I'm a lot gayer than originally planned.
*******. Gay.
But I'm worried about the concept;
not sure if it's right to use the word
“gay”
when (I'm sorry I said it)
I'm really bisexual,
just particularly into women right now.
Like,
is that bad representation
of my sexuality?
Only encouraging
bi-erasure?
It just doesn't have the same
“umph”
to say
I'm feeling particularly
bisexual today.
But I've been telling myself
over and over
that it's okay,
no matter what
I'm feeling today.
I don't
need
your
box

anymore.

I met her on a narrow street of old Verona
Her beauty’s magical, her name was Lady Mona
She rolled a cigarette between her diva fingers
A little cherry smoke around her gently lingers

She had a long deep fire-coloured autumn hair
That with the wind dance as if out of very care
Her eyes are brighter, gayer then azure sapphires
Two little diamonds that can start unholy fires

Her ******* are full of life, the sweetest goddess milk
It taste like childhood memories wrapped up in silk
The skin – an undiscovered lands of sinful wild
It sends you on a trip so rough yet very mild

She was so picturesque, a genuine sugarbomb
Like rays of sun that dazzle through a naked palm
I pray thee, Jupiter, align the heaven stars
And let me be the one who strikes of her guitars

Wish I could walk to her and ask her dearly out
I feel so brave yet nervous, want to scream and shout
I want to spill it out, express my inner passion
But that’s not me behaving in such crazy fashion

Hell to the no! I go! I’ll spit my fire lines!
I am a blonde! I curse those stupid *** designs
I’ll offer things to her, I promise I’ll pushy
****, I am gonna offer her my cola *****

If men be ***** models, I shall be one too
I have one in my mouth – a nasty point of view
If men can flirt and conquer, so can ******* I
This Aphrodite’s taken, she is only mine

I walk to her, approach her like the mighty Taurus
Rehearse my lyrics, shuffle through my love thesaurus
I smell perfume – ambrosia, nectar, lemonade…
Formation, hold up, queen of… ******* Lemonade..?

“What is the name of thee, do tell me, pretty dear
Just like the beauty goddess you to me appear
By any chance you are one of the youthful Graces?
Be careful, darling, I can see your leather laces”

12

The morns are meeker than they were—
The nuts are getting brown—
The berry’s cheek is plumper—
The Rose is out of town.

The Maple wears a gayer scarf—
The field a scarlet gown—
Lest I should be old fashioned
I’ll put a trinket on.

If we went any "gayer" I would be **** free.
Peace, put down your guns and stop firing,
k, make more luv not war! Let it be, let it be...*

Why is it that when there is a war
Everyone has to run and join?
I guess this doesn't sound right,
Perhaps I'm just going blind?

Where is Uncle Sam when I'm mugged
Running through an alley for my life?
Where is the honest soldier when these
Drunk military "saints" just hit their wives?

I am always here, my heart is just the same,
I know there is always war, but why can't
We at least try to make a change?
Just because it's always been, doesn't mean
It must always and forever remain!
How are you military guys so sure
That you're part of the cure, not the pain?

7

The feet of people walking home
With gayer sandals go—
The Crocus— til she rises
The Vassal of the snow—
The lips at Hallelujah
Long years of practise bore
Til bye and bye these Bargemen
Walked singing on the shore.

Pearls are the Diver’s farthings
Extorted from the Sea—
Pinions— the Seraph’s wagon
Pedestrian once— as we—
Night is the morning’s Canvas
Larceny— legacy—
Death, but our rapt attention
To Immortality.

My figures fail to tell me
How far the Village lies—
Whose peasants are the Angels—
Whose Cantons dot the skies—
My Classics veil their faces—
My faith that Dark adores—
Which from its solemn abbeys
Such ressurection pours.

“A lovely moon tonight” she said.
“It’s the same moon it was last night” he said.
“It looks slightly different somehow” she said.
“It’s exactly the same ****** moon” he said.
“I think it’s fuller tonight” she said.
“Of course it’s fuller tonight” he said.
“It’s brighter and gayer tonight” she said.
“The moon is no gayer tonight” he said.
“It seemed so sad last night” she said.
“How could the moon seem sad?” he said.
      “The moon dies every night” she said.
      “And ferries the souls of the recently dead,
        Into the darkness just out of reach
        It circles the globe unseen and *****  
        It pries open the sky at evening’s breach
The moon has been reborn” she said.
He gave her a look of scorn and dread
“What’s gotten into your head?”
“A lovely moon tonight” she said.

To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;--
Go forth, under the open sky, and list
To Nature's teachings, while from all around--
Earth and her waters, and the depths of air--
Comes a still voice--Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground,
Where thy pale form was laid, with many tears,
Nor in the embrace of ocean, shall exist
Thy image. Earth, that nourished thee, shall claim
Thy growth, to be resolved to earth again,
And, lost each human trace, surrendering up
Thine individual being, shalt thou go
To mix for ever with the elements,
To be a brother to the insensible rock
And to the sluggish clod, which the rude swain
Turns with his share, and treads upon. The oak
Shall send his roots abroad, and pierce thy mould.

   Yet not to thine eternal resting-place
Shalt thou retire alone, nor couldst thou wish
Couch more magnificient. Thou shalt lie down
With patriarchs of the infant world--with kings,
The powerful of the earth--the wise, the good
Fair forms, and hoary seers of ages past,
All in one mighty sepulchre. The hills
Rock-ribbed and ancient as the sun,--the vales
Stretching in pensive quietness between;
The venerable woods--rivers that move
In majesty, and the complaining brooks
That make the meadow green; and, poured round all,
Old Ocean's gray and melancholy waste,--
Are but the solemn decorations all
Of the great tomb of man. The golden sun,
The planets, all the infinite host of heaven,
Are shining on the sad abodes of death,
Through the still lapse of ages. All that tread
The globe are but a handful to the tribes
That slumber in its *****.--Take the wings
Of morning, pierce the Barcan wilderness,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound,
Save his own dashings--yet the dead are there:
And millions in those solitudes, since first
The flight of years began, have laid them down
In their last sleep--the dead reign there alone.
So shalt thou rest, and what if thou withdraw
In silence from the living, and no friend
Take note of thy departure? All that breathe
Will share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
Plod on, and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments, and shall come
And make their bed with thee. As the long train
Of ages glide away, the sons of men,
The youth in life's green spring, and he who goes
In the full strength of years, matron and maid,
The speechless babe, and the gray-headed man--
Shall one by one be gathered to thy side
By those, who in their turn shall follow them.

   So live, and when thy summons comes to join
The innumerable caravan, which moves
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like a quarry-slave at night,
Scourged to his dungeon, but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one who wraps the drapery of his couch
About him, and lies down to pleasant dreams.

"The question should not be in what ways writing and utterance trope each other, but how both are involved with number. Without relating the technology of writing to number (as opposed to sound or drawing), it is impossible to discuss it meaningfully as an aspect of versecraft."

          Courage to write and courage to not write. Read
          The great poets and highly accomplished letters
          Of leaders. Yet the war and the book have lives
          Of their own. Vacuum house, analyze mankind.
          His idea of himself. Ideas subsumed
          By better ones unite people into one people.
          I watch from my little bowl of nuts. Watch
          The one red squirrel and the many gray.
          Watch the nuthatch pair, platoon of chickadees.
          Here is what I say: When we can go
          From planet to planet on nothing but air,
          Leaving behind a drop of water,
          No burger bags blowin’ in the sun,
          I’ll love my children, my dogs and be happy.

"What is needed is a way to pry apart the polar, mimetic fiction that undergirds discussions (even sympathetic ones) of writing and versification, and see how we can relate writing to measure. Roy Harris’ investigations into the origin of writing make this connection possible."

          Electronic millennium. A long silence
          Wouldn’t hurt. Not that the national debate
          Should cease, it should proceed, passionate
          And furious. Those who have studied the matter
          And have something to say should write cogent
          Opinion pieces on the totalitarian
          Tendencies of minaret Islamists,
          The terminal contradiction of advancing
          Democracy with the unitary military.
          George Washington would not have approved
          And even Lincoln vacillated between
          The practicalities of preserving union
          And the ideal of freeing slaves. The president
          Carries his burden of matter, the physics
          Of existence cannot change our aloneness
          Or the butterfly’s importance, the very
          Last insects at the screens of August.
          It is life we face and death we meet.

"He argues that the origin of writing did not lie in the drawing of figures, or attempts to imitate speech, but in the recording of number. According to Harris, the oldest ‘writing’ that we have, like that on the 11, 000-year-old Ishango bone, is in ‘lines.’ The surface is scored with rows of short, parallel strokes, which probably served a numerical function. We still use such scoring systems today on occasion."

          OK, different strokes. But reading North’s poems
          And his predecessors’ in which noun and verb
          Are so far separated by modifiers,
          Post-positioned prepositions, diversions
          Into ditches, gardens, heavens, I don’t know
          What to do laugh or put the book down and eat
          Several cookies. In other words, anything goes,
          There truth resides. 1/3 life in suburbs,
          1/3 on the subway, and the last third
          On the mountain. A fourth hallucinating
          In heaven. That’s how it goes. You get what you believe.
          Bones in mud. It’s always possible I suppose
          That for nine months analogous or symmetrical
          With gestation our souls wander call it limbo,
          Doing the limbo and harassing the living
          With unanswerable questions, finally accepting
          Free molecular rent in a cubic meter
          Of interstellar space, a rose hip.
         
"Harris speculates about counting by scoring:"
'What is relevant for our present purposes is the fact that counting is associated in many cultures with primitive forms of recording which have a graphically isomorphic basis... The iconic origin of such recording systems is hardly open to doubt: the notch or stroke corresponds to the human finger...'

          Partridgeberry, mugwort, mats of raspberry,
          Cranberry, bearberry, autumn eleagnus,
          Autumn Nocturne, Autumn Leaves, the changes
          To the tunes and the scientific names.
          When it doesn’t matter what you do
          You’re probably doing something new.
          That’s a woodpecker. That’s a moth. I’m bounded
          By my surroundings, I feel at home.
          Could be Schenectady. Could be Troy.
          One of many small cities in which to while
          Away my anonymity. Be specific.
          Not asphalt but impermeable surface.
          Not trees but mature stems. Quercus rubrus—
          Quality veneer. Into such a garden
          Have a victor and a fool penetrated.

'In short, the rows of strokes are graphically isomorphic with just that subpart of the recorder’s oral language which comprises the corresponding words used for counting. It makes no difference whether we ‘read’ the sign pictorially as standing for so many fingers held up, or scriptorially as standing for a certain numeral.'

          In a crowded world every action results
          In an equal and overwrought reaction.
          Yet, all the energy recycles
          And there is not one thermal unit more or less
          When all is said and won. Even when the tribes
          Were isolated behind mountain ranges
          And rushing rivers, they sought each other out
          For trading and for taking. Humanity
          Is lonely. Humor is the only remedy
          And going to your daily discipline
          The only way past Monday. Join the torrential
          Flow of words, emotion, wit and erudition.
          It is embarrassing to see a good writer
          Work himself into a lather, having
          Something to say. A system of beliefs
          To illustrate, characters dressed accordingly.
          Gardens and wilderness in which to wander.
          A cave with a view. The plumbing problem never
          Resolves. Fax your results. We’ll be working late.

"Along with other evidence, this leads him to argue that the invention of writing–or the division of writing and drawing into separate functions–occurred when the graphic representation of number shifted from the token-iterative system that appears on the Ishango bone, to type-slotting."

          Electricity is occult enough for me.
          Excessive classifying could be fascist!
          Yet how else can one organize people
          Into contexts. By their associations.
          Family, work, habits, each assigned
          A day of the week, moon of the month.
          Poets rhyme, jazz musicians count time.
          There is more than one way to make war. By
          Declaration, by punishing offenses
          Against the law of nations, by granting letters
          Of mark and reprisal, by making rules
          Concerning captures on land and water, by
          Suppressing insurrections and repelling invasions,
          Erecting forts, magazines, arsenals,
          Dock yards and other needful buildings. Today
          I face the blank page between the finished pages.

"Harris gives the following example of what he means:"
'The progression from recording sixty sheep by means of one ‘sheep’ sign followed by sixty strokes to recording the same information by means of one ‘sheep’ sign followed by a second sign indicating ‘sixty’ is a progression which has already crossed the boundary between pictorial and scriptorial signs.'

          When my grandmother considered it favorable
          That I would be a writer, she had in mind
          Clear commentary from which many people
          Would derive meaning. No such luck. My writings
          Are like the flicking tail of that flycatcher,
          And I am the flycatcher, weighing but an ounce.
          My grandfather’s rough-hewn peasant chairs
          Are well known by my sons though they never knew him
          And the chairs were not hewn, just owned by him.
          One is in a corner of the room and two
          Are scrimmaged around a computer screen.
          Computers post-date him and cars post-date
          His father and so on. If the grid collapses,
          The crops fail and the roads close, some will be forced
          Across boundaries among boulders, naming snakes
          And stars according to memory.
          They will be hungry, mortal and strong.

'A token-iterative sign-system is in effect equivalent to a verbal sublanguage which is restricted to messages of the form ‘sheep, sheep, sheep, sheep...’, or ‘sheep, another, another, another...’, whereas an emblem-slotting system is equivalent to a sublanguage which can handle messages of the form ‘sheep, sixty’.Token-iterative lists are, in principle, lists as long as the number of individual items recorded. With a slot list, on the other hand, we get no information simply by counting the number of marks it contains.'
"When this change occurred it opened ‘a gap between the pictorial and scriptorial function of the emblematic sign’, which had been previously inseparable in the counting represented by rows of slashes."

          No book I know tells if blue cohosh
          Caulophyllum thalictroides—a barberry—
          Is edible. Other barberries are
          But that blue berry looks risky to me.
          And May-apple—Podophyllum—other
          Than the fruit itself which is definitely
          Sweet. So I read, not sure of myself.
          There is a patience with which to wait out anger,
          And a patience with which to endure ignorance.
          The job is everything. It is freedom
          And purpose and religion. It is acceptance
          And shelter and sustenance. Last night
          We were watching Tweet’s show: groveling before
          The rich pharisee’s judgements. I said no
          Amount of money could make me grovel
          Before that guy. His toupe’s gayer than his lisp.
          But who am I? You think bullets won’t ****?
          I’m the guy they put before a wall and shoot
          Then eat lunch. But that feeling passed quickly.

"This semiological gap, made writing possible because it meant that signs could be manipulated to ‘slot’, or identify, anything whatsoever. The open-ended quality of the scriptorial sign was a necessary precondition for the development of writing systems."

          Lately I’ve been copying wholesale
          From the great poems, lines and ideas not my own
          Or owned by all? It’s ok, I can be ignored
          Or appreciated in a future city,
          By a future shore. The honest man can
          Only recognize what he loves and point to it.
          That Borges poem called In Praise of Darkness.
          Emerson and snow. A meditation
          That bumps serenely, with acceptance,
          Between things and thoughts. It is said one should
          Know for whom, to whom one is writing.
          These are letters to those who love letter writing.

"As Harris points out, no writing system is accurately phonetic. Even the alphabet only highlights certain phenomena in the speech stream. The reason for this is that alphabetic writing did not begin as a simpler or more accurate way to record speech than other writing systems, but as an easier way to write."

          A possible cancer had taken me
          To the edge of my endurance. Pokeweed,
          Poisonous, became attractive. Red stems
          And juicy black berries. I had packed warm clothes
          And pain killers. Why the warm clothes if this
          Was to be my last walk? To die in comfort
          Without a fly’s buzz. Overlooking a ravine,
          Sea of mountains, dawn. But it proved a false alarm.
          Now Sunday will be a holy day of plant
          Identification. Nothing better
          Than lying in leaf litter, skin drying
          To a taut drum. Ravens stay away!
          Until cougar’s had his fill! Instead
          I showed the boys pokeweed growing among blackberries
          And taught them the differences and uses.

"Through a radical reduction in the number of signs, the alphabet simplified the scriptorial system in and of itself. The evolution of writing therefore may look like this: simple forms of counting preceded the complications of pictorial representation, which in turn led to simplification of the writing system in cultures that adopted the alphabet."

          I was running uphill, parallel to
          The Taconics extending northward into
          Vermont (I find Vermonters in their jalopies
          Annoying but admire them for planning
          To arrest the president for war crimes) when
          I happened upon a flock of cedar waxwings—
          Said to be a gentle and politic bird—
          Sharing—very orderly—dried frozen grapes
          On the vine. (Rose hips, buckthorn, ash, pokeweed.)
          I tried one, too, the two seeds in my mouth
          Keeping me company down the mountain.
          I see no downside whatsoever
          To compensating for global warming,
          Constructing the green energy economy.
          New inventions may facilitate
          Our transportation to other planets.
          Yesterday a young man, Barack Obama,
          Won Iowa. I’m hopeful he will
          Articulate an international vision,
          A world order in which each neighborhood’s
          Good as another. I have no particular
          Love for writers; they’re a dime a dozen.
          But so are chickadees and I love them!

"Discussing the power of inscriptions of number, Harris points out:"
'Counting is in its very essence magical, if any human practice at all is. For numbers are things no one has ever seen or heard or touched. Yet somehow they exist, and their existence can be confirmed in quite everyday terms by all kinds of humdrum procedures which allow mere mortals to agree beyond any shadow of a doubt as to ‘how many’ eggs there are in a basket or ‘how many’ loaves of bread on the table.'

          True, nature would be a stern, unforgiving
          Mistress too, and man is but her right hand
          Acting on her command. How cold! How hot!
          The individual doing what he loves or not.
          Trees and cities. Herons, hawks. What we fail
          To govern in ourselves, nature will.
          We caught the killer and his gorillas,
          Now let’s go home, let the “innocent” choose
          Up sides. A good thing was done but the tyrant
          Should’ve been undone through global governance.
          Writing is divination using rhymes
          And estimations. Words like mammals
          Come near your sleeping head. Last night I emerged
          From the hum of our refrigerator
          Under a hazy, phaseless moon. The peepers
          Were an exact expression of my happiness.

"Or, one might add, for how many stanzas there are in a poem, or lines in a stanza, or stresses, feet, or syllables in a line, or occurrences of particular syntactical or grammatical patterns, and so on. As every serious student of versification has always understood, versification is about counting language."

          5:30-6 write poetry,
          6-7 ****, shave and shower, stretch
          Then get dressed, 7-7:30
          Clean house, 7:30-8 drive to work
          8-6 work (except Monday and Friday
          Work 8-4, basketball 4-6)
          6-7 drive home, shop, help make dinner
          7-8 eat dinner, read paper,
          Watch McNeil-Lehrer News Hour,
          8-9 play trumpet, study plants, type poems
          9-10 watch TV Mon: Murphy, Cybil,
          Tues: Frazier, Grace, Wed: Roseanne, Ellen,
          Thurs: Seinfeld, Friends, Fri: go out to dinner,
          10-11 read, except Tues watch
          NYPD Blue, Fri: Friday Night Lights,
          11 sleep. I could send this to the networks,
          Get a gizmo in my box. I hope my
          Schedule won't be interrupted for war.
          My dentist asked had I seen this morning’s
          Press conference, didn’t it just scare the ****
          Out of you. I said your bill is what scares
          The **** out of me. But here I am, writing
          And the sphere’s still turning. Or should I say
          Burning. As long as you write one poem per day
          You’ve left a little litter in the world.

"The reason to write verse is less to score the voice than to imbue words with the magical quality of counting. That is why meter, or measure, is at the heart of debates over all verse forms, including free verse."

          Vigorous wind, voracious ocean,
          Many merciless hard frosts, hurricanes.
          The bed of a human, its smell and warmth
          36 teeth, 46 chromosomes, 2 feet, a loose dime,
          61 summers, some soot, some sand,
          Thunderstorms. I wake up to a lightning strike
          And my dream incinerates. When they say
          Life is but a dream, that’s what they mean.
          The writer working hard, telling the story
          Of what happened yesterday or yesteryear,
          A man’s born to a country not his choosing,
          Let labor flow like capital, of mere being!
          Pomegranate juice, broccoli, arugula,
          Brussel sprouts, cabbage, cauliflower,
          Collard greens, kale, radishes, turnips,
          Garlic, leeks, scallions, onions, 2 lbs
          Swordfish, tomatoes (8 medium),
          3 cups almonds, carrots, a sweet potato,
          Winter squash, cantaloupe, mangoes, watermelon.
          2 daily writing exercises,
          50 words on any subject: complaint, headache.
          The imagination applies a
          Countervailing pressure to reality.
          Writing badly is the best revenge.

"Number is one of the creative grounds of poetry, and the idea that writing grew out of counting is the missing link in studies of the graphic in versification. It is almost uncanny that lines of verse look exactly like the most primitive ways of counting–parallel scorings that can be numbered."

          What you do to one side of the equation
          You gotta do to the other. Isolate
          The variable. Combine like terms. Metaphors
          And analogs are reduced to least common
          Denominators. Multiply through (parentheses).
          Write a new equation after each operation.
          Inscribe neatly. Check your work. Imagine
          That if you’re wrong, the astronauts burn.
          Change the signs which will avoid going
          The wrong way down the number line. Zero
          Is the middle of your universe.
          There it is, calm, comfortable as an egg
          On a spoon. That is, before possibilities
          Become probabilities. This is just
          Another equation manipulated
          With opposable digits. For at the ends
          Of your guns is the earliest calculator
          A magical machine which converts
          Numbers to words and words to numbers,
          Measures the mists, frequency and wavelength,
          Of the material penumbra.

"Verses are countable in exactly the way that token-iterative digits are countable, from either end of the sequence. Each one indicates only its singularity, not a number. Every poem in lines effaces, or predates, the distinction between writing and drawing in the same way as the lines on the Ishango bone."

Shakespeare, I'm writing you an emo poem.

Tyler cuts his wrists and plays piano 'cause he's so depressed.
You can tell it's not an exorcism though, since you can hear his lisp.

I don't play piano anymore (the ivories no longer tickle my fancy)
and I never really cut,
unless you count the symmetry,
or lack of it;
besides, I've always had a father.

Do you believe in demons, bard?
I'm not familiar enough with your works to know;
English didn't interest me much beyond the grammar.
Maybe that's a possession in itself, or an obsession at least,
since I don't think I could do the Devil justice--
and I'm none to bring light from darkness.

Do golden glittered gowns prove earnings or entitlement?
A different wealth perhaps, the philosopher kings of old (Do you know of those? I can't imagine otherwise, such a trove of inspiration).
I would not hold it against you if you didn't;
your productions sold for pennies,
and in the very least you were a man (or so the rumor goes).

All facades aside, I would inquire about purpose.
Were you satisfied with life? Were you not?
Did you desire a longer lease?
Would you say I should?
My outward walls are painted very gaily,
gayer than yours in all likelihood, or my boyfriend would say as much.
(I can't speak for the fashion of the times.)
Yet when I suffer loss, it seems absolute, one end and the other.
Do you approve of modern day's catharsis?

I expect a proper follow-up.

39

It did not surprise me—
So I said—or thought—
She will stir her pinions
And the nest forgot,

Traverse broader forests—
Build in gayer boughs,
Breathe in Ear more modern
God’s old fashioned vows—

This was but a Birdling—
What and if it be
One within my *****
Had departed me?

This was but a story—
What and if indeed
There were just such coffin
In the heart instead?

Oh, Muse, bemused me, no true self have I
Many a-mask have fallen to paint me
My canvas is contrite and still I lie
And, oh, for Fortune you’re denied to see
What foul bristles wash and stroke mien anew
Today was blue, yester a shade gayer,
Tomorrow, expect my art gift to you
Quick, more pastels! New friends, another layer
But, like any piece, Time wills it ‘way fade.
And perfection tainted by the past one,
Please ask yourself, who amongst is not made?
And whose vibrant colors have not mixed dun?
Come, let’s look on at my new piece,
So the patrons of my art ever increase.

The fresh savannas of the Sangamon
Here rise in gentle swells, and the long grass
Is mixed with rustling hazels. Scarlet tufts
Are glowing in the green, like flakes of fire;
The wanderers of the prairie know them well,
And call that brilliant flower the Painted Cup.

  Now, if thou art a poet, tell me not
That these bright chalices were tinted thus
To hold the dew for fairies, when they meet
On moonlight evenings in the hazel bowers,
And dance till they are thirsty. Call not up,
Amid this fresh and ****** solitude,
The faded fancies of an elder world;
But leave these scarlet cups to spotted moths
Of June, and glistening flies, and humming-birds,
To drink from, when on all these boundless lawns
The morning sun looks hot. Or let the wind
O'erturn in sport their ruddy brims, and pour
A sudden shower upon the strawberry plant,
To swell the reddening fruit that even now
Breathes a slight fragrance from the sunny *****.

  But thou art of a gayer fancy. Well--
Let then the gentle Manitou of flowers,
Lingering amid the bloomy waste he loves,
Though all his swarthy worshippers are gone--
Slender and small, his rounded cheek all brown
And ruddy with the sunshine; let him come
On summer mornings, when the blossoms wake,
And part with little hands the spiky grass;
And touching, with his cherry lips, the edge
Of these bright beakers, drain the gathered dew.

I buckle to my slender side
  The pistol and the scimitar,
And in my maiden flower and pride
  Am come to share the tasks of war.
And yonder stands my fiery steed,
  That paws the ground and neighs to go,
My charger of the Arab breed,--
  I took him from the routed foe.

My mirror is the mountain spring,
  At which I dress my ruffled hair;
My dimmed and dusty arms I bring,
  And wash away the blood-stain there.
Why should I guard from wind and sun
  This cheek, whose ****** rose is fled?
It was for one--oh, only one--
  I kept its bloom, and he is dead.

But they who slew him--unaware
  Of coward murderers lurking nigh--
And left him to the fowls of air,
  Are yet alive--and they must die.
They slew him--and my ****** years
  Are vowed to Greece and vengeance now,
And many an Othman dame, in tears,
  Shall rue the Grecian maiden's vow.

I touched the lute in better days,
  I led in dance the joyous band;
Ah! they may move to mirthful lays
  Whose hands can touch a lover's hand.
The march of hosts that haste to meet
  Seems gayer than the dance to me;
The lute's sweet tones are not so sweet
  As the fierce shout of victory.

Feel the urge
The need
To stealthily glide through the night
To 'feed'
Allow my instinct, to gracefully move me
I'm the main character in my own vampire movie
A potential threat to society
Like a psycopathic sixteen year old just released from juvie
The difference is
My charm pulls you in, attracts you
Before the predator in me violently attacks you
I'm a hunter, masculine not feminine
It's my night
I stalk prey, so I can't afford to sparkle
This isn't "Twilight"
I'm the deadliest fantastic legend
Or so they think
But what if I was real?
I'd  be "Blade"
Edward Cullen is gayer than "Pink".

Sustainably globally gay – we need more of it / socially-conscious progressive group-think / openness through tolerance of diversity in perversity / justice for more more more of gay gay gay / it’s progress it’s now its queer-friendly because it's sustainably globally gay / when gay gets gayer the queering gets clearer / so let's start the conversation about ****-**** gayness / inclusion through cluelessness in transparent openness / by the way - get GAY / before the homosexual conversation queers the queerness of the ongoing conversation / let's celebrate gayness, **OK ?

In which direction do we go
I cannot tell
for I am lost and do not wish to walk with you
through night's brisk air.
Once about the corner turn
The crunch of gravel spews from our heels.
To walk with you I cannot bear.
My wrapper held fast by a pin
My voice tucked in a woolen shield
I do not wish to walk with you
And speak of times much gayer than these.
Brisk we step
Slow we turn
Onto the street where we first met
Thus our beginning is our end.
I do not wish to walk with you again.

Tiny moving parts,
A spirit of synchronicity
That I had ruminated on:
How it starts,
And they stop
Wrought of genius
And simplicity
The dawn and fall of humankind
All seated on a wrist
Swinging forward and behind
In whose fate
The hands so twist.
Dusting charcoal from glitt’ring grin
Mocking in a single prayer
Each second, loud
And growing gayer
Penitence for that second’s sin
For blank, so empty
The vessel sat
Covered, not covering,
In the grayish-black
Wasted time in unused power
The watch but looks away
Meager, sour
Persistent still
‘Till wakened by the rested hour
Where dawn illumes
The hideous sight: a failure
A void in Dis’ sweet hall
God’s hand stained in graphite
And no grace upon creation
Did any of it fall.

To hate someone
so fiercely,
To have been hurt
beyond conception,
And yet still
care?

Wanting to so badly
just smash my head
against the wall and
make it stop.

How could I still..
After all you did?
No better yet ..
How could you?!
How could you throw me out
So viciously?
Naked, broken,
Pregnant
Again.

With that sinister smile
on your face
As you enjoyed it.
Every step of the way.
Growing gayer
off of my sheer devastation.

There is no way I could still..
**** dear god why do I still..
No I dont still..
I wish I didn't still..
Love
You.

It would be heaven to be near you again
If you loved me half as much as I love you
It is even now heaven to hope to know you
Again.  I have this sense now that we getting
Together.  Life is getting better just thinking
That you might love me half as much as I do
You. Its like a dream come alive after death
I will do what ever you desire and we will be
In  heaven allowed because it is you I love-
And I will not forget how long it has been so
Good will it be when next we are together -if
You love me half as much as I love you it will
Be soon enough if you will just agree an't love
  Grand  Just Too Wonderful for words.


With intentions true we have got time on
Our side and heaven- is in sight.  There is no
Hurry still I cannot wait.  I see two phantoms
In the gloom=It is us we two right now- we
Approach in the mist those golden gates on
High where we wiii be joined together Almost
I hear the angels sing and the trumpets announce
Love Love is is it not a wonderful thing?  Two that
Were parted- are still in love .
Where death is not known but the broken hearts are
Healed.  Of this day the angels sing:
                  


Glory Glory Glory to God in the highest
Glory Glory Hallelujah
For now and all the times still to come


Oh little    
flower
Does it
Seem I
Make too
Much of Love
Perhaps you would
Have me gayer
Give me
Time its just I have
Missed you so
Much



*French song"
Long Temp Que Je t'aime   Jamais Je non t"Oublerai

By. Lauren

I desperately want to date a girl
because I am lonelier than a squirrel.
I live in a small town
Tinier than any other around.
I am gayer than a curved line.
Lonelier than a tree.
But I live in a small town
tinier than any other around
where no other than a friend or two
knows I am gay.
So I stay lonelier than a squirrel.

Licks drip drip from this ***** nuggut head. Shoking **** to smutherines till the finger nails stain and stink stinky stank.Google your mother and say *******. Game the **** out on snickering dolls. Dolls ******* sound like something I'd stay away from. Watch your self washing wealthy washers washing winky face senders. Why is this the cost for gross goon gone going guilt got goalies getting jiggy. Golly wolly blame Blair Walsh for freddie fender licks getting gayer than aids. *******! You'll pay for that restitution fling that held horns haunting holy sanctions. Did I say something. Oops. I can't believe your living here amonst me. Red red rosed cotton swabs bucause the dude don't *** wipe. It's funny to hear my ***** backwash.