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WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
Keith J Collard Aug 2012
Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.
Sharon Hawkins Apr 2011
The other day while driving down
      a winding country road,
I passed a house that took me back
     to days so long ago.
The shaded porch, the hanging swing,
     the oak trees standing guard,
The carefully tended flower beds,
     the wide expanse of yard,
The big ol' wooden rocking chairs
     where a soul could sit and drowse,
Made me recall so clearly,
     time spent at Grandma's house.

Grandma's house was always open
     to all who happened by.
Kith and kin or long-lost friend
     were met with a welcome cry.
"Come, sit and eat, we'll set another place,
     there's always room for one more".
And when you left you could look back and see her,
     still waving from the open door.

Many years have passed, the family is scattered,
     And that house is no longer home.
But whenever I should happen to pass,
     the feeling still comes so strong.
That I should stop and visit a while
     and a secret or two we'll share.
And then on its heels comes the knowledge,
     that Grandma's no longer there.
All that's left are fond memories
     that all of us grandkids have,
That we can recall so clearly,
      time spent at Grandma's house.
My grandmother passed away in 1977.  For a year or more after she died, my first thought when I passed by the house that she lived in was that I needed to stop in and visit and of course, my second thought was, she's gone.  Then one day several years later, while out driving in the country, I passed by a house that was a composite of all the places my grandmother had ever lived and it brought on a wave of nostalgia so strong that I went home and wrote this poem.
Up, O ye lovers, and away! 'Tis time to leave the world for aye.
Hark, loud and clear from heaven the from of parting calls-let none delay!
The cameleer hat risen amain, made ready all the camel-train,
And quittance now desires to gain: why sleep ye, travellers, I pray?
Behind us and before there swells the din of parting and of bells;
To shoreless space each moment sails a disembodied spirit away.
From yonder starry lights, and through those curtain-awnings darkly blue,
Mysterious figures float in view, all strange and secret things display.
From this orb, wheeling round its pole, a wondrous slumber o'er thee stole:
O weary life that weighest naught, O sleep that on my soul dost weigh!
O heart, toward they heart's love wend, and O friend, fly toward the Friend,
Be wakeful, watchman, to the end: drowse seemingly no watchman may.
Joseph Paris Aug 2015
Shake out your shining tresses, Love
Undress their dark contour as the pink stars rise
And drowse around the smoke-ringed moon,
Like roses in a whiskey glass.
Take time to dream a dream, my Love,
Tresses fallen across the curve of your face --
Sleep away the late summer moon,
Spooning the stars asleep in pink lace.

Lay down your weary bones, my dear,
Stretch out on vanilla feather-winged dreams 
My whisky rose petal kisses blown into the night
Finding you on glittered opalescent moonbeams
Grab hold of pink-starred sweet slumber
As  silken tendrils puddle upon your chest
Tangled up in each other's lithe limbs
Our blissful hearts beat together in tender rest
Rohit Mane Aug 2018
Sitting at my workstation I kept swirling my chair around,
Battling the strenuous drowse that tried to yoke me to the ground,
“How could this happen? This is the first hour of my job,” I wondered,
I chuckled. “How fool of me! It’s Monday today,” I remembered.

I peeked to my left to see an empty chair,
“No-one to talk around; hey, that’s so unfair!”


I cringed viscerally at the thought of spending the day without uttering a word,
I tried to re-task my focus on my computer screen when a soft voice I heard,
Made me turn, and as I did, I veered myself to the source of the euphonic voice,
I felt the dumbfoundedness of a person bewitched by a magical spell, twice.

For some moments I couldn’t decrypt the words that her lips uttered,
As I just kept staring into her graceful eyes, helpless and all cluttered.


She asked with a soft smile, “Is this person absent today?” and  motioned to the workstation on my left,
I felt my dopamine surge at the possibility of what might happen next,
I nodded as soon as I realised my tongue has gone numb,
She ensconced herself and smiled, her cheeks as rotund as a plum.

I swallowed a lump in my throat that I didn’t realise had formed,
I wasn’t hoping for anything like this but I liked what my day had unboxed.


“What is she? Are humans allowed to be this beautiful?” I questioned my mind,
Was she a manifestation of my dreams or an angel in disguise!
It seemed like her eyes possessed a power in them like Midas in his hands,
A sight of innocence that could even force the flying time to land.

I leaned forward a little to catch a glimpse of her pretty brown eyes,
She turned to me with a gaze of a doe and my tongue again got tied.


“Any problem?” She questioned me with a raise of her brow,
“Yes, your eyes. They’re too beautiful,” the response I couldn’t let out,
Instead I shook my head and turned my eyes away from her,
My peripheral could see her blushing; it seemed the bubble has finally burst.

I tried to venture a conversation but failed to remember the morphemes,
The anonymity between us allowed the nervousness to sweep in.


I sighed deeply and turned about to do what I’m paid for,
But her presence beside me made it harder for me to stay calm,
An unexpected “Hello” came from my left and an introduction followed the greet,
Although stunned by the suddenness I tried to smile at her, from cheek to cheek.

We exchanged our names and conversed a little for a while,
Before she got engaged in her work and I in mine.


After hours of punching the keyboard buttons I stretched my arms and yawned,
She giggled at me and I took it as a cue to move my first pawn,
I embarked, “I’m going to the cafeteria to have some tea”,
I hesitated for a moment and resumed, “would you like to come with me?”

She rolled her eyes and I understood she has refused my kind and genuine offer,
I began to walk away. “Wait a minute, let me lock my PC,” and then I saw her got up.


We walked our way to the cafeteria, slower than two people normally would,
My chivalry erupted as I held the door open for her as she entered the room,
We occupied a table for two and  it appeared like a date-night is about to happen,
With she in front of me and  the stories that we shared, it seemed like all the troubles in the world didn’t matter.

I mulled over the thought that I might have a crush on her smile,
But there was an absolute certainty that I had fallen in love with her eyes.


She shared some cheerful stories about her childhood and also the moments in her life she remorse,
She had a way of crinkling her nose adorably that made her appear cuter than she was before,
“You may have a body of a woman but you have a sweetness of a child,” I abruptly blurted out,
She smiled deep into my eyes and I could feel the brightest smile I ever had form on my mouth.

“That’s the sweetest thing someone has ever said about me,” she flushed a little while she said this,
It took us a moment to realise that we’re holding hands; the touch of hers was something I couldn’t resist.


We got up as we finished our beverages and sauntered our way back to our daily routine,
I tried to rein my thoughts that our day was  about to end, but my efforts were all just futile,
I just wished this night shall never pass as I wanted to spend more of my time with her,
We logged out of our PC’s as our shift ended but I craved for one last conversation with this girl.

While ambling towards the exit in silence I turned on my heels to look into her beautiful brown eyes,
I sighed as I looked at her and tried to settle down the feeling to hug her that was about to rise,
“I spent this beautiful day with a beautiful girl I wish I could see more of,” I said with truthfulness in my voice,
She smiled at the ground and then looked up, “You will. Tomorrow at 8. Here’s my number. The place is your choice.

========================================================­===
I wrote this poem for a girl I have a crush on (read: hopeless crush!). She works in my organisation only but in a different location than mine so I get to see her only once or twice in months.
When I first saw her it was the last week of March. For some reason she came to the location where I work and sat beside me for the whole day! But I didn’t get to talk to her or even ask her name as she was a complete stranger and also she was immensely busy with her work. (She was working on some important document.) During that day I only got to see glimpses of her beautiful brown eyes and her sweet smile but it was enough to give me butterflies in my stomach.
As fate would have it, after some weeks we ran into each other again!
She visited my office that day for some important work and asked me to help her with the printing machine as I was walking across her while she was having trouble with her prints. I immediately recognised those pretty brown eyes and the beautiful face but she didn’t recognise me. For her I was just a stranger that was helping her but for me she had become my crush.

That night while riding back home a couple of lines sparked in my head:

“I mulled over the thought that I might have a crush on her smile,
But there was an absolute certainty that I had fallen in love with her eyes.”

I instantly had a thought of writing something about her and what I did write is completely in front of you. I never had any intention of giving this poem to her and woo her with my writing abilities. I just used my affection for her as a muse to do something for me that I’d feel proud about. The above poem is the fictionalised version of the day I spent with her when she sat beside me for the first time.

I sincerely hope you guys enjoy the poem. :)
CHATTER of birds two by two raises a night song joining a litany of running water-sheer waters showing the russet of old stones remembering many rains.

And the long willows drowse on the shoulders of the running water, and sleep from much music; joined songs of day-end, feathery throats and stony waters, in a choir chanting new psalms.

It is too much for the long willows when low laughter of a red moon comes down; and the willows drowse and sleep on the shoulders of the running water.
roxanne Jul 2018
Below the surfaceless
looking above
under the furls of wavering clouds
all you'd see is that untouched stare
an absence of warmth disclosed
elapsing over,
collapsing over
you

Shallows edges so elusive,
as obscure as a serpents nest
anonymous as the rest,
intrusive like these dated feelings

and yet those eyes like minds wander
wonder as if it's ever been to lie beyond
those gated passages to Edens flowers
a pocket of hours been laid before you,

Ghosts.

And the continuance to roam
inside of these channels
left empty and vacuous

so out of depth,
with filtering essence of memory
faltering lights of ambiguity,
letting the pieces drip upwards

you’re alone together with what ties are to be had
you speak as through the pith
of this insecurity,
the plight of this immaturity

a footstep in the waters
spilling from your tongue.

Venture from the beginning
a start to finish
as though time bounded in ripples
your tinted sight lines
undesigned and impalpable
even through strategy

under the palms, your hands,
the happens mind of another kind,
settling not in stones but
in sands
a habitual mess of ingraining
always draining and seeping

never enclosing,
fostered only by a feint solace
in the flooded catacombs of yours.

A participance of midnights moons
in these swimming conversations,
cycled discussions
the rising tides of snake eyes
with one onerous touch
submerging your voice

into a fragmented drowse

burning notes left from pictures
choking out all that swirls
the delirious magnetism of weight that pulls to you
creating an astringent terrain,
as your blood is spilling down

a pipeless drain.

A manifestation of ego's brain bubbling down
under the masque of self-worth and integrity
into a thick mud
painted with entitlement

across a dotted line

the deeds of your fascinations
possessions to another
inclinations unbeknownst to you,
against the black skies
opposing truths of deflection

you find yourself with silkless ink
writing what you think it to be
beyond your skin

and the closer the pen drips
the tighter the bolts become
on the grips over your perception
a darker rainstorm

straining out
lifelessly.

Pressure slowly eased
into soothful washing
though cliffs eroded from memory

cresting the hall
that remains beneath

as a little boy
with glassless eyes
and a mouth full
of rose thorns,

Greeting you

To the welcomes of goodbyes,
until the shrill whispers
of the sirens of deception call you

once more

threading over your faces
elapsing the rims of reality,
overgrowing its garden
into a shipwrecked valley

warped by tainted reveries.
Young Soda Dec 2014
supple and orange to the taste
like a water slide to a desert
in a wild goose chase
just a hair short of a bone
ninety nine of the smallest ones

cracked open ventilating
dancing vapor
a slow shift in flowing feel.
soak up the gray
you turn to cellophane

only on the inside
you're alright
the ball keeps on rolling
around that big old fire

the cushion smiled
warmed by your seat
pressed into a drowse
you catch the change

wonder the time
about that
settled cataracts
smooth rolling cadillacs
big old Adirondack
smiling in the cottage.
I

1 Our brains ache, in the merciless iced east winds that knife us ...
2 Wearied we keep awake because the night is silent ...
3 Low drooping flares confuse our memory of the salient ...
4 Worried by silence, sentries whisper, curious, nervous,
5 But nothing happens.

6 Watching, we hear the mad gusts tugging on the wire.
7 Like twitching agonies of men among its brambles.
8 Northward incessantly, the flickering gunnery rumbles,
9 Far off, like a dull rumour of some other war.
10 What are we doing here?

11 The poignant misery of dawn begins to grow ...
12 We only know war lasts, rain soaks, and clouds sag stormy.
13 Dawn massing in the east her melancholy army
14 Attacks once more in ranks on shivering ranks of gray,
15 But nothing happens.

16 Sudden successive flights of bullets streak the silence.
17 Less deadly than the air that shudders black with snow,
18 With sidelong flowing flakes that flock, pause and renew,
19 We watch them wandering up and down the wind's nonchalance,
20 But nothing happens.

II

21 Pale flakes with lingering stealth come feeling for our faces--
22 We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
23 Deep into grassier ditches. So we drowse, sun-dozed,
24 Littered with blossoms trickling where the blackbird fusses.
25 Is it that we are dying?

26 Slowly our ghosts drag home: glimpsing the sunk fires glozed
27 With crusted dark-red jewels; crickets jingle there;
28 For hours the innocent mice rejoice: the house is theirs;
29 Shutters and doors all closed: on us the doors are closed--
30 We turn back to our dying.

31 Since we believe not otherwise can kind fires burn;
32 Now ever suns smile true on child, or field, or fruit.
33 For God's invincible spring our love is made afraid;
34 Therefore, not loath, we lie out here; therefore were born,
35 For love of God seems dying.

36 To-night, His frost will fasten on this mud and us,
37 Shrivelling many hands and puckering foreheads crisp.
38 The burying-party, picks and shovels in their shaking grasp,
39 Pause over half-known faces. All their eyes are ice,
40 But nothing happens.
Paula Swanson Jun 2010
My love lies 'neath the fragrant boughs
of pine, within yon stand of trees.
Where upon a bed or ferns he did deeply drowse,
whilst locks of hair were tickled by the breeze.

I sat near to count the seconds pass,
till he would wake and espies my vision there.
Then into his arms I would fall at last,
loving away the longing of these past years.

Silver moonlight contrasts a God like form,
in leather breeches and shirt of linen.
Four years he was gone, I had been forlorn.
There he lay so close to home and kin.

Lashes rest upon sculpted cheeks of bronze,
hiding from me eyes of liquid brown.
Eagerly I awaited the sun of dawn,
to show me more of the marvel I had found.

Yes, my love lies now 'neath the fragrant boughs
of pine within yon stand of trees.
Now eternally he does drowse,
as I fatally grieve down upon my knees.

For as the sun rose upon his stubble face,
I saw the lines of pain and of bloom erased.
Of life, my frantic hands, could find no trace.
What game is this so cruelly played by fates?
All Nature seems at work. Slugs leave their lair—
The bees are stirring—birds are on the wing—
And Winter slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrightened, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
No, I shall not say why it is that I love you--
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,--your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say--my childhood broke through chords of music
--Or were they chords of sun?--wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.

Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.

No, I shall not say 'this is why I praise you--
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying--:
My childhood lives in me--or half-lives, rather--
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know--how should I now remember--
What half-dreamed great wings curved and sang above me?
What wings like swords?  What eyes with the dread night in them?

This I shall say.--I lay by the hot white sand-dunes
Small yellow flowers, sapless and squat and spiny,
Stared at the sky.  And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . What did they mean?
What sinister threat of power?  What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed.  I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.

You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .
I have Scratched your name
into my Calendar

Your name sits on the lined of my diary
poised for consistent use

At what point did you become
so natural to me

So that when I said your name,
it tasted like nostalgia and hope

and the Cool Fire of our words
warms me to contentment

It wasn't until you spoke and
I smiled

That I knew I missed you when you
were gone

But how can I miss you
When you're only an hour away

Still
I'm regretting the wasted July Mornings

When my nerves swallowed up the sentiments that said
that I think of you sometime, even when you aren't around

It sounds frivolous to say that I'd hope for events
that would draw your lens near

But now I'm budgeting you into my time
and Just hope that it's not wasted

The effort it takes to write these sentiments down is
Nearly incomparable to that effort which must be taken

to Remind the heart on my Sleeve to stay put
and not seep into that vein that will Surely carry dreams across my body

The word that I could entitle
Perfect

And since that word is unattainable here

I'll only say all the others  

You're that feeling right after a pull
And you feel yourself slip under the friendly drowse

You're that feeling when you feel a set of eyes on your
blushing cheeks

You're the laughter of
a clever retort

You're a Melody thats gives spirit to my word

You're that fire that burns with
a bravery that you cannot see

You're that ticking clock, there to remind me
that Time is Precious

and Soon I hate that circled square on the
Calendar
&
I pray that that circle does not act as a deadline
for when your heart can be
mine

Because I like the sweetness of our fresh beginnings
And I do hope I may call it a beginning

Instead of a short story.

I'm all over the clock,
Yearning for more firsts with you

But even still, hoping for a second or 12.

And some first that could count
in a way that didn't get chalked up to

Naive Sentiments

Meaning I want you too much
And My head is rushing

Hours into this Instant.

Fast Forwarding to our Next Kiss

Sending me on a Clockwise Whirlwind
to times that may not even exist

But I still hope and Gamble
for More hours to play

Procrastinating the Seconds into convincing us all

That It's Casual

It is not Casual, to me.
784

Bereaved of all, I went abroad—
No less bereaved was I
Upon a New Peninsula—
The Grave preceded me—

Obtained my Lodgings, ere myself—
And when I sought my Bed—
The Grave it was reposed upon
The Pillow for my Head—

I waked to find it first awake—
I rose—It followed me—
I tried to drop it in the Crowd—
To lose it in the Sea—

In Cups of artificial Drowse
To steep its shape away—
The Grave—was finished—but the *****
Remained in Memory—
timeless Mar 2016
The abysm of the unbodied Infinite;
A fathomless zero occupied the world.
A power of fallen boundless self awake
Between the first and the last Nothingness,
Recalling the tenebrous womb from which it came,
Turned from the insoluble mystery of birth
And the tardy process of mortality
And longed to reach its end in vacant Nought.
As in a dark beginning of all things,
A mute featureless semblance of the Unknown
Repeating for ever the unconscious act,
Prolonging for ever the unseeing will,
Cradled the cosmic drowse of ignorant Force
Whose moved creative slumber kindles the suns
And carries our lives in its somnambulist whirl.
                                         --By Sri Auro,Book I,Canto I
dawn
Valsa George Feb 2018
Your innocent eyes lightly closed
Your tender limbs partly stilled
In swaddling linen’s comfort wrapped
You sleep within your mother’s girdling arms.

Away from all care you drowse
Away from the snares and sorrows of the world
With Heaven smiling from the heights
And swarm of angels keeping guard round

Fresh as the freshest vernal green
Lovely as the loveliest summer bloom
Soft as the softest silky fleece
You rest, a priceless gift wrapped in grace

Blissful is your sleep
Envious is your state
But weep not, when you wake
Bursting this cocoon to the chill and heat

For on your sides, colorful wings will sprout
With iridescent shades, curves and spots
To carry you over frost and snow
And to feast on the dew served in floral cups!
Dear friends, taking a short break from HP. Thank you for all your support ! I shall read your poems when I come back !
martha May 2019
1:19am again

spine curls into a question mark
hands sing sonatas of symbols
while head keeps track of seconds passed
and days lost

toes tuck absent-mindedly into socks
shy and scared of being sought
for hiding in such a place
their secret hideaway in sleep

hearts still thumping
says goodnight to bloodstreams
with quiet pulsing kisses

bathes the rest of body
in thin coats of keep steady

ready to deliver dreams
fated to their impermanence
Esherymack May 2014
sometimes, late at night
i lie awake, or sit, or even dance
i do not "sleep"
i might drowse, or snooze,
but only temporary reprive-
The Dark
holds its monsters and
pattering, clawed steps
outside of my candlelit chambers
and beyond the fragile makebelieve walls
of my lurking consciousness-
     light a candle.
     burn the Night.
     Smolder your eyes upon the smoke
banish my fears, faint light-
but do not destroy my peace-
morning Light, cast not your hands over
this black scry-stone!
Look but so gently into the Dark's swirling
and staring stars
down upon a ritual laid bare-
agate eyes upon the crown
upon the head of the young Oracle
a story for another time, a
prayer for a beating heart
in another place,
another darkened midnight womb
or perhaps an obsidian tomb--.
fill a chalice and not a mind
tip the contents to then find
a wandering flame spread to the wind
devouring those violent souls that have sinned
as such, topics change like Gaia
dear, as such my mind roams when
I cower in fear--.
in the imaginary arms of a
man I love, the one who can't be near.
Night sings a quiet song of insane
love and gentle terror, a soft-soft
sound that rings eternal
and lulls its listener not to sleep
but into a spell that gathers deep
within the core of the mind
behind the third,
before the eye,
but loud and deafening guilt
that keeps the shade-drawn witch
awake, and the quivering fear
racing in their youthful heart--.
Ladle the light of the stars above
into the cupped hands tonight
and sing the damnation back
to the groping clouds
on the black horizon, the violet and
blue and grey and white
swirling in cohesion and roaring into a wave of
conscious nightmares

i cannot deal with these thoughts
on my mind, resting upon
my heart
     my eyes
          my mind
               my very soul.
-the greybird
Chenoa Jul 2010
His gait is like the sea,
a steady rise and fall,
when once he greeted me
last summer, I recall.
‘Twas once a fleeting spark
there ‘neath the willow boughs
where chimed the sassy lark
and sun allowed me drowse.
But nomad was he then,
and traveler still now--
for gone he was again
with no “I’ll see you” vow.
A fortnight passes thru
--no promise of his face--
and time is timed by two
when once more enters grace.
For Summer wind is odd,
and once again with it
Returns that fair façade--
The princely, I admit.
Greetings last mere moments,
I’m told they often do,
But in them remnants sleep
For future seconds new—
Rejoin the instants passed
when troubles seem to scorn
and obstacles steadfast
across your path adorn;
From moments such as these
much comfort can be drawn:
Mem’ries of beauties,
softest touches now gone.
For me, that one embrace,
The one from nomad, dear,
Of sweetest scents I trace
And ringing laughter hear—
No other pair of arms
could hold me closer still
no other voice thus warms
a deeper winter’s chill.
It was written about someone that I didn't expect to ever see again, but was fortunate to meet once more... at least for now.  you never really know about some people. Suddenly that saying by eleanore roosevelt carries new meaning for me: "Many people will walk in and out of your life, but only true friends leave footprints in your heart."
Ruman Hafsa Dec 2016
The soft chilly crystals
Falling from the sky
Has beauty of their own
Alluring than the beauty in summer lie

Flowers aren't dead everywhere
They are just in a deep slumber
Resting till the show begins
Then will blossom from their chamber

The routes all are covered in a veil
Like a child wrapped in a quilt drowse
And when the morn arrives
He will vibrantly from his bed arouse

Rubbing their eyes & smiling at the world
The chilly cold winter will surely subside
And when the spring arrives
The bloom in a valley will reside...

© by Ruman Hafsa
2016
Sea pulse asurge, your pores brace for influx:
the scrub of sixteen salts whose rigid karma
scrapes us down. So sound the signals
(likely sales) from shoehorned sleeper
towns. Their patron wasn't long for earth;
a grid (what genius!) takes a bow,
puts slideshow on, and all we hear is how.

When sunlight stirs again we'll chisel
feeble errors, chip a bullet
out of stone. We'll see which skulkers
have a six at home, and toast
the night in sheetery. When devils
drain the foosty runoff of
your prim report to primal center,
sweep up white-horse myths bleached out
of paved-gray lots. Submerge in steam
of favor, frenzied in unseen replies
(no sharper catching eyes as coffees,
tipped to spoon in drowse-A.M.s
from furtive nights) -- Behold (unsold to rights)
uncensored action, living truth!
Untempted nine-percenters,
go-betweens for stunning tens
ground out of poison  pens.
Abrade with noise what was to clean our lens.
You see that porcelain ranged there in the window--
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art--minutely seen and felt,
Each petal done devoutly.  Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal--
My brain unfolding!  There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds.  On rainy days,
You'll see a gas-light shedding light behind me--
An eye-shade round my forehead.  There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads--I thought them stones,
Until they hopped!  And then a great black spider,--
Tarantula, perhaps, a hideous thing,--
It crossed the room in one tremendous leap.
Here,--as I coil the stems between two leaves,--
It is as if, dwindling to atomy size,
I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,--
Though with his eyes wide open,--
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals--
All of it darkly moving . . . as for me,
I need no hasheesh for it--it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.

Here, in a simple pattern of separate violets--
With scalloped edges gilded--here you have me
Thinking of something else.  My wife, you know,--
There's something lacking--force, or will, or passion,
I don't know what it is--and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy--just like poplar trees
Ruffling their leaves--and I begin to think
Of poor Pauline, so many years ago,
And that delicious night.  Where is she now?
I meant to write--but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more--I'm getting old and timid--
The years have gnawed my will.  I've lost my nerve!
I never strike out boldly as I used to--
But sit here, painting violets, and remember
That thrilling night.  Photographers, she said,
Asked her to pose for them; her eyes and forehead,--
Dark brown eyes, and a smooth and pallid forehead,--
Were thought so beautiful.--And so they were.
Pauline . . .  These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .

Here, if you only knew it, is a story--
Here, in these leaves.  I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . .  I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,--just change, by growing,
Without an effort . . .  And here are trivial things,--
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial?  Well, no matter!

This is the sort of thing you'll see of me,
If you look hard enough.  This, in its way,
Is a kind of fame.  My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist--
You have my head before you . . . on a platter.
Mitchell Sep 2011
Sit with me
Here right close to me
Whisper me your secrets
Felt tip Rembrandts
The ones your grandma touched
The ones you felt
With a soul ill and in crutch
Granite corner stores
Marble ****** bores
Cone stuck n' lucky
I remember rabbit and ducky
The way they hopped and quacked
No one else
Could ever call them fat
Cruise for me now do not drowse
Music is pouring
My grandmas dead but not snoring
Storming red cloud triple seductively
The Gods will their way
You fight
You may be blessed to stay
Look forward from here
Look far to the future
Loaded lily lies yellow foreground poses
Models of ancient molds
Pictographs in ancient like snaps
Marble statue marble sneeze
Marble meanings underneath they are still dreaming
K n yellow way you are leaving from me tomorrow and today
Today was yesterday last month was tomorrow but who can say?
Poetry is dead
Poetry is not learned
So instead
We have this dribble
To read
I.

He’s
put on
the ****’s watch,
a peaked tower
who stands at far reach
to throw shadows with square
limbs. Loose-draped in rough
skins, he’s wary
of Dawn’s creep,
its lies.
He
sips fire
to fillip
flagged spirits, fix
the one-hundred eyes
rung monstrously about
his uncrowned head. Sleep
comes as well-timed
jaunts, its blinks
rolling
round
in thin-
lid cascades;
these hoodless winks
non-stop projecting
scenes from green grazing fields
where he keeps a girl-
beast, the jealous
prop of fast-
fading
robes.

II.

She’s
ill-changed
by blind rage,
a punishment
brought down for baring
another’s intentions—
his wont of too much,
never sought for
or seeking.
Her sleek
nymph’s
lines were
well-drawn till
smudged and pulled wide
they broke open, spilled
a dark spotted bulk, she
awkwardly carries
on spindly legs.
A mind’s led
circling
back
to gnarled
trunks that clutched
at blackened soil.
The tether’s chain, forged
silver with heavy links,
stretches taut to cut
circumscribed arcs
through bitter,
dying
blades.

III.

He’s
foggy
as he spies
morning ride in
rosy on the curled
back of low-rising mist.
Its errand breezes
were sent to spell
a lyric’s
deceit—
blow-
whispers
to drowse him
with wedded tunes.
Needle-sharp leaves spin,
making olives hum, while
their twigs clatter-knock
dull drums and lull
fifty pairs
to close.
What
was kept
is loosed with
thunder-less flash—
the quickening catch
that foils Argus by writ
mischief and wraps him
in its coiled tale
of never
slipping
free.

IV.**

She’s
twisted
and drags clanked
metal tangles
behind, while ahead
lie the first halting steps
of her re-formed path-
ways. They spoke out
a blurred wheel
beyond
the
sentry’s
fallen bulk,
but malodor
beckons to its sky-
enthroned mistress who tasks
cloud-effacing pests
to descend and
buzz-beat words,
erstwhile
known,
to non-
sense. The winged
confusion goads
Io, who released
from cowed thoughts will make mad-
apparent wanders.
She’ll chase earthbound
love and birth
mortal
time.
This work is licensed under a Creative Commons Attribution 3.0 License.
sanguine-souls Jun 2013
She wanted the waves
Of the bounding main
To lull her
To blanket her
To drowse her
With their lethargic drift
To sway her tired limbs
And pull her deeper
Into the blue, sedating tides
beth fwoah dream Jul 2016
"where the sun smoothes the dust-dry earth"  

the summer is not poetic,  
what is there in the gold
of the sun to write about?
just the heat and the stones
washed flat.  
the signs say you can't swim.
everything has stopped.  
there is no music in the air,
the mornings shrill and hum,
the afternoons drowse with beer.
is the ocean going to wake for me?
will it dance like a flower?  
along the dust black roads
the tarmac starts to sweat.  
torn open the thundering roads,
there is no poetry in them either.  
everywhere there are green leaves
and little drops of peace in the shade.
this is old (from the book) but i thought i'd share it following a bit of a heat wave this week!
I.

To steal away three oranges for love he was
instructed by long-ago’s cackling voices, but over time
words once sharply plucked and sealed in the wide mouth
of his boyish memory have grown up vague and bushy.

So, this night he picks to stalk the storybook rows
of stubby trees that squat smack in the middle of a maze
unknown but tender hands have pulled straight to hide
riddles in their patchwork of endlessly seamed sameness.

Aided by a sickle moon’s pointed glances, he hastily
harvests the wages of three waxy fruit and plops
his juicy hopes sweetly into a leather pouch, as loosed
the feather-leafed branches snap back skyward.

II.

Home on the next morning’s edge, first love he sights.
She has a narrow white face and blush-dabbed features
below a tall swab of swirled scarlet hair that wags
a bobbed tongue’s tale as she comes bouncing into view.

Striped dawn glows, and tickled he, perhaps too eagerly,
reaches into his bag with the lust of hurried hands.
An orange, yet under-ripe and unready, he blurts out to her
as a wholly careless, green-topped, and unpeeled gift.

She takes it and rolls it through her nest of slender tips.
The thumbs inspecting its sadly misshaped bits find
the bumps and crevices around a knobby stem are proof
of a worthless fruit. Dropping it, she walks on, nose up-turned.
III.

Twelve days left to his less-than-virtuous devices,
he fusses over the second orange. His nails dig in
to *****-cut peel its thick rind. He picks off odd
pieces of pith and smooths its newly gleaming surface.

These would-be idol hours spent preening could
pay off when another amour falls as an acid-yellow
figment. She floats down to him from the distant hilltops
with a floppy mop of golden curls and a broad pink brow.

Pristine fruit on palm extended, he waits his worth,
while the citrusy flesh, exposed to a mid-day sun,
shrivels brown and collapses into a pulpy mess. When
she passes, it draws a mere wave and topples easily.

IV.

As the shadows of a jagged-tooth fencepost lengthen
a sudden and thoughtless appetite grows in him.
He grabs the third orange and gobbles it all down
but a lone slick seed that sticks in his deflated cheek.

Bewitched from the seemed break in magic’s promise,
he makes this kernel an offering to devouring soils
and lays his hard head upon the single-seeded bed
where he’ll drowse rocked by soft-chirped serenades.

Then, a quake and a tree sprout. Spreading branches
lift him up among the strangely branded fruit
that an orange-tongued fairy nibbles as she tosses
green locks and smiles at him with her hazelly gaze.
This work is licensed under a Creative Commons Attribution 3.0 License.
When the wind storms by with a shout, and the stern sea-caves
Rejoice in the ***** and the roar of onsetting waves,
Then, then, it comes home to the heart that the top of life
Is the passion that burns the blood in the act of strife--
Till you pity the dead down there in their quiet graves.

But to drowse with the fen behind and the fog before,
When the rain-rot spreads and a tame sea mumbles the shore,
Not to adventure, none to fight, no right and no wrong,
Sons of the Sword heart-sick for a stave of your sire's old song--
O, you envy the blessed death that can live no more!
Olivia Kent Aug 2013
In a last emotional csardas,
A hurry dashed in hectic trip,
From the sidewalk as she slipped,
Icy kerb afronts her eyes,
Slipped in front of cargo truck,
After a darkened dawn,
Of much deliberation,
Had enough insanity's pain,
Stage one, a drowse in melancholy,
In dream state,
She knew she had to go,
Made last retreat in sorrow's march.
Life became a chore,
Wanted it no more,

From melancholy stroll she rushed,
Stage two in dance's wild entrance,
Under the truck in disregard,
Felt the fender hit her hard,
Nothing else remained,
Except her disregard,
For driver,
The fear he felt trying to drop his speed,
Scarred for life by her own selfish deed,
Take this as a cautionary tale,
For this is write of fantasy,
May be feeling life is an evil curse,
Give help a chance,
May take a while,
Every cloud shrouded in darkness,
Conceals a new bright light,
Not always so forthcoming,
But, things will turn out right!

A Csardas is a Hungarian dance in two stages
I wrote this as a result of many train journeys to work being disrupted by desperate people throwing themselves in front of the train! It affects the driver, the passengers, and lots of others...no I'm not being harsh...trying to remind sad people that things do improve.
I'm afraid I don't do religion, but my regards to those who do **




By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
frances lee Oct 2010
I'm really not at work right now.

I'm really not.

instead as my body feigns the motion of purposeful key strokes
and as my mouth forms the shape of requisite responses to work place witticisms,
I'm really in bed with you
feeling the curve of your body fit against mine,
watching your chest rise and fall slowly in that moment right before you awake.

I love to look at you in the soft glow of the shuttered window
peacefully slumbering in my arms
as I brush my lips across your cheek
feeling thrills steal over the length of my body
when a sleepy smile turns up the corners of your mouth
as I kiss you awake.

all at once my
hands are gliding over your smooth skin,
lightly tracing the softest parts of you,
memorizing the feel of your body beneath my fingertips.
even as you drowse,
your hips rock gently against mine
echoing in steady rhythm
my own need to hold you closer and closer still.

— The End —