icmalius and had
a footstool all in one piece with the seat itself; and it was
covered with a thick fleece: on this she now sat, and the maids came
from the women’s room to join her. They set about removing the
tables at which the wicked suitors had been dining, and took away
the bread that was left, with the cups from which they had drunk. They
emptied the embers out of the braziers, and heaped much wood upon them
to give both light and heat; but Melantho began to rail at Ulysses a
second time and said, “Stranger, do you mean to plague us by hanging
about the house all night and spying upon the women? Be off, you
wretch, outside, and eat your supper there, or you shall be driven out
with a firebrand.”
  Ulysses scowled at her and answered, “My good woman, why should
you be so angry with me? Is it because I am not clean, and my
clothes are all in rags, and because I am obliged to go begging
about after the manner of tramps and beggars generall? I too was a
rich man once, and had a fine house of my own; in those days I gave to
many a ***** such as I now am, no matter who he might be nor what he
wanted. I had any number of servants, and all the other things which
people have who live well and are accounted wealthy, but it pleased
Jove to take all away from me; therefore, woman, beware lest you too
come to lose that pride and place in which you now wanton above your
fellows; have a care lest you get out of favour with your mistress,
and lest Ulysses should come home, for there is still a chance that he
may do so. Moreover, though he be dead as you think he is, yet by
Apollo’s will he has left a son behind him, Telemachus, who will
note anything done amiss by the maids in the house, for he is now no
longer in his boyhood.”
  Penelope heard what he was saying and scolded the maid, “Impudent
baggage, said she, “I see how abominably you are behaving, and you
shall smart for it. You knew perfectly well, for I told you myself,
that I was going to see the stranger and ask him about my husband, for
whose sake I am in such continual sorrow.”
  Then she said to her head waiting woman Eurynome, “Bring a seat with
a fleece upon it, for the stranger to sit upon while he tells his
story, and listens to what I have to say. I wish to ask him some
questions.”
  Eurynome brought the seat at once and set a fleece upon it, and as
soon as Ulysses had sat down Penelope began by saying, “Stranger, I
shall first ask you who and whence are you? Tell me of your town and
parents.”
  “Madam;” answered Ulysses, “who on the face of the whole earth can
dare to chide with you? Your fame reaches the firmament of heaven
itself; you are like some blameless king, who upholds righteousness,
as the monarch over a great and valiant nation: the earth yields its
wheat and barley, the trees are loaded with fruit, the ewes bring
forth lambs, and the sea abounds with fish by reason of his virtues,
and his people do good deeds under him. Nevertheless, as I sit here in
your house, ask me some other question and do not seek to know my race
and family, or you will recall memories that will yet more increase my
sorrow. I am full of heaviness, but I ought not to sit weeping and
wailing in another person’s house, nor is it well to be thus
grieving continually. I shall have one of the servants or even
yourself complaining of me, and saying that my eyes swim with tears
because I am heavy with wine.”
  Then Penelope answered, “Stranger, heaven robbed me of all beauty,
whether of face or figure, when the Argives set sail for Troy and my
dear husband with them. If he were to return and look after my affairs
I should be both more respected and should show a better presence to
the world. As it is, I am oppressed with care, and with the
afflictions which heaven has seen fit to heap upon me. The chiefs from
all our islands—Dulichium, Same, and Zacynthus, as also from Ithaca
itself, are wooing me against my will and are wasting my estate. I can
therefore show no attention to strangers, nor suppliants, nor to
people who say that they are skilled artisans, but am all the time
brokenhearted about Ulysses. They want me to marry again at once,
and I have to invent stratagems in order to deceive them. In the first
place heaven put it in my mind to set up a great tambour-frame in my
room, and to begin working upon an enormous piece of fine
needlework. Then I said to them, ‘Sweethearts, Ulysses is indeed dead,
still, do not press me to marry again immediately; wait—for I would
not have my skill in needlework perish unrecorded—till I have
finished making a pall for the hero Laertes, to be ready against the
time when death shall take him. He is very rich, and the women of
the place will talk if he is laid out without a pall.’ This was what I
said, and they assented; whereon I used to keep working at my great
web all day long, but at night I would unpick the stitches again by
torch light. I fooled them in this way for three years without their
finding it out, but as time wore on and I was now in my fourth year,
in the waning of moons, and many days had been accomplished, those
good-for-nothing hussies my maids betrayed me to the suitors, who
broke in upon me and caught me; they were very angry with me, so I was
forced to finish my work whether I would or no. And now I do not see
how I can find any further shift for getting out of this marriage.
My parents are putting great pressure upon me, and my son chafes at
the ravages the suitors are making upon his estate, for he is now
old enough to understand all about it and is perfectly able to look
after his own affairs, for heaven has blessed him with an excellent
disposition. Still, notwithstanding all this, tell me who you are
and where you come from—for you must have had father and mother of
some sort; you cannot be the son of an oak or of a rock.”
  Then Ulysses answered, “madam, wife of Ulysses, since you persist in
asking me about my family, I will answer, no matter what it costs
me: people must expect to be pained when they have been exiles as long
as I have, and suffered as much among as many peoples. Nevertheless,
as regards your question I will tell you all you ask. There is a
fair and fruitful island in mid-ocean called Crete; it is thickly
peopled and there are nine cities in it: the people speak many
different languages which overlap one another, for there are Achaeans,
brave Eteocretans, Dorians of three-fold race, and noble Pelasgi.
There is a great town there, Cnossus, where Minos reigned who every
nine years had a conference with Jove himself. Minos was father to
Deucalion, whose son I am, for Deucalion had two sons Idomeneus and
myself. Idomeneus sailed for Troy, and I, who am the younger, am
called Aethon; my brother, however, was at once the older and the more
valiant of the two; hence it was in Crete that I saw Ulysses and
showed him hospitality, for the winds took him there as he was on
his way to Troy, carrying him out of his course from cape Malea and
leaving him in Amnisus off the cave of Ilithuia, where the harbours
are difficult to enter and he could hardly find shelter from the winds
that were then xaging. As soon as he got there he went into the town
and asked for Idomeneus, claiming to be his old and valued friend, but
Idomeneus had already set sail for Troy some ten or twelve days
earlier, so I took him to my own house and showed him every kind of
hospitality, for I had abundance of everything. Moreover, I fed the
men who were with him with barley meal from the public store, and
got subscriptions of wine and oxen for them to sacrifice to their
heart’s content. They stayed with me twelve days, for there was a gale
blowing from the North so strong that one could hardly keep one’s feet
on land. I suppose some unfriendly god had raised it for them, but
on the thirteenth day the wind dropped, and they got away.”
  Many a plausible tale did Ulysses further tell her, and Penelope
wept as she listened, for her heart was melted. As the snow wastes
upon the mountain tops when the winds from South East and West have
breathed upon it and thawed it till the rivers run bank full with
water, even so did her cheeks overflow with tears for the husband
who was all the time sitting by her side. Ulysses felt for her and was
for her, but he kept his eyes as hard as or iron without letting
them so much as quiver, so cunningly did he restrain his tears.
Then, when she had relieved herself by weeping, she turned to him
again and said: “Now, stranger, I shall put you to the test and see
whether or no you really did entertain my husband and his men, as
you say you did. Tell me, then, how he was dressed, what kind of a man
he was to look at, and so also with his companions.”
  “Madam,” answered Ulysses, “it is such a long time ago that I can
hardly say. Twenty years are come and gone since he left my home,
and went elsewhither; but I will tell you as well as I can
recollect. Ulysses wore a mantle of purple wool, double lined, and
it was fastened by a gold brooch with two catches for the pin. On
the face of this there was a device that showed a dog holding a
spotted fawn between his fore paws, and watching it as it lay
panting upon the ground. Every one marvelled at the way in which these
things had been done in gold, the dog looking at the fawn, and
strangling it, while the fawn was struggling convulsively to escape.
As for the shirt that he wore next his skin, it was so soft that it
fitted him like the skin of an onion, and glistened in the sunlight to
the admiration of all the women who beheld it. Furthermore I say,
and lay my saying to your heart, that I do not know whether Ulysses
wore these clothes when he left home, or whether one of his companions
had given them to him while he was on his voyage; or possibly some one
at whose house he was staying made him a present of them, for he was a
man of many friends and had few equals among the Achaeans. I myself
gave him a sword of bronze and a beautiful purple mantle, double
lined, with a shirt that went down to his feet, and I sent him on
board his ship with every mark of honour. He had a servant with him, a
little older than himself, and I can tell you what he was like; his
shoulders were hunched, he was dark, and he had thick curly hair.
His name was Eurybates, and Ulysses treated him with greater
familiarity than he did any of the others, as being the most
like-minded with himself.”
  Penelope was moved still more deeply as she heard the indisputable
proofs that Ulysses laid before her; and when she had again found
relief in tears she said to him, “Stranger, I was already disposed
to pity you, but henceforth you shall be honoured and made welcome
in my house. It was I who gave Ulysses the clothes you speak of. I
took them out of the store room and folded them up myself, and I
gave him also the gold brooch to wear as an ornament. Alas! I shall
never welcome him home again. It was by an ill fate that he ever set
out for that detested city whose very name I cannot bring myself
even to mention.”
  Then Ulysses answered, “Madam, wife of Ulysses, do not disfigure
yourself further by grieving thus bitterly for your loss, though I can
hardly blame you for doing so. A woman who has loved her husband and
borne him children, would naturally be grieved at losing him, even
though he were a worse man than Ulysses, who they say was like a
god. Still, cease your tears and listen to what I can tell I will hide
nothing from you, and can say with perfect truth that I have lately
heard of Ulysses as being alive and on his way home; he is among the
Thesprotians, and is bringing back much valuable treasure that he
has begged from one and another of them; but his ship and all his crew
were lost as they were leaving the Thrinacian island, for Jove and the
sun-god were angry with him because his men had slaughtered the
sun-god’s cattle, and they were all drowned to a man. But Ulysses
stuck to the keel of the ship and was drifted on to the land of the
Phaecians, who are near of kin to the immortals, and who treated him
as though he had been a god, giving him many presents, and wishing
to escort him home safe and sound. In fact Ulysses would have been
here long ago, had he not thought better to go from land to land
gathering wealth; for there is no man living who is so wily as he
is; there is no one can compare with him. Pheidon king of the
Thesprotians told me all this, and he swore to me—making
drink-offerings in his house as he did so—that the ship was by the
water side and the crew found who would take Ulysses to his own
country. He sent me off first, for there happened to be a
Thesprotian ship sailing for the wheat-growing island of Dulichium,
but he showed me all treasure Ulysses had got together, and he had
enough lying in the house of king Pheidon to keep his family for ten
generations; but the king said Ulysses had gone to Dodona that he
might learn Jove’s mind from the high oak tree, and know whether after
so long an absence he should return to Ithaca openly or in secret.
So you may know he is safe and will be here shortly; he is close at
hand and cannot remain away from home much longer; nevertheless I will
confirm my words with an oath, and call Jove who is the first and
mightiest of all gods to witness, as also that hearth of Ulysses to
which I have now come, that all I have spoken shall surely come to
pass. Ulysses will return in this self same year; with the end of this
moon and the beginning of the next he will b
Michael R Burch May 2020
Hiroshima Poems

Let Us Be Midwives!
by Hiroshima survivor Sadako Kurihara
loose translation/interpretation by Michael R. Burch

Midnight . . .
the basement of a shattered building . . .
atomic bomb survivors sniveling in the darkness . . .
not a single candle between them . . .
the odor of blood . . .
the stench of death . . .
the sickly-sweet smell of decaying humanity . . .
the groans . . .
the moans . . .
Out of all that, suddenly, miraculously, a voice:
"The baby's coming!"
In the hellish basement, unexpectedly,
a young mother has gone into labor.
In the dark, lacking a single match, what to do?
Scrambling to her side,
forgetting themselves . . .

It appears that my translation above has been used by Hiroshima University in a new field of study called International Peace and Coexistence. I found my translation on the university’s Peace and Coexistence Facebook page. Being a longtime peace activist, I am particularly happy with the name of the course!



Now the remaining Hiroshima survivors are aging, and they must wonder what the world has learned from their harrowing ordeal:

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



We should always consider the fates of innocent children:

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
―Michael R. Burch, "Epitaph for a Child of Hiroshima"



The intense heat and light of the Hiroshima and Nagasaki atomic bomb blasts left behind ghostly silhouettes of human beings whose lives were erased in an instant:

Hiroshima Shadows
by Michael R. Burch

Hiroshima shadows ... mother and child ...
Oh, when will our hearts ever be beguiled
to end mindless war ... to seek peace,
            reconciled
to our common mortality?



Poets remind us that we all share a common destiny:

Grasses wilt:
the braking locomotive
grinds to a halt
―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch



Something
by Michael R. Burch

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Frail Envelope of Flesh
by Michael R. Burch

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



Lucifer, to the Enola Gay
by Michael R. Burch

Go then, and give them my meaning
so that their teeming
streets
become my city.

Bring back a pretty
flower,
a chrysanthemum,
perhaps, to bloom
if but an hour,
within a certain room
of mine
where
the sun does not rise or fall,
and the moon,
although it is content to shine,
helps nothing at all.

There,
if I hear the wistful call
of their voices
regretting choices
made
or perhaps not made
in time,
I can look back upon it and recall,
in all its pale forms sublime,
still
Death will never be holy again.



The day the Cloud reigned
by Michael R. Burch

The sky was clear on Hiroshima,
sealing her fate.
The report of the weather plane,
neither early nor late,
was certainly plain.

The few innocuous clouds did not refrain
from abandoning the city.
Only the silence, monstrous in its complicity,
regarding man’s error
acknowledged the horror.

Only the small, astonished victims
understood the immaculate heavens:
the inconceivable light
igniting their bones;
the Cloud, all of a sudden,
billowing unbidden,
and then the apocalyptic rain
descending again and again.

So that where white chrysanthemums
had once whispered with bemused tongues
instantly only ashen ruins remained
the day the Cloud reigned.



War Close Up
by Hiroshima survivor Kurihara Sadako
loose translation/interpretation by Michael R. Burch

Stirring bugles! Rousing martial music!
The announcer reporting "victory"
like some messenger from on high,
fanning, fanning the fervored flames of battle!

Masterful state magicians materializing
in a wizardly procession,
spreading cleverly poisoned words
to bewilder reason!
Artistic expression abracadabra-ed into state-sponsored magic!

The sound of boots, guns, bombs, cannons
as our army advances, advances, advances toward the enemy!
The thunder of our invincible tanks advancing! Alleluia!
The sudden, sweet gurgles of drowning enemy ships!

The radio broadcasts the sounds of battle:
A war hymn resounding to the skies,
sung by courageous men and women
who worship this cruel idol, War.

Oh, so powerful the merest whiff
addles even the most independent spirit―
the ***** of patriotism!
the religion of race!

While on scenic islands
scattered like stepping stones across the globe,
and on farflung continents,
driven by boundless avarice,
the landlords rage and rave again,
instilling hatred in indigenous populations
then prodding, driving them into battle.
Full of high-sounding pretexts
inevitably adapted to expediency
they raise indisputable banners―
God is on our side!
Righteous war!
Holy war!

"Right" becomes the password of thieves.
They square their shoulders:
"To secure world peace
annihilate
the evil opponent!"

They bark commands:
"For ten years, a hundred years,
fight to the last man, the last woman!"
The master magicians' martial music
resounds magisterially;
fanatic bull-mad patriots
roar and run amok;
completely bewitched, the people carol in unison:
"O, let me die by the side of my sweet Sovereign!"

Keywords/Tags: Hiroshima, Nagasaki, atomic bomb, Japan, Japanese, translation, nukes, nuclear weapons, nuclear war, epitaph, child, children, mother, mothers, father, fathers, WWII, apocalypse, Armageddon
They hide behind

A masked impunity

One that loiters on the lips

That gathers dust

While proclaiming

A nightmare of angels

Who haunt derangement

In startling blasphemous hullucinations

Which excite to the point of delerium

Who menace with grandiose examples

Which surpass all human capacities

Renouncing indisputable rights as heresy

Keeping their stones not cast, unthrown
Kendra Gibson Feb 2013
I've a deep thirst
for the blood in your veins.
A craving to kiss the flesh upon your ossein.
My heart aches for an answer
from the heaves of your breastbone.

Up
and
        down.

Up
and  
         down.

You inhale,
my breathing stops.
You exhale,
my heart throbs.

My thirst is unquenchable for
your answer remains a mystery.
Eriko Mar 2016
I’m so homesick. I miss the sound of the language, the feel of it…I miss the adventure, the beauty, the kindness, the presence of belonging. I miss long city walks at night, when the skyscrapers could be seen for miles and throw lights on the pavement. I miss the subway, the simplicity of walking from one place to another and watching the city whip past me as I stand, humming quietly as the rail tracks bump underneath my feet. I miss the feel of the language reverberate on my tongue and hear it chiming in my ears. I miss the generosity and rich culture. I miss the humility and simplicity; the ambition and indisputable threshold for righteousness. I miss the strength, the willingness of an ear, patience of an oak tree and the composure of respect. I miss the jagged horizons of mountains loom with calming familiarity with spectacular array of greens; and I miss the way the sky flower into a spectacular shade of pink at the break of dawn, speckled with yellow and deep orange. I miss gazing at the ocean, admiring the restlessness and salty wilderness I find inexplicable. I haven’t seen the sea in over a year…I used to see it almost everyday. I miss the delicacies, the delicious combination of rice, fish, vegetables, and more. I miss the mesmerizing subtleties in the culture, in the system and way of life which proves to be far from perfect, yet which is one I belong in. I miss Japan…Tokyo, Yokohama, Iwakuni, Aomori, Hokkaido, everywhere. I miss my home.
Please just take me back
Hannah Franke Mar 2012
Where are the prisoners?
Where are the guards?
Watching. Ever watching.

Light floods this cubicle, and
Shadows entangle themselves in my sheets, while
The omnipresent and intangible eye gazes.

Devoid of visibility, only
The gloom confides in me.
The power of perfection entrapped in a hoop.

Our ring encircles the guardian, who
Is invariably stalking.  Plagued
Are the confined and deserted lepers.

But what of the locks?
Locks?  The tower is our bolt.
The eye will find the madman.

Madness is also our disease,
Guilt triumphs over futile attempts, the
Belief is our ideology.

Indisputable solidity becomes imaginary, while
The goal is communal. We must,
Survive in a personal Panopticon.
Michael R Burch Dec 2020
Poems about Things that Break

These are poems about things that break and/or shatter: a bubble, glass, a mirror, a twig or tree limb, a thunderstorm, cities and towers in times of war, old habits, our hearts, and sometimes Love itself.



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Dark-bosomed clouds
pregnant with heavy thunder ...
the water breaks
―Michael R. Burch



As grief reaches its breaking point
someone snaps a nearby branch.
―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch



Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.
―Sappho, fragment 130, loose translation by Michael R. Burch



My heart is unsteady as a rocking boat;
besieged by such longing I weaken with age
and come close to breaking.
―Otomo no Sakanoue no Iratsume, loose translation by Michael R. Burch



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era’s obscuring mirror  
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.            
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Mirror Images
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us ...

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief ...

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered ...

and if you were to ask her,
she might say―
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry SuperHighway and Modern War Poems



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of song nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my black, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing:
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



Bubble
by Michael R. Burch

.................Love
..........fragile elusive
.......if held too closely
....cannot.........withstand
..the inter..................ruption
of its.............................. bright
..unmalleable.............tension
....and breaks disintegrates
......at the............touch of
.........an undiscerning
..................hand.

I believe this is my only shape/shaped/concrete poem.



Because Her Heart Is Tender
by Michael R. Burch

for Beth, on the first anniversary of 9-11

She scrawled soft words in soap: “Never Forget,”
Dove-white on her car’s window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: “Never Forget,”
and kept her heart’s own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers’ glass and steel and stone
that shatter on and on and on and on ...
she stitches in damp linen: “NEVER FORGET,”
and listens to her heart’s emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond
its reach, and still the boot-heeled world strode on.

She writes in adamant: “NEVER FORGET”
because her heart is tender with regret.

Published by Neovictorian/Cochlea, The Villanelle, The Eclectic Muse (Canada), Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine and Other Voices International



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: "Frail things must break!"
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy’s a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, The Chained Muse, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Resemblance
by Michael R. Burch

Take this geode with its rough exterior―
crude-skinned, brilliant-hearted ...

a diode of amethyst―wild, electric;
its sequined cavity―parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward―a fission startled;
in its shattered entrails―fractured light,

the heart ice breaking.

Published by Poet Lore, Poetry Magazine and the Net Poetry and Art Competition



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
as the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some raging ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze:
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, Poetry Life & Times and The Chained Muse



Distances
by Michael R. Burch

There is a small cleanness about her,
as if she has always just been washed,
and there is a dull obedience to convention
in her accommodating slenderness
as she feints at her salad.

She has never heard of Faust, or Frost,
and she is unlikely to have been seen
rummaging through bookstores
for mementos of others
more difficult to name.

She might imagine “poetry”
to be something in common between us,
as we write, bridging the expanse
between convention and something . . .
something the world calls “art”
for want of a better word.

At night I scream
at the conventions of both our worlds,
at the distances between words
and their objects: distances
come lately between us,
like a clean break.

Published by Verse Libre, Triplopia and Lone Stars



The Ruins of Balaclava
by Adam Mickiewicz (1798-1855)
loose translation/interpretation by Michael R. Burch

Oh, barren Crimean land, these dreary shades
of castles―once your indisputable pride―
are now where ghostly owls and lizards hide
as blackguards arm themselves for nightly raids.

Carved into marble, regal boasts were made!
Brave words on burnished armor, gilt-applied!
Now shattered splendors long since cast aside
beside the dead here also brokenly laid.

The Greeks erected shimmering marble here.
The Romans drove wild Mongol hordes to flight.
The Mussulman prayed eastward, day and night.

Now owls and dark-winged vultures watch and leer
as strange black banners, flapping overhead,
mark where the past piles high its nameless dead.



Once Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness . . . or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka . . . if I wished
upon a frozen star . . .  that I could give
you something of myself to keep you warm . . .
yet something still not love . . . if I embraced
the contours of your face with one stiff glove . . .

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.

Originally published by Nisqually Delta Review



Eras Poetica II
by Michael R. Burch

“... poetry makes nothing happen ...”―W. H. Auden

Poetry is the art of words: beautiful words.
So that we who are destitute of all other beauties exist
in worlds of our own making; where, if we persist,
the unicorns gather in phantomlike herds,
whinnying to see us; where dark flocks of birds,
hooting, screeching and cawing, all madly insist:
“We too are wild migrants lost in this pale mist
which strangeness allows us, which beauty affords!”

We stormproof our windows with duct tape and boards.
We stockpile provisions. We cull the small list
of possessions worth keeping. Our listless lips, kissed,
mouth pointless enigmas. Time’s bare pantry hoards
dust motes of past grandeurs. Yet here Mars’s sword
lies shattered on the anvil of the enduring Word.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth ...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings ...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins ... thus, Her jeers.



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Having Touched You (The Boy in the Bubble)
by Michael R. Burch

What I have lost
is not less
than what I have gained.

And for each moment passed
like the sun to the west,
another remained

suspended in memory
like a flower
in crystal

so that eternity
is but an hour
and fall

is no longer a season
but a state
of mind.

I have no reason
to wait;
the wind

does not pause
for remembrance
or regret

because
there is only fate and chance.
And so then, forget...

Forget that we were very happy
for a day.
That day was my lifetime.

Before that day I was empty
and the sky was grey.
You were the sunshine,

the sunshine that gave me life.
I took root
and I grew.

Now the touch of death is like a terrible knife,
and yet I can bear it,
having touched you.

I wrote this poem as a teenager after watching "The Boy in the Plastic Bubble" with John Travolta playing a young man with a defective immune system who risks death for a chance at love.



Published as the collection "Poems about Things that Break"

Keywords/Tags: break, breaking, breakings, shatter, shattered, shattering, delicate, fragility, fragment, touch, cruelty, brutality, abuse, stress, love, pain, relationships, society, mrbreak, mrbbreak
break, breaking, breakings, shatter, shattered, shattering, delicate, fragility,  touch, relationships, society
Jeff Barbanell Jul 2013
Each of you.
My individual singularities, Dad’s One Thing.
Conceived 1955.
Driven home, progeny, made man, unequivocal, indisputable.
Post-war night spirits undaunted ~ stop ******* me.
*** for you, stopped me.
Can’t make it the way you want. Please stop.
Backing off, I respect real you.
Don’t push me Me.
Don’t dream.
Will dream us.
Short sentence for guilt whisked way beyond what crime could be.
We combine beans and seeds and gourds.
That’s science! Culinary!
Botany, true, but I’m enaturated.
Human pod progressed.
If that’s a word, don’t dream it’s not.
Forget every word.
But make each and every word count.
Then add stash, socked away.
I concede.
Mi casa su casa.
Paint it.
Together.
Made mistake then fixed it.
Copasetic dovetails, my lady and me (not I).
We walk talk island jib.
I like the cut of your yar across the moonlit pool.
Go around with me to all haunts, snow globetrotting shaken not stirred
My déjà vu in futurum videre, I can’t believe.
Asunder goddesses should be together,
While Isis and Osiris boogie like Beatrice and Dante encircled,
Their own private imbroglio invaded
By Goth end time alchemists conjuring copyrights for gelt.
You tell me this short story.
I cringe.
My mind clouds men’s, and then conjures Morpheus.
My shadow child joins me in Paradise,
Deliria dancing in concert with Shakespearean intent.
My daughter’s got more guts in one pinky
Than all that fallen pilot on our island bargained for
In the games that decided who’s hungrier.
You could have been that gal.
Patterson Jun 2020
There is something undeniable about this new aesthetic:
Barefoot and barely presentable
as I slow-dance in the kitchen at 3am
Nobody but me, my shadow and a gentle grey kitten who patiently watches me pour another cup of coffee.
I stir in cinnamon,
a taste that's heedy and all too sweet against the roof of my mouth.
So strong it makes me want to gag,
and yet I sing under my breath:
old tunes I have no business remembering
and lullabies brought to me on the wind
[singing] all you have is fire
-and the place you have to reach.

My mother wanted a girl she could put together like a jigsaw.
A girl who would sit still and patiently endure
the effort it took to construct
the perfect plat, perfect updo
perfect winged eyeliner, perfect blush
perfect poise, perfect dress,
Perfect daughter.
Instead she had me
a muddled and confused thing
with a tangled mess of curls and eyes that couldn't quite look away.
Something with ***** fingers that knew the give and take of every leaf and blade of grass
something that couldn't sit still on creaking church pews
because for all the beauty they pursued, she'd seen the unmatched grace of rolling thunder
and the indisputable life of the ocean.
While other girls watched the boy chase the girl to a perfect kiss
she worshiped the women who took up their weapons and refused to keep their peace. - A child raised on a steady diet of Victorian poetry, Greek myth and poison. Stitched together with images of Artemis, Scottish women and a heathenish name.

My mother would lead me in prayer each night before bed, hoping against all hope to change what was in me. But my father made me wonder if I could be a knight one day, taught me to sing their vows of honour and justice during those ungodly hours when sleep was far.
The hours when his blood called to us both in its ancient tongue. The hours where his stories became my Bible. The hours when the smell of lemongrass and rain filled the house.
The hours when I would be barefoot and dancing in the kitchen
Barely presentable yet undeniably free.
It's 12 June and finally I am starting to come to better places. Finally I am beginning to sleep without sleeping tablets. Finally I am beginning to do what's best for my mental health.
Jessie Nov 2013
Whenever I taste your sweet menthol on my lips,
I inhale the desirable into my lungs,
And I exhale the tragic out of my soul.
But in reality, I breathe in death disastrously,
Filling myself with chances of possibility,
Artful ideas of being successful and extraordinary,
Forgetting any remnants of how I feel honestly,
With wishes to destroy every lightweight dandelion seed
I planted within myself, easily whisked away by a breathless wind,
Pushing my inner horizon farther and farther down the skyline.
Every minty swirl of hazy exhaustion I release
Finds me additional pieces to my jigsaw masterpiece
Countless shapes and sizes available for me to lease
But only one is correct and allows me to cease
My everlasting journey to find what I need.
A finger flick on a flame lights up my brain,
Igniting passionate affection for creativity,
For building up my future full of sovereign devotion
To assurance and indisputable positivity undarkened,
A clear-cut, twinkling vision of self-affirmative action,
Establishing a reality only seen in my dreams, me, chosen.
I always view the future haphazardly,
If I’m not a scientist what the hell will I be?
I just want to do is create and inspire and explain me
Looking through scopes and writing down numbers is not enticing
And I need some sort of stimulus to keep my body sane and happy.
My whole life I’ve wanted to make an impact, a change
Just now I know how that’s going to make way,
I want to write, express, let others know they’re not alone,
And if that is unsettling, I’ll just let your mind be blown.
My ever-expansive appetite craves for adventure,
I yearn for travel, for maps, for experience, new cultures
The globe is my home and I want to unlock every door
So my thirst will be unsatisfied until you give me the key for more.
Now I’m not trying to move mountains, stop war,
I just ask for a peaceful border, for safe travel and legal cigars.
Our society is mesmerized with beauty and love
But we lack the propensity to settle down and be content with ourselves
And if we can’t covet ourselves, who are we to judge?
She’s a little sad, he doesn’t curse,
Who is anyone to say that they aren’t worth a poetic verse?
Without a simple change to the way we perceive, we’re held back –
We, ourselves, block the borders to love and to peace,
Gunning down possibility,
Wearing away the concept of wholeheartedly,
Only accepting work done effortlessly,
Forgetting the importance of personality,
Living systematically,
Mathematically,
Temporarily.
We need change.
Escape the man-made Inferno of what we call society,
Climbing up the ladder of knowledge and inquiry and creation
Until we reach the omniscient sun and the moon,
To the stars and beyond.
Raj Arumugam Jan 2012
I cannot understand
for the life of me
why the wife
(yes, mine own good wife)
cannot attend to my every need
just like the faithful wives
of yore - such paragons of virtue
and forerunners of service departments

Why can’t she
when I cough or ahem
drop everything she’s doing
(including even if she be
attending to her toilet duties)
and do a somersault to the first aid kit
and present me
in nanosecond
a lozenge that might soothe my throat?

At the slightest rumble
of my stomach
why can’t my wife
into the kitchen dive
and before the rumble
turns into a mumble
why can’t she present on the table
a fine set of fare fit for an Emperor…
a wide range of food – I am reasonable –
the best from Saskatchewan and so on
a dish of the the best from every
nation and continent and clime
Now, is that really too much to ask
of a wife for life?


And what about my other needs
and my other multifarious, multitudinous
innumerable
variety of desires and wants and appetites
that from time to time burst like fireworks
that usher in the New Year?
After all I’m human
and have all these desires and wants
through start of day to the moment
I recline in bed
at decline of day…
So why can’t she
ensure the toothpaste is on the toothbrush
at start of my day
and use a fresh towel end
to coax to prominence the shine on my teeth?
And why can’t she have my
clothes neatly pressed and ready on bed
and presto! – when I emerge into the dining hall
should not breakfast be ready on the table
as Ariel would have done for Prospero in “The Tempest”?
Look, as you can see, I am not far
from being reasonable…
And then certainly the shoes should be ready
with a new shine nurtured with cat’s **** or dog’s pooh –
whatever the concoction that may take
to bring out the luster in my shoes
And she can open the door and shut it gently
(that’s the house door)
and she could open the door and shut it gently
(that’s the car door)
as I drive off elegantly
and surely should return
to smiles and glee
and a repeat performance
but varied now to evening needs
and let us not forget me and the wife in bed

And so on, I think you get the drift;
intelligent reader as you are,
I believe you understand
the daily program
the moral imperative
in a wife that’s for life


and you can see
plain and clear as the still sea
how reasonable and natural
and unpretentious, easy, manageable
professional and well-planned and spaced
my demands and needs are and be:
after all
it is my wife
I claim for these services
and Not the President’s or Vladimir Putin’s



And now I’ll throw at you
Sirs and Ladies
the most dramatic question
the parting shot
O the noble Parthian shot -
irrefutable, irreparable, indisputable
absolutely undeniable
and that will make you see the light:
*A wife’s for life, is she not -
and aren’t both made for my convenience?
Please do not keep my wife informed of the existence of this poem. This poem is to gain public sympathy - not to gain private torture.
Lily Nov 2017
the lust is gone.
I know your mannerisms
and your cute face can no longer compensate
for your sad lack of likability
god would I love to love you
now that the lust has gone.
It's the, highly lyrical, pinnacle breaking, mystical, miracle making, atypical poet slash prophet.

The tricky, sick trickster, mister, tongue-twister, off the scale, Richter, freedom dream fighter.

A bit unusual and, slightly delusional, it's indisputable, beautiful written poetry.*

Words flow just like a novelette,
Make music like a castanet
A master of the alphabet,
Just tag that as my epithet.
aar505n Jul 2018
It's a thousand tiny cuts that you receive
From the moment you're born
Waiting for someone to tell you that you are beautiful.
You yearn to stay youthful
You've learned the indisputable fact.
Your inherent value as a person
Reduced to your physical appearance
And given a numerical value online
For what is a selfie without it likes?

This is enough to make anyone cynical
Because everyone is the enemy
Like buskers on a busy street
All are competing for the attention
Of the passing indifferent crowds
All singing to be seen, to be known
Even just for one fleeting moment

It is a strange but primary emotion of the human condition
Decreed at birth to need validation
And this foundation is firmly instilled in us.
We never learn to fuss about it, as society reminds us
That there is nothing to discuss.
Sign up and accept the terms and conditions.
Show yourself to the world.
Nothing beats the sensation of adoration.
Even now, right now, I am showing myself to you.

So tell me I'm pretty, world.
Tell me I matter.
Tell me I exist.
I want to be known. I want to know you.
Prabhu Iyer Aug 2013
On your shoulders, slender waisted maiden,
you carried the burdens of this earth: like
Atlas of the old, you of Amazonian strength;

Yet today you sink, weighed down by
the vanishing vestige of shadows aflicker.
Shadows that consume all, engulfing nights,
harbingers dark of conflagrations rise.

Disbelief is our creed. But enough we believe
to vote them to power, our leaders we so love.
Yet in the hour of decision, we must believe
in their indisputable dishonesty.

Yes, aliens are around, Area 51 is for real,
late night appearances on Larry King live?
For the select few, sure, for a select price.

Osama did not die. In fact, exist, he never did.
Flags felled of the towers twin ? False, them false!
How belief, when Iraqs can happen?
Whither the weapons of mass delusion?

Conspiracy. In bloodlines is our interest
but not in the man who gave that blood for us.
Alas those to preach that love vested,
too are in gossip and scandal invested.

Fickle is our love, the mistletoe occupies now
the sacred space of the matronly banyan, and
the owl upside down, for the dove beloved old
Fickle is our love, slender, our faith...and the Syrians of the world suffer from both ends!
Die Zwergen Armee kommt
und Wir sterben.
They come prepared
For an all out war,
And they are ready
To fight tooth and nail
Until no man is left standing.
With supplies unceasing and
Weapons of mass destruction,
All of our lines of defense will fall.
We are not capable
Of withstanding the continuous onslaught,
Indisputable is their power,
Unending is their greed,
Unimaginable is their cruelty,
Unwavering is their faith
In complete and utter victory.
Inevitable is our demise,
Inapt are our defenses,
Inexperienced are our allies,
Inexorable is their march to
The beat of our doom.
Die Zwergen Armee kommt
und Wir sterben.
Passion drives them onwards
To conquer all lands that
Dare to oppose them.
We can not hope to last
Like the Spartans at
The Battle of Thermoplyae
No matter how strongly
Our laconism inspires us.
As mankind’s future dims
And is ultimately vanquished
Before our very own eyes,
We can only hope
That our end is quick
And merciful in execution.
Die Zwergen Armee kommt
und Wir sterben.
As I watch the heads of
Friends and family fall,
The decapitation of hope
Is as absolute as the blood
Smeared across the castle walls.
We refused to listen as
They cited holy scripture
To vindicate the necessity
Of our annihilation.
We held strong to our faith
In eternal glory as martyrs
For our philosophies and convictions,
And they bore witness
To our determination,
But we bore witness
To their determination
Only to watch it demolish
Everything we cherished.
Die Zwergen Armee kommt
und Wir sterben.
Die Zwergen Armee kommt
und Wir sterben.
I have uttered my final statement,
To forever be the last
Hoarse whisper of my existence,
“You will see the error of your ways,
And I will not repent for the sins
You claim I have committed.
I will let the all knowing
Judge and condemn you all
For the atrocities committed
By your people.”
Then my blood soaked
The soil of my Earth
As my entrails slid out of me,
And I fervently tried to
Force them back inside,
But it was all in vein.
And my final vision
Before complete oblivion
Was my still beating heart
In the hand of my enemy.
Die Zwergen Armee kam
und Wir starben.
Wrote this today. "Die Zwergen Armee kommt und Wir sterben" means "The Dwarf army comes and we die." At the end is the same but in past tense. Enjoy!
Semihten5 May 2019
how did you see my deficiencies
but you were in the dark
one cold cold only
you think deadly disease

are you aware of the request

drown in the depths
indisputable
who is good on the surface
icarus Dec 2015
There are too many things I regret telling you, darling. I regret telling you about how when I was little I nearly died in the accident that totaled my parents' Jetta. I regret mentioning that I felt like your Halloween costume was more important to you than I was. I regret that you let me convince you to help you clean your ******* room so I could feel important. I regret every tear I've made you shed and your pain is carved into my brittle bones so I know just how much I've hurt you. Honestly, I've started to realize how much of a miracle it is that you haven't changed your mind about loving a broken and battered shell of a human being wearing a smiling mask that comes off so slowly it peels away what's left of my pale, flaking skin. I'm surprised you're still interested in my thinning body and tattered soul. My name falling from your lips in ecstasy still sounds so foreign, like hearing a language you never even knew existed. You look at me like I hang the moon in your night sky, making me feel unworthy of the way you treat me, not like a broken toy but rather an ancient heirloom to be treasured and mended. I find myself tossing and turning at night wondering and worrying and whittling away at the fragile self confidence I build when I'm with you and I ******* regret. I regret not opening up and I regret the indisputable fact you could do so much better than me. There are still so many things I regret and letting you read this is one of them but these are all things you need to know and my heart is still in pieces beneath our feet. Yes, there will always be things I regret, but loving you will never be one of them.
Not gonna lie, I'm considering recording this one.
Pure, collapsible, indisputable.
Oozing inside with purpose.
Vicious slime invades the orifice.

****** and pulsing;
unfiltered specks;
all untarnished space.

This sprawl leaves it's mark;
stains like blood
or coffee as it drips;
collected into vats;
like flies in the ointment.

The nature of the beast moves quickly:
video games or junk food.
On our eyes simulated,
stimulated, embossed on our souls.

Spoon fed groomed inspiration
pumps direct.
Into sacks of meat
vacant gunk sloshes.
Glommed onto cells,
demanding position.

Consumes virtual reality,
the avatars,
our status,
updated or not.
A Henslo May 2019
That it took some time
Overtaking our fear
Is now a precious memory
Reminiscence of yesteryear

Today it's indisputable
Permanently clear
Our bond became eternal
Our concord ceaseless and sincere

In passing I take a sniff
Scenting a souvenir
Of your folded pajamas
In case you're no longer here
AH 2017
LearnfromBOBD Jan 2019
Truth couldn’t find a place to sleep,
He decided to lie.
Yo mind was sincere, saying Hi.
Yo smile is talking, but couldnt speak
Oh you are indisputable
Now I see’
injuries are inevitable.
My breathe so freeze'
Hal Loyd Denton Nov 2011
Reflections
I lie placid silent and calm your great winsomeness reaches over me not disturbing in the least you add a
texture that is signature peace when caos ripples in the wider waters I know soft shadows speaking
revealing a clarity upon this mirrored glass of my soul you are as light as a breath speaking in a whisper
as the night follows day you reveal your self flawless is the transition from light to darkness you are the
sum total of many voices in diversity much is added the common theme harmoninous interchange
where there is lack then you add the needed part without fanfare this is what makes value as golden
moments increase significance the volume of spirit pours in and the soul rises out of view submerged
ideas latent with good will tells the story in deeper depths where shallow and empty realities find
a residing place now they are displaced as added instruments inrich musical pieces giving more depth
and feeling the empty darkness catches these delightful strains a soothing wave seems to fill the broken
spaces moonlight medicates with a silver substance brings euphoric doses as if disimbodied goodness
waves a magic wand you rise and drift on unseen wings a playfulness enters the heart you know not
from where but from borders of tranquil regions the flow emblematic dreams stream ubidden into the
mind the glory yet tasted is somehow permeating our stiff halted lives freedom brought from
inexaustable climes measureless helps will be as the tide if we will close ourselves from distractions that
are plentiful and short circuit our whole beings be still and know That I am God the human cry is what
shall I do in those golden yesterdays they put out rain barrels when they wanted soft water how much
more should we be catching the soft water falling from heaven to counteract the hard and at times
brutal actions that we unleash on one another tears and weeping are not unmanly they are the secret
guides that allow us to behold ourselves and then with power that restrains outward mindless acts that
hurt and offend gentle sense created by comfort from an indisputable place of well being you hold the
higher ground your decisions are true and correct and from placid to unerring truth you divide and map
a true and correct path
Sajdah Baraka Dec 2012
I don't want anything ordinary.
I want an indisputable, unquestionable, irrefutable, and incontestable love.

I want to be above any ordinary relationship
without assumptions and arguments about who is she and what is this?

I don't want to have to doubt what we have and what we've made exist.
I  just wanna be happy that we've gotten this far.

I don't want to search and lurk for trouble.
I wanna look into your eyes and know that whatever our result is, it's **** sure worth it.
I don't want to be uncertain.

I want to know what trust is.

I want to know that this is where you choose to be under any circumstance and in any situation.
I want to be the number one choice.

But forget number one because theres no type of list.
Me. . . us, this is it.

I want you to forget about everyone of the past.
I want you to only feel this.
I want you to let go of the "was" and "had" and "loved" and let every word you speak be present tense.

I want this to be it.
I want you to live in the moment.
Every song I hear I can't think of anyone else to compare or relate to my emotions.

Not even if I tried,
because once you came into my life you activated my tunnel vision.
You stole my heart without permission.
And I'm not complaining.

As long as you're here to save it,
from any lack of contentment or lack of commitment cause its too weak to take it.
I want you to step into my shoes and look through my eyes.

I want to love you with a passionate aggression.
To feel mutual dependence and feel no need to seek another companion.  
For you are the only option.

For you are my main topic.
These poems would have no substance.
The base of each of my discussions.
I want a love that's never reluctant.

Beneficial without being unnecessarily public.
You next to me is a compliment.
I want you and I want this.
Kuah Yee Han Jun 2015
We all know that history repeats itself
And when you finally face defeat, it's hell
The torture one has no choice but to go through
Free seats to a painful ordeal, Row 2

I don't think you have ANY idea how it feels
When your state of mind just surrenders and kneels
It's agonising, you just wanna release what you hold inside
The feeling stays, it will never roll or slide

What's going on is the truth that you can't deny
All I can do now is just rant and cry
And that's what this is, but do not sympathise
There's the indisputable fact that I was victimised

I was taken for an idiot, I guess I just realised.
#okay #then
Hal Loyd Denton Jan 2012
Reflections
I lie placid silent and calm your great winsomeness reaches over me not disturbing in the least you add a
texture that is signature peace when caos ripples in the wider waters I know soft shadows speaking
revealing a clarity upon this mirrored glass of my soul you are as light as a breath speaking in a whisper
as the night follows day you reveal your self flawless is the transition from light to darkness you are the
sum total of many voices in diversity much is added the common theme harmoninous interchange
where there is lack then you add the needed part without fanfare this is what makes value as golden
moments increase significance the volume of spirit pours in and the soul rises out of view submerged
ideas latent with good will tells the story in deeper depths where shallow and empty realities find
a residing place now they are displaced as added instruments inrich musical pieces giving more depth
and feeling the empty darkness catches these delightful strains a soothing wave seems to fill the broken
spaces moonlight medicates with a silver substance brings euphoric doses as if disimbodied goodness
waves a magic wand you rise and drift on unseen wings a playfulness enters the heart you know not
from where but from borders of tranquil regions the flow emblematic dreams stream ubidden into the
mind the glory yet tasted is somehow permeating our stiff halted lives freedom brought from
inexaustable climes measureless helps will be as the tide if we will close ourselves from distractions that
are plentiful and short circuit our whole beings be still and know That I am God the human cry is what
shall I do in those golden yesterdays they put out rain barrels when they wanted soft water how much
more should we be catching the soft water falling from heaven to counteract the hard and at times
brutal actions that we unleash on one another tears and weeping are not unmanly they are the secret
guides that allow us to behold ourselves and then with power that restrains outward mindless acts that
hurt and offend gentle sense created by comfort from an indisputable place of well being you hold the
higher ground your decisions are true and correct and from placid to unerring truth you divide and map
a true and correct path
Mongi Jan 2018
Love Everlasting

Have we not witnessed
How the midnight scary dark skies
Are lit up so carefully and timely
By a million humble, and yet enthusiastic, blazing stars
As we lay attentively beneath,
Swimming in our uniquely assigned portions of life
They smile, they shine upon us
Too brightly and yet so naturally gently
Haven't we witnessed?

Have we not noticed
How after the heartless destructive storm
A rainbow of multiple colors
Has laid itself so perfectly in position
Across the tired and idle blue eastern skies
As we stare from below, hopefully
Hoping zealously for a better tomorrow
She stretches, she beautifies effortlessly
And yet our hearts so sore and heavy from the storm
Our faces still light up with wide smiles
Haven't we noticed?

Now can one deliberately deny
The strong indisputable power that lies
Way up above what sight can tangibly comprehend
So much light, too much truth
So much evidence, so much reason
To trust, to believe undoubtedly
And mightily
To the mighty
Love everlasting

Mongi C. Nkabindze
Everlasting love is what the world has given to us way too long before anybody else gives love to us
Yandisa mhlana May 2010
Succulent lips that have become my indulgence.
Finely shaped, is it wrong to say they're perfect?

Indisputable tenderness, creating sensations of pure happiness.
Moments with them are eternal pleasures in minutes of passion.

Inspiring stars to fall, convincing gravitation to hold back its attraction and lift us up until we reach the heavens.
Kiss among the planets while the stars float around us dancing.

Kiss eternally

Kissing my only.
Memphis
True religon publications
Michael R Burch Jun 2020
Sonnet: The Ruins of Balaclava
by Adam Mickiewicz (1798-1855)
loose translation/interpretation by Michael R. Burch

Oh, barren Crimean land, these dreary shades
of castles―once your indisputable pride―
are now where ghostly owls and lizards hide
as blackguards arm themselves for nightly raids.
Carved into marble, regal boasts were made!
Brave words on burnished armor, gilt-applied!
Now shattered splendors long since cast aside
beside the dead here also brokenly laid.
The ancient Greeks set shimmering marble here.
The Romans drove wild Mongol hordes to flight.
The Mussulman prayed eastward, day and night.
Now owls and dark-winged vultures watch and leer
as strange black banners, flapping overhead,
mark where the past piles high its nameless dead.

Adam Bernard Mickiewicz (1798-1855) is widely regarded as Poland’s greatest poet and as the national poet of Poland, Lithuania and Belarus. He was also a dramatist, essayist, publicist, translator, professor and political activist. As a principal figure in Polish Romanticism, Mickiewicz has been compared to Byron and Goethe. Keywords/Tags: Mickiewicz, Poland, Polish, Balaclava, Crimea, war, warfare, castle, castles, knight, knights, armor, Greeks, Rome, Romans, Mongols, Mussulman, Muslims, death, destruction, ruin, ruins, romantic, romanticism, sonnet, depression, sorrow, grave, violence, mrbtr
Michael S Davis Apr 2013
There are moments when God's light shines bright across the sands of time,
revealing the difference between right and wrong with an indisputable line.

A line not drawn by the hand of man, it drips from the heart of God;
as unrighteous men reject his plan and refuse his grace for a rod.
When those times come and the line is drawn and God calls for men to stand,
you'll find us there at the break of dawn; in His light at the line in the sand.

©2003 Michael S. Davis
As much as I hate the idea of war, the reality is that evil will triumph when good men do nothing. I am glad that we as a nation, with all of our faults and mistakes, have often sent men of honor, to stand at the line in the sand trying to do what is right. It is for those men who actual stand on that line to who this poem pays tribute.
laila shaaban Apr 2018
We are living in a miracle
Visible to only those who take the time to ponder, wonder.
To those who come back from wonderland in a trance
High on imagination creativity would never miss a dance
A chance to set the soul free
As carefree as could be
Every moment was a miracle, mystical
Through her eyes everything was possible
The world was enchanting.
She wonders, wonders of everlasting stars
Of the way we fly through space with nothing but grace
She wonders of the pure unadulterated joy in a baby’s smile
Reminding her that it’s all worthwhile
That if you open your eyes and admire the butterflies
Painting the skies you start to realize
Every moment is a miracle beautiful
The evidence is indisputable
Every creature irremovable exceptional
Every snowflake exclusive
Every second elusive
Every mountain valley and stream
The air that we breathe
Thoughts that lie beneath
The blood in our veins
And the complexity of human brains
Explain the fluidity of humanity  
Every atom is a miracle
Enchantingly subtle
So take a step back slow down
Look around I promise the world won’t disappoint.

— The End —