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An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Moriah Harrod Aug 2012
A fire started in the baking store on Pudding Lane last night.

I stood across the street and watched the cobblestone break away, the ruddy bricks of kiln-soaked stuff crumbling at my feet. As people came and gathered round, and watched the flames rise up, I could only wonder what the bread was feeling, it’s life coming to a brittle end.

I began to doubt my mental state, for it was only bread. And yet I felt an urgent dread rising. It started at my toes. It rose up through my knees, begging to bend and spread, as if to say, “You can run, run, run. Save the bread.” It crept up through my hips, my stomach, into my arms, and up to my scalp. It was intriguing, this dread. I stood completely still, denying the temptation to ‘help the bread.’ My body wanted to panic, and it was enthralling to feel this control in my denial.

I looked up at the canvas, the canopy of the store. It was fringing and shriveling and blacking at the corners, flames licking like an acid that leaves an ashy residue. The letters of “Abruzzi Bakery” looked wrong here, like an abranchiate fish. I felt a flash of hatred for the letters themselves, the way they were shaped, and if in the possession of a knife I would have been tempted to slash every letter away. It was hate, pure and simple.

As suddenly as it had come, I looked at the letters once more and there was nothing. I felt nothing. The windows were browning at the bottom, caramelizing the glass from the heat. I thought of me, caramelized, like that glass. What if I were see-through? It was an appealing thought.

People were still crowding around, and I wondered where the men were that would save the last of the store. I looked around me and the faces of the people were contemptible, disapproving of the conflagration. I was hurt by how they shunned this phenomenon, this magnified chemical reaction that reflected in my eye and appealed to my senses. I couldn’t associate with their way of thinking, another doubt of my mental state.

I stood here, with a gathering of people, and as I looked around, I slowly began to feel as if they were the conflagration, these people with their scorning minds. They were but a fire in humanity, a fire that did nothing but kept burning and hurting. I felt an odd sense of brotherhood with the fire, and I was ashamed that people had to see it. These people did not deserve to see this act of beauty happening before them, and I wanted them to go away.

A mouse scrambled out the open door. It’s tail was ashen with a few sparks of fire still on its tail, living from the oxygen around it, but slowly fading.

I realized that it was symbolic of what humanity is. Humanity is a fire, glowing bright. But like this mouse’s tail, it had to end, and would slowly rise and fall with the mixture of oxygen it comes in contact with. I realized I wanted no part of this. I wanted to be nothing but whole, a brother of this roaring sensation in front of me.

I couldn’t help but wonder if Johnny Cash had also understood, when writing “The Ring of Fire.” Maybe he knew, he also could grasp the concept of fire and its place with humanity, and like I was starting to, wanted nothing to do with it. Him falling into the burning ring of fire was not a tragedy, but an act of righteous martyrdom.

I walked across the street, separating myself from the soon-to-be fading gathering of this sickening humanity around me. I felt the sparks of lit ash hitting my arms and began the denial of running away. The control of my denial to save myself would be hard. But I knew. I was saving myself. From everything in this world that did nothing but look down upon that which had more of a right to be here. Of that which was here before them, and that which would be here after nature’s tolerance of the abuse failed.

I was in the bakery now, in the belly of the beast that was only misunderstood, and could only be my savior now. And I understood all the doubt I’d had about my mental state. It was not impaired in comparison to others, it was heightened. I was the only one who could see what it all really meant.

I sat down in the flames and, as I felt it appropriate, began to sing “The Ring of Fire,” feeling Johnny’s spirit sitting next to me, singing along.
// loosely alludes to the Great London Fire ~ basically a bakery fire on Pudding Lane
Justine G Feb 2015
I gave myself to you,
surrendered to desire.

What I thought was toasty warm
turned out to be a fire.

You built me up
with words of how
lovely I could be.

All I had to do was
promise to never leave.

You ripped apart my confidence,
stripped me to the bare.

Pulled at my fringing seams
until nothing was left there.

You fed me lies of love,
kissed me with your
sugar coated lips.

You made me unhealthy,
your sugar made me sick.

By the time I tasted love,
you had fled away.

I should have known
you would never last.

Sugar has a habit
of making things
decay.
Alexa Sz Apr 2010
F
Fathers faking false feuds
french folk fills fun facts
fringing fat failure flips Fredricks fame
Frappe from France
Fit from Finland
Far from Fiji
Flat fix from Florida
Fini finished!
Chloe Hunt Sep 2016
You damaged my heart
Damaged like shattered glass
Glass that cuts through the only thing keeping me together
Strung flesh that is fringing with tears of sorrow
Once was glowing but now dimmed and dark
A foggy maze with monsters and clowns
Laughing
And now invisible
Unanswered questions
Unanswered moments
With only footprints remaining
Soon to disappear
In God’s mind,
there was infinity.
a slowly whirling,
glittering,
eternity
of terrifying bright night,
full of
flames that sprinted in ellipses,
and marbled floating globes with
golden belts of grit and sand
all this,
tethering His earth with their
gravities.

In God’s mind, there was
a glassy-toothed plesiosaurus,
smooth-skinned,
dark-eyed,
soaring through the
airy
green
deeps.

In God’s mind, there was
a rumply, wrinkly boulder of an elephant,
curling his corrugated trunk
shaking his curving tusks.

And in God’s mind there was His Child.
In God’s mind there were His children:
heads, feet, hearts,
muscles, nerves,
veins, eyes, and hands and mouths.
all these.

And once upon a time,
in God’s mind,
there was a
small,
feathered thing.
light-***** and fragile,
with a pert, sassy **** to its head--
a daring rascal of a bird!
It had a thin, flat tail like a paintbrush,
that flicked and bobbed as though
held loose in
an artist’s indecisive fingers--
As for the feet, their scales were like a lizard’s
gray, scalloped ones,
fringing eight skinny claws--
such a small bird!
And the wings --He smiled--
the wings were the best part,
those bronzy-edged feathers,
as neatly lapping over each other
as shingles on a roof.

Ah, yes,
in God’s mind there was
a sparrow.
Rina Vana Dec 2016
I saw him for what he is and what he will be. Physically. I sat right there before him admiring the enlightenment he had already acquired. I noted the many hints of wisdom wrinkled into the skin of his face. I heard the drum of love beating. I was not sure of its origin but the song was melodic to my heart. Beat for beat, I cleaned my slate of insecurity. The past settled like the dust of a rough storm and suddenly I felt free and present all within his warmth. He shook me mentally.

I coughed up the blood of past lovers and froze it for days. I donated that frozen box before I thought to toss the giveaway. Maybe I am undeserving of sensational awakenings such as the gift of him. I blew too many chances with others willing to grant me unlimited wishes. The rest I threw into an ocean of young souls in need of lessons. He told me he loved me under a full moon in Sagittarius.

Speechless was I as the sun woke up; still drunk and sticky on the mouth with breath tasting of tequila and lime, barely hinting I bit into it recently. The same flavor of your weekend visit’s kiss: undeniably recognizable like a favorite Yankee candle. Careful to fall beneath layers of thoughts, I stretched my toes out as if they could touch the wall. Under my aching body the woolen rug felt too rough to have slept well at all. Dreams flooded and fled from my reach. You were there again, but this time I let you be.

Honeymoon: do you think about that word? The mention brings the mind to prasine palm fronds filled with bliss that shan’t ever again be captured in life. It seems the world has noticeably accepted this proposition. With refusal of conformity fringing the tips of my fingers, I dangle the tingly fabric across your solitude. Honey drips south around the craters of the moon and into your mouth. Sweet and warm and fresh of ***.

The sun rises higher to reflect light onto your shoulder. I admire the illumination. Your eyes peek open and pull me in under blankets with your hungry touch. It is morning and I want you.
-
I roll over onto a bed of my own scent: vacant. Threaded memories pulled out of their booklet and shredded. I shrug them away. Under the floorboard I find myself, scratching until my nails bleed blue. I scream until I grow tired. The air in here is nonexistent. I try to balance my breath but I am breathing so fast now I do not know how to slow it down why can’t I keep calm I think I’m going to pass out just calm down. I think I am going to die. I die until I am discovered under the floorboard. I breathe again.
on soft feet the children
move on the leaves
tumbling up the color

and waste of warmer days
I wish we had
forever to cross this place

dust blue foliage fringing
the rocky edges up from the water
and air
and history

behind you quickly
the black cockatoo
plows the tight air
Raphael Cheong Sep 2015
If only you knew
The poems I wrote about you
Every gaze left unrequited
Every time you rustled the leaves in this garden
And I had to turn myself invisible
Because I could not let myself love you
Because I knew you'd never love me back
Not in the way I wanted you to

Fall comes and I hurt
Sights of couples stacked on benches in parks
Even the leaves collide more consciously than ever
But here I am still
Pinning for a touch

Here I am sitting in your car
Watching the windscreen wipers go left and right on this rainy Sunday afternoon
If only you knew
How oppugnant my mind was too

Even the trees dance
Even the trees dance?
Even the trees dance!
I warned myself not to get into this trance
Even on the nights you wrap your arm around my shoulder when I'm hardly myself I know
Nothing warm is gold
And it will not stay

Even when you brought me away from the fangs of the safari
Even on the dusks you've saved me I know
All you do is tie
And cut
And tie
And cut
Our strings
And how well I played the fool to all your tricks

But you will never know
You will never know
Like the tattoos on your back that you will never read
Like the airs I feign that you will never breathe
Because you will never
See the way I look at you
When you turn the other cheek
With your eyes on someone else

I wish I was different so that you could learn to love me

Just words hanging in the air now
A comical portrait of self-destruction when I look back at the words I've written
So necessary
Fringing on insanity
Harping on a monster without wings

Still I had the last laugh when I
Played the fool to play you now these
Scratch marks mar the charms of your tattoos

But you'll never see them just as how you'll never see the ink I bled for you
I decided to name this one '(Unretitled)' because it suggests that the writer tried to retitle it, but thereafter decided against it. Much like the subject matter of the poem being about a sense of unrequited/unreciprocated love and the dilemma of struggling to tear oneself away from it.
neth jones Oct 2021
I see a lot of Night Moths by day
                                            this year
they battle along
ground level contours
they risk powdered tissue wings
whapping against your person
I question their mission
and wonder what cause
would be worth
such perilous behaviour ?

            

Spider descends on a fresh thread
new project ?
Changes its mind
re-spools itself

             *


autumn sun and breeze
weeds fringing a vacant lot
settling quiet in me

            


i stop
rabbit is still
rabbit blinks
agreeing to run away
i step and rabbit runs

             *


Birds grounding themselves
energy conservation for Winter ?
they feign at being flightless
and eat ground level berries
Lucanna Dec 2014
I sit on my sectional, a witness
to those vulnerable beings
pulling at scarves,
yanking at gloves
clutching at down jackets
I find great entertainment by this.

They have waited until November
When I have resided in frost
since last October
All       year       long
I held onto turtlenecks of impulsive irony
I bore
thirteen layers exactly
of self pride
I wore gloves religiously
that were knitted out of masochism
and egocentrism
And I drank from cups of hot cocoa
brimmed with whipped irony
during the month of June
I was far to eager

Now these glorious beings
surround me
clinging to warmth and long john material,
sitting closest to the hearth

All I can do is laugh

I searched for a shell
in June
I decorated a tree of longing
in May
I reached for a fringing
frolicking
frock
in July
that would
:gasp:
keep me warm

Fahrenheit resided in
pelvic bone
fingerprints
desperado
and seduction

None of it warmed my bones.
In the spring of 331 BC C., Alexander the Great left Egypt returning to the port of Tire, where his fleet was. From there he went to Antioch, crossing the valley of the Orontes River, and reached the Euphrates River at the height of Tapsaco, where he founded the city of Nicephorus to be a stronghold and storehouse for army supplies. Here he learned that Darío was in Arbelas, so he crossed the Tigris and headed north along the eastern bank of the river.

The sibyl Cumana was at level 97 of the wind tunnel when listening to these waves, very close to the doline karst, in avidity of Pythia Delfica with divinatory proselytes that crossed folds of her attire, in pleats of a brain divinatory flock. His Cumana relativity was spent on the mausoleum, prophesying life for all in the passion of living together with the bodies abandoned by the souls of the Devotee, and in the innocence of the soul that slips away, daunted by not being desolate, amidst the parchment of Lilith, and in the offerings of the Strigoi, for breaches of troubling visions of darkness from the cavern of Chauvet, by sacrificing competing sense-emotions of Lilith's malefic Votum. Only one can exist as an inviolable part of chaste Wonthelimar tradition, groping the Xifos with human sheepskins, tectonic offerings, and fringing the altitude 103 of the Strigoi wind tunnel.

Vlad Strigoi Sings: “Mardiath, noble and loyal hussar of the Vernarth Sea, Chief of the Gulf fleets, came from the deck when he turned around the bowsprit; he was picked up and hit by ropes in parasitism, which shone like strays. Oars of gods in supplications that were felt in the whistles of the wind. He approaches and descends dark staircases in the direction of the water piston, whose heresy in a Vladiana ship was pending. “When I train myself to write by saying who I am or what I am, I only receive massive abscesses Saecula Saeculorum, not finding the basis to confess. They say they do not know what to reveal because there is no content that compares to someone who does not have Age, Life, or Compassion, that I only have to communicate as a Strigoi messenger?. Now I know that no one will sing my thoughts, there is no ink that dares smear a comparable calamus that resists my word of Strigoi ammonia, usurped from a Balinger ship to some Flemish pirates, seconded to the side by a Panescalm barge, which shot 64 thousand bodies massacred from the Bubonic Plague.

Mardiath graduates from the Ballinger and leaves his sword to Vlad next to a geographical table to rediscover destiny in a maiden who attends to his disorders, more than a ganglion suppurating prostration. He goes back to Tire to meet Vernarth, and his henchmen to finally head to the wild fields of Gaugamela "

Chthonic Prehensiles referred to the gods or telluric spirits of the tectonic underworld, as opposed to celestial deities, appearing in the tubular ascension of warm wind, which crowned the consecration, and those who were above waiting for them. Oblations of light illuminated particles of woodworm that were suspended, expelling those that were magnetized from the phosphorescent matter. The disjointed syntax became periodic in the words of Strigoi, from the Capite Velato or veiled head from the Strigoi Ballinger who managed to reposition him. In double increase of sap, it made him less to resist his life and his closeness, lying minimally before Wonthelimar, and Mardiath who filled him with the company in the eyebolt that supports the path of his sullen life.

Sings Mardiath: “Vernarth's troops would depart from Tire where his fleet was, which came from Sudpichi, from the Horcondising Empire. Legend has it that in the heights of the Gulf, when his army was sailing, a mysterious tempest of hot air from Hormuz broke out on his squads, at height 665 miles from Um Kasar, they had found a ship from present-day Romania. When they spotted them and intervened inside this frigid ship, there was nothing ... just creaking masts and their main yard that was spurring, presenting palisade curtains that came from Sighisoara / Transylvania; where the very similar Vlad Tepes was sitting behind a captain's room writing on his desk. Every so often he would take out a handkerchief to dry his ****** nose, like a pinch of gelatinous ink, shady and stained”

Isaías sings: “The presence in the corresponding versed folio makes relative the prophecy of Immanuel born of a ******, who is associated with a similar Virgilian prophecy of Cumana, justifying its prophetic symbolism. Here is the admonition that blackens the skies where the light retracts, thousands are chained during the announcement of a thousandth that climbs abysses like the fateful Strigoi, and only tribulated pasture will have to transplant rebellions, which lie asleep for the awakening of the ideal of incipient spiritual ******* dressed in execration. Has the conflagration of the heart that resists death been unleashed and that agonizes several times in the ...? The conditions wait for the apostates to refuse the water that does not make them optimal, and makes the radius of obedience of the Vernarthian heart elliptical, full of granules of Physconia lumpy, whose frequency encysts in the bodies of treacherous, kingdoms and fungal lineages. The reign of the saints will judge plurality on the thrones with devastation in the fatuous beatifications in Pergamum, already admonished by me.
Codex VI - Strigoi Asthenosphere
Kelley A Vinal Nov 2014
The wonders of the world
Fringing train track paths

Cities of concrete gold
Buses with lingering laughs

Conductors wave to asphalt old
Birds flutter in stone-cold baths

Colors become slightly more bold
As windows sweep the street light past
The New Kestrel Jul 2013
My first thought is
I love you.
I want you.
I'm scared to go farther.
To hurt you.
But I still wonder if you'd let me.

This love and pain and wonder
Is eating me alive.
I worry constantly.
Especially since the pain
Will not be mine.

I am scared that
Our feelings will fade.
Wash away like a memory.
I'm scared to go farther.
To drive you away.
But I still wonder
If you'd stay.

This curiosity kills me.
Lightning in our skies.
Fringing the ends of my heartstrings,
Encasing me in my own lies.
My mind tells me
something is to come.
All I need to know,
Is that it's false.
Not written in my point of view. As I believe another views it.
Shivang Ambardar May 2016
I walk through the main door, heaving my gaze on every little thing I could see,
Daggering signs of unkempt mess, spread all over the floor,
Fringing little pieces with signs of dust obscured upon,
Every little memory I could reminisce, every solitary object thinkable,
And I realize, that I’m standing in the same living room,
Which once filled with unmeasurable content, Is now long forlorn,
With the walls brushing out It’s colour, floor musty, ceilings ambiguous,
Belted, I stride towards my parents’ room, still average sized, albeit dullish,
With the purple colour turned pale white, windows covered with hefty dust,
Spots where there were perfectly sketched paintings, now withered,
And my small buried light of hope dashes, bursting into flames.
Next I enter my room, the place where it all began,
All the hopes and ambitions, the curious revelations,
The curtains, once a heavy shade of blue, were now worn out,
The walls had spit out it’s true colours,
And the essence of the cologne was still there, but rotten.
I stand for a while, motionless, allowing the memories to rush down into me,
Eyes closed, while my eyelids flicker, as if reliving it all,
Shredded with the load of despair, I walk out,
Through the living room, and as I ponder upon all the long buried mystical memories,
I close the main gate, lock the house,
And keep the key exactly where I found it, under the rugged doormat.
The nameplate read “Home”.
it seems to me that the child is beheaded –
there is not much to look at in this paling weather.
moderate climates douse their bleak, blank face-ovals,

their frigidity has no relation to stone,
their silence, loveless as a fabric is torn wild
by a rabid dog, dragging it senselessly against the furniture.

outside, the whiteness bears no reputation of laundry
impaled to clotheslines: frilling at the collarbones,
fringing at the high afternoon, distinct flutings
of iridescent night-gowns,

they want the life of some lovelorn progeny.
the scald of water is his trademark – it seems innately natural,
those who, someone else lauds the **** verdigris
  of trees, able to tell how immense the stasis
  of the darkness is, outside when all homes bellow
a concatenation of absences:

  it seems to me the child is guillotined at this
moment, verily, in moderate climates.
Veera Singh Apr 2014
A graceful death,
That's what she always wanted.
No one has to mourn her.
A sound sleep and smooth slide to oblivion
Flesh turned to ashes and strewn to feed the wind,
If that's the only way she could "go places",
So be it.
Surrounded by people
Clambering for just a peak at perfection.
Given her good looks, She was used to attention.
But this does have a quality of a celebrity.


Skirt wrapped around her endless legs,
One feet crossed over the other;  
Gloved fingers absently pulling at the pearls at her throat
And her face...
Her face.
Serene in quiet acceptance
Eyelashes fringing her cheeks,
The red lipstick was perfect.
No not perfect, it was angelic.

Who could have thought
A picture of such serenity would have
shattered glass on the mangled car roof for a bier.  
  
This was her leap of faith indeed,
Alas the let it be the final adieu,
The show is over.
Take a bow, Love.
Ar Bazian Aug 2016
All within the dyed robes of rhyme,
and the subtle dispatches of sinful woe...
Enchanted in wisdom; a pilgrim's trot,
waging and waling at the spot.

Fringing at the hands that drew his fate,
ever so lonesome in his wait.

With scattered fears, roaming earth,
in search of what, truly, is dear and dirth.

There is much freedom, need I say, in passing time...
In the careless precision, pattern, and chime!

Dearest dreams, do float away,
and water my sight, with not grief this today!
While sweetest passions, of ides a-due,
devise in garnishing thoughts of two!

Later mine hearts, when candles do,
shalt guidance us to all, when I am through!

And when thine waters cease further fall,
all virtues when on then, shall hitherto stall...
Beware of that widow, that mocks at our night,
in pitch perfect light, stings mostly she might!
for when golden braids,
spike at God's feet,
away, shalt thy singing,
make surely we meet!

A.r. Bazian
Edited on August 20th, 2016. Originally part of the "Diaries of an Immigrant Soul", Pt.21, by A.r. Bazian, published on Writerscafe.org in 2012.
As they headed for the roadstead of Skalá he was eclipsed just as he had been predestined by Wonthelimar. They had contravened with Apollo after coming from his winter appointments in Hyperborea, he came to meet his twin sister Artemis towards an olive tree that would be the directive of the battle of Patmia with the Zefian arrows and the Iberian Rings of Wonthelimar in the direction of the Zenit, with the first arrows of the string of the arch of predestination of the blessed land as Skalá will be, commanding and carrying the insignia of Hyperborea with Zefian and Vóreios violating the stormy East bow after addressing the sibylline oracles, which already had the date Synchronous of the Flegrean Fields, to locate the Codex Raedus n °VI of The Cumana sibyl that was found at elevation 97 of the wind tunnel when listening to these waves, very close to the sinkholes, in avidity of the Delphic Pythia with divinatory proselytes that ran through the folds of her garb, with pleats of a cerebral divinatory legion. His Cumana relativity was distended from his arrival at the Mausoleum, prophesying life for all in the passion of living together with the bodies abandoned by the souls of the Devotee, in the innocence of the soul that slips away daunted by not being desolate, between the Lilith parchment, and in the offerings of the Strigoi, for breaches of the troubling visions of the darkness of the cavern of Chauvet, by sacrificing competitive sensory-emotions of the malefic Votum of Lilith. Only one can exist as an inviolable part of chaste Wonthelimar tradition, groping the Xiphos with human sheepskins, tectonic offerings, and fringing the altitude 103 of the Strigoi wind tunnel. After writing the 9 books of the Synoptic of Rome and of King Tarquin who rejected it until the last three books that the Sybilla had burned were awarded, after having challenged the six that made up the compendium that Apollo had written for the approval of Rome.

After they distanced themselves from the contravention of Apollo and Artemis to the southern east-west magentism. They would carry their belongings with the "The Ibic Rings", which would be the transmigration towards the cardinals and points where the Megaron of Vernarth was going to be exactly after the battle, arguing that the Zefian phalanxes would be ordered in Sintropia and organic chaos in Patmos, where Pythagorean proportions would be made in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile was made of religious Saetas and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus. Zefian's tendency was to blatantly delight afterward to pull the bowstring, to spooky existence; presuming that where they fell would be the beginning of the storms that would originate Áullos Kósmos Megarón! for calm courts imposed from a cosmos, who were directed by committing themselves to the will of a doubtful Vestal god advocating the association of the hospitable Canephores, as Roman bilocation Vestal Virgins, and quantum parapsychological of the feared inter-fable alive that rebels in the arrows that still They did not fall, not knowing of their whereabouts, waiting for Apollo to launch them, like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the hyperboric Duoverse contravened organic, vigorous and anti-curd even in the divine origin celestial as a *****-ovule parameter, rather in aeonical instances in the furnace of Hestia, running eternities into vast volumes of light-years. From the medrones of Wonthelimar's antler, regenerative sobs grow in the Ibic Rings that were native to the Nyons massifs, taking hold in the Seven Ibic Rings. Before reaching the Battle of Patmia.

Ibico 1: "The first one was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, then he would find the light when he left the cave alive if he was accepted."

Ibico 2: ”He was guided by Vlad Strigoi in the priesthood center of his shelves with the Chiroptera, and others of the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus ”.

Ibico 3: "From the Eygues, the waters evaporated for healings of the tormented initiation processes of raising the four Zefian Arrows, to indicate the zenith of the Megaron."

Ibico 4: “This ring was from the antlers of Wonthelimar, here they wore the Oikos or threads of Gold from Orfí, for the Himatión and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Valdaine ”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Helleniká and Theoskepasti".

Ibico 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron, up to the millimeter shoulder of the assembly of the square meters, which will illustrate the Acrotera del Megaron "

Once the Rings were instituted, the Arrows after the Codex VI of the Sybilla Cumea, everything would turn green in the direct plane from Grikos to Skalá, causing splendor in the Emotional Subclavian Kabbalah; bringing on himself his own external atmosphere of Zohar Light attracted by Saint John the Apostle, expressing with this phenomenon the scene of physical mysticism, to induce the archetype of great volume of the Kabbalah pipeline between both points, mobilizing between these two nodes the Vital homeostatic of light and divine blood that would be transported by the dualistic subclavian that could be seen in the floods or roads that led to the place of confrontation, displaying the Greco-Judaic vital of language that poured through these fistulas of light to overcome the red blood cell bloom; That would be portions of the presence of divine blood of the Mashiach, where every arrow has its focus as is the Torah in fulfillment of a sky adorned that was positioned on the figure that was sniffed by the essence of a skeleton exempt from a Subclavian, that only with it and the emotion of Saint John could be exclusively Kabbalistic only transported by the Zohar light that Vernarth and his phalanxes offered in anticipation of their Misná, and not of the nocturnal powers that exiled the luminous circles that left them circumscribed by the full moon that it would unite him around its intensity, and that it would degrade into the Platonic theocentric. The works of projecting indeterminate successism the uncontrolled defragmentation by the higher orders where their unity could be reiterated in the mystical memory, over the divine irresolution of right and inconclusiveness of the deductions of the full moon, therefore the Subclavia of Kabbalah will exonerate these ambiguous emanations, to starting from the ordering of the ibic rings, procreating in them the order that is not replaced or reversed.

Ibic 1: "The first one was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, then he would find the light when he left the cave alive if he was accepted." It indicated the Kabbalah of Saint John of everything known and remained stable given its transcendent radiance with the cosmic energy that was usual, preserving, and at the same time externalizing the absolute presence, purity towards the stage of absolute admiration, while stillness and silence he was fascinated by the creatures of the expectation of an extra personal Vernarth after the eschatological of his soul.

Ibic 2: ”He was guided by Vlad Strigoi in the priesthood center of his shelves with the Chiroptera, and others of the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus ”. It was consigned to the superior spheres of the eons and ignorance of the destiny of the lamas of those who would go to collate in this affront of Patmia, relating Gnostic tendencies with the epigraphy and materiality of the Cinnabar as the elemental computer of the Vas Auric of Limassol and the canticles. from the esoteric melisma of Vlad Strigoi.

Ibic 3: "From the Eygues, the water evaporated for the healings of the tormented initiation processes of raising the four Zefian arrows, to indicate the zenith of the Megaron." All rivers flow through the Kabbalistic of the Subclavian, for she upholds the correct uses of the pastoral sermon that would reach the venerated elevation space of the Megaron with her homiletics.

Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the Oikos or threads of Gold from Orfí, for the Himatión and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Valdaine ”. The centrifugal speed of the rings yearned for other geographical heights of Valdaine, near Chauvet with the epigraph saying that “all vibrations lead to the Onyon massif, in the mystique of beings that will always lift the trees of the growth variants, such as those that are the medron in the antlers of Wonthelimar.

Ibic 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned with the Mashiach." Universes can be divided into numbers or letters all interacting alphanumeric. The multidimensional Duoverse stipulates that Vernarthian submitology flatters the Kabbalah that clings to the stria of St. John the Apostle "Duoverse" The new universe of Vernarth being apologetic, Jewish and also Hellenistic, therefore skews from our creator and all creative thought theological in all its creation. Divine providence and grace are and will be their hierarchies to have a universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of royalty of manifested Christian meditation.

Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Helleniká and Theoskepasti". The sixth medron or somatotropic nutrient, speaks of a vegetality converted into the tree of life consecutively as the cartilage of the antlers, which was Kabbalah of the random pollinations, but messianic centered in the radius of the islands of Kímolos. The female figure of the twilights was saturated with pollinations of Lepidoptera that looked like their angelic cloudscape.

Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the aphonic lexicologies, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise according to the final medron of somatotrophic growth, up to the millimeter shoulder of the assembly of the square meters that will illustrate the Acrotera del Megaron ”the euphony of the preservation and transformation of Cinnabar will contract the vocalizations or Antiphons in hexameters, as Voices of restructured Sybilas materializing from the six books cremated by Sybilla Cumea, trying to reissue them in the circle of contemplation.
Kabbalah Subclavian Emotional
Jenish Jul 2020
The welcome sun gilded, the mighty seven mountain peaks
As fingers adorned with rings, they lay aloft our eyes
Beneath our feet, the silent sleeping snowy snake
Conquered on the kiss of cold, a cambered frozen line.

The eternal night of valour, written in silver past
Still shining in the faces of unshuffled uniforms of bravery
Twenty daring sons of motherland, in the ticking clock of darkness
On the giddy throng of foes, fallen lightning strokes.

Time was what they need, till the distant succour
They fought an infinite war, fringing their martyrdom
Until the land kisses, the unclouded moment of victory
For the present cradles to sing, made their last salute.
Evan Stephens Jul 2019
White roses hook sleeves
in a hot rain park
as we hurry to leave
a new fringing dark
of clouded eaves.
I drink mezcal, you sip
soft wine, we kiss
at the bar as storms slip
through streeted air
with a springing hiss.
Lightning lashes bare
angles of pink night.
We lean close, share
Sunday's appetite.
Jenish Jun 2020
Grows the night, tremulous passage nigh
Aught of earth ushered my boat of hope
Tint of virtue brightening cressets
Lights of love, I left behind the shore.

Grows the night, for the glitter I rove
For the lost heaven fringing my fate
Hue of kindness, I shown in the land
Eased the pain of death, while grows the night.
Jenny Gordon Mar 2019
Hint:  see his sonnet on his second wife Catherine, specifically the line--"...vested all in white--"



(sonnet #MMMMMMMDCCXVII)


Snow.  Was last summer traipsing through a tale
Of mirey puddles?  Ah.  Tis wet fr'intents,
But with frore air presiding all's white hence
Or icy, like the curving claws that hail
From silent eaves, no scimiter--in pale
Excuse for fancied heights--but fringing thence
The void twixt roof and far below, a sense
Perchance of grasping in their scope's detail.
I look out half surprised all's buried fer
The umpteenth time, as flakes cavort now through
Unnumbered hours likeas soft mists in tour,
Sip that espresso foamed milk crowns anew
In thoughtful silence, not unlike that pure
Calm listning as snow falls in silence too.

17Feb19a
"...all in white---" has such a sanctified sense, doesn't it?  I've wisht countless times to amend the text notes on that reference since even David M. Mains failed to realize whence Milton culled that idea.
Lazarus nyakundi Sep 2019
Lying behind succulent lips
dressed in tiny pairs of wings
paranoid of consigning their souls to the skies
for the sun is briskly fringing their limits,
below them lies reflections of broken tongues created
by inkling souls
petrified to let pungents' of truth slither through to
my heart
because they know that it needs not beauty but endurance to sturdy,
the truth.
Alyssa Oct 2019
midnight curling in my hair
soigné drapery in tangled disguise
cascading indolently down my back
and on my fingers twined
sinuous complexity in every strand
fringing the pride in my eyes
Debra Van Ness Nov 2020
'You, Me, and Us'
Hello, I am you, you are me, we are "us" and also past and present.
Never insisted to know who I "am" and who you "were". But now I see it much candescent.

    Gone are the years of  last fateful life
      filled with black voids and blood of knife.
      Depression marks his evil tone upon
      our own. Leaving us rusting in the years,
      tainted orange tears.
      We, the one soul, yet each our own,
      I  have shown now what asked  be known.
      You are welcome. Finally! But what you
      could of grabbed from the far reaches of
        your every sick or healthy choice.
To the grit!  shall we go now?

Life is a mud bowl drowning earth, worms writhing dirt. Slips on wet as a stream of silt. Then sits and
dries until we wilt.

Look within. Brought are the maggots of the boil... the boil
of the ugly dried up truth of coating stiffness.
Seeing night and living in light and darkness. do not
question "why"? A purpose far fallen into the pit of
"living".... is also dying.

Darkness must charge against the light and teeth must chatter fright to know the day from night.
Fringing on the edge of the cliff which sits still,
canyon waiting for something to swallow.

Let the shocking fall into the numbness call.

SHOCK! let it flee throughout the brain and demise
the swollen gel inside the rotting head.
Dream a night terror of any kind in every
corner of the mind.
don't rhyme, if you choose to flitter the words
in some chasm of dungeon's time.
Do, if you wish, and swim with the bitten
fish which wallow through red water wounds.

"I am you, you are me, we are 'US' "!
Welcome to the reveal of my latest meal.
© an hour ago, Debra Ann Van Ness
Someone writes through me at times. Or perhaps I AM REALLY crazy!
Fraying vines are kicked up, swinging,
Winds changing course to shield them,
Desperate calls are left out ringing,
No response or reaction

A watchful bounty boasts of the autumn haul,
As members, strewn about, are hinging
Wasted flags are clotted in the smog,
Of cities running hot, unflinching

Coerced by diamond songs and halos,
Complete, concise and fringing,
Tangents whizz past the silos,
Around its frame, fogs collecting

Fabled hands reach out to touch me,
Freeing threads from connecting,
Watch the world shed its colors,
Rainbows diffracting shades down the river

The clamor of business arrangements, far overreaching,
Legislate a syndrome
Parasitic clauses penned down are leeching,
Their soldiers sent home,
A *******'s rules are best left for breaching

Stitched within the puppet's membrane,
A captain's log for watching,
Left alone these methods will stain,
And lead us all to nothing

A thank you for our time in passing,
Pleasing rounds of discourse singing,
Asking for what cannot be known,
Behind the curtains masking
Evan Stephens Apr 2021
Once, I was a man standing
in an airport, holding her -
a meadow of sweet, a hand
that browsed my secret self,
an incandescent eye that found
a gasp in the gap. And then I wasn't -
stripped of my companion,
I succumbed to whisky's scalpel,
lonely's pollution.
Now, fringing a sorrowful noon shush,
I watch an orange crossbeam throb
of crawling sun die by my foot;
considering this, I meditate in this glass,
pushing whisky into myself with serious intent,
pinned down by choices that are not mine;
the days slouch forward, despite themselves.
Glenn McCrary Aug 2011
In the violet obscurity of dawning dusk



You sink your pincers deep into my flesh



Injecting a paralyzing serum



Of bone crushing poison



Causing agonizing memories to resurface



Fringing the anatomy of my unstable psyche



Rehashing aerial degrees of searing anguish



Swamping me within a blackened ocean of bewilderment



Puzzled here I stand as the taste of salt touches my lips



Leaving bite marks carved upon the palms of these empty hands



On your toxins my physique gradually weakens and chokes



Journeying through the powerful charm of my eloquent diction



Why won't you depart from my memory, Why can't you just let me be free?



I no longer want to play the role of the prey entangled in your web of dinner



Sever my way to freedom and I shall tread in the wake of sunrise



For my destiny lies beyond this acrimonious hell hole



Perseverance is the golden key to freedom of turbulence

— The End —