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King Panda Aug 2017
your hair appears darker
when wet.
black, corded,
thick as puzzlegrass.
a companion in contrast
to frosted
cupcake blue eyes and
incense burning
in the ashtray.

memories thrown
in the laundry pile
with the wet towel
swirling upon
your head.
your smile
bitter as asparagus,
staining my *****
for the next two days.
your frame
soft and slender
as balsa wood.

I’d eat your air
freshly oxygenated
and bend you into
an arc.
the waves would split
on your bow
and shower my face
wet
dark
corded
thick as puzzlegrass.
then
from your finger
the standard of a
dove leaving
olive branch in
mouth
into the frosted
cupcake blue
sky.

a miracle in
the eye of the
waning storm.
Shayla Ahrns Nov 2015
If it wasn't almost 2016, I would call you on your house phone from my corded phone in my kitchen, we'd chat quickly as to not rack up my phone bill, we would make dinner plans and call it good.

But it is almost 2016 and I'm actually looking at your Facebook and your girlfriends Instagram and I'm laughing / crying over the gag worthy photos she has you featured in.

If it wasn't almost 2016, I wouldn't even know you had a girlfriend and I wouldn't have tried to save the poor girl from your ***** lying ways.

But it is almost 2016, and when Snapchat helped me find out you had a girlfriend while still trying to **** me, I DID try to save the poor girl from your ***** lying ways. You told me not to say anything more, but I had to stop this because I know the feeling of a heartbreak like the one you were about to cause her.

If it wasn't almost 2016, I wouldn't have access to every social media platform that allows me to see every single detail of your life. I wouldn't be driving myself crazy with questions and no answers.

But it is almost 2016, and I get to watch your life unfold with someone else and wonder why I came in last, still no answers.

If it wasn't almost 2016, forget tinder and my quirky bio with the 6 best photos I've ever taken, you'd call me on my corded phone because you actually knew IRL how fun and quirky I am and you'd already have seen me in all my green eyed, beautiful brunette glory.

It is almost 2016 and that means I am just another girl that you aren't looking for something serious with because you're a boy in his early 20s craving freedom. Instead you send me ***** text messages because you're a boy in his early 20s and you met me on Tinder. I am a girl in my early 20s and when you met me on Tinder, you assumed I wanted less than a relationship and a little more than a "hey how are you?" convo.

If it wasn't almost 2016, you wouldn't have detailed all the ways you would make me feel good because would you ever really say those things to my ******* face?

But it is almost 2016, and you didn't say any of those things to my ******* face, you said it beneath the unsolicited picture of you naked in your bathroom mirror and you even added that ******* emoji with the sunglasses, like what you were doing to me was actually super cool.

If it wasn't almost 2016, I wouldn't have known that you were feeding lies to me on a silver platter, I would have gorged myself on your tasty sweet nothings.

But it is almost 2016, and I am starving myself of something worthy and filling because I can't stop reading the tasty sweet nothings you are feeding her.

It is almost 2016 and I wish I could have said ******* to your two timing face instead of via text message.

*******, again and again and again.
vircapio gale Jul 2012
phyllo dough considerations
veil the rigid silence
under quip, under smile-
covered cliche cud.
it is in essence meaningless,
this large party,
this braying urgency of guests

the house swims with life,
we mingle charismatic coughs
as talents strut; bouncing fruit
and swaying surface tension fizz
sparkles off the balcony of floating drinks

our tall pines are echoing beyond the yard
a sylvan soft allure of
living soundboard drape,
it needles aromatic carpet for a
*******, brink-of-dawn escape

allocate the living and the dead,
the borderline is begging to be tread.

an elastic belt extends the real,
a tool for party tricks, a tool for bending time--
i'm bounding off into the darkness
balling lightning in my dantien,
the world a trampoline;
running full i top the rail of gasps,
swinging through the arc
of thinning line to pull me back around,
stomach churning fiction-sick
with gravity inverted joltingly,
umbilically, aware.

then she has a turn as i,
as being me, and as i (as I)
careen away, the vaster leap
of single body, double mind-
it pulls beyond substantial thought

our uber-jumprope dangles
while we speed above the trees -- all is dark
excluding speckled stars
and the one, shrinking party-glow i lose below

the television orbits,
wobbles in a superstrings' embrace
all balance lost --
we're floating in a spin alone
unfocused universal locus..
stars diminishing reliquish cosmic depth
and nourish life in death

reeling eyes of weightless ******
squint to spacetime surgings
inward of the who i am--
plasticity-encasing glass of box
to offer all subverse companionship.
i tug the corded fabric
fronting interweaving screen
of futile marking where
i've riveted, lost, gazing
psychosoma scene
a modern mind-toy posted
to enframe another me we are,
even here with outside sight of world
vacuum up and lower heading
compass only gulping awe,
the breath is gone, a stinging heart
revalves its pacing flow
descending cosmogonic thread

allocate the living and the dead,
the borderline is begging to be tread.

i imagine trees again,
branches soft,
trunks my guideposts to the ground i've lost~
i'm mingling against my sense of real again,
packing leftovers, living social lies unknown.
a man compliments his speech
as "Bristling with business."
the jelly seeps beyond the pita's edge,
the pita slides out from under foil.
the party swivles on its axis,
the clowns play on, noble chefs
laughing in their pots
while i visit drooping psyche forms,
around and through glass doors,
crystal tables -- a furniture of ideal norms
to overturn. ah. i'm found again,
a bit less vast among a crowd
of nescient lives unlived. i'm
found undiscovered open all,
plainly lacking truth as well,
i'm me, this other presence,
this shifting sight,
flood experiential zoo,
this empty vessel holding two
a social fissure prying sense of self
from up a wild void..
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews—sons mine—ah God, I know not! Well—
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What’s done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world’s a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
“Do I live, am I dead?” Peace, peace seems all.
Saint Praxed’s ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
—Old Gandolf cozened me, despite my care;
Shrewd was that ****** from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o’ the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam’s sure to lurk:
And I shall fill my slab of basalt there,
And ’neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
—Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
—What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find—Ah God, I know not, I!—
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew’s head cut off at the nape,
Blue as a vein o’er the Madonna’s breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father’s globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver’s shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black—
’Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph’s last garment off,
And Moses with the tables—but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o’er with beggar’s mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me—all of jasper, then!
’Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There’s plenty jasper somewhere in the world—
And have I not Saint Praxed’s ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
—That’s if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully’s every word,
No gaudy ware like Gandolf’s second line—
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor’s work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble’s language, Latin pure, discreet,
—Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard’s quick,
They glitter like your mother’s for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
“Do I live, am I dead?” There, leave me, there!
For ye have stabbed me with ingratitude
To death—ye wish it—God, ye wish it! Stone—
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through—
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
—Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers—
Old Gandolf—at me, from his onion-stone,
As still he envied me, so fair she was!
Elioinai Jul 2018
You were my coffee today
Just walking along the road
to Hell knows where on the last day of July
My car made the turn onto Sheridan
and my eyes caught the motion of your swagger,
dark pants
Black tank
Probably a red shirt wrapped around your waist
corded arms slightly bowed to give the impression of a badass

your long hair flowing in the morning air

In an instant your head came up
Instinctively giving you the image of my nearing car

And then you smiled
It’s funny how seeing a beautiful person instinctively offer up a joyful, innocent smile can brighten up a day completely
The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my ***** glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And **** and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and *****
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent,
As God lives, is permanent
Hearts are dust, hearts' loves remain,
Heart's love will meet thee again.
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.
judy smith Jul 2015
Getting married on a beach, mountaintop, remote villa or rustic rural setting is a romantic ideal for many brides.

But what does that mean for the wedding dress?

Should you go formal or footloose? Will your gown fit in your suitcase?

A bride having a "destination wedding" should think about versatility when choosing a gown. She must be "concerned about being comfortable, more so than your typical bride. She has to contend with weather and terrain, making her gown choice critical to how at-ease she feels on her special day," says Lori Conley, senior buyer for David's Bridal.

Christine Pagulayan of Toronto and her fiancé, Ian McIntyre, jetted to Costa Rica in 2013 for a resort wedding.

"I had a (dress) style in mind: strapless, low back, white with ruching. Initially, I thought about going short, since we were going to get married on a beach, but I then realized that even if it may be heavy or sweaty, I wanted a real wedding dress. So we found one that had a gorgeous train, but it also had a bustle so I could dance," Pagulayan says.

Some dress trends for destination brides:

• LIGHT FABRICS AND SHORT HEMS: Many traveling brides favor lightweight, airy fabrics.

"Chiffon and organza are always favorites. Full trains can be cumbersome if you're navigating sand or grass," says Conley, of David's.

"A lot of brides opt for the ease of a sweep train," which just grazes the floor.

David's destination-friendly dresses include styles in full or tea-length tulle, soft lace or chiffon, Conley says. Fabrics that travel well for brides wanting a more structured gown include silk gazar, georgette and crepe, which are "lighter-weight versions of silk faille and Mikado," says Carrie Goldberg, associate fashion editor for Martha Stewart Weddings.

J. Crew's Karina short dress, for instance, has a flapper-esque fringe, and is covered in corded lace. • SEPARATES: "Tops and bottoms are not only easier to pack, they allow for mixing and matching fabric and fit to get a silhouette that feels unique to your personal style," says Goldberg.

Separates work for any destination, she says: "A full organza skirt may appeal to a bride getting married on the beach; pairing it with a delicate silk camisole suits the location. The same skirt would suit a mountaintop affair when paired with a fur bolero or a fine knit."

J.Crew's Sloane poly-cotton long skirt has a simple, draped profile; a silk cami top embellished with beads, crystals, sequins and paillettes in a floral motif creates a dressy look.

At David's Bridal, there's the crisp Mikado cropped top balanced by a flowing, organza ball-gown skirt, creating a modern silhouette.

• COLOR: Let the venue inform your choice of hue, Goldberg says.

"A sunset wedding in Napa pairs beautifully with a blush gown, while the colors of an Amalfi Coast wedding may inspire the bride to opt for something blue."

• VERSATILITY: For bridesmaids — or perhaps even the bride — White House Black Market has a clever option: a short or long pull-on gown with a customizable top. You can adjust the straps on the "Genius" dress to make a halter, one-shoulder or cap-sleeved version. Easy to pack, affordable and available in a range of colors, these might be a good option for a group of bridesmaids.

• FOOTWEAR: Flats or wedges are ideal for beach or garden: "The more surface area the sole of your shoes have, the easier it will be to walk," says Conley.

Keep in mind that satin or grosgrain might get stained by grass or sand.

Another option for beach brides is "foot jewelry," an accessory that does away with the need for an actual shoe.

read more:www.marieaustralia.com/formal-dresses-adelaide

www.marieaustralia.com/plus-size-formal-dresses
jimmy tee Mar 2014
foo
foo
step right this way
stripes
the curly haired whispers of long ago
dirt on the steppes of Maui
life and death
the boldness of breath
tea sets invented
natures idea of hooking
the falsehood of feelings
since you can sense the release of chemicals
into the gut from the gut
art is an effort
all roads are connected therefore lead nowhere
snowflakes
glaciers
the impossibility of a paper bag
well that’s why you got the people you do
blistered surfaces
invert
divert
subvert
magical marketing
lost time is all its good for
crawl
other beings
the past is as real as the now
the future not so much
look for answers under slimy rocks
headlights
mark the trail with crumbs
holiday pay eligibility
pig latin verse
loose lips sinks fish
headlines of tomorrow list all your deeds
originality pounds it out
a ground game if there ever was one
marginalized in a riotous way
burned
turned
spit shined shoes laced real tight
if you stayed this long you must get it real good
explanations spellchecked edited cast aside
meaning lost found lost and lost again
bury your words
measure the sun as a star
triangulate emotion in order to set free the main ingredient
the Bosporus the smallest gap imaginable
a wayward telephone number listed
a matchbook
adding depth to the photograph by controlling aperture
roulette craps poker slots Chinese checkers
numbers never end
gymnasium antics
mans best friend is a meateater
fall follows autumn in the southern hemisphere
three dimensions are all you need all you require
bomber
deny both the entity and the substance found ahead
synchronize your watch with mine
sand as a tonic baby oil pine
money buys packaged happiness
there was this guy named Shakespeare
opinion calls for differences version 2.0
you find the zoo to lead so very far
swing for the fences
jump rope skip sidewalk
ease
mow the concrete lawn from here to horizon
jump rope skip sidewalk
learn forget then act dumb
exit stage left
what is behind animal eyes big mystery
exponential units forge toward the final group session
king me
did the butler do it with the maid
how often is crying necessary
pound for pound the best boxer in the mid century bout of pneumonia
digital meanings end in analog discussions
legions of admirers blinded
where to turn when the lights are forever out
invest in mystery
disappoint those who will never know you
you know it
there is a dogma in need of a collar out there somewhere
temptation looms
the holy word of snowflakes delve into deep philosophy
but I always got along with everybody
why work
pituitary gland
announcing for the first time on record
prince spaghetti and salad extraordinaire
the alphabet ends in z
puddles form on distant planets that orbit toothless suns
men
loud music still comforts the savage beast
years like a tape measure stills the ragged poor children
never to be found never ever ever
solvent says eat thou peas
silo bag deliver us from the tall neighbor police
sidestep any issue involving toys
mounds of troubles can be climbed
Kansas wind also flows down the plain
think about it the sea is mostly under itself
plow
most things look better from behind
a major felony on your record
knowledge in the form of easy chew tablets
hounded by creditors bobby laid low
actors actresses chumps
results are mixed as the queen leaves daring long behind
punctuation fits into softly lit areas of the mind
stay loose
breakdown the door then apologize some more
I left home for this
mistakes are what we call experience
the smiles on bubblegum cards just as real
twenty dollars invested in nothing
pin air to itself
buy time sock it away watch it grow grow grow
cool is always enough for matty
god that guy could drink ant sanitation member into the ground
margins
leaves are raking themselves these days
so long in the past stood there with sled in hand
photographed by a grandfather clock
black envelopes glued by hand in an everlasting jump off point
poetry bound and gagged for fun and zero profit
movable type static feasts
in the groove piled high with the color that represents lament
fifty thousand big ones aint so big anymore
the river left town
cannon at the gate corded shot ingenious ways to destroy people
support the troops
he say one thing then did another wow does that hurt
memory votes early and often
nobody knows the troubled bean
it all hinges on my word being accepted
china feels so very close
the sea full of carp moistened in salt water ** boy o boy
Vermeer at the loom
the bronze age must have been heavy
time waits around the corner selling amphetamines
queer beings exit the saucer and head right for the local hobby shop
end game
paint as a medium large
pine scented maple trees win the prize
in my book the covers speak for themselves
close up to the camera waterfall
find the picture inside the cavity send help
amid ship is the place amid
of course some things are missing
ghost register to vote
went fishing came home with a tummy ache
spend your last dime see the world as it truly is
between avenue b and c there lies a small wombat
fend off the high climbing stairs that offer busy bees
mind the gaping hole that leads to oblivion ny
fog in my ear
steam punk can you believe it had to be invented
the f drive taketh away
sing a song about the street we used to chug a lug at
view my elbow rock
know thyself from the middle ages on toward the detail
love pander both you know
mom became tonnage displaced and torpedoed
you are very astute now quit it
this meeting is over like so many before it
collapse my finger into red colored dust
round up and whittle down the masthead
toothpick sized brains
its no bother at all fire away with logical pounds
page that squire knight the tree stand hunter in velvet horn
live as the yo yo
beat it now not later now before the sun sets far into the Japanese
planning a child check our bargain bins first then decide
overtime halts the easy chair
tiny
mounds clopping at the level of good mine
piles of good old fashioned nonsense
home grown
sunny side up way up
carry a friend everywhere you travel
knock
catch a rising star and keep it there
an alarming increase
happiness is a warm puppy
many are called but few are winners
put in your time split and repeat
wrinkles seem to be catching on
break the law go to *******
now is the time smack in the middle of touchy feely
mountain of jelly
pound of brown
highway exits in turning lane
polished sayings die in mid form
butterfly of course
bank on it twice
inform the theologian that grace is universal
one unit is enough to bounce the basket ball
larcenies are a regrettable offense for jumble minded
loud is the hammer of life by golly
inside
far away lies the land of nod no wait mod
never saw it coming
mud in your minds eye
clean up before the mess is tabled
throw away all hits
kong king
mondo longo pongo in delicate dancing
bear in mind that bares the soul to influence
set up the new roux
pint sized followers found via radio
fell asleep in wonder fat
knives sharpened better get a move on
loudly express a final punt
line one line two line three
when did farming become cold
newborn
disease jumps as the trampoline handles wind jammers
night can be fun but girls are more down there
love me back
mindful of the garter you can relax next year
backwards as a mean average statistical oops
venting hot gas adds to the thrill
is this thing on
swell
and and and and and and and
call the water department I am ready to fly
listen the goat will never know what hit him
long on flavor short on towels
company insists on a quaint meal of posies
behind a successful man is a chair of some kind
got milk
my friend can be talkative but never mind
rounded surfaces slip into nothingness a modern age affliction
we will escape scot free
badness baldness daily princess
puzzle in mind he left his denial on the riverbank
on the reindeer hoof we ride
specialty
how can it be hey baby that’s what we are here for right
the plays is not the thing
work your **** off then find the instruction manual
beep buzz bop
it appeared right there but is gone now
foo
Lewis Hyden Nov 2018
Some decades back, in actual fact,
Being heard was feared.
Corded phones and dial tones
Were oft routinely cleared;

The worry was a 'wire-tap',
Domestic speech taboo.
The rumor was, in essence, that
If said, the White House knew.

Nowadays, this fear we lack,
And cheerfully obey.
Now we ask, "Hey, wire-tap,
What's the weather like today?"
A poem about technology.
#3 in the Distant Dystopia anthology.

© Lewis Hyden, 2018
Kathy Z Jun 2013
Perfection,
is an illusion, created by the mocking
sanity of the people
in this newspaper world.

Fairytales were something made up as well-
for the entertainment of children,
to enjoy their life,
their innocence
before reality took it all away from them.

No matter how far I chased the rabbit,
I was not Alice in Wonderland.
And even though the glass slipper fit,
I was not Cinderella.

My Hogwarts letter didn't arrive either;
when I was eleven.

And foolishly, at that time,
I cried.
I cried because my dreams were not real,
and that something this good could not exist in this world.

But-
I do not regret crying.
I cried for everything little in the world-
For my broken pipe that would never shoot water out in a straight line-
For my microwave that would always keep the food cold,
and the refrigerator that would always keep the food warm,
and for the 'tap tap' of the lady's heels
from the apartment above mine.

People say that heaven is a beautiful place
full of anything you could ever imagine.
Would it have all my dreams there, then?
In a plastic goody-bag, prehaps.
A certain one dished out to every person-
Angels looking left and right without a care for identity.

I hate it when my phone gets too warm.
I hate it when my favorite books get wrinkled.
I hate it when I lose my wireless mouse.
I hate it when the internet takes too long to load.
I hate it when the tempature of the room is either too cold, or too hot for my liking.
But I love all those hatreds.
I love how my phone gets too warm, warming my hands up in winter.
I love how my favorite books get wrinkled, so I can lovingly patch them up again.
I love how my wireless mouse always gets lost, because then I have an exuse to buy a corded one.
I love how the internet takes too long to load, because then I can go eat while I'm waiting.
I love how the tempature gets too cold or too hot, because then I can stick an ice cube on my forehead, or bundle up with my favorite scarf in winter.

My mother always told me to be mysef, that I was perfect just the way I was-
I tried,
but all my sentences from that point on would come with a stutter.
"D-Did you hear?"

The voice of the piano that strums so gently beneath my fingers,
I love that sound.  
It was the first time I could be sure-
if music had a face
it would smile,
teasingly,
desparingly,
at me.

And now I'm listening to "Light up the Sky" by YellowCard,
lying on my bed and thinking how much the lead singer
looks like Draco Malfoy.

I love the way poetry sometimes has a shape,
either a diamond,
or a heart.
And I am stunned, when I see those-
In fact, I saw one yesterday,
it was a tiger,
coliling around spairled trendles of
black and white
words.

I wonder how words move people to tears.
they're just words, anyway.
Nothing that would exist if humans weren't here.
but I love the way that I can actually cry
when I hear a beautiful piece of poetry.
I would say 'thank you thank you'
over and over again,
but I couldn't speak for the sound in my head.

And the stereotypical, rentless movies,
on sale-
half price!
at BlockBuster,
I bought them all,
just for the sake of spending some money,
I think.

And I watched them all, alone in the night with nothing but a bowl of popcorn by my side.
They were colorful, crazy, wild
And I drank in that feeling, throwing up my arms
with a freedom that I have never felt before.

I love writing poetry,
because words are truly beautiful.
And I love reading over my old poems, and scoffing at what I thought was eloquent before.
Because that means,
I have grown.
Something Infallible, Like Eternity,
That's a good title.
I love the clicking of keyboard keys, feeling the notch of F and J under my fingers.

And I love this world,
for all its imperfections and mistakes,
becuase then there can always be something better after it.
After all, if you're at the top, all you can do is fall.
Drake Brayer May 2015
Fists of iron
Steely embrace
A tumultuous tyrant
Ultimate disgrace

A burden beyond carry
A pain beyond name
Corded muscles harry
Face contorted with strain

Tired metal gives way
To the sound of ragged death
Dreaded tyrant of dismay
The sound of haggard breath

Yet the iron giant begins to fall
His weighty gait is sinking down
Tired legs slowly start to sprawl
As the hefty giant claims the crown

The struggle is an exercise
A ritual of deepest divinity
Yet failure tends to emphasize
That it is one done in futility
Zoe Mei Jul 2021
she
wants me to tear
my heart out ******
for her to hold,
still-beating, sticky
fingers tasting rich
like butterfly feet;
but see
the scar-marked bark
has closed it in
pulse-roots solid strung to lungs
corded grip of kin
sordid so
she asks me smiling again
and hands me the silver platter
and her
shining dinner
knife.
girl diffused Nov 2023
I.

All I can say is that it is a hum
Reverberant, droning, consistent
Quiet thrumming along the surface
Stirs me awake and then it fills me with
Ichor and I sip, sip, and sip (until I'm drunk).

All I can say is that it is a hum,
Quiet droning, a hushed whisper,
Loud screaming inside the head,
A piercing headache, sometimes a discordant wail.

II.

You sit on the porcelain lip of the tub
Hooded eyes lowered, your fingertips
Pressed together like the steeple of a church

I think: Yes, this is what Renaissance painters modeled angels after. Your skin is like a rose-tinged alabaster, your cheeks Suffused with blood. The painter took a measured time with you.

"Do you honestly think you'll be okay on your own?" You ask.

Silence, she greets you.

III.

Hasn't my mother violently
Ejected me from the nest
I'm only a few months old, a nestling
Wings awkward and clumsy
Beak agape for masticated food
(I'm not ******* ready yet)
Ejects me
Her beak threatens to pierce my shell

This is dejà vu.
I've conversed before
Different room, different domain,
Different speaker, a sicker listener
I'm as sick, sick as **** now

Mind, she hums, crescendo
Crescendo high like a choral piece
Orchestral, and this is resplendent
Everything is gleaming
Your face encased in a soft glow
Halo of light
Your face, cherubic,
His face, Romanesque, was sculpted like a Bronze Age statue.

"Your mother didn't give you the right set of tools. My mother at least gave me–" he falters.

IV.

I remember calling the ex 28 times in the span of 2 hours.
The policeman, he counted.
Thrashing on the floor, weeping like Persephone must've in Hades, like a fallen Mortal reborn as a minor goddess
Stripped me, he did though, of my wings
Avian feathers streaked with years-old blood

My tears, why yes, they're bleeding rivulets.
My ****-brown eyes alight on the bleach
Yes, sweet death

"Stop calling me. I'm ******* another ***** right now," the ex says.

V.

Memory is so faded,
Plays like a scratched and worn cassette tape

Mind is a-humming, humming, my mind is
Orchestral choir, church choir, Pentecostal
Now, I eat ichor, ravenous, now I am Closer to God and she is a woman,  
Draped in funeral attire
She weeps, soundless, a Seer

"I don't know," I say.

"The med isn't working," you reply
Cherubic face shifts and morphs
Melts into soft glow light,
One with the halo, is the halo

Nothing makes sense, everything else does too. My mind races, cassette tapes
Whirs, skips, images flash, I weep
Weep like Sisyphus
Eyes spilling rivers of penny-tinged
Crimson, sanguine ichor

One day he'll taste it and hate me,
Loathe me, the jade-eyed serpent
Poison-fanged
I'll clutch his scales until my fingers are Cut, welts, mottled bruises, fading scars
I will be punished, am punished
The illness, the eternal Boulder on the eternal hill, it rolls and rolls, my mouth agape

I await my cyclic fate ordained by the Higher God

VI.

How many men have I lured into the chamber?
Drunk on sweet wine or mead?
Petrified into osseous
Their gazes failing to avert from my Penetrative stare?

He was an errant General, beautiful but stupid, his mind a one way road, his temper unpredictable and flighty
Oh, how I loved the duality of him
We philosophized
Theorized on the Gods
Laughed at their follies
Wondered at the mysteries of the universe, Her deep annals

Oh, how I loved the physicality of him
Tight, corded muscle, his back like a Wound spring, Bronze hand
Grasping a silver sword

Hark! His rounded shield is lifted, my hideous reflection stares back at me
My eyes, widened, the cup of manna Clatters, soundly in the chamber
Reverberates
Bounces off my throne of skulls

How many men have I–?

VII.

"Can you honestly say that you can take care of yourself?" You ask from the place atop the lip of the porcelain tub. Your hands, a steeple, a church spire
Perhaps, you are a lesser God, perhaps we are all falling Lucifers, wingless, blinded by vengefulness and betrayal
Perhaps, he too is–?

"Am I an infant to you?" I ask.
The headache splits
The pain demands, claws at the side of my skull, dances across my nerves, liquid iron on my tongue

Because when did I?

Oh, Sisyphus you weep! You, who slaughtered so many!

Oh, Medusa, you wept, you beautiful serpentine harlot, you *****, you–
The choir is a strong crescendo, Ascending, ascending, ascending
Lowers like a thrumting and heavy bellow
Deep, rich, and full, timbre

"Everyone, all your life has said you were crazy, but I don't think you are, I–"

VIII.

The tapes skip, voices garbled, muffled, Indiscernible and distorted
Mind shrieks, lower now, quieter now, Barely audible, a fading whisper, your halo Recedes, soft glow dims

Your hands separate, the steeple, no, the Spire collapses.
Held breath hitches,
Serpentine tendrils become wisps of hair, Cloudlike

We are lesser gods, not quite mortal, not quite divine

The itch demands to be felt, protests
And I, I scream endless into a dark chasm
My voice, it does not call back to me
It does not–

"I don't know."
A/n: It's been awhile. Hello. This is the unedited version of "medusa." This is the result of me reading T.S. Eliot and talking to my dear friend about older contemporary poets.

This is the result of dream and haze filled nights and stressful but languid mornings.

Enjoy.
Mary Gay Kearns Dec 2018
The snow berries are out tonight
In corded rows of silent lights
They decorate the tallest hedge
Float across a mission to address.

Little people stop and stare
Their wonder full of mystery
Then home to gather round tree
A yearly Christmas fantasy.

Love Mary ***


Love Mary x
Sarah Dec 2013
I see you.
I see myself in you.
I see not the facade that you set like a mask upon your pale face
or the strings tied at your wrists, pulling your arms every which way
or your pain trailing behind you like a black cloud, thunder cracking, as a smile stays
your present is my past
i know you.
Our veins are corded rubber bands that stretch from our arms,
around our backs through every checkpoint joint in our bodies,
they slingshot feelings throughout
so that not only will our brain feel the hurt but everything else too.
We are every single broken person thats searching through the rubble of their own mistakes, hands bleeding, praying for shards of their splintered heart to appear
i am therefore you are and vice versa
im aware of the struggle you go through
that unbelievability that you can swing your legs from your bed and make it through the day
i am conscious of the crippling insecurity,
the four walled prison that you built yourself
the bars, stronger than anything even superman could bend, that are made of the insults that have been muttered
I identify with the confusion with which you feel lost
you don't know who you are
when you lean your head back and subconsciously search the starry night sky for your meaning
I'm there
I am you, and you are me
in a simple merge we are one  
it has always been this way
and it always will be
coming up only to show you're wrong
And to know you is hard; we wonder...
To know you all wrong; we warn.
He fumbles with the **** and clicks the door half-open,
blinking silently at us as we pile out of the van,
his owlish eyes peering.
He struggles to find words after so many long days--
good words for his grand-nephews,
words of strength for his grand-nieces--
and Chinese words stumble out.
He stands silent for seconds,
halted in the midst of a sentence,
searching for the English.

So we try to fill the still house with life and noise.
It is grey and large, with blank, staring windows and empty beds.
Our laughter does not echo well in its long hallways,
muted by the weightless, suspended air.

We eat at the kitchen table, and I watch him.
He seems so strong sitting there,
deceptively powerful,
corded arm muscles and heavily veined hands
and silver hair, carefully combed
in a wave that was dashing forty years ago.

Then he stirs,
stands and shuffles slowly to the sink.
The illusion of strength falls away.
He is a worn old man--
tired and sad.

Quietly I wait behind him as he washes his hands,
then pauses, confused,
wrinkled eyes
querulous and vague,
and slowly washes them again.
The rhythmic movements of his once sure fingers
rub in an unchanging pattern
from when he was young.


I remember many years ago,
--when I was even younger than now--
I remember him looking at me,
I remember seeing my dark and warped reflection in his wise, laughing eyes.
I thought surely he was the most dignified of men:
alive and slow and gentle,
quietly commanding respect,
his amiable face in permanent creases
from too much kind smiling.

Now those wrinkles have faded.
The faint lines no longer trace across his face,
and his house is quiet.

My great-uncle is alone.
Alone
with the countless photos of her.

They are fading slowly in the streaming sunlight--
together.
PK Wakefield Apr 2010
obsidian profusion
(from pale scalp)
smothers my
understanding

i've lost my i
looking into
{your}
unimaginable
eye's

viridian temptation
envelopes my physical construct
(and for all my corded sinew
i am so weak to your nuzzling)

please

just

kiss

me

with those unbearable lips

;innocence is the worst sin
Bina Mukherjee May 2020
The world has turned into a global village
No one can deny on that...

But..remember the phone we had placed on that beautiful table mat?
Yes...it was a matter of pride to have one..

The only fastest medium of communication we had at that time
It too had models...the rotary phone, the keypad and many fancy ones

We talked, laughed and sobbed sitting at one place as we were tied with the corded set with everyone.

It was safe.....no fear of radiation or loss of eye sight .

Though it was much too costlier than what it is today....people still communicated and talked their heart out

Now...every hand has a cell phone which comes with many features overcoming the limitation of the old one
People can connect anywhere in no time
Then why...?
We are so disconnected.....!

May be we mastered the art of telepathy?...or we are blessed with a magical wand...?

We talk no more
We only make groups
We love forwarding messages

We have become mute.....

So can we again move to landline?
Come out of the virtual world by talking to our dear ones at this time?
Can we try and understand what they are hiding behind their smiling whatsapp profiles?

Let's do things one at a time...rather than multitasking with phone on one hand and laptop on the other...
Let's give them the love and respect when one needs from your side.
So ..... sit back and dial a number of your loved one...and help the world again to become one if not through landline but may be your heartline!!

Bina Mukherjee
Joe Cottonwood Oct 2016
there is magic in concrete
        if you believe

when you work the surface
        flat, in circles,
the float tool buoyant
        on a gray puddle
here’s the enchantment:
with fingertips on the handle you can
        sense the wet concrete, the mojo
        like a sleeping wet bear
solid in mass yet grudgingly liquid
        sort of bouncy
        as you stroke

pebbles disappear, embedded
the tool is ******* cement
        a final thin film, a pretty coat
        over guts of gravel and sand

now hose the mixer, shovels, tools,
        hose your hands and boots
as the water disappears, so shall you
        unless you scratch a name

honor the skilled arms,
        the corded legs and vertebral backs
        the labor that shaped
this odd stone
        sculpted, engineered
        implanted with bolts
forgotten
half-buried in dirt
bearing our lives
First published in the Indian River Review
Phoebe Hynes Nov 2017
I’m laughing with you.
We sit at my piano
Video media records,
and I have the pleasure of watching us toss our heads back
Breaking neck smiles.
Play back our giggles
Mismatched notes
We don’t search our own accord,
Clash of chords
corded around each key.
Sitting on that bench is wearing socks of different pairs.


I am a fuzzy mid-calf, and you are an argyle knee high.
Socked in laughter.
Rangzeb Hussain Mar 2010
At this late hour you ache for Eden’s precious priceless peace,
Shy shame pecked you until you recklessly plucked forsaken fruit
from yonder randomly ravished tree,
You no more sleep sweetly in deep dreams
with your beautiful bountiful luscious lovely turtledove,
Tintoretto’s golden lipped asp is now by you so poorly pawned.

You day by day wastefully just joke away
with an old cloaked crone already fertilized, discarded yet owned,
It makes me want to croak cry
how this age old dastardly liar desperately detains you,
He is but a shallow sinking stinking tainted tyrant
with a hundred thousand hidden talented talons.

His moist mobile tongue ensnares you
from dewy dawn down to darkened dusk,
He is nothing more than a tasteless thankless fat figureless fig,
His contorted contours all folded fool’s flesh
and insides as empty as dusty dried rotten garlic,
He truly is sinfully seeded and begotten love’s handicapped lie.

He has tightly tied his bearded corded coils
round about the pure purse of your emotional riches,
Even though there is no fragrant flower nor creamy silky milk
inside the horizontal trunk of his bloated body
you still pin ***** for a crust of vertical ***** joy,
Your promiscuous ***** red rose brings baleful blight upon your pure soul.

Death will wise wide prise open your poor glazed grazed eyes
to what his false face really is:
A murky mournful mountain of hideous crags
filled with black broken backed snails,
The roots of his treacherous tree burrow into your fine feathers,
He means to have and hold more than just you.

No more morbid advice.

Let yourself be silently drawn
by the stronger pull of your original lost love,
There, in the distant future yet to birth, comes days of the pearly past,
Embrace them, those were the songs sung in the halls of summer long gone,
Birds of prey, birds of paradise, birds of every colour and hue,
Just remember to keep well away from the wizened vulture with the bloodshot eyes.



©Rangzeb Hussain
PK Wakefield Aug 2010
wHat beckons is the silent Kingdom
a sanctum holy devoid. whose apt walls
are tawny bricks of quiet. the patrons
clamor somnambulant. and heaps of
proffered tongues litter the illucid
broken halls.

the forgetful powder piles neatly
limbs of gray on and about and
the pews drink the sun or the sky
     is a plait of onyx feathers.
an arrhythmia of breathes struggle
daft lungs. the stillness beats. bleating
nothing lambs flocked in stupid silver.

the mouths are all corded sinew bound.
epitaphs scrawled untidy letters drench
cheeks apathetic. a corpse of hollow resonance.
step and stone; cadaverous hues, sallow indolent
light on every stanchion.

                                                                in
the cathedral, cloistered, is a stiff artery.
a heart stagnant veins. a king whose crown is
ash, a face whose efforts are unfleshed. no skin
has purchase. nor sight. empty hood scythe loaded
dreams the morphea plated scalp. a soft vesical
limpid chromatic fingernails scrabble festering
nodes.

he is waiting
in the comfort of his filth
lithe carpals flexing summons
to his cloak

the candles are making naked lips
kissing darkness; lovers uncut
bound fornicating. i sitting sat saturated
the valley fluxes.

                and a tissue of blue decrepit
night dusting the sin of noise. a naked wind
     so                      says



         he
Ottar Feb 2014
daredevil diving
base human conditon
adrenaline addiction
base jumping

girl in a gondola busted,
sliding door bungy corded
open
her face is clear her future too
nah na nah na boo boo

gondola a platform not,
camera captures his first and
only step,
it was a long one,
plummeted until he pulled the ripcord

eyes turn skyward
as the images seesaw,
his excitement
floats his boat,
while the cold air
gives lift to this dare
devil and the parchute he wears

but alas he lands, they joy ends,
once he is busted there will two
court dates, and besides he courted
disaster
reality of a trial will
bring
him
to
earth
faster.


©DWE022014
Neither for nor against, I don't have a fear of heights and nor
do I own a parachute, so to me the whole idea is "baseless"
PK Wakefield Apr 2010
voices bubble babble 'cross quiet's soft ******* slithering into the cracks between city sounds oral profusions erupting rhythmically with staccato precision her pretty lungs make sweet vibrato with corded compliance i try to hear her i but my sanity blocks its oozing path
flower May 2013
i have a rope around my neck
and it's  sliding
            tighter
                  and
         ­             tighter on my throat.
                  my life is in peril
            for a string of corded jute has proven stronger than man
j.b.
Chris Saitta Dec 2019
Corded muscles of the neck ferry the voice of sky,
Charon of words adrift in a salivary dislocated sine,
A fracture of breath, the stenciled rowing of a sigh.
Psychopomps of moonlight, past-throated vultures,  
Carrion of clouds even if stripped clean in vulpicide,
Even if our scorched and coining tongues tip at stars.
In Greek myth, Charon ferried the dead across the river Styx and Acheron in Hades.  A coin was placed in the mouth of the dead to pay for passage.

Pyschopomps are figures who guide the dead to the afterlife, in myth and some religions.

Vulpicide is the killing of a fox.
I sold my skin one evening
As I had times before
He was a pale man this time
But eyes and hair as black as pitch
Teeth of smooth and beautiful ivory
Light circles under his eyes
Smooth, handsome face
Marred by an almost imperceptible scar

It was only when I saw his skin
Beneath the neck
His chest, his back
The corded and worn muscles
Fatless arms and legs and torso
It was when I saw his skin
That I both feared and ached
Wanted and wanted to run away

Where was it then?
That old romantic and cinematic sentiment
Where a working girl
Finds protection and comfort
A change and better offer at life?
Where was it then
When I wanted and wanted to run away

I sold my skin to him
My guts and breath and sweat
And though I smiled and cooed
Surrendered more than my form
I cast off my want of romance
Wept and hated myself
Beneath the actress’ mask
Running makeup on top of raw skin
Sweated out my tears
Washed away and worn away
False tone and pigment of youth

He left his seed, coin
And a tip for his tip
Light bruising and dull ache
I sold my skin one evening
PK Wakefield Aug 2013
i will die.
the sun,
and by the way
did you know?
(i do)

in the summer it
leaps wholly freshness
into the sweating backs of knees

a yowl


a dream


a distinctly arousing



a corded and steeply ***** shyness.


it peters sharply
from girl cuts
into niceness
a cringing of night
to less darkly foil
the trees

(amongst 'em
where will sleep
me when i
cease my hands to try) roots


reachness of worms
and the rushing of oceans

wind

wind

wind


coolly teasing
with teeth so
cruelly pleasing

(upon which rise
the curving hushness
of body's plummet
isthe
falling of darkness' lushness
Shredd Spread May 2015
chain lightning blows across the sky like a radiant touch;

strikes the same tree in my hometown every time i fall in love.

what breed is it, this ruinous love? striking,

the white caustic light of it irradiating

the surrounding cornfields.



were you ever there to see it? from your bedroom window?

the arc and crackle? this tuning fork of astral flame resonating

between cloud and timber? this crippled elm where

my skinny suicidal teenage love bid me scale limbs?

where each time, like a surgeon, my shaky fingers stitched bark

with the corded sinew of raccoons and my fluids held it all glued?

in the dark? how so like an heirloom it seems now;

this lone tree, cordoned in scars,

all gnarl and char.



i turn to the map of my circulatory system in these moments,

follow the red army over a causeway of capillaries,

watch them fattened on oxygen.

how else to know that amongst all this,

there remains

a richness deep

down things?



make a supple leather from the hides

of the nights I knuckled crabapples down your roof.

It will be the color of a bruise; of a secret. all you do

is carve, slicing carefully to cut out my

silhouette projected against your bedroom wall –

all this, time and memory, just arts and crafts. molding

the vectors of us, hurtling through space

like coins drifting

to the bottom

of a well.



memory, the fashion and fashioning of it:

the way we wear our existence. our skeleton

to cobble and clothe. so while we’re at it…

let us forget the moments of trepidation.

Obliterate the clamminess of our palms clenched together,

the schoolyard drama of it all. pasted in layers

until it’s just a mess of glue. until the moments that matter

are traced with dotted lines

and lusted over

by the appetites

of scissors.
Elvis okumu Jan 2014
Time like a river has past.
Like an ocean, it  has accumulated.  
I, a captain,  of land have I seen of last.
To the edges of oblivion have I, myself relegated.

Of the thousand steps have I walked.
Of this earth have I wandered.
Of solitude have I carefully stalked.
Of you I have dared not pondered.  

So long in this desert, so long in this desolation.
So long have I felt not a motion nor a spur.  
To the frost bitten isles, to the coldest snows, of warmth I have no relation
My skin has hardened of its shell my heart will not be lured.

And yet when I stop.
When my corded muscle ceases in its motion.
And in a hardened mind a sprinkle of doubt.  
And weary eyes turn to look back and thus begins my erosion.  

For there is no solace in this distance.  
No comfort in this silence.
The emotion, my every action withstands.  
Of all my efforts of violence.

I feel, and therefore I am undone.
I feel and my strength and will slayed, fall  down
I feel and time reverts and it feels like it did when it all begun
I feel and my through my bedrock erupts anguishes sound.  

I remember a face laced in roses.
Like a dream I am carried back into your arms.
And around me comfort closes
And again I am besotted with your charms  

I remember it all and that is the source of my madness.  
Of a loss of ones mind, not of reason, but of emotion.  
To be left barren, in pain constantly empty and  loveless.  
Of our union I gained something that merrited my devotion.

And at its loss, my mind broke at the eight of its cost.
And so I turn away from the warmth of memory.
I toss myself into the fire and the storm of loss.
I grind myself against life's emery.  

"Destroy me" I cry.  
"For I cannot bare this cruelty you have visited upon me."
But I only become harder in body and in soul not matter how hard I try.
Of the end as I walk I cannot see.
Out of this darkness I cannot find my light.
I built this desk higher than was reasonable.  
Apparently, I wanted the pleasure of my own excitement
more than a comfortable writing life.

The legs rise, Dr. Seuss spindling, a long
way toward ceiling, and I bungee corded an aviator
seat onto a tall stool at a  breathtaking angle so that
I have to be very careful sidling my **** up and finally,
oh, er, off, on!   This batting about of language, at great
heights is not for the faint of heart.  It’s much
warmer up here, and I’m too high
to get down.  So I stay a course through powerful urges
for Chips with Dip or One More ******* Load of Laundry
and occasionally, in my bored
willingness, I stumble

upon some shimmering confluence
of words that makes me want to rip out
my hair and buy a new howl, or spend
my life trying to become
a white sheet, hanging alone all day
with the sun and the wind and then the stillness of night

and the dew, leaping from blades
of grass to sway a ways with me in this
soft shiver of not yet morning.
JL Nov 2015
Weaponized Body Corded Steel Peaking Through Porcelain
Against The Grain Against The Wind Cold One This Is It Hold
On Fighting Through The Stream Of Life Strife Brother Can You
Hold It Alone Alone Alone Alone

On The Cusp *******
Here Here Let Me Bend Your Ear
No Name Oct 2012
You might not have noticed,
but
I whisper so that
I don’t frighten you,
muttering masterpieces
in the shower,
to the dripping drips of the coffee ***,
veiling my genius under corded sweaters,
keeping the secrets of the universe locked behind my lips.

You might not have noticed
my chapstick-smoothed lips,
but
they have more things to do
than speak to you,
Nerves trembling underneath origami-paper skin
as our lips meet,
myself a connoisseur of kisses,
and I mean kisses,
I am in control-

You might not have noticed
I am utterly in control
of
absolutely every room that I walk into.
I’ll pull eyes toward myself with the furtive glances
that I keep safely in my pocket
and even the
golden bubbles of champagne
leap to meet my tongue.
I wrote this in response to an assignment to brag about myself.
Malia Jan 9
We are miraculous.
Ropes of corded muscle
Intertwined—
A system so efficient
We have spent centuries
Attempting to imitate it.

We are
Astounding.
Life is a miracle
No robot
Can replace.
Maggie Emmett Mar 2016
I am the ****** and damaged warrior
Mighty presence on an arid plain
Waste-land empty and scorch-scarred parched
Looking to the dazzling dawn
Of another baking, aching, dry day
Of another dying, desert year.

They watched bold marching
Fearful tramping
To each pitiful skirmish
And every blood-hungry moment
Of all the days and nights.

They watched corded muscles
Spasm and seize
With each call to stretch and pull
And drag the weary-worn
To fight again.

Let no man call with shrill-shriek of the owl
Across the night-filled silence
Let no-one ever whisper in the dark, dearth
Across the shadowed chasm

I am alone within a purple shade
Night-cloaked in cunning strange
I am the time-deadened, weary watchman
Locked in a forever-circle of despair

Manacled with lead, banded with steel
Tight twisted and knotted by a skein of silk
Woven tightly by the softest hand
Strengthened by certainty and pure calm
There is no escape to unearth

But death
Is skirting the edge of existence
Picking at the loose threads
Teasing and niggling the fraying filaments
Laddering and snagging
And pulling, pulling out beyond time
The winding-sheet, the sack-cloth shroud
The only closing choice.


© M.L.Emmett
original unpublished poem 04/08/98
revised 31/08/2014 & finally revised 16/02/2016.
PK Wakefield Jul 2011
if a came summer
                          (over the beaches
                      sweat
                           in ribbons
                       or rivulets
                    binding the sand
                            with *******
                   and ****
                                     improbably
                     fleshy rumples
                                                     )
i'd be gladly giddy in its shall on me
its lazy hands on me
   to draw me to it in
    to it drawn a manacled surly
      bead of magic
        burning ***
          on loose footing
            the unreasonable grains
               of sloughing seconds
                 I
came a summer
                                 to
                   livid unmanageable moments
             where myself and myself
            used our stuff of soft and pink
           to drizzle drugged blatant
          skin on a beach somewhere i have been with you in the fall but then it was not so
          like the hot testing nerve (the bar of crimson branding light) instead a pale and
          frail limpet gruffly muscular light was all over it and it was cold and i pulled you
          really in my arms stabbing the youth of you slender able promise of corded
          elation hotly sudored morsels of.

— The End —