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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Mateuš Conrad Sep 2018
. you're using all the right words: for all the wrong reasons... and let's face it: if women own the monopoly on reproductive avenues... then men hold the ego-key, to slot their presence, through a door, that curbs or gives allowances, to what is thought... *** was nether a transluçent enterprise... oh look... the Roma sigma pops up... dire straits: de profundis - money for nothing riff - boogie boogie... milkshakes from the 1950s 'n' all... you know what my biggest pet peeve is? the englih language imitating ancient Latin, i.e. not applying diacritical "punctuation" markers to close in on syllables and make the language atomic (i.e. H is hydrogen, He is helium)... **** me... the same Brits who lived in the 19th century, are not the same Brits living in the 21st century... no wonder the fertility rate is s ****** low.... try ******* an english bride... no thank you; i'd rather **** a female gorilla.

the milkman passes my house
at, circa, 3am...
see the van skid around the bend
up the hill...
            
i listen to music at volumes
equivalent to my father working
the construction site -
i'll be deaf by the time i'm 50...
     and guess what:
                  for the music i'm listening
to? it'll be worth it...

dittoing out:
   have the criticism of post-modernists
ever suffer?
doubt: doubt, is the modern
relief from existentialist
    negation...
  
why is doubt being attacked?
doubt is half than that outright
******* of denial
proposed by French existentialists...
doubt is good in that it's
tornado of emotions,
you want to imitate Christ on
Golgotha?
  you doubt, and achieve the pinnacle
of the passion...
you start negating?
     you're, nowhere...

    on your own...

came the noun-phobia of philosophers -
the tinkers and tailors
of a.. what seems to be:
a noun-phobia
  guaranteed with fog...
   and thing..

  the term
  "thing" presupposes
the supposition of tree...
     which subsequently serves
the proposition: let's hide in it!

      philosophy and its infamous
noun-phobia -
               thing...
           and it's nihil...
  its nothing...
      
                 a ******* cul de sac -
     epigram -
       of quasi morse encoding -
     braille to boot -
September is coming -
           van Morrison (moondance) -
hiding autumnal chill -
           pan-Europeanism:
proto-"africa": either in Hindustan -
or Siberia;

suppose a moon, suppose a shadow by
candlelight, some edgy urban solo -
as a bricklayer i could raise kids
and crux on a woman -
          chicken / doctoral itching with
a blunt nail are called scratchings -
       hand-writing:
             less digits in the digital
formatting - and more
calligraphy...
                      the rotten handwriting
of general practitioners...
     Hippocrates might have made an oath...
but in terms of a handwritten cipher?
no clue...
               the canvas of a monkey
onomatopoeia within the confines
of a custard of a lexicon...
   a mouth thus opens -
a month begins -
instead of a tongue ejected from
the ivory temple -
  a sludge crescendo of a quasi
                 cascade of sludge gluing the
whole theater into
a replica of a Russian drinking game...

....                 ⠞⠓
          ...     ⠑⠁⠑
     ...           ⠞⠑
    ............                  ⠞
...                      ⠥ ⠎
     : : :           -  ⠎          
   ........ : ....           ⠕?

100 wolves of the continent...
for, but 1, fox,
of the English isles...
   i'll settle for that ratio...
and then i'll bite to ensure
a signature!

  howl all you want...
but have you ever found seagulls
annoying up the river?
more annoying than magpies
or crows?
             the wolves can howl
all they want..
ever endear the ear
to hear a fox "laughing"?
   no?
  might as well listen to me.
i cradle that sound,
above the chariots
of a human newborn...
        i grieve!
   i am... sombre gsture...
    a past, a passing,
a future, a wicker man within:
torch...
   banquette of souls!

    let's interlude -

   touko "tom" laaksonen -
    how can people "do" sober
           when entertaining such
extravagances....
        is it empathy, or sympathy?
            in the name of the either,
with either being the sum
of what wll never be a sum
allowance,....
     to gain from...
                  why not
       ****-ease up the ****
    for a zeppelin-esque
                            bomb drop -
(minor the Nagasaki) -
                    and hand-piked ****
with the cusp of your hand -
         throne of thrones -
  flagship?
   "king of kings":
  like ****...
  the holy trinity of
       the no. 1, as the no. 2,
   and subsequently the no. 3:
**** (father),
       take a **** (son)...
            ******* (the holy ghosts)...
king of kings,
never sat on the throne
of thrones...
   i always hated "artists"...
    painters -
   plagiarists -
      cheque sketchers...
             plagiarists...
         ******* indentation
from holding a pen to add to having
exposure to a grammatical examination...
       quality cinema:
panorama take on a versus of
heavy editing...
                     and there was a time
frame to encompass dialogue...
      somehow it fits:
the verbal myopic -
            the entire pre-
& post- canvas of a blinking eye...
   always the question of the
pre-industrialißed sketch;
words predating metaphor
akin to  -
  words versus metaphor
in genesis -
   format? anecdotal.

      in writing:
            by one hand alone,
made into two...
        my, my...
  what a ****** self-portrait
"assumption"...
        a self-portrait...
a wish for color,
with nothing to show,
but the relief of encompassed bones;
that become a disembodied
skeleton - minus a purpose
of tendon attachments...

∟          "contra"    Δ          -
equilateral my ***...

            a few days spent within the confines
of a Promethean *****,
     there be, elemental insomnia
of an electric bespoke...
if Prometheus stole fire,
who, in in all for ****'s sake
stole the saber of Zeus,
the thunderbolt -
electricity, who?
who craved the insomnia?!
             this Frankenstein-esque
insomnia-zombification -
             white as is white:
with all the dermatological
copper take on broken shins...
         should ivory coco -
come between piglet *** copper
auburn in terms of autumn...
******...
             *******!

take your ****** *** elsewhere,
and then... start spelling
it with a missing G...
when citing Niger...
  you do the double dip of the NBA...
you count the second dip...
why do i love Batman as the best
superhero?
  not of his superhero powers,
he has none...
          his enemies are
the only interesting
counter-factoids of
having implemented an existence
for.
   there is no exacting of
a superhero,..
   but there is enough
to mind an antithesis...

          tylko wieśniak
by wydział film w tym,
          bo sie nie rusze -
    cegła, kamień -
       pień - mur -
           i by mówił - w tym
co zamarzło -
          to co ostygłe -
    w co z tym samym -
        meine filmisch -
      i skakaniem świec -
   od i na nagim cieniem -
   pytać nad pyche -
       tanz! tanz!
                 moje iskry słów...
   sto! i lat,
    o wielbłąd churem o
grzbiet da, i da,
       iskra; alfabetu!
    bogiem impromptu
o czym warty: -gień.


- suppose a moon, suppose a shadow,
by candlelight - within the confines of
mercury - that quickened silver -
some edgy urban solo -

      as a bricklayer or a cobbler  -
shoes that deviate from ushering
an echo -
          i could raise children and keep
a woman: only if she decided
upon not allowing me
a leash -
            what a saddening affair
of minds and freedom...
           chicken doctoral -
i don't know: vanity of the impossible
mortal gain...

    the monkey onomatopoeia
    within the confines of a custard
of  lexicon....

          that Victorian image proof
source of envisioned Braille in
the confines of a primate...
  
handwriting:
itches, scratches, chicken esque
clucking... which is what
handwriting looks like these days,
what, with the coding...
    semi plumber,
half the electrician...
  and certainly null when it comes
to calligraphic invigoration...

- homosexuality was always a contingency
escapade to release suppressed yearnings -
a sudden but a non-fulfillment questioning
celibacy...

               you can enforce curbing homosexuality,
but then there are two outlets...
the perversity: or the question...
of Ayn and Sophia...
                          
        greeks ****** the hebrews in the hole
without an outlet - zee heed: with a missing A...
      Ayn - Aleph -
                    twin Adam -
          perhaps a Siamese abomination...

mind you... the forbidden fruit?
sounds more like... the forbidden flesh...

thee burdensome walking
the already burdened earth: as the fruit,
somewhere between the flesh of man's last predator,
contained, on land, and his hidden desire
for revenge and introspection,
a denial of commonality and shared purpose -
thou shall not consume
that which also hunts you -
little or no concern with equal
     measure of forbidding, that which you pet...
the forbidden "fruit",
in between the flesh of a sabertooth tiger,
and Cain's fruit of famine and incompetence:
               cannibalism...

   and why would you think about
drinking a ms. amber with pepsi...
pepsi! to coca -
and not slide in a slice of lemon
while you're at it?
  terrible mistake...
       well... one way to get y'er vit amins...

        and why is it that all the best
movies these days are about homosexuals?
the dutch girl for starters...
   me, drinking, watching t.v.?
either **** good drama,
a western,
   or a movie about a *******
homosexual...
          did i mention that i think that
homosexuality is an auxiliary escapade plan?
natural, of course,
    but i'd hate to have to life
a doubled up life -
then again...
     perhaps i would...
           me? i have a new girlfriend -
Sophia - and her ****: Philip -
           so am i expected to make demands
for the child they might end up
called Ayn, or Aleph?
                - the Wahhabi hypocrisy
    concerning music, or rather, censoring it...
but... but i thought the adhan:
the call to prayer: was sung,
rather than abiding by the catholic
credo murmur?
     no?
                         my bad... you know better...
i'll send you a postcard from
the Galapagos Islands,
if i find the time, to find:
    that 4th dimensional concept doing
the trigonometric shoom! elsewhere -
on a tangen "bias": **** knows where -
like a comet - missing a tail -
shoom!                                       gone.

shrapnel:

            not enough thrills for a hard-on...
... images... drawings...
   apparently fine art is not enough
stimulation to ******* to for these Arabs...
****? .....   in general?
cartoons.... cartoons of women....
   ... because?
well... apparently the niqab...
  extends beyond the realm of...
  readily available attire...
            women on the street?
   pornographic "actresses"?
                       you see the cartoon?
it's all ******* ******...
                  oh don't get me wrong...
amy adams?
  buff as an exploding Hindenburg...
    the pale ginger - milchskin...
                - unrelated:
   how about i sneak a skunk into
        a coco chanel perfumery -
while advocating that people will still
call it a: scent just shy of roses and strawberries.

- people have heard of incels -
but have they heard of Vcels?
    huh?!
   yeah, yeah... voluntary celibacy -
i know what a ****** sounds and looks like -
and, to be honest?
   there's hardly any rhetorical ***
involved -
         a bit like jerking off...
              monkish chants -
Byzantine -
     the fear of man,
   when his own inability flourishes:
     in a woman...
                          
these acts have become well trodden...
so well trodden that i'm
authentically surprised that anyone
would still goosestep them into
their mundane plagiarism's existence...
    replica invigoration:
turns out...
    
   zeit ist nicht gerade, aber
kreisförmig
...

                              touko "tom" laaksonen...
i.e. tom of finland...
   question: you think a macron over
one of those As
                     would do the trick in terms
of spelling correction?

  touko "tom" laaksonen...
you seriously can only watch European cinema
while drinking...
    again... invigorating the english language:
one baby step at a time -
a simple grapheme -

    the vater's S Z interchangeability -
   synchronised contra synchronized -
    settled -
    synchronißed -
                       sometimes the slithering S
of a snake -
   otherwise the rigid totem with
a torso of a zebra...
                     hardly a major investment -
but when i see English having moved
from the Elizabethan Shaky Steward of
thou etc. -
       imitating ancient Latin -
    coordinating the Greenwich study of
dyslexia...
            Joyce...
              no diacritical application?
   hell...
                 might as well release a bull
into a China shop...
                 or a rottweiler into chicken shack...
still... why is there an orthographic aesthetic
in practice, hovering over I and J,
  when there's no difference, as suggested
in CAPiTAL letterIng?
                                       ah... i see...
the english "think" they can bypass the para-
frontier, and the orthographic frontier
and race down to the metaphysics...
        first?
   you explain why it's i and not ι,
  and why it's j and not ȷ.
SøułSurvivør Jul 2015
~~~{♡}~~~

art in writing
art in ink
swirls and curls
to make you think

art in ideogram
which can't be bought
illuminated pages
full of thought

art as cypher
art as change
art as charcoal
chalk arranged

on board as black
as darkest oil
ink is art
our feignt

our foil


soulsurvivor
(C) 7/1/2015
~~~{♡}~~~
Meagan Moore Jan 2014
Light illuminates
my dis-entombed thoughts
on gilded kite

prodding dust patina
mellow mote drifts lilt

hoping not to puncture the membrane
– I run –
attempted lift

fresh soil turns under foot
tread and gait escalate
pocked path reverberates
my insistence to avoid puncturing

Deceleration
Halted earthen assault
I ****** with machination the aerial apparatus
prior to complete stagnation

Decrepit deceit eschewed
Again – I run –
taut paper snap
sheet lift
weightless message intones
in knotted vertebrae, and closed palm

my chest lifts in unison
diaphragmatic sigh punched hollow
rhapsodic finesse

privy to atmospheric secret
my hand translates the ethereal
smooth fluttering undulations
oscillating tugs, dives, and slay

Calligraphic flourishes echo the linguistic menagerie
Byzantine illustrations
Pellucid canvas drunk with dye

Evinced in muddled thought
The ink bleeds down the twine
indigo echoes of entombed vein 'neath flesh

Translucent pulse haunts taut string
furling arc – tensed tissue
acrobatic hydrofoil
tugs – glides – taunts

Ostensible horror conveyed in clenched palm
The ether curtly responds
Swift redirect

Sliced palm
Tethered scream evocation
cochineal deluge concedes

Deep purple liquid clings
Congealing - between sodden twine and palm

Whispering currents furl saturated line
into fresh groove, disturbing the clot
The wound bucks as flotsam

Relentless onslaught
I yield -
I release you

Your ethereal message tattooed into my palm
Some things were ne'er meant to be restrained
Onoma Jun 2014
Every droplet is center to
its ripple.
Similarly...a calligraphic circle
responds symmetrically/unsymmetrically,
as per its calligrapher.
Marcus Lane Mar 2011
My Vellum

Alluring and demure
In your virginity
Never yet
Creased nor crumpled
Your tight young corners
Remain stiff and pert
In their newness
Your long lithe sides
Tense for my careful touch
Lest blood be spilt

My gold nib
I dip
In midnight ink
Piercing its surface skin
And lift

It drips
One

Two

Black
Secrets
Back to their bottle

My hand is poised
Over your pristine smoothness
And with calm precision
I carve broad majuscules
That twist and cut
To hairlines of breathtaking
Intimate intricacy

Quick teasing serifs
Long lingering descenders
Strokes of tactile
Joy

Then stand back

Empty
In wonder at
Your calligraphic beauty
© Marcus Lane 2010
The power of the mind
I have heard those words
Thought them to be nothing more
Than just a play on words
But not today, oh, not today
It was the yellow sweater I saw first
I know right!! YELLOW sweater
Let's just let that go
Then the face, your face
The one I have been trying so hard not to forget
Those eyes I could not stare into for more than a few seconds
For they always seem  to be staring back at my soul
Saying I know what you are thinking, I can see your heart beating
I could not contain myself, like an open book I let out a smile,
My ***-IT-IS-REALLY-YOU! smile
Hidden behind the HAPPY-NEW-YEAR, LONG-TIME-NO-SEE greetings
Oh I believe!!!! I am a believer!!! i believe in its power
The power of the mind, My mind,
The one you have been breezing in and out
Of like a ghost, the friendly one though
Whispering your name in calligraphic puffs of air
Once or twice for the past couple of weeks
Now you are here, standing in front of me
The 3rd time today, asking if you had changed in anyway
And I saying just saying "No"
When all I was screaming inside to say was
Yes!!!!
Your fine self is finer than the last time I laid eyes on you.

©Belema .S. Ekine
©belemascribbles
There is this guy I have a crush on
KB Apr 2014
If you open your eyes,
Hopefully you'll see more
Than the way the moon leans
To light your face in the mirror,
And notice why it does
Instead.
And all the reasoning
For the dust in your eyes
Will be replaced with
Calligraphic writing
As beautiful as the glinting ways
Of the sun on ice.
Who needs to wear skates now, right?
Nigel Morgan May 2013
He had sat at his desk with intent to write to her. And he had not. He had sat and let his mind wander. He wanted to write if only to capture something of her he had yet to capture. It was as though by trying to find words to describe her everyday self he discovered it was often extraordinary, and it filled him with more tenderness that he could reasonably deal with. The other day he had written her a letter. It was rather ordinary, full of unplanned thoughts and descriptions, a day-to-day letter, but he had written it by hand, taking care with the curl and mark of his pen on the little sheets of laser-copier paper he felt suited him best. Once he wrote expansively (though never to her) on large sheets of thick, fine paper with a calligraphic pen and Indian ink. Now he felt more comfortable with a fine roller-ball nib and a light touch, on paper of a dimension and quality that seemed appropriate to the size of his script.

Today, as he thought about the letter he might write, he had imagined her finding his most recent letter as she came home, a letter with his careful handwriting on the envelope. It would be lying on the doormat with the brown envelopes, the circulars, the bank statement and one of the many journals she subscribed to. There was a letter too from her ‘pen friend’, someone who had invited her to correspond having been so touched to find a late relative’s letters full of the minutiae of life, but properly described and not the ad hoc jottings of what now passes for communication on social media. So this friend, who was not then a friend but an acquaintance, had set out to recruit a group of like-minded people she might write to properly, in proper sentences – and had, it seemed, fixed on her. He had been a little jealous at first that she should write, and write properly to this ‘friend’ she hardly knew, and since then she had so very rarely written to him. He had so wanted her words, on paper and not just her end-of-the-day thoughts on the telephone. But he had soon got over this jealousy realising how valuable this letter, written once a fortnight, would be for her. An opportunity no less, of the kind and value he could no longer provide.

It had changed the way he had continued to write to her. He stopped the hand-written caress of a letter on paper and took up what he called the Ten-Minute Letter composed at the computer. Not an e-mail, but a proper letter as an attachment she could print out. Written each day just before he stopped for lunch, he set an alarm on his phone and wrote for ten minutes only until the sampled chimes of Big Ben struck. It was a challenge, and to meet it he would prepare his ‘daily subject’ in those transient moments between the demands of work and other people’s needs, as he walked to work or cooked supper. He felt that by doing this he would eradicate that falling into passionate contemplation, the downloading of his memory’s thoughts, his often-intense feelings and emotions. He thought she would prefer such brevity, as she now had so little time for reflection, except when travelling.

In imagining that picking up of his letter he sought to imagine further. Would she open it straight away? Would she put it at the bottom of the stairs on a pile of things to take up to her bedroom, and read before bed?  Occasionally there was  a little time stolen during the day when, before the necessity to go at her desk and ‘get on’, she would sit on her bed with her cats and be conscious of her physical self. She would think of him beside her, kneeling on the floor in one of those occasional preludes to their passionate moments she knew he so loved, when he was full of tenderness, and he would kiss and stroke her, their quiet voices caressing each other in the lamplight. He thought of her carefully pulling the envelope flap open without a tear (whereas he could hardly contain himself, when a letter did arrive, from pulling the envelope apart). And she would read his careful writing, his late afternoon thoughts written after a long day’s work, before returning to more time at his desk.

She would read quickly, rather impatiently sometimes. She had to ‘get on’, attack the list, get things done. But just occasionally he surprised her. He would catch her attention. There was some phrase, some reflection that made her feel warm and loved. He would make an observation about her, and she would feel treasured and honoured by his words and be grateful for the time he had put aside to write them. And then the letter would be returned to its envelope, placed on the bookshelf beside her bed, and she would feel secure that she was loved, and could then put all that away for now and ‘get on’. But just once in a while she would recall the pit-in-the-stomach thrill of his first letters, as letter by letter he declared himself, saying what he thought of her, what he felt for her. She was often overcome with his play of words and would touch herself to sustain those rich feelings that would gradually envelop her; that someone could care about her that much. And for a while she was transformed . . .

Today, as he continued to hold his pen away from composing that first sentence, he had wanted to return to writing of her and for her. It was his small gift, his almost once a day gift. With words he knew he was on safer ground. He struggled somewhat in his *******; he worried that he disappointed her with his awkwardness and never being sure if he was doing the right thing at the right time in the right way. Perhaps in reading his thoughts rather than responding to the messages of his physical self, she felt safer too. He wanted her to know something of the intensity that she brought to his ‘being aliveness’. He remembered a recent phone call when for once he seemed able to say pretty much what he meant. ‘I hope I don’t presume in saying,’ he had said, overtly formal as so often, ‘ that one of the reasons I think we are the companions we are is that we have so much in common; we love the same things, we share the same joys and pleasures.’ And she had agreed. He felt this was true, and he wanted to celebrate this somehow; but they were apart, being on the phone, and he could not. There was less and less time for the joy of coming together, of that celebration of being-together that had once seemed beyond magic and the stuff of dreams and fantasy. There was now the ever-present awareness of the clock, of having to do this, needing to do that, and at a certain time. Their life together was changing and he needed to rise to the challenge that this change would bring, no matter how busy and preoccupied she became. He would write, he thought, and tell her that he knew this would be so, that she should never be concerned for him if there wasn’t time. Hadn’t she said she loved him, this young woman who had once been so diffident about speaking such endearments? She had already given him so much that he never imagined he would ever receive. Perhaps not for always, he was so much older than her, but for a long time to come. He must acknowledge the receipt of such gifts, and let her know he loved her all the more for her industry, her ambition, her preoccupation, and the beautiful, gracious person she was.
Nigel Morgan Jan 2013
Gradually as darkness fell the wind that had beset the travellers all day subsided and the particular silence of the lakeside clearing assumed a presence. It was a silence of the discrete movements of animals and sporadic calls of birds, the settling now into stillness of trees wind-tossed for a night and day, the breathing to and fro movement of a large body of water that already held the night sky’s reflections and would soon be enveloped in moonlight. Zou Fen rose and beckoned Meng Ning to accompany her to the Emperor’s Hall. There, they stood together on the long veranda and looked down through the sporadic trees onto the lake.

‘It is said that the Master did not discuss anomalies, feats of strength, civil disorder, or the spirits,’ said Zuo Fen quoting Confucius. ‘It is for you and I to disregard sorcery as nothing but illusion and cunning. We must bend our thoughts to seeking explanations from circumstance.’

‘We know, my Lady, that Yang Mo had already seduced the Emperor and his guests with his many and infamous illusions. To achieve these feats of the miraculous would have required a sizable retinue and the most careful preparation. It is unlikely that the Emperor would have countenanced such sorcery in daylight hours, so we might imagine how with the play of lanterns, fire and smoke Yang Mo was able to make the impossible seem possible. Like the actor he undoubtedly was, he was probably a man of commanding presence - all eyes would have been upon his person, all ears tuned to his words. And round about the harsh clangorous sounds and shouts of his assistants would be sustained as his illusions began to unfold.’

‘Wisely spoken Meng Ning,’ says Zuo Fen, ‘a most convincing exposition. So we must imagine how after a long presentation of illusory wonders, the imbibing of much wine and other intoxigents inhaled or consumed, the first presage of dawn comes upon the company. Guests and their consorts seek the privacy of their quarters, lights are dimmed, only the meditative music of the zither sounds in the Emperor’s hall as new confections of poetry continue to vie with the ancient verses. Then, as the Emperor rises to seek his chamber there, half hidden amongst the wraiths of mist floating on the lake, lies a sailing vessel, its single sail empty of wind, a spectre at once marvelous and shocking.’

‘But an illusionary boat, possibly a vessel that could not and need not run with the wind, something constructed, a shell no more, made out of the lightest wood or taut cloth that in the blue dawn would seem more substantial than it is, fashioned and placed in position by Yang Mo’s assistants at a right distance to evoke the illusion of reality.’

‘The Emperor summons his court and its guests, summons Yang Mo, regarding this as a step taken beyond what protocol allows, a violation of the ancient spirit traditions of the lake. Yang Mo stands his ground suggesting that this is his greatest illusion yet, that there is no harm done, and should the Emperor decline to sail on the ****** waters he will take himself away from his presence boat and all.’

‘At this Xie Jui, the second wife, lets it be known that she regards with some contempt the prohibition of a vessel’s presence on the lake. She wishes passage on the boat and if the Emperor will not accompany her she will go alone with Yang Mo. At this the Emperor is incensed but challenges Yang Mo to explain how he will deliver Xie Jui to the vessel.’

‘This is where, My Lady, we will need to seek the Red Slate Path that, it is said, Yang Mo prepared to take himself and his passenger to the waiting boat - only to disappear from view in front of the very eyes of the assembly. Our task for tomorrow perhaps?  Jia Li can be our guide as she surely knows its location.’

And so, as the three quarter moon rises over Eryi-lou and the chamberlain takes his leave of the courtesan, Mei Lim appears from the near darkness to escort her mistress to the small chamber where they will pass the night. Zuo Fen remains in a trance-like state but allows the ministrations of her maid to prepare her for the business of sleep.
      Meanwhile Meng Ning, intoxicated by Zuo Fen’s presence, does not return to his quarters but takes the terrace steps down, down to the lakeshore. He allows his official skills as a poet to fashion an array of characters he will first commit to memory, only later write out in his fine calligraphic script, and then destroy. Whereas Zuo Fen commutes between dream and reality he has no such pleasure. This is a stark, cold place at autumn’s end. But this condition only seems to excite and fuel his passion for this woman, this gracious, mysterious woman with whom he has spent the recent hours in close proximity. Her face floats before his eyes; her precise lips and still perfect teeth, gentle chin and youthful neck, the beauty and grace of her bearing seated cross-legged like a sage before him.  He imagines for a brief moment her long nakedness revealed in the bright moonlight under which he now stands. Holding this momentary image close to his physical self he makes his way up the many terraces to the small wooden chamber in which he will sleep.
       Despite her journeying and the revelations of the day Zuo Fen lies awake. She is savouring a very different quality of the night in this remote place. For many years she has remained wakeful in the hours of the Rat and the Ox to welcome her Lord Wu should his goat cart find its way to her court. She would like to rise and reflect on the images that hold sleep from her – but fears to wake her maid without whose close attention she might falter. This natural world beyond her court and the Emperor’s gardens are of an almost constant wonder. She reflects that as she gets older each season seems to become more vivid than its predecessor. This autumn, with its vivid dreams and visions, she likens to flowers picked from her garden, their colours and textures continuing to hold true and firm. Between such thoughts the intimacy of her time with Meng Ning remind her of the delight of human association. Aside from her dear brother Zuo-Si she has rarely known that keen intimacy of another man - other than her Lord. Though she has, she reflects further, in the writing of The Pale Girl, allowed her mind to explore the variousness of the body’s pleasure. To school Meng Ning in the arts of passion would be pleasurable indeed, and she considers he would be a most willing and attentive student. She imagines, for a moment, guiding him towards the exacting refinements of touch and stroke a woman requires to achieve the deepest coitus. Her body stirs as this thought takes hold and caresses her towards necessary sleep.

(to be continued)
Juliana Jun 2013
This is the machine.

Tucked under necklaces, poppies and daffodils
calligraphic fingertip Xs
hurry across pockets.
Thursday morning job postings
markers on construction paper windows
exhausted by making parts.
Keep weddings in thunderstorms
to hide the sound of windmills in chests,
bittersweet directions to ticking clockwork.
Carbonated water can’t convince summer to stay,
musical breaths and tulip footsteps
remind me of the gears in my knees.
Always buy wallets used
daylily bank notes folded into stairwells,
the heels of my socks.
Blue collars in ochre wheelbarrows
soaking next to the white ones.

We are quiet machines.

With cogs in our wrists
battery powered bone and sinew.
Baby’s breath white in our hair,
tiny bunches piled into collar bones or concave stomachs.
You have stars in your hair
whispering in manufactured voices
to pull out your eyelashes.
Consumed by the concept of concepts
on ravine park benches,
marred with newspaper labyrinths
smelling of rolled up sleeves.
Hand held gummy bears
prompt me to check my fluid levels,
bubbly orchids in my left palm.
Sugar intakes and patterned pants
hide homemade pulses.

This is the machine.
A Woman of Many Words

I am a Woman of Many Words
I am drawn to all those places
        That words congregate:
                 Libraries and bookstores
                       Road signs and billboards
                             Ticket stubs and subtitles
                                    Nametags and license plates
Each one a journey driving inside me
I am a Woman of Many Words
I love the way the shapes feel in my mouth
The skittle taste of syllables
I am drawn to especially long words
With their phonetic entities stretching out like tentacles to reach new corners of pronunciation
Words like
              Bibliophile and flippant-irreverence
                      Evanescent and Insouciance
      Mellifluous and Effervescent
                                       Mondegreen and Labyrinthine
Words like
Onomatopoeia and Tintinnabulation
I appreciate their weight on my tongue
The way my hands appreciate the thickness that is a fat book
I am a Woman of Many Words
I am attracted to their multitude
The space their figures take up on a page
The calligraphic punches
Typed up by keys
The carefully constructed
Brush strokes
Spouting
What is sure to be, nonsense
But I do enjoy the sound of nonsense in the morning
I am a Woman of Many Words
I cling to the lettered skyscrapers wherever I can find them
Because the familiar scent of scribbles across parchment is comfort food for me
I find them
On the backs of cereal boxes
And in Popsicle riddles
In fortune cookies
And alphabet soup
From magnets on my fridge
To junk food logos
And I hold on to them for dear life
For fear that silence should find me
And leave me empty
For fear it will take away the music of maracas
Made by words
Dancing the salsa inside me

I am a Woman of Many Words
because Words
Answer my Questions,
Soothe my fears,
and Humor my Whims
They are not always Right
But they are always Constant
They are not always Honest, in fact,
Mostly
They Lie
But ever so often
They tell such a Beautiful Lie
That you wish it were true
They sing from the rocks
offering Escape from
Terrifying,
Suffocating,
Mind numbing Silence
that echoes off my skeleton
I am afraid that silence will hollow out my insides
and leave me abandoned
with nothing between my Bow and Stern
my Forecastle all torn up
I am afraid of the skeleton inside me
So I am a Woman of Many of Words
For fear of silence
And contempt for truth
Because my words are sirens
And my shipwreck is home here
Rory Hatchel Mar 2011
Let me apologize to begin with
For the way I have to say this to you
Instant and digital with the flawless
12 point form in a unison moment
All these words flow like lies from a child
And flawed, a 1984 Brave New World
Jacked in and online, I swear to God
Microsoft is a virus in my veins and the
Side-effects leave me nauseated and yet
Comforted with the connection I feel
With everyone under this epidemic
And Mac is a twisted strain of my particular
Insanity. Glossy and chic in my pocket, on the go,
Steve Jobs is the ancestor of Doctor Wily
Making *** some bandwagon that needs jumping
Like SkyNet will make me safer, I’ve heard it before

I wish this paper was yellow and crackling
With the orange firelight it was written under
On a sofa, pipe in hand, with the Raven tapping
Melodramatic to the point of genius
Rather then the cliché that emotion has somehow become
And abbreviations become acronyms and symbols
Who has killed the fair maiden of language?
Beautifully laid and strung, pearls upon my page
Folded into my pockets and on the margins of reality
Like a child unwilling to wait to show his parents
The words escape and flee and I panic, pen trembling
Mind to tongue to hand and nerves in the ink
Like meter and scheme trying to restrain this infinite
Strand of DNA that is the flawless combinations of letters
And letters! Curved like a woman tempting and pleasing
To round my pen and finding sanity in the corners and points
Or the cursive dribble of calligraphic art practiced endlessly
By the scholars, monks, orphans, or even the X of a slave
Bearing his mark, leaving himself branded on the page

But I most apologize, I will get carried away
And that is not the way Times New Romans likes it
Debra A Baugh Jun 2012
flipping through pages of his mind,
caressing unspoken quotes; I whisper
slang of lust in his ear, ******* his big
ego to the bottom of his page, while his
drool trickles between breast; uttering
syllable after syllable as I re-write his script.

his hardness speaks fluently, inking
parchment with liquid tipped quill, oh! the
thrill as I bend his will, to fluidly flow; dipping
in inkwell of thoughts, penning desires and
want in liquid diatribe of lustful pleasures; like
a moth to flame flickering, as I lick verbs in
hunger to peruse his re-written script;
gripping sheeted pages to uncover his
beguilement; drinking in acknowledgment
of his golden chalice.

I want to decipher his member in autographed
curlicues of calligraphic swirls, teasing and
taunting as he watches, awe-struck; as tongue
etches each throbbing vein in ebonized charcoal,
sketched upon pages of wanton verses making
him scream with passion in prose; on bended
knee tasting my rose, penning his moans in
quotes against throat.

in heat of our passion, pages and scripts are
flipped allowing him to drip ink upon lips as I
whisper softly to his mind; want of him to grind
his neb of ache within my archive, articulating
history of hunger; as limbs mime each cursive
letter, insinuating one vowel at a time; licked
against silken parchment in tender stroked
consonant utterances; shuddering inside  
walls as nouns clench and moans escape
in adjectives shattering mind as wet tendrils
slide down firmness, fore, only she can do this
to me; making me flip volumes of pages while
inside wetness she drips ink all over in
chaptered stages.

each chapter I lick her spine; cornering her
in my mind as a sensual adversary; claiming
her as I untie her collection of copious sighs,
my mind tries to deny copyrights to her library;
as I place her upon my shelf, while against the
wall; ravishing her like the wild section of animal
kingdom, lusting while I watch her body fall
prey to breathless hunger, devouring
and savoring her bookmark; paying full
attention to her glossary of delectability,
that melts upon tongued bilingual text;
her nectar leaves its imprint upon
our handbook of worded aphrodisiacs.

cherishing our artistic volumes in ardency as
we're ready to publish our first draft, but not
before I slide her lubricious cover upon my
shaft; we begin to lay strokes of signatures
against our first editioned copies belonging
soley to us, as we scream in accented jargon
every second I tease; easing in and out,
shouting out in voweled ecstasy; gliding
thickness, gently against taut bookmark.

turning each page with deep thrusts, into her
inkwell; as I swell with friction, speaking in
fluent diction, of addiction to her sweetness;
dripping, as I'm slipping in tomes; thinking
about how she begged me to re-write our script,
spilling ink in delirious closure, in *******
exposure while losing our artistic composure;
writing manuscripts as ink spills upon volumes
of pages in disclosure.
just some ramblings that went through my thoughts one day...hope it makes sense to my viewers and readers
Hal Loyd Denton Mar 2012
Hodge Podge

I entered a shop titled paraphernalia in Canary Row as I started to enter a raw sea breeze rose it
Blew hard against my back little did I know I was about to enter a new world the place set the

Mood so much nothing that set everywhere but was in perfect order what a place to search for an
Indefinable item moving from one discarded disgraced piece to the next then an item of interest a

Pearl among bitter residue a case of leather with gold initials they were meaningless but they
Seemed to gleam like the time I approached a man setting in front of his house I was just a kid

Although I had lot of zeal for the things of God well it couldn’t be a worse situation as far as
Timing goes I just left a woman’s house that tended bar I thought what an opportunity she will

Be thrilled to see what is in store for her life that bespoke despair that has been more years than
I like to think about but when I shook her hand it was like taking a cold wet fish and holding it
I’m not being insulting just truthful the naive blur I was in was quickly taught a lesson it was like
Having a propitious sale on beautiful blue water and all held promise of good things unfolding

But the sea is the master of surprise that is it’s most captivating quality so from nowhere a
Knifing Wind rips the sail loose for a bit chaos rules that was my feeling as I stumbled away and

Came upon this man as said it wasn’t perfect he was opening mail just relaxing and I show up
And I’m Arguing this in my head to God he won’t listen it will just be repeat of what happened

But as I Passed his fine big car the sun glinted on the chrome and in that briefest of moments
God Spoke this is who I want you to talk to sounds good no God was talking to a deaf guy what

A Picture A tiny speck saying oh sure to the one who created this speck an all the rest so I
Soldiered On he probably thought what his problem I exuded a lot but none being confidence

Well after a Quick hello and in the next breath ready to say goodbye the spirit within started
Speaking Winsomely He dropped his guard I didn’t stick my foot in my mouth and we talked

Close to two Hours and at the end he gave me the greatest compliment he said you are a great
Salesman and it meant a lot because that was his line of work again don’t have contempt for

Small things so the Case intrigued me and spoke of promise so I purchased it a bit of history
Picked up a last stop for durable goods and it was such an announcement for the times it came

From it had forties written all over it when I picked it up I felt movement that felt like loose
Papers moving instantly it became more valuable what if it was an old movie script they have all

Kinds of stories about How Hollywood was everywhere up and down the coast and didn’t I bunk
Next to John Steinbeck’s son when I first got to Fort Ord the initials were in fact JS maybe he

Started another Story like Cannery Row Tortilla flat a sequel to Grapes of Wrath my heart raced
As I envisioned Spencer Tracy carrying this very case with the script for Tortilla flat they were

Both drinkers Maybe they switched cases in a haze of drink not unlike the mist that socks in the
Monterey Peninsula whatever it was I had to get alone and search the contents so I returned to

My sea Cabin at Big Sur it was already famous then Jack Kerouac spent time there he opened
Many Doors for me I took to the road in an imagination and later in real life I love the sea so the

Cabin Inside looked like a miniature museum of all things nautical I had the immense fire place
Roaring and the sea howled incessantly and the cabin groaned and creaked slightly what music it

Played To enhance the moment I doused the electric lights and lit the lantern you picked it up to
Carry it and you saw yourself as the old man trudging his way up the difficult path to the light

House Walking against a contrary wind so I placed the lantern on the great table that rested on a
Driftwood base sure I paid too much for it in Carmel but it was the best five hundred I ever spent

The twisted gnarled wood glowed with sea glory so now the time came to open the case with
Excited fingers I pressed and they released and I opened the lid in the shadowed light the paper

Might as well have been Silas Marner’s gold it was paper like rich parchment and strangely it
Had a golden quill I thought typical California you could find anything if you searched very

Long Of course no ink or well to put into it but since I am a calligraphic buff that likes that
Exquisite Way of writing I had the necessary equipment to get started writing with such richness

Crashing Against my heart and mind lost souls at sea and only their case survived it was time to
Write something the quill glowed the tip dripped as black blood the sound of it scratching sent a

Shiver through me the paper licked the ink and pulled it deep within its aged pores for hours I
Was truly lost on a sea of ink well what did you write well friend that is when the pirate in me
Arises and I have to say you will have to wait for the book but I will leave you with this it is

Dedicated to two Donnas’ one who got me restarted and the other that blesses me and others
With her soulful writing not the end by a long shot
A star has stowed away
In a part of my heart
The sky being this large, blunt chart
With the bright backbone: a strip of powder cloud
And the fussy dust beneath our boots
The chaparral under foot
Blooming purple, dry, splitting the cough drop earth
Red rock by rock
Our talking warms me
The taste of mint julep and tea
We, sweet past times: all they matter
Had a nail between us to hammer faster
There could have been curtains in our home
Were we grown;
Cantaloupe soaking in the sink
To string up at the brink
Think of how dry it got
The plants in their ***
Unwatered, untouched
Living as such--
Meanwhile, the clock combusted
Pounded out notes upon every hour
Its golden limb swinging up, lilting, wilting in its tower
Life deployed beyond this, grazing every flower
Their implicit movement stalls;
My nights wrapped in my shawls
Dark timber bark laments
In the fire so well spent
Rocking, I have remained here;
From the farthest port
You came with teeth and things
That fringe
Deliberate and outward bending, which scorches
Retires on porch swings
Shares time, stolen from what silent world may be out there
Bundled, told: "Handle with care."
But I do not care to pick at straws, or to stare
Between your eyes,
The lines beneath them
The calligraphic flourish
Touring deep, steeply descending
The tiled smile, pretending
Creaking, scarcely there and perishing;
I have not uttered your name
In the dark of this home
I have printed it, though, on occasion
In the pictures I hang
On the walls of this tomb
Painted path, fire we fashion
All the bits of compassion lodged like salt in my bones
Only thinking of your thoughts
Sipping slowly from your cup
Shuffling to the border in the corner of the world
Where the blooming sky is hastened
In its spatial recreations
That has fallen falls again,
Calling back, fiercely contend
Dynamics of a spark
A black hole tears itself apart
The where we are, the where we start;
Oh, Come the Day we might
Give less regard to light
Were I to move to where you are
Across the room, one room too far
It seems to me that I, in staying
Have distended what was fraying
Yet I stay- at least today
And may tomorrow bring the rolling, cetacean clouds back into orbit
May the sun fall with the rain
May my love call back again;
Once more, I think,
Once more.
Clayton Woolery Dec 2010
Such a shame to let loose
That I have absolutely no clue what I'm doing
But pretending seems to work so well;
You all claw at plasticine symbols
The letters deplored with a swish of the ink well.

Calligraphic self destructions mean something to somebody
Over an ocean with eyes so slight as to shine in the darkness,
Glinting in robes of black on the rooftops of rich dynastics
And the rhymes of yesterday creeping to the forefront,
Reminding me just of how hopeless hopelessness is--
The assonance of a retreating boxcar
Is steaming into the backdrops of consciousness.

Is it time to rewind somewhere?
The visages of paintings only mean so much
To the blind bats on cave walls in cavernous reaches
Of static television snow drifts.

It seems that you and I have come to the biggest of filamentous rifts:
Sifting between now and then we have mind-skips
Of epic proportion, a sickened distortion
Of all of the children left in their contortions
It's all leprosy in my eyes
Since the skies are burning down as we pinpoint abortion.

And we release that defeat, and try to find meaning in it all:

A lie of great size
Told from my lips yet it was--
You who believed me.

Together we made a chimera
A deception even worse than anything I've ever known
I said that some god had told me all the things that
that
that--

I can't begin to begin an apology
My mouth mummified by request next to Jeremy Bentham
I only wanted what's best for you--
But look at what you've done!
Oh, Crusades! Oh, Crusades!

Children don't lie with your eyes on the sunset
For Nietzsche is the ultimate navigator!

And you finally catch sight of the top of an alligator
floating in the oil, staring at you
slanted eyes smiling cruel.

It all makes sense now, what half believed lies
That explain how the darkness will come to rise
But the opposite side of our crystalline marble
Has known all along, they knew all along!

Facing the east, wasn't He?
Then even he knew
Perhaps what I said was not all untrue
And in fact
the fault lies with Him
Not me,
Not you.

Sincerely,
The Bible.
Western Philosophy / Eastern Philosophy
Cats and Sushi Apr 2014
Poetry is my blank paged bible, my desolate scripture, my calligraphic beckon, my feather-inked-tip to empower the thoughts that run.

The pressure, this monster that builds inside me only fades to release.
I can't let this bad wolf grow, the beast needs to be sown, into the fibers of these pages, advice spoken from the wisest of the sages.

This literature, this free world, rids me from my worries and silences the flurry, that spins and rages inside of my heart and soul. Silences the whispering foes. I only wonder why I let it go.

Hello Poetry, I need you.
Nat Lipstadt Aug 2013
Amassed an inventory of words, marvelous and concordant, reserved for the late at night, tremulous and tremor shaking, purposed to soothe with honey, milk and cookies, and coax them, the odd ones out,  to emerge slowly, oh so slowly, with a magnetic resonance, yank them from their granite tombs, and employ the force of Od to convert them over to their own side, and will not pause, be placated until they are my spring waters, my co-religionists, in grace and kindness, and I will levitate them above us, espousing our collectivity, each a designer, an artist of our gemeinschaft, free to come, free to stay, free to endeavor to clarify and excavate the roots so deep of the thin reeds of their solitary society, to stand up and count yourself linked but incapable of breaking the chain (see my photo) and even though there is nothing new under the sun, let us all remind them, a Seussian refrain, the sun nonetheless will come and clang, invitation engraved, naming you with calligraphic flourishes, a fine poem planted firm in our rooted hands saying:
                                  Welcome child
                                  >~~~~~~~~~<

*God Blesss the Child Whose Got His Own

Billie Holiday / Arthur Herzog Jr.

Them that's got shall get
Them that's not shall lose
So the Bible said and it still is news
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Yes, the strong gets more
While the weak ones fade
Empty pockets don't ever make the grade
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Money, you've got lots of friends
Crowding round the door
When you're gone, spending ends
They don't come no more
Rich relations give
Crust of bread and such
You can help yourself
But don't take too much
Mama may have, Papa may have
But God bless the child that's got his own
That's got his own

Mama may have, Papa may have
But God bless the child that's got his own
That's got his own
He just worry 'bout nothin'
Cause he's got his own
Od - a hypothetical force formerly held to pervade all nature and to manifest itself in magnetism, mesmerism, chemical action, etc.


Answer me
Why are the children
if not hurting themselves,
so busy hurting others?

I know hurt in ways you cannot fathom,
And I rise up daily with a but a single quest:
Banish the hurt, expel the hurters,
And practice the one true faith:
Kindness and Grace.


Sometimes the madness I read, too much, too much,
And I walk away and store my poems in another place.

But I am reminded,
There is no such thing as too kind,
So I wander back,
Chagrined and Chastened,
Hoping one among you
Will help to raise up
Me.
K Balachandran Oct 2016
"I easily forget names" his confession rings loud.
She smiles as if she knew this all the while,
She is a woman who forgives, like nature.
She loves his big hands and the promise
Of caresses to sow goosebumps all over
The infertile earth.Suddenly fecundity arrives.

Then, the scents, pheromones wafts to his mind
Speak the same language in different accents
At times it is read as the whispers of winged desire.
The purple hues of arousal, and if read from an angle
Different,it spells sin in black, in calligraphic letters

The flow he is, that dances through hills and dales
Wind and water romancing red earth and ocean.
Where once blood spilled in fierce battle with foes,
A tree full of flowers now smile,a magical moment of life!

She is the drop that oozes under the moss, gathering speed
The fog that spreads and embraces the extended woods.
She defies the limits of mind and touch ebullient galaxies.
She is the field of ripe corn, mellow yellow, gently swaying.
The seeds she collects and keeps safely in her living repository.
Whatever she spills becomes her on which tomorrow smiles.
At the window wind knocks,breaks the egg shell of a dream.
She emerges, opens the door, finds him gets charged once more.

It was raining outside, an auspicious hour, like blooming lotus,
Time to conduct fertility rights,for seeds to come alive.
He feels the stirrings nature creates, arranges all
Necessary things, he towers above all
He is the sun that spreads his warm rays around.
She is the fecund red earth to be sowed  at nature's behest.
The horns blow aloud, she heard, and closed her eyes.
Felt like a flower, ready to open her petals for a bee folding wings.
In left footed underwear,
Left on the floor,
My legs can't find the way out, my palms hardened from the mans work;
Dark and *****, the floor is full of ash,
From a fire we had in front of a fight,
That was lit from the fire in your naked belly,
And the golden spark of guilt in your darkened eyes.
And there is a threadbare mattress that was once clothed,
By our bodies and our sweat, and sleep,
And on the wall in the night, as you vehemently slept,
A thousand decisions were written on the peeling paint,
In calligraphic cursive writing, 'A medieval love affair',
As the heart drew breath in doubting love across the air.
Bare legged jeans, double ending tshirt and a naked bra,
An imprint left on your floor; a lack of interest,
Makeup left in a leather bag,
primal ******, a primary requirement of admittance,
A threadbare rug holds the handprints of many girls before,
Raw knees scuffed the richly spiced darkened stained wool.
Walking away with a left footed boot and a right handed eye,
Casting a backwards look from behind a blue glassed veneer,
Left with a scuffed heel and Viennese waltz dancing in my ears,
The last doorknob I ever touched, wonderland being left to the Cheshire Cat.
Drink me.
Eat me.
Swallow me.
And as I fall he demands,
He said,
'Where are you going?'
'Down the rabbit hole"
Am I stucked to the same old page of a withering book?
Has our story ended, why have I hopes?
But you go on forgetting me, maybe hating me,
why didn't you just explain?

Everytime I read a poem I wonder what would you think,
or if you cry reading unsatisfying,sad ends.
And I'm hiding behind my dusty glasses
while you're a step in front of me in a running over-crowded bus,
not greeting like we've never met before.

Because I miss you that's why I can't form a proper friendship
and people leave, like you did, inexcusably.
Maybe I only miss those idealised memories,
or need someone who understands all of my aspects like you used to.
And they'll keep the promises I believed in.

What if I'm stuck to you calligraphic inscription in a tiny note?
Do you still read those five pages letters?
Do you remember them? Do you remember me?
Are we complete strangers again?
I sat with my ***
I had so carefully
Slab-rolled
And I decided it was
Too plain
So I used the Elvish you taught me
To etch
In
My
Name.

I didn't have
The sweetbeautiful
Calligraphic guide
You made
Just for me
So I wrote what I knew
Your name
The arches and lines and dots
Oh so familiar from
Countless notes in this
Fictional language
Your language of love.

I sent the words out into space
Asking how to make a 'v'
And after I asked
I realized
What I almost had written
In this triangular ***

My name
Your name
Love.

I felt
Just like a 4th grader
Doodling in the margins
Of her notebook the name of that
Elusive 6th grade crush
That darling so far away
I felt

Stupid.
Jenn Gardner Apr 2012
Quasars are very bright galaxies with centers dominated by rapidly accreting black holes, existing somewhere near the beginning of time.*

It’s already dead in its brilliance. Fourteen billion measurements of meaninglessness. Illusionary existence, meant to quantify the moments in which man exists.
Yet compartmentalization is a mythical concept to galactic nuclei.
Remaining outside of quantification.
Not needing its suffocating extractions.

A void predating blood.

Before the beginning of intangible concepts.
Ruling the tangible world of man.

We have perceived a place apart from the temporal.

Now all we can do is make our drinks stronger,
inhale our herb slower.

In desperate attempt to un-see the
Calligraphic scratches on parchment.

Confirming the fact that we no longer exist.
The way that we did…
Before the sad ghosts of quasars scarred our skies.
Dani Apr 2013
I've got a broken heart
    And calligraphic
scars to match.
    Blood drops
painting their way
across a
    canvas
of skin toned
            flesh
I lost the quintessence
of my rainbow beaded being
along with
the calligraphic indian feather pen.

The blood from my arteries
are replaced with black ink on paper.
The ingenuity of it all.
How much I despise it
the unoriginality ?

Not feeling me in my own words.
Ricknight Oct 2010
beauty is something
that cannot be defined,
beauty is something
like love
you know when you
see it,
beauty that I am
talking about
isn’t the sunset
so beautifully painted
or a picture perfect
dawn,
its in the lines
that cannot be drawn
its in the self aligned
rain drops
weaving a symphony
its in the birds
choosing a perfect
spot to nest
its in the bees
buzzing for attention,
its on a sunny day
when you are staring
down the sun,
its in the coincidences
that leaves you
without a reason
its in the winds
commanding the trees
calligraphic words
on the invitation
for the change of seasons
its in the quiet stares
on the rocking chair
looking for introspection
its in the child
losing his way
begging for attention,
its in the tears
that refuse to cooperate
and thats because
we have difference of opinion,
and then we reconcile,
its in the waves
testing the rocks
and then the rocks lose it
and send the waves crashing
its in the disappointments
and the clock keeps ticking
what you thought was a setback
was a disguised blessing
its in the rhymes
that are beautiful liquid
my brain is a strainer
the beats couldn’t be perfect
make your soul feel nourished
its in the female body form
alive and post dark room
that curves got you stumbling
and by form I didn’t mean shape,
its in the feeling
when you come back home
from a vacation
knowing the best view
is from your bed room window,
beauty is something
you seek
when you find
beauty is nothing more
than a state of mind
beauty is...
jerely Feb 2014
Another page to write
Another days to smile and wake up
Another people to meet
And another years to come

Smoothly and gentle
Touching the calligraphic art of paper
Collecting stones and shell
Like a treasury gold of an armor

I'd like to receive and be recipient
As we go along
So join with me
And let's write


One step at a time.
I'm amaze of the new set/ theme of HP!!!!
yay!
i like this one :3

© February 8,2014
jerelii
Jay Oct 2014
Poems pose as pathways into me
By me I mean the depths that can't be seen
With the naked eye pryed open wide
Instead they pave a passage into my personal pods of passion
My inner solitude, my sour moods and attitudes
My attributes and traits that relate all of me to each piece individually
Poems create the most realistic vision of me
Deeper than a glazed over gaze into my soul
For in poetry rests the ability for normalcy to retreat from me
Exposing the roads closed and accelerating on them at speeds untold
Unprepared for what words my wit will wrap wildly entwined
As the thoughts flow so, in their prime from my mind
Travelling through my veins and exiting at the grip of my fingertips
As the ink drips in calligraphic patterns of raced mess appearing to make sense.
Each time I pick up my pen and write
I fight for the freedom within me to flee free
Thank you, Poetry
Graff1980 Apr 2017
It is a writer’s rage
that inks and turns
each bright white page
into a thing of calligraphic chaos.
Weird words are woven
into some coherent pattern
for the reader to readily discern;
Some hopeful aspiration
that denies or confirms
the appreciation the poet
hopes to earn
before time turns
his words to ashes.
Em MacKenzie Jul 2019
Shredded gold and silver flakes
it’s all been sold, from land to lakes.
I’m running up quite a bill
stationed up on my window ceil,
bargaining with Bungalow Bill
asking for a discounted thrill.
Vacant roads and silent trees
these heavy loads buckling my knees.
I couldn’t walk one more pace,
not known to finish a race,
I’ll forfeit before taking last place
then blame my undone shoe lace.

Within a half awake state,
I scribbled explanations too late,
they weren’t worthy or close to justified.
I’m just a chaser to bait,
too far behind at this rate,
but I’m sworn to the end so I abide.

A Prism view or black and white,
soft morning dew, or a starry night.
Which one should I prefer,
if they both blend and blur,
I sought the opinion from her
but accepted the first to occur.

I’m under the tree, the one from our seed,
taught me to see but not to read,
so I decipher each calligraphic,
with details too specific,
undesired outcome so prolific
my mind allows me to trick it.

There was more life in the tears
that stood back waiting for years,
only to greet their moment on the floor.
Falling down while nobody steers,
halting the joints and the gears,
and I will cover the space under the door.

We will equally share this burden,
lights off and close the curtain,
I’ll hide my breaths within the thunder.
Hastily halt then proceed to hearten,
and though I’m still very uncertain,
I’ll let doubt pull and drag me under.
mike dm Feb 2015
It gets my attention
I sense it
thumb it
When it isn't present
It is what I look for
When awaking

Lips are too ambiguous
Hips
too calligraphic and
Precious
Fists too ******

So...

I'll stick with
My inanimate object
Glitches n all
mike dm Jul 2014
Hips calligraphic lithe alive
Serifs flare up immortal coil

Her mouth speaks to me
Between my legs
A language draped in ebony curtain
Unknown and inscrutable

Rising up
Mounting me

Her fingers splayed on my chest
enter me
Five pens
Now digging
Pecks taut
Flecks of red burst
Tattooed unspeakables writ

Her stare penetrates mine
Authoring my little demise
Mike Adam Dec 2016
She moves like
A whisper

I feel her flush
My ear with a
Tickle brush
Of calligraphic pleasure.

You cannot exactly
See her

She moves like a
Breeze or
Jasmine scent

And then,
Gone,

Only the sweetened
Fragrance

Of a pure heart

In being
Amour de Monet May 2014
She follows you

Because you welcome her in

You send out fancy invitations

With calligraphic RSVPs

And wax stamped seals

You sprits them with the
Smell
 of your heartbeat 

And cradling arms

dare you not to risk

letting herself deny

The memory of  “we”

Dare you not let any sense

Ever evoked be

Forgotten


You sit patiently in hand

With understanding and silence

With independence and      love
*
Secretly lusting

For the moment

She rests her delicate feet

Firmly at your door

And you open with      
*Satisfaction

There she is

Ever so fragile

With her tear stained face

Needing you

Making you feel worthy

Giving you her life

Her breath

Her body 
            
that she unselfishly

Throws under you

For you

Dirtying linens

Where purity once lay

Taking your fill
Another piece of her empty
lonely soul
Weak fragile...and all yours


And you wonder why
She screams for you
   You say she can't let go
          
               Of course she can't darling

— The End —