A capable wife is far more worth than treasure
She lives for the good of her family
She works hard for her own
She is independent but still dependent upon the Lord

That is a woman you need in your life.
She will stand by your side and honour her vows
She caters for all, even the poor.
She is generous by heart
She is everything and more

She is wise
She is appreciated
She is respected
She is loving

She is not shaken but mere earthquakes, instead she embraces the beauty in faults and the lessons in mistakes.
She will stand with you through thick and thin, through sickness and health and through this miserable life.

Man, when you find a woman like this treasure her with all you have. Appreciate her insecurities and love her through everything you will put her through

Charm is deceptive and beauty fades but a woman who honours the Lord should be praised.

Since a wedding is said to be the most important day of a woman's life, some brides-to-be are prepared to bring out whatever it takes to ensure that their big day is nothing short of spectacular.

A new documentary from the UK titled 'Now How The Rich Get Hitched', a provides a glimpse into some of the world's most lavish weddings.

The programme follows the glamorous goings-on at Knightsbridge bespoke wedding boutique Caroline Castigliano, where, for most customers, money is no object.

According to Daily Mail, bridal couture queen Caroline, who lives in Surrey, has been creating breathtaking intricate gowns for 24 years, cashing in on the £10 billion global bridal market.

But while the average UK bride is said to spend around £1,000 on her dress, Caroline revealed that one client, a Saudi Arabian bride-to-be is spending £40,000 on her dream gown - the same price as the Duchess of Cambridge's Alexander McQueen dress.

Despite the eye-watering prices, the 55-year-old designer claims that for most women this is one of the most important things they will ever buy.

She said: 'They buy into the overall power of the dress. I really truly believe that since they were very young they have dreamt of this day.'

Caroline's clientele aren't just drawn from the global elite, however. One of her clients, Jordan, 23, is a hotel heiress from Durham who has spent the past year travelling 300 miles with her family for fittings for her £9,000 dress.

Jordan's gown is made from one of the most expensive silks in the world, which costs hundreds of pounds a metre.

Jordan said: 'For a girl the dress is what everyone looks for. People would rather spend more money on the dress and look perfect on the day.'

Her mother Helen, who is helping to pick up the bill, added: 'I think once you see your daughter in something so beautiful and she's so happy you do stretch that extra mile.'

At around £9,000 Jordan's dress is almost half the average budget for UK weddings, which now comes in at an astonishing £21,000, but the day itself will set her family back far more than that.

The no-expenses-spared bash is being held at one of her family's hotels and costs include the £7,000 on importing 6,000 flowers from Holland, the hire of a 20-piece brass band and a Victorian carousel to entertain guests.

Gissa, 29, an Iranian socialite, who is planning a lavish ceremony in Turkey, journeyed to Caroline's boutique just to try on veils to go with her bespoke gown, which is embroidered with 200,000 sequins and 50,000 beads - and was one of the most expensive dresses in the shop.

The bride-to-be explained that her fiance was very amenable when it came to splashing out on her dress.

He said "I know this is the most important dress that a woman is going to wear in their lifetime so if you really like it and you love it, we'll get it."'

However, some brides look further afield for their dream wedding location and one of the boutique's clients, Katie, 29, was planning her ceremony in Southern Spain.

Katie admitted that she had fine-tuned every element of her wedding right down to her proposal.

She said: 'I'm a bit of a control freak, I think I emailed [my fiance] a picture of the ring after about three weeks of dating, so subtlety isn't my finest point but he's done really well.'

Katie visited Caroline for a bespoke wedding dress costing between five and six thousand pounds that has taken five seamstresses 200 hours of sewing and 250,000 beads to complete.

Another of Caroline's client, Kashmir, revealed that she took two years off work to get married and her husband is now determined to prolong the wedding celebrations with lavish gifts.

She and her husband also paid £75,000 to commission a portrait of Kashmir sitting in a chair in her strapless lace Caroline Castigliano dress, which was then unveiled at a party in the designer's boutique.

However, as any prospective bride will know a dress does not a wedding make and any ambitious bride-to-be will enlist the help of a wedding planner, with none more knowledgeable than luxury wedding planner Bruce Russell.

Bruce caters for the most ostentatious and demanding of weddings. He said: 'If it's physically possible, we'll make it happen - it might come at a cost.

'If you've got the money and you've got the budget to spend and you want to spend a million pounds why not spend it on a wedding it is the most magical day?'

Bruce's finely tuned expertise and impeccable taste come at a cost and he revealed on the show that he takes around 20 per cent of the wedding budget as commission, which rewards him with a £30,000 pay cheque for a £150,000 wedding.

The show followed him as he took one of Caroline's clients, Erina, on a tour of London's famous luxury five-star hotel, The Savoy, as a possible venue for her dream day.

Hosting 350 guests would set her back at least £70,000 and to stay in the Royal Suite, a further £10,000 a night - although it does come with its own butler.

But the documentary revealed that for women who want to up the 'wow' factor on their big day - and have the budget - couture jeweller Andrew Prince is the man to call.

But Andrew insisted that elegance is often confused with showiness: 'Glamour has changed. It became, at one point, very shiny and that's really not glamorous that's flashy. I like opulence.'

Andrew's creations may be an indulgence but for him there is no better way to spend your money.

He said: 'It's a celebration. We can be really sort of smug and factual about it, and say "oh no one should spend the money on something more practical", but what's more fun than just having a wonderful day?'

Many couples will argue that such extravagance is a waste of money and resources for just one day, however Caroline says that these are memories to last a lifetime.

She said: 'The most important people in your life have come to attend this day. It all comes down to the same thing, it's what you want to spend money on and what matters to you and how much money you have, it's all relative.'

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide

I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.

I am the flightless pelican.
I’ve found myself with my mouth full,
my stomach full, and so much still on my plate.
Possessed by an inhuman hunger,
I will gorge upon pure potential.
I will yowl on and on, without sleep.
-
I have sand between my toes.
My shoes are glued to my feet.
Keep on running ‘til the calluses come.
There has to be a point where I stop to sweat,
and I’ll finally get my sigh of relief.
I have one ride left on my bus pass.
-
I have a tendency to ramble
and languish in my own stench.
People tend to forget this at first;
lured in by the false face of a genetic fluke.
They want to know the impression I left,
not the procrastinator; the cud-chewing goat.
-
I can’t sleep being held,
or if I feel someone’s breath in the still.
I start to feel the urge to burrow
into the quiet quilts; patchwork Promised Land.
I cater to the crowd that caters to themselves,
but I’m no Utilitarian. Fox and Lion.
-
I have cousins like brothers,
and I have brothers like strangers.
Stray cats with names
and a copy of The Mahabharata that I stash my money in.
I’m sitting on a sunny pier with my hook in the water;
avoiding conflict with no bait.  
-
Paper cuts from the gold leaf
on the edges of hymn book pages
with burgundy leather covers.
These guilty cuts, bleeding for what seems like hours,
while we steadily forget that anyone was singing.
Alone with our thoughts in the crowd.

I guess it was when I found the eviction notice on the front door, or when I was going on three months being unemployed, or maybe even the point where I questioned myself as a writer, is when I sat down and started writing out facts. I was a writer in love with fiction, and besides my non-fiction work that allowed me enough money to eat (mostly to drink, unless there were food specials at the bar) I was writing short stories. I never thought about writing about my life, because in my mind I was still young. I was wet behind the ears; a little **** that thought he knew everything. I know nothing.

Dr. Seidman asked me if I wanted to play a board game.
I didn’t respond, in fact I looked as if I was ignoring him purposefully, but I wasn’t. He sat patiently and waited for me to respond. The truth was that I was apprehensive. This was the first time I had been in front of a therapist, and I didn’t know what to say, let alone how to act. I found it odd that the first thing he asked me was if I wanted to play a game. I was ****** as well. Before I got in the car with my mother I sat upstairs in my bedroom, took out my “inhaler” and packed the bowl. (During this time in my adolescence I was fascinated with marijuana and also with the devices used to smoke it with. I didn’t like rolling joints, and blunts had not caught on at that time. Instead, I would make my own bowls. My inhaler became one of my favorites; it was easy to conceal). I got ******, headed downstairs, grabbed a water, lit a cigarette (my parents were adjusting to the fact their fourteen year old was a smoker), waited outside of my mom’s station wagon, finished my cigarette, flicked it at the end of the driveway, and got in the car. The car ride to Dr Seidman’s office was unbearable. Neither of us spoke, the radio was turned down to a low volume, playing music form the 70’s and 80’s; Elton John’s Someone Saved My Life Tonight was playing. It was ironic to say the least. By the time the song ended we were in the general vicinity of his office. My mother was gripping the steering wheel, her knuckles becoming white, her face becoming red. It was at this point that I realized she was just as nervous as I was.

“**** her,” I thought. She was the reason I was going to see this man. I didn’t ask to come here and she had the audacity to be nervous. She was being selfish. We could have turned the station wagon around and went back home. We could have taken care of any of our problems at home. We didn’t need to consult a “professional” and talk about our “feelings.” This was the point that I felt my life had become the stereotypical suburban life: a life that you would see on television shows; one that consisted of doctors, prescription drugs, confused youth, mid-life crisis, and of course the nervous breakdowns.

We are in front of the doctor’s office. The area surrounding us looks like an industrial park. I don’t know what to think of this, but I in any sense an exterior cannot speak for an interior.

My mother and I are still in the station wagon, seat belts still buckled, the radio still down low, when she turns to me. She looks at me, only the way a mother can, and smiles. I can only bring myself to return her smile with a smirk. I have always been known for my apathetic smirk. I’m waiting for her to speak. I know she is trying to think of the right words, but like me, we have a habit of saying the wrong thing. Our words are always misplaced even though we might have the best intentions.

“Don’t ******* him,” she said

“Okay,” I said in return.

There must be a catalogue book that caters to therapists.

Dr. Seidman’s office looked very generic, like I had fallen into a bad movie, or like the only furniture allowed in the office had to be leather. That is the one smell I will always remember from his office. Even now when I smell leather I think of his office.

On his desk was a calendar, assorted writing utensils (although he had a name placard with a golden pen inserted in the center), and a desk lamp with the customary green glass shade. The wall to the right of him, and next to the office door, was lined with assorted books; filling up the bookcases that took up the full space of the wall. I was sitting on a leather couch that faced the office door. He was sitting in his leather armchair in front of his desk. He looked at me; I looked at the elaborate stitch work of the carpet. The office was calmly lit and relaxing, even though I still looked tense. I didn’t want him to look me in the eye. They were dry and red and I was high.

“Would you like to play a game?” He asked me.

I continued to stare at the carpet. He kept silent while waiting for my answer. I was thankful for that.

When I was tired of the carpet I glanced up and over to where he was sitting to find him looking at a marble chess set. I was expecting his eyes to be on me. They weren’t.

“What kind of game?”

“What do you like? I have board games, we can play cards, or checkers, or chess. Why don’t you tell me what game you’re good at? I’ve played them all countless times, but I’m always looking for a good challenge.” He said with a subtle level of smugness. He was trying to entice me, to challenge me, and it was working.

I spotted the checker board. “Checkers. I’m good at checkers.”

“Then checkers it is,” he said brightly. He stood and grabbed the antique looking checker board and grabbed a table to put in between us. He placed the board on the table and moved his seat closer. We were now face to face and ready to start our first of many strategic games.

Our first meeting was spent in front of a checker board in silence. Very seldom did we exchange words. After three games of checkers (which he won), we shook hands and he told me our session was over for the night. He walked me to his office door, said hello to my mother with a formal introduction, and told us both that he was looking forward to seeing us both the next week. My mother asked me to wait in the car while she asked the doctor a question. I didn’t argue. I walked to her car and unlocked it. I sat and for once in a long time felt at ease.

I went into Dr. Seidman’s office with a pre-conceived notion of talking, or not talking, about my feelings and what caused them. Instead we played checkers. We watched each other’s moves on the checker board. He had a way of making a vulnerable situation bearable. He put my anxiety at ease. But while I sat alone in my mother’s station wagon I couldn’t stop thinking of one thing he said before I walked outside. He said he was looking forward to seeing both of us the next week. I was curious by what he meant when he said “both of us.”

American city, your roads make me gasp,
Hold my breath with cancerous anxiety.

Your sidewalks,
Ancient ruins of time passed: A failed optimism for Utopian desire:
A house, a yard, a car for every person.

Now derelict, termite infested, but rented.
Chlorinated chemical water runs through rusted, moldy spickets to
Rinse pesticide seasoned vegetables.
And yet they remain so tasteless.

But who cares?
Suburban middle class zombies?
Created with media placed propaganda.
Born and inoculated with DisneypepsiMccocacola ideologies.

Oh Wal-Mart,
how we love your homogenized Chinese products.
Oh America,
how we love your multi-million dollar cathartic films,
They bring my mind to no place and inspire nothing.

Your theme park inspired retail caters to any identity I desire:
I am a professional,
My wallet lined with the best credit cards,
SUV, Hummer, Super boat, designer label, mall bought,
bleached teeth smile, with slick greasy hair style.

I'm cool, I pay for the gas.
Beep your horn, and rev your engine.
We are at war with each other.
Everyone get out of my way: road rage lifestyle: compete or die.

Big screen television dream.
Bought it at Target.

Open my cupboard: Macaroni and Cheese, delicious.
Ambian, Prozac, antibiotic, Listerine.

Collagen bovine beauty:
Manicure, pedicure, dye and wax

Acrylic nails, hair extensions
And silicone sacs.

Oh, American city
How we want to steal your money and **** your blood.
Chop your trees and cement your grass.
American city you are dead.

Maybe your mothers and fathers do not know right from wrong
Maybe those that birth you cannot tell real from unreal
The apples do not fall far from the trees that we know all along
So no surprise when off-springs and all fall into the reel
Unable to decipher the lost and damaged from their midst adorn

My mother washed me in truth, honesty, sincerity and real love
That's the only path that graces the soul and makes humanity
So all my life I know what's real, true, honest from all else above
You walk your path and serve your gods in all their profanity
Your festered minds and putrid brains is not like mine thereof

In superficial abodes, your falseness lies fakery has confused you
No truth or honesty exists all around only deceits and raw fear
You rot from the inside and feed from poison not breastmilk too
from start you're ******, your brains from chemicals they rear
Spooks with semblance no substance, serving satan them born fools

I know what's real what's true what's honest and sincere or not
That is me from real bosoms raised in edifying values not falsity
Come in thousands you stink from a mile off satan demons squat
Sincerity truthfulness if erred makes amends not sit discordantly
Real Humanity embraces love and peace not mortal duels that's fact

From negativity you drink in darkness lies your bread and joy
miseries and fears you seek to share cause your souls lies in pain
In cancerous fears you scheme and plot your ****** evils ploys
Cause it destroys you to see goodness whilst your souls' in chain
Weak corrupted dark and damaged subjugated to lucifers noise

Gnarled old wrinkled before your years you envy my young looks
Borne of inner joy and unafraid pious calm pathetics  spit zombie
Too sick to know a clear conscience never pines or fears like crooks
Pure and noble emotions caters no dirt or negativities like loonies
Dignity and integrity offers granite to malevolent duds and hooks

He is everywhere at once, yet a total mystery
He get's through any lock, yet never has a key
No matter where you go, there is nowhere to hide
He'll be there in the snow, he'll search far and wide

He's the shoulder for your tears
He's the blanket for your fears
He's the voice that no one hears
Yet always there all these years

He is sensitive and caters to all your needs
Where the others fail, he always succeeds
Your every hungry urge now finally feeds
He is the tourniquet for thy heart that bleeds

He is always there for you
In each and every single way
Until you find someone new
And you call him Mr. Yesterday

And now you know who this is truly about
But you may not yet know his very name
Yet you've met him without a single doubt
Because in this game we are all the same

So please, without any further delay
It is and always will be to my dismay

Allow me to introduce you to Mr. Everyman
If a girl is in need, he will be there...if he can

her patience was starting to wear thin, impatience growing as one of the pervs from the table across his eyes preying on her. she gave him the finger and her hardest glare.

where the hell are you  she typed out, texting him

be there in ten i kinda just got out of bed...sorry

she just sighed looking out the glass panes that gave a view of the busy street, letting her thoughts wander. sam was waiting for her bestfriend, noah to show up. she was going to help him find a flower shop that caters black roses. he was going to give it to jean, the girl of his dreams as he liked to call her (sam just knew how much of a cliche he was underneath; they barely had a conversation in which he didn't insert her-sam stuck up with it and listened to him, always assuring him that he's going to get her who wouldnt)

"sorry im late" he says, panting as he arrives, varsity jacket slung in his arms

"you owe me" sam says cooly, ignoring the drum pounding in her chest. he looked like he always did; and gave off the same effect to all the girls in town (he had quite a following though he didn't mind)

playfully he rolls his eyes at sam and the two walk their way into his beat up camaro (which was very good at overheating and taking too long to start)

"bet this thing would come up with its tricks again" sam started with their usual banter

"oh hell no it's got my back"

"your flat back"

"my bootiful ***"

sam scoffed "wanna bet?"

"game on" noah smugly retorts with the smug smirk on his face that showed off his angelic structures

"on three two....." sam had her fingers crossed please don't work please don't

noah tried gunning the engine a few more times, turning the key into the hole over and over again but the engine kept dying. he tried for one more time;it was a miracle that it did. he faced sam who's face turned down into a frown. "ha you owe me now"

"i owe you none" she says slumped in her seat though deep inside she was enjoying this. their friendship had alot of these immature playfulness which she usually started.

"just buy me an extra waffle cone and we're even"

"*******"

noah laughed and sam heard the lilt in his laugh that she grew fondly of. they drove off the road with only the radio to filter the silence for a while. sam started tracing patterns on the car window.

she felt something for noah and it wasn't something she expected, neither was it something she was looking for. the first time they ever interacted was in a class they both had. his eyes had that mischievous spark that day and  he wore a devilish grin-sam thought he was the perfect guy to turn into one of her casualties or better yet get his heart broken. but all they did after class that day was hangout and drive around town. sam was quite shocked with the numerous things they have in common. since then, they've meant alot to each other. although it was different for sam. sometime in their friendship she started feeling something for him, someting more than friends do .she hated it; the thought of it made her want to rev her guts out;

she was never the type to like guys or girls and fantasize about them being together or even feeling the same way. she was the type of girl who played with guys for a night (a week was her longest) whenever she felt like it. she toyed with their hearts and felt satisfied when she saw them with tears in their eyes. she felt no remorse for leaving them in the gutter. she was never vulnerable  she was a heartbreaker. she was that type of girl. but with noah it was all different, it was all new. it was like being on the other side of the spectrum

it frustrated her, all of it. most of all the fact that she couldn't do anything about it. she couldn't just steal him away from jean especially now that he stood a chance. plus, he was serious about her, sam could tell-even if she tried making moves on him, he'd leave because that wasn't how he knew her-they went so well together: her being on the cheerleading squad with her perfect friends and her perfect grades, perfect life ahead and him being the quarterback of the football team and the perfect college waiting for him, heir to his father's company someday-they were the power couple. they deserve each other sam thought bitterly. she could be one of the "perfect" girls in her school if she tried. but she didn't, didn't find the need to because why bother? she'd rather be on the outside and deal with her own company and just resurface whenever she felt like it. he had dreams;she didn't. she was just a heartbreaker, a mess.

yet she didn't want to lose noah; couldn't lose noah-it wasn't a risk she was willing to take. around him she let down the high walls she usually was encaged in and instead had vine trellises wrapping around her almost as if caressing her. it wasn't like in the movies but it was a **** cliche which she felt in gradual waves.she could hear wind chimes in the edges of her nicotine corrupted lungs whenever she was with him and none of the nails splintering against board in the emptiness of her house she felt in the dark while her sister slept soundly in the next room, none of the stale unfamiliarity of her mother working herself thin in her round the clock shifts, staggering home the next morning smelling like alcohol. she felt something other than the hollow in her stomach when she's out partying with strangers, the bass sounding too much like her heart breaking and her existence decomposing. she felt none of the filth she did when she slept with guys and let them make love with their exes through her body. she felt none of all the ugliness, heard none of the monsters' calls. noah made her feel pure. made her feel bliss. there was no irony, no catches, no waiting for the other shoe to drop in what they shared.

some days she's accepted that they'd always remain platonic, that it was better for them to stay this way. but today wasn't one of those days, for it was one where she wanted nothing but to plant her lips against his and make him tell her that he feels the same, for him to wrap her arms around her and bury her face in the crook of his neck, drown in all their memories, become the memories become an us. it wasn't love but he made her feel loved.

her daydreams were cut short when noah parked the car infront of the flower shop near the outskirts of town. she smoothed her hair as noah opened the car door for her. she felt her palms sweat, immediately telling her brain that he was really just sweet and it's jean that he likes stop spewing up hurricanes and thunders for every sweet thing he does.

"so first stop"

"i still don't get why you can't just buy her a bouquet of plain roses and spray paint it black. i'll help out yknow" she replies in her usual mocking way as they enter the shop, the floral fragrance enveloping them.

"because you gotta put all your effort and your heart to get her"

"yeah right, hey you gotta put effort in spray painting too yknow like shaking the can and making sure the roses are all covered. we can cover your heart in black paint as well if we still got any left" she replies sarcastically as they start perusing for black roses.

he rolls his eyes at his best friend, throwing one of the discarded dandelions at her direction. she picks one up and throws it at him quickly. it was only a matter of minutes til they were both on the floor laughing, sneezing in intervals, dandelions scattered around them. the florist scolded them when he saw the mess they caused and made them pay for a daisy and a petunia boquet that was haphazardly upturned in their rowdiness-no black rose in sight.

sam laughed as noah took out his wallet and paid the florist who's face was now red. she heard him mutter a sheepish apology and for a moment, she allowed or tried to let herself get lost in the fact that she and her bestfriend were spending the day together she tried to forget that she was spending the day with him to help him be with the girl that he likes.

Sitting at a café
Over the smell of coffee
Scents of car fumes, ***** and ****
Worm their way into your nose.

The men, women, children
Pass you by without a glance
Each one on their own way
As uncaring feet pound pavement.

Indifferent people in expensive suits
Walk by tourists objectifying with cameras
Who accidently capture in their frames
The cold and the old slouching through the streets.

Even relaxing at the table
You feel caught up in the streaming crowds
As if you were being swept away
By these forces fighting for control.

As you sit as idle observer
To the worried pace of the city streets
You can sense the blind and frantic power
Of those who feed off our illusion.

(This illusion lies in each of us
When we close our eyes to the waking world
And believe that we could be happy
In our isolation from reality)

You can see it in the passers-by
Whose eyes focus intently ahead:
Afraid to look at other faces
As if they feared the connection.

Many imprison themselves in aesthetics
Of glass steel towers looking down on the earth
And drive isolation’s grim repetition
In a hopeless effort to make their own world.

Our illusion puts them there
When we do not question the surrounding order
Whose existence allows us to live in comfort
Insulating our delusions.

Our ignorance demands their ignorance
Which caters to our selfishness
And divides the passing days
With the rhythm of their control.

Their thoughts structure steel geography
That dreams that it could scrape the sky
And make its mark on the heavens
By countermanding nature’s will.

But nature stands indifferent to
Man’s attempt to supersede
Its will that gives to him his arrogance
That leads him towards his own destruction.

But I call you from this nature now
To return with me to where I stand:
On this mountain with the trees
Who beckon with their open branches:

Do not fight against nature’s rhythm
That springs the flowers from the ground
As it wills the sun to set upon us
And gives us the food to carry on.

I see myself as this reality
As feet take care to tread on soil
To avoid crushing the delicate petals
That smile upward towards the sun.

Time provides the future harvest,
But of its success, time will tell.
So I stand here with my garden ***
In loving silence, tilling the land.

To breath the air the sky provides
Takes me from my restlessness:
Watching the ground provide the future,
Submitting myself to nature’s pulse.

But the scenery of planned geometry
Which covers soil with concrete slabs,
As if embarrassed by earthly origins,
Tries to move to a different rhythm:

The glare of halogen eyes that stare
In unquiet nights in impatient lines
Find their way towards distant houses
That protect their owners from working lives.

This world screams out from its distortion
Of nature’s will that lies ignored:
It lays the path of its own destruction
As it claims its own power to endure.

But nature’s spirit will always triumph,
Whether through man’s self-inflicted end
At the hands of his selfish illusion,
Or through his careful heeding of the truth:

This world that’s lost its quite places  Demands we become its place of quiet;
To silence the thoughts that construct man’s world,
So that we absorb ourselves in nature’s will:

The heart that beats inside you now
Beats not for the one in whom it dwells,
But allows nature a fleeting glimpse
Of itself through conscious human eyes.

This truth whispers even now
From the deafening world of the city streets
That hurries towards its ignorant end
As it attempts to escape its fate.

Do not forsake the earth in waking life,
And wait for death to pull you into the soil
To meld with nature’s majestic cadence
And be one with your reality.

The convenience of crying,
It caters to the wondering
Presumptuously, others convince us of dying
Nothing is relentless nor meaningless
I find myself following the trendiness,
In a puzzling quest for happiness
I pass the time reading articles predicting my life
A destination we described
Predictable knowing is demeaning
I lost my appetite
What is the price

It uses the seatbelt as a vesicle
Slithers across your shoulders,
prickles your chest

With every beat
It pounds into your heart,
wiggles into your veins

You're infected
But it feels so good

Your blood forgets oxygen
and caters to the pulse
flowing throughout your systems

At once, Gravity remembers it's job
angrily it sinks to your feet
pools and tenses

Wearily it exits through the sole
spiders into the floor
the music has left you

You are forever infected
And it feels so good

Fill us with mist
From a seaward assault
And look to the distance
Where the doves go to walk

A safe house of looking glass
Honoured in brine
Taking in prisoners
To make nothing of time

Faint smells of catch
For tomorrow's our feast
Father's away
On our fierce ocean deep

It caters our weddings,
Sundays, and Yule
Until the mother forgets
We abide by her rule

She's there on the corner this morning, as she is every morning.
A bundle of newspapers in her arms.
Her bundle of joy swaddled snugly on her back.
Her face time-worn, flush with the creases of a life insecure.
Her clothing time-tested, warm in the cold, cool in the heat.
Seemingly devoid of emotion, her face now and then reveals an inner light
– an inner light that flickers with the sale of a paper,
then comes to full beam with the coo of her son.
She probably doesn't — or can't — read the product she pushes
it serves merely to feed the mouths that call to her for sustenance.
Reports of pestilence, the day's corruptions and the growing war dead
are forgotten amidst the smiling innocence of her hijo.
Her son may never know material wealth, or even a life of plenty
but he'll know the love of his mother.
He may never ride in the fancy cars to which she caters, or vacation at Disneyland
but he'll understand the value of family.
One day, limbs that now flail aimlessly upon his mother's back will toil for her.
One day, his strong hands will do the heavy work so that his mother won't have to.
Perhaps, his efforts will keep her from perching her aging body on some unforgiving sidewalk,
at the feet of passersby, hand outstretched for pesos.
If he too can only avoid the pestilence, the corruptions and war that fill the front pages of the daily news.

Quietly she creeps at night
Hoping for a another chance
Not knowing if her limbs will hold
She caters to her worst fears feast
Her heart needs not proceed to know
Rapture’s just around her lungs
Shattering her lifeless dream
Quietly she dies inside.

i stole six pairs of earrings today
while making small talk
in a jewelry store that caters to the masochistic
and now i am
pinning their wings up on my wall
to display the reward
of quick fingers
and plaster of paris smiles

i didn't even really want them
i took them from sets
i wanted to see the missing holes
and there was no bin to put them in
now i have little secrets
pinned up on my wall
they join others
that i took

i don't mean to steal things

She's there on the corner this morning, as she is every morning.
A bundle of newspapers in her arms.
Her bundle of joy swaddled snugly on her back.
Her face time-worn, flush with the creases of a life insecure.
Her clothing time-tested, warm in the cold, cool in the heat.
Seemingly devoid of emotion, her face now and then reveals an inner light
– an inner light that flickers with the sale of a paper,
then comes to full beam with the coo of her son.
She probably doesn't — or can't — read the product she pushes,
it serves merely to feed the mouths that call to her for sustenance.
Reports of pestilence, the day's corruptions and the growing war dead
are forgotten amidst the smiling innocence of her hijo.
Her son may never know material wealth, or even a life of plenty
but he'll know the love of his mother.
He may never ride in the fancy cars to which she caters, or vacation at Disneyland
but he'll understand the value of family.
One day, limbs that now flail aimlessly upon his mother's back will toil for her.
One day, his strong hands will do the heavy work so that his mother won't have to.
Perhaps, his efforts will keep her from perching her aging body on some unforgiving sidewalk,
at the feet of passersby, hand outstretched for pesos.
If he too can only avoid the pestilence, the corruptions and war that fill the front pages of the daily news.

Toward thinking - thinking toward that newer stuff.

Implicating a newer truth -
More meaning more than ever what meant before.

[Enter eternity]

Dry unveilings found me dripping and drowning,
Ogling the ones who did it better.

Enlightenment, apparently, doesn't come with instructions -
Sorry, Timmy - do catch me when I'm wiser.

Nit pick my tendencies to
Overcome the dumb junk -
Trippin' about all of the dirt that's piled up on my dirt, already.

Each moment that caters to forgotten smiles,
X's out all of the  good times I could've spent passin' the conch shell with somethin' to say - Ha.

I'm itching to perform a miracle.

Settling for truths spilled from frigid lips just ain't my cup of tea -
Thank God.

--

Everything is happening now.
Exhale.

Throw your smiles, my dear,
Viewers take a crazy catch
Blush, it is all they wish
Cheer up, to cheer the peering eyes

Pep up your pleasing lips,
Veering eyes carry the sips
Laugh louder, you are allowed
Cry all out, they enjoy no doubt
Sob, nothing to feel sorry

Reflex your face, keep ready to face
Wink your eye, it sprinkles lust
Frown, you are the crown
Voice your tongue, it caters

Let the pearls in your cup of lips radiate
  fragrant flowers of joy and jubilation
May your breath resonate cool
  in the ears of the audience for years!

Sweeten your words, toast the taste
Sing, for an all-round swing
Synchronize your body language
With the symphony of the scene

You are the debonair in debut,
Heralding heroine of this film.
The quick buck of this movie,
Much depends on your quirk
Lens is ready to sense your synergy
Bless you my budding artist, go ahead!

usually a 19th century poem does the impromptu suggestion for my own verse, the groundbreaking stuff of the 20th century is already done, you could see the frustration over the later poems with the 20th poetry - i guess the 21st has conversationalist overtones, necessary for what came at 20th century's closure - meaning? i could let you imagine that i might have a faulty self-esteem writing, using the internet... but i write like i talk over a pint in a pub, obviously sometimes there's some magic in the conversation, the sort of magic that gets you barred from pubs with the lie of throwing a glass across the room... esp. if the pub caters for the losers in society, i guess a barmaid or -tender can have a moment to shine, feel superior, overhear atypical drunkard talking... god forbid if an oliver reed type of fella walks in with a tongue like a foil or an épée (fencing blades) - while everyone talks as if possessing a kebab-knife.

i.

on note, regarding the *épée and the foil -
as you get older (perhaps as i, exponentially)
you notice little quirks in things -
the Olympics, last night's fencing foil final -
but it's not about that as such,
all the pop culture sports are at the Olympics too,
but when they show you all the other sports
god... these pop sports seem so so bland...
it must be the monetary discrepancy -
football... boring... basketball... boring...
tennis... boring... i'd never thought i'd say this:
i'm in on the fencing, table tennis...
ARCHERY... you never get that much variety
in the four years between, which i count on
the list of travesties - when you get pulverised
by sports without providing a variety
you get the end result: hooliganism, borne
from a narrow mindset, a quasi-religiousness
and that pseudo-patriotism - not enough
variety in society, which also means more
money for the professionals... yeah, like
the Icelandic team at the Euros this year:
quarter finals - managed by a dentist.

ii.

and what do you think the clientele in the afternoon
in a town looks like?
many old people, the majority women,
the odd grandad wheezing on a bench,
the cripples, the weirdos and children from school
on their summer holiday... a complete male
Armageddon - i could always feel awkward
not being the "hard working man", the
"i have two kids and my wife works night shifts",
the "i have to get that mortgage", or the
"i really want that Caribbean cruise" -
all those things... then a funeral entourage
pulls into town with a stiff - the dead's parade
of the town, everyone must know, a reminder,
to fall back in line... it's not quiet the death in
the afternoon of a shot of absinthe in a flute of
champagne like old Ernest used to do it -
it's just a bottle of Heineken for me - i like
these sorts of parades of mourning, my sense
of humour kinda jumps up into the outer
hemisphere - well, i did laugh at my great-grandmother's
funeral, something about the priest talking
mumbo-jumbo - felt all a bit like a penny arcade
of a 99 pence shop - i swear that's where they
really rob you, at funerals, they sort of package
you into a dogmatic consolidation of some heaven -
no room for improvement with that.

iii.

it was bound to come to this...
a complete revelation, happened only once to me,
it usually involves a brothel and my drunk,
giving a ******* an ****** is one thing
(she's actually more ashamed than anything...
because she's enjoying her work for once,
and she did say ow realising it, kiss on the hand
bye girl)
but giving her a kiss on the lips is another...
by my count 2... and this little was got so giddy like
a schoolgirl in the cuddle... (just because i drink
doesn't mean i'm a fiend, told you, SEDATIVE &
UN-INHIBITION tonic, potion, whatever)...
but the revelation is bound to *******...
this one elder ******* didn't do what i usually do,
she didn't pull it back... (my version of circumcision,
***** movies do actually teach you a lot -
given there's only a circumcised variety on show...
what? it's like watching a pig in a slaughterhouse);
so it got me thinking, there she is, a fine specimen
of aged prostitution and she's not pulling the *******
back... so men who have foreskins don't pull it back?
that drool of skin is still keeping the cliche metaphor
sheaved? **** me! i mean, if you pull it back
so it looks like it's circumcised you put pressure
with the skin and, as it happened to me once,
leave after an hour having paid £110 (she wouldn't
have lied an ****** for that much) without
having *******... to another one's dejection -
how many? let me think, from a choice of about nine...
7? i became a familiar face at one point...
and when i was almost £2000 quid overdraft on
a student bank account overdraft limit, you know why -
added to the fact that i was experiencing a
Madonna-***** complex feeling in the general
dating, dating app (never had one) part of society,
that Freudian theory is spot on... and it's
a feminine aspect, nothing masculine about it,
so i'm off the hook... i don't know how women balance
the two... but my **** knows (2 in 1 -
you can't tell me that urinating without *******
is pleasurable, no, you can't)...
                                                       at the brothel, no problem,
in life outside this domain... let's just say...
not enough encouraging actions... too many words...
too much talking... *******, sexting, role-play...
the list is endless... so few words are said where everything
feels like a vanilla liquor and smells like bourbon perfume.

Ode to Vietnamese Coffee

Vietnam has the best coffee
In the **** world
Just perfect

Hot as hell
Sweet as heaven

With a kick my *** attitude
To boot

Can’t resist it
Even thought it means
I can’t sleep

Must
Have
My
****
Vietnam
Coffee
Right
Now
 

VC2

In Saigon
One meets
All sorts of strange characters
VCQ

VCQ he called himself
He was filled with stories
From the war
And the revolution afterwards

VC2
Was a young man
In Danang
During the war

15 years old
Recruited into the VC
Infiltrated into the base
Just another street urchin

Stole away at night
Hiding on the big air base
Stealing things
To sell at the black market

Just one of the army
Of street urchins
That became friendly
With the enemy

They called him
VCQ
And the nickname stuck
That is what he called himself

Said that he had become
A VC Seal known as the VCQ
Learned his English
From his black marketing days
 

He perfect the art
Of wheeling and dealing
As a street urchin
In the mean streets of Danang

After the war
he rose through the ranks
Retired as a general
Became a college professor

Later opened his own business
An interior design business
When Saigon became Saigon
Once again

Wheeling and dealing
Around the world
Always one step ahead
Of the semi-communist authorities

One day he came back with 25 bottles
Of wine
The customs guy said
That is too much

He said but I can’t drink them all
And gave him 5 bottles
Problem solved
And VCQ laughed and laughed

As the wine washed over us
And we became drunk
With his endless stories
From the mouth of VCQ

Just another night
In Saigon
Drinking the Night away
With the VCQ
Future VC


Saigon is filled with interesting characters
Filled with fascinating back stories
One could write hundreds of stories
About the people one encounters

In a nail shop
That caters to mostly Korean visitors
We met a boy of 8 years old
Who was a natural born hustler

He had wonderful English
Wonderful French
And even some Korean
And he wanted to show us around

He spoke English
Without an accent
In an upper class British style
As if he were born to the manor

How and why he learned
English so well
Would be an interesting story

His Mother was also
An interesting character
Been running the store
For five years

Amused it had become the Korean
To Go place
In Saigon
Just one of those mysterious things

They had another shop nearby
A smoothie place
And he offered to guide us there
But were in a hurry

As we left
I thought to myself
Here is a future VCQ
The fascinating character

That had wined and dined us
Late into the night
Beguiling us with his tales
From his time in the VC

Wonder what this future VCQ
Will tell his future friends
About his past life
Living in a beauty saloon?

To know such things as the smell of beauty in the air... And the creativity a woman forges like her captive...Only to think that I could never walk away unless forced or asked. . .

Have you ever forced yourself cold as to protect oneself from harm.  The soft sharp edges. . .her nothingness and everything. . .

Only to think that I could never walk away from something with someone which honors worth... and caters love. . .yet, forced...as it burns.

Forever on the verge of revelation only to remain sealed. For the cost of self unflicted pain,  without mercy.   Yet grace lies upon her tongue like temptation.  Seducing my mind into moments of forever.

Throw your smiles, my dear,
Viewers take a crazy catch
Blush, it is all they wish
Cheer up, to cheer the peering eyes

Pep up your pleasing lips,
Veering eyes carry the sips
Laugh louder, you are allowed
Cry all out, they enjoy no doubt
Sob, nothing to feel sorry

Reflex your face, keep ready to face
Wink your eye, it sprinkles lust
Frown, you are the crown
Voice your tongue, it caters

Let the pearls in your cup of lips radiate
  fragrant flowers of joy and jubilation
May your breath resonate cool
  in the ears of the audience for years!

Sweeten your words, toast the taste
Sing, for an all-round swing
Synchronize your body language
With the symphony of the scene

You are the debonair in debut,
Heralding heroine of this film.
The quick buck of this movie,
Much depends on your quirk
Lens is ready to sense your synergy
Bless you my budding artist, go ahead!

Throw your smiles, my dear,
Viewers take a crazy catch
Blush, it is all they wish
Cheer up, to cheer the peering eyes

Pep up your pleasing lips,
Veering eyes carry the sips
Laugh louder, you are allowed
Cry all out, they enjoy no doubt
Sob, nothing to feel sorry

Reflex your face, keep ready to face
Wink your eye, it sprinkles lust
Frown, you are the crown
Voice your tongue, it caters

Let the pearls in your cup of lips radiate
  fragrant flowers of joy and jubilation
May your breath resonate cool
  in the ears of the audience for years!

Sweeten your words, toast the taste
Sing, for an all-round swing
Synchronize your body language
With the symphony of the scene

You are the debonair in debut,
Heralding heroine of this film.
The quick buck of this movie,
Much depends on your quirk
Lens is ready to sense your synergy
Bless you my budding artist, go ahead!

Tick tock tick tock
If a tick and a tock was a motion
That’s the motion I feel with him
Up down up down
As time wraps around me every night
It caters to me
It calms me during the darkest of days
Somehow with time I feel invincible
I wake up to time everyday
Time touches me as it kisses my heart
These motions I want to last forever

You know him , as Mike.
She knows him, as Tim.
Same man diiferent name.
Same profile, with a few minor changes.
He's the hunter.
The man about town.

Scheming and dreaming to get ahead.
You list your interest.
And he caters his ways to yours.

He's On E-harmony.
Upon Matchmaker.com.
He amongst many social dating line.
Feeding lonely women smooth lines.

Women outnumber men by many.
So, they should be surprised by the facts.
They get played only one.

Tracking him down only take time.
Just notice the days, nights and time he comes around.

He's the hunter.
There's one in every town.
Looking for that lost in love soul to put her guard down.

It isn't often that the sun refuses to rise.
Lately it seems to need encouragement.
Rising just a little later each day.
And when it is the sole reason that the passing of time is so named.
Everything caters to meet the new requirements.
Disregarding lunar activity.
Heliocentric minds have never felt so embellished.
A chaotic routine indeed.
Favoring those who won the right to stay apexed.
Only when so many fight to stay at the top.
Do all those in the middle lose center.
Compressing the foundation into neat distortions of the past.
Like laughing at irony meant to sting.
Or playing a stringless instrument​ to a deaf audience.
Captivating all the more.
For beauty lies in the only I that matters.

Throw your smiles, my dear,
Viewers take a crazy catch
Blush, it is all they wish
Cheer up, to cheer the peering eyes

Pep up your pleasing lips,
Veering eyes carry the sips
Laugh louder, you are allowed
Cry all out, they enjoy no doubt
Sob, nothing to feel sorry

Reflex your face, keep ready to face
Wink your eye, it sprinkles lust
Frown, you are the crown
Voice your tongue, it caters

Let the pearls in your cup of lips radiate
  fragrant flowers of joy and jubilation
May your breath resonate cool
  in the ears of the audience for years!

Sweeten your words, toast the taste
Sing, for an all-round swing
Synchronize your body language
With the symphony of the scene

You are the debonair in debut,
Heralding heroine of this film.
The quick buck of this movie,
Much depends on your quirk
Lens is ready to sense your synergy
Bless you my budding artist, go ahead!

As I write underneath the midnight clock,
Its tick tock strongly held upon the old oak mantle piece block,
Sandwiched between a bed rock table with twig let sticks scattered beneath my feet,
Made from that old oak&idylic sweet.

My hand nervously shakes the feathered pen slow, beginning to peruse all control as a master piece endeavours,
A fine wine so lip tip fruity and measured,
Oh but that butter wouldn't melt in her mouth,
His whiskey breath hanging on to a ginger rusty nail,
Gingerly he walks away,
She's heartbroken by his imp articular silence just a groan from a Dibley clown male.

Now there's a fly in his soup and cut ten doorstep loaves that crumbs the suit.
A hue and cry,
Sanctioned and absconded a meteor rock has landed,
Rock ash plumes fuels the late night skies,
Away from paradise she weeps and then she cries,
From her small cabin seat lost above the clouds staring down at the abyss land full of creeps and clouded pillow puff vales that slowly passes her way,
She stares on her motionless flight heralds.

She touches down on a threnody reminisces Brecon coffee hardy,
To which it blew a tear to her eye.
No more her engine seizes it breakers off,
Her demeanour has her tight fist heartbroken heart shattered into pieces of glass,
Her love is filled only in a half glass,
Still full of Love just one too many bruises causing frustration beneath her calm posterity,
Only someone somewhere can see what she can see,
Under that old oak&idylic sweet.

Torn on apologies no affection but long term miseries,
No lessons in love from the free bird that flew so high,
Selfish caters only for him who can't leave the past behind,
Can't communicate his problem and not keeping for keeps but misses her lovely radiant smile and Eire she speaks,

Her laugh as an acorn falls from the old oak and it hits him as a reminder of what's to come in such winter deep,
Autumn golden brown leaves falling, blowing in the wind to rest only on a large vacuum left devoid ed and unheard ed for him to weep and sweep.

When the wind ruffles thy feathers and the birds they do tweet,
I'll promise to keep this poem for you under that old oak&idylic sweet.

O'Reily@22062014